TC electronic SDN BHD SDN BHD User Manual

TRIPLE•C
MULTI-BAND COMPRESSOR & ENVELOPE
SINGLE CHANNEL/STEREO CHANNEL VERSION
USER’S MANUAL
3
TABLE OF CONTENTS
INTRODUCTION
Introduction . . . . . . . . . . . . . . . . . . . . . .5
Front Panel . . . . . . . . . . . . . . . . . . . . . .6
Rear Panel . . . . . . . . . . . . . . . . . . . . . .8
Signal Flow Diagram . . . . . . . . . . . . . . .9
TRIPLE•C Setups . . . . . . . . . . . . . . . .10
BASIC OPERATION
The TRIPLE•C Display . . . . . . . . . . . . .12
I/O Setup . . . . . . . . . . . . . . . . . . . . . .13
Recall . . . . . . . . . . . . . . . . . . . . . . . . .15
Edit . . . . . . . . . . . . . . . . . . . . . . . . . . .15
Store . . . . . . . . . . . . . . . . . . . . . . . . . .15
COMPRESSION MODES
Full-range Mode . . . . . . . . . . . . . . . . .16
Multi-band Mode . . . . . . . . . . . . . . . . .18
Envelope Mode . . . . . . . . . . . . . . . . . .20
Sidechain Operation . . . . . . . . . . . . . .22
Using Compression - A Guide . . . . . . .23
APPENDIX
Important Safety Instructions . . . . . . . .26
MIDI Implementation . . . . . . . . . . . . . .28
MIDI Control Changes . . . . . . . . . . . . .29
Technical Specifications . . . . . . . . . . .30
Preset List . . . . . . . . . . . . . . . . . . . . . .31
TC Electronic, Sindalsvej 34, DK-8240 Risskov - tcdk@tcelectronic.com English version Rev 1.02 - SW - V 1.01
Prod. No: E60500421
5
INTRODUCTION
Congratulations on the purchase of your new TC Electronic TRIPLE•C Compressor
The TRIPLE•C is a highly flexible Compressor especially designed for single source processing but with a great variety of applications. Whether your main tasks are live production or in the recording studios we are confident the TRIPLE•C will cover your needs when it comes to compression. Three compression modes will comply the flexibility needed when working with different program material such as vocals, drums, bass, guitar etc.
The Multi-band mode allows compression and spectral balancing of three independent bands on any single source without getting into the usual problems of pumping and breathing.
The Full-range mode, offers standard compression utilizing the feed forward principle known from various analog Compressors. The TRIPLE•C simulates the best from analog Compressors and provides top quality Full-band compression instantaneously.
The Envelope mode allows changing the dynamic content of the incoming source material in its entire duration. This can be used for various kinds of dynamic shaping e.g. for extending the sustain source or adding more “click” to percussive material such as a bass drum. The Envelope mode will also apply in many Dance/DJ and more experimental types of music as a powerful tool of expression.
• The Sidechain function allows an external source to either fully control or contribute to the control of the compression performed by the TRIPLE•C.
The TRIPLE•C Stereo version can perform either as a two stereo Compressor or as a TRIPLE•C Single version with Sidechain option.
Additionally the TRIPLE•C features all the best from the digital world such as factory and user presets, remote controllability via MIDI and Digital I/O.
This manual covers both the TRIPLE•C Single Channel version as well as the TRIPLE•C Stereo Channel version.
6
FRONT PANEL
POWER key
On/Off switch for the unit.
INPUT LEVEL knob
Adjusts the Input level. Range is -6dB to +18dB.
INPUT/OUTPUT meters
Peak meter showing Input and Output level. The meter range is: 0, -3, -6 ,-12, -18, -24, -40dB. For the Stereo version this meter is common for both channels.
INPUT OVERLOAD LED
The OVERLOAD LED indicates one of two situations: The Input level is too hot and therefore over­loading or there is an internal DSP overflow. The OVERLOAD LED is lit when 1 sample is @ 0dBFS.
OUTPUT OVERLOAD LED
Indicates that the Output is too hot. This will occur if e.g. too much gain has been added through the TRIPLE•C. The OVERLOAD LED is lit when 1 sample is @ 0dBFS.
INPUT - Analog/Digital
Indicates whether the TRIPLE•C is set to analog or digital Input. When set to digital Input, the Sample Rate automatically switches to DI. In case of no or unacceptable clock the "Digital" and "DI" icon will be blinking.
SYNC
Indicates the current clock of the TRIPLE•C. When locked to an external clock, the "DI" icon is lit and the incoming Sample Rate is displayed by either the
44.1 or 48 icon. If no or unacceptable clock is available, the "Digital" and "DI" icons will be blinking.
LINK indicator
Indicates that the unit is linked to a second TRIPLE•C.
MIDI
When MIDI information is received the MIDI icon will blink.
Gain Metering
The Gain meter indicates the total gain through the TRIPLE•C and simultaneously shows the gain reduction.
Envelope Section
Indicates the setting of the Envelope Mode. Please see Envelope chapter in the manual for further information.
TRIG
Indicates when the Envelope function is processing the incoming signal.
LIMIT
When the LIMIT LED is lit the Envelope Softclipper is active.
MULTI-BAND OFF key
Turns the Multi-band mode on/off i.e. activates the full band mode. When the LED is lit the Multi-band algo is inactive.
PEAK SENSITIVE key
The TRIPLE•C is basically an RMS based Compressor, mean­ing that it responds to average level of the incoming source material. This key turns the TRIPLE•C into a Peak based Compressor. When the LED is lit the TRIPLE•C is in Peak mode. This feature is only available in Multi-band mode.
SOFTLIM key
Activates/deactivates the Soft­Limiter in the Output section When the LED is lit, the Soft­Limiter is active.
7
FRONT PANEL
LOOK AHEAD key
When in Multi-band mode the Look Ahead delay (3ms) can be activated allowing even more pre­cise processing.
THRESHOLD knob
Multi-band mode:
Sets the Mid band Threshold value. The Lo/Hi bands are slaved accordingly. Full-range mode:
Sets the Threshold value. Envelope mode: Sets the Threshold of the Envelope.
RATIO knob
Multi-band mode:
Sets the Mid band Ratio value. The Lo/Hi bands are slaved accordingly. Full-range mode:
Sets the compression Ratio. Envelope mode:
No function.
ATTACK knob
Multi-band mode: Sets the Mid band Attack value. The Lo/Hi bands are slaved accordingly. Full-range mode:
Sets the Attack time. Envelope mode:
Sets the Attack time of the gain added to the start-up of the source.
BYPASS key
Bypasses all processing parameters but not the System settings found in the I/O menu. When the key LED is lit the TRIPLE•C is bypassed.
LEVEL knob
Sets the overall Make Up gain through the TRIPLE•C. This is used to compensate for gain loss in the Compressor. The absolute gain through the TRIPLE•C is displayed in the LCD by the fixed LED in the gain meter. Range: +/- 18dB.
MENU key
Push MENU and use the VALUE SET wheel to select menu.
PARAMETER wheel
Scrolls between parameters.
VALUE SET/ENTER wheel
Is used to change values. When pushed, actions such as Recall, Store etc. are approved.
RELEASE knob
Multi-band mode:
Sets the Mid band Release time. The Lo/Hi bands are slaved accordingly. Full-range mode:
Sets the Release time. Envelope mode:
Sets the Release time of the gain added to the ring-out of the source.
ENVELOPE MODE key
Activates/deactivates the Envelope mode.
LO-BAND knob
Multi-band mode: Adjusts the Output level of the processed Lo-Frequency band. Full-range mode:
No function
Envelope mode: Attack Gain.
HI-BAND knob
Multi-band mode: Adjusts the Output level of the processed Hi-Frequency band. Full-range mode:
No function
Envelope mode: Release Gain.
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REAR PANEL
Balanced
Jack
Analog
Inputs
Balanced
Jack
Analog
Outputs
Pedal Input
for Bypass
MIDI
In, Out, Thru
Digital
S/PDIF
Input/
Output
Sleeve - Pin 1 (Ground) Tip - Pin 2 (Hot) Ring - Pin 3 (Cold)
Sleeve - Pin 1 (Ground) Tip - Pin 2 (Hot) Sleeve - Pin 3 (Cold)
Jack (unbalanced) - XLR
Jack (balanced) - XLR
TIP RING GND
TIP
GND
MIDI Cable
DIN CONNECTOR 5POLE - MALE 45 degrees
DIN CONNECTOR 5POLE - MALE 45 degrees
max. 10m
SHIELDED CABLE (3 or 5 wires + screen)
Serial no.Power
Input
Balanced
Jack
Analog
Inputs
Balanced
Jack
Analog
Outputs
Pedal Input
for Bypass
MIDI
In, Out, Thru
Digital
S/PDIF
Input/
Output
Serial no.Power
Input
Single Version
Stereo Version
9
SIGNAL FLOW
10
TRIPLE•C - SETUPS
Setting up the TRIPLE•C
The TRIPLE•C is a very flexible unit and may be used in numerous different setups. Here are illustrations and explanations of some of the most common setups.
TRIPLE•C in a Single Channel Insert
• Use the send/return connections on a single channel on your analog mixer.
• Use the analog Input/Outputs on the TRIPLE•C.
• Set the TRIPLE•C Inputs to analog.
TRIPLE•C Stereo version in a Group Insert
• Connect the TRIPLE•C Stereo in a group-insert on your mixer.
• With this setup you are able to use compression on e.g. an entire drum-set or on backing vocals.
Please note that if you route one or more channels on your mixer to both the Master Out and to a subgroup where a digital Compressor is inserted, you can experience an unwanted comb-filtering effect.
TRIPLE•C in a Digital Insert
• Connect the TRIPLE•C’s digital In/Out to a digital Send/Return on your mixer.
• Use the TRIPLE•C as master clock by setting the Clock parameter in the I/O menu to 44.1kHz or 48kHz and the connected device/mixer to External.
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