The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert
ÿ
Ÿ
This appliance has a serial number
located on the rear panel. Please record
the model number and serial number
and retain them for your records.
Model number
Serial number
the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure
that may be of sufficient magnitude to constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature
accompanying the appliance.
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT
REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS
INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
WARNING: TO PREVENT FIRE OR SHOCK
HAZARD, DO NOT EXPOSE THIS
APPLIANCE TO RAIN OR MOISTURE.
Table of Contents
1 – Welcome
About this manual.......................................3
What’s in the box? ......................................3
Powering up the Pocketstudio 5................4
The AC adaptor............................................... 4
Using batteries ...............................................4
2 – About multitrack recording
Cards and memory ......................................... 5
Some notes on keeping files..........................26
2 TASCAM Pocketstudio 5 Getting Started
1 – Welcome
Welcome to the TASCAM Pocketstudio 5. This
exciting device allows you to record yourself and
friends, and to build up a multitrack recording and
mix down to a stereo mix, adding effects such as
reverb and delay, just like a professional recording
studio.
All of the recording and mixing is done digitally, in
memory, so the Pocketstudio 5 has no tapes or discs
to wear out or replace. It uses easily-obtainable, reusable CompactFlash™ cards, which hold a large
amount of data.
If the card becomes full, you can connect the Pocketstudio 5 to your computer, and store the data from the
Pocketstudio 5 on your computer’s hard disk.
About this manual
This manual is intended to get you started and working easily with your Pocketstudio 5.
It does not contain all the information about the
Pocketstudio 5. You can find more detailed explanations of many of the functions, as well as lists of
effects in the Reference Manual contained on the
CD-ROM which comes with your Pocketstudio 5.
To read this manual, which is in PDF format, you
will need a copy of Adobe Acrobat Reader 5.0 (or the
full Adobe Acrobat 5.0 program). Your computer
may already have this software installed. If it does
not, there is a copy of the Acrobat Reader 5.0
installer provided on the CD-ROM.
You should refer to the “electronic” manual (which
of course, you can print out, should you wish to do
so), for detailed explanations of some of the functions which are described in this quick manual.
Read through this manual for an overview of the
Pocketstudio 5.
The Pocketstudio 5 uses the MP3 format to record
and store the finished mix files, allowing you to share
your finished files with a whole world of other musicians using the Internet.
In addition to being able to record your voice and
instruments, the Pocketstudio 5 also contains a full
MIDI (GM standard) tone generator. You can use this
tone generator to produce backing tracks for your
music using a wide variety of patterns supplied with
the Pocketstudio 5, or you can import standard MIDI
files and play over the top of them.
1, “Welcome” This section.
2, “About multitrack recording” With spe-
cial reference to the Pocketstudio 5
3, “Parts of the Pocketstudio 5” And some
notes on menu, etc. operations. READ THIS SECTION, otherwise the rest of the manual, and the
Pocketstudio 5 itself will not make sense!
4, “Basic use of the Pocketstudio 5” Some
basic functions explained. READ THIS to learn what
the Pocketstudio 5 can do for you.
5, “Your first song using the Pocketstudio
An example song. We strongly suggest that you
5”
work through this example to learn the way of working with the Pocketstudio 5 to create music.
6, “Managing songs and data on your
Pocketstudio 5”
nection to your computer.
Songs, memory cards and con-
What’s in the box?
When you open the Pocketstudio 5 package, you
should also find in the box:
• The Pocketstudio 5 itself, with a CompactFlash
card installed.
• An AC adaptor
• A stereo headphone/microphone headset
•This guide (Getting Started)
• A CD-ROM containing the Reference Manual,
reader software, and various utilities and data to
help you with the Pocketstudio 5
If any of these items are missing, or appear damaged,
contact your TASCAM dealer.
TASCAM Pocketstudio 5 Getting Started 3
1 – Welcome
Powering up the Pocketstudio 5
The Pocketstudio 5 has two methods of receiving
power: from six dry-cell batteries, or from the supplied AC adaptor.
The on/off switch is located on the “rear panel”,
together with the AC adaptor input, the USB jack and
the
MIDI IN jack.
Slide the switch towards the AC adaptor jack (
ON is
towards the center) to turn on the Pocketstudio 5. The
The AC adaptor
When using the Pocketstudio 5 with the AC adaptor:
Make sure that you only use the Pocketstudio 5 with
the AC adaptor supplied with it. If you use any other
AC adaptor, there is a serious risk of damage to the
Pocketstudio 5.
Make sure that the voltage of your AC supply
matches the voltage requirements printed on the
Pocketstudio 5 AC adaptor. If you are in any doubt,
consult a qualified expert.
Disconnect the AC adaptor from the power supply
when you are not using it, but note the following:
display lights and a welcome message appears
briefly before the home screen is shown.
NOTE
In this manual, we use the term “top panel” to refer to
the main colored control surface with the display and
the control keys, “front panel” to refer to the surface
with the input jacks and level controls, and “rear panel”
to refer to the surface with the MIDI, USB and power
connector and switches.
Even when the Pocketstudio 5 is plugged into the AC
adapter, there is a slight drain on the batteries.
If the Pocketstudio 5 becomes unplugged from the
AC power supply, the batteries will be used unless
the power is turned off.
In order to avoid draining the batteries by mistake,
always turn off the power on the Pocketstudio 5
before disconnecting the adaptor.
NOTE
There is a hook on the bottom of the unit. You should
loop the power cord round this hook to prevent the
Pocketstudio 5 from becoming accidentally disconnected from the power when you are using it.
Using batteries
When using batteries with the Pocketstudio 5, note
the following:
• The Pocketstudio 5 requires six AA-type batteries.
• Always remove and replace batteries with the
power to the Pocketstudio 5 turned off.
• Always use the same type of batteries in the Pocketstudio 5 at one time. We strongly recommend the
use of alkaline batteries. Standard manganese batteries are not suitable for use with the Pocketstudio
5, as they will not provide sufficient battery life for
use of the unit.
• Although you can use Ni-MH rechargeable batteries (Ni-Cad batteries will not give sufficient life),
you must make sure that all such batteries are
charged together when replacing the batteries.
Always follow the maker’s instructions when
charging these batteries. You cannot use the Pocketstudio 5 as a charger for these batteries.
• Do not mix different types of batteries, and do not
mix old and new batteries together.
• Always make sure that the batteries are the right
way round (
+ and –) as shown by the markings in
the battery compartment.
If the batteries drop below a usable voltage, the Pocketstudio 5 shows
Low Battery! on the dis-
play. If you see this message, do not attempt to use
the Pocketstudio 5 (there is a risk of losing your
work) replace the batteries as soon as possible and/or
connect the Pocketstudio 5 to the power supply, using
the AC adaptor.
4 TASCAM Pocketstudio 5 Getting Started
2 – About multitrack recording
Even if you already know something about multitrack recording, you may find it useful to read this
section in order to refresh your memory regarding the
basic concepts involved in producing a recording.
Cards and memory
The Pocketstudio 5 stores all information on standard
CompactFlash™ (CF) cards. Using a USB connection to a computer, the Pocketstudio 5 containing the
CF card can be used as a hard disk and files transferred to and from a personal computer.
Multi-track recording
You are already familiar with stereo, the standard for
the overwhelming majority of music produced today,
which produces a realistic 3D audio image from two
speakers. Each sound source in the stereo image is
precisely placed (panned) and at the correct volume
relative to the rest.
This explanation has been written specially with the
Pocketstudio 5 in mind, and some of the ways in
which you work with a Pocketstudio 5 are slightly
different to the way in which you would work with a
tape recorder, for example.
A 32 MB card is supplied with the unit. Any other
cards must be formatted before use and some files
copied onto it before it can be used by the Pocketstudio 5. See “Managing songs and data on your Pocketstudio 5” on page 23 for further details.
Working with multitrack has the advantage that if the
lead vocalist, for example, makes a mistake in the
final chorus, the whole band doesn’t have to berecord the whole song. Only the lead vocals have to
be re-recorded (and probably not even for the whole
song).
In order to produce this effect of a sound which is
similar to the one you would hear in real life, there
are two different ways of working: live recording and
multitracking. In live recording, microphones are set
up around the artistes and the performance is
recorded directly to a stereo recorder, as it actually
takes place.
In multitrack recording, the sound is built up a layer
at a time (tracking), usually starting with the rhythmic instruments, and adding others one or two at a
later time (overdubbing).
The Pocketstudio 5 has four tracks you can use for
recording, labelled
1 through 4.
Tone generator rhythm In the Pocketstudio 5,
the rhythm instruments (drums, bass, chords) can be
replaced by the built-in tone generator playing
rhythm patterns. Later, if you want to replace these
instruments with real ones, or add a real sound to the
synthesized sound, you can do this.
Tone generator MIDI files Another way of
achieving the same effect with the Pocketstudio 5 is
to take a standard MIDI data file containing the notes
of the backing for a song and play this as a backing
track to your singing or solo instrumental work (like
karaoke).
Punching If part of a recording is not perfect, it is
possible to play back the recording up to the point
where the mistake occurs, re-record over the mistake
and then stop recording. This is called punching. The
Pocketstudio 5 allows you to punch in and punch out
to correct the little mistakes that creep into all recordings (nobody’s perfect).
Mixdown Once all the layers are recorded, they
are mixed to stereo (mixdown) and the levels and pan
positions are adjusted so that they sound the way you
want them.
TASCAM Pocketstudio 5 Getting Started 5
2 – About multitrack recording
In a recording studio, the usual mixdown device is an
analog or digital stereo tape recorder (or sometimes a
CD recorder).
On the Pocketstudio 5, the mix is made to an MP3
file inside the Pocketstudio 5 itself. No cables or
external equipment are needed, and you can share the
resulting mix with friends immediately, as the sound
is digitized, ready for storing and transmitting using a
personal computer.
Effects Either when recording or when mixing
down, effects are often added to the dry recorded
sound to add life and interest to the recording.
The Pocketstudio 5 provides you with a wide range
of effects which help to give your recordings a professional touch.
Special guitar and bass-based effects are available for
input A, and vocal-type (and drum) effects for input
B, with a reverb being available for all recorded
tracks at mixdown. In addition, the tone generator
has its own flexible reverb and chorus effects, to add
a wide range of different colors to your recording.
6 TASCAM Pocketstudio 5 Getting Started
Rear panel
3 – Parts of the Pocketstudio 5
1234
1MIDI IN jack Use this to connect a MIDI
instrument to control the Pocketstudio 5’s internal
tone generator.
2USB port Use a standard USB cable to con-
nect this port to a suitably-equipped computer.
3AC adapter jack Use only the supplied AC
adaptor with this jack.
Front panel
5
67 8 9ABC
4Power switch Turn the Pocketstudio 5 on
(left) and off (right) with this switch.
NOTE
Remember to disconnect any headphones, instruments,
etc. or to turn the volume down, when turning the
Pocketstudio 5 on and off.
5GUITAR/LINE input Use this 1/4” input to
connect either a guitar or a line-level input (synthesizer, etc.).
6Guitar/line input level control Use this
to adjust the level of the signal fed through the guitar/
line input. Turn to the right to increase, and to the left
to decrease volume.
7MIC/LINE input 1/4” jack Connect either
a microphone or a line-level input (1/4” jack) to this
input.
8Microphone input level control Use
this to adjust the level of the signal fed through either
of the microphone inputs (or the built-in micro-
phone). Turn to the right to increase, and to the left to
decrease volume.
9MIC/LINE mini-jack Connect a suitable
microphone (such as the one integrated with the supplied headset) to this jack.
NOTE
The terms “guitar” and “microphone” are used for convenience. It is possible to connect other sound sources
to these inputs, if you make the correct switch settings
(see “Right panel” on page 8). However, you can never
connect a guitar to the “microphone” input, or a microphone to the “guitar” input.
APHONES level control Turn this to the
right to increase the headphone volume, and to the
left to decrease the volume.
TASCAM Pocketstudio 5 Getting Started 7
3 – Parts of the Pocketstudio 5
BPHONES jack Connect a pair of stereo head-
phones (such as the ones integrated with the supplied
headset) to this jack. An adaptor (not supplied) may
be required in the case of some headphones.
Right panel
DEF
DGUITAR/LINE selector Slide this switch
to the left (
bass) as the source for the guitar input
the right (
(synthesizer, CD player, etc.).
EMic selector Slide this switch to the left
position (
or to use a microphone such as the supplied headset
microphone connected to the microphone mini-jack
7. Switch to MIC for a dynamic microphone con-
nected through the microphone 1/4” jack
the right (
GUITAR) to select an electric guitar (or
5. Slide it to
LINE) to select another type of line input
BUILT IN) to use the built-in microphone,
9, and to
LINE) to use a line input (synthesizer, CD
CLINE OUT This is a stereo 3.5 mm jack that is
used to connect to other audio equipment such as a
tape recorder, MD recorder, etc. It provides output at
standard –10 dBV levels.
player, etc.) connected to the 1/4” microphone jack
9.
NOTE
If a microphone is connected to the microphone minijack, this takes priority over the built-in microphone,
which is then disabled.
FCard slot Use this slot with the supplied CF
card, and other similar compatible cards (use Type I
cards only). Push the card in firmly to mount it and
push the eject button to the right of the slot (arrowed)
to unmount it.
8 TASCAM Pocketstudio 5 Getting Started
Top panel
G
3 – Parts of the Pocketstudio 5
H
I
J
K
L
M
N
O
P
Q
R
S
GDisplay The display shows you the current
status of the song, etc. as well as the menu choices to
set up and use your Pocketstudio 5.
HMP3 key Use this key when mixing down to a
stereo MP3 file (lights red) or playing back an MP3
file (lights green). When unlit, the Pocketstudio 5 is
recording tracks or bouncing.
IEFFECTS key Use this key to set up and use
the Pocketstudio 5’s built-in effects units.
JAdvanced transport keys Use these keys
to set repeat points, and automated punch operations.
KREC READY keys Used with the four audio
tracks of the Pocketstudio 5 to assign the sources to
the tracks, to check these assignments, and so on.
LFaders The four track faders (1 through 4) are
used to adjust the playback volume of the four audio
tracks. The
the built-in MIDI tone generator (that’s what “TG”
stands for!), and the
all level of the overall signal. Pull the faders away to
you to reduce the volume, and push them away from
you to increase the volume. The nominal position,
with no cut or boost, is marked about two-thirds of
the way up.
TG fader adjusts the overall volume of
MASTER fader adjusts the over-
MBuilt-in microphone If you do not have an
external microphone available, you can use this
microphone to record “guide” tracks, etc. The quality
will be improved, though, if you use an external
microphone, such as the one included as part of the
supplied headset.
TASCAM Pocketstudio 5 Getting Started 9
3 – Parts of the Pocketstudio 5
NTransport keys These keys act in much the
same way as an ordinary tape recorder’s keys. There
is no pause key (none is necessary with a device like
the Pocketstudio 5). There is, however, an extra key
which you will not find on a tape recorder, the
MARK
key, which allows you to set and return to preset
points throughout your song. See “Marks” on
page 14.
OSource keys These keys are used to select
and confirm the assignment of the source to the
recording tracks.
POL indicators If you are recording and these
indicators light, the signal you are recording is too
loud (the inputs are OverLoaded =
OL). Turn down
the volume on the source, if possible, or adjust the
Navigating around the Pocketstudio 5
The way in which you use the Pocketstudio 5 is
straightforward and easy.
You should learn the basic principles of operating
described here. Very soon you will find that using the
input level with the Pocketstudio 5’s own controls
(
6 and 8).
QMenu navigation keys These keys allow
you to jump to a pre-defined menu (
between the menu and the “home” screens (
and to move up a level from a menu setting (
F.), to switch
MENU)
EXIT).
RWheel and ENTER/YES This forms a key
part of the operation of the Pocketstudio 5. Turn the
wheel to change a value, and the
ENTER/YES key to
confirm the setting of that value.
TIP
Press and hold the
turn on the display backlight if it is off, or turn it off if it
is on.
ENTER
key for a few seconds to
SCursor Pad This is actually four keys in
one. Use this control to navigate around the screens.
Pocketstudio 5 becomes second nature, and you can
carry out complex operations without having to think
about them.
The “home” screen
The display is where you see what’s going on and
where you pick options. It’s backlit
it even in poor lighting conditions.
1. Turn the backlight on and off by pressing and
holding the ENTER key.
The top row of this screen shows any mark that has
been set, as well as the current playback position in
the song.
On the next line is the name of the currently-loaded
song (up to eight characters).
At the right of the next line is an asterisk (
appears on the screen whenever the Pocketstudio 5
reads data from the card or writes data to it (similar
to the hard disk access light on a computer).
1
, so you can read
MARKminsecfr
BlueDoll*
CCB BB
INPUT A BTRACK 1 2 3 4TGL R
*) which
The home screen shows the current status of the
Pocketstudio 5.
barbeat
00:08:19
NOTE
Never remove the card from the Pocketstudio 5 while
this indicator is shown on the display, or you will corrupt the data on the card, making it unusable.
Below this are the meters. There are two input level
meters:
the guitar input and
A shows the level of the signal fed through
B shows the level of the micro-
phone input before they have gone through the EQ
and effects.
10 TASCAM Pocketstudio 5 Getting Started
3 – Parts of the Pocketstudio 5
NOTE
Since the EQ and effects can add a significant amount
of volume to the signals, you should not rely on these
meters for the final level being sent to the track.
The menus
To enter the other functions of the Pocketstudio 5,
press the
below appears (if it does not, press the
MENU key. A screen similar to the one
EXIT key until
it does).
/ CARDTG
EQPATTERN
PANTUNER
REVERB SYSTEM
The wheel
The wheel is the way to set values and confirm them.
You may find it easiest to support the Pocketstudio 5
in your right hand, and use your right thumb to turn
the wheel.
The levels of the four audio tracks being played back
are shown on the four track meters before they have
been through the EQ and the faders, as well as for the
tone generator (
TG). Finally, the L and R master out-
put levels are shown at the right of the screen.
Use the wheel or the cursor pad to move up and down
through the list of menus. Use the left and right keys
of the cursor pad (Ó and Á) to move between the
two columns.
Press the
ENTER/YES key to enter any of the main
menus.
If you do this, you’ll find that the “yes” or ““confirm”
ENTER/YES key, in the middle of the wheel,
lies readily under your thumb.
You’ll soon find yourself getting used to this control.
Enter and exit (“Yes” and “no”)
Often, to go down a level of menu or to answer “yes”
to an “Are you sure?” question, press the
YES
key in the center of the wheel, as explained
ENTER/
above.
If you need to go up a menu level, or to answer “no”
to a question, use the
EXIT key, below and to the left
of the wheel.
MENU
It is often useful for you to be able to change between
the home screen (“The “home” screen” on page 10)
and the menu screen where you are working.
Function key
You may find that you are using a certain menu
screen a lot, and you find it inconvenient to keep navigating back to this screen all the time. You can set up
the
F. key as a short cut to the screen you want.
To set the short cut, press and hold down the
for a few seconds. The display then shows a list of
the different items that can be assigned to the
F. key
F. key.
However, sometimes a sub-menu is marked with a
.
symbol at the right of the screen. In this case, you
must use the right arrow Á of the cursor pad (not
ENTER) to enter the menu. The EXIT key (not the
left arrow) is still used to exit from the sub-menu.
The MENU key allows you to change easily between
the menu screen and the home screen. Use this key to
jump back to the home screen from a menu screen, or
to the main menu screen from the home screen.
Use the cursor pad to select the item, and the
YES
key to confirm the selection.
Now pressing and releasing the
F. key will jump to
ENTER/
the screen you have just chosen.
TASCAM Pocketstudio 5 Getting Started 11
3 – Parts of the Pocketstudio 5
The cursor pad
The cursor pad is used to navigate around the
screens—left and right and up and down.
Sometimes a screen will show an up (
mark or both (
') at the bottom right of the display
l) or a down (;)
which indicates that more options are available
before the current screen, or after the current screen,
cursor keys to scroll through to these “invisible”
options.
Note that although it seems as though the center of
the cursor pad can be pressed, you are not really
pressing the center—the Pocketstudio 5 thinks that
you have always pressed one of the arrow keys first.
or both before and after the current screen. Use the
Naming songs, etc.
You can store songs, effect settings, etc. and you can
name them for future reference.
To do this, use the Ó and Á keys as cursor keys to
move the (underline) cursor left and right along the
space for the name.
space
0123456789:;<=>?@
ABCDEFGHIJKLMNOPQRSTUVWXYZ
[\]^_
abcdefghijklmnopqrstuvwxyz
()+,-
Use the wheel to select the characters for the name.
Select the letters, numbers and punctuation to use in
the name from the following list:
|≥≤
After a name has been written, you usually move the
cursor to the screen position where you select the
memory area to store your song or settings, etc., use
the wheel to select the memory area, and then press
ENTER to store the song or settings for later.
Patch :MyBass1
Write to UA-35
Write>>[ENTER]
NOTE
Some characters may not be supported or may produce
strange results when you use them in names for files
which are later to be read on a computer.
12 TASCAM Pocketstudio 5 Getting Started
4 – Basic use of the Pocketstudio 5
Playback When you press the PLAY key, playback
starts from the point shown in the top right of the
home screen. The
PLAY key lights when playback is
taking place.
Stopping Pressing STOP stops playback or
recording (note that there is no pause function). It
also stops fast “winding” (see below).
Recording To record, make sure that at least one
REC READY indicator is flashing (see “Patching and
routing on the Pocketstudio 5” on page 13), press and
hold down the
Recording then starts on the track(s) with flashing
REC READY indicators. The RECORD key lights
while recording is taking place. When you press the
STOP key to stop the recording, the RECORD key
flashes for a short time while the recorded data is
stored.
NOTE
Never turn off the power to the Pocketstudio 5 while
the
RECORD
tion. If you do, the recorded data will be corrupted, and
you may lose not just the music you have just recorded,
but also the rest of the song.
TIP
You can also “drop into” record mode while playing
back, as long as at least one
flashing. While the
key, which lights, and recording starts on the tracks
with flashing
“Drop out” of recording while pressing the
alone while recording is taking place (the
key is lit).
RECORD key and press the PLAY key.
key is flashing after a recording opera-
PLAY
key is lit, press the
REC READY
REC READY
indicators.
indicator is
RECORD
PLAY
key
RECORD
Fast forward and rewind The fast forward
FFWD) and rewind (REW) keys take you back-
(
wards and forwards through the songs in a very similar way to a tape recorder, but note the following:
• Pressing and holding one of these keys while playback is stopped or playing back (but not recording)
takes you backwards or forwards (depending on the
key pressed) with playback muted, and you can
read the current playback position on the display of
the top right of the home screen. When you release
the key, the “winding” continues (to the end of the
song for forward, or to the zero point for rewind).
Press
STOP to stop the wind operation or PLAY to
start playback from the current location.
• Pressing and releasing either of these keys briefly
while playback is stopped or playing back (but not
recording) will move to the previous or next mark
position (including the IN and OUT points). If no
mark positions have been set behind the current
playback position, the playback position will be set
to the start (
REW) of the song. See below for
details of how to set and use the marks.
Special location (RTZ) If you press and hold the
STOP key and then press the REW key, the playback
position returns to the zero point.
Special location (LRP) If you press and hold the
STOP key and then press the FFWD key, the play-
back position moves to the point at which recording
last started (“LRP” stands for “Last Recording
Position”).
Patching and routing on the Pocketstudio 5
These are very important concepts in the multitrack
world. Basically, they refer to the same thing—the
way in which signals reach their destination.
In a large recording studio, signals are often patched
(that is, passed through a patchbay, looking like an
old-fashioned telephone switchboard) and connected
using patch cords. Even in the case of modern all-inone units like the Pocketstudio 5 which have no
physical patchbay, we still use the term “patching” to
describe the joining of signals inside an audio
system.
In the case of the Pocketstudio 5, since there are four
tracks that can be used for recording, and only two
inputs, there must be a way of routing or assigning
(other words for patching) the signals at the two
inputs to reach the tracks where you will actually be
recording.
TASCAM Pocketstudio 5 Getting Started 13
4 – Basic use of the Pocketstudio 5
Routing an input to a track
When you want to route one of the two inputs to a
track, press and hold either the
MIC IN key.
Any track
this input flash rapidly while you are holding down
the input key (slow flashing means that the track is
armed ready for recording).
Initially, tracks 1 and 2 are assigned to the guitar
input, and tracks 3 and 4 are assigned to the microphone input (since the microphone and guitar effectors both have a stereo output, it makes sense to
record on more than one track at a time).
Press a track key again to unpatch the input from the
track (the key does not light).
REC READY keys which are assigned to
GUITAR IN key or the
Track bouncing
The Pocketstudio 5 allows track bouncing (setting
the playback of two or more tracks as inputs to
another track or tracks.
Routing on mixdown
Note that the tracks are initially assigned in pairs, so
that if you press one
both indicators of that pair start to flash. To record on
just one track, press one of the list tracks of a pair.
You can see that you can assign an input to more than
one track at the same time, but you cannot assign
both inputs to one track at the same time. Neither can
you assign an input to all four tracks at once.
If you have selected a line input on both the microphone and guitar inputs so that you can record the
left and right channels of a stereo instrument, you can
assign these to the 1+2 and 3+4 track pairs (not to
1+3 or 1+4 or 2+3, etc.).
See“Track bouncing” on page 26 of the reference
manual for details.
REC READY of an unused pair,
When mixing down a multitrack recording, all four
tracks, as well as the stereo outputs of the internal
MIDI tone generator, are routed to the stereo outputs,
and the four tracks may also use the internal reverb
unit.
Marks
The “extra” MARK key is used to set and clear marks
which you can use to find your way quickly round
the song.
Punch recording
One of the most useful features of recording with a
unit such as the Pocketstudio 5 is the ability to perform punch recording. This allows you to correct
only a small part of your recording without having to
re-record the whole of the song.
Editing data
The MIDI tone generator can use its own reverb and
chorus units, which cannot be used by the audio
tracks.
You can set up to eight marks, plus the special IN and
OUT marks.
See “Marks” on page 23 of the reference manual for
details of how to use these functions.
See “Punch recording” on page 24 of the reference
manual for details of how to carry out such punch
operations.
You can copy and paste, as well as delete, audio data
from your songs. See “Editing data” on page 31 of
the reference manual for details.
14 TASCAM Pocketstudio 5 Getting Started
5 – Your first song using the Pocketstudio 5
This does not pretend to explain every possible function of the Pocketstudio 5, but it will guide you
through the first steps in making a recording.
Before you start recording
Find yourself a quiet area where you won’t be disturbed while you’re recording.
We will assume that you are using the headset (stereo
headphones and microphone) that came with the
Pocketstudio 5. Plug the red plug (microphone) into
Setting up a new song to record into
The Pocketstudio 5 card comes with a song already
recorded out of the box. However, you will probably
want to make your own song. Here’s how you do it:
1From the home screen, which you see after
turning on the Pocketstudio 5, press
/ CARDTG
EQPATTERN
PANTUNER
REVERB SYSTEM
2The cursor should be at
ENTER.
/ SONG LOAD
SONG SAVE
SONG EDIT
SMF LOAD;
3With the cursor at
ENTER again:
/ New Song
LHL
CARD. Press
SONG LOAD, press
MENU.
We’ll assume that you are going to use the built-in
tone generator to give your song a backing track of at
least drums and bass and that you will be playing
rhythm and lead guitar and singing.
the smaller (3.5 mm) microphone jack, and the black
plug into the headphone jack.
Turn the headphone level control
A to about half-
way.
5You can now rename the song. Press
and select the
CARD menu (press ENTER
MENU,
again). Use the cursor keys to move down to
SONG EDIT and press ENTER.
/ SONG NAME
SONG DELETE
UNDO
REDO;
6With the cursor at
ENTER again.
Song Name
Name:SONG2
Sure?>>[ENTER]
SONG NAME, press
7Use the cursor pad and wheel to edit the song
name (see “Naming songs, etc.” on page 12)
and then press
ENTER, followed by MENU.
The home screen now shows your song title.
00:00:00
SlowBlue
Load>>[ENTER]
4With the cursor at
ENTER. An asterisk (*) flashes briefly at the
New Song, press
right of the screen to show that the card is
accessed, and the display then shows the
home screen, with
SONG2 (your new song)
ready for recording.
00:00:00
SONG2
NOTE
When you connect the Pocketstudio 5 to a computer
(see “Managing songs and data on your Pocketstudio
5” on page 23), the song folder will still appear as
SONGx
where x is the original song number. However,
the name of the song will be included in the folder. You
should also see the
details.
TASCAM Pocketstudio 5 Getting Started 15
Reference Manual
for further
5 – Your first song using the Pocketstudio 5
Setting up the rhythm
The first thing to do is to set the tone generator to the
“pattern” setting.
1From the “home” screen, press
then enter the
Record:Tracking
TgMode / Pattern
Tempo :------Time:ABS;
SYSTEM menu.
2Use the cursor to move to
wheel to select
TIP
While you are in the
that you want to think in terms of bars and beats, not
minutes and seconds. Set the
Bars/Beats
“Choosing the time type” on page 22 of the reference
manual).
PATTERN.
SYSTEM
if you want to work this way (see
menu, you may decide
Time
MENU and
TgMode, and the
parameter to
Selecting the pattern From the home screen,
press the
menu.
Select a category and style to use as a backing.
You can also adjust the structure of the song, arrang-
ing fills, intro, verses, etc. into the order that fits your
song, and you can also adjust the chord changes
throughout the song, as well as adjusting the relative
levels, pan positions, etc. of the instruments.
See the reference manual describing the use of patterns (“Patterns on the Pocketstudio 5” on page 7) for
full details of how to do these operations.
Start playback using the
Bring up the
nal positions so that the meters show some life, and
adjust the headphone volume using the headphone
level control
TG or the MASTER faders to adjust the monitoring
level in the headphones.
MENU key, and enter the PATTERN
Ctgry / Rock1
Style:60sHrock
Tempo: d =100
Arnge:Preset.;
PLAY y key.
TG and MASTER faders to their nomi-
A until it is comfortable. Do not use the
Adding the rhythm guitar
The first thing to do is to make sure your guitar is in
tune. Happily, the Pocketstudio 5 contains a tuner—
you don’t need other equipment.
1Connect the guitar to the Pocketstudio 5.
Make sure the switch on the right of the
Pocketstudio 5
tion. Plug your guitar into the Pocketstudio
5’s
GUITAR IN jack.
NOTE
NEVER plug your guitar amplifier speaker output into
the Pocketstudio 5. If you do, will almost certainly damage the Pocketstudio 5 and your guitar amplifier. You
may have an output marked LINE OUT on your amplifier. If such a jack exists, you may use that, but you must
make sure that the selector switch on the Pocketstudio
5 is set to
instrument you are playing is a guitar!).
LINE
2Assign the GUITAR IN to track 1.
D is set to the GUITAR posi-
and not
GUITAR
(even though the
Press and hold the
make sure the
INPUT A GUITAR key and
REC READY lights for tracks 1
and 2 flash rapidly (you will be recording on
tracks 1 and 2 in stereo).
3Adjust the levels. Make sure that your gui-
tar’s pickup volume and tone controls are set
to the level you want.
NOTE
N
If you have exceptionally powerful pickups on your guitar, you may find that the red
INPUT A
you are overloading the input stages of the Pocketstudio 5, and you should reduce the input level using the
GUITAR/LINE
key flashes on loud passages. This means that
control.
OL
indicator by the
Make sure the Pocketstudio 5 is showing its
home screen (“The “home” screen” on
page 10). You’ve already adjusted the
MASTER fader, haven’t you?
16 TASCAM Pocketstudio 5 Getting Started
5 – Your first song using the Pocketstudio 5
NOTE
Bringing up track 1 fader here does not affect the level
of the signal being recorded—it sets the relative level of
the sound from track 1 that you hear through the headphones (or LINE OUT).
Tuning the guitar
1Tune the guitar. Since you’re playing along
with the tone generator, you should be in
tune with your “backing band”!
From the home screen, press
cursor pad to navigate to the
and press
ENTER/YES again.
Cal:440
---
|_____ o _____|
2The top line of the screen indicates the refer-
ence tuning (the frequency of the A below
middle C). Leave this at
along with the Pocketstudio 5’s tone generator. If you are recording with an instrument
which does not follow this standard, you may
want to adjust this value, otherwise leave it
alone.
3Play any single string on the guitar. The
Pocketstudio 5 makes its best guess of the
note that the string is tuned to, and displays
this note, and a graphical display showing
whether the string is sharp or flat. This
MENU. Use the
TUNER menu
440 when playing
Adjust the guitar input level 6 so that when
you play the guitar in the way you will be
playing when you are recording, the meter
(
INPUT A) is in the top part of the bottom line
of the display.
screen shows an E string which is slightly
sharp.
Cal:440
E
|_____ JH____|
In this case, you should flatten the note
(loosen the string) slightly until only the center box is filled when you play the string.
4Repeat the process one string at a time until
all strings are tuned.
NOTE
If you do not see any indication on the screen when you
play the guitar, check that (i) the guitar pickup is
switched on and the guitar volume is correctly set, and
(ii) that the
correctly set.
If the string pitch is midway between two notes (for
instance, between E and Eb, both note names are
shown alternately in the second line of the display.
GUITAR/LINE LEVEL
control 5 is also
5Exit the tuner function by pressing EXIT.
Adding a guitar effect
1Press the EFFECTS key so a screen similar to
the one below is displayed:
FX1:TraDist
Ctgry/ EGTR
Param :83
Bank:Preset;
2If the top line shows
press the
EFFECTS key once more to change
it.
3Use the cursor pad to move to the program
setting and select a guitar effect (a full list of
these patches can be found in the reference
manual).
Note that there are four categories of effects
available for input A: electric guitar
FX2 rather than FX1,
(
EGTR), acoustic guitar (AGTR), bass
effects (
tings (
BASS) and other miscellaneous set-
ELSE)
1
. Use the wheel to choose the
appropriate category.
4Each setting has one parameter (
Param)
that may be adjusted, which is the most
“meaningful” parameter for each setting.
The exact way in which the sound is affected
by this parameter depends on the selected
effect.
5As well as the preset (
Preset) bank of
effects, you can also store your own effect set-
User). The Bank parameter allows
tings (
1. Currently, the only “else” setting is a thru setting. This may change with future releases of
the Pocketstudio 5 software.
TASCAM Pocketstudio 5 Getting Started 17
5 – Your first song using the Pocketstudio 5
you to choose which bank you will select the
effect from.
6Set the input and output levels (
Out Lev) for the effect (from 0 to
and
127).
In Lev:100
OutLev:100
Switch:on
Write : .
7
Switch the effect on or off (make sure
In Lev
the effect is turned on, otherwise you won’t
Adding EQ
1Press the MENU key so that you see the main
menu, and then use the cursor pad and
ENTER key to enter the EQ menu.
Func:EQ,.
Source/ TR1
LowGain:0dB
LowFreq:100Hz;
You can apply EQ to the recorded tracks, or to the
tone generator (left and right separately) or to the
inputs. Here, of course, we’ll be making EQ settings
on the guitar input (
TIP
Some people prefer to record with no EQ and to add it
at the mixdown stage. There are no rules about this—
it’s your choice!
2Move the cursor to the second line of the dis-
play, and turn the wheel until the
field shows InputA.
A).
Source
hear any effect). Also note that you will hear
no effect
8The last setting allows you to store your
parameter settings to a user area which you
can then name for easy recall. See the reference manual for details.
NOTE
If you push and hold the
seconds, you change between the key being lit and
unlit. When the key is unlit, both effects (FX1 and FX2)
are disabled, even if the
on
for either effect. The
not affect the third reverb effects unit (see “Mixdown”
on page 20) or the tone generator’s internal effector.
EFFECTS
Switch
EFFECTS
key for a couple of
setting is set to
key status does
3Adjust the bass. Move the cursor down to the
third line to change the amount of bass boost
or cut (from
-12dB (full cut) to 12dB (full
boost) in decibel steps, and to the fourth line
to change the frequency of the bass EQ band
(from
30Hz to 1.6kHz in 31 steps).
4Adjust the treble. Move the cursor down to
the bottom of the screen (the fifth line) to
change the amount of treble boost or cut
-12dB (full cut) to 12dB (full
(from
boost) in decibel steps, and to the sixth line to
change the frequency of the treble EQ band
(between
1.7kHz and 18kHz in 31
steps).
NOTE
If you add too much gain to the low and/or high EQ
bands, the input may overload, but this will not be visible on the meters or on the OL indicators. You must use
your ears to judge if the sound is distorted or not.
Saving the song
You may wonder why you need to save the song at
this stage—after all, nothing’s been recorded yet.
Even so, all the settings you have made to the tone
generator, to the effects and to the EQ, etc. can still
be stored for later recall. If you were to turn off the
Pocketstudio 5 now, you would lose all of these settings! To avoid such a catastrophe:
1Press the
MENU key, and select the CARD
menu.
18 TASCAM Pocketstudio 5 Getting Started
2Select the
press
ENTER:
Save Current?
Sure?>>[ENTER]
The display shows:
Song Save
Are you sure ?
Sure?>>[ENTER]
SONG SAVE menu item and
5 – Your first song using the Pocketstudio 5
3Press ENTER once again to save the data
before you start recording.
NOTE
Audio data is saved every time you stop recording. This
is shown by the
has stopped, and the display showing a flashing asterisk. However, when the audio data is written to the
RECORD
key flashing after recording
Making the recording
At last, we can start the recording!
1Practice your playing. Press the
key to locate to the start of the song, and then
the
PLAY y key to start the rhythm. Play
along to get the feel of the piece. Adjust the
tempo and the level, etc. of the backing
tracks as necessary.
2Make your first recording. Rewind the song
to the start (m) and press the
key of track 1 so that it starts to flash. Press
and hold down the
then press the
REC READY key lights steadily. Press STOP
RECORD key (>) and
PLAY key (y). The track’s
when you’ve finished recording and wait
REW m
REC READY
card, any changes you have made to the tone generator, EQ or effect settings, etc. are
along with the audio data.
For this reason, you should use the song save procedure
described here on a regular basis to make sure that
none of your work gets lost if you are making changes
to the song settings.
until the
RECORD key stops flashing before
not
stored to the card
doing anything else.
Repeat this recording process as often as you
want—unlike a tape recorder, there is no
delay when you rewind to the start. Don’t
worry about getting it perfect just yet, but
make sure that you have the chords you want
in at least roughly the right places!
NOTE
Turn off the track’s
to listen to what you’ve recorded, and turn it on again
when you want to record. Remember to turn it off
before you record the next track, or you’ll undo all your
hard work so far!
REC READY
light when you want
Adding vocals
1Now we’ll move onto the vocals. If you
haven’t plugged it in already, your headset
microphone (red plug) should be plugged
into the microphone input jack
mic/line selection switch
the
BUILT IN position (this works both for the
E should be set to
built-in microphone or any microphone connected to the mini-jack). Use the
if you have a dynamic microphone connected
to the 1/4” jack.
TIP
You can use the built-in microphone M, and switch the
selection switch to the
sound quality will not be so good as using the headphone microphone. You can also use your favorite
microphone instead of the headset microphone, but it
may be simpler to use the headset here.
BUILT IN
position, but the
Unplug your guitar, and turn down the input
level of
INPUT A, so that you won’t record
any unwanted noise from that input while
you are singing.
9 and the
MIC position
2Assign the microphone to track 3. Press and
hold down the
REC READY for track 4 to turn it off so
the
that track 3’s
INPUT B MIC key, and press
REC READY light is the only
one flashing rapidly.
Speak into the microphone and adjust the
level as required using the microphone level
control
8. Use the INPUT B meter to adjust
the input level.
3Assign a vocal effect to the microphone sig-
nal, using the
EFFECTS key as you did ear-
lier for the guitar (“Adding a guitar effect”
on page 17). Remember that the input here is
input
B, not A. A different set of effects is
available for this input (as it’s unlikely that
you’ll want a vintage tube stack sound on
your vocals!).
4Adjust the EQ for your voice as you did for
the guitar.
5Start playback from the start of the song and
adjust the level of the recorded guitar on
track 1 and 2.
TASCAM Pocketstudio 5 Getting Started 19
5 – Your first song using the Pocketstudio 5
6Rewind to the start and record your vocals.
It’s unlikely that you’ll get them completely
right first time, so you will probably want to
use the Pocketstudio 5’s auto punch facility
Adding the lead guitar
When you’ve done recorded the vocals, you can add
the lead guitar line.
We only have one track left, track 4, so we’ll have to
use that for the guitar line.
To start with, turn down the input volume for the
microphone, and turn off the routing for the
to track 3 (press the
READY
key for track 3).
1Assign the guitar input (
and hold down
REC READY 4 is the only REC READY key
INPUT B key and press the REC
A) to track 4 (press
INPUT A and make sure that
that is flashing rapidly.
2Adjust the input volume and the volume of
your guitar. Add an effect for the lead sound
(see “Adding a guitar effect” on page 17) for
how to do this.
B input
to make them perfect! See “Punch recording” on page 14 for details of how to correct
your mistakes.
3Add EQ as necessary (see “Adding EQ” on
page 18).
4Press the
PLAY key to start playing back the
song from the start, and use the track faders
to adjust the relative levels of the two previous recordings (the rhythm guitar on tracks
1 and 2, and the vocals on track 3).
5Play the guitar lead line along with the tracks
you recorded earlier.
TIP
Most people find it useful to use the mark features
(“Marks” on page 14) as well as the automated punch
facilities (“Punch recording” on page 14) when recording overdubs like guitar solos.
Also, if you want to add extra parts, you may want to
do some track bouncing. See “Track bouncing” on
page 14 and “Track bouncing” on page 26 of the Reference Manual for some details regarding this.
Mixdown
The final stage in recording a song is the mixdown.
1Disconnect the guitar and microphone and
set the input volume controls to the minimum.
2By default, the stereo picture is: tracks 1 and
3 are panned hard left, and tracks 2 and 4
are panned hard right. It’s usual to have a
more central vocal and lead instrument, but
the rhythm guitar (tracks 1 and 2) can probably be left unchanged.
From the main menu, select the
Func/ PAN,.
Tr1 Tr2 Tr3 Tr4
CCCC
3Move the cursor to the bottom line and select
track 3. Use the wheel to move this track (the
vocals) to the center (you can go through
L63—full left, through C(center) to R63—
PAN menu:
hard right. Play back the recording as you do
it, so that you get the right position.
Do the same for track 4 (and tracks 1 and 2,
if you like) so that all your recorded tracks
sound right with each other and with the
tone generator tracks.
TIP
You can also adjust the pan position of the parts of the
tone generator backing. See the section on Patterns for
full details.
4If you want to add more EQ to the recorded
tracks, this is a good time to do it. You can
also add EQ to the left and right outputs of
the tone generator independently. From the
PAN menu, move the cursor to the top of the
screen, and press Ó.
Select
tracks, or
TR1 through TR4 for the four
TG_L and TG_R for the two tone
generator outputs. Follow the directions in
“Adding EQ” on page 18 for details of how to
make the EQ settings.
In this screen, you can set the send level (the
level of the signal sent to the reverb unit) for
the two inputs, and the four recorded tracks.
You can also set the master send level
(
SendMst).
All values are between 0 and 127. Use the
cursor keys to scroll to the appropriate line,
and the wheel to set the send level.
NOTE
The tone generator instruments use a different reverb
unit, completely separate from this one.
In addition to the send levels, the return level
(the amount that the reverb feeds into the
stereo mix) can also be set (
RtrnLev).
6There are four parameters you can use to tai-
lor the reverb sound to your own distinctive
sound:
Time: the time that it takes the reverb
sound to die away. A longer time simulates a
larger space (a cathedral has a longer reverb
time than a small room). The time can be set
from 0.1 seconds to 5 seconds.
PreDly (pre-delay): the time between the
signal entering the reverb, and the start of
the reverb. Sound takes time to travel, and if
it has to travel a long way to the first wall
(imagine a drum kit in the middle of a large
warehouse), the reverb sound will take some
time before it starts. The pre-delay time can
be set from 1 to 200 milliseconds.
HiCut (high-cut): how much of the treble
sound is reflected in the reverb. A bare room
will sound “live” with lots of damping, but a
furnished room will produce a more mellow
sound with the treble frequencies filtered out.
With this setting, the lower the value, the
more “live” the reverb space will sound. Values from 1 to 100.
Density: how “complicated” the sound
is. A space with large flat walls will produce a
less complex “dense” sound than a roughwalled or irregularly-shaped space (back to
the cathedral again). Set this from –80 to 80.
7When you’ve got the sound to your liking,
press the
MP3 key so that it flashes red (to
show it’s in the recording mode).
/ NewMix
Load>>[ENTER]
8Use the wheel to select a new MP3 file
(
NewMix) or an existing MP3 to overwrite,
and press
ENTER. The MP3 key then lights
solid red, and the Pocketstudio 5 shows the
home screen.
PLAY and then RECORD, and use the
Press
faders to adjust the levels while the song is
playing, if necessary. These level changes will
be recorded to the stereo MP3 file.
9Press
STOP. The RECORD key flashes as the
mix is written to card, and then the
MP3 key
flashes and then lights green.
TIP
You do not need to start recording immediately at the
start of the song, if you want to avoid mixing a countin, etc. You can start playback and press RECORD where
you want to start the mixdown.
10To replay the MP3 mix file when the MP3 key
is lit green, the transport keys now control
the playback of the mixed MP3 file, not the
multitrack song.
For more details concerning the mixdown and the
MP3 capabilities of the Pocketstudio 5, consult the
Reference Manual.
TASCAM Pocketstudio 5 Getting Started 21
5 – Your first song using the Pocketstudio 5
Transfer to computer
Of course, you want to be able to share your work
with others, and the best way to do that is using a
computer.
Read the section on “Managing songs and data on
your Pocketstudio 5” on page 23 for details of how to
connect the Pocketstudio 5 to a computer and transfer
files.
When you have an MP3 file on the computer, you
can transfer it to any digital audio player capable of
accepting 128kbps MP3 files, or put it on an Internet
Web site, so that the results of your hard work are
ready for the world to listen to!
22 TASCAM Pocketstudio 5 Getting Started
6 – Managing songs and data on your Pocketstudio 5
When you connect the Pocketstudio 5 to a computer,
you can transfer data such as the following between
the Pocketstudio 5 and your computer.
• Song data (audio, effect settings, MIDI backing
settings, etc.)
• Stereo MP3 files: the files that you have mixed
yourself on the Pocketstudio 5 as well as other
MP3 stereo files from other sources.
• Standard MIDI files which you can use as backing
data for “karaoke” playing and singing.
• Additional MIDI backing patterns and effect settings as these become available through the
TASCAM Web site, or from other sources.
Also note that if you are using a new CF card with
the Pocketstudio 5, you will need to format the card
(see “Before you start using a new CF card” on
page 24.
The computer must have one compatible USB port
available for use with the Pocketstudio 5 (if all ports
are being used by a mouse, keyboard, etc., you can
add a USB hub to expand the number of ports available to you).
NOTE
The majority of modern computers have USB ports
which are compatible with the USB interface fitted to
the Pocketstudio 5. A very few older computers may
have older versions of USB hardware (host controllers)
which are not compatible with the hardware on the
Pocketstudio 5.
Your Pocketstudio 5 can be used with any of the following computer operating systems.
• Microsoft Windows 98 SE (Second Edition)
• Microsoft Windows Me
• Microsoft Windows 2000 (Workstation and Professional)
• Microsoft Windows XP (Home and Professional)
• Mac OS 8.5 and greater (up to Mac OS 9.0)
The Pocketstudio 5 cannot be used with Microsoft
Windows 95, Microsoft Windows 98 (first edition),
or Microsoft Windows NT (any version).
It will not currently work with Mac OS 9 or above
(including Mac OS X).
Managing songs
All song management and editing operations are
accessed through the
Naming songs To name the current song loaded
into memory, from the main menu, enter the
menu, and scroll down to
ENTER.
/ SONG NAME
SONG DELETE
UNDO
REDO;
Scroll the cursor to
ENTER to edit the name of the current song loaded
into memory.
Song Name
Name:KotoJazz
Sure?>>[ENTER]
Edit the song name (see “Naming songs, etc.” on
page 12) and press
NOTE
This does not rename the song folder on the card, but
renames the “zero-length” file inside the song folder.
See the Reference Manual for details.
CARD menu.
CARD
SONG EDIT. Press
Song Name and press
ENTER when you have finished.
Take care that you only always use letters, numbers and
dash (
-
) in filenames. If you use any other characters,
you may not be able to read the card on a computer.
Deleting a song from the card To delete a
song from the card, enter the
down to
Song Delete. Press ENTER:
SONG NAME
/ SONG DELETE
UNDO
REDO;
Scroll to the song you want to delete and press
ENTER. The song (tracks, settings, and mix) is
deleted from the card.
/ KotoRock
RedGrass
Sure?>>[ENTER]
NOTE
There is no undo operation available here. If you delete
a song from the card, there is no “escape hatch”.
Always be sure that you have backed up your song to
PC (or that you really do not want that song any more)
before you delete it from the card.
CARD menu and scroll
TASCAM Pocketstudio 5 Getting Started 23
6 – Managing songs and data on your Pocketstudio 5
Using CF cards
The 32 MB card which is supplied with your Pocketstudio 5 allows you to record up to 10 minutes of 4track material (as well as allowing you to produce the
stereo mix for these tracks).
Although you can back up cards to the computer
quickly and easily using the USB connection, as
described below (and then reuse the cards), you may
Before you start using a new CF card
Before you use a new CF card with the Pocketstudio
5, it must be formatted.
NOTE
When you format a card on the Pocketstudio 5, it
doesn’t just format the card, but it also adds the folders
described in “Pocketstudio files” on page 26. For this
reason, you should always format a new card on a Pocketstudio 5, not a computer.
To format a card:
1Take out any existing card from the Pockets-
tudio 5 and replace it with the new card. Note
that the Pocketstudio 5 will report a number
of messages as you put in the new card,
because there is no data on this unformatted
card. Don’t worry about these messages.
2From the main menu, select
move the cursor down to the
FORMAT
option. Press ENTER.
Card Format
CARD, and
Card
sometimes want to expand the capabilities of your
Pocketstudio 5 by purchasing another CF card with
more capacity. You can use CF cards up to 128 MB
in size.
Note that it is currently not possible to use the CFsize hard disk drives which are available.
3Press
ENTER/YES to format the card.
DO NOT press any keys or remove the card
while formatting is taking place (it only takes
a few seconds.
4After formatting, the Pocketstudio 5 asks if
you want to create a new song on the card. In
most cases, you will want to create a new
song, so answer
new song will be called
YES (ENTER) to this. The
SONG1.
5When the screen returns to the home screen,
you can start remove the card or start pressing keys on the Pocketstudio 5.
EXIT to leave the screen without for-
Press
matting.
6When the card is formatted, you must copy
at least the pattern file
PATTERN.001 from
your computer’s CD-ROM to the Pocketstudio 5. See “Connecting the Pocketstudio 5 to
a computer” on page 25 and “Pocketstudio
files” on page 26 for further details.
Sure?>>[ENTER]
Checking how full the card has become
To get an idea of how much space remains on the
card:
24 TASCAM Pocketstudio 5 Getting Started
1From the main menu, select the CARD
menu, move the cursor down to
SPACE
2Press
and press ENTER:
Card Space
KKKooooooo
Used :4 MByte
Space: 25 MByte
EXIT to exit from this screen.
CARD
6 – Managing songs and data on your Pocketstudio 5
Optimizing a card
When you record or edit a song, the data may not live
in a continuous block on the card. No damage will
occur to your data or to the Pocketstudio 5 if you do
1From the main menu, select the CARD
menu, move the cursor down to
OPTIMIZE
not perform the optimization technique described
here, but you may find that some operations are a little slow if you do not do this.
2Press
TIP
If you find that you have less room on a card than you
expect, you can use this operation to clean up unnecessary data, and create more usable space on your card.
Connecting the Pocketstudio 5 to a computer
1Make sure that the computer is switched on
and that you are logged into the computer.
2With the Pocketstudio 5 turned off and with
a card inserted, connect the larger (A) end of
a USB cable to the computer, and the smaller
(B) end to the Pocketstudio 5.
contents of the card appear as a disk on your
computer.
For Windows machines, the Pocketstudio 5
will usually appear as the first free drive
available after your hard disk and CD drive
(probably E:).
CARD
and press ENTER:
Card Optimize
Sure?>>[ENTER]
EXIT to leave this screen.
3Press
ENTER/YES and hold it down while
you turn on the Pocketstudio 5. The display
shows
USB MODE. After a short time, the
Disconnecting the Pocketstudio 5
Windows 98(SE) With Windows 98 SE, simply
unplug the Pocketstudio 5 from the computer.
Windows Me/Windows 2000/Windows
XP With Windows Me, Windows 2000 and Windows
XP, the procedure is a little more complex.
In the system tray (typically at the
bottom right of the screen), you see an
icon picture of a PC card and an
arrow.
Left-click this icon to show a popup bar:
Click this popup bar to allow the Pocketstudio 5 to be
removed from the computer. When the panel telling
On Macintosh machines, the Pocketstudio 5
will appear as a disk called POCKET_5.
you it is safe to remove the Pocketstudio 5 appears,
unplug the USB cable.
If a panel telling you that it is not safe to remove the
Pocketstudio 5 appears, do not remove the Pocketstudio 5. Close all programs and windows that are
accessing the files on the card and try again.
Macintosh When removing the Pocketstudio 5
from a Macintosh system, drag the disk icon to the
trash, or press
Command-E (eject). When the icon has
disappeared from your desktop, you can disconnect
the Pocketstudio 5.
Exiting USB mode (any system) Turn off the
Pocketstudio 5, wait a few seconds, and turn it on
again to exit USB mode.
TASCAM Pocketstudio 5 Getting Started 25
6 – Managing songs and data on your Pocketstudio 5
Pocketstudio files
The Pocketstudio 5 keeps its files in special locations, which must not be changed.
How to share your Pocketstudio 5 files
Thanks to the Pocketstudio 5 and the Internet, you
can now share your files round the world.
Not only can you share your finished mixes, but you
can send your projects in progress round the world
and make recordings together with musicians you’ve
never even met!
For example, if you feel that your latest song would
really be enhanced by some Latin American percussion, you could find, through the Internet, a fellow
Pocketstudio 5 owner playing such instruments and
living in Brazil, for example.
Some notes on keeping files
Always back up your songs as often as you can to
your computer by copying them from the card to
your computer’s hard disk drive. You stand less risk
of losing important data (and maybe hours of hard
work) that way.
You may also want to keep different versions of your
songs. Perhaps you feel that one player’s interpretation of a part on your song is better than another’s,
See the Reference Manual for details of these locations and settings.
Sending the tracks (and MIDI backing) of the song to
the percussion player allows him to overdub the percussion parts and return them to you. All you need is
the Pocketstudio 5, your computer, an Internet connection and a mail and browser program.
To help you and all the other Pocketstudio 5 owners
around the world, TASCAM has set up a Web page
on the main TASCAM Web site (www.tascam.com)
where you can register your details (name, contact
details, the region where you live, the instrument(s)
that you play, the type of music you enjoy, etc.) and
search for like-minded musicians to work with you
on your projects.
and you want to keep the two versions for comparison before you make the final mix.
Although the filenames you use on the Pocketstudio
5 are restricted to eight characters, you can use
longer names on your computer. Remember to
change them back to eight characters when you put
them back on the Pocketstudio 5.
26 TASCAM Pocketstudio 5 Getting Started
POCKETSTUDIO 5
TEAC CORPORATION
Phone: (0422) 52-50823-7-3, Nakacho, Musashino-shi, Tokyo 180-8550, Japan
TEAC AMERICA, INC.
Phone: (323) 726-03037733 Telegraph Road, Montebello, California 90640