Tannoy mercury 7 Owner's Manual

OWNER’S MANUAL
Mercury 7
02_MERCURY 7 MANUAL
CONTENTS
WARRANTY 02 POSITIONING AND FINE-TUNING 06
INTRODUCTION 03 HOME THEATRE 5.1 - GENERAL INFORMATION 06
AMPLIFIER CHOICE 03 THE SYSTEM 06
CABLE CHOICE 03 WARNING, STRONG MAGNETIC FIELDS 07
UNPACKING 03 FRONT SPEAKERS 07
FITTING OF ACCESSORIES 04 CENTRE CHANNEL SPEAKER 07
7.1, 7.2 & 7C SELF ADHESIVE FEET 04 REAR EFFECTS SPEAKERS 07
7.1, 7.2 & 7.4 FOAM PORT BUNG FITMENT 04 SUBWOOFER 07
7.4 FLOOR STANDING MODELS 04 GRILLES 07
STAND MOUNTING MODELS 04 CARE OF CABINET 07
CONNECTION 7.1, 7.2 & 7C 05 SET UP DIAGRAMS 010-012
CONNECTION 7.4 05 NOTES 013-014
WARRANTY
No maintenance of the Mercury 7 loudspeaker is necessary.
As part of the MUSIC Group, Tannoy is committed to providing the highest quality products, service and user experience for our customers. One element of this commitment is our after sales support which now incorporates our extended Limited Warranty. In the event of any concern that is not addressed by this extended Limited Warranty we would ask you to contact us at care@music-group.com
For full warranty details including the extended Limited Warranty, please visit http://www.music-group.com/ warranty.aspx and register your purchase online at www.music-group.com or www.tannoy.com
Mercury 7
MERCURY 7 MANUAL_03
Mercury 7
INTRODUCTION
Thank you for selecting Tannoy loudspeakers developed in the UK by our dedicated team of design engineers. They are the choice of discriminating music lovers the world over. Musical excellence is designed into our loudspeakers from the start. Careful selection of the very best components combined with strict quality control procedures in the production process ensures this level of excellence is maintained.
To gain maximum performance from your loudspeakers, please take time to read this owner’s manual in full before installation.
Loudspeakers are electromechanical devices that ‘run-in’ through use; performance will therefore improve after an initial period of 24hrs use. Once they have been further run-in over a longer period, there will be clear enhancement of the stereo imaging, mid-band quality and bass performance characteristics.
We are condent that you will continue to enjoy your new Tannoy Mercury 7 loudspeakers for many years to come.
AMPLIFIER CHOICE
Consult the product specication as this clearly shows the acceptable power range for amplier matching to your speakers. The high peak power handling of Tannoy loudspeakers permits responsible use with more powerful ampliers - please read the Warranty.
As with all loudspeaker systems, the power handling is a function of voice coil thermal capacity. Care should be taken to avoid overdriving any amplier, as this will cause output overload resulting in ‘clipping’ or distortion within the output signal. This, if done for any extended period, will cause damage to the speakers.
Generally an amplier of higher power that is running hard, but free of distortion, will do less damage to the loudspeaker than a lower power amplier continually clipping. Remember also that a high powered amplier running at less than 90% of output power generally sounds a great deal better than a lower powered example struggling to achieve 100%. An amplier with insufcient drive capability will not allow the full performance of the loudspeakers to be realised.
CABLE CHOICE
Always use the best quality of cable available within your budget. High quality audio signals passing from the amplier to the loudspeaker are unusual in their demands on the cable. Wide dynamic range and frequency bandwidth information has to coexist with the ability to transmit peak currents of at least 10 amps, without incurring any loss or signal impairment. This explains why the sound quality of the information reproduced by the loudspeakers is so dependent on the physical properties of the cables connecting them to the amplier.
We would recommend that you always keep the cable runs as short as possible and the same length for each speaker. Remember that cable construction can affect the sound quality so be prepared to experiment to nd a cable that suits your ear and audio system.
UNPACKING
To unpack the loudspeakers from their boxes remove tape from the top then fold the aps right back before inverting the carton and contents. Lift the carton clear of the contents then remove all inner packaging.
It is strongly recommended that you store all the packaging to allow protected transportation in future.
04_ MERCURY 7 MANUAL
FITTING OF ACCESSORIES
Check the following accessories are present in the carton, according to model:
• 7.1: Foam port bung x 1, self-adhesive feet x 4
• 7.2: Foam port bung x 1, self-adhesive feet x 4
• 7.4: Foam port bung x 2, plinth sections x 2, plinth mounting screws x 4, carpet spikes x 4, locking nuts x 4, spike locating cups x 4
• 7C: Self-adhesive feet x 4
7.1, 7.2 & 7C SELF ADHESIVE FEET
The supplied self-adhesive feet may be tted to the underside of the loudspeaker to prevent slipping and avoid damage to surfaces.
7.1, 7.2 & 7.4 FOAM PORT BUNG FITMENT
If the loudspeaker is positioned closer than the recommended 0.5 m (20 inches) distance from the rear wall, excessive bass reinforcement can sometimes occur. This can be counteracted by placing the foam bungs supplied in the rearward ring port. In the case of the 7.4, which has 2 rear ports, a further degree of tuning is possible by using either one or both foam bungs. The 7C model is largely insensitive to boundary reinforcement issues such as this, due to the bass management provided within the AV receiver.
7.4 FLOOR STANDING MODELS
The Mercury oor standing model performs best with the plinth and carpet piercing spikes tted, giving optimum stability and sound quality. First t the plinth sections to the underside of the loudspeaker with the 4 screws provided, taking care not to over tighten. The spikes provided, along with lock nuts, should be inserted into the threaded holes in the underside of the plinth. Level the speaker and then tighten the lock nuts rmly but without using undue force. Spike locating cups are provided in the accessory pack and these may be used to protect sensitive oor surfaces. (See g. 1)
WARNING:
Ensure that the spikes are levelled and that the lock nuts are tightened rmly. The spikes should be pushed through the carpet to locate into the ooring surface by applying pressure to the top of the cabinet. If using on a sensitive oor surface place the protective cups under the levelled spikes. Failure to do so could render the speaker unsteady and result in damage or injury should it be knocked over.
STAND MOUNTING MODELS
Stand mounting or bookshelf speakers should be located securely on stands or a shelf in an appropriate position to place the tweeter roughly at ear height when seated in the chosen listening position. Positioning recommendations for stand mounted speakers can be found under the section entitled Positioning and Fine-Tuning.
The Mercury 7.1 may also be wall mounted with a suitable bracket, using two inserts on the rear of the loudspeaker, with standard 60mm spacing. The thread in the inserts is M5. It is the responsibility of the customer to ensure the chosen bracket is used within its load rating, and the bracket is securely mounted to the wall with suitable hardware.
INSTALLATION
To avoid potential damage to your loudspeaker, ensure that the amplier is switched OFF prior to connecting or disconnecting any cables. Before switching on double check that all connections are secure and that polarity is correct.
MERCURY 7 MANUAL_05
Mercury 7
CONNECTION 7.1, 7.2 & 7C
• The positive (plus) terminal on the amplier left channel (marked + or coloured red) must be connected to the positive HF terminal on the left speaker. The left speaker is the one on the left as you look at the stereo pair from your listening position.
• The negative (minus) terminal on the amplier left channel (marked - or coloured black) must be connected to the negative HF terminal on the left speaker.
• Repeat this connection process for the right speaker. Remember that the positive (+ or red) on the amplier must be connected to the positive (+ or red) on the speaker and the negative (- or black) to negative.
• Select a signal source, such as a CD player; switch on the amplier and slowly turn up the volume control to check that both loudspeakers are reproducing bass and treble information. (See g. 2)
CONNECTION 7.4
Single Wire mode
For single wire mode it is necessary to retain the link bars between the LF and HF terminals. (See g. 3)
For optimum performance in single wire mode, loudspeaker cable connections from the amplier should be made to the high frequency (HF) terminals of the loudspeaker.
• The positive (plus) terminal on the amplier left channel (marked + or coloured red) must be connected to the positive HF terminal on the left speaker. The left speaker is the one on the left as you look at the stereo pair from your listening position.
• The negative (minus) terminal on the amplier left channel (marked - or coloured black) must be connected to the negative HF terminal on the left speaker.
• Repeat this connection process for the right speaker. Remember that the positive (+ or red) on the amplier must be connected to the positive (+ or red) on the speaker and the negative (- or black) to negative.
• Select a signal source, such as a CD player; switch on the amplier and slowly turn up the volume control to check that both loudspeakers are reproducing bass and treble information.
Bi-Wire mode:
Please note in bi-wire mode that the link bars must not be used. (See g. 4)
• Be sure that the amplier is switched OFF and then prepare the two sets of cabling for each ‘side’ of the system separately. Measure and cut four lengths of cable, two per speaker.
• Label two of the cable lengths Left LF and Left HF (low frequency and high frequency) then repeat this process for the right pair.
• If your amplier is not equipped with separate output terminals for bass and treble information then, at the amplier end of the cables, twist the Left LF+ (positive) and the Left HF+ (positive) together. Connect these to the amplier Left channel positive terminal marked + (plus) or coloured red.
Twist the Left LF- (negative) and the HF- (negative) cables together and connect them to the amplier Left channel negative terminal marked - (minus) or coloured black.
At the loudspeaker end connect the cables labelled Left LF+ and Left LF- to the left hand loudspeaker LF terminals, ensuring that you note the polarity markings on the cable sheathing.
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