Malibran
Maria Malibran or Maria Felicia García was born in Paris on march the 24th, 1808 and died in
Manchester on September the 23th, 1836. Her father was the great tenor Manuel Garcia, her sister
Pauline Viardot-Garcia was a singer too. Maria Malibran‘s voice was exceptional for range, power
and flexibility and she could sing as contralto and soprano. She was a great interpreter, actress
and also a composer. Maria Malibran fell off her horse and died. She was only 28 years old and
immediately become a leggend.
The goal of the Malibran is to reproduce quality of our top models in smaller cabinet while
increasing the bass dinamic and making easier the room placement.
The Malibran model is the first loudspeaker system designed by Opera and produced by Unison
research. The Malibran model implement all the technical solutions developed by Opera including
the bass section developed for the Grand Callas model: the “progressive” low pass filter, the CLD
(Crossed Linked Dipole) and the TEB (sealed enclosure) for the three woofers.
Malibran model is a 146 litres, over 120 Kg., floor standing loudspeaker. We have reduced the size
while increasing the low frequency response. The Malibran as a two-way system with a powerful
passive sub-woofer and the CLD in the same cabinet. On the Malibran' s front panel there are four
mid-woofer and the tweeter which are responsible for the direct sound (and a lot of the reflected
sound as well). The front system consist of four “state of the art” mid-woofers and tweeter. Three
10" woofers are placed on one side of the cabinet. On the rear side of the Malibran cabinet there is
the CLS rear radiating system with 4 tweeters high-pass filtered at 2 kHz. For more information
about CLD and progressive filter see the attached documentation. Many efforts have been spent to
make the Malibran easy to be placed in the room.
Cabinet
The cabinet of the Malibran model is made in finely-shaped multiplayer and thick MDF veneered in
real wood finely polished. Front pannel is lined in leather that act as a washer for loudspeaker. The
MDF front panel is 4 centimeter thick and milled on both side to avoid cavitation of the air flow. The
curved multilayer sides are 3 cm thick while the rear MDF panel is six cm thick. The cabinet is
really heavy and rigid.
The internal volume of the cabinet is divided so that each woofer has its own volume separated
from midrange volume. Also the midrange chamber is divided into two separated volumes to avoid
standing waves. All this reinforces the structure and raises the frequency of the normal standing
waves so that they are easily pulled down by the absorbing material. The inside of the cabinet is
filled with a good quantity of acrylic wadding which eliminate internal reflections and aids bass
frequency damping.
Drivers
The 10" woofer is a new device developed by Seas that exhibit a very long linear excursion (28
mm pk-pk), an aluminium diaphragm and all the technical solution one need to reduce distortion
like copper rings and rear holes for de-compression. Though you may use a single woofer in a
reflex cabinet we choose to use three woofers in three separated sealed enclosures. In this way a
couple of Malibran is able to move 3 litres of air. During normal use the displacement of each driver
is so small that distortion and compression are reduced to negligible values. The woofer has a very
stiff aluminium cone, natural rubber surround and aluminium voice coil former. This woofer has
an excellent response up to 1000 Hz with very low distortion as requested for this design.
The Malibran model uses four mid-woofer drivers with the progressive low-pass cross-over. The
Mid-wooder is a 5" cone driver developed for use as a high fidelity Woofer/Midrange unit. The
extremely stiff, yet light cone and the acoustically transparent basket give tremendous bass
precision and midrange detail. Precision cast and surface treated magnesium cone coupled to a
natural rubber surround showing no sign of midrange (edge) resonances. Heavy copper rings
mounted above and below the T-shaped pole piece, to reduce non linear and modulation distortion
and to increase overload margin. Gold plated terminals mounted on a stiff glass fibre reinforced
plate to reduce contact resistance and improve reliability. Extremely stiff and stable injection
moulded metal basket to keep the critical components in perfect alignment. Large windows in the
basket both above and below the spider to reduce sound reflection, air flow noise and cavity
resonance to a minimum. That means, also thanks to the wide linear excursion of the moving coil,
little distortion and negligible compression.
Thanks to the high radiating surface and to the top quality of the drivers the Malibran model exhibit
a very low harmonic and intermodulation distortion. The tweeter is the well known and valued
Scanspeak 9700 model. You find one tweeter on the front panel, for direct sound, and four of them
on the rear side to form the CLD unit that feeds the reverberant field in the room. The 9700 tweeter
has a very low distortion (substantially of the second order) and can support a great amount of
power thanks to the wide linear displacement allowed. The very low resonance frequency allowa a
simple filtering with a 2KHz/12dB high pass filter with a minimum number of components.
Compression and Distortion
As current flows through the loudspeaker’s moving coil the temperature increases and alter the
ohmic resistance as well as other driver’s parameters. With multiple drivers the power coming from
the amplifier is reduced 3 times (woofer section) or 4 times (midrange section) and the temperature
of each driver remains low: this avoid compression effects and transient distortion.
In the Malibran model harmonic distortion is lower than 0.32 % from 50 to 20000 Hz for 90 dB SPL
output (at one meter) with minimum values less then 0.1% in the mid-bass region around 200 Hz.
These are values that you can define good for a valve amplifier. That means great details, no
listening fatigue, and great sound transparency. In most situations distortion components will be
lower than the acoustic noise level in your listening room.
Low Frequency Section
Each 10” sub-woofer has its own 40 litres chamber and they all work in TEB (Totally Enclosed
Box). The maximum dimension of each chamber is about 80 cm and the frequency of then first
standing wave is higher than the cross over frequency. Efficiency of the TEB is not as high as a
reflex alignment can be, but TEB gives some advantages: there are no duct (no cavitation noise)
and no passive radiators (no mechanical losses) and the cone movements is fully controlled by its
rear air volume. The low frequency slope of the TEB is less sharp than reflex one and so the bass
are more deep. Last but not least a TEB system is easier to place in the room.
Malibran' s woofer are placed in an uncommon position: they are all on the same side of the
cabinet. In this way the great part of the acoustic load at low frequency is due to the large cabinet
itself, only a little part of the acoustic load, at the very low frequency, still depends upon lateral
walls. This make the Malibran insensible to the relative position of the lateral walls. The woofers of
the right channel should face those of the left channel.
The acoustic barycentre of the woofers is placed at middle height of the cabinet and about 25 cm
behind the mid-woofers (not below the midrange as usual in a three way system) . They radiate the
upper part of their frequency range toward the rear wall. The sound radiation become directional
stating from 100 Hz: most acoustic energy is concentrated in the region between the rear wall and
the listening point. Less energy than usual reflect on floor and ceiling. Also this effect contribute to
make the Malibran model less sensitive respect the position in the room.
Woofer’s vertical dispersione plot at 100, 150 and 200 Hz
The Cross-over
The Malibran cross-over is not as complicated as it may seem (consider there are 12
loudspeakers!). There are four section:
rear tweeters (CLD)
front tweeter
midrange
woofer
Two switches allow to alter the mid-bass response ant the front tweeter level. The CLD emission
level is fixed.
Cross-over frequencies are 160 or 200 (woofer-midrange) and 2000 Hz (midrange-tweeter) with
12 dB per octave slope. The cross-over is divided into several different boards to keep coils far
from each other avoiding cross-talk due to magnetic induction. The woofers are connected out of
phase, mid and tweeter are in phase.
In the following figure you can see the emissions of many instrument and voices and how they are
reproduced by the Malibran model: for example the contralto and soprano voices (but also the
violin, oboe, flute, octavin, viola) are fully reproduced by Malibran’ s midranges. In our opinion
choosing a low cross-over frequency between woofer and midrange gives a better performance
and a more natural vertical dimension to the sound stage.
The “isotipica” region, mono recordings
In the Italian literature you find the definition of the “isotipica” region (literal: same kind region).
When you are inside the isotipica region you hear the mono signals as coming from the centre of
the two stereo channels. The “isotipica region” is usually small. This is a problem when there are
many people listening. One way to enlarge the isotipica region is to increase the number of
sources ( two for the right and two for the left channels). As the isotipica region enlarge, the
focusing of the mono recordings became poorer. The rear system acts as a second couple of
sources that is about 60 cm. behind the “main” source and thus “enlarge” the isotipica region but
this happen only at high frequency and is distinguishable only with mono recordings
.
Technical Specifications: Opera Malibran
System Floor Standing - TEB
Finishing: cherry and leather
Loudspeakers Three 10” sub-woofers, aluminium cone
Four 5” midrange, magnesium cone
One 1” inch front tweeter – silk dome, decompression chamber
CLD rear radiating system (four tweeter)
Number of Way 3 ways + rear CLD
Frequency response 20 -20000 Hz
Cross-over Hard wiring
12 dB/octave for the woofer
12 dB with progressive low pass for midrange
12 dB/octave High pass for the tweeter
Cross-over frequency 160-200 and 2000 Hz
Maximum power (long
period)
Maximum power (music) Crest factor > 14 : no practical limit
Suggested amplifier From 10-15 Watt RMS (without clipping)
Sensibility 89 dB/2.83 Volt/1 metre
Nominal impedance 4 ohm (Zmin >3.2 ohm)
Position within
surroundings
Dimensions 140 x 39 x 80 cm ( H x L x D ) 55 x 15.3 x 31.4
Net Weight 125 Kg 275 pound x speakers
Packed weight 150 Kg 330 pound x speakers
750 watt RMS (IEC signal)
Crest factor > 4 : 1500 watt. (no clipping)
At least 30 cm from rear wall (avoid angle position)
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