Triadex MUSE User Manual

How

to

make Khise

music.

The Uuseis

« cornpleiely r.ew rorm

of

ffinsicsl self*c5pressloQ.

ll mikes campaslnB

ind pla^og music

ahno^ ascesy as&djusUnByourteleviskin

sel.

Thii booklet

stews you tew to naltc Masu

Biuiic.

How to re^Kiitc some ol ttecnusic

ihjt hat

sJradyr

been eumposed on

tte

Muie.

AM

how

w gu on rrura lhcf<. <o«*

music Ihat hii rieverbeen heard

The Muse was tnven ted by two MJ.7,

CKsors. U’s

a smsD digital eempuierthat

UMS (he latest deetronictecbnology,

BuL no cxpcricocc is re<^uircd, at iter In

computers

or in

imuie. First get used

to

p1a>Tig the Muse by foHowing

the

stepby*

Step insiniciiottf In this booklet Uten

come 0 cantpeser it your own light.

JocldeouUy, the Uuss is not a^'niisk

buK.”

Youcan'i gmii tu play

TwinUc.

Twinkle

,

Liltte Star' or “Yajilcis DoudJe/'

eK-At least wedon’t

rAiuAyou

can.

The UusoAlcrT^wherc all themujK that

has vscT been cumposed ks»veb <iQ. The

lilvse

is for

unnorruw's music. Mvsic

lhai

has

aeve

r been heard

before

... uni U you.

TYttth whal b sheid

for you

-

luniquc

aspericnec.

The Muse is one of ibe

products of

Triadex, Incorporated.

THidoK. lacorpurateJ. L2JI Chestaul

Strcel.Kewlon Upper FalKMtusarhusctts

02164 (617I969-U39.

OlBBl »«ad»tK

UuteuU.S.1^

AllrUtni Uhl

lul

thlU>6X IMCdkMkiT£D

tttMco UptMt Filb, lift

iWimMsMmh Im inukuSte i»s lact ii prrrttrlaa ihb

M«l I.* P»W.

Uarvu

L hW«Mr bne SnUlio

lihxBWRfebir*

«l (hrNcKj iM > Hr. Mtif«tov», Srcruc

d UuiM. ln«Uk, liKMpenM

Tbu best

Wf

lohepn is to bejin.

So...

Mtich the t\ idc switch scld ngs oa ^our

Muse to the ivUin^ shown in the jucture

f

as aJm showo on the BLecipe Chart beloiv

the ptfcluiv).

This Delink (ht four slide swiichcit in the

"Conducior 'seccuir of the Muse’s facfr

jristc —the lokver left hand comer^are

»e I u loJluwi ; Vultunc u

4

.

Tianpo oL S,

Piicliai4.anJ Pine Pitbli

o(4. The acUiii^

(or the ei[^( lung «ltdi! kwilchu at the

“CuDposer" ftcciiuii

—

upper right on tKr

faeeplule— shuutilbv* A0('B7,Ba[ Bl.

C 95. Dcff.W ufl. X B4. Y B23. Z off.

Plug in the Muse, put Ihe Auu>Hold*Siep

swiadi on Auto

.

.

.

piuh

the

Off-On<Suirt

fvntch

down

to ^tart and 1ct it jump bods

la

Cn.

Now si!

baitt

and

li.siun,

ThatV Ml chad’s Tune

—

nuDed after the

little

buy

who discovered it.

Tbei'c now . You've played your first piece

uf Musv Dusic,

BiflB

Thert^ d aiUlluii cun^sition< lor

>011 to mxko

00

yuur M(U«.

Most of (hen uAJiKorprod. Musi of them

Willing foryuutupf

7

iTiem loos«.

Ow of rh^ lunrt > Ths Muc«r*«

Waltt

Ut's lirir H.

F)rw pui ilK‘On«OfT-Sion swiieh. ..

<low«r

lefi bond

corner

in

(he Cundocior

sec<ioal ... lu Oft.

Now match the %\ id« kwi ich sett ings

on

C

r Mubo lo tha photogroph and th«

I pc Chari b«k)wiL

Fress On>0(r Sian (Jown to Stin

and lei

ii coioc bock up (oOr.

Vuila- The Uu«ei

's Wali2.

Uere » J»w The Uiucr’s VTaliz luulcs In

convcflLioiiiJ mii&ie nulaiion. (Conven'

tiooal notation i« unsecetssTy with the

Muse, but

inlen»iir|'iu

see.)

Notice the I hrw>posi tion

switch lo (he

right of **Fin«

Pitch?*' It's ealkd Aulo-

Udil-Siep. Up iti now it's been

in Auio.

Kix*p piayi og The Pdu.ser*s

Wil u, bul now,

pul Auiu4luld-Slep from Auto

(o

Ilokl.

The

Mum

1

6 now hoiilittf; ua one note

~

ju5l like

you ihougbl il would.

Now

(Hck the switch down to Slop.lkotl

again. Again, Faster. Cway

lime

you

flick

down lruo$iep,;hc

Muse plays ihcncn

note

—

or step

—

in the

composiUcei it's

working

oa

So nowiou know how

to

play

(he

Muse

mifiuaily.

Cohgnttulaijoiis.

Pul Ibe swdiclt back lo Auto, aod well go

OB to soiacihlng e(sc,

t 1 hrtf

the

sic

1

play on my Muse

2. Ev cry- one

knowswbal

I'ai talk- IPfi A* bout

3.

Ijim

Bunt Bou Bum IhK Doo BujD Dlin Doo Da

4. A* Mil-

ine

O’ rou9* irtg 1 love it so.

5.

U^ 1^ dies rhy* ihrrvi I*m sure you']! a*

6. Lum Sum Bou Diuv Dec Do Lum Diity Du Wun?,

1. Nuiv [ know why I'm

not sing- log the B!uc*s.

1. Mus- Ini's iuc pc-' upk’

wbu know how K) ShOUL

i. Bam Oil tv Diltv Tiddlc Doo

W« Bum Bee Do Da

4. My Muse is. your

Muse is !>UUh Tuo we know.

5. Souls <lxr urd swing when ihc

Mum sets (Lem

True

6. Sadat Soo Wi-u SlLlIc

Lrc* Wee Bunt Dec Do

Wee.

I f you’d tike tu »iag along

.

ou oi^ want

slow

the Musc'.s tempo clown, fhat,

of coum.*, j«

ihc function of ihv

swi ich i n Yvur

ConcJuci o

r Kcction. Slide it

downworO toward "Slew'' lu the Icmpo

thal

’s

most com fo rtub Ic for you

~

prub*

ablyaitfund

2 or 1

Now. Ju^t

Torlhe iivck oF it. speed |]ie

tempo u*a> uplo"

Fast .

’

Then slide it all

the way

down

nnd up

quickly.

Play around

wl l h the

tempo

a

Ni

.

and see the kin Ic

of

eflccisyoii gel.

All right, back 10 business.

7

OFF

ON

C-'i

C!
02
CA T

i>

i

Baek, 05 ihe? ^ay, to basics

Turn Thu Muse off,

Se I your ewi

tches

lu match chc pboio^raph

antlRuripeChin.

Pash OffOn-^iari

do\vn

co Sun and let

ii

hack

uplo Or.

Riehi

—

it's ibe sDod old scale;

ei&ht

t)o(»

in oseendine sequence repv&ud over end

orcf.

The Umo has come (o

^sork

theCoo>

powrut ibc Muse— (Ik Jtitcrval acd

TMmc

javulIks.

Ewry listc }*uii act them in t he pal tem

they are now the Muse wil I ptoy this autde.

So 1el*» see whs I ha ppura yuia

chervge

(he switch poilcro.

Push

tiks fourth Interval switch

w.

railed

’

D” —dn«n to pusi tkin C-S 1 1 he this

C2

C4

C4

you're playing

a

fv'o ucuveacalu

Insiesd of one.

Interval switch

D cuntrals

octavetv

Hc’ti slide ImervaJ switches Bund D up

lo OFF.

A

OFF

C-Vi

01

1

Cl
CA
C4

That makes a vx( u(

*

trill

'

pfiKcrn like

thK

Move Inierval

swiTch

AuptoC'tl.The

ftoeed

of (he iriH is doubkd.1l would

look

ilhc tills:

Now uaperimenl wi ih

al

I fou i*

Interval

Kwluhes.

A

,

B. C. and D. Move ihem I

ndi-

vidually around

to difTereiU positions in

the' Counl Region*'— (hat's from Off

down to C*6. (Blue area )•
Nolieu the i

)

uu arc gvnvraiidg more coov

picx local pe (terns whcfi vou pul (he

Thenu: awi ichcs

la (hu and €4

pOSi*

(iODS.

Thai's because (hose 1 wo positioru

group ibe Doles ol your meiody in tbreea

and sixes. au££cs(ir)gwall;y| ike tnusiciil

ideas,

How does this work? Prabably the tKisI

way toexplain it is to have you heor

o

simple example. Set your Interval and

nieme swlTchea In ihia pattern:

UhP

II

ON

C-Vi

&l

Cl

CA

D*C D

i

Press

OlT>Oi>S(ari to Stan and back (oOn,

Wluuyou are hearing is what mosidsiu

call a "pciftfci fifth."

BypuUcDglnfiscvaJ suitehClti the C*4

poxiiion yuu have mode

the Muss iddvc

four stoics hjgber

whenever

the Wue

liglii

at the

end of Uic C4 row

is

lit. The “A”

ewii

ch move* vise sole higher,

the "B

"

sw'itch tvu nutvh.nnd

the"C*'> awtich

four notes.

Again, cxpcritacnr around wiili Uu&

and

notice huw (lie blue llgluii InJIcaie

vrlui's

happening natiMMse,

Incidentally, il’s A good idea to

slow ihc

Tempn switch d<iwn la pusi I bn I or 2

while you

experiment, so that you am see

and hiar lln* differences which thd In

Icrval

cwilchLs create.

And one

moreiUing: Whesttver yoti lecl

like taiixigabreak,

(ujusi hear the Muoc

play

soineiliiTig, lurato page If.Thvrc

>QU* 1 1 find RL*cipc Chans vf

several uucd-

rwst lions. &c(

}

aur Muse swi idtes

lu ilc

pori ibnd utd ioied

and see whai

y

wget

fO(

raihcrlienr what >uu get.)

Firml

Iv

—

I hn Theme

switchw.

Thi»

b>sJKrrmu«tof

ihcmmiul excite-

ment cuflicA

rmm. The Them;

switches teJl

(he MiiSE howa metfiil/

is lube developed.

Of poriicularinponancexc

this area are

tlw |H)»itiQn!> frun

h-\ thrcH^ B’31. They

cGnin>l whri computer

people call

*'a non-

randum

al^iu-ivjiisier ^tciueoce.'

Want Ij h\sii wlml

unc of I hose souodK

kie?

Thee wi upfor"i:irs Rbyihiv)

ricu,"

Match )*our

vvUcIm lo iho pKoiognipb

and /nr Rc£)pu

Chart.

Mulicc

that

at tan bv^omtig

ut this piece,

Uv rfi> I Nm Is (|ulie simp

k, Ml (hen

de<

vidops into

a mucfi murv complex and

inleresims sequentc. Bui that

it is sllU

howil

OR Ihe same mavksil

idea.

ficcAuse

oDly two of the

Theme »<Aiictics

bavubcer

used, the piece

doesn’t last scry

lend before i>

lUrUbaeket tbs

bediniunip

If you move all four

Theme tswiiches down

lodjftereni

nmsof the

B region CB4

tbrousbB*3l) yixjirigtit

produce a cocd*

pusidun

ihai will last

for t^ral rnonilu

Ixfuc slutting buck

at ihc begionlng.

( L'niess you Lave

lota of llnic

on

your

lunds,

1 1

'$

bes I lu lake our word

for iU

So instead. lui the

ini ercetin^ rhy ibm

you've

already established with theThtme

nwi(ch»

run.and vary Ihc mdodic

juitcm

hy

moving the Inlerral

tJIdcb aruund into

various pusiiiuns.

Tills it aguod

vny lo

gci Ihe red of Ihc eocircCompa^r

section

—

and tliu rvlalinn»hip

bcivnxa Theme

and iBterval ewi tehee.

Whenavr yuu mose

a Theme

switch II ISO

good idea to preas the

Start

bill con. This

mokes iIk composittan

you

have cruacod $iart

el its very beginning.

Un the la!lowing2

pages you

1

l

finds com-

pfe te d ct^Am of alJ the

se swi icbes.

You moy want louse it a;>

a

genertJ

rclcr

CMC guide in ^ingui lo criuitisMusa

muiic.

Fun her on in Uils buoJOei

ere Recipe

duns of some

oC the pieces that itatt

eltuudybcen

cofppotcd oa the Muse.

You’ll olio find many

hlenk Recipo Chsrlu.

Whenetur you cruau; somethitig

you eejoy.

uriie ihv RLupc

down so \oiiTl always

be

able to rvra’ulc ii.

Hkiru i» ul bu a ttic I ton which

vhows you

someuf Ihe jccessorivs ihul att available

1

ina kc your Muse L

ig» cvea mex^ in-

tereslm^

And finally there is a

more technical

diKussion

of

how the Muse etas

whaLtl does.

The whole

peinlof

the Musv a lo

you

rhu chases

le etprsks yourcelf

in un abso

iuiely unique

way.

It's for you

(ocrcaic someiUag

which has

acviT b«n

created before.

It’s for

you tu eajoy.

Accessories

Exier/af / f^iphlier/Spuiker. 7Tii5

itfii

tin gW

sound, and a new dimension of

effect » whjcii nu can have your Mum

produce.

Ainpirfier/Speaker Extensian Cord.

Vrin|}9 as sdde4 Ue

I

pth pf

TSie Lisfii ShoTu See The rnu^ic

create on vour Muse oipresacd in

ook^and motion,

acetiol

coka's

less psychcdeilc

the

cilecis

with

ligfit.The

ordia&iy

found In

you

meerving-

uibur popuJor gatl^cis, but depeod

precisely on what musical notes are

beir^ pLa.icd. Less Apectacular« per*

hapt.hiii more meaningful The I.ighi

SiukV maXesyour Musc^ogs that

much morefnscinaring.

/ntrr-Wu4P

caabk you lO ion nec i

Musv6 loj^ihor for

niu»fc4

ftcdpe

push Ions.)

Muse acccsaurics ate

All

CuhTr nnd Adapter. The&s

luu or more

£reaii>T depth

upres^on. <Sec pa^c 17 for

Clurts oF MoIivMum com-

available where

in

yuuteitghivourMuscor by writing dircii

40 Triads,

Inc.

U

TTie Crazy Cuckoo Dl

INTERVAL

B.I

TH£kSE

X

S Normal

Mfehnd's Tune B.7

Birds Kgl

Dorian Muse

Mesopoiamfa

Moser's

Suiss Yodcler 04

Ron’s Khapsody n*

Waliz B-10 ^

MM

'

ON B.1

Cl B*5 B-9

64 B-5
B2

e*29

1

3-9

1

B-3

B-30

B.7

I

1

'

B-16

a*

Chnslmas Bells &31 &19

Marvin’s Todd B-1 3-17

Federal Row

Al’sSuirmsc

Mcdiiflliori S-l B.3I fi.U

PloiBanMfie

S14 9>i B-12

B-l B-S B-7

C-1 9.IS B.j

B-9

Nonnal

Konnal

Normal

5 Normal

Normal

Nomd

Polka B>l &I3 fi.il

Muse

ileiuurc Iht: sciUiigs for

niu&lc uc have routid lo he mieresling,

$11^7

asifidieuEnl.

Tlurc are also mom

for yaa to HII irs un th lelt ines for

yuurcorivpwnUonsyuu irdgni warn

play loior.

Music Recipe Cherts

Mnc of l}ic Muse

position the swiiuhusun your Muse

more bUnk chans

any ol

to

15

5

Mulii-Muse

rrru

Levin's

BOX ^1

Uuct

Recipe

A

Charts

fNTEl

1 B

m

BOX

»i

Marvin'S Duvi

'

B<r#1

>

Bov #2

Roger’s Duoi

Bos#i

Brc(#2

Hinder's Duet

BcM4<l

Bui

#2

Glue Slur

RoK #1 R.1

Box#;

Multf-Muse

Cvr rt«C{

Mase

in Ihc scrii:^^ sriU

froJj u'irt govern

the oiliiT Muse
the "siat'cs." Hou’i.'wr.all

Theme, Iniorval,

<

kiUeptmclenily

Kow

ihe Muhi<Mj<£ kKi|vChhrt

id en

puw un your own;

Cump05)«ioo>. mueh like

(tieny can be mede pulling

Theme mitche« in mafehing position*

(e,§., uli Xfi

etc.) Now PM I Intrrval xwhrhe«"A*'in ihe

some position

•'B 'ftnri 'C:"iii the

Uv«ly.

un C'.s .

onCIt.

C WQ Qr nvur« Muses

Cable Adapt«r(s>. The lin.1 Muse

select vnu i>f the

of the pgsKi Eh! it ies rvai

fnr when stnrru

witches Al C>d, «)l Yaai

ond puir Inler\*al nwiiches

Master:

(

sifiw

: R

n

D

B-l B-S

D-J7 B^l

B-ll

B-11 B-17

B-IO IV9

B-IO

[_

B-20 B-l) BIB

Music

lii

wi

bcilK inaatcr. fts

I he pilch anti Tempo

or Mmcj in iht

Volume, etc,) ssiH

in (hesluvo^r

some pusiiion rr.ipec-

II »wi I ch on CO

siv

licit un

other C45nitois

conipoa;l;otiMfcuin

logel an

bhie (v

rvad^ lO

iradiiioaal bar-

all the

.

C*5. and C sivi i cti

B-W

B-1

88

B.3

I mcr*

C

awi tch

c<hi-

of

^^‘ork

>

corn*

B-Jh

IV\L

c

B17 C4

m

&9

B-J7

m

M

B-7 OVi

m

m

.

THEVfE

( V f V

W

Tg

C-i

C-3

o

B-1

C4

ON

Oti

3-U

OFF

B-17 B4

Tncldeo tally,

In these Rcoipua ore
Nse haw dh»cuvered

to eee what it euuid

Qjutv

If you eume

liiriy

iwcUiriB, we'd be very

you tel ) U8 oboui it . I ns i drop

wiih yuur rucifte.

\Vh

0 knows, you muy uo d up

rnmous Muse compuscr.

Bl B->1 B-30

B

B

BIT

B-17 B-3 B-1

C4 B-1

ihc

that ureyet tc

up wl(l) oni: that

B-31 B-1

B.2

B

B

1

E-2 b;

cttroposilions

Just a finvof the

while tea ling the

do.Hicrc arc mil

bciraclc.

ha

A

OFF

OFF

B) B

fi-3

B-1 B-9 5

B-2

spelled eur

Is parlicu*

ppy

vs a note

be log a

7

£s

OFF

OFF 5

C4

83

a

—

15

B-IS

B-9

n

84

ones

Muse

II eats

io lave

V

3 5

m

3

IB

4

mm

B

5

B

5

5

3

V

%

m

Bj

B

3

m

3

3

%

Nontial

Nui mol

Resi

Rest

Noma!

Normal

Normul

NomnI

Normal

^torJn«ll

Once you bear buw this

move t(ie variuus

sssilches to illffvrcm

flta time. Be

TocuntpoHc

euunibTpoim.sci

idotricaiiy.
ceivai s«vltche»

dght

ruv^'s lunlier duwn, respecUvely.

theslara. Here again, you

manv cxdting

niBung caretkJ varbiions

praa Siari

10

sure tv prees ^rerfeacb

in the milieu uf eiutleal

Bui . huwover you set the

en the Ma:<tur»

and wmplex results

ufivr each cNtnge.

works for a slarl,

Theme and Interval

positions,

the Theme switches

one or twu

put ihent

cun achieve

by

. . . moking sure

lime.

In-

on

'aum « isrrrivi

fu.\ trii mitr lie im •••remai

I?

—

Whati»golng«n

the Muse

II

uibv )uu)lv cmi; ibing ilui lia}>peiu m

Ww

.

Mum iii sound gmcrolion. T>icMusc

(he

mties Thai's what makisil like ae>

convcMiunal

BiU (be

llicrc i» what

differenU

The Muw? makes

notes to niako.

In other

A cenipu

makeftcHnIcK. In hiilions Insuuvxa U

diooses between

is to 60V I hat I he

Thu

puter te a hiMerv dniev.

thU IS how it wurke.

And

Notice lh.*u

Theme

coluirmi/lighu— ooc li^ for each of

(he pusi( ions t he

«iJictuor

mind

capeibihi;.

d icB lur I iglit 8 hehava as

under^uitiJ huw itu Muau makes

music ic

Once Tou

pn^ict w l«4 ihc

Iw

gtvcD set of switch posihons.

Take an

example of a

tUS die

states; on or

(WO

Mii£e iacluried} aru

{ ihd

t han a

devices Uul have

being in one of

arc of]

through, and

flow.)

When

Bysiem i s off

number 0 { wro)

(lowing), UAlonds For

Awnglc

ligbu COB

fibly far.

whui lu do tl

So

COklDI lu 2?

a second

Add

hen Ihc firs ( UgM f ^

W

un. thsl

U
0>;ay. Bu i if

on, so

number i.

the

Stands

which

diem

add

Now

iru&lcaJ Inairumcm.

other thine (hat is haprenitu: tn

jitabss ilic Muse compleidy

Deeulons.

eUaicetAi nUcis ibe

w'orJs, Ihc Uusc is a computer.

ter, basically, ts a irttc b me Lhal

Yes or Nu; Oo or Off,

alongside the laicrvai and

swiicliea of ihe Muse iburelsa

lighit are our \r1 n dow to tbe

o( liic Muse— iIa

switches can be In . 7 hese

Bv naders landing why

doe$-

undcrsiond ibat, reu*)l be oble

Miwe uAU play for tny

ordi nary It^ i bu lb as a si

"binary device

poieruiol of

vast system u(

alwoiys bcLig In oqc af

off.

ihc puiuniiol of

Cwu vt a les: on or off.

w(>eo no elcc irlci i>* s flowing

nri when vlvcirictty does

aoy uoe of lh«

no ilo

w)

(

. Whe n It's uo

light—

HbcuncoJ the

count frumO

y(iu Viant your an lecu

liglii.

stands lor ihc

yuu t um

diM now

foribu

stands Tor tba

pul a

both are

(Light

nuuiber I. Liglil #2 U

(ugcihar;

tbirdlighiin Ibc aeries.

inside

Mb»e

decision makii^

they du. yuu'U

0igtta I compu

nothing more

binary devices

bsnary devieea in

It stands tcr t he

puisbcr

ihc

com-

or aoy

the in-

tlie

mplc

'

'

—because 1

alM-^s

(dcccriclly

1

indieaior

lers

m I. Nul icr>

and the

number two.

die firs t light

lighted, you

I U on. which

id

numbur 2. So

plus 2

1

aeuond

back

just

s3.)

When

(Tniry

the

(one).

to

have

on.

1

olT

li*s

othvra. And when lt*a on

number 4 (four

I h me binary devices

auriea

ff • tsO

Stan ds fur aero jusi Ukc (be

] t

count

). With ihcea I Ighta

lo seven:

up

iireprononta the

—

wecan have uur

0 • •= I

a d ds 2

* = 3

c 0

• d 0 = 4

I 0=5

0

• 0 i> = 6
0 0 ds7

Seven juit happens in be the number of

leal notes i n

mus

(Jg. re, mi, fah.aol. la, ti, do.

the end

die same wo/c as the first

U

scsle. Remember?

a

only sounded an ociovs nishar.)

U

to i his point wo hovebcoo lalklcg

p

abuui uu/71 b«rs \ iisl vad v t tivt es, bui

pTinciplc is Ihc seme. While other com-

puters hamL*ss ihcir binary sysiemi lo

numbers, ihcMusv harnesses its bljury

aysU'in

Le

noae are on, lei’s soy

mg

C. When I

note

ihe

lo/icuiu.

I's

back to i he th roe I

go

for iho H umDer h, It stand s for Che

ight

#

When light #2 i» on i (

P.

that i nRtiad of *

l b on. i i s tonds for

nolo £. And so forih.

Whether your code \a rumbers or

the digital aysiem works Ihe same way.

rnimcrlCAl

In a

rLprvacots xcto wlien it’s off,

ber whcB

it

'e on

each binary device

code

—

that number,

depending on tBe light's

Lhu aeries. While in a

rcacnis o musical note,

ITS 1 oral Inn uil bin Ihis sirriiis.

rwui

Up lu

nary lights bUstKling

bers and

wc liDve Men diw.sKlng

nuics,

muaisal code it rep*

still depumling on

roriniaDnnr>*num*

Nuw itb lime lo localize

to Lhtf JAuse.

The Muse— a

compulcr.

—

—

(The*'do''ai

'*de*',

the

IghiK. Whsi

laiul

itu(<

iHc

stand e for

noies,

and a nun>

of course,

locaUOTi wli&jD

imagi-

ourdiscuesiun .

,

16

.

Ic eonUiM 8 loog eurivs oi binary

device*,

The Muee** bictdiy dcvicca are iJoy tranab'

ion chat are either in * sia le otoA or

(Doa'tbciMaifuucd hy the row enigbtaoa

the psnd

—

they mmlv tndictiie fh« on-

DOSor o/<icae of ite blnsn devices

cransistors

euuapldcif iifihuaeid

with notes added.

Interval Slldea

—

incide.

Hen's

)

our previous

numbers, but now

of}.

»

ABC

• •

#

0 • Is 1 cwDor"nr"

• 0 1= 2 orEor'^mi”

0 0 l« J orFor 'fah’'

1 I Os 4 orCtir”soV’

•

0

1 0 Os 0 orBor’U'

0 0 Qs 7 urCuc“«lo"

Inside l&e Muse os

(lay Iranaia lurt are iii rning

having spedAc notes gonursted. The

slsionnreijuvenicd by

which is in lum govomed by the tetrrng

you

Euc

on«ng snd ofF*in^of the cransistore

lunheigovemedby the "Input”

in. Thu framework

Aed that's the job of the

terval awJlchc& A Jub widch

ilnuaJly Jidintudby the

Foreuniplc. let's look tt ihc freen lights

InifaeMuK'aE iraloci. Thuy^ow ivluitu

happalng la a vcncs ol Irnnsietors

Tu tmuisiors arc arrangi.'ij

'chaio* which U rontruHw by the cloch

meehaiilsri).

”0'orCor"cte"

=

Os & orAor'V’

vnu

(day. thousands oT

a

have natic

ihcrc's

on the "Tempo' switch.

b lot more to it lhan iliaL The

you CAtabbsh.

Thenteand In-

on nod 00

clock

(ran*

necbanbis

is

you (ced

ii belM COO'

Indicator l^ts.

inside.

In a son of

That's how Iba Muse

nuke music. Abd since

ibaj)

J4billi08 poarible nute e4MbbinaclQns

for tbe Muse lo use. i t 't making denstoM

or cMees

from tin iocrcdAlis variety.

liUlisMuceyouhavead

has liarnosscd Uk irost advanced

puter tcehaelogy to

vlnuaLly urillmiicd ways.

Thai’s

altnos I ljT^io9«ible

possIblBitos.

wby

ibcMiuc

coirbiewa ootes Co

there are more

insiniaieal that

com*

pitt notes t^elhor La

is so intriguing.

for you to exhaust

U’l

its

Abnoet. .

The Muse

By Trisdex. Incorporated

At cadi tick of live ulwck mecharusnii

state— llie ommss orufSnesk —

uvQilsior

OMto

gnen lights al

the panel.

ia ibc chalu Is pussed on from

ihencML

atovt

That’s

vecni

whaimukus

tv duvu down

Bui as the paiUam moves duwn, the

needs to get nevr InlumuiUoo

oin^ It

whether

arouad. And (An;

ha* 10 b« loU, for ((utonce,

first

should ha

the

tfcea lighi <rovB*l>

on OP on during Che next lime

Informacloo depends on

ui its

tbe

of each

the

chain

bv^n'

thepoMtion of tha swlt<he& To imkco

vety

longs rotyt hen, 8t each tickonbo

tnrrlianispi.

clo«

ulieoever fal the previous iTvk) IheThooe

swircbes were conoecied lo—

same tw oe— aaeven

the

ihai

lights

It's dmtkindcfsctMiy ihatisgcAjigon

within the Uut« during any given maracot.

were on,

IbeB'l light vtiUroott

ilisi f$ bl

manber of

19

ISiS CliAiuui

L.U>»^1>I -MS

roA neovLe

Tri^L*x, Inuur|H<nilcd,

Sirw;(,.'4v'w(vn Uppt.T P4lls«lria><»ibhuM:us