Techni-Lux DL-PAR64C183/B, DL-PAR64C183/P User Manual

Information specifically for:
DL-PAR64C183/B - Black DL-PAR64C183/P - Polished
This manual contains important information.
Please read before operating fixture.
V1
IMPORTANT INFORMATION
Save original packing and documentation for warranty, service and return issues.
Limited Warranty: This warranty covers defects or malfunctions in this equipment. This warranty lasts for a period of one year from date of purchase. It is the owner’s responsibility to provide invoices for proof of purchase, purchase date and dealer or distributor. If purchase date can not be provided, warranty period will start at manufacture date. It is the sole discretion of Techni-Lux to repair or replace parts or equipment. All shipping will be paid by purchaser. This warranty does not cover lamps, fuses, belts, power semiconductors, relays, cleaning, standard maintenance adjustments or normal wear items or any problem resulting from the following: improper wiring, incorrect voltage (including low or over voltage conditions and lightning), abuse, misuse, improper maintenance or an act of God or damage resulting from shipping. Warranty will be null and void if the product is altered, modified, misused, damaged, or subjected to unauthorized repairs. Lamps are covered by relevant manufacturer warranty. This warranty gives you specific legal rights, and you may also have other rights which vary from state to state. Any liability for consequential and incidental damages is expressly disclaimed. No other warranty, expressed or implied is made. Techni-Lux liability in all events is limited to, and shall not exceed, the purchase price paid.
Returning equipment and Repairs: All returns must be accompanied by a Return Merchandise Authorization (RMA) number and sent pre-paid. Contact the dealer or Techni-Lux directly to obtain an RMA. The RMA number must be clearly listed on the shipping label. Due care must be exercised in packing all merchandise to be returned. All repairs must be accompanied by a written explanation of the claimed problem or error encountered. Techni-Lux is solely responsible for determining a product’s eligibility for coverage under warranty. If returning for consideration of credit, all accessories and documentation, original protective material and cartons must be included and the equipment, packing and carton must be in new resalable condition. Credit for returned merchandise will be issued at the lowest current price and is subject to a restocking fee. No returns accepted on discontinued items. Techni-Lux is not responsible for merchandise damaged in transit and reserves the right to refuse any return that is damaged by the carrier, not accompanied by a Return Authorization Number (RMA#) or sent by freight collect.
Claims: All claims must be made within seven (7) days of receipt of merchandise. Any physical damage must be reported to carrier upon receipt of merchandise.
Please record the following information for future reference: Model Number (circle): DL-PAR64C183/B or DL-PAR64C183/P
Serial Number: ________________________________________
Dealer: ______________________________________________
Date of Purchase: ______________________________________
www.Techni-Lux.com
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Table of Contents
Specifications............................................................................................................................. 4
Unpacking................................................................................................................................... 5
Power .......................................................................................................................................... 5
Mounting..................................................................................................................................... 5
Basic Reference ......................................................................................................................... 6
Setup and Operation Modes (LED Display) ............................................................................. 6
Mode 1: Static Color Selection ................................................................................................. 7
Mode 2: Color Change Jump/Stepped ..................................................................................... 7
Mode 3: Color Fade.................................................................................................................. 7
Mode 4: Sound Active .............................................................................................................. 7
Mode 5: Slave .......................................................................................................................... 7
Mode 6: DMX ........................................................................................................................... 7
DMX-512 Control ........................................................................................................................ 8
DMX Data Connection.............................................................................................................. 8
Data Terminator ....................................................................................................................... 8
Adapter 5-to-3 pin..................................................................................................................... 8
DMX Start Address................................................................................................................... 9
DMX Channel Assignment ........................................................................................................ 9
CH 1 : Master Dimmer............................................................................................................. 9
CH 2 : Red.............................................................................................................................. 9
CH 3 : Green ........................................................................................................................ 10
CH 4 : Blue ........................................................................................................................... 10
CH 5 : Color Macro/Scroll..................................................................................................... 10
CH 6 : Shutter....................................................................................................................... 11
Maintenance ............................................................................................................................. 12
Accessory Items (sold separately) ......................................................................................... 12
Troubleshooting....................................................................................................................... 13
DMX-512 Background .............................................................................................................. 13
3
Specifications
Fixture Overview
RGB color mixing with intensity and strobe effects
183 total ultra bright 10mm LEDs: 60 red, 60 green, 63 blue
Beam Angle – 15°
Light Weight Aluminum Housing
7 Operating modes: DMX, Static Color, Color Changing, Color Fading, Sound Active,
Master/Slave
Precise DMX control using 6 channels
Static color mode with 7 color standards: red, green, blue, purple, yellow, cyan, white
Three frame holding clips plus 4th spring loaded clip with 10” filter frame
Digital LED display menu for settings
Dual yoke for floor or hang mounting
½” Clamp mounting hole
Physical
Color Black or Polished Size 13” x 11.25” x 10.6” Weight 5.1 lbs (2.3 kg) Housing Material Aluminum
Environmental
Location Indoor Max. ambient temperature 105°F (40°C) Min. distance to flammable surface 3.3ft (1m) Min. distance to illuminated surface 1ft (0.3m)
Electrical
Voltage 110-240vAC, 50-60Hz Rated Power 30W Fuses 0.5 amp mini size: 5x20mm
Control
Digital Protocol USITT DMX512 (1990) Channels 6 Data I/O 3 Pin XLR (Cannon) Modes DMX512 or Stand-Alone
Optics
Light Source 183 High Output 10mm LED Elements Beam Angle 15°
Rigging
Orientation Any Mounting Points Adjustable yoke with 1/2” (13mm) mounting hole
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Unpacking
Immediately upon receipt, carefully unpack and inspect the fixture to verify that all parts are present and have been received in good condition. If any parts appear damaged from shipping or the shipping carton shows signs of mishandling, notify the shipper immediately. Retain carton and all packing material for inspection. In the event that the merchandise is to be returned, the original carton and packing must be used. The customer will be billed for a new carton and packing if merchandise is received without the original carton and packing.
Claims
Physical damage must be reported to the Freight Carrier or Shipping Company upon receipt of merchandise. Damage incurred in shipping is the responsibility of the Freight Carrier or Shipping Company. It is the customer’s obligation in the event that merchandise is received damaged, to notify the Freight Carrier or Shipping Company immediately. All other claims not related to damage incurred during shipping must be made to the Dealer or Distributor within 7 days of receiving merchandise.
Returns
Returned merchandise must be in the original packing with a Return Merchandise Authorization number (RMA) clearly listed on the shipping label. Items sent by Freight Collect or without a RMA number will be refused. Call your sales person and request a RMA prior to shipping. Be prepared to provide the model number, serial number and description of the nature of the return. Shipping damage resulting from inadequate packaging is the customer’s responsibility. Customer will be charged additional shipping charges to return products received in non original packing and or cartons.
Power
Do not apply power to the fixture until power source is verified. For protection against electric shock, fixture must be connected to suitable earth ground.
Make sure fixture is disconnected from power mains before any service.
This fixture automatically adjusts to mains voltage and frequency 100-240vac 50/60Hz. The listed power rating is its average wattage under normal conditions. All fixtures must be powered directly from a switched circuit. This fixture cannot be run on a rheostat or dimmer circuit even if used solely for a 0% to 100% switching. Before applying power to a fixture, check that the fixture’s input voltage matches the power source voltage. Consult a qualified electrician if there are any concerns about proper connection to power.
Mounting
Always consult a qualified professional when rigging. Consider access for routine maintenance when selecting a mounting position. This fixture may be mounted in any position provided there is adequate room for movement and ventilation. Mount the fixture securely using a mounting clamp and a safety cable. This fixture features dual yokes making it useful for floor standing at different angles. Always keep cords out of the way, thus preventing any trip hazards. Secure all cables properly. Do not mount where the fixture will be exposed to rain, high humidity, extreme temperature changes or restricted ventilation. Do not obstruct any vents.
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Basic Reference
Digital LED Segment Fuse Holder Display
Menu Setting Buttons
Female XLR 3-pin Data Male XLR Output 3-Pin Data Input
Setup and Operation Modes (LED Display)
This fixture includes a filter frame. This frame can be used to hold a gel or filter to better assist in controlling your light beam. By using certain filters, it is possible to create different desired lighting effects. A desired effect might be a softer or diffused light beam. This can be achieved by using a frosted gel within the provided frame. Many diffraction materials are available to create different beam angles with minimal light output losses.
The following refers to the different modes that are available on this fixture via the LED display. Each mode is selectable from the display menu located at the back of the fixture. Modes 1 to 5 refer to the stand-alone operations that are available. Modes 1-4 do not require any data line to be connected to the fixture to function. However, Mode 5 and Mode 6 require data cables to be used. Mode 6 refers to the DMX controlled operation.
NOTE: When the LED display digit is flashing, you may select this mode and change the setting by using the UP/DOWN keys to choose. After making your choice, press ENTER to accept and save your setting.
Using the MODE key, press it until you reach the desired mode below. By entering such mode, settings can be made to each function within the mode. These function options are explained below. The last two digits are the level or speed of such selected mode.
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Mode 1: Static Color Selection – Display shows C000
The C stands for color. This mode allows user to create a specific static color by allowing you to adjust the level of each RGB color independently. By setting different levels of the RED, GREEN and BLUE LEDS, you will be able to create millions of color combinations.
C100 RED: level adjustable from 00-99% on the display. C200 GREEN: level adjustable from 00-99% on the display. C300 BLUE: level adjustable from 00-99% on the display. CF00 STROBE: adjusts the rate of flashing from 00-99% (speed).
Mode 2: Color Change Jump/Stepped – Display shows J000
Mode 2 allows the user to set the fixture to step (snap) through different colors and at different speeds.
J300 RGB: steps through RGB at a speed set from 00-99%. J700 7 COLOR: steps through 7 standard colors at a speed from 00-99%. JF00 STROBE: sets the flashing speed from 00-99%.
Mode 3: Color Fade – Display shows F000
The F stands for Fade. Mode 3 allows the user to set the fixture to fade from one color to the next and at different speeds.
F300 RGB: fades through RGB at a speed set from 00-99%. F700 7 COLOR: fades through 7 standard colors at a speed from 00-99%. FF00 STROBE: sets the flashing speed from 00-99%.
Mode 4: Sound Active – Display shows S000
Mode 4 uses the internal microphone to advance through the selected option from below. By listening to ambient music, the fixture will make changes at audio peaks.
S300 RGB: steps through RGB at an audio sensitivity level from 00-99%. S700 7 COLOR: steps through 7 colors at an audio sensitivity level from 00-99%. SF00 STROBE: sets the flashing speed from 00-99%.
.
Mode 5: Slave – Display shows Slav
This mode puts the unit in DATA “listen” mode. The fixture waits for DATA to come from another fixture. Each unit set to Slave mode responds the same as others in the data chain.
Mode 6: DMX – Display shows Addr
This mode allows you to control the unit using DMX 512 data. Use this mode to set your starting DMX address for the fixture. Enter the start address from 1 to 505. Address 506 to 512 would not be valid selections since this unit requires 6 channels to operate minimum. The following pages of this user manual explain addressing and DMX in more detail.
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DMX-512 Control
DMX-OUT
2
3
- Ground
- Signal (-)
- Signal (+)
XLR Connector - Socket:
DMX-IN
1 2 3
- Ground
- Signal (-)
- Signal (+)
XLR Connector - Plug:
5Pin
XLR (Plug)
Pin 1: GND(Sheild)
Fixtures require a "Start Address" from 1 to 512, setting the first DMX channel containing data for the fixture (see DMX Background). Before addressing fixtures, consult the manual of the system’s DMX controller to select a desirable addressing scheme. Valid Start Addresses range from 1 to 512. Fixtures requiring more than one channel for control will read subsequent channels up to the total number of channels required. Since this fixture requires 6 channels of DMX, if set to a Start Address of 7 it would use data from channels: 7 and 8, 9, 10, 11, 12. Choose a Start Address so the channels used do not overlap with other fixtures. In some cases, it may be desirable to set two or more same type fixtures to the same Start Address. In this case, the fixtures will be slaved together and respond to the same data. Because all fixtures see the same data, fixtures may be set to any address without concern for the order they are connected by the DMX cables.
DMX Data Connection
This fixture uses 3 pin XLR type connectors and shielded twisted pair cable approved for EIA­422/EIA485 use. Fixtures are connected in Daisy Chain topography: Connection is made from the controller to the DMX-IN of the first light, then from the DMX-OUT to the DMX-IN of the next light and so on. Only one data source can be on a chain and no branching is allowed. The physical order in which the fixtures are connected is not important, use the most convenient.
Data Terminator
A Data Terminator can be connected to the DMX-OUT of the last fixture to reduce the effects of signal noise; it is not required for all installations. To make a Terminator, connect a 120-ohm ¼ watt resistor across pin 2, Data Negative (S-) and pin 3, Data positive (S+). A qualified technician can determine if a Data Terminator is needed.
Adapter 5-to-3 pin
Systems using 5 pin DMX interfaces can be accommodated by purchasing 3-to-5 pin adapters or building adapter cables. Numbers designating each pin can be found on connectors. Converting between the two XLR types is done in a pin-to-pin fashion. Connect the shields to pin 1, then connect pin 2 to pin 2 and pin 3 to pin 3, regardless of either connector’s gender or pin count. No connection is made to Pins 4 & 5.
5 Pin XLR (Socket) Pin 1: GND(Sheild) Pin 2: Signal(-) Pin 3: Signal(+) Pin 4: N/C Pin 5: N/C
1
3 XLR (Plug)
Pin Pin 1: GND(Sheild) Pin 2: Signal(-) Pin 3: Signal(+)
3 XLR (S)
Pin ocket Pin 1: GND(Sheild) Pin 2: Signal(-) Pin 3: Signal(+)
Pin 2: Signal(-) Pin 3: Signal(+) Pin 4: N/C Pin 5: N/C
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DMX Start Address
To place the fixture in DMX mode, press the mode key until Addr is displayed. Press enter and using the Up/Down buttons, set the start address number for this particular unit in the DMX chain. Once selected, press ENTER again to save your selection. More than one fixture may have the same start address, but they will behave the same. Giving a unique start address that does not overlap with any other units allows you to individually control that fixture’s features fully. Never allow channels to overlap.
Example Select Start Addresses for 4 fixtures each requiring 6 channels of DMX.
For this example, start with the first unit set to the first possible Start Address = 1. This fixture occupies DMX channels 1 thru 6. The next DMX channel available for a Start Address is found by adding the previous fixture’s Start Address to its channel requirement: 1+6=7. To maximize channel usage, we will leave no empty channels between fixtures so the second Start Address is set to DMX channel 7 and that fixture occupies channels 7 thru 12. The third fixture will be addressed 7+6=13 and occupy channels 13 thru 18. The last fixture is addressed 13+6=19 and will occupy channels 19 thru 24. Thus, 4 fixtures using 6 channels each have Start Addresses of 1, 7, 13 and 19 and the next free channel in the system is 19+6=25.
DMX Channel Assignment
Channel Function
1 Master Dimmer (0-255) 2 Red (0-255) 3 Green (0-255) 4 Blue (0-255) 5 0-4 No Function
5-84 Color Macro 85-169 Color Snap 170-255 Color Fade
6 Strobe (0-255)
CH 1 : Master Dimmer
The Master Dimmer controls the actual output level while the relative level of each color is set by the R, G or B channels or the Color Macro/Scroll Channel.
CH 2 : Red
Sets relative intensity of Red. Actual value is subject to Master Dimmer channels. The Color Macro/Scroll Channel will override this channel.
CH 1 – Master Dimmer
DMX Value Function
0 – 4 Black Out 5-255 Intensity - Dark to Full Brightness
CH 2 – Red
DMX Value Function
0-4 No Output 5-255 Intensity - Off to Full On
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CH 3 : Green
Sets relative intensity of Green. Actual value is subject to Master Dimmer channels. The Color Macro/Scroll Channel will override this channel.
CH 3 – Green
DMX Value Function
0-4 No Output 5-255 Intensity - Off to Full On
CH 4 : Blue
Sets relative intensity of Blue. Actual value is subject to Master Dimmer channels. The Color Macro/Scroll Channel will override this channel.
CH 4 – Blue
DMX Value Function
0-4 No Output 5-255 Intensity - Off to Full On
CH 5 : Color Macro/Scroll
The Color Macro/Scroll selects between 16 colors and two Color Scroll Modes. The first Color Scroll Mode snaps between colors, the second Color Scroll Mode fades between colors. This will override the relative values set by the individual RGB channels 2, 3 & 4.
CH 5 – Color Macro/Scroll
DMX Value Function
0-4 No Macro or Scroll 5-9 Cool White 10-14 Lt. Blue 15-19 Blue 20-24 Purple 25-29 Blue Magenta 30-34 Magenta 35-39 Hot Pink 40-44 Pink 45-49 Red 50-54 Orange 55-59 Yellow 60-64 Lime 65-69 Lt. Green 70-74 Green 75-79 Teal 80-84 Cyan 85-89 Color Scroll Snap Speed 1 (Fastest) 90-94 Color Scroll Snap Speed 2 95-99 Color Scroll Snap Speed 3 100-104 Color Scroll Snap Speed 4 105-109 Color Scroll Snap Speed 5 110-114 Color Scroll Snap Speed 6 115-119 Color Scroll Snap Speed 7 120-124 Color Scroll Snap Speed 8 125-129 Color Scroll Snap Speed 9 130-134 Color Scroll Snap Speed 10 135-139 Color Scroll Snap Speed 11
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140-144 Color Scroll Snap Speed 12 145-149 Color Scroll Snap Speed 13 150-154 Color Scroll Snap Speed 14 155-159 Color Scroll Snap Speed 15 160-164 Color Scroll Snap Speed 16 165-169 Color Scroll Snap Speed 17 (Slowest) 170-174 Color Scroll FADE Speed 1 (Fastest) 175-179 Color Scroll FADE Speed 2 180-184 Color Scroll FADE Speed 3 185-189 Color Scroll FADE Speed 4 190-194 Color Scroll FADE Speed 5 195-199 Color Scroll FADE Speed 6 200-204 Color Scroll FADE Speed 7 205-209 Color Scroll FADE Speed 8 210-214 Color Scroll FADE Speed 9 215-219 Color Scroll FADE Speed 10 220-224 Color Scroll FADE Speed 11 225-229 Color Scroll FADE Speed 12 230-234 Color Scroll FADE Speed 13 235-239 Color Scroll FADE Speed 14 240-244 Color Scroll FADE Speed 15 245-249 Color Scroll FADE Speed 16 250-255 Color Scroll FADE Speed 17 (Slowest)
CH 6 : Shutter
The Shutter functions in all modes. The shutter effect will toggle the Master Level between Off and its present value.
CH 15 – Shutter
DMX Value Function
0-4 No Strobe
5-255 Strobe Effect - Slow to Fast
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Maintenance
Make sure fixture is cool and disconnected from power mains before any service.
Weekly operating hours and environmental conditions will establish how often the fixtures need cleaning. Fixtures should be cleaned and inspected at least once a month to maintain optimum performance. Accumulation of dust and fog residue increases heat build up, can lead to malfunctions, overheating and reduction in maximum light output, reduced fixture life and over all performance. Before conducting any maintenance, disconnect fixture from power mains.
1) Disconnect fixture from power mains.
2) Use a vacuum with a soft brush to remove dust collected on external vents and internal components. If using an air compressor, use low pressures and extreme care to prevent damaging any internal parts or effects.
4) Clean all optical elements when the fixture is cold. Use a soft lint free cotton cloth or tissue and cleaner safe for plastics.
5) Inspect clamps and safety cables to ensure fixture is secure and safe.
Accessory Items (sold separately)
Order Code Description CLAMP-C Medium Duty C-Clamp CLAMP-MEGA/B Mega Heavy Duty Aluminum Clamp CLAMP-MINI/P Mini Clamp Polished for 3/4"-2" CLAMP-MINI/B Mini Clamp Black for 3/4"-2" CLAMP-CBHALF/N Half Cheeseborough Coupler Narrow 300kg Max Load
SAFETYCABLE18B Safety Cable Black 18” SAFETYCABLE18S Safety Cable Silver 18”
CA-XLR3/1 Pre-made 1’ 3-pin XLR Cable CA-XLR3/5 Pre-made 5’ 3-pin XLR Cable CA-XLR3/10 Pre-made 10’ 3-pin XLR Cable CA-XLR3/25 Pre-made 25’ 3-pin XLR Cable CA-XLR3/50 Pre-made 50’ 3-pin XLR Cable CA-XLR3/100 Pre-made 100’ 3-pin XLR Cable
CO-XLR3M XLR Connector 3-pin Male CO-XLR3F XLR Connector 3-pin Female CO-XLR5M XLR Connector 5-pin Male CO-XLR5F XLR Connector 5-pin Female
CO-XLRTERM3 XLR 3 Pin Data Terminator
CO-XLR3MTO5F XLR 3 Pin Male to 5 Pin Female Adapter CO-XLR5MTO3F XLR 5 Pin Male to 3 Pin Female Adapter
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Troubleshooting
Symptom Possible Cause / Solution
Check for power on mains No Power
Check main fuse and fuse holder
Erratic / No response to DMX
Check data cables: connection and proper wiring
Check Display settings
Check Start Address
Incorrectly responds to DMX (Diagnostic technique for DMX issues: Set suspect fixture’s Start Address the same as a correctly functioning fixture. If both units then function correctly, issue is programming)
Check Start Address
Check for overlapping addresses
Check Menu settings
Check Data cables (faults and proper wiring)
DMX-512 Background
DMX-512 is a digital data transmission standard developed by the United States Institute for Theater Technology (USITT). It is designed to enable control of lighting equipment. DMX deals solely with the formatting of data for transmission and does not dictate how the data is created or used.
Under DMX, signals are transmitted in much the same way a computer modem transmits data. The Data, divided into channels, is "Framed" using a start bit, high (1), eight data bits and finally, two stop bits, both high (1). DMX uses no parity to check the integrity of the signal. Instead, DMX relies on the ultra low probability of an error occurring in the same place when the data is resent. The rate at which data is sent is fixed at 250k bps, almost four and a half times faster that a 56k modem. This speed allows all data on a DMX chain to be updated more than 44 times every second.
The transmitted data follows a specific format. DMX allows for 512 channels each with eight data bits, giving each channel the possibility of 256 values. When a data "Packet" is sent, all channels are transmitted one after another. Even if the data on a specific channel has not been changed, it must be sent. In a packet, a "start code" of all zeros is sent before the data to identify the signal as a Standard DMX transmission. This start code is transparent to the user and is handled by the controller.
The physical signals are transmitted using a twisted pair of wires and a common shield, a configuration called Balanced. The controller and all receiving equipment are connected using a “Daisy Chain" connection. The signal is jumped from the controller to a piece of DMX equipment. From there, the signal is jumped to the next piece of equipment and so on until the last piece of equipment is connected. No branches are allowed and the signal does not come back to the controller. The final piece of equipment will have only one cable connection. As a result, all equipment connected to the chain will see exactly the same signal whether it is first or last. When connecting equipment, no particular attention needs to be paid to the order in which the equipment is connected. Depending on the conditions and equipment, a line terminator may be required. If there is any question, in most circumstances the addition of a terminator will not degrade the signal. To make a terminator, attach a 120-ohm resistor between the Signal Data Negative and Signal Data Positive pins of a connector in the last piece of equipment in the chain.
The DMX Standard uses 5 pin XLR connectors. However, it is common to see fixtures with 3 pin XLR connectors as these types of balanced or “Lo-Z” cables are common in the audio industry. In either case, pin numbers are the same and carry the same signals.
10900 Palmbay Drive • Orlando, FL 32824 U.S.A. www.techni-lux.com
Pin Connection
1 Common (Shield) 2 Data Negative (S- or Cold) 3 Data Positive (S+ or Hot) 4 n/c (not used) 5 n/c (not used)
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