Page 1
Technics
sx-
FA1
REFERENCE
GUIDE
Contents
• DEMO PERFORMANCE ............................................................. 1
• EASY SETTING .
.DISPLAY
•
UPPER/LOWER
•sOUND
GUIDE ........................................................................ 2
....................................................................................... 4
.. . .. .. . .. . .. .. . .. . .. .. . ..
ORGAN
PRESET
. . .
..
. . . .
.. ..
. .
..
. . .
..
. . . . . . . .
.. . ..
. . .
.. .. . ..
............................................ 3
... 1
•
BASS
• KEYBOARD PERCUSSION
•RHYTHM
.KEYBOARD
.TECHNI-CHORD
•
DSP
•TONE
.AUTOBEND & TRILL
.DIGITAL
.• ENVELOPE ...................................................................................
•cURVE
PEDALS ....................................... ..................................... 7
KIT
................................................. 7
.................................................................................... 8
PERCUSSION
TYPE ..............................................................
EFFECT
...........................................................................................
(LEVEL/
..............................................................................
EFFECT
.......................................................................
FILTER) .....................................................
..........................................................
..................................................................
10
11
11
12
13
13
14
14
•
MID
.MIDI
I Implementation Chart .........................................................
DATA
FORMAT ................................................................
15
17
Page 2
DEMO PERFORMANCE
Style
Demo
SHOW SOUND PIANO
BIG
BAND
ORCHESTRA STRINGS
( T
scha
FILM
i kowsky :
SCORE
Swan
Lake)
GUITAR
BRASS BAND
(J.P.Sousa:
The
stars
and
stripes forever)
MODERN
LATIN
SOLO BRASS
ORGAN JAZZ ORGAN SYNTH
EUROPEAN
GOSPEL
RHYTHM
ORGAN
ORGAN
BOSSANOVA 8BT
PIPE ORGAN COUNTRY
THEATRE ORGAN
FOXTROT
BROADWAY
·Demonstration performances
EASY
SETTING
0
~
TECHNI-CHORD
0
TECHNI
·
CHORD
for
which
(Press and
TYPE
no
source
hold)
is
indicated are Technics original compositions.
~
PANEL
WALTZ
SAMBA
BALLAD
MEMORY
SHOW
MODE
DIGITAL
REVERB
o
D
DSP
EFFECT
0
1 2 3
0 0 0
( )
MUSIC
STYLE
ARRANGER
~REVERB
~
DSP
EFFECT
~
MUSIC
SETTING
STYLE
ARRANGER
MODE
0
0
DISK
DISK LOAD
TREMOLO
0
EFFECT
0
DRIVE
0
0
~DISK
~TREMOLO
~ORGAN
LOAD
SPEED
EFFECT
SETTING
TYPE
Page 3
DISPLAY
0 0 0
TOUCH
c=:J
0 0 0 0 0 0 0 0
1
GUIDE
PROGRAM SECTION
MENU
0 0 0
MEM & CTRL
EDIT
SOUND
SEQUENCER
4
5
SOUND
c=:J c=:J c=:J
2 3
MIDI
c=::J
6
COMPOSER
c=::J
7
0 0
8
0 0 0 0 0 0 0
9
10
SEOU
ENGER R
EC
0
c=:J
BUTTON MENU
TOUCH
SOUND
EDIT
SOUND
MEM&CTRL
INITIAL
TOUCH SENSE
EASY
GENERAL
TONE
EDIT
EFFECT
PART
REVERB
DSP
EFFECT
TREMOLO
MASTER
TECHNI-CHORD
GLIDE
ORGAN
INITIAL
SWITCH
POWER-ON
PANEL
MUSIC
OUTPUT
11
12 13 14
STEP REC SEQUENCER
0
c=:J
TOUCH
EDIT
EDIT
EDIT
SETTING
SETTING
SETTING
TUNING
SETTING
EFFECT
SETTING
ASSIGN
MODE
MEMORY
STYLE
SETTING
PART
ARRANGER
0
SENSITIVITY
SETTING
OCTAVE
VIBRATO
AUTO
MODULATION
DISTORTION
CONTROLLERS
AFTER
TONE
LEVEL
ENVELOPE
ENVELOPE
FILTER
SUSTAIN
BRILLIANCE
REVERB
DSP
PAN
KEY
VOLUME
TUNING
BEND
ASSIGN
TYPE
MODE
0
15
16
0
9-16
c=::J
0
c=::J
J
FUNCTION BUTTON
MIDI
SHIFT
BEND&TRILL
TOUCH
KEY
FOLLOW
COMPOSER
EFFECT
SHIFT
RANGE
MODE
MODE
SEQUENCER
STEP REC STEP
SEQUENCER
EASY
RECORD
DISK
DRIVE
REC
0 0
EASY
RECORD
DISK
MENU
BASIC
CHANNEL
CONTROL
OCTAVE
REALTIME
COMMON
&
P.MEM
MIDI
INPUT
OUTPUT
SYSEX
GENERAL
R.ECORD
RECORD
MODE
PATTERN
LOAD
REALTIME
PUNCH
TRACK
EXPRESSION
AFTER
EDIT
PLAY
MEDLEY
EASY
DISK
DISK
MIDI
MIDI
DISK
LOAD
LOAD
MESSAGE
SHIFT & LOCAL
MESSAGES
SETTING
OUTPUT
PRESETS
SETTING
SETTING
BULK
DUMP
MIDI
MEMORY-A
MEMORY-B
SELECT
COPY
SINGLE
RECORD
RECORD
SAVE
LOAD
FILE
FILE
FORMAT
SINGLE
SINGLE
RECORD
RECORD
ASSIGN
SETTING
TOUCH
LOAD
SAVE
COMPOSER
SETTING
COMPOSER
SOUND
DRIVE
DISK
LOAD
ON/OFF
SETTING1
SETTING2
SETTING3
PANEL
LOCAL
PANEL
PROGRAM
SONG
TRACK
TRACK
QUANTIZE
MEASURE
MEASURE
MEASURE
MEASURE
VELOCITY
MEMORY
FUNCTION
MEMORY
CONTROL
MEMORY
CHANGE
PATTERN
CLEAR
CLEAR
MERGE
ERASE
COPY
DELETE
INSERT
CHANGE
PATTERN
Page 4
UPPER/LOWER
ORGAN
UPPER
GROUP
ORGAN PRESET
PRESET
NAME
LOWER
MIDI
PROGRAM
NORM=TECH
ORGAN
CHANGE
TYPE
DATA
ELECTRONIC
WARM
-----------------------
LIGHT
--------------·-·--·--------·-···-····· -·······················-···-··· ...... -····· ......... ---------------
THEATRE
CONTINENTAL
-------------··-···-·············-······································
SOLO
JAZZ
SOLO
....... ----············------ ----------------
WARM & BRIGHT
MAIN
THEME
TROMBONE
LIGHT
FULL
TAB
FLUTES
THEATRE
MANUAL
TABS
WARM
TYPICAL
DOUBLE
RICH
MANY
SHARP
IN
THE
WIDE
-------------------- ··
FULL
MANUAL
FLUTES
FLUTES
LOWER
DRAWBARS
8'+1'
BOSSA
SMOKIN'
8' 4' 2' COMBO
POP
NOVELTY
MELLOW
--------------~---····························---------------------···--·
16'+1'
LUSCIOUS
·····································--------------------- --------------------------------------------------
FULL
DRAWBAR
'B'
DRAWBARS
D.BRS
MIX
COMBO
SND.
DRAWBARS
...
.
--
············---------------------------------------- -----·----- ------- ----------··-·· .....
-·
·
············----------··················
------- ------------------------------------------- --------------------· ------··········· ......................
-------······-···-··· -···-·-···----·-------------·-················· .................................. ······················- ............. ......... -----·-···· ...................... .
MANUAL
COMBO
------------------··················· ........... ----------------- -----·-·
JAZZ
ACCOMP
···················---------·-····
EIGHT
8'+4'
POP
JAZZ
TO ONE 2 (4) 2
CLICK
ACCOMP
ACCOMP
MELLOW
EVEN+ODD
FULL
FOOTAGE
MANUAL
TABS
8'&
4'
---
OCTAVE
PITCHES
8'
--····· ·······-······
···---------·------ -------------···-··-·-- ......
---------···
··-·---··-·--·-··-···
---
----------------------- ---------------·---·-··
MIDDLE
-------------------·-
1
---------------------
----------------- -------------------------
------
----------------------------------- ....
2 5 (4) 5 (5) 5
MIX
MIX
-------·-··--·-·····························--········
Standard Theatre
0 (0) 0
-----------······
1
..................
2
3 (0) 3 (1) 3
..
·················--
4 (0) 4
5
6
················-
7
---------·········-····
8
64
Jazz
0 (4) 0
3
4
6
7
.....................................................................
8
64
.......
(0)
(0)
(0)
(0)
(0)
(0)
(0)
1 ( 1) 1
.
2
··--
...........
5 ( 1)
..........
6
................................
7
..........
8 (1) 8
64
Standard
(4)
(4)
(4)
(4)
(4)
(4)
(4)
··-
1
·····-·······
3
·-·····
4
6
7 (5) 7
8 (5) 8
64
·--··.
····--··-···
U.S.trad. European
(1)
(1)
····-···
(1)
-·-- -····
(1)
(1)
(1)
- ----------------·---
·········-·······
.
··-·-·
64
0 (2) 0
(2)
2
(2)
------·-····-·-·
(2)
............................
4
(2)
5
(2)
----·-------·· --··--···---···········
6
(2)
7
(2)
-·-·········
(2)
(2)
Theatre Rock
(5)
-------------------------------------------------------
(5)
(5)
(5)
(5)
(5)
(5)
0
(6)
1
(6)
·-···--·-···-·-··-·-··· ...................... .
2
(6)
............................................. .
3
(6)
----------------
4
(6)
(6)
··········-·····-··
6
(6)
(6)
(6)
64
(6)
(3)
--
----------·--
1 (3)
...................
2 (3)
----·--·····-·--··
3
(3)
4
(3)
5 (3)
6
. ......
(3)
········-··-·
7
(3)
.............. ···-··-·
8 (3)
64
(3)
0 (7)
1
(7)
2
(7)
3 (7)
---·-···--··---·······
4 (7)
5 (7)
·-· ...................... .
6 (7)
7 (7)
······················-
8 (7)
64
(7)
.
--·
PIPE
ORGAN
SOFT
SOFT
TIBIAS
OPEN
································------------------- ----------------------- ---------------------------------------------··-···-·····-·············-················· ............................................................................................. .
------------------------------------------------
TIBIAS
TIBIA
CHORUS
SWEET
TIBIA
TIERCE
NOVELTY
EVEN
TIBIAS
FULL
CHORUS
VOX
SOLO
--··-·-·-················
··--------·--······························-·-··--···-·-······························
------------------------- ----------- ------------···--·-····· ··············-····················· ........................
-··········-··································································--·-
........................................... ·················---------------
CRESCENDO
MANUAL
PIPE
ORGAN
CHIFF
BASIC
16'
16'+8'
---
------··--···---· ----·
-------·---------------·--------
---·--·-
---------
--
···············------------------------------·
-----------------------------------------------
HYMN1
HYMN2
-·····-·--··---···· ................................................... .
....
....................................................... ------------------------------------------------
HYMN3
FULL
FULL
TUTTI1
TUTTI
ORGAN
ORGAN
-----------------
2
1
2
-------····---·····-·····
..
- . ··-·-·-··-·-------------------·-·········· ........................
MANUAL
TIBIAS
vox
ACCOM
OPEN
TIBIAS
CELESTE
P 1
RANKS
.................. -------- ---------------·------·-------------------------------------------------·--------·-------------
-----------------------------·------- --------------------------------------------------------
TIBIA & REEDS
RICH
OPEN
WARM
FULL
ACCOMP
ACCOMP
ACCOMP
ACCOMP
--
-·-----------
------------------ --------------·------------ ----------
---------------------------------------- -··--···-··------------- --------------·····--·-··-·--·
MANUAL
FLUTE & DIAP.
-------------------------···-·-·····. ···············--············· ....................
BASIC
------
MIXED
8'+8'
......................................................................
8'
COMB
BRIGHT & OPEN
SOFT
MIXTURE
WARM
MELLOW
FULL
REEDS
REEDS
ORGAN
----.
-----------------------·
FULL+REEDS
MANUAL
........................ .
Theatre
0
(8)
(8)
2
(8)
················-------········
·--- -------------------------
3 (8)
4
5 (8)
6 (8)
7
8
64
(8)
(8)
(8)
(8)
Classical
0 (12)
·····-···········-----
-------------------------- -----·--·-----·-·--··--····-----------
------·
---
---------------------······················
1 (12)
2 ( 12)
3 ( 12)
---------····-·---
4 (12)
5 (12)
6 (12)
7 (12)
--
-------------------······--···············
8 (12)
64
(12)
·The
Program
numbers
change
in
parentheses ( )
number=
are
Program
bank
change
data.
data+1
/ Bank
number=
Bank
data+1
Page 5
SOUND
MIDI
SOUND
PROGRAM
NORM
PIANO
Grand
--------------------------------------------------------------------------------------------------- ---------------- ------------------------------------------- ---------------- -------------------
-
-------······-------·······
------------
--
-----
---------------- ---------------- ------------------------- ------------------ ----------------------------------------------------
----------------------------------- ----------------- ----------------------------------------- -------------------
----------··--------------·- ------------------------------------------------------------
-----------------------
........
··········-
--.
...............................................
.....................................................
.
······-
--··
Piano
upright
Mellow
Piano
Piano
·······-------·-····-- -------··--- ----------------------· --------··········----- ------· --------------------------------------.--------------------------------------------------
SoloPiano 16' 7 (5) 0 (48)
Rock
Honky
Jangle
Bright
Elect.
Midi
Synth
··········--
Phantom
Echo
E.Piano
E.
E.
Modern
Modern
Modern
Harpsichord
·········-
Double
Piano
Piano
1 Oct. 7 (3) 0 (16)
..
-- --------·-··---- ----------------------------------------------- ----------------------------------------------------------.------------------------------------
2 Oct. 7 (4) 2 (16) V i
Piano
Tonk
Piano
Piano
..............................
Grand
············-
Grand
Piano
Piano
..........
Piano
E
PIANO/HARPSI
1
Piano
2
Piano
3 8 (2)
E.P.1 8 (3)
E.P.2
E.P.3 6 (48)
-----
·········-
Harpsi
Cembalo
7 (0) 0 (0)
___
__!_
____
(_1
_)
________
7 (2) 2 (0)
7 (6) 3 (32)
7 (7) (16) 4
7 (8) (48)
7 (9) (0) 2
-------------------------------------------------------------------------- ------------------------------- ----------------
7 (10) 3 (0) 3
----
-······-·---
7 (
11)
.................
7 (12)
-----····-···-- - ---······-- -------·
7 (13) 2 (48)
.....
....
7 (14) 7 (48)
8 (0)
8 (1)
···········--
-------·······--
8 (4)
8 (5)
8 (6)
8 (7)
8 (8)
CHANGE
TECH
-~----
(_~~)_____
---
--········-
--------··----
DATA
GM
___________________
___
0 (32)
114
(0) V i
.........................................
5 (0)
5 (
32
)
5
5 (48)
6 (0) 6
4 (0)
······------
16
16 (16
18
.......................
(0) 7
)
------·······
--
(0) Close Fr.
MIDI
SOUND
PROGRAM
NORM
STRINGS/VOCAL
Strings
_
--------
~_o_ft
__
~t_r_i~_g_s
OctaveStrings
---
---··---------------·--- ----------------
Pizzicato
olin
Jazz
Violin
CountryFiddle
Choir
Ah
Vocal
Ooh
Slow
Strings
TremoloString
-------·-····-
Synth
Strings
----
..
·····
ola
Cello
...............................
Bowed
....................................
PopVocal
.........................................
Synth
Vocal
Vocal
-----.
----
Bass
Doo
·
·············
Ah
10
(0)
10
( 1)
10
(2)
10
(3)
10
(4)
10
(5)
10
(6)
10
(7)
10
. (8)
10
(9)
10 (10) 100 (32
----------------------------------- -----------···
10 (11
.....
----·-·················
10 (12
10 (13
.
............
10 (14
···········
10 (15
················
10 (16
10 (17) 109
)
)
)
)
)
)
BRASS
11
Brass
Octave
Brass
Trumpet
Cornet
.....................................
Jazz
----·····---------.-·-······--------······
------···· -----··---------.----·---------------···············
---
----·····--
Mute
Flugel
Horn
Bri.Trombone
-----
----------
Orch.Trombone
----
········-·
Tpt
-·
·······--
·········----
--------······
........................
---
-·········
Horn
(0)
11
(1)
11
(2)
------·········
............ .
.........
11
11
11
11
11
11
.
...........................
(3)
(4)
(5)
(6)
(7)
(8)
CHANGE
TECH
100
(0)
101
(~2)
_______
102
(0)
99
(0)
96
(0)
96
(16)
--
.....
96 (32
104
104 (32
101
(0)
(0)
---
)
)
)
103
(0)
........
.
97 (32
97
(0)
98
(0)
104 (48
................................
107
(0)
)
--
)
.....................
.................
··---
.............................................
..................
(0)
56
......................
(0)
56 (16
48
(0)
49 (16
50
(0)
51
(0)
..........................
52
(0)
.
....................................
52 (16
---------·············
54
(0)
)
.
)
..........................
)
......................
----------------------
GM
_
.
...............
.
DATA
49
46
41
111
50
45
51
42
43
44
53
55
54
62
57
60
58
.
.
.
.
.
.
.
GUITAR
Classical
········-
Bright Ac.
Folk
12
Jazz
·····················---····-·······-----
Bright
----·--·----------------··
DistortionGtr
..........................................................
Country
------------··········-··························
Hawai
Mellow
Jazz Gu i
---------·························
Mellow
...................................
Funk
'60's
·······-··························
Mute
Overdrive
--
-------····-- --·--··-------------------------- ------------ ---------- ----------------------- --------- -------·----
,...._
Gtr
----
-·····
-------······································
Gtr
···-·······························
Guitar
String
Gtr
..................................
Gui
tar
Solid
.......
1 9 (4)
............................................
Gtr
ian
Gtr
Ac.Gtr
.......................................
tar
2 9 (10)
Solid 9 (11)
Solid
···························
.............................................
.
.................
•·
Solid
Guitar
.........
Gtr
"-----'-----
9 (0)
9 ( 1)
.......................
9 (2)
........
................
9 (3)
-------·-·················
9 (5)
9 (6)
.............
9 (7)
...................................................................
9 (8)
9 (9)
...........
··········
9 (12)
9 (13)
.................
9 (14)
.......
9 (15)
n 11a\
20
(0)
................. .................
21
(0)
....................
22
(0)
.....
23
(0)
25
(0)
.................. ..................
26
(0)
...
30
(0)
31 ( 16
)
31
(0)
20 (16
)
24
(0)
-
28
(0) Pan
------·-·········-----·-·········
26 (16
..........................
.............
) Ouena
28 (16
) Ney
29
(0)
.
..............
27 (32
)
.,., 11a
\
...
..............................
Euphonium
..............................................
Tuba
Piccolo
............
.....................
Jazz
........
Classic
...................
Alto
.
......................................................................
Recorder
.................
Ocarina
Pan
-------······---
Whistle
············
25
26
....................
.
................
27
28
.
................................................................
31
Shakuhachi
Alto
······-
.
·······-············
·············---
29
30
Q'J
Blown
------------·························---
......................................
..........
...............................
SynthCalliope
Chopper
f---------'--'------L__-----'-----
Flute
.............................
Flute
Flute
Flute
1
-----
···········--···········
Ensemble
-----···········------····
Bottle
Flute
2
·······-················
Flute
············--
············--
···········--
11 ( 16
11 ( 17
FLUTE
12
(0)
12
(1)
12
.........
-
.........................
(2)
...........
12
(3)
12
(4)
12
(5)
12
(6)
...................................................
12
(7)
-------···················
12
(8)
12
(9)
12 (10
12 (11)
.
....
·········································---
12 (12
........
12 (13
.........
12 (14
12 (15) 112 (32
)
)
64
(0)
.
.........................
65
················
65 (16
················-·.
64 (16
··-·
74
74 (16
---------········
72
111
75
64 (48
72
...............
72
75 (16
73 (32
72
(0)
(0)
(0)
(0)
(0)
(32)
(16)
.
...............
(48)
.
)
)
--
)
)
.
-
)
)
)
......................
.
······················
.
)
)
)
)
.................
_
_L___----'-------'------__j__---------j
61
59
73
··---
-----
74
......................
75
80
76
.
79
78
77
.
83
·-····
.
.
Page 6
SOUND
MIDI
SOUND
MALLET
Glockenspiel
--------------------------------------
Vibraphone
Marimba
-----------------------------------·-· -----
Xylophone
Tubular
.............................
Celesta 0 (5)
------------------------
Chrysoglott
··························-----------
Wind Chime 0 (7)
------------------------------- ------------------
Steel
Tinkle
-------··········
Gamelan
...................................
Bells 0 (4)
Drum
Bell 0 (9)
-----·-·-····
------·-- ----------------·-·-
------------------------------------- -- ---
··············-·················
........................................
BottleMarimba
AfricanMallet
-------
---········---------··········-----·
Caribb Mallet 0 (13)
....................................
Theatre
------
--········ ------
Theatre
..
················--
-----
Theatre
·····-······························
Marim
--·······------
Xylo
·············
..............................................................
Glo
ck 0 (16) 9 (48)
......................................................
Wood Bloc k 0 (17)
SPECIAL PERC
................
Banjo
Mandolin
...................
. .
..
Harp
Orchestra
Ti
mpani
.....................................................................................................................................
Music
Box
Hit
...............
Kalimba
Sitar
-
------
--·········
--
Koto
Dulcimer
Shamisen
Taiko
Drum
..
Melodic
Bass
Snare
·············-------·--···········---
Brush Snare (15)
··--··················-·································
Cymbal
----
----·-·········· -----------·········
Sleigh Bel l
German
---
----
-·--········---------
French Oboe 2 ( 1)
····--······················································
English
-- - - -
----····
..
-
~~s_s_()()n
Bri.Accordion
..
·········
Mei.Accordion
-
-········································
Musette 2 (6)
.......................
Harmonica
-------···················································
Blu
Harmon
............
Bandoneon 2 (10)
JazzHarmonica
···-···········-····
Bagpipe 2 (12)
..............
..............
Tom
Drum
Drum
Oboe 2 (0)
········-····
Horn
---
- - .
...................
----------······ ---
esHarmnica
ium 2 (9)
················
············----
--
---·····························
......
-···········
------------------------
-------······
--································
..........
-------··
......
Shanai 2 (13)
PROGRAM
NORM
TECH
0 (0) 9 (0)
0 (1) 8 (0)
------------------------------------------
0 (2)
---
------···--
0 (3)
-------
10
--······--
11
14
12
0 (6) 8 (48) Jazz
14 (16
0 (8)
0 (10)
0 (11)
0 (12)
-···············
0 (14)
0 (15)
15
14 (32
--···························
14 (48
13
113
-·············
11 (16
...................................
10 (48
11 (48
122 (16
1 (0)
.....................
(1)
....................
(2)
(3)
...................
(4)
(5) 7 (0)
.................
(6)
.......................
(
(8)
(9)
1 (10)
------------------------------------------------------ ---------------------------------- --------------·-- ------------------ ··- -------
1 ( 1
1 (12)
1 (13)
(14)
......................................................................
(16)
( 17)
.................
.....
....................
-----·············
7)
1)
33
35
32
127 (16
126
39
38
37
38 (16)
36
123 (48
------··········
122 (32
126 (48
127 (48
125 (16
126 (16
125
REED
···········-············
....................
2 (2)
....................
2 (3)
2 (4)
2 (5)
........
..............
2 (
2 (8)
------------···········
.........................
2 (1
.................
66
...................
66 (16
.........................
67
..
..................
!~
80
...................................................
81
.......................
82
.
............................
7)
83
83 (16
86 (32
....................
80 (16
.................
1)
83 (32
73
----
--·················-·····················
73 (16
CHANGE
DATA
GM
SOUND
I
SAX/CLARINET
10
12
(0)
---
(0)
(0)
(0) 9
) Clas.
(0)
)
13
--
-----·-······---
14
--
-----·--··--·---
15
----------------------
---
----···-··
---
115
113
..............
----
- -
------
-- --
-
)
(0) Synth Sax 3 (
........
...........
(0) Bass
.......................
)
...........
.
.
Soprano
Sax 3 (0)
Alto Sax 3 (1)
Mellow
.......................
Tenor
··········· . ............................
Breathy
·······--
--
Rock
---
- ·······
Soft
Baritone
------------------------------- -----·····-·---
DistortionSax
--------------------------
......
Alto
·······------------·--· --------------- ----------------
Sax 3 (3)
Tenor
-·············-
..........................
----
Tenor
Clarinet
-·······-··
Ciarinet
................
----
····
................
--
.............................................
Clarinet
Sax 3 (9)
.
.....................................................
Clarinet
)
)
.
)
(0)
.
...............
(0)
.
.................................................................
(0)
...
........
)
(0)
(0)
(0)
.............................
(0)
(0)
)
)
)
)
)
)
(0)
116
106
.
47
.......
56
................
48
11
..........................
109
105
108
16
-------------------
107
117
---
····-------------------
118
.......................
SYNTH
Synth
Bras
s 1
Syn.Bra
Square Lead
Saw Lead 4 (3)
Air Vox 4 (4)
Lead
............
Pluck
---
Synthynet
......
..................
Nylon
----
Synth Brass 2 4 (9)
-------------------- --------·--------- -----------------·--
Syn.BrassEns2 4 (10)
Chitter
----
----·····------------ ------------·--- ------------· ----------
Charang
-----------------------· -----------------------------····-····
5th Wave 4 (13)
----------------------- --------·---------- -----------------
ssEns1
.
................
--
---···········
----············
-----··········---- -
Voice
Organ
--
---
-··········-·--
---
-
-···········
--
........................................................
Synth 4 (8)
Lead 4 (11)
BRASS/
----
-----------------·--- -
----
··-························
................................................
--
Sine Lead
PluckEnsemble
.
,.
........
Atmosphere
------
-·-········-
------
---·
-
-·························
---
--
Plop
SYNTH
(0)
)
(0)
....
J~l
(0)
(0)
(0)
(0)
)
)
)
) Mis t 5 (11)
.
....................................................
(0)
)
69
...................
....................
.................
J1
70
....
...........
22
......
··················-····
23
....................
21
..
................
24
..
.......................
110
112
......
.....
........
Fantasia
...........
Mellow
...............
Polysynth
................................................
....
sp~~'Y.
Crystal
····························-················--
Metal
................................
Dream
············-····················
Dig
i Heaven 5 (
...........................
Halo
......
Sweep Pad 5 (9)
...............................
Synth Glocken 5 (10) 9 (32)
......
..........................
Click
··································
Click
····································-···························
Star Theme 5 (14)
............
·········-····
·············-
Ice
........
Rain
Ens. 5
.~.~~-
............... ,
Ens. 5 (4)
-
--
Pad 5 (5)
.........
......................
Pad 5 (8)
.
.....................................
·····················•··
Echo 5 (12)
-
·················---
.........
---
Vox
········-·······
......... --.................
Soundtrack
MIDI
PROGRAM
NORM
................
3 (2)
·------------- ----------------------- -------------------
3 (4)
------········---------
3 (5)
3 (6)
3 (
7)
----------------- ---------------- -----------------
3 (8)
3 (10)
-----·-···
11)
3 (12)
CHANGE
TECH
76
(0)
..................
77
(0)
77 (16
)
78 (48
)
78 (16
.......................
----------------------- -----------------
.......
)
79
(0)
-------------------
68
(0)
69
(0)
68 (16
)
79 (16
)
......................
78 (32
)
--
.............................
79 (48
)
---
---·-·····
69 (16
)
DATA
GM
65
----------------
66
67
----------------------
72
68
----
LEAD
4 (0)
---·····--- - -
4
4 (2)
......... -
4 (5)
.................
4 (6)
4 (7)
4 (12)
4 (
4 (15)
......................
4 (16)
4 (17)
(1)
.
----
14
60
-------
..
·······----.
...............................
----···
)
-----------------
(0)
····-· ---------------------------------
61 (16
)
--
------·····.-
117
(0)
118 (16
106 (16
121 (32
112
(0)
115 (16
20 (48
60 (48
61 (48
--
---·-·····.
117 (32
27 (48
---
119
(0)
94
(0)
115 (32
21 (48
.
)
)
)
.
)
)
)
)
)
)
)
)
)
.........................................
·······························
····-·-
...........
117 (48
.
·········•···········
-
---
64
63
81
82
86
-
···
----········
84
85
87
100
PAD
5 (0)
5 (2)
.... ~ __
........
.
.......................
5 (6)
.......................
......
................
.......
.............................
5 (13)
..........................................
5 (15)
5 (16)
116 (32
-----··-·······-·---
(1)
107 (16
-
------··
....... - ----
102 (32
--------·
······
(3) ___
1_~!.(~n
120
······-------······.
106 (32
.
108 (32
.
.................
7)
104 (16
..........
107 (48
62 (32
.
...................
108 (48
.
...................................
108
.
106 (48
120 (16
...........
121 (48
-······
......................
119 (16
------
)
)
)
.........
(0)
)
)
)
)
)
)
(0)
)
)
)
)
89
.....
··············-
90
---··········
91
--
-----
....
-~~---·····
93
--
-··············
94
············-···
.
..................
95
96
99
.
...............
101
103
.
104
.
97
.
98
.
.
.
-
---········
.
.
.
Page 7
SOUND
MIDI
SOUND
MEMORY
MEMORY B-1 6 (0) 0 (
........................
MEMORY B-2 6 (1) 1 (
······-··--·--·-·
------------··········- ------------
........................
··················
·················· ......
··············-·-·--··
------
------------- ------
MEMORY B-3 6 (2) 2
MEMORY B-4 6 (3) 3
...
..
MEMORY B-5 6 (4) 4 (
MEMORY B-6 6 (5) 5 (
MEMORY
MEMORY B-8 6 (
················-···· ·-·-·
--··.
.......................................
..............................................
...................................
.. .
........
---
------------------------------------------------- ------------------- ----------------------------------------------------------------- ------------
-.--------·············
-······
·-·
- ·-··
··
B - 7 6 (6) 6 (
··
·· ···----------------------- -----------------------
MEMORY B-9 6 (8) 8
MEMORY B-10
---·----------------------------- -----------
MEMORY B-11
·······-·------------- -----------------------------------------
MEMORY B-12
------------------------------------------ -----------------.
MEMORY B-13
----------------------------------------------- ----------------------
MEMORY B-14
.......................... .
···-···
- · · · -·
······················
MEMORY B-15
MEMORY B-16
MEMORY B-17
........................
.. .
.....................................
MEMORY B-18
·The numbers
Program change
in
parentheses ( ) are bank
number=
PROGRAM
NORM
A
················-------
-----· ---------------------- --------------- -----------------------
.
....
------------------------
----------------------- ------------------- ------------------------------------------------------- ·······
-----------------------
7)
6 (9) 9
6 (10)
6 (
11)
6 (12)
6 (13)
6 (14)
················-··---
6 (15)
6 (16)
6 (17)
Program change
CHANGE
TECH
128
---
)
--------------- --------------· -------------------------------------------------- ----------------------------------
128)
(128)
(128)
---
-------------------- -------------------------------- .
128)
128
)
----------------- ------ -------- -------------------
128
)
................
7 (
128
)
(128
)
(128)
...............
....................... .......................
................
--------------------------- .
...............
........ ....
10
(128)
.............
......
11 (128
)
12 (128)
.. .
.......................................
13 (128
)
14 (128
)
.
15 (128
)
......................................
16 (128
)
17 (128
)
...................
......................
---
----------
DATA
GM
SOUND
MEMORY A-1
MEMORY A-2
MEMORY A-3
MEMORY A-4
MEMORY A-5
MEMORY
MEMORY A -7
.................................................
MEMORY A-8
.....................................
MEMORY A-9
MEMORY A-10 13
. .
MEMORY A-11
················
- ----------------------------------------
...............................................................
· ····
·····--
MEMORY A-12
. . .
····---------·-······----
MEMORY A-13 13
·············-·-·····-·-·-·
MEMORY
MEMORY
MEMORY
.
...
--
·
..
MEMORY
MEMORY A-18
·-·
····
---
A - 6
-----------
---
---------------------
-- -
-·-··········
··········-·-
-------------- -------------------------------
-· ···········
A -
14 13 (13
............... --....................
A -
15
A -
16 13 (15
-· - · -
···
······················
A -
17 13 (16
MIDI
PROGRAM
NORM
MEMORY
·····················-·
13
13
13
-----------···
13
13
13
13
13
········-------
13
B
(0)
(1)
(2)
(3)
(4)
(5)
(6)
(7)
(8)
(9)
13 (10
··-····--·-- ----------------------- ----------------------·
13
(11)
(12)
---------------------------------------------------------------
13 (14
.
......................
.............................................
13 (17
data.
data+l
/ Bank
number=
Bank
data+l
CHANGE
TECH
18 (128
)
19 (128
20 (128
-----
-
-·
--
21 (128
22 (128
--------·····
23 (128
·-·· ·-·· ·--- ------------------------------
24 (128
-
--
· ·-···· -
--
25 (128
- - - -
-----
26 (128
27 (128
)
28 (128
29
30
)
31
·-···
·-·-····
)
32 (128
···-···
·-·-···-···
)
33 (128
)
34 (128
)
35 (128
------
)
-----
------ -----------------------
)
----
.................... .
)
.............
)
· ·
·········
-----------------------
)
)
-------------------------------
)
- · -------------------------------
)
)
)
(128
)
(128)
(128)
.......
..
············-·---·----
)
·····
.........
)
······················
)
)
DATA
GM
-----·-----------
.
Page 8
BASS PEDALS
I
MIDI
SOUND
CLASSICAL
PipeCoupler
------···········---·-···-· .... ····---------- · -------·
...
-
~ip~<:
_()_U_
PipeCoupler
·············--------- ······- ·····-------
Basic
-·---·------------------------------------ --------·····
Basic
---·-······
Pipe
Trumpets
OctaveStr i ngs
--································-·-·-··-·
Pizzicato
Cello
Bowed
----··············
Brass
------------------------------------
Bass
···-···-·---------------------- ------------ -
····-·---------------------------------------------------- --------------------···
·························································· ................
-----------------------·-······························· ..................... ····················-·· .....................
.............
.............
···········-
···········-
···················································-
·················································-·····
.............
----------------------------------------- ----··· .......... ---------- .............................................
··············---·-··-······
···········································- ---····-·····
·The
Program
Trombone
Tuba
Ti
mpan
Bassoon
-----·-----------· ------------------------------
Bass
Clarinet
----------·----·------------------------- ---------------------------- ----------·····-------- ----------------------
Bri.Accord
Bass
Drum
Snare
Cymbal
Memory
------------------------------------ ·········
Memory
r..-l~~()r
r-.1
.
~~()
~-~~()
~-~~()
Memory
Memory
Memory
······················· .................. . .........................
Memory
r..-l
~~
()_r'
Memory
..
r-.1
.~~()_r
Memory
Memory
Memory
numbers
1 0 (0)
f>l
_e_
r
__ 2 ___________________
3 0 (2)
Pipes 1 0 (3)
Pipes 2 0 (4)
...
............
ORCHESTRAL
Bass
.....
..................
......
i
ion
Drum
MEMORY
1 2 (0) 0 (
2 2 (1) 1 (
.Y'
.
~
................................
_r_
y__~
---··
·
····················
_
r.Y
..
~
.....
.
..................
_
r.Y
..
~
.....
........................
7 2 (6) 6 (
8 2 (7) 7
9 2 (8) 8 (
10
(_1_
1
___
...
12
'(_1~---·
14
-··········
15
16
in
change
..
....
.............
..
........................ J._(_1_2.) ____
----------·--····- --·------------------ ----------------------- ---------------
parentheses
number=
PROGRAM
I
NORM
ORGAN (PRESET
---------
..
_o
____
(1
)_
__
------------------------
--
.
...............
0 ( 5)
...
1 ......
<.~
)
_______
1 (1)
...
1 (2)
.....
·····-···-
1 (3)
···········-·······-·
1 (4)
----------------------- --------------------- ----------------------------------------------····-
1 (5)
·····················-
(6)
-------------------- --------------------- ----------------- -------------------------------------
(7)
(8)
1· (9)
10
)
1 (
1 (
11)
....
1 (
12)
1 (13)
...........................................................
~
.....
<.2_)
___
.......
~
..... <.J.
l .........
. ......
~
.....
<.~
)
____
--~-----
~-?_)
___
·············-··
2 (9) 9 (
············--
2
(_1_~
)
... . ...
2 (11)
2 (13)
2 (14)
···········-·-·--·-··-
2 (15)
( )
are
bank
Program
CHANGE
I
TECH
)
84 (16
---
. _
..
1q~---··
99
97
98
.............................................
56
52 (32
---------------------- ---------·------------ ----------------------------------------------------------
55
126
70
69 (16
80
..........
126
········· ············ . ················
127 (48
126 (16
..... J
····---
......
-·-·--.
--···--···-·--·------- --------------··----
1 o_ (_1_?_8
11 (128
......
1~
13 (128
14 (128
------------------------ --------------·-----
15 (128
change
)
--
-------
84
..
_(~~_)
84 (48
)
---
------
85 (48
)
86 (48
)
86 (16
)
(0) .................................
(0)
(0)
(0)
(0)
)
(0)
(0)
(0)
----------------------------------- ------------------------------------------------------------ --------·-········
) E.
(0)
------···- ············ ······· -------···············
(48)
)
)
128
)
128
)
..
<.~_2_8
)
~-___(
1_2.8
).
~
---
~1_
2.8
_)
.
~
...
<.1_
2.8
). . .................................
128
)
·--·--·--
----
(128
)
128
)
··············-
128
)
_)_
)
___
(_1_2_8
_)
)
)
)
data.
data+1
DATA
GM
-------·----·
···
__
.......... ......
-------------
.
·········--
--·
.
........................................................................
.......................................................................
....................................
_
....................
__
..................................
----------·--···- ---------------·- ------------
········-··············
..................
__
..
....................
··
···
···----····
·-········-
46
43
44
62
59
48
71
22
/
....
-----
······
....
----
Bank
I
MIDI
SOUND
ORGAN (PRESET
Jazz0rgnBass1
--·-·-
---------
-------------------
. ..........
Ja_z_zO~-~~-~a~s.?
Guitar
-----------------
····-········
--------··-········
·········
···
---
-------------------------· ----------------------------- -------············ .................................. .
lf-----'-------_J__
·································-························ -·· --------·····-···---·------------------··· ...................... .
·······-··-··················
..
···········-
Synth
·-----··-·-····--······-·--·------------- --·----··-···---- --------------------- -------------·-···
--
----------------------------------------------------------------------···········
. .......
.6-~rl1
Spacy
··············-·············-··
Mist
number=
Bass 3 (2)
-------------------------
Theatre
Theatre
Theatre
.6-
Mellow
Electric
Bright
·······-·········································-····-··---·········
Funky
Fretless
Picked
Grand
Elect.Grand
E.
Harpsichord
Roc
Mute
~.~-~P..
~-~-
.6-
'I!.CJ."!
Mellow
Nylon
Pluck
Combi
...
········-·············· ----···················· ·····-···------------------ ---------------·------
Gamba
-·········-·-······
Cello
<?.o.~~t_i~
~P..
.n_~_l_
Bass ..................
A.Bass
Bass 4 (2)
E.Bass
E.Bass 4 (4)
Bass 4 (5)
E.Bass 4 (6)
Piano
Piano
1 4 ( 9) 5
Piano
2 4 (10) 5 (32)
···----··························.
k Bass 5 (0)
Bass 5 (1)
-----------···-··-···---··-- -----------------·-·-·- ---------- -
-~.
~~~--1····
-~.
~~~
_2 ........................
()~
--~-
~~~
..
~-~~~
---·······················
Chopper
--
----------------------------------------··-··· ..................
Ens . 5 (7)
Synth
Organ
.
()~p
_h_
~~~
Pad
---··----···········-· --------------------------
Bank
---···-
...........
---···--
······--··
···
STANDARD
CONTEMPORARY
·
······
· · ·
·········
---·
.......................
---·················
data+1
PROGRAM
NORM
3 (0)
-------------······ .................. ... ···
······-
~
---
(
1)
. .
-------------·····
···------·····-···-···· ---------------------------------------
··········---··
··········-··········
------------·······
··················--···
_
·
.......
····-
--~
····---
.
···---
.........................
3 ( 3)
3 (4)
8 (5)
~
..... <.OL ..
4 (1)
..
4 (3)
················-
4 (7) 0
4 (8) 3
4 (
11)
_.:__:___t_
~
..... <.2
.!
.........
---··
(_3
.!
.........
~
..... <_4.!
....
~
---··
(_5
.!
....
5
(6)
5 (8)
5 ( 9)
~
---
(_1_0
)
...
5 (
11)
5 (
12)
CHANGE
TECH
)
88
(16)
·--~~--
___(
~2)
88
(48)
87 (16
)
93 (16
)
93 (48
)
··---
~~
---··-
~qJ
43
(16)
··---------------------------······----
40
-----------------------------------------···---
----------------------················· ·
························
-
...
---------·-······················
............................................. .
········-
··---
··---
·················-·················-----------
___
(0)
40
(16)
40
(48)
40
(32)
................... ···
42
(0 )
(0)
(0)
(0)
16
(0)
__
...:._:__.L.
47
(16)
47
(0)
---------·············
~1
_______
(q)
~1
______
(1_~)
~~-----
~-1~
)
~~
---····
(q)
45
(0)
.....
107
(16)
20
(48)
112
}1
107
108
·····
(0)
··---
~
~~
)
(32)
--------···························-
(48)
DATA
GM
··············-
__
...................... .
············----·····--
...
······---
~~
34
··············--------
36
············
35
···
3
5
7
___
·····
___
..........
~!
___
······
·-
- -
~~
___ .............. .
___
..........
~9.
40
····
···············-···
90
...................... .
___
.........
1.~~
92
101
·····
---······
····
··
---
·····
·····
·····
--jl
·····
··
.
---····
· ·
..
.....
. .
---·
·
···
KEYBOARD PERCUSSION
SOUND
KEYBOARD
Rock
Kit
1 0 (0)
-------------------················
Rock
Kit
·····················-··-·····---·---------------- .......
Light
··············-··-·······-··--··-·---------- ------------· ...............................
Soul K it
Jazz
·The
numbers
2 0 (
Rock
Kit 0 (2)
Kit
in
parentheses
PERCUSSION
...........................
--··········································.
0 (3)
............................................................
0 (4)
( )
1)
are
112 (128
115 (128
126 (128
121 (128
113 (128
bank
······-·--
········-·--··
data
)
---
----·---···
)
·--····--···
)
-····-··-··-···-·-·-·-
)
)
.
KIT
SOUND
KEYBOARD
Brush
Kit
··-------- ---------------------------- ..................... ······················ ······----------··--------··-·----------------
·······-·-·
·········
Brush
----------------··--··-------------- -----------------
Orchestral
------
Trad
lf-
----------'-------
1 0 (5)
Kit
2 0 (6)
Kit
·--------
--------------------------·-----------·············
Kit
PERCUSSION
117 (128)
------···················
0 (7)
0 (8)
127
124
···
······-·-···········
118 (128
--'-
----'--'--
·····
(128)
·····-·····
(128)
)
·············-
·············----------
--~
1
Page 9
RHYTHM
MIDI
MIDI
PROGRAM
RHYTHM
CHANGE
NORM
8BEAT
8Bt
Standard1 8
8Bt
Standard2
---
------------------------------------------------------------- - ---------------------------------------------------- -----------------------
8Bt
SoftRock1 8
8Bt
SoftRock2
8Bt
Pop
8Bt
Ballad
8Bt
Ballad
Folk
Country
British
----------------------------------------------
1
2
Rock
-----------------------------------
Rock
Rock
------
(0)
--------------------------------------------------- -----------·---
8
(1)
(2)
----------------------------------------- ----------------------------------
8
(3)
8 (4)
--------------------------------------- -------------------------------------
(5)
8
(6)
8
8
(7)
8
(8)
--------------------- ······------------------------ -------------------------------------------
8
(9)
16BEAT
16Bt Stand.1
16Bt Stand.2
------------------------------------------------------------------
16Bt Stand.3
16Bt
-----------------------------------------------------------
Ballad
16Bt Ba I
16Bt
Rock
Rock
16Bt
lad
1
2
1
2
16Bt Pop 1
16Bt
Pop
2
Piano
Pop
BIG
Stand.Swing
-----------------------------------------------------------------------------------------------------
Stand .
B.
Band
Swing
Ballad
1
2
-----------------------------------------
BAND/SWING
Orch.Swing
Dixie
------------------------
---------------------------------------------------------------------------- --------------------------
Big
Big
Big
Big
Big
Jazz
Jazz
------------------------------------------------------------
Jazz
*Organ
*Organ
Jazz
Jazz
Mod.Jazz
------------------------------------------------------------------------------------------------------------------------------- ---------------------------------- ----------------- --------------------------------
Mod.Jazz
Jazz
-----------------------------------------------------------------------------------
Band
Mid1
Band
Mid2
Band
Fst1
Band
Fst2
Band
Slow
JAZZ
COMBO
Combo
Combo
1
2
Quartet
Jazz
Blues
Ballad
1
Ballad
2
Mid
Fast
Waltz
9 (0)
----------------------------------------------- -------------------------------- -----------------------------------------------------------
(1)
9
(2)
9
(3)
9
(4)
9
(5)
9
(6)
9
9
(7)
9
(8)
9
(9)
10
(0)
--------------
10
( 1)
10
(2)
10
(3)
10
(4)
10
(5)
10
(6)
10
(7)
10
(8)
10
(9)
(0)
11
(1)
11
(2)
11
(3)
11
(4)
11
(5)
11
(6)
11
-----------------------------------------
(7)
11
(8)
11
11
(9)
DATA
SOUND
TECH
COUNTRY
90
(96)
90
(80)
90
(48)
88
(64)
84
(48)
91
(32)
91
-----
················--------------
-------------------------------------- ---------------------------------------------
(16)
85
85
86
96
96
96
99
101
99
(112)
97
101
107
101
25
32
39
37
24
38
38
36
------------- -------------------------------- -----------------------
36
38
34
34
32
34
------------------------
38
44
35
40
40
46
-----------------
(0)
(32)
(16)
(64)
(32)
(48)
--------------------------------------------------------------------------
(96)
(16)
(32)
- --------------------------------------------------------------
(32)
(48)
(0)
(0)
(48)
(16)
(0)
(32)
(48)
(64)
(48)
(32)
(80)
(16)
---------
-------------------------------------------------------------------------------------------------------------------------
(32)
(64) Soul
(48) Soul
--
(96)
(16)
--------
--------------------------------------------- ---------------- -------------------
(16)
(48)
(80) Salsa
(48)
Country
2step
CountryBallad
Country
Bluegrass
Bluegrass
Country
Country
Waltz
1
2
Pop
Folk
ModernCountry
R&B 8 Beat
R&B
Ballad
March
U.S.
2/4
GermanMrch2
*OrgMarch2/4
Polka
2/4
Polka
2/4
U.S.March
6/8
GermanMrch6/8
OrgMarch6/8*
Orch.March2/4
Polka
6/8
Rock'n'Roll
Rock'n'Roll
-----------------------------------------
8Bt
-------------------------------------------- ----------------------------
Soul 1 0
8Bt
Soul 2 0 (3)
Euro
Beat
Disco
70's 0
-----
Disco
Pop
Disco
1 0
Disco
2 0
House
Jazz
Rock
Jazz
Funk
------------------------------------------
Rock
Ballad
Funk
Carib.Rock
Samba
Samba
Swingy
Rock
Rock
Funk
/R&BLUES
MARCH/POLKA
/ 4
1
2
ROCK/DISCO
1
2 0
------------------
MODERN
-------
ROCK
1
2
NORM
12
12
12
12
12
12
12
12
12
12
13
13
13
13
13
13
13
13
13
13
0
0
0
0
PROGRAM
CHANGE
(0)
(1)
(2)
(3)
(
4)
(5)
(6)
(7)
(8)
(9)
(0)
(1)
(2)
(3)
(4)
(5)
(6)
(7)
(8)
(9)
(0)
(1)
----------------------------------------
(2)
(4)
(5)
(6)
(7)
------------------
(8)
(9)
(0)
(1)
(2)
(3)
(4)
(5)
(6)
(7)
(8)
(9)
DATA
120
121
123
121
123
125
113
112
102
103
110
118
117
116
TECH
17
(112)
75
(48)
19
20
(48)
20
(32)
17
(64)
16
(16)
17
(80)
81
(16)
75
(64)
0 (32)
1 (48)
0 (64)
4 (48)
4 (32)
2 (16)
3 (16)
2 (32)
0 (48)
5 (32)
80
(64)
80
(32)
87
(32)
87
(48)
(16)
(48)
(64)
(80)
(48)
(48)
(32)
(48)
(48)
(16)
(32)
68
(48)
65
(0)
(0)
(0)
(0)
(0)
Page 10
RHYTHM
MIDI
PROGRAM
RHYTHM
CHANGE
NORM
ROCK
Shuffle
-------·----····-········- -----·------··-·····-·········· ···-
ShuffleBoogie 2 (1)
..........................................
Shuffle Soul 2 (2)
···························· ············· ............................
R&R
ShuffleBallad
...................................................
---------------- -------------------------------------·-··········· ........ ····················· ------------················- ------·-·······----------------------------------------- -----------
··---·-----------------------------------
....................................................................
Swing Rock 1
Rock
Ballad
Rock
Ballad
Rock
Ballad
Soul
R.Ballad
Swing
Rock 2
Broadway
------·······
·········································
Show 3 (0)
Showtime
*Organ
.............
Cabaret
Show 3 (2)
············-·····
Hollywood
BroadwaySwing
-----------········ ---------------·-·················
Vaudeville
------··················································
Soft Shoe 3
-------------------------------------------------------------- --·-- ----------------------------------------------------- ----------------------------·····································-- ····-·············------------ ------------------------------
Cowboy
----------··················································
Paris
Ballad
Ballad
(OTHERS)
------···········
1
2
3
SHOW
··-·············
-----------------
(0)
2
-----··················
...............................................
2 (3)
------------------------ --···--------------------- -----------
2 (4)
2 (5)
.......................................
2 (6)
2
-·---------------------------- -------·--------·
(7)
2 (8)
2 (9)
TIME
·······--·-·······
3 (1)
------------·-·····-··-·· --------··
3 (3)
............................................................................................................................. ..............................
3 (4)
-·
---------------········ -------------------------------- ----------------···--·-·-------------------------·-------------- --------------------------------------------------------
3 (5)
---
······························
3 (6)
...........................................................
(7)
3 (8)
............................................................ ························································- ·-------- ···--····------- -----------------------------------
3 (9)
DATA
RHYTHM
TECH
76
-·-···························
·········-
(48)
77
77
················
78
73
74
........................................
75
74
75
...................................................................................................
64
15
........... . ...
15
15
15
30
29
············-···········
24
24
21
74
.................................................................. -
(32) Chanson
(48)
(16)
(16)
·····························
--
---------··········-----------------------------------------
·•·
--------------------------------------------------------------------------------------------------------------------
(80) GospeiShuffle
(96) Gospel 16Beat
(32)
-----
-------------·--···········-····
(32)
(0)
(32)
··-····
.......................................................................
(0)
(16)
(48)
(16)
(80)
.................................................................
(64)
······--····················
(80) Chanson
(0) Orch.
(96)
Foxtrot
Modern
*Organ
*Organ
Hawaiian
Hawaiian
Jig
Simple
StandardWaltz
*Organ
-···················
Swingy
Swingy
Vienna
German
Mazurka
Fox
-----------························
Fox
Fox
Ostep
1 4 (7)
------·················-
2 4 (8)
Waltz
Waltz
·······--···········
..............
Waltz1 5 (3)
Waltz2 5 (4)
Waltz
Waltz
--------------······--·----------- -----·---------------------
Waltz
Waltz
TRAD
-------------
WALTZ
---
MIDI
PROGRAM
CHANGE
NORM
4 (0)
.......
-·····-·-·-
4 (1)
......
················--···-····
4 (2)
·-----------
4 (3)
(4)
4
(5)
4
(6)
4
---····---·----- -----------------------------------------
············-·-···
DATA
TECH
-----------·--·-······-----
-----------
29
29
·············--·
30
-·--
29
28
77
100
22
23
················-·-
(112)
4 (9) 5 (16)
5 (0)
··················-·····-·········
5 (1)
----··························
5 (2) 8 (80)
-·············
-------------- --------·
13
----·
11
............................. .
12
·················-
12
5 (5) 9 (32)
·········-------------------
5 (6)
5 (7)
------------------------
-----
10
--·-··························
11
5 (8) 8 (64)
5 (9)
10
(96)
(64)
(0)
-------------
(16)
(64)
(16)
(16)
(0)
(0)
(16)
(0)
(16)
(48)
(32)
(32)
LATIN1
Rhumba
*OrganRhumba
------------------------------------------------------------------
·················----·--··-····-·--·-----------------·----------··- -------------------··········· ------------------------------ ----------·--------------------------------------------------------
----································································
....................................
--------------------·························· ····················· .... ························· .............................. ·····························································- --·-- -----··-·----·----------------
················-···················· --·--------··-·····-·······---- ----------------·-···- ---------------------------------- --------------------------------------------············- ----·-···· .................................. ····-···--------------
.................................................................. -··-·- -···----············-·- -------------·---···---------- ---------------------------------------------------------------- ........................................................... .
··················-·············-·-·····
Beguine
CanzoneBeguin
Paso Doble
Mambo
Cha Cha
Mod
.Cha Cha
Swingy
--·-·-···········---·---------··--·-·······-···- --------------··------ --·------------------------------- -----------------·-------------·················
--------···················
----------······-················
Reggae
------------------· ---------------------------------- ----------------
------------···· -···--···- ---------------·-···-·-·------ ------------·------ -----------------------------------------
Reggae
(0)
14
14
(1)
14
(2)
14
(3)
........................ ··-·-
14
(4)
14
(5)
14
(6)
14
(7)
14
(8)
14
(9)
58
(32)
58
(48) Bossanova 1 6 (1)
·························
59
59
··---···················
69
56
57
57
71
71
·························································
(32) Bossanova 2 6 (2)
(16)
....
(16)
(32) Samba 6 (5)
(48)
(32)
(32)
(16)
Simple
Jazz
--···················-·--·····-·····--·---·-····
*Organ
Organ
Tango
Tango
-·-··········--------·-································
Tango
Bossa 6 (0)
Bossa 6 (3)
Bossa 6 (4)
Samba*
Argen.
Contin.
Haban. 6 (9)
COMPOSER A
15
Memory
Memory
Memory
Memory
Memory
------·-··························
Memory
·The
numbers
Program
1
2
3
4
5
6
in
parentheses ( )
change
--------------- -----------·-··········· .............
....................... ············-················· -------------------------------
are
number=
Program
(0) 0 (128)
15
( 1) 1 (128)
15
(2) 2 (128)
................................................ -----------·-········-· ----------------------·--------- ---······· ......................... ···········---·---
15
(3) 3 (128)
15
(4) 4 (128)
15
(5) 5 (128)
bank
data.
change
data+1
..................
/
Bank
-························ ·--------------·-·-··· ---------------- ---------------·-···· -·-····· ···························-··
Memory
Memory
Memory
Memory
Memory
Memory
number=
7
8
9 7 (2) 8 (128)
10
11
-·-·································
12
Bank
data+1
LATIN2
48
·························-··-·
·······-···················-------------------------------------------
······-··
....................
------·----------------------------
------·······························
----·································
6 (6)
6 (7)
6 (8)
.................. ·---------· -----··----·------
48
48
··················--·
49
48
·
..
51
--······················
51
53
53
55
COMPOSER B
7
(0)
7 ( 1)
6 (128)
7 (
7 (3) 9 (128)
7 (4)
................... ----------------------------
7 (5)
10
11
....... .
(128)
(128)
(48)
(96)
(64)
(16)
(80)
(48)
(64)
(48)
(64)
(16)
128)
Page 11
KEYBOARD
PERCUSSION
Other
kits
Orchestral
kit
General
MIDI
45
48
*Sounds in SEQUENCER
and
MIDI function.
65
66
67
69
Page 12
TECHNI-CHORD
TYPE
<Example: C major
CLOSE
#;
;
'
DUET COUNTRY THEATRE
&#k
=
'
'
HYMN
i
~
BIG BAND
bt
i
chord>
OPEN1
~
,.......,.
~
.............
~"'
'
II
II
'
II
#=
77
=
#~
~
BLOCK BIG BAND BRASS
fi:f
OCTAVE
~
II
-9-
e
:
77
77
~
~t~~t
@
;
!it
ijiJa
-~
~~
~
-9-
REEDS
ti~t
OPEN2
~
'
~
II
~i
'
-
If
1
:
-
-
-
~"'
'
77
II
77
=
II
II
&#~
t
HARD ROCK
~
-9-
·~i
'=
d
:
77
77
:
77
~-
~
~
'
II
~=
,...-..,
II
-:i
'
-
-
!It
~"'
i:~
II
II
'
,
DSP
CHORUS
FLANGER
PHASER
DISTORTION
FANFARE
~,
·rr
a
EFFECT
EFFECT
#:,
DEPTH
SPEED
OUTPUT
REVERB
DEPTH
DEPTH
SPEED
RESONANCE
MANUAL
PHASE
OUTPUT
REVERB
DEPTH
SPEED
RESONANCE
MANUAL
OUTPUT
REVERB
DRIVE
OUTPUT
REVERB
----
PARAMETER
LEVEL
DEPTH
1 0
2
LEVEL
DEPTH
LEVEL
DEPTH
LEVEL
DEPTH
'
11
-49
-49
RANGE
-
0
-
0
-
0
-
0
-
-
0
-
0
-
-
0
-
0
-
0
-
0
-
0
-
0
-
-
0
-
0
-
0
-
0
-
0
-
0
99
99
99
99
49
49
99
+49
99
90
99
99
99
99
+49
99
99
99
99
99
99
EFFECT
OVER
EXCITER
DELAY
DELAY
DRIVE
1
2
J:
Played note (right-hand melody)
o : Added notes
PARAMETER
DRIVE
OUTPUT
REVERB
DRIVE
BOOST
OUTPUT
REVERB
DELAY
DELAY
FEEDBACK
FEEDBACK
OUTPUT
REVERB
DELAY
DELAY
DELAY
DELAY
FEEDBACK
FEEDBACK
OUTPUT
REVERB
LEVEL
DEPTH
LEVEL
LEVEL
DEPTH
R
L
R
L
LEVEL
DEPTH
R1
R2
L1
L2
R
L
LEVEL
DEPTH
-49
-49
-49
-49
RANGE
-
0
-
0
-
0
-
0
-
0
-
0
-
0
-
0
-
0
-
-
-
0
-
0
-
0
-
0
-
0
-
0
-
-
-
0
-
0
99
99
99
99
99
99
99
500
500
+49
+49
99
99
250
250
250
250
+49
+49
99
99
Page 13
TONE
PIANO
Grand
Piano
Bright
Piano
Elect.
Grand
E.
Piano
E.Piano
Modern E. P
Modern
Svnth
HARPSI & MALLET
sl
Harpsichord
Harpsichord
Clavi
Synth Clavi
G Iocken 1
Glacken 2
Soft G Iocken
Vibraphone
Tubular
Solid Bars
Steel
Marimba
Xylophone
BottleMarimba
AfricanMallet
cj
Classical
Bright Ac.
Folk
Jazz
Jazz
Bright
Mellow
Funk
'60's Solid
Mute
Mute
DistortionGtr
Overdrive
Gtr
Hawaiian
1
2
.1
E.
P .2
Piano
Bells
Drum
GUITAR
Gtr
Gtr
Guitar
Guitar
Guitar
2
Solid
Solid
Solid
Guitar
Guitar
Gtr
Harmonics
Gtr
1
2
1
1
2
r-.---~C~o~u~n~t~rv~G~t~r------~HI
D I
spEcIAL
Banjo
Harp
Music Box
Kalimba
Sitar
Dulcimer
Koto
Shamisen
Orchestra
Timpani
STRINGS &
Strings 1
Strings 2
Pizzicato
Violin
Jazz
Viola
Cello
Bowed Bass
Choir
Pop Vocal
Vocal
Vocal
Vocal Doo
pERc
Violin
Ah
Ooh
Ooh
us
Hit
VOCAL
Ah
1
2
F I
ORGAN & ACCORDION
Jazz Organ
Full
Drawbars
Jazz
Drawbars
Pop Organ
Organ
16'
16'
& 8'
16'
& 8' &
16' & 1'
Full
Bourdon
Diapason
Bour. &
Bour.
Pipe
Pipe
Pipe Fg &
Theatre
Theatre Bass2
Theatre Tuba
Brt.Accordion
Mel.
Accordion
Musette
Brass
Trumpet
Orch.
Jazz Mute
StraightMtTpt
Cornet
Flugel
Soft Flugel
Bri.Trombone
Mel.
Trombone
Orch.
Mute
Close
Open
Euphonium
Tuba
Synth Brass
Svn.Brass Ens
1--..J.._----;c------,.--------1
Soprano Sax
Alto
Mei.Aito
Tenor
Tenor
RockTenor
Baritone
Jazz
Clas.Ciarinet
Soft
Bass
SynthCiarinet
German
French Oboe
English
Bassoon
Bagpipe
Harmonica
BluesHarmnica
FLUTE & ETHNIC
Piccolo
Jazz
Classic
Alto
Recorder
Ocarina
Pan Flute
Whistle
Ouena
4'
Pipes
16'
16'
Diap.
16'
& 8'
Trumpet
Fagot
Tp
Bass1
BRASS
Trumpet
Tpt
Horn
Trombone
Trombone
Fr.Horn
Fr.Horn
REED
Sax
Sax
Sax 1
Sax 2
Sax
Sax
Clarinet
Clarinet
Clarinet
Oboe
Horn
Flute
Flute
Flute
j I
L I
VARIOUS
BASS
Acoustic
Mellow
Electric
Bright
Funky
Fretless Bass
Picked
Rock Bass
Mute
Slap Bass
Slap Bass 2
Thumb
Thumb
Analog
Analog
Wow
Wow
Plastic
Synth Chopper
Mallet
Sine Lead
Sine Wave
Tri.
Sawtooth
Square Wave
Click
Pulse Wave 1
Pulse Wave 2
Pulse Wave 3
Pulse Wave
Organ Bell
Digi
Synth
Pulse
Soft Pad
Bell Pad
Fog
Mellow
Hi
Hi
Sax Breath
F I ute Breath
Shaku Breath
Pipe Noise 1
Pipe Noise 2
Pick
Pick
Pick
Fret
Gamelan
Gamelan
Gamelan
Scratch 1
Scratch 2
Click
Click
Click
Click
Bass
A.Bass
Bass
E.Bass
E.Bass
E.
Bass
Bass
1
Bass 1
Bass 2
Bass 1
Bass 2
Bass 1
Bass 2
Bass
Bass
SYNTH
Wave
Wave
Square
4
Wire
String
Mod
.
Vox
Ens.
NOISE &
Pass Noise1
Pass Noise2
Noise 1
Noise 2
Noise 3
Noise
1
2
3
1
2
3
4
WAVE
DRUMS & PERCUS
Rock
Kick
Jazz
Kick
Analog
Orch .
Rock Snare
Jazz Snare
Soul Snare
Orch.Snare
Reverse Snare
Melodic
Electric
Analog
Rim
Rim
Rim
Brush
Brush
H.H.Ciosed 1
H.H.Ciosed
H.H.Open
H.H.Open 2
Crash
Crash
Orch.Cymbal
Ride
Ride
Ride
ReverseCymbal
Conga 1
Conga 2
Bongo
Timbales
Timbales
Samba
Claves
Wood
Castanets
Slap
Hand Claps
Maracas
Cabasa
Shaker
Guiro
Guiro
Cuica 1
Cuica 2
Triangle
Triangle
A
Cowbell
Tambourine
Orch.Tamb.
Sleigh Bell
Crickets
Vi
Samba Whistle
Wind
SOUND
Church Bell
Gun Shot
Bird
Bird
Bird
He
Telephone
Applause
Seashore
BassDrum
1
2
3
Cymbal
Cymbal
Cymbal
gogo
bras
Chime
Tweet 1
Tweet 2
Tweet 3
I icopter
Kick
Tom
Tom
Tom
Short
Long
2
1
Cymbal1
Cymbal2
1
2
3
1
2
Drum
Block
Short
Long
Mute
Open
lap
EFFECTS
Page 14
AUTOBEND &
TRILL
BEND
UP
key on
koyv---
UP-DROP
key on key on
_
J_
--
' '
' '
'
' '
' '
' '
_J
'
'
'
' '
' '
'
'
_J
'
'
UP-
__
-
-----
DELAY-UP
___
__
DOWN
---
DOWN-UP
koy~
MELODY
~
k_e
_y_L _
-
TRILL
UP-DOWN
-
key on
__J_
~
-
'
'
'
'
·-
5-UP
koy[:r-
DIGITAL
EFFECT
CELESTE1·2
CHORUS1·2
ENSEMBLE1·2
TREMOLO
EFFECT
PARAMETER
DEPTH
SPEED
DETUNE
DELAY
BALANCE
INTENSITY
DEPTH
SPEED
DETUNE
DELAY
BALANCE
INTENSITY
DEPTH1
SPEED1 0
DEPTH2
SPEED2
DETUNE
DELAY
INTENSITY
DEPTH
SPEED
WAVE
BALANCE
INTENSITY
RANGE
0
0
-50
0
0
-50
0
0
-50
0
0
-50
0
0
0
-50
0
-50
0
0
SIN/ TR
0
-50
-
50
-
50
-
+50
-
50
-
100
-
+50
-
50
-
50
-
+50
-
50
-
100
-
+50
-
50
-
50
-
50
-
50
-
+50
-
50
-
+50
-
50
-
50
I/SOR/ SAW
-
100
-
+50
EFFECT
ORGAN
SINGLE
REPEAT
SOLO
SOLO
TREMOLO
DELAY
DELAY
EFFECT1
EFFECT2
PARAMETER
DEPTH1
SPEED1
DEPTH2
SPEED2
INTENSITY
DELAY
DETUNE
KEY
SHIFT
BALANCE
INTENSITY
SPEED
DECAY
SUSTAIN
RELEASE
INTENSITY
DISTORTION
TOUCH
DEPTH
DISTORTION
TOUCH
DEPTH
INTENSITY
DEPTH
DEPTH
-50
-50
-24
-50
-50
ON
ON
-50
RANGE
-
0
-
0
-
0
-
0
-
-
0
-
-
-
0
-
-
0
-
0
-
0
-
0
-
/
-
0
-
0
/
-
0
-
0
-
50
50
50
50
+50
50
+50
+24
100
+50
30
30
30
30
+50
OFF
50
100
OFF
50
100
+50
Page 15
ENVELOPE
LEVEL
CURVE
ATK:
DCY1:
Attack
Time
Decay Time 1
SUS1: Sustain Level 1
DCY2
Decay Time 2
SUS2: Sustain Level 2
RLS: Release Time
(LEVEL/FILTER)
>-
u
z
w
::J
0
w
0:::
u.
u.
u.
0
f-
::J
u
....J
w
"
>
w
....J
Page 16
MID
I Implementation Chart
Organ [
Basic
Channel
Mode
Note
Number
Velocity
After
Touch
Pitch Bender
Control
Change
Prog
Change
SX-FA
Function
1 ]
Default
Changed
Default
Messages
Altered
True
voice
Note
ON
Note
OFF
Key's
Ch's
32
0,
1
6,
38
7
10
11
64
80
82
91
92
93
94
100,101
120
121
True#
ACMP1
U.SOUND1.2.3.
L.SOUND2.3.
PARTS-15
1-16
1-
16
3
X X X X X X X X X X
-
119
0-
- - -
BASS
(PEDAL
11-16
3 3 3 3 3 3 3 3 3
-
0-119 0-119 0-119
L.
K.B
PERC
)
SOUND1 ( PART16)
16
1-16 1-16
1-16
- - - - - - - -
1-16 1-16 1-16 1-16
-
u.
ORGAN
1-16 1-16 1-16
0-119
-
L.
ORGAN
0-119 0-119
-
,
ACMP2
,
DRUMS
ACMP3
,
BASS
1-16
1-16
0-
119
- - -
CHORD
1-16
1-
16
0-119
0 0 0 0 0 0 0 0 0
X X X X X X X X X
X
X X X X X
ox· ox· ox· X
o· o·
ox·
ox·
o· o·
o·
ox·
o·
ox· ox· ox·
ox· ox· ox·
X X X X X
X
X X X
X X
0 0
X X X X X
X
o·
X
X X X
X
ox· ox· ox· ox·
X
o·
ox·
ox· ox· ox· ox· ox· ox· ox· ox· ox·
ox· ox· ox·
ox· ox· ox· ox· ox· ox·
ox ·
X X
X X X X X X X
ox· ox·
ox·
ox· ox· ox· ox·
X X X X
ox· ox· ox·
ox·
X
ox·
ox· ox· ox·
0 0
ox· ox·
ox·
ox·
X X X X X X X
X X
X
ox·
X X X X X X X
ox·
ox·
X X X
ox·
X X X X
ox· ox·
X X
X
ox· ox·
X X X X X X X
0 0 0
X
ox· ox· ox·
X X X X
ox·
X X X X DSP effect/ effect
X X X X
X X X X
X
X
X X
ox· ox·
ox·
ox· ox· ox· ox· ox· ox· ox· ox· ox· ox·
- - - - - - - - - -
CONTROL
1-
16
1-
16
-
-
-
-
-
-
X
X
ox·
X
(Transmitted)
Remarks
memorized
OMNI
OFF.POL Y MODE
Changes depending
position
control,octave shift.and
drums type.
bank
modulation
data
volume
pan
expression
sustain
auto
intra,
reverb
tremolo
dig
all
reset
Changes
program
and
pot
ita I effect
RPN
sound
prog.cng
of
select
entry
play
chord
fill in,
LSB, MSB
off
all
controllers
depending
change
on
the transpose
MSB, LSB
MSB, LSB
ending
mode
to
p.mem
the
on
.
System exclusive
Time
1:
Song
Song Sel
Tune
Clock
Commands
Local ON/
All notEs
Ac
tive
Reset
System
common
System
Real
Aux
Messages
Notes
Mode
Pos
OFF
OFF
Sense
OMNI
0
ox·
ox· (0-19)
X
0
ox·
X X X X X X
X X X X X X X X X
0
X
X*············Whether
O
o•
...............
ON,
POLY Mode
Transmitted
or
not
during
the
data
SEQUENCER
2:
for
each
of
these
playback
OMNI ON, MONO
X X
items
and
is
during
transmitted
rhythm
X
can
performance
start/ stop,conti
-
-
be
set
.
nue
.
O:Yes
Page 17
MID
Organ [ SX-FA1 ] (Recognized)
Basic
Channel
Mode
Note
Number
Velocity
I Implementation Chart
Function
Default
Changed
Default
Messages
Altered
True
Note
Note
U.SOUND1
L.SOUND2,3,
voice
ON
OFF
,2,3,
BASS
PARTS-15
1-
16
1-16
3 3
X X X X X X X X X
- -
0-127
0-127
(PEDALS)
1-16 1-16 1-16
1-16 1-16
0-127
0-127 0-127 0-127 0-127 0-127
L.
SOUND1 ( PART16)
3 3 3 3 3 3 3 3
- - - -
0-127 0-127
0 0 0 0 0 0
X X X X X X
K.B
PERC
1-16 1-16
u.
ORGAN
1-16
0-127
ACMP1,
L.
ACMP2,
ORGAN
0-127
ACMP3
1-16 1-16 1-16 1-16 1-16
1-16 1-16
0-127
DRUMS
,
BASS
- - - -
0-127 0-127
1-16
0-127
CHORD
1-16
0-127
0-127
CONTROL
1-16
0 0 0
X X X
memorized
OMNI
X
Changes
-
pos1t1on
control,octave shift,
-
drums type.
-
-
Remarks
OFF,POL Y MODE
depending
of
the
transpose
on
and
the
After
Touch
Pitch Bender
Control
Change
Prog
Change
System exclusive
Key 's
Ch's
100,101
True#
0,
6,
10
11
64
80
82
91
92
93
94
120
121
32
1
38
7
X X X X X
ox· ox·
ox· ox·
ox· ox· ox· X
ox· ox·
ox· ox· ox·
ox· ox· ox·
X X X
X
0 0
X X X X
X X X X
ox· X ox· X
·ox·
ox· ox· ox·
ox· X
ox·
ox· ox· ox· X X X X X X X
ox· ox· ox· o x·
ox·
ox· ox·
ox· ox· ox· ox·
ox· ox· ox·
X X
X X X X X
ox·
ox·
X X X X X X
ox· ox·
X
ox· ox· ox· X X X
X X X X X X
ox· o x· ox· o x·
X X X X
ox·
ox·
ox· ox·
ox· ox·
X
ox·
ox·
0 0 0 0 0 0 0 0 0
ox·
X X X
X
ox· ox·
X X X X X X X
ox·
X X X X
ox·
ox· ox· ox·
X X X
X X
X X X X
ox·
ox·
X
X X
ox· ox· reverb
X
ox· X
X X X
-
-
ox·
X
X
X
ox·
X
X
bank
select
modulation
data
entry
volume
pan
pot
expression
sustain
auto
play
intro,
fill
tremolo
dig
ita
I effect
D S P effect/ effect
RPN
LSB, MSB
all
sound
ox· ox· ox· ox· ox· o x· ox· ox· ox· X reset a II
ox· ox·
0-127 0-127
ox· o x· ox· ox· ox· ox· ox· ox·
0-127 0-127
0-127
0
0-127
0-127
0-127
0-127
Changes depending on
program
0-21
and
prog.cng
MSB,
MSB,
LSB
chord
in,
ending
off
controllers
change
to
p.mem.
mode
LSB
Time
1:
Song Pos
Song
Sel
Tune
Clock
Commands
Local
ON/ OFF
All
notes
OFF
Active
Sense
Reset
OMNI ON,
System
common
System
Real
Aux
Messages
Notes o
Mode
ox· (0-19)
X X
0 0 0 0 0
x• ............
whether
POLY
X X X X X X X
or
not
the
data
Mode
2:
ox·
X
0
ox·
0
X
for
each
OMNI
0 0 0 0
of
these
items
is received can
ON,
MONO
be
set.
start/ stop,conti
-
-
nue
O:Yes
Page 18
MIDI
DATA
FORMAT
MIDI DATA FLOWCHART
f '
<MIDI
<System
INPUT>
·Real
time
• Song Select
Message>
FA1
Sound Module, Sequencer, APC, Panel
MIDI
FILTER
message
on/off
<Normal
<Control
INTERNAL
MIDI
IN
t
(COMMON)
• Note
·Control
MIDI
·Basic
• U.Sound1 input, L.Sound1 input
parts>
U/L.Sound1,2,3
Bass
p a rt8 _
15
KB.Perc
U/L.Organ
part>
.-----~-------------L------------·
·Octave
•
DATA
for
only
messages
11/
on/off
<Channel
CH1-
Message>
CH16
CH--+ PART CONVERT
ch = 1-16,off
M I D I F I L T E R (
•
APC
•
lntro,Fill-in,Ending
li f
Prog
.cng
DATA
mode
CONVERT
•
Prog.cng
•
Drums
<APC
ill
parts>
Accomp1,2,3,Bass,Drums,Chord
PART)
input •
to
type
APC
P.Mem
Control
<MIDI
OUTPUT>
<System
Message>
•
Realtime
• Song Select •
FA1
INTERNAL
Keyboard,
<Normal
Bass
P a rt8 KB.Perc
U/L
<Control
Ill
I
MIDI
messages
DATA
from
Sequencer, APC, Panel
\V
DATA
·Octave
•
Prog.cng
•
Prog.cng
•
Drums
type
parts>
15
Organ
part>
to
P.Mem
mode
Ill
·Basic
ch = 1-16,off
FILTER
on/
off • Note
PART--+
(COMMON)
Contra I messages
MIDI
only
<Normal
U/L.Sound1
PartS-
<APC
Accomp1 ,2,3,Bass,
<Control
parts>
,2,3,
15,U/L
parts>
part>
CONVERT
·Transpose
•
Techni-chord
• Panel
memory
f
<APC
f Accomp1 ,2,3,
•
APC
output
•
APC
Control
·Panel
memory
t
CH
CONVERT
·Upper/Lower
<Channel
CH1-
CH16
on/
Message>
off
Bass, K B.
Organ
Drums,
program
parts>
Perc,
Chord
change
Bass,
Drums,Chord
M I D I F I L T E R (
local
control
keyboard
output
PART)
·Drums
•
lntro,Fill-in,Ending
pattern
output
Page 19
Message format
•channel
Note
8nH
kk
vv
n:
kk: OOH-7FH Note
vv:
·This
rather,
on
Note
9nH
kk
vv
n:
kk:
vv:
Control Change
Bank select
BnH
DOH
mm
(BnH)
20H
11
n:
mm,ll:
·Indicates
program
Technics mode.
·Transmission/reception
BASS
COMPOSER record.
Modulation
BnH Control change
OlH Modulation
vv
voice message
off
Note
off
status
Note number
Velocity
0-
F Basic channel
OOH
-7FH
status
is
not
Velocity
velocity= 0 is
status.
on
Note on
Note number
Velocity
0-F
OOH-7FH
01H-7FH
OOH
Control change
Bank select ( MSB)
Bank select value (MSB)
Control change
Bank select ( LSB)
Bank select value (LSB)
0OOH
status
Basic channel
Note
Velocity
Note off
F Basic channel
-7FH
program
Change mode is
bank
select is possible only
Modulation depth value
used
number
during
transmitted
number
status
status
change
bank. Used when
set
of
status
transmission;
with
the
note
to
Normal
mode
or
ACCOMP 1,2,3,and
during
Data
entry
BnH
06H
mm
(BnH)
26H
11
n:
mm,ll:
Pan pot
BnH
OAH
vv
n:
vv:
Expression
BnH
OBH
vv Expression value
n:
vv:
Sustain
BnH
40H
vv
n:
vv:
·Transmission
sustain
and
COMPOSER
Auto
Control change
Data
entry
(MSB)
Data
entry
value (MSB)
Control
Data
Data
0Values
specified
Control
Panpot
Panpot
0-
F Basic
OOH(Left)-
Control
Expression
0-
F Basic
change
entry
(LSB)
entry
value (LSB)
F Basic
conform
for
the
change
value
40H(
change
OOH-7FH
Control
Sustain
Sustain
0-
F Basic
OOH-3FH
40H-7FH
change
on/
off
(OOH)
(7FH) On
of
ACCOMP 1,2,3
is possible only when
transmission/
reception only
record.
Play
Chord
status
status
channel
to
the
RPN.
status
Center)
status
channel
status
Off
parameters
channel
-7FH(Right)
channel
and
BASS
the
rhythm
during
f
is on,
n:
0-
F Basic channel
vv:
OOH-7FH
·Transmission
DRUMS
rhythm
of
ACCOMP 1,2,3 BASS
modulation
is on,
and
is possible only when
transmission/
during COMPOSER record.
Volume
BnH
07H
vv
n:
Control change
Part
volume
Part
volume value
0-F
status
Basic channel
and
the
reception only
BnH
50H
vv
0-F
n:
vv:
OOH
01H
02H = One03H
·Transmitted
the
LOWER SOUND 1
Control
APC message
APC message value
change
Basic
status
channel
=Off
=Fingered
Finger
=PIANIST
/received
part.
on
the
basic
channel
for
Page 20
f
Rhythm control
BnH
52H
vv
n:
vv:
Control change
Rhythm control message
Rhythm control
0-F
OOH
OlH
02H
03H
05H
07H
·Transmitted
the DRUMS
Reverb
BnH
5BH
vv
n:
vv:
Control change
Reverb
Reverb
0-
F Basic channel
OOH-3FH
40H
-7FH
·Transmitted
·The
Reverb
reverb.
·The
reverb
L.Organ
channel
on/
is
transmitted/
for
Basic channel
=off
=FILL
=ENDING
=INTRO
=FILL
=COUNT
/received
part.
on/
off
(OOH)
(7FH) On
data
is indicated
for
the
CONTROL
off
data
the
U.Organ
status
data
IN 1
IN2
on
status
Off
for
received
part.
INTRO
the
basic
by
part
the
U.Organ
channel
for
parentheses().
is
the
total
and
on
the
basic
DSP
effect/Effect
BnH
5EH
vv
n:
vv:
Control change
DSP effect
DSP effect
0-
F Basic
OOH-3FH
40H-7FH
·Transmitted
RPN
BnH
65H
mm
(BnH)
64H
11
n:
Control change
RPN (MSB)
RPN
Control change
RPN (LSB)
RPN
0-
F Basic
mm,ll:The
significant
number
The
RPN
Pitch
Bend Sensitivity,
(corresponding
Range
and
and
RPN
data
data
data
most
specified
which
can
respectively
Key Shift
reset.
status
on/
off
(OOH)
Off
(7FH) On
is
indicated
status
number (MSB)
status
number (LSB)
channel
significant
byte
(LSB)
for
be
transmitted/
Coarse
of
the
channel
by
byte
of
the
Tuning
to
the
FA),
parentheses().
(MSB)
the
and
parameter
RPN.
received
Pitch
bend
Fine
Tuning,
least
are
Tremolo
BnH
5cH
vv
n:
vv:
·Transmitted
the
Digital effect
BnH
5DH
vv Digital effect
n:
vv:
·Transmitted
Control change
Tremolo
Tremolo
on/
off
0-F
OOH-3FH
40H-7FH
(OOH)
(7FH)
/received
Upper/Lower
Control change
Digital effect
0-
F Basic channel
OOH-3FH
40H-7FH
data
Organ
on/
(OOH)
(7FH) On
is indicated
·Transmission/reception
for
ACCOMP 1,2,3
and
during COMPOSER record.
status
Basic channel
Off
On
on
the
basic
channel
part.
status
off
Off
by
parentheses().
of
the
DIGITAL EFFECT
BASS is possible only
for
RPN I Data
MSB I LSB I MSB I LSB
OOH
OOH
OOH
01H
OOH
02H
7FH 7FH
Entry
mm
mm
mm
--- ---
---
11
---
Pitch
Bend Sensitivity
mm:OOH-
ll:igored
·Up
in
Fine
mm,ll:OOH,OOH-
(
-128
·ll:OOH or40H
·Can
Coarse
mm,
semi-tones)
ll:ignored
·Up
tone
RPN
mm,
·For
specified.
·The
change.
OCH
to 1
o~tave
semi-tone
Tuning
increments.
* 100/128-0-127 *
be specified
Tuning
34H-40H-4CH
to 1 octave
increments.
Reset
11:
ignored
when the
internal
RPN
(0-
12semi-tones)
can
be specified
40H,OOH
(lower
6 bits
in
100/128
(-12-0-
can
be specified
number
set
value does
-7FH,7FH
100/128cents)
ignored)
cent
+12
insemi-
is
not
not
Page 21
Program
CnH
pp
n:
pp:
Normal
Technics mode:
GM:GM
·The
recognized
change
Program
Program
0-
F Basic
OOH
-7FH
mode:
SW
of
the
indicated
Technics
program
Program
change
change value
Program
Numbers
SOUND GROUP(
by
the
Bank
Numbers
modes(Bank
change
Change
as a change
select.
·Transmission/reception
BASS
program
change
COMPOSER record.
·When PROG.CNG TO
MEMORY
the
basic
numbers
channel
for
status
channel
change
are
correspond
the
Select).
are
standardized
Select
also
numbers.
for
the
Drums
in
the
rhythm
of
ACCOMP 1,2,3,and
is possible only
P.MEM
are
transmitted/
the
is ON,
U.SOUND 1
value
to
variation
used).
part
pattern
during
the
received
part.
the
is
among
is
PANEL
on
All note
BnH
7BH
OOH
n:
off
Channel mode
All note
Dummy
0-F
off
data
Basic
Receive only
OMNI
off
BnH Channel mode
7CH OMNI
OOH
n:
0-
·Processed
Dummy
F
in
same
off
data
Basic
is received.
OMNI
on
BnH Channel mode
7DH OMNI on
OOH
Dummy
data
status
channel
status
channel
manner
status
as
when ALL
Note
f '
off
Channel pressure
DnH
~
Channel pressure
VV
n:
vv:
Pitch bend change
EnH
11
mm
n:
ll,mm:
Channel pressure value
0-
F Basic
OOH-7FH
Pitch bend
Pitch
Pitch bend value (MSB)
0-
OOH
·The Pitch Bend
Bend
Range(Pitch
·Transmission
bend
change
on,
and
transmission/
(After
status
bend value (LSB)
F Basic
-7FH
Pitch
Range
Bend Sensitivity
of
ACCOMP 1,2,3
is possible only when
COMPOSER record.
• Channel mode message
All sound
BnH
78H
OOH
off
Channel mode
All sound
Dummy
off
data
status
Touch)
status
channel
channel
bend
data
is determined
and
reception only
by
)of
BASS
the
the
each
Pitch
rhythm
during
Pitch
part.
is
n:
0-
F
·Processed
is received.
MONO
BnH
7EH
OOH
n:
Channel mode
MONO
Dummy
0-
F
·Processed
is received. Does
in
same
Does
in
same
Basic
not
data
Basic
not
channel
manner
change
status
channel
manner
change
POLY
BnH Channel mode
7FH POLY
OOH
n:
·Processed
0-
Dummy
F
in
same
data
Basic
status
channel
manner
is received.
• System common message
Song position pointer
F2H
11
mm
Song position
Least
significant
Most
significant
pointer
as
when ALL
to
OMNI on.
as
when ALL
to
MONO.
as
when
ALL
Note
Note
Note
off
off
off
0-F
n:
Reset all controllers
BnH
79H
OOH
n:
Channel mode
Reset all controllers
Dummy
0-F
Basic
data
Basic
channel
status
channel
ll,mm:
Song select
Fss3H
. . Song number
I
ss:
OOH
-7FH
I Song select
0-19
Page 22
• System real time message
Timi
ng
Clock
I F8H I Timing clock
Start
I
Start
Continue
I FBH I Continue
Stop
I FCH I Stop
System exclusive
FOH
u ID number
dd
dd
F7H End
n: 7EH( uni
System exclusive
data
data
of
versal
50H(Technics ID)
dd: OOH-7FH
exclusive
non-real
status
status
time
f
ID),
Active
I FEH I Active sense
About
Outline of FA1
FA1 MIDI exclusi
Sense
the
FA1
MIDI
ve
1
MIDI
exclusive
exclusive
Universal system exclusiveL
Techn
ics
MIDI
exclusive
----c
Universal system exclusive Message format
Turn
General
FOH
7EH Universal Non-Real Time SysEx
7FH
09H
01H
F7H EOX
MIDI
System On:
Exclusive
ID
sub-ID # 1 = General MIDI message
sub-ID # 2 = General MIDI on
of
status
target
device ( 7F: Broadcast)
GM
on
GM
off
data dump
[ data request
trnsmis sion/reception of tempo data
Turn
General M I Dl System
FOH
7EH Universal Non-Real Time SysEx
7FH
09H sub-ID # 1 = General MIDI message
02H sub-ID
F7H EOX
Exclusive
ID
of
target
# 2 = General MIDI
Off:
status
device ( 7F: Broadcast)
off
Technics
• Type
SOX
IDC
CMD
PC Category
MD
VER
[data]
EOX
Messages
The
MIDI
of
messages and the ir
Exclusive
Technics
Command
Model differentiating
Exclusive version
Body of
End of exclusive
are
form
of
the
exclusive Message format
forms
status
ID
number
ID
ID
ID
ID
data
transmitted
transmission
in
order,
message
beginning
differs
with
SOX, IDC, etc.
depending
on
the
and
type
continuing
of
command.
to
the
end
.
Page 23
t
• Explanation
SOX:
I
FOH
I DC:
150H
CMD:
Indicates
I Exclusive
Product
I Technics
Indicates
of
messages
the
start
of
status
manufacturer
ID
number
type
of
transmission
exclusive
differentiating
commands.
21H
22H HRT: Hand shake routine
23H ACK: Acknowledge
24H NAK: Negative Acknowledge
25H TMP: Tempo
27H
28H END: End
29H ERR:
2AH
2BH
2DH BTR:
7EH CDD: Continuing
PC:
03H
7EH DMY: Dummy
MD:
140H
V E
R:
110H I
[data]:
·[data]
HRQ: Hand shake request
data
of
EOK: End
Error
FUL:
DRQ:
Technics
FA
Model
Memory full
Data
Data
product
ERR,FUL
differentiating
Exclusive version
Ver2-0
Body
of
data
for
Individual
Block
request
block
category
data
control
data,
data
for
ACK,NAK,EOK,END,
ID
Data
request.
ADR ADR(MSB)
ADR
ADR(LSB)
SIZ
DT
SIZ(MSB)
SIZ
SIZ(LSB)
ADDRESS MSB
ADDRESS
MSB
of the address length of
relevant
address.
LSB
of
the address length
relevant
address.
data
data
ID
ID
dump,
(
LSB
(7bit)
data
from the above
(7bit)
(
data
from
(7bit)
and
and
(7bit)
7bit)
7bit)
the above
ID
Data
of
SIZ:
of
Indicates length
address
3 bytes
with the upper end.
If a size
request is ineffective.
data
significance.
DT :
Body
2 bytes
with
Note
CN
SM : Checksum
map.)
of
7 bytes each, and is
not
dump, then dummy
of
transmitted
of 4 bits
the upper end.
that
SIZ
: Indicates
OOH
01H CNT : More
The number of bytes in one exclusive packet is 256.
a
transmission
packet,
transmitted
format.
·[data]
CN
Checksum
Based on EXCLUSIVE-OR operation
IDC
to
for
DT1
DT2
DT1
DT2,
(
.J
=40-300)
Tempo
The lower 4
upper 5
data
address
The 21-bit address length is divided
consistent
each, and is
= number of bytes in DT divided by
data
STP : End
where the number
= CNT, and the continuing
in the continuing
for
CN.
Tempo.
Data
LSB
Data
MSB
: 02H,
is
9bit
bits
bits
as
DT2.
from
ADR.
(Refer
sent
in order beginning
with
the
data
is indicated,
If
the
data
request concerns the
data
is sent, although
data.
The 8-bit
sent
continue/
of
data
( CMD
checking
08H-
12H,OCH
Binary ( = 101000 ~ 100101100)
is expressed
DT1
data
is divided
in order beginning
discontinue
data
follows
of
next packet is CDD)
of
bytes exceeds one
data
(CMD = CDD)
data
errors.
from
as
DTl,
and the remaining
is sent
first
followed by DT2.
to
it
has
data
the
into
data
no
into
2.
In
is
CN
SM
ADR:
Indicates address length
data
is recognized by
into
divided
beginning with the upper end.
3bytes
Continue
Checksum
of
this
value. The 21-bit address is
of 7 bits
ID
beginning
each, and is sent in order
(Refer
data.
The type of
to
the address
Page 24
f
• The
form
Function
Hand
shake
Hand
shake
Ackowledge
Negative
End
of
Block
End
Error
Memory
Tempo
Data
dump
Sound
full
data
Memory
header
parameter
Panel
pane
panel
of
the
request
routine
Ackowledge
l total data
memory
transmission
sox
=FOH
sox
sox
sox
sox
sox
sox
sox
sox
sox
sox
sox
sox
sox
message
IDC
=50H
IDC
IDC
IDC
IDC
IDC
IDC
IDC
IDC
IDC
IDC
IDC
IDC
IDC
CMD
PC
=03H =40H =10H
HRO
HRT
ACK
NAK
EOK
END
ERR
FUL
TMP
BTR
BTR
BTR
BTR
PC
PC
DMY
DMY
DMY
DMY
DMY
DMY
-
PC
PC
PC
PC
MD
MD
MD
-
VER
ADR
VER
VER
- - - - -
- - - - -
- - -
SIZ
[data]
DT
-
CN
- -
- - - - - - -
-
-
-
- -
- -
MD
MD
MD
MD
- -
- - - - - -
- -
VER
ADR
VER
ADR
VER
ADR
VER
ADR
-
- -
- -
- - -
- -
DT
SIZ
DT
SIZ
DT
SIZ
DT
SIZ
DT
- -
- -
- -
CN
CN
CN
CN
SM
-
SM
SM
SM
SM
EOX
=F7H
EOX
EOX
EOX
EOX
EOX
EOX
EOX
EOX
EOX
EOX
EOX
EOX
EOX
Composer
location
header
performance
sox
sox
sox
Sequencer
location
header
performance
Continuing
• M I Dl exclusive address map
MSB-LSB
30
30
40
41
50
50
50
60
60
60
data sox
ADDRESS (Hex)
ADR
oo
00
oo
oo
oo
00
OF
oo
02
oa
oo-
50-
oo-
oooo-
60-
60-
oooooo-
.
I
:
:
:
ADDRESS
OCOOOOH-
OC0050H100000H-
108000H140000H-
140060H1407EOh
180000H180100H
180400H-
sox
sox
sox
(21bit)
-
-
IDC
BTR
IDC
BTR
IDC
BTR
IDC
BTR
IDC
BTR
IDC
BTR
IDC
COD
Area Subarea Sub-subarea
SOUND
MEMORY
PANEL PANEL
COMPOSER
SEQUENCER
MD
PC
MD
PC
PC
MD
MD
PC
PC
MD
PC
MD
- - -
HEADER
PARAMETER
PANEL
LOCATION
HEADER
PERFORMANCE
LOCATION
HEADER
PERFORMANCE
VER
VER
VER
VER
VER
VER
ADR
ADR
ADR
ADR
ADR
ADR
- -
DATA
MEMORY
SIZ
SIZ
SIZ
SIZ
SIZ
SIZ
DT
CN
DT
CN
DT
CN
DT
CN
DT
CN
DT
CN
DT
CN
NON-REAL
NON-REAL
NON-REAL
NON-
REAL
NON-REAL
NON-
REAL
NON-
REAL
NON-REAL
NON-REAL
NON-REAL
SM
SM
SM
SM
SM
SM
SN
TIME
TIME
TIME
TIME
TIME
TIME
TIME
TIME
TIME
TIME
EOX
EOX
EOX
EOX
EOX
EOX
EOX
Page 25
Classification of data dump areas
t
Data dump area
Sound Memory
Panel
Composer
Sequencer
:
(Header+
(Panel
(Location+
(Location+
data+
Parameter
Panel
Header+
Header+
)
Memory)
Performa
Performance)
nce)
One-way transmission and handshake transmission
In
one-way
in one direction
the
slave unit.
handshake
In
between
confirmed
a MIDI cable connection
master
way
transmission,
transmission,communication
only,that
is -from
transmission,the
the
master
during
unit
and
data
transmission.
slave
from
unit is
also
necessary
handshake
. In
transmission
takes
the
master
transmission
unit
is being
For
this
the
slave u
nit
comparison
place
unit
status
reason,
to
the
to
is
faster.
to
one
-
MIDI OUT MIDI IN
Master
In
the
unit
F Al, the
MIDI
IN
transmission
automatically between
one-way
handshake
from
communication
transmission.
transmission,
the
slave
switches
unit
transmission.
MIDI
handshake
mode
OUT
is switched
transmission
Communication
and
if
there
is no
within
automatica
a given time,
lly
Slave
begins
response
to
one-way
unit
and
with
Communication
• Comunication sequence of handshake
confirmation
Master
HRQ
comma
sequence
between master unit and slave unit
unit Slave
nd
HRTcommand
HRTcommand
ACK
HRO
SOX
IDC
HRQ
PC
MD
VER
EOX
command:
FOH
50H
21H
03H
40H
lOH
F7H
handshake
request
unit
HRT
command:
SOX
IDC
HRT
PC
MD
VER
EOX
ACK:
Acknowledge
sox
IDC
ACK
DMY
EOX
·
There
·
If
master unit
confirmation
is
transmission
switches
of a MIDI
·Handshake
du
is
there
interpreted
ring
handshake
FOH
50H
22H
03H
40H
l
OH
F7H
FOH
50H
23H
7EH
F7H
no
END
command
is
no
response
even
after
routine
as
inability
data,
and
to
one-way
sequencer, etc.) .
communication
data
dump.
routine
.
from
the
the
above
is
performed
to
transmit
the
transmission
transmission
is possible only
slave
handshake
three
(in
unit
to
the
times,it
handshake
mode
the
case
Page 26
{ '
• Sequence of tempo
Master
Tempo
.
Transmission/
data
ONLY
• Sequence
Master
Data
• Sequence
unit
command
can
be
enabled
setting
of
data
unit
request
of
data
1-
reception
of
data
communication
Slave
unit
---
of
TEMPO exclusive
or
disabled
the
MIDI settings.
request communication
dump communication
by
Slave
Data
ERR
the
unit
dump/
command
NOTE
e Panel
Master
Panel
Panel
EOK
END
e Sound
Master
Header
Parameter
EOK
END
unit
data
memory
command
command
memory
unit
command
command
Slave
ACK
ACK
Slave
ACK
ACK
ACK
ACK
unit
unit
Master
Body
EOK
END
·
Data
BULK DUMP display is selected
function setting.
the F Al,
In
PANEL, SOUND MEMORY, COMPOSER,
SEQUENCER.
After
and
vanous
transmitted
For
interval between
unit
of
data
command
command
dump is possible only while
data
is divided into five
the
above
communication link is established,
one-way
handshake
kinds of
as
described below.
transmission,
packets
data
ACK
ACK
ACK
routine
the
is
more
Slave
unit
the
SYSEX
during
types:ALL,
is concluded
are
respectively
transmission
than
MIDI
50
msec.
and
the
e Composer data,Sequencer
Master
Location
Header
Performance
EOK
END
unit
command
command
data
ACK
ACK
ACK
ACK
ACK
Slave
unit
number
The
256.
In a transmission
exceeds one packet,
transmitted
format.
of
in
bytes
the
in
one
exclusive
where
the
continuing
continuing
packet
the
number
data(CMD=CDD)
data
of
is
bytes
is
Page 27
e
All
data
Master
unit
[PANEL]
data
Panel
Panel
memory
EOK
command
[SOUND MEMORY
Header
Parameter
EOK
command
[COMPOSER]
Location
Header
Performance
EOK
command
[SEQUENCER]
Location
Header
Performance
EOK
command
END command
e SIZ
Slave unit
ACK
ACK
ACK
]
ACK
MSB
00
00
00
00
00 00
00
Variable
00
00
Variable
of
data
SIZ
I LSB
00
63
OB
40
OF
02
06 00
50
00
10
00
60
00
00
dump
area
Area
SOUND
PANEL
COMPOSER
SEQUENCER
MEMORY
Subarea
HEADER
PARAMETER
PANEL
PANEL
LOCATION
HEADER
PERFORMANCE
LOCATION
HEADER
PERFORMANCE
DATA
MEMORY
ACK
ACK
ACK
ACK
ACK
ADR
MSB I
30
00
40
00
50
00 00
60
00 00
LSB
00
00
request concerns the
Area
SOUND
PANEL
COMPOSER
SEQUENCER
MEMORY
data
dump
e
ADR
of
data
ACK
ACK
ACK
ACK
ACK
ACK
Page 28
f '
GENERAL
•
SOUND
P.CNG#
1 Grand Piano
2
3 Elect. Grand
4
5
6 Modern E.
7
8 Clavi
9 Celesta
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
SOUND
Bright
Piano
Tonk
Honky
E.Piano 1
Harpsichord
Glockenspiel
Music Box
Vibraphone
Marimba
Xylophone
Tubular
Dulcimer
Full
Drawbars
Jazz Organ
Rock Organ
Pipe Organ
Harmonium
Bri.Accordion
Harmonica
Band
neon
Bright Ac.
Folk
Guitar
Jazz
Guitar
Bright
Solid
Mute Gui
Overdrive
Distortion
Gtr
Harmonics
MIDI
NAME
P.1
Bells
Gtr
1
tar
Gtr
Gtr
SETTINGS
P.
CNG#
(1)
(1)
(1
*)
(2*)
(2)
(2
*)
(1
*)
(1)
(2*)
(1
*)
(1)
(2*)
(2)
(1
* )
(2)
(2*)
(2)
(2)
(2*)
(2)
(2)
(2)
(1)
(2)
(1)
(1
*)
(1
*)
(2*)
(2*)
(1
*)
(2*)
(2*)
Acoustic Bass
33
Bright
34
Picked
35
36
Fretless Bass
Slap Bass 1
37
Slap Bass 2
38
Wow Bass
39
Synth Chopper
40
41
Violin
42
Viola
43
Cello
44
Bowed Bass
Tremolo
45
46
Pizzicato
Harp
47
Timpani
48
Strings
49
Slow Strings
50
Synth Strings
51
Synth Strings 2
52
Pop Vocal
53
Vocal Doo
54
Synth Vocal
55
56
Orchestra
Trumpet
57
58
Bri.Trombone
59
Tuba
Jazz Mute
60
61
Open
62
Brass
Syn.Brass Ens 1
63
Synth Brass 1
64
SOUND
E.Bass
E.
Bass
String
Fr.Horn
NAME
Ah
Hit
Tpt
(1)
(1)
(1)
(2)
(1)
(1)
(1)
(1)
(1)
(1
(1)
(1)
(2)
(2)
(1*)
(1)
(1)
(1)
(2*)
(2*)
(1)
(2)
(1
*)
(
1)
(1)
(1)
(1)
(1)
(1)
(1)
(2)
(2*)
*)
P.CNG#
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
SOUND
Soprano Sax
Alto
Sax
Breathy
Baritone
German
English
Bassoon
Jazz
Piccolo
Jazz Flute
Recorder
Pan Flute 1
B I
Shakuhachi
Whistle
Ocarina
Square Lead
Saw Lead
Synth
Chitter
Charang
Air
5th Wave
Bass & Lead
Fantasia
Mellow
Polysynth
Spacy Pad
Crystal
Metal Pad
Halo
Sweep Pad
Clarinet
own
Vox
Tenor
Sax
Oboe
Horn
Bottle
Calliope
Lead
Ens.
Ens.
Pad
NAME
(1*)
(1
*)
(1
*)
(1
*)
(1)
(1)
(1)
(1
*)
(1
*)
(1*)
(1)
(1
*)
(2*)
(1
*)
(1)
(1)
(2)
(2)
(2*)
(2*)
(2*)
(2*)
(2)
(2)
(2*)
(2*)
(2*)
(2)
(2*)
(2)
(2*)
(2*)
P.CNG#
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
SOUND
Ice
Rain
Soundtrack
Synth G Iocken
Atmosphere
Mist
Goblins
Click
Star Theme
Sitar
Banjo
Shamisen
Koto
Kalimba
Bagpipe
Country
Shanai
Tinkle
A gogo
Steel
Wood Block
Taiko
Melodic
Synth
Reverse
Fret
Breath Noise
Seashore
Bird
Telephone
Helicopter
Applause
Gun Shot
NAME
Vox
Fiddle
Bell
Drum
Drum
Tom
Drum
Cymbal
Noise
Tweet
(2)
(2)
(2*)
(2*)
(2*)
(2*)
(2*)
(2*)
(2)
(1*)
(1)
(1)
(1
(1)
(2)
(2*)
(2)
(1)
(1
(1)
(1)
(1)
(1)
(1)
(1)
(1)
(1)
(2)
(1)
(2)
(1)
(1)
*)
*)
)=Number
(
*
=SUB
it
may
•
Parts
MIDI
CHANNEL
PART
SEQUENCER
TRACK
•
Non-working
ONE
TOUCH
AUTO
of
Tones
Tone is used. Depending on
be
generated.
1 2 3 4 5 6 7 8 9
US2
US1
1 2 3 4 5 6
US3
Function
PLAY
PLAY
/MUSIC
CHORD,
BACK
STYLE
GROUND
the
LS1
sound
output
LS2 LS3
SELECT,
SOUND,
status
BAS
7
MUSIC
STYLE
COMPOSER,
of
the
P8
8 9
instrument,
pg
KBP
ARRANGER,
SOUND
EDIT
10
11
P11
P12
10
11
TECHNI-CHORD,
12
12
13
P13
13
14
15
P14
P15 P10
14 15 16
16
Page 29
f
MIDI
Basic
channel U
----------· -----------
----------············-- ---------······
Octave
shift
Local
setting
......
Program change
Bank select, Pitch Bend,
Volume, Expression,
Panpot,Sustain,
Effect/
Modulation, Tuning,
Bend range,
Reset
After touch
Realtime
Clock
Upper Sound1
Lower Sound1
Auto
Output
Output
Techni-chord
Drum pattern
Auto Play Chord output
P.cng
P.
Mem-P.cng
Note
Intra
APC
Transpose
Program
Drums mode TECH TECH
Song select
PRESET
Master
I
Slave
U SQUND1
SOUND2
U
SOUN03
L SOUND1 4
LSOUND2
LSOUND3
U
ORGAN
L
ORGAN
K.
Control
Aocomp1
Aocomp2
Aocomp3
Drums
Chord
all ch.
all ch.
---------
·········-··
Reverb,
all controler
message
input
input
Play
Chord
mode Upper
mode Lower Cndct Cndct Cndct Cndct Cndct Cndct Cndct Cndct Cnqct Cndct LSnd1 Cndct Cndct Cndct Cndct1 Cndct
output
output
~
P.Mem
only
/ Fill/ Ending on on on
control
change mode
type1 type2
BASS
PERC
----- -----·-----
8 8 8
9 9 9
10 10
11
12 12 12
13
14
15
Bass
.................... --......
--
......
..........................
Cndct Cndct Cndct Cndct Dirct Cndct Cndct Cndct Cndct Cndct Dirct Cndct Cndct Cndct Dirct Cndct
Cndct Cndct Cndct Cndct Dirct Cndct Cndct Cndct Cndct Cndct Dirct Cndct Cndct Cndct Dirct Cndct Cndct
input
Cndct
TECH TECH
DATA
Without
FA
I_
Keyboard
1 1 1 1 1 1 1 1 1 1 1 1 1
2 4
7 7
5 5
6 6
3 3
13 13
14 14
15
------ ------ -------- ---------- -----·
11 11
off off
off
off
16
off off off off off off off off off off off
0 0 0 0 0 0 0 0 0 0
on
on
off off
on on
int int
off off off off off off off off off off off
off off off off off off off off off
off off
off off off off off off off off off off off
off
off off
off off
on on
I
PX
Sound
Ext
SEQ
(G'~u!"
off
2 2 2 4 4 4 2 2 2 4 2 2 2 4 4 4
off
3 3 7 7 7 7 3
off
2
16
10
off
off
15
on on
on
Cndct
off
4 4 4 2 2 2 4 4 4 2 4 4 4 2 2
off
5 5 5 5 5
off
6 6 6 6 6 6 6 6 6 6 6 6 6
off
7 7 3 3 3 3 7 7
off
off
off off
off
off
off
off
off
off
off
off
off
off
----------------------·-------- -----------------------·---- ------------------------ ------ --------- ---------- -------- -------------------------- ------------------------
.....
on
...........................
off
on on
int int int
Cndct Cndct Cndct Cndct Cndct Cndct Cndct
off
off
off
off
NORM
NORM
on
13
14 14 14
10 16
8 8 8 8 8 8 8 8 8 8
9 9 9 9 9 9 9 9 9 9 9 9 9
16 10 10 10 10 10 10 10 10 10
11 11
12 12
off
13
14
off
off
15
off
15
on
on on
---------
···········-------------
on on on
on
off
on on on on on on
off off
off off off off off
on on on on
off
off
off off off off off off
GM
TECH TECH TECH TECH TECH
GM TECH TECH TECH TECH TECH
on
on on
APC
Keyboard
fype1
I
13
15
---
--------------- ------------ ---------------------------
11 11
12 12
off off
off
off
16
.....
.......
off
int
off
off off off off off off
PR
type2 type1 type2
series
I
FA
5
13
13 13 13 13 13 13
14 14
16 15
off off off
off
15
on
----------- -------------------- ------------------------- --------
on
.......
off
int
off off off off off
on on
16
11
11
12
12
'
off
off
off off
16
15
on
on
on on on on on
.................
off
int
on on
..............
off
int
off
on
PX
Ext
SEQ
r--
I
Keyboard
type1
7 7
3
5
14 14
16
11
12
off
off
off
15
on
off
int
Cndct
off
off off off off
on on on on
off
NORM
NORM
on
off
5
3 3
14 14
off off off off off
16
---------------·
······-
11 11 11 11
12
12
off off off off off
off off off off off off
off off off off
15 16 15
off off
off off
off
off off
15 16
5 5
0
0
on on on
......
.........
........
off off
on
off
on on on on on
ext
int
on on
USnd1 Cndct Cndct Cndct Cndct Cndct Cndct
off
off
off
on on on
on on
off off
TECH TECH TECH GM TECH TECH
TECH TECH TECH GM
on
on on
FA
I
Sound
type2
(G'~!e
off
--··
12
off
0
on
.........
int
off off off
off
off
With
APC
Keyboard
fy
~
1 1 1 1 1 1
3 3 7 7 7 7 3 3
5 5
7 7
off
off
------------- -------------- ----------------
8 8 8 8 8 8 8
off
12
off
13
14
15
16
10
off
0 0 0 0 0 0 0
on
------------······
on on
...................
off
int int
on on
on
off
on
on
off off off
on on on on
pe1
Ext
SEQ
off off off off
3 3 3 3 7 7
13 13
14
14
10
10 10 10 10 10
11
11
off
12 12
off off
off
off
15 16 15 16 15
off
off
off
off off
off
off
off
off off off off
16 15
12
5 5 5
on on
------
··········
on on
........... . .........................
on
off off
ext
on
off
off
off
on
on
off off
on
on
on on
TECH TECH
PR
ty
pe2
series P X
type1 type2
I
FA
off
2 2
2 4
13
14
off
off off
------ ---------------
9 9
12
off
off off
off off
---·······
off off
off off
off off
18
5
--
------·-
on
off off
on
Cndct
on
Cndct
Cndct
off
off
off
off
off
off
on
NORM
NORM
5 5
13 13
14 14
11
12
off
15
off
16
1
on
int
on
on
on
6 6 6 6 6
13 13
14
14
off off
off
off off
off
off off
16 15
on on on on
on
ext
Cndct
on
Cndct
off
off
on
off
on
on
off
TECH
TECH
---- ----
9
9
11 11
11
12
off
off
off
off
········---~--
on on
off
on
ext ext
Cndct Cndct Cndct
Cndct Cndct
on
Cndct Cndct Cndct
Cndct
off
off
on on
off
on on on
on
off off off
TECH TECH
TECH TECH
on on on
Ext
SEQ
1
4
8
9
10
11
off
off
off
off
15
off
off
off
off
16
12
0
on
on
on
off
ext
Dirct
Dirct
on
USnd1
LSnd1
off
off
on
off
on
on
off
TECH
TECH
on
I
type1
Setting
type2 Setting
MIDI PRESETS are specified both
used
used
when
the connected equipment
when
the connected equipment
on
does
has
this
instrument and
not have the
the
MIDI
PRESETS capability, and the
MIDI
PRESETS capability.
on
the connected equipment.
Loading...