Two-Rock Emerald 50, Sapphire 100 Owner's Manual

Two-RockTwo-Rock
Emerald Emerald 5050
Amethyst Amethyst 5050
Sapphire Sapphire 100100
Owner’s Manual
Thank you for your purchase of a
As a discerning guitarist, you know the road to great tone begins with great components. Our classic design, carefully selected parts and hand-built approach combine to make an extremely versatile instrument.
Please take the time to read this manual. We hope it will answer any questions you may have.
We extend a warm welcome to you as a member of a select group of musicians who have
chosen a Two-Rock amplifier.
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FRONT PANEL FUNCTIONS
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1. INPUT JACK- High impedance input to the amplifier. Plug in your
instrument here.
2. TREBLE CONTROL- Adjusts the high-frequency response. In the full
counter-clockwise position, high frequencies are bypassed to ground. In the full clockwise position, high frequencies are allowed to pass to the next gain stage.
3. MID-RANGE CONTROL- Adjusts the mid-range response. In the full
counter-clockwise position, the tone will be somewhat “scooped” of mid­range response, emphasizing the highs and lows. In the full clockwise position, mid-range frequencies are allowed to pass to the next gain stage.
4. BASS CONTROL- Adjusts the bass response. In the full counter-
clockwise position, low frequencies are cut. In addition, the response of the treble and mid-range controls is greatly reduced. In the full clockwise position, low frequencies are allowed to pass to the next gain stage.
5. BRIGHT SWITCH- Boosts the high frequency response. This is most
effective when the input gain is set at 12 o’clock or lower. The effect is less dramatic as the input gain control is adjusted past the 12 o’clock position.
6. DEEP SWITCH- Boosts the low and low-mid frequencies. This is a
low frequency contour switch, changing the low and low-mid response.
7. INPUT GAIN- Adjusts the overall gain of the amplifier. Start with this
control in the 12 o’clock position. Keep in mind that the amount of gain set here determines the signal level feeding the lead channel. Low gain settings of this control will require higher lead gain settings for the same amount of overdrive.
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