Topp Music Gear Mx2442 User Manual
24
OUTPUTLEVEL
SOLOMODE
TO AUX
TO AUX
MAIN MIX
TO L RTO L R
SUB3 4
MAINMIX
CTRL R
SEND2
STEREOAUX RETURNS
SOLO
AUXSENDS
SEND1
SOLOACTIVE
LEVELSET
CTRLROOM SOURCE
SOLO
SOLO
SOLO
10
20
7
LR
30
10
CLIP
7
0
FREQFREQFREQFREQFREQFREQFREQFREQFREQ FREQ FREQ FREQ
MIDMIDMIDMIDMIDMIDMIDMIDMID MID MID MID
BAL BAL BAL BAL BAL BAL
80Hz80Hz80Hz80Hz80Hz80Hz80Hz80Hz80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz
LOWLOWLOWLOWLOWLOWLOWLOWLOW LOW LOW LOW LOW LOW LOW LOW LOW LOW
800800800800800800800800800 800 800 800
100Hz100Hz100Hz100Hz100Hz100Hz100Hz100Hz100Hz 100Hz 100Hz 100Hz
8KHz8KHz8KHz8KHz8KHz8KHz8KHz8KHz8KHz 8KHz 8KHz 8KHz
EQEQEQEQEQEQEQEQEQ EQ EQ EQ EQ EQ EQ EQ EQ EQ
HIHIHIHIHIHIHIHIHI HI HI HI HI HI HI HI HI HI
12kHz12kHz12kHz12kHz12kHz12kHz12kHz12kHz12kHz 12kHz 12kHz 12kHz 12kHz 12kHz 12kHz 12kHz 12kHz 12kHz
HIMID-HIMID-HIMID-HIMID-HIMID-HIMID-
3kHz 3kHz 3kHz 3kHz 3kHz 3kHz
500Hz 500Hz 500Hz 500Hz 500Hz 500Hz
MIDLOW-MIDLOW-MIDLOW-MIDLOW-MIDLOW- MIDLOW-
SUB1 2
RIGHTRIGHTRIGHTRIGHTRIGHT RIGHT B
LINE IN 21LINE IN 19LINE IN 17LINE IN 15LINE IN 13
LINE IN 22
LINE IN 20LINE IN 18LINE IN 16
LINE IN 14
INSERTINSERTINSERTINSERTINSERTINSERTINSERTINSERTINSERTINSERTINSERTINSERT
BAL UNBALBAL UNBALBAL UNBALBAL UNBALBAL UNBALBAL UNBALBAL UNBALBAL UNBALBAL UNBALBAL UNBALBAL UNBALBAL UNBAL
LINE IN 12LINE IN 11LINE IN 10LINE IN 9LINE IN 8LINE IN 7LINE IN 6LINE IN 5LINE IN 4LINE IN 3LINE IN 2LINE IN 1
LINE IN 24
(MONO)(MONO)(MONO)(MONO)(MONO)
LEFTLEFTLEFTLEFTLEFT
BAL UNBALBAL UNBALBAL UNBALBAL UNBALBAL UNBAL
(MONO)
LEFT
BAL UNBAL
PHONES
A
L
TAPE IN
R
TAPE OUT
2-TRACK IN OUT
LINE IN 23
TO L R TO L R
2TKIN
TOMAIN MIX
PHONES
CTRLROOM
MAINMIX
2TKIN
SUB1 2
SUB3 4
PWR
INSERTINSERT
MAIN MIX
OUTPUT L
MAIN MIX
OUTPUT R
5V
0.5A
LAMP
AFL
PFL
MIC9MIC8MIC7MIC6MIC5MIC4MIC3MIC2MIC1 MIC10 MIC11 MIC12 MIC13 MIC14 MIC15 MIC16 MIC17 MIC18
BAL UNBAL BALUNBAL
24-CH COMPACT INTEGRATED LIVE
SOUND MIXER
111111111 1 1 1 1 1 1 1 1 1
11
1
222222222 2 2 2 2 2 2 2 2 2
22
2
PREPREPREPREPREPREPREPREPRE PRE PRE PRE PRE PRE PRE PRE PRE PRE
POSTPOSTPOSTPOSTPOSTPOSTPOSTPOSTPOST POST POST POST POST POST POST POST POST POST
DFX2
4
DFX2
4
DFX2
4
DFX2
4
DFX2
4
DFX2
4
DFX2
4
DFX2
4
DFX2
4
DFX24DFX24DFX24DFX24DFX24DFX24DFX24DFX24DFX2
4
44
3
DFX1
3
DFX1
3
DFX1
3
DFX1
3
DFX1
3
DFX1
3
DFX1
3
DFX1
3
DFX1
3
DFX13DFX13DFX13DFX13DFX13DFX13DFX13DFX13DFX1
33
MAX
TRIMTRIMTRIMTRIMTRIMTRIMTRIMTRIMTRIM TRIM TRIM TRIM TRIM TRIM TRIM TRIM TRIM TRIM
LEVELLEVELLEVELLEVELLEVELLEVELLEVELLEVELLEVELLEVEL LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL
SETSETSETSETSETSETSETSETSETSET SET SET SET SET SET SET SET SET SET
OdBOdBOdBOdBOdBOdBOdBOdBOdB OdB OdB OdB OdB OdB OdB OdB OdB OdB50dB50dB50dB50dB50dB50dB50dB50dB50dB 50dB 50dB 50dB 40dB 40dB 40dB 40dB 40dB 40dBMICMICMICMICMICMICMICMICMIC MIC MIC MIC MIC MIC MIC MIC MIC MIC
35dB35dB35dB35dB35dB35dB35dB35dB35dB 35dB 35dB 35dB 20dB 20dB 20dB 20dB 20dB 20dBLINELINELINELINELINELINELINELINELINE LINE LINE LINE LINE LINE LINE LINE LINE LINE
PAN PAN PAN PAN
LINE
USB
LINE
MP3
MX2442
LOW CUT
75Hz
18dB Oct
LOW CUT
75Hz
18dB Oct
LOW CUT
75Hz
18dB Oct
LOW CUT
75Hz
18dB Oct
LOW CUT
75Hz
18dB Oct
LOW CUT
75Hz
18dB Oct
LOW CUT
75Hz
18dB Oct
LOW CUT
75Hz
18dB Oct
LOW CUT
75Hz
18dB Oct
LOW CUT
75Hz
18dB Oct
LOW CUT
75Hz
18dB Oct
LOW CUT
75Hz
18dB Oct
LOW CUT
75Hz
18dB Oct
LOW CUT
75Hz
18dB Oct
LOW CUT
75Hz
18dB Oct
LOW CUT
75Hz
18dB Oct
PEAKPEAKPEAKPEAKPEAKPEAKPEAKPEAKPEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK
MUTEMUTEMUTEMUTEMUTEMUTEMUTEMUTEMUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE
19/20 21/22 23/24 SUB1 SUB2 SUB3 SUB410 11 12 13/14 15/16 17/18987654321
LMAIN MAINR
4DFX2RETURN
4 DFX2 SEND
AUXRETURNS SOLO
15dB15dB15dB15dB15dB15dB15dB15dB15dB 15dB 15dB 15dB 20dB 20dB 20dB 20dB 20dB 20dB
48
SUB 1 2
SUB 3 4
MAIN L R
10
dB
5
10
20
25
30
0
5
SOLO
40
60
SUB 1 2
SUB 3 4
MAIN L R
10
dB
5
10
20
25
30
0
5
SOLO
40
60
SUB 1 2
SUB 3 4
MAIN L R
10
dB
5
10
20
25
30
0
5
SOLO
40
60
SUB 1 2
SUB 3 4
MAIN L R
10
dB
5
10
20
25
30
0
5
SOLO
40
60
SUB 1 2
SUB 3 4
MAIN L R
10
dB
5
10
20
25
30
0
5
SOLO
40
60
SUB 1 2
SUB 3 4
MAIN L R
10
dB
5
10
20
25
30
0
5
SOLO
40
60
SUB 1 2
SUB 3 4
MAIN L R
10
dB
5
10
20
25
30
0
5
SOLO
40
60
SUB 1 2
SUB 3 4
MAIN L R
10
dB
5
10
20
25
30
0
5
SOLO
40
60
SUB 1 2
SUB 3 4
MAIN L R
10
dB
5
10
20
25
30
0
5
SOLO
40
60
SUB 1 2
SUB 3 4
MAIN L R
10
dB
5
10
20
25
30
0
5
SOLO
40
60
10
dB
5
10
20
25
30
0
5
40
60
10
dB
5
10
20
25
30
0
5
40
60
10
dB
5
10
20
25
30
0
5
40
60
10
dB
5
10
20
25
30
0
5
40
60
SUB 1 2
SUB 3 4
MAIN L R
10
dB
5
10
20
25
30
0
5
SOLO
40
60
SUB 1 2
SUB 3 4
MAIN L R
10
dB
5
10
20
25
30
0
5
SOLO
40
60
SUB 1 2
SUB 3 4
MAIN L R
10
dB
5
10
20
25
30
0
5
SOLO
40
60
SUB 1 2
SUB 3 4
MAIN L R
10
dB
5
10
20
25
30
0
5
SOLO
40
60
SUB 1 2
SUB 3 4
MAIN L R
10
dB
5
10
20
25
30
0
5
SOLO
40
60
SUB 1 2
SUB 3 4
MAIN L R
10
dB
5
10
20
25
30
0
5
SOLO
40
60
SUB 1 2
SUB 3 4
MAIN L R
10
dB
5
10
20
25
30
0
5
SOLO
40
60
SUB 1 2
SUB 3 4
MAIN L R
10
dB
5
10
20
25
30
0
5
SOLO
40
60
10
dB
5
10
20
25
30
0
5
40
60
10
dB
5
10
20
25
30
0
5
40
60
12
3123123123123123123123123123123123123123123123123123
12
3
12
3
PROGRAM(PUSH)
PEAK MUTE/
DSPMUTE
DIGITALSTEREO EFFECTS PROCESSOR
24BITs
00-09 Vocal
10-19 Small Room
20-29 Large Hall
30-39 Echo
40-49 Echo Verb+
50-59Flange Verb
60-69Plate
70-79Chorus GTR
80-89Rotary GTR
90-99Tremolo GTR
+
+
+
+
USB PLAYER
(Push& Hold)
POWER
TAC-MP3-T
Thank you for purchasing the TOPP PRO MX2442 compact integrated mixers, which
available for 24 channels. Your MX2442 is a remarkable compact mixer that doesn't
find many equals in the market today. With 18 MIC and 6 Stereo Line-level inputs for
MX2442
18
MX2442
MX2442.
MX2442.
MX2442
OUTPUTLEVEL
SOLOMODE
TO AUX
TO AUX
MAIN MIX
TO L RTO L R
SUB3 4
MAINMIX
CTRL R
SEND2
STEREOAUX RETURNS
SOLO
AUXSENDS
SEND1
SOLOACTIVE
LEVELSET
CTRLROOM SOURCE
SOLO
SOLO
SOLO
10
20
7
LR
30
10
CLIP
7
0
FREQFREQFREQFREQFREQFREQFREQFREQFREQ FREQ FREQ FREQ
MIDMIDMIDMIDMIDMIDMIDMIDMID MID MID MID
BAL BAL BAL BAL BAL BAL
80Hz80Hz80Hz80Hz80Hz80Hz80Hz80Hz80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz 80Hz
LOWLOWLOWLOWLOWLOWLOWLOWLOW LOW LOW LOW LOW LOW LOW LOW LOW LOW
800800800800800800800800800 800 800 800
100Hz100Hz100Hz100Hz100Hz100Hz100Hz100Hz100Hz 100Hz 100Hz 100Hz
8KHz8KHz8KHz8KHz8KHz8KHz8KHz8KHz8KHz 8KHz 8KHz 8KHz
EQEQEQEQEQEQEQEQEQ EQ EQ EQ EQ EQ EQ EQ EQ EQ
HIHIHIHIHIHIHIHIHI HI HI HI HI HI HI HI HI HI
12kHz12kHz12kHz12kHz12kHz12kHz12kHz12kHz12kHz 12kHz 12kHz 12kHz 12kHz 12kHz 12kHz 12kHz 12kHz 12kHz
HIMID-HIMID-HIMID-HIMID-HIMID-HIMID-
3kHz 3kHz 3kHz 3kHz 3kHz 3kHz
500Hz 500Hz 500Hz 500Hz 500Hz 500Hz
MIDLOW-MIDLOW-MIDLOW-MIDLOW-MIDLOW- MIDLOW-
SUB1 2
RIGHTRIGHTRIGHTRIGHTRIGHT RIGHT B
LINE IN 21LINE IN 19LINE IN 17LINE IN 15LINE IN 13
LINE IN 22
LINE IN 20LINE IN 18LINE IN 16
LINE IN 14
INSERTINSERTINSERTINSERTINSERTINSERTINSERTINSERTINSERTINSERTINSERTINSERT
BAL UNBALBAL UNBALBAL UNBALBAL UNBALBAL UNBALBAL UNBALBAL UNBALBAL UNBALBAL UNBALBAL UNBALBAL UNBALBAL UNBAL
LINE IN 12LINE IN 11LINE IN 10LINE IN 9LINE IN 8LINE IN 7LINE IN 6LINE IN 5LINE IN 4LINE IN 3LINE IN 2LINE IN 1
LINE IN 24
(MONO)(MONO)(MONO)(MONO)(MONO)
LEFTLEFTLEFTLEFTLEFT
BAL UNBALBAL UNBALBAL UNBALBAL UNBALBAL UNBAL
(MONO)
LEFT
BAL UNBAL
PHONES
A
L
TAPE IN
R
TAPE OUT
2-TRACK IN OUT
LINE IN 23
TO L R TO L R
2TKIN
TOMAIN MIX
PHONES
CTRLROOM
MAINMIX
2TKIN
SUB1 2
SUB3 4
PWR
INSERTINSERT
MAIN MIX
OUTPUT L
MAIN MIX
OUTPUT R
5V
0.5A
LAMP
AFL
PFL
MIC9MIC8MIC7MIC6MIC5MIC4MIC3MIC2MIC1 MIC10 MIC11 MIC12 MIC13 MIC14 MIC15 MIC16 MIC17 MIC18
BAL UNBAL BAL UNBAL
24-CH COMPACT INTEGRATED LIVE
SOUND MIXER
111111111 1 1 1 1 1 1 1 1 1
11
1
222222222 2 2 2 2 2 2 2 2 2
22
2
PREPREPREPREPREPREPREPREPRE PRE PRE PRE PRE PRE PRE PRE PRE PRE
POSTPOSTPOSTPOSTPOSTPOSTPOSTPOSTPOST POST POST POST POST POST POST POST POST POST
DFX2
4
DFX2
4
DFX2
4
DFX2
4
DFX2
4
DFX2
4
DFX2
4
DFX2
4
DFX2
4
DFX24DFX24DFX24DFX24DFX24DFX24DFX24DFX24DFX2
4
44
3
DFX1
3
DFX1
3
DFX1
3
DFX1
3
DFX1
3
DFX1
3
DFX1
3
DFX1
3
DFX1
3
DFX13DFX13DFX13DFX13DFX13DFX13DFX13DFX13DFX1
33
MAX
TRIMTRIMTRIMTRIMTRIMTRIMTRIMTRIMTRIM TRIM TRIM TRIM TRIM TRIM TRIM TRIM TRIM TRIM
LEVELLEVELLEVELLEVELLEVELLEVELLEVELLEVELLEVELLEVEL LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL LEVEL
SETSETSETSETSETSETSETSETSETSET SET SET SET SET SET SET SET SET SET
OdBOdBOdBOdBOdBOdBOdBOdBOdB OdB OdB OdB OdB OdB OdB OdB OdB OdB50dB50dB50dB50dB50dB50dB50dB50dB50dB 50dB 50dB 50dB 40dB 40dB 40dB 40dB 40dB 40dBMICMICMICMICMICMICMICMICMIC MIC MIC MIC MIC MIC MIC MIC MIC MIC
35dB35dB35dB35dB35dB35dB35dB35dB35dB 35dB 35dB 35dB 20dB 20dB 20dB 20dB 20dB 20dBLINELINELINELINELINELINELINELINELINE LINE LINE LINE LINE LINE LINE LINE LINE LINE
PAN PAN PAN PAN
LINE
USB
LINE
MP3
MX2442
LOW CUT
75Hz
18dB Oct
LOW CUT
75Hz
18dB Oct
LOW CUT
75Hz
18dB Oct
LOW CUT
75Hz
18dB Oct
LOW CUT
75Hz
18dB Oct
LOW CUT
75Hz
18dB Oct
LOW CUT
75Hz
18dB Oct
LOW CUT
75Hz
18dB Oct
LOW CUT
75Hz
18dB Oct
LOW CUT
75Hz
18dB Oct
LOW CUT
75Hz
18dB Oct
LOW CUT
75Hz
18dB Oct
LOW CUT
75Hz
18dB Oct
LOW CUT
75Hz
18dB Oct
LOW CUT
75Hz
18dB Oct
LOW CUT
75Hz
18dB Oct
PEAKPEAKPEAKPEAKPEAKPEAKPEAKPEAKPEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK
MUTEMUTEMUTEMUTEMUTEMUTEMUTEMUTEMUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE
19/20 21/22 23/24 SUB1 SUB2 SUB3 SUB410 11 12 13/14 15/16 17/18987654321
LMAIN MAINR
4 DFX2 RETURN
4 DFX2 SEND
AUXRETURNS SOLO
15dB15dB15dB15dB15dB15dB15dB15dB15dB 15dB 15dB 15dB 20dB 20dB 20dB 20dB 20dB 20dB
48
SUB 1 2
SUB 3 4
MAIN L R
10
dB
5
10
20
25
30
0
5
SOLO
40
60
SUB 1 2
SUB 3 4
MAIN L R
10
dB
5
10
20
25
30
0
5
SOLO
40
60
SUB 1 2
SUB 3 4
MAIN L R
10
dB
5
10
20
25
30
0
5
SOLO
40
60
SUB 1 2
SUB 3 4
MAIN L R
10
dB
5
10
20
25
30
0
5
SOLO
40
60
SUB 1 2
SUB 3 4
MAIN L R
10
dB
5
10
20
25
30
0
5
SOLO
40
60
SUB 1 2
SUB 3 4
MAIN L R
10
dB
5
10
20
25
30
0
5
SOLO
40
60
SUB 1 2
SUB 3 4
MAIN L R
10
dB
5
10
20
25
30
0
5
SOLO
40
60
SUB 1 2
SUB 3 4
MAIN L R
10
dB
5
10
20
25
30
0
5
SOLO
40
60
SUB 1 2
SUB 3 4
MAIN L R
10
dB
5
10
20
25
30
0
5
SOLO
40
60
SUB 1 2
SUB 3 4
MAIN L R
10
dB
5
10
20
25
30
0
5
SOLO
40
60
10
dB
5
10
20
25
30
0
5
40
60
10
dB
5
10
20
25
30
0
5
40
60
10
dB
5
10
20
25
30
0
5
40
60
10
dB
5
10
20
25
30
0
5
40
60
SUB 1 2
SUB 3 4
MAIN L R
10
dB
5
10
20
25
30
0
5
SOLO
40
60
SUB 1 2
SUB 3 4
MAIN L R
10
dB
5
10
20
25
30
0
5
SOLO
40
60
SUB 1 2
SUB 3 4
MAIN L R
10
dB
5
10
20
25
30
0
5
SOLO
40
60
SUB 1 2
SUB 3 4
MAIN L R
10
dB
5
10
20
25
30
0
5
SOLO
40
60
SUB 1 2
SUB 3 4
MAIN L R
10
dB
5
10
20
25
30
0
5
SOLO
40
60
SUB 1 2
SUB 3 4
MAIN L R
10
dB
5
10
20
25
30
0
5
SOLO
40
60
SUB 1 2
SUB 3 4
MAIN L R
10
dB
5
10
20
25
30
0
5
SOLO
40
60
SUB 1 2
SUB 3 4
MAIN L R
10
dB
5
10
20
25
30
0
5
SOLO
40
60
10
dB
5
10
20
25
30
0
5
40
60
10
dB
5
10
20
25
30
0
5
40
60
12
3123123123123123123123123123123123123123123123123123
12
3123
PROGRAM(PUSH)
PEAK MUTE/
DSPMUTE
DIGITALSTEREO EFFECTS PROCESSOR
24BITs
00-09 Vocal
10-19 Small Room
20-29 Large Hall
30-39 Echo
40-49 Echo Verb+
50-59Flange Verb
60-69Plate
70-79Chorus GTR
80-89Rotary GTR
90-99Tremolo GTR
+
+
+
+
USB PLAYER
(Push& Hold)
POWER
TAC-MP3-T
AUXRETURNS
4
CH12 CH11 CH9 CH8 CH7 CH6 CH5 CH4 CH3 CH2 CH1CH10
3
AUXSENDS
LL
43
RR
1
2
LL
1
2
RR
PHANTOMPOWER
DIRECTOUTS (BAL/UNBAL)
ON
OFF
USB
RECORD
PLAYBACK
L
CTRLOUTMONO
R
(BAL/UNBAL)
+15
-
8
0
4
SUBGROUPSOUT
3
2
1
43
2
1
SUBGROUPSINSERT
SUB
1/2CH23/24
MAIN
MIX.
MAIN
MIX.
ACINPUT
100-240V 50/60Hz
RATEDPOWER CONSUMPTION: 60W
Fuse:T1.25AL AC250V
SERIAL
MODEL
MADEIN CHINA
Useonlywith a 250V fuseUseonlywith a 250V fuse
RIGHTRIGHTRIGHTRIGHTRIGHT RIGHT B
LINE IN 21LINE IN 19LINE IN 17LINE IN 15LINE IN 13
LINE IN 22
LINE IN 20LINE IN 18LINE IN 16
LINE IN 14
INSERTINSERTINSERTINSERTINSERTINSERTINSERTINSERTINSERTINSERTINSERTINSERT
BAL UNBALBALUNBALBAL UNBALBAL UNBALBALUNBALBAL UNBALBALUNBALBAL UNBALBAL UNBALBALUNBALBAL UNBALBALUNBAL
LINE IN 12LINE IN 11LINE IN 10LINE IN 9LINE IN 8LINE IN 7LINE IN 6LINE IN 5LINE IN 4LINE IN 3LINE IN 2LINE IN 1
LINE IN 24
(MONO)(MONO)(MONO)(MONO)(MONO)
LEFTLEFTLEFTLEFTLEFT
BAL UNBALBALUNBALBAL UNBALBAL UNBALBALUNBAL
(MONO)
LEFT
BAL UNBAL
PHONES
A
L
TAPE IN
R
TAPE OUT
2-TRACK IN OUT
LINE IN 23
INSERTINSERT
MAIN MIX
OUTPUT L
MAIN MIX
OUTPUT R
5V
0.5A
LAMP
MIC9MIC8MIC7MIC6MIC5MIC4MIC3MIC2MIC1 MIC10 MIC11 MIC12 MIC13 MIC14 MIC15 MIC16 MIC17 MIC18
BAL UNBAL BAL UNBAL
24-CH COMPACT INTEGRATED LIVE
SOUND MIXER
MX2442
12
3123123123123123123123123123123123123123123123123123
12
3123
INSERT
BAL UNBAL
LINE IN 1
MIC1
12
3
INSERT
BAL UNBAL
LINE IN 5
MIC5
12
3
1
2
3
1- MONO MIC/LINE Channels
Your MX2442 is equipped with 10 low-noise microphone preamplifier with
optional phantom power, 50 dB of Gain and over 112 dB of S/N ratio.
You can connect almost any type of microphone. Dynamic microphones do
not need phantom power. Use phantom power only with condenser microphones
but make sure that the phantom power button is disengaged before
connecting the microphone. Phantom power will not damage your dynamic
microphones, so make sure to read the MIC instructions manual
before engaging phantom power. Use switch (48) to activate/deactivate
phantom power. These channels are also equipped with 1/4" TRS
balanced/unbala nced LINE-IN plugs to connect line-level instruments such
as keyboards, drum machines and effect devices.
These are channels 13 through 24. They are organised in stereo pair and
provided with XLR sockets and 1/4" TRS phone jacks.If you connect only the
left jack, the input will operate in mono mode, that is the mono signal will
appear on both input channels. You can use these inputs with a stereo
keyboard, drum machine, etc.
3- STEREO INPUTS
This is where you connect external sound processors such as compressorlimiter, equalizers, etc.. The insert point is available on the first 4 MIC
only.channels
2- MONO Channel INSERT
4- TRIM
The TRIM control is applied in the mono MIC and stereo input channels. It provides with 2 different
indications: One is for the MIC and the other for LINE levels. When you use a microphone, you shall read the
MIC ring (0~50 for mono MIC input, 0~40 for stereo channels); when you use a line level instrument, you
shall read the LINE ring (+15~-35 dB for mono MIC input, +20~-20 dB
for stereo channels). For optimum operation, you shall set this control in
a way that the PEAK LED(24) blinks only occasionally in order to avoid
distortion on the input channel.
5- LINE GAIN
When you use a line level instrument, you shall read the ring
(-20~+20 dB). For optimum operation, you shall set this
control in a way that the PEAK LED (24) blinks only occasionally in
order to avoid distortion on the input channel.
6- LEVEL SET LED
This LED will help you to detect the input level immediately. In this case,
the research of the fault will become much faster!
7- LOW-CUT Button
By pressing this button, you will activate a 75 Hz low frequency filter with a slope of 18 dB per octave. You
can use this facility to reduce the hum noise infected by the mains power supply, or the stage rumble while
using a microphone.
9- LINE/USB Button
By pressing this button, it will switch to the USB mode, then the USB signal can be sent to this channel or
the Main Mix channel; by releasing this button,the LINE IN inputs signal will send to the line input channels.
8- LINE/MP3 Button
By pressing this button, it will switch to the MP3 mode, the MP3 signal can be sent to this channel. by
releasing this button,the LINE IN inputs signal will send to the line input channels(You have to install the
MP3 MOUDLE first).
EQUALISER
There are 3-band EQ with sweepable MID on all mono input channel1-12: HI, MID LOW band. There are
4-band fixed frequency EQ on the stereo channel 13-24:HI, HI- MID, MID-LOW and LOW band. All bands
dB of boost or cut.
and
provide up to 15
If you turn this control up, you will boost all the frequencies above 12 kHz (shelving filter). You will add
transparency to vocals and guitar and also make cymbals crispier. Turn the control down to cut all frequencies
above 12 kHz In such way, you can reduce sibilances of human voice or reduce the hiss of a Tape player.
10- HI
This is a peaking filter and it will boost/cut frequencies from 100 Hz to 8 kHz depending on the position of the
MID freq control. This control will affect especially upper male and lower female vocal ranges and also the
harmonics of most musical instruments.
11- MID
12- HI-MID
13- MID-LOW
14- LOW
15- AUX SENDS Level Control
These four controls are used to adjust the level of the respective signal sent
to AUX bus, AUX1 and AUX2 can be switched to PRE/POST-FADER via the
PRE/POST button, so, generally, they can be used for monitor
This control gives you up to 15 dB boost or cut at 3 kHz. It is useful for
controlling voice. It can accurately polish your performance via adjusting
this knob.
This control gives you up to 15 dB boost or cut at 500 Hz.
If you turn this control up, you will boost all frequencies below 80 Hz.
You will give more punch to bass drum and bass guitar and make the
vocalist more "macho". Turn it down, you will cut all the frequencies
below 80 Hz. In this way, you can avoid low frequency vibrations and
resonance thus preserving the life of your woofers.
application and effects & sound processors input. AUX3 and AUX4 are
configured as POST-Faders. In this typical compact unit, excluding sending
out the signal directly to the external effect or processor equipment, AUX
SEND4 can also be assigned to the internal onboard effect module.
16- PAN/BAL Control
Abbreviation of PANORAMA control for mono channels, or the stereo channels, always says, BALANCE control.
Keep this control in center position, then the signal will be positioned in the middle of stage.
Each channel is equipped with a MUTE button. Pressing this button is equal to turning the fader down, which
can mute the corresponding channel output except for the channel INSERT send and SOLO (in PFL mode).
And the MUTE LED will illuminate.
Inside your MX2442, the audio signal is monitored in several different stages and then sent to the PEAK LED.
When the LED is red illuminated, it warns you that you are reaching signal saturation and possible distortion,
then you should reduce the input level for avoiding distortion.
17- PEAK LED
18- MUTE Button & LED
19- FADER
This fader will adjust the overall level of this channel and set the amount of signal send to the main output.
20- ASSIGNMENT Controls
Each channel provides four push-buttons: SUB1-2, SUB3-4, MAIN L-R and SOLO. Pressing the SOLO button, the
corresponding SOLO LED will illuminate and the SOLO signal will replace other signals send to the Headphone/
Control Room and Meters. Usually use the SOLO function in live work to preview channels before they are let
into the mix. It is useful to set an instrument's input level and EQ, and you can also solo any channel that you
want to. The SOLO switch never affects any mix other than the Control Room. The other three buttons can be
considered as signal assignment switches. Pressing the SUB1-2 will assign the channel signal to Subgroup1/2,
you can depend on the PAN switch to adjust the amount of channel signal sent to the SUB1versus SUB2, when
turns the PAN to completely left, then the signal can be only controlled by Subgroup1 and viceversa. In the
same way, pressing the SUB3-4 or MAIN L/R will assign the channel signal to Subgroup3/4 or MAIN MIX L/R,
and will also be affected by PAN.
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