INTRODUCTION 7
INSTALLATION 8
INSTRUMENT FAMILIARISATION 9
GETTING STARTED 10
Q SWITCHING 12
MEMORY OPERATION 13
AUTO EQ 14
AUTO GAIN 17
MASTER/SLAVE OPERATION 18
REFERENCE SECTION:
DETAILS OF OPERATION 20
DEFAULT/START UP 20
FADER ADJUSTMENT 20
GAIN ADJUSTMENT 20
CURVE/FADER 20
MORE EQ 21
A : B : LINK 21
UTILITIES 21
BYPASS AND RESET 21
MORE EQ MENU AND DISPLAY 22
FILTERS 22
A : B : LINK 22
IN/OUT 22
EXIT 22
FILTER ADJUST 23
NOTCH1/2 23
23
BACK 24
UTILITIES MENU 24
AUTO/Q 24
MEMORY 24
MORE... 24
EXIT 24
AUTO/Q MENU 25
AUTO GAIN 25
AUTO EQ 25
Q TYPE 25
EXIT 25
1
MEMORY/LOCKOUT MENU 26
RECALL 26
SAVE 26
LOCK 27
FULL 27
PARTIAL 27
EXIT 27
MORE... MENU 28
SLAVES 28
STAND ALONE 28
ALL 28
SLAVES 1 TO 64 28
MIDI CHAN 29
ADJ. LCD 29
INV LCD 29
FREQUENCY ENCODER 29
LEVEL ENCODER 29
EXIT 29
TECHNICAL SPECIFICATION 30
MENU STRUCTURE 31
SERVICE INFORMATION:
FUSE SPECIFICATION 34
MIDI CONNECTIONS 34
VOLTAGE CHANGE OVER 34
SCHEMATIC DIAGRAMS 36
2
DECLARATION OF CONFORMITY
The Directive Covered by this Conformity
89/336/EEC Electromagnetic Compatibility Directive, amended by 92/31/EEC & 93/68/EEC.
73/23/EEC Low Voltage Directive, amended by 93/68/EEC.
The Products named above and hence the Variants thereof listed above comply with the requirements of the above EU directives by meeting the following standards:
EN 50081-1 (EN55022 class B)
EN 50082-1 (IEC801 Part 2, 4 / ENV 50140 / ENV 50141
EN 60065.
Signed:...........................N. G. Tembe
Authority:Head of Engineering, EVI Audio (U.K.) Plc
Date:1st January 1997
Attention!
The attention of the specifier, purchaser, installer or user is drawn to the special limitations to
use which must be observed when these products are taken into service to maintain compliance
with the above directives. Details of these special measures and limitations to use are available
on request, and are also contained in product manuals.
3
Attention!
Cables:
This product should only be used with high quality , screened twisted pair audio cables, terminated with metal bodied 3-pin XLR connectors. The cable should be connected to pin 1. Any
other cable type or configuration for the audio signals may result in degraded performance due
to electromagnetic interference.
Electric Fields:
Should this product be used in an electromagnetic field that is amplitude modulated by an
audio frequency signal (20Hz to 20KHz), the signal to noise ratio may be degraded. Degradation of up to 60dB at a frequency corresponding to the modulation signal may be experienced
under extreme conditions (3V/m, 90% modulation).
4
THANK YOU FOR USING THIS KLARK TEKNIK PRODUCT
To obtain maximum performance from this precision electronic product, please study these
instructions carefully. Installation and operating the DN3600 is not complicated, but the
flexibility provided by its operating features merits familiarisation with it's controls and
connections. This unit has been prepared to comply with the power requirements that exist in
your location.
Precautions
Before connecting the unit to the mains power, ensure that the operating voltage is correct for
your local supply. Operating voltage is indicated on the rear panel.
Do not install this unit in a location subjected to excessive heat, dust or mechanical vibrations.
Power Connection
Connection is made by means of an IEC standard power socket. The unit will operate off any AC
voltage between 100 Vac and 240 Vac @ 50 Hz to 60Hz.
Before connecting this unit to the mains supply, ensure that the fuse fitted is the correct type and
rating, as indicated on the rear panel, adjacent to the fuse holder.
Safety Warning
This unit is fitted with 3-pin power socket. For safety reasons the earth lead should not be
disconnected. If you encounter a problem with earth-loops, remove the ground-lift link located
inside the unit to isolate the signal earth from the chassis earth (see Service section for details).
This should be carried out by a qualified service technician only.
To prevent shock or fire hazard, do not expose the unit to rain or moisture.
To avoid electrical shock, do not remove covers. Dangerous voltages exist inside. Refer
servicing to qualified personnel only.
5
After you have unpacked the unit
Save all the packing materials - they will prove valuable should it become necessary to transport
or ship this product.
Please inspect this unit carefully for any signs of damage incurred during transportation. It has
undergone stringent quality control inspection and tests prior to packing and left the factory in
perfect condition.
If, however, the unit shows any signs of damage, notify the transportation company without
delay. Only you, the consignee, may institute a claim against the carrier for damage during
transportation.
If necessary, contact your supplier or as a last resort, your Klark Teknik importing agent, who
will fully co-operate under such circumstances.
6
INTRODUCTION
Designed to meet and exceed the needs of the recording, broadcast, installation and live sound
industries, the Klark Teknik DN3600 Programmable Graphic Equaliser is an extremely high
quality, digitally controlled, two-channel, third-octave equaliser that combines state-of-the-art
audio performance with unprecedented ease of use. The two channels may either be used
independently or linked for stereo use. To further extend the flexibility of the equaliser, the unit
also incorporates variable frequency low and high-pass filters, two notch filters with variable
frequency and depth and overall gain adjustment.
Featuring a very large backlit LCD display window, the DN3600 may store up to 66 equaliser
programs and the inclusion of a Pro MIDI interface enables several other DN3600s or DN3601
slave units (64 maximum) to be controlled from a single DN3600. The slave units are electrically
identical to the DN3600 but have limited control and display facilities. A 16-pin connector is
provided for use in conjunction with the DN60/DN6000 Real Time Spectrum Analyser enabling
room analysis and equalisation to be accomplished automatically.
The proprietary analogue filters are based around the Klark Teknik “MELT” hybrid filter circuits
which offer far greater headroom and dynamic range than is possible using standard 20-bit linear,
digital systems. Benefiting from revised circuitry, these filters are exceptionally reliable and
offer greater stability than discrete designs. They are also relatively immune to electromagnetic
interference, unlike coil-based filters. Separate supply rails are used for the digital and analogue
circuitry which, in combination with rigorous internal screening, ensures the cleanest possible
audio signal path.
In order to provide maximum operational flexibility, the system includes a switchable Q mode.
The Low Q setting (Q:360) provides an accurate emulation of the industry-standard DN360
equaliser. In High Q mode (Q:27), the performance emulates the DN27.
To maintain the optimum signal to noise ratio and headroom at all equaliser settings, the gain
control acts on the equaliser sections themselves rather than being a simple pre or postequalisation gain stage. Additionally, an Auto gain mode is included in the system which
automatically scales the gain of the individual equaliser bands as cut or boost is applied to reduce
the risk of accidental clipping and to maintain a safe working headroom.
Both the input and output circuitry is electronically balanced with a nominal operating level of
+4dBu. The output circuitry is based on the Midas XL3 output stage, giving exceptionally high
drive capability. A transformer option is available for both inputs and outputs.
7
In order to make the DN3600 as straightforward to use as a conventional graphic equaliser, the
backlit LCD window provides a ‘virtual’ representation of a conventional graphic equaliser as
well as the settings of the shelving high and low-pass filters and the notch filters. The use of
multi-function buttons for regularly accessed functions has been avoided to enable the unit to be
adjusted quickly and efficiently while the Curve display function provides the user with a
frequency response display based on the combined operation of the graphic, shelving filters,
notch filters and gain.
Installation
The inputs and outputs are electronically fully balanced on XLR connectors and are wired
conventionally with pin 1 as ground. Because the system is fully floating, either pin 2 or pin 3
can be designated as hot so long as the same protocol is adhered to for both the input and the
output connectors.
The DN3600 is designed for use in both fixed and mobile installations where it can be mounted
in a conventional 19 inch rack occupying just 2U of height. In mobile situations where rough
handling is a possibility, it is advisable to support the rear of the unit to prevent undue stress being
placed on the front panel. Ensure that the unit has sufficient ventilation and that it is not placed
directly over any device which runs hot such as a power amplifier or console power supply.
8
Instrument Familiarisation
Front panel functions
DISPLAY SCREEN: This is a large, backlit "Supertwist"-type LCD which shows white/green
legend on a blue background. Menu options are listed down the left hand end. Various status
information is shown along the top edge. In normal operating mode, the largest part of the screen
displays the "Virtual" graphic equaliser faders for one channel. LCD contrast is adjusted via a
menu option. See the Adj. LCD section for more details. In addition the LCD backlight features
a bright up feature which increases the LCD backlight brightness when the controls are operated.
The bright up period can be set under software control via the Adj. LCD menu from 2 seconds
to 60 seconds.
FREQUENCY BUTTONS: These 30 dedicated keys, each labelled with a separate ISO centre
frequency, are used to select graphic frequency bands and to set low pass, high-pass and notch
filter positions. A number of adjacent bands may be selected by pressing two keys either at once
or in quick succession. The selected ‘fader’ or 'faders' in the display window may be adjusted by
means of the LEVEL control. An alternative method of frequency selection is to use the FREQ
rotary control.
FREQ: This rotary control may be used to select any of the equaliser bands for adjustment as
an alternative to using the Frequency buttons. Also, a number of adjacent faders may be selected
by holding a single button until it flashes and then using the FREQ rotary control. The FREQ
rotary control may also be used to set the frequency of Notch filters and of the High pass filter.
LEVEL: This rotary control is used to adjust the level of any selected faders - including the Gain
fader. It may also be used to set the attenuation of the Notch filters and the frequency of the Low
pass filter.
BUTTONS 1-4: These “soft keys” are used to select and operate the various functions of the
equaliser. The functions immediately available depend on the current operating mode of the unit.
The current function attached to each key is shown on the LCD display beside it.
CURVE/FADER: This button is used to switch between the virtual fader display and a
composite frequency response curve, calculated from the positions and shapes of all Graphic,
High pass, Low pass and Notch filters and gain control. The curve changes in real time with any
adjustments made.
9
GAIN: This button selects the Gain fader for adjustment. The Gain fader is highlighted and can
be adjusted in 0.5dB steps from +6 to -18dB. One step below the -18dB point mutes the selected
channel. To deselect the Gain fader press GAIN a second time.
The Gain control on the DN3600 scales the actual frequency bands. This achieves optimization
of signal to noise ratio from one simple control and avoids the disadvantages of conventional pre
EQ or post EQ gain controls.
NUMERIC WINDOW: Displays the number of the currently operating Memory and, in the
appropriate operating modes, the Slave address number or the MIDI channel number. A flashing
number indicates access by a remote control device, such as another DN3600.
METERS: Separate 10-segment bargraph level meters monitor the signal level in channels A
and B over the range -12dB to +15dB. The Clip warning LED monitors seven different points
within the circuitry of the DN3600 and flashes if the level at any point comes within 2dB of
clipping.
POWER SWITCH: Switches the unit on and off. When the unit is off, there is a hard relay bypass
which connects the input signal directly to the output.
Rear Panel Functions
Balanced Input XLR Sockets
Balanced Output XLR Sockets
Pro MIDI XLR Connectors: These follow the same wiring convention as conventional MIDI
DIN sockets. These are used for performing system exclusive data transfer and for linking
multiple units in a master/slave configuration. See service section for wiring convention.
16-Pin IDC Interface: Interfaces directly with the DN60/DN6000 Real Time Spectrum Analyser
for automatic equalisation and may be used to interface with future products.
IEC Mains Socket with integral fuse.
10
GETTING STARTED WITH THE DN3600
The operation of the virtual faders is much like that of a conventional graphic equaliser in that
a ‘fader’ is selected and then moved. Faders may be selected directly by pressing any one of the
Frequency buttons or the bands may be ‘scanned’ through using the FREQ rotary control. The
selected fader is then adjusted by use of the LEVEL rotary control.
More than one band may be selected by pressing and holding one of the Frequency keys until it
flashes and then either pressing another Frequency key or rotating the FREQ control. A bank
of faders can also be selected be pressing two keys at the same time or in quick succession.
Moving the LEVEL control will now adjust all selected bands simultaneously.
Exit from bank selection is by pressing a single frequency key.
SELECTING CHANNELS: The user may adjust channels A and B independently or both
together. Channels are selected by pressing the A : B : Link key. The Link mode may be selected
by pressing and holding the A : B : Link key. In Link mode, any adjustments made to the fader
positions affect both channels. If Link mode is entered from channel A, the screen continues to
display channel A. Channel B will follow changes to channel A. If Link mode is entered from
channel B, the screen continues to display channel B. Channel A will follow changes to channel
B.
FILTERS: Access to the high and low pass filters and notch filters is via the More EQ key. Filter
and notch positions are displayed on a frequency response curve that changes in real time with
any adjustments. The user may select the filters of either channel for adjustment by pressing the
A : B key, and may switch the filters in or out of circuit by use of the In/Out key. Pressing the
Filters key allows the individual filters to be adjusted.
The High-Pass filter covers the range 20Hz to 400Hz in one third octave steps while the LowPass filter covers the range 1.6kHz to 30kHz, again in one third octave steps. These filters have
a 12dB/octave slope characteristic. When selected by pressing the key, the High pass
and Low pass filter frequencies are displayed at the top of the screen. They may be adjusted either
by use of the FREQ and LEVEL rotary controls respectively, or by pressing the Frequency keys.
Both Notch filters cover the range 20Hz to 20kHz in one twelth octave steps and provide up to
12dB of attenuation. When a notch filter is selected, its attenuation and frequency are displayed
at the top of the screen. The Notch may be adjusted by use of the LEVEL control and either the
FREQ control or the Frequency keys.
11
Q SWITCHING
Over the last 15 years, Klark Teknik's graphic equalisers have become "industry standards" with
audio professionals around the world - some preferring the smooth, averaging quality of the
DN360 - others, the sharper, tighter Q character of the DN27. To satisfy these individual
preferences, the DN3600 incorporates two "Q" options - 360 and 27.
The DN3600 utilises 30 "combining" 1/3 octave filters. This combining action allows adjacent
filters to act over the area in between their own centre frequencies to create smooth but complex
frequency response curves with minimal ripple and phase error.
Q:360
On this setting, at low boost or cut the filters exhibit a relatively wide Q which results in a smooth
response with very low ripple and phase error. At high boost or cut, the filter Q sharpens to allow
notching/accentuation of particular frequencies with just enough combining to provide cut/boost
in between adjacent bands.
Q:27
At full boost or cut, this setting is the same as Q:360. At lower settings of boost or cut, although
the filter Q widens, it remains sharper than the Q:360 at an equivalent gain. This gives more
precise control of the EQ curves, but means that careful setting of the filters is required to create
smooth curves with minimal ripple and phase error.
To change Q, press the soft keys labeled Utilities, Auto/Q and Q Type in turn. Pressing the QType key toggles between Q:27 and Q:360 and the Q mode is shown at the top of the screen.
12
MEMORY OPERATION
Equalisation programs may be created from scratch or existing programs may be called up and
modified.
To start from scratch, switch OUT the More EQ and reset the unit by pressing and holding the
Bypass key for more than 5 seconds.
RECALLING A MEMORY
Select Utilities, Memory and Recall in turn on the soft keys. Then use the FREQ rotary control
to select the required memory by number (shown in the NUMBER window) or name (shown,
together with the fader positions, on the LCD screen). Press the Recall key a second time to
complete the procedure. The number of the current memory remains in the NUMBER window.
SAVING A MEMORY
Select Utilities, Memory and Save in turn on the soft keys. The memory number defaults to that
last used, although a new memory location may be entered if desired. Use the FREQ or LEVEL
rotary controls to select the memory location by number, and use the Frequency keys to give the
new memory a name, or to overwrite the previous name. The < key has a backspace function.
The SHIFT key gives access to the numbers 0 to 9. To complete the storage procedure, press theSave key a second time. The data from both channels is saved to the new location, regardless
of the Link status.
Note: Whenever parameters are adjusted, the revised data is placed in a temporary store so that
the original memory data is not overwritten until it is deliberately saved. When the unit is
switched off, the temporary store is not lost. On switch on, the unit will return exactly to the state
at switch off.
13
AUTO EQUALISATION - THE DN3600/DN60 CONNECTION
The DN3600 can be interfaced with the Klark Teknik model DN60 Real Time Spectrum
Analyser. The combination can then be used to perform an Automatic Equalisation function, to
compensate for the sound system frequency response. To do this, proceed as follows:
1. Make certain that both units are switched OFF. Connect the DN60 to the DN3600. The
interconnection is made using the pin-to-pin 16-way cable supplied with the DN3600. The
cable should be used to connect the DN60 "PLOTTER INTERFACE" to the DN3600 "DN60
INTERFACE". Switch ON the DN60 first, let initialise, then switch ON the DN3600.
2. Feed the signal from the DN60 pink noise source through a level control device, such as a
mixing console, into the DN3600 input - whichever channel is to be equalised. Keep the pink
noise level down at this point. Make certain that any other equalisation in the pink noise
signal path, such as on a mixing console input channel, is set to a flat position.
3. Set the DN60 microphone at the desired listening/measurement position in the venue.
4. Slowly bring up the level of the pink noise through the sound system to an average listening
level.
5. Set the DN60 controls to Avg., Cont., Resp 3., 1 dB resolution, mic input. Adjust the DN60
Reference Level until the full frequency response display is seen.
5. Switch the More EQ section OUT (More EQ, In/Out, Exit if required).
6. Enter the DN3600 Auto/Q menu (Utilities, Auto/Q). Repeatedly press the Auto EQ button
allowing sufficient time between presses for the DN60 display to settle. Continue until a flat
response is obtained on the DN60 display. Six to eight iterations are usually enough. It may
be necessary to adjust the DN60 Reference Level between iterations.
What happens is this. On each iteration the DN3600 obtains the measured room response from
the DN60, calculates the room response correction, limits it to +/-4 dB and adds this to the current
Graphic settings. With each iteration the measured response gets closer and closer to flat until
finally all the DN3600 is doing is to correct minor random variations.
Note. The DN3600 should not be in bypass mode. If it is the room correction curve will still be
added to the DN3600 settings but the measured response will not be affected and the Auto EQ
function will not perform as specified.
14
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