VariZoom VZCINEMAPRO-JR-K2 User Manual

Cinema Pro JR
Operations Manual
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BEFORE YOU START, READ THESE WARNINGS
1) NEVER PLUG POWER DEVICES OTHER THAN THOSE SUPPLIED BY
VARIZOOM INTO THE SYSTEM. ONLY USE VARIZOOM POWER SOURCES AND CABLES. USING DIFFERENT POWER COMPONENTS CAN LEAD TO SEVERE DAMAGE TO THE HEAD AND EVEN THE CAMERA. THIS TYPE OF DAMAGE IS NOT COVERED UNDER WARRANTY.
2) DO NOT MODIFY THE SUPPLIED CABLES OR ATTEMPT TO
DISASSEMBLE THE HEAD.
3) LENS CONTROL CABLES MUST ONLY BE PLUGGED INTO THE
SPECIFIED INPUT JACK ON THE LENS ITSELF – NEVER PLUG A 12-PIN CONNECTOR ON A VARIZOOM LENS CONTROL CABLE INTO THE 12PIN JACK ON THE CAMERA BODY. WHEN IN DOUBT, CONSULT VARIZOOM OR YOUR LENS MANUAL.
4) THE ADVANCED CONTROLLER DOES NOT REQUIRE SEPARATE
POWER, IT RECEIVES POWER THROUGH THE GREEN-CODED CONTROL CABLE THAT CONNECTS TO THE HEAD. THE “AUX” POWER JACK ON THE ADVANCED CONTROLLER IS ONLY UTILIZED IN WIRELESS CONFIGURATIONS AND SHOULD ONLY BE CONNECTED TO A VARIZOOM POWER SUPPLY.
5) DO NOT OPERATE THE HEAD WITH AN UNBALANCED LOAD
(i.e., with the camera’s weight extremely off-center either horizontally or vertically).
6) DO NOT GET THE SYSTEM WET – IT IS NOT WATERPROOF.
7) ALWAYS MAKE SURE YOUR LENS AND POWER CABLES HAVE
ENOUGH SLACK RUNNING THROUGH THE TILT AXIS TO PREVENT TWISTING AND TEARING OF THE CABLES.
8) MAKE SURE YOUR LENS CLEARS THE BASE OF THE HEAD WHEN
TILTING. IF THE LENS DOES NOT CLEAR THE BASE, SET SOFT LIMITS (SECTION 7) TO PREVENT THE LENS FROM STRIKING THE BASE OF THE HEAD WHEN TILTING.
9) WHEN USING THE CP JR’s ONBOARD LENS CONTROLS TO
CONTROL YOUR CAMERA, ALWAYS POWER THE CAMERA UP LAST. OTHERWISE, THE RECORD START/STOP FEATURE MAY FALL OUT OF SYNC. TO AVOID THIS ISSUE, JUST MAKE SURE TO CONNECT XLR POWER TO THE HEAD BEFORE YOU TURN YOUR CAMERA ON.
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General Description
The CinemaPro JR is a lightweight, two-axis motion control head for film and video cameras. It has a wide variety of operating modes: manual operation from joystick, motion control style record and playback, “go to mark” preset framing. Software upgrade options are also available for additional features such as intervalometer, camera sync, PC data share, and additional recorded takes and mark points.
The Cinema Pro JR Advanced Controller gives the user all input and programming capabilities and has a joystick for pan & tilt control. The Advanced Controller also works in concert with two optional control input devices: Pan Bars for broadcast-style operation or Hand Wheels for cinema­style operation.
The Jibstick remote is a simpler, less expensive controller designed for one-man jib operation. The jibstick only offers joystick pan & tilt with smoothing and speed control.
The Cinema Pro JR’s lens interface controls zoom and focus. It handles several control signals: RS-232 for Fujinon digital lenses or Varizoom (TOC) motor drives, RS-422 for Canon digital lenses or Preston motor drives, position or speed based analog, pulse width type RC servos, and LANC.
The following is an in-depth description of Cinema Pro JR operation and a more complete description of each of its features.
Cinema Pro JR Advanced Controller
Front Panel buttons: – The top row of buttons default to act
like a normal record - playback system; record, rewind, stop and play. The top left button, ‘Q’, is used as a ‘Shift’ key. The bottom row includes: The “Menu” button = ‘*’ The “Accept” button = ‘<-‘ The “Cancel” button = ‘x’
The main page may always be enabled by pressing the “Cancel” button one to three times, depending on which sub-menu you start out from.
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The upper right portion of the LCD screen shows motor status and current positions for pan, tilt, zoom and focus. A check in the box to the left of the axis name indicates that that motor is enabled to run. If soft limits are enabled for the axis, the box is filled and appears white with a blue check mark. The numbers to the right of the axis names are the motor positions; pan and tilt are shown in degrees, and zoom and focus are shown as an unscaled number from 0 to 1000.
1. Navigating the menu screens
Use the knob above the joystick to navigate through the menu screen. This knob (called the setup knob) will also be used to change the value of selected parameters.
Use the “enter” button to select an item. The “Menu” button is used to enter setup menu.
When pressed while already in the setup menu, the “Menu” button will enter a second setup menu.
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The “cancel” button is used to cancel the last item changed, or to back out of a sub menu. Pressing “cancel” twice will always return to the main screen. The “Q” button is basically a shift key, and is used to change the function of other buttons. The “Record” “rev” “stop” and “play” are used for the motion control features. This will be addressed later on.
The main menu screen will show pan, tilt, zoom, and focus positions. It will also display which take is enabled, which go to mark is enabled, as well as a few basic functionality adjustments.
When changing the value of a parameter, the setup knob will increase or decrease the value in increments of 1. Hold the “Q” button while moving the setup knob, and the values will move in increments of 10. Hold the “menu” button while moving the setup knob, and values will move in increments of 100. Hold both the “Q” and “menu” buttons while moving the setup knob, and the values will change in increments of 1,000.
Display Contrast can be adjusted from the second setup menu. While in the main screen, press the “menu” button twice. Select the “contrast” option. Contrast can be adjusted from 0-100
2. Basic Setup
-Secure the head to crane, tripod, or solid mounting beam
-Plug the FACTORY POWER SUPPLY into AC mains
-Connect XLR cable between head and FACTORY POWER SUPPLY
-Plug green control cable into the head and the jack marked “CTRL” on the Advanced Controller (or Jibstick, if applicable)
-If applicable, connect camera power (red) and lens control cables (orange) and route the cables through the tilt axis port hole to connect to your camera
-Make sure to turn camera power on as the LAST step.
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Feeding External Cables through the Head
In some cases, you will need to feed video or other cables through the head. To do so, simply remove the cable covers (pictured at right, covers may differ slightly in appearance). 4 screws secure the long vertical cable cover, while only 2 screws secure the short horizontal cover. Run the cables through the pan base and tilt arm with enough slack, and reattach the cable covers.
If using the TOC system
Connect the TOC 3A (3 axis lens drive box) between the orange 16-PIN lens control connector located on the head, and the grey “control” connector located on the TOC 3A. Connect the Lens drive motors to the appropriate connection according to their function (zoom, focus, iris)
If using a Preston MDR2*
Connect the MDR2 box between the 16-pin LEMO connector on the front of the head, and the appropriate command connected on the MDR2 box (refer to the manufacturer’s instruction manual for proper connections). Connect the Preston lens motors according to their manufacturer’s instruction manual
*** Make sure that the MDR2 is not connected to any power source (including batteries) prior to connecting to the head. This can result in damages to the control console. The MDR2 will get all necessary power directly from the head. ***
Balance the Camera – Although the head will hold position very well, it operates best
when the camera is balanced on the mounting platform. With heavier cameras, it is essential, as an out-of-balance load will cause the servos to constantly fight to hold position. Make sure that the motor power is turned off before balancing. This will
allow you to move the tilt axis by hand. To balance the camera horizontally, you need
to place the camera’s front-to-back center of mass at the center of the mounting platform slot. You can do this by trial and error, sliding the camera front-to-back on the mounting platform until it stays level. The simplest accurate way to find the camera’s center of mass is to lay a pencil/pen on a table and try to balance the camera on it front-to-back. The spot on the camera where it comes closest to balancing on the pencil is the center of mass. Place the camera’s center of mass at the center of the mounting slot and secure the camera with mounting screws (2 if possible). When horizontally balanced, the platform should stay level.
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To get the vertical balance right, raise or lower the platform to get the camera’s vertical center of mass located on the center of tilt rotation. To adjust, loosen the platform locking lever about ½ turn. Turn the brass knob on the underside of the platform to precisely raise or lower it. Rotate the platform to various angles and adjust until it holds position at any angle. If it falls down, you need to adjust the platform upward. If it drifts upward, you need to lower the platform. When balance is achieved, tighten the platform locking lever.
After all connections have been made and the camera is balanced, the head is ready to be powered up. Connect the power supply to AC power. Switch on the Advanced Controller’s power in sequence: start with the switch on the left. Wait for sync to be established - a spinning diamond will appear in the lower left corner of the remote. After the diamond stops spinning, sync is established between the Head and the controller. Now switch on motor power (the power switch on the right)
Set inputs- You will now need to set the Head to respond to the correct controller
inputs. Press the “menu” button to bring up the setup menu. Select the “inputs” option. This will bring up a controller inputs grid.
Here is where you can assign how Pan, Tilt, Zoom, and Focus will be controlled. Move the cursor box to where you’d like to control each axis. Note: Make sure you have the correct controller selected. I.E. if you are using the joystick, check mark all boxes next to “Joystick”; if using wheels, make sure “wheels” is selected, etc. This will greatly affect the performance of the Head.
Overslung/Underslung- Make sure this selected for the proper configuration. If
this needs to be changed, simply move the cursor box over the selection, and press “enter”. This will change the Pan response.
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Lens- This only needs to be changed if you are using camera lens controls other than
the VariZoom TOC system. In other words, if you’re connecting directly to a Canon or Fujinon lens servo, or even a Preston system, you’ll need to go into this menu to set things up properly.
Press the “menu” button to enter the main setup menu. Select the “Lens” option.
When the “Current Lens” box is selected, pressing “enter” will change the selection.
Preston If you are using a Preston MDR2, press the “enter” button until the box reads “Preston.”
Canon or Fujinon Analog Servos If you are using a Canon or Fujinon lens with an analog zoom motor, press the “enter” button until “default” appears.
Connect the Lens Control Cable To set up the lens control, you need to first connect the lens cable to the servo jack(s) on the lens itself (NEVER connect to the jack on the camera body where the lens plugs in, or damage may occur). You will plug into the same jack(s) where you would plug in any external lens control, so consult your owner’s manual if necessary.
Adjust the Voltages You must then adjust the voltages in the lens menu so the lens servo responds properly – you may notice the lens zooming on its own when you first connect the cable, but this is normal. Start by adjusting the middle number until the lens servo stops zooming. If the lens is all the way at one end of the range, you may have manually zoom the lens in or out to reset the position in order to see if the servo is still moving. (Some people also flip the lens servo switch to manual and just listen to hear the servomotor stop running)
Once you’ve set the middle number to the proper rest voltage, you need to make sure the voltages on the left and right are equally far from the middle “rest” voltage. In other words, if your rest voltage is 4.00, the left voltage could be 1.50 and the right 6.50.
If the difference is unequal, you’ll notice the lens zooms faster in one direction than the other. The greater the difference, the faster the lens will zoom in that direction. The left number should always be lower than the middle number and the right number should always be higher than the middle number.
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Canon or Fujinon Digital Servos If you are using a Canon or Fujinon lens with digital servos, press “enter” until the lens manufacturer’s name appears. Digital servos should automatically work with no setup.
Head Setup – You only need to enter this menu to switch the head between wired
and wireless mode. Press the “menu” button twice to enter the secondary setup menu. Select the “Head setup” option.
- Using the Head in Wired Mode: The “Communication” setting should be on
“two-way” and the “Select head type” setting should be on “Wired”
- Using the Head in Wireless Mode: The“Communication” setting should be on
“one-way” and the “Select head type” setting should be on “Wireless”
Warning: In the “Head setup” menu, there is also a set of head speed options: “S­Standard,” “HS - High Speed” and “HSX – Ultra Speed” – DO NOT CHANGE THIS
SETTING FROM “S – Standard” – THE CP JR SHOULD ALWAYS BE SET TO “S - Standard.”
3. Basic operation and adjustments
WARNING: If your lens has an optical image stabilizer (OIS), we recommend that
you disable the OIS. The motion of the CP JR may cause the OIS to exhibit some strange behavior. In some cases, the OIS may create the illusion that the head is drifting at 90 degrees to the axis of motion (e.g., at the end of a pan move, the image may “tilt” slightly up or down). Turn off the OIS to prevent optical problems.
The Head can control Pan, Tilt, Zoom, Focus, and record start/stop (when available from the camera and with optional cables attached) from the advanced controller, and has programmable parameters for each axis. Iris can also be controlled from an optional FIZ controller.
Pan, tilt, and zoom can be controlled with the joystick by moving the joystick forward, backward, left, right, or twist for zoom. Focus is controlled with the knob to the left
Pan and Tilt can also be controlled by using the optional encoded handwheels or with the optional panbar controller pan and tilt to be controlled as if using a fluid head. This can also be fitted with optional Pro style zoom and focus controls. . Record start/stop is done by holding the “Q” button and pressing the “enter:” button. A “C” (for camera) will appear next to the “Go To” option when camera record has started. Note that the record start/stop feature may be thrown out of sync if you connect XLR power to the head while the camera is powered up – make sure the camera is off when you plug power into the head.
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