Take-Two Interactive Grand Theft Auto: Liberty City User Manual

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Page 1

“Yesterday’s News Today”

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Vol 2. Issue 1

ff f f

$1 .0 0October 30, 1998

LIBERTY CITY RANKED

WORST PLACE IN AMERICA. AGAIN.

by Frenchie Cockmaven

It’s the prize no city wants to win. e award no one wants. Like a schoolboy informed he does not play well with others, Liberty City has once more been voted “e least likely place to succeed in America”. Eight out of the past twelve years the city has won this dubious accolade, and this year was the ﬁrst that the city topped the bill in 6 out of 7 categories.

Liberty City was not “e city where you were most likely to get eaten by a wild animal” (that dubious honor went to Los Santos) but was considered the place you were most likely to get mugged or robbed, die of diseases caused by pollution, be exposed to lethal amounts of radiation, become an alcoholic or drug addict, get

accidental gender re-alignment or marry a relative.

City oﬃcials claimed “People should not get so excited about reports like this. e fact is our town is a vibrant, energetic place that people love. If you take a few simple precautions, like wearing

“Liberty City has once more

been voted the least likely

place to succeed in America.”

a gasmask and having a full-time military trained body guard, you are just as safe and happy in Liberty City as any other profoundly dangerous urban environment.”

Mayor Hole was unavailable for comment but is known to be a big fan of the city, especially after the fortune he made in local politics. ❖

CRIME ON RISE

Statistics To Blame Says Mayor, Maﬁa

see page 193

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For sa fe us e of thi s pro duc t, car efu lly r ead th e fol low ing se ction of th is ma nua l and th e Precautions section of the instruction manual supplied with the PSP™ (PlayStation®Portable) system before use . Retain both this softw are manual and the inst ruction manual for fu ture reference.

Health precautions

• When op erat ing the u nit, pl ay in a we ll-li t room an d keep a s afe dis tanc e from th e PSP LCD screen. • Avoid prolonged use of the system. Take a break of about 15 minutes during every hou r of play. • Do not us e the syst em when you a re tired or s hort of sle ep. • When using headpho nes, do not turn t he volume up befo re putting the he adphones on. Al so, do not l iste n at lo ud vol ume l evel s for e xten ded p erio ds of t ime. St op usi ng th e syst em immed iate ly if you e xper ienc e any of th e foll owing s ympt oms. If t he con diti on pers ists , consul t a do ctor. • L ighthe adedne ss, n ausea, or a sensat ion si milar to mot ion si cknes s.

• Discomfort or pain in the eyes, ears, hands, arms, or any other part of the body.

Use and handling precautions

• Th is di sc is PS P for ma t so ftw ar e an d is i nt en d ed f or us e wi th th e PS P ha nd he ld entertainment system only. If the disc is used with other devices, damage to the disc or to the device may result. • Depending on the software, a Memory Stick Duo™ or Memory Stick PRO Duo™ (both sold separately) may be required. Refer to the software manual for full details. • Do not use while driving or walking. Do not use in airplanes or medical facilities where use is prohibited or restricted. • Set the PSP™ system’s wireless network feature to off when using the PSP™ on trains or in other crowded locations. If used near persons with pacemakers, the signa l from the PSP ™ system ’s wireles s networ k featu re could in terfe re with the pr oper operation of the pacemaker. • If paused images are displayed on the screen for an extended period of time, a faint image may be left permanently on the screen. • Store the disc in its case when not in use and keep in a place out of the reach of children. If the disc is left out this may result in warping or other damage to the disc. • Do not leave the disc in direct sunlight, near a heat sou rce, in a car or othe r places su bject to hi gh heat and hum idit y. • Do not touc h the opening on the rear of the disc (recording surface of the disc; see drawing). Do not allow dust, sand, foreign objects or other types of dirt to get on the disc. • Do not block the opening with paper or tape. Also, do not write on the disc. • If the opening area does get dirty, wipe gently with a soft cloth. • To clean the disc, wipe the exterior surface gently with a soft cloth. • Do not use solve nts such as benz ine, comm ercia lly-a vailab le clean ers not intended for CDs, or anti-static spray intended for vinyl LPs as these may damage the disc. • Do not use cracked or deformed discs or discs that have been repaired with adhesives as these may cause system dama ge or mal fun ctio n. • SCEA wi ll not be hel d liab le for dam age resulting from the misuse of discs.

Ejecting the disc

Press the right side of the disc until it is in the position shown in the drawing and the n remove it. If excess fo rce is applied this may result in damage to the disc.

Storing the disc

Insert the bott om side of the disc and the n press on the top side until it clicks into place. If the disc is not stored properly, this may result in damage to the disc.

“Play Station” a nd the “P S” Family lo go are re gistered tr ademarks a nd “PSP ” and “UMD™” are trademarks o f Sony Computer E ntertainmen t Inc. “Memory S tick Duo™” and “Me mory Stick PRO Duo™” are trademarks of Sony Corporation.

Recorded surface

© 2005 Rockstar Games, Inc. Rockstar Games, Rockstar North, the logo, Grand eft Auto and the Grand eft Auto logo are trademarks and/or registered trademarks of Take-Two Interactive Software, Inc. e content of this videogame is purely ﬁctional, and is not intended to represent any actual person, business or organization.

ULUS100

Any similarity between any character, dialogue, event or plot element of t his game and a ny actual person, business

10041

or organization is purely coincidental. e makers and publishers of this videogame do not in any way endorse, condone or encourage this kind of behavior.

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TABLE OF CONTENTS

Vol 2. Issue 1

October 30, 1998

A LOOK INSIDE

Getting Started ...............2

Starting Up .....................3

More News .....................4

Politics............................5

Market News ..................6

Television .......................7

Multiplayer .....................8

Multiplayer Games .........8

Eating Out ....................12

Credits ..........................13

Warranty .......................21

News Update

Today’s Weather

Hazy with a chance of showers.

Tonight Sunset 7:15 PM Tomorrow Sunrise 6:41AM

Market Watch

CHATEAU DE BUFF WINE

MAY CAUSE DRUNKENESS

Manufacturer Lied To Us, Claims Housewife In Sex Scandal

- See Page 94 3

Please ca ll for Home delive ry. Periodical s postage pa id at Liberty Cit y and at additio nal mailin g oﬃces. All adver tising publi shed in Libert y Tree is subject to t he applicable rat e card, avail able from the adve rtising depa rtment. e Libert y Tree reserves t he right not to acc ept an adverti ser’s order. Only public ation of an adver tisement sha ll constitute ﬁ nal accept ance.

is a Rocks tar Games Pub lication

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GETTING STARTED

Right side view

buttons

Power/Hold switch

Top view

Disc cover DC OUT connectors

USB

connector

cover. From the PSP handheld’s home menu, select the Game icon and then the UMD™ icon. A thumbnail for the software is displayed. Select the thumbnail and press the X button of the PSP™ to start the software. Follow the on-screen instructions and refer to this manual for information on using the software.

Notice: Do not eject a UMD™ while

it is playing.

Warning!

IR port Open latch

Set up your PSP™ (PlayStation®Portable) system according to the instructions in the manual supplied with the system. Turn the system on. e power indicator lights up in green and the home menu is displayed. Press the Open latch to open the disc cover. Insert the GRAND THEF T AUTO: LIBERTY CITY STORIES UMD™ disc with the label facing the system rear, slide until fully inserted and close the disc

Memory Stick

Keep Memory Stick Duo™ media out of reach of small children, as the media could be swallowed by accident. To save game settings and progress, insert a Memor y Stick Duo™ into the memory stick slot of your PSP™. You can load saved game data from the same memory stick or any Memory Stick Duo™ containing previously saved games.

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STARTING UP

PSP™ (PlayStation®Portable) conﬁguration

Control Setup 1 (Control Setup 2 is also available)

R buttonLCD screenL button

Directional buttons

October 30, 1998

buttons

Memory Stick Duo™ access indicator

WLAN access indicator

Analog stick Strap holder Left speaker Home button

Volume

Power indicator

Hold indicator

Right speaker Start button Select button Sound button Display button

On FootCONTROLS

%..............................................................Sprint / Zoom Out while targeting

.................................................................. Jump / Zoom In while targeting

 .............................................................................................. Enter Vehicle

...................................................................................Attack / Fire Weapon

Analog stick....................................................................................Movement

L button.............................................................................. Look or Fine Aim

R button.................................................................................................Target

, / * ....................................................................Cycle Weapons / Targets

 ............................................................................................ Special Mission

R button +

....................................................................................Free Aim

(

In VehicleCONTROLS

%.....................................................................................................Accelerate

............................................................................................ Brake / Reverse

 .................................................................................................Exit Vehicle

.................................................................................................Attack / Fire

Analog stick............................................................................ Vehicle Control

L button...........................................Hold + Analog direction to move camera

R button......................................................................................... Handbrake

, / * ........................................................................................Radio Cycle

 ............................................................................................ Special Mission

............................................................................................................ Horn

(

Select button – Cycle Camera Modes Start button – Pause / Menu

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“MOTORCYCLES KILL

KIDS AND MUST BE BANNED”

SAY PROTEST GROUP

by Gaylord Morrisen

A new protest group is pushing hard to have all forms of two-wheeled transport banned from our city streets. Following the successful banning of bicycles from Liberty City a few years ago, American Road Safety for Everybody (A.R.S.E.) has been pushing hard in recent weeks to get motorcycles banned from the city. ey quote some chilling statistics to support their case, although some believe they may have made these up. An A.R.S.E. spokesman told the Liber ty Tree, “Motorcycles cause more deaths per year than old age. ey are the number one killer in our city and must be banned.”

He continued, “If the city doesn’t take action, then we the people are going to have to start. People on motorcycles are trying to kill all of us, so we at A.R.S.E. say it’s time to ﬁght back. All bikers will be treated as fair game going forward and every civic-minded citizen is encouraged to knock

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these killers oﬀ their motorcycles.” A.R.S.E. was founded thanks to a generous donation from the Maibatsu Corporation of America. e car giant yesterday unveiled plans for its next generation

“People on motorcyles are

trying to kill all of us, so we

at A.R.S.E. say it’s time to

ﬁght back.”

of cars and trucks, including the Monstrosity, an SUV that promises, “It will revolutionize the suburbs” and is expected to hit the streets sometime in 2001.

ere were some technical issues at the demonstration as the prototype had to be ﬁlled using a gasoline tanker and was running partially on jet fuel. A minor ﬁre broke out but only a couple of people were hurt, only one of which is likely to be permanently disﬁgured. A.R.S.E. continues its ﬁght. ❖

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October 30, 1998

POLITICS TODAY

R.C. HOLE IN

ANOTHER PROBE

by Anul Garbaskar

“Mayor Hole is up to his old tricks again”, claims a real estate mogul. e City is to investigate Hole, who has been at City Hall since 1992 and has already

“Hole is up

to his neck in ﬁlth

once more.”

survived three major scandals. ere was the famous million dollar lunch incident in 1993, in which Hole, three Russian prostitutes and a senior manager from a construction company were trying to secure government contracts.

en there was the incident

in 1995, when Hole was photographed having lunch with members of the Forelli crime family. And lastly there was an incident last year in which he was accused of securing drugs for city oﬃcials in exchange for sanitation contracts.

Now, according to Donald Love, part-time resident and a very rich man indeed, “Hole is up to his neck in ﬁlth once more.” Love claims he has evidence to prove Hole had accepted bribes in exchange for city construction contracts. “I will be challenging Hole and his corrupt regime any way I can. If I can’t get the court to take me seriously, like all very rich men, I will challenge him by running for mayor. I have no previous political experience, but again, I am very rich, and you can’t beat that.” ❖

SHOOT PEOPLE FOR THE STATE

Join Liberty City’s Finest Today

– see page 103

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MARKET NEWS

OLD HORSEY

GENUINE

REPLICA

AUTHENTIC

WORKING PROHIBITION ERA DOMESTIC USAGE

BATHTUB GIN STILL

goes on sale this week

Name Too Long Warn Market Watchers

- see page 763

RAILS BREAKFAST CEREAL U N DE R F DA SC RU T I N Y

by Beverly Clamhopper

eir slogan may be “Breakfast just got quicker” but the early morning craze that is sweeping through our city is now under an F DA probe. e popular breakfast cereal you snort, RAILS, by Mendez Foodstuﬀs of Medellin, has been wowing food retailers since it was introduced last year, but some parenting groups are concerned and now the FDA have launched an investigation.

Reports of children having nosebleeds abound, while some parents insist that after enjoying a healthy serving of RAILS,

their k ids talk at length about how they are going to take over the world and become obsessed by conspiracy theories.

Meanwhile some schools are reporting a RAILS epidemic. “I want to repor t a R AILS epidemic” said one school spokesman, who spoke to us on the condition of anonymity. As his comment was unfeasibly banal, we are only too happy to oblige. “More R AILS please” may be the slogan kids are shouting across the country but parents are wondering, “Are RAILS really such a good thing?” e kids may be conﬁdent, but at what cost? ❖

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TELEVISION

October 30, 1998

SWAPMEET

e Weasel network is pinning all of its ratings hopes on its powerful ursday evening pinch hitter – Swapmeet – which makes its season premier tonight. is nine season all-sta r has kept Weasel heading up rankings in its divisional topping, pennant chasing, metaphor mixing mayhem.

Okay, so I wanted to be in sports and ended up in TV, but I can still write. In fact, I’m going to write a novel one day and prove I’m not just a worthless drunk , and then where will you be? Sorry you let me go, that’s where. Anyway, I’ve got to be honest. Tonight’s big surprise in Swapmeet, Lorraine’s pregnancy along with the charming addition of Sonar the Dolphin, should keep this sexually ambiguous situationer, with all those great haircuts and apartments, ﬁrmly in the number one place for another year.

While that’s good for executives at Weasel and Swapmeet’s at tractive cast, one protest group’s spokesperson said “Swapmeet encourages our children to go and live in communes with friends, suggests

SEASON STARTS TONIGHT

life in the city is fun and rent is cheap. Quite frankly, this is a lie. Life is miserable and when I was in the cit y, I had to work the streets to pay my rent. If my husband knew, he’ d divorce me.” However, other protest groups are not so sure. “e main issue with Swapmeet ”, said another spokesman from an entirely diﬀerent protest group, “is that it is awful. e jokes aren’t funny, the characters aren’t believable and the set does not look real. In season t wo, there was one joke that made me laugh slightly but now, four years later, I have not laughed since. at is a real crime. Just because the characters look good and there is a laugh track does not mean we don’t need actual jokes. is is teaching our children the true meaning of confusion.”

e debate rages on. Swapmeet is followed by the lamentable urban meets upscale tale, Bad T and eo. is laugh-free sitcom has really overstayed its welcome, even before it had made its premier. Watching a bunch of ludicrous racial stereot ypes in some entirely predictable ﬁsh out of water scenarios just isn’t funny. ❖

LAB RAT KART RACING

TEACHING CHILDREN TO

TORTURE FOR KICKS

Just like real scientists, claims governor

– see page 175

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Exclusive Competition News

HOW TO LOSE FRIENDS AND ALIENATE PEOPLE?

Become a Multiplaying Badass

Always wanted to smack your friend around a litt le, destroy the car your neighbor is about to purchase at the car dealer or even drive a tank around the city? Well Mayor Hole is giving you that opportunity. For a one week period only Liberty City is opening up for absolute legal mayhem in celebration of his 59th birthday which will happen later this year.

As part of the birthday celebrations all readers of Libert y Tree will have the chance to enter the Multi-play Competition. Detailed prize mayhem missions are laid out over the next 2 pages.

NOTICE:

To start a multiplayer game, press

the Start button at any time and select “Multiplayer”.

WI-FI EXPOSED

Software titles that support Wi-Fi functionality allow you to communicate with other PSP™ systems, download data and

compete against other players via connection to a wireless local area network (WLAN). You can adjust the network settings to allow connection to a wireless local area network. Grand eft Auto: Liberty City Stories is only playable through Ad Hoc mode.

Liberty City Survivor

Are you a hater and not a lover? If so then you are going to die to be involved in this game.

Every man for themselves - Kill the other players.

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e ﬁrst player to reach the Kill Limit or have the most kills when the Time Limit has been reached wins the game.

Killing another player earns you a point but kill yourself and a point will be deducted.

Or team up and kill the opposing gang members.

e ﬁrst gang to reach the Kill Limit or have the most kills when the Time Limit has been reached wins the game.

Page 11

October 30, 1998

ProteCtion

raCket

Love your car like a lady? Would you protect it with your life and some obvious military power? Now you have the chance to prove your commitment, but not just to one beauty but to four sparkling limos.

Inﬁltrate and destroy four limos at the opposing team's base.

Defend the four limos at your base from incoming Attackers.

e game is played in two rounds.

Each team will automatically be assigned in the Defending or Attacking roles.

A timer displayed onscreen will measure the time it takes for the Attacking team to destroy the base in the ﬁrst round.

Once all four cars in the Defenders’ base have been destroyed, the roles of the Attacking & Defending teams will switch and the second round will begin.

e time it took for the base to be destroyed the ﬁrst round will now be displayed onscreen and will be counting down.

e new Attacking team must now destroy the base within this time limit or the other team will win the game.

Get

StretCh

I want, I want, I want. Why not have everything that you desire? Today you desire your friend’s shiny new car, unfortunately they also desire yours.

Each team must steal their opposing team’s car and return it to their own base while protecting their own team car from being stolen.

You can return your own team car by driving it back to base or by destroying it.

Your team car will automatically be returned to your base after a short period of time if it is unattended by the opposing team.

You must have both team cars on your base to enable a successful capture.

e ﬁrst team to reach the Capture Limit or make the most captures within the Time Limit wins the game.

Competition News

Continued on Page 10

Page 9

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Competition News Continued from Page 9

tankS

for the MeMorieS

Make your friends jealous, so jealous that they want to destroy you? Get the biggest military tank that the Mayor will give you and watch them try.

Players must try to survive as long as possible if they are inside the tank to try and reach the target Tank Time.

Other players who are not in the tank must try to destroy the tank as quickly as possible.

e player outside of the tank who inﬂicts the most damage to the tank will be spawned inside the tank in the next round.

ere is only one tank per round.

In the ﬁrst round, all players will have the same chance to get to the tank for the ﬁrst time.

Once the tank is occupied, the player who causes the most damage to the tank will be placed in the tank for the next round.

e ﬁrst player to reach the target Tank Time of remaining inside a tank wins the game.

hit LiSt

Stop the press: Fact, pet peeves kill people, especially when your peeve is people. Tall, short, fat or thin you have no prejudice of whom or how many people you hate. is mission could worth getting out of bed for!!

Kill the Marked player as quickly as possible. Survive as long as possible when you are the Mark.

In the ﬁrst round, one player will be chosen randomly as the Mark, all other players must try to kill the Marked player as quickly as possible.

Once a Marked player has been killed, a diﬀerent player will be randomly chosen to be the Mark.

Making a successful kill on a Marked player will award you with extra time that is added to your survival time at the end of the game.

Once all players have been Marked and killed, the player with the longest survival time wins.

e Marked player's vehicle will take damage over time.

the

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October 30, 1998

Street

raGe

Darling I am just taking the car out for a spin, stretch her legs a little!

Players must drive through the checkpoints to get to the ﬁnish line ﬁrst.

Players are allowed to change vehicles and shoot other players to win the race.

Players will be automatically respawned in a vehicle on the track after a short period of time if they do not have a vehicle or if they have been killed.

e player that ﬁnishes the race ﬁrst wins.

the

weddinG LiSt

If you were to marry yourself this could be the perfect wedding gift.

is is a Free For All game where players must collect cars scattered throughout the city and deliver them to shipping crates.

Only players in the vehicles to be collected will know the destinations of the shipping crates.

Cash is awarded based on the condition of the cars when they are delivered.

Once all the cars have been collected and delivered, the player with the most cash wins this game mode.

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EATING OUT

Restaurant Review

e Pilgrim’s Pantry

by a Special Correspondent

ey ﬂed Britain because it was too liberal, now they’ve opened a themed restaurant in your town. e Pilgrim’s Pantry is the newest entry in the themed restaurant craze that has swept through the city in the last few years. It’s a craze that has been marked by noticeable successes (who would have thought “Death Row”, in which kids get to cook their own food with persona l electric chairs, would prove to be such an enduring birthday party staple?) and failures (Nagasaki was a tasteless joke gone too far, even for this town) and now the Pilgrim’s Pantr y are having their hessian clad turn in the sun. e food is simple, traditional fare – raw turnips, freshly slaughtered turkeys, salted meats and so on. While the dining room is Puritan themed, it’s unsurprisingly sparse.

But it is the edutainment on oﬀer that will keep kids delighted and parents happy that their kids are being educated

and entertained while enjoying nutritional fare.

“Me, my husband and our two little ones were delighted when half way through our meal a Native American in traditional costume came to our table and taught us how to catch a wild turkey. e kids were even more delighted when a man in Puritan costume screamed ‘I’m bringing you to God, by the Book, or the sword, Savages’ and promptly stabbed him to death. My husband greatly enjoyed the Witch Drown ‘n’ Burn that followed dessert. I myself loved it when the friend ly and informative sta ﬀ stoned a heathen to death for misinterpreting a Bible passage during a trivia quiz. My husband complained it was historically inaccurate, but I was having too much fun to care. Trust me, if you and your family are into historical fun, you’ll love the Pilgrim’s Pantry.”

e Pilgrim’s Pantry, where good friends, good values and hunger are history. ❖

Open every day, except Sunday.

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CREDITS

Rockstar North

October 30, 1998

Producer

Leslie Benzies

Art director

Aaron Garbut

technicAl direction

Obbe Vermeij, Adam Fowler

Written By

Dan Houser, James Worrall, David Bland

ProgrAmming

Alexander Roger, Alexander Illes, Andrzej Madajczyk, Barane Chan, Derek Payne, Derek Ward, Gordon Yeoman, Graeme Williamson, Greg Smith, James Broad, John Gurney, John Whyte, Keith McLeman, Mark Nicholson, Shaun McKillop

Audio ProgrAmmer

Matthew Smith

Sound deSign And mAStering

Allan Walker

leAd cut Scene AnimAtor

Mondo Ghulam

cut Scene AnimAtor

Dermot Bailie

chArActer AnimAtor

Felipe Busquets

in-gAme AnimAtion

Gus Braid, Terry Kenny

chArActerS ArtiSt

Ian McQue

Vehicle ArtiSt

Joylon Orme

AdditionAl Art

Rick Stirling, Alisdair Wood

muSic Producer

Craig Conner

Audio deSign And diAlogue editor

Will Morton

AdditionAl diAlogue editor

Jon McCavish

deVeloPment SuPPort

Milly Cottam Una Cruikshank

grAPhic deSignerS

Stuart Petri, Steve Walsh

leAd leVel deSign

William Mills

leVel deSign

Chris Rothwell, Andy Duthie, Chris McMahon, Neil Ferguson

QA mAnAger

Craig Arbuthnott

Senior leAd teSt

Neil Corbett

leAd teSt

David Murdoch, Neil Meikle, Alex Bazlinton, Brenda Carey

Build engineer / leAd teSt

Neil Walker

Audio teSt

George Williamson

teSt

Brian Kelly, Lindsay Robertson, Sundram Soosay, Eugene Kuczerepa, Christopher Soosay, Ben Abbott, Oliver Elliott, Louis Dinan, Bobby Wright, omas Philips, Nick Rees, Ivor Williams

teSt toolS ProgrAmming

James Whitcroft, Alex Carter

it mAnAger

Lorraine Roy

it SuPPort

Christine Chalmers, Dave Bruce

Studio director

Andrew Semple

office AdminiStrAtion

Kim Gurney

AdminiStrAtion SuPPort

Charlene Maguire, Kim Wilson

Page 13

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CREDITS CREDITS

Rockstar Leeds

Studio director

Gordon Hall

heAd of deVeloPment

David Box

leAd ProgrAmming

Andrew Greensmith, Matthew Shepcar

ProgrAmming

Jon Bellamy, Ross Childs, Nigel Conroy, Neil Dodwell, Alastair Dukes, David Huebner, Robin Mangham, Jason McGann, Warren Merriﬁeld, Stephen McGreal

Sound ProgrAmming

Finlay Munro Charles Waddington

Art director

Ian Bowden

Art dePArtment director

Chris Smart

leAd chArActer ArtiSt

Paul Smith

chArActer ArtiSt

Chris Allison

leAd city ArtiSt

Dan Roberts

city ArtiStS

Paul McKee, James McHale, Siu Lee

cutScene interiorS

Izzy Stewart

Rockstar NYC

concePt ArtiSt

John Wigley Additional Character Animation Alan Bowker

AdditionAl ArtiStS

Andy Walker, Jason Gee, Chris Edwards, Lee Clark

deSign director

David Bland

leAd leVel deSign

John Li

Senior leVel deSign

Tony Gowland, Martyn Bramall

leVel deSign

Sam Hackett, Stephen Robertson, Tom Kingsley, Chris Edwards, Kris Gormley

ASSociAte deSigner

Mark McGinley

QA mAnAger

Paul Colls

Jody Cobb

comPAny SecretAry

Naomi Martin

it mAnAger

Chris Waring

executiVe Producer

Sam Houser

VP of creAtiVe

Dan Houser

VP of deVeloPment

Jamie King

Art director

Alex Horton

chief technology officer

Gary J. Foreman

ASSociAte Producer

Rich Rosado

director of QuAlity ASSurAnce

Jeﬀ Rosa

Page 14

Senior leAd AnAlySt

Lance Williams

Project leAd

Jameel Vega

rockStAr teSt teAm

Ethan Abeles, William Rompf, Christopher Mansﬁeld, Chris Choi, Mike Hong, Tamara Carrion, Rich Huie, Mike Nathan, Vance Wallace, Marc Rodriguez, Adam Tetzloﬀ

BuSineSS deVeloPment director

Sean Macaluso

SoundtrAck SuPerViSion

Ivan Pavlovich, Tim Sweeney, Heinz Henn

Page 17

CREDITS

Cut Scenes & Dialogue

VoiceS

Salvatore Leone – Frank Vincent Toni Cipriani – Danny Mastrogiorgio Donald Love – Will Janowitz Vincenzo Cilli – Joe Lotruglio Maria Latore – Fiona Gallagher JD O’Toole – Greg Wilson Leon McAﬀrey – Ron Orbach Ray Machowski – Peter Appel Toshiko Kasen – Hannah Moon Ned Burner – Peter Bradbury Ma Cipriani – Sondra James Giovanni Casa – Joel Jones Kazuki Kasen – Keenan Shimizu Massimo Torini – D uccio Faggella Mickey Hamﬁsts – Chris Tardio Jane Hopper – Gordana Rashovich Mayor O’Donovan – John Braden 8 Ball – Guru Radio Newscaster – Sharon Washington TV Reporter – Brooke Alexander

PedeStriAn diAlogue

Una Cruickshank, Gregory Johnson, Sanford Santacroce, Ayana Osada

PedeStriAn VoiceS

Jamie Hector, Jackson Loo, Bruce MacVittie, Jeﬀ Gurner, Andrea Kessler, Lynne Horton, Phil Mikkelson, Koji Nonoyama, Devin Bennett, Jay Capozello, Mike Nathan, Ethan Abeles, Lance Williams, Natalya Wilson, Jay Gladstone, Craig Blair, Dave Edwards, Gregory Johnson, John Zurhellen, Blair Sadler, Georgia Sadler, Nicole Sadler, Judy Henderson, Kim Graham, Kerry Shaw, Tamara Carrion, Franceska Clemens, Navid Khonsari, Noelle Sadler, Nicholas Mongomery, Anthony Macbain, Ryan Rayhill, Josh Slater, Carmelo Gaeta, Hikari Yokoyama, Chris Jobin, Michael Rothstein,

October 30, 1998

PedeStriAn VoiceS (continued)

Stacey Rachels, Jennifer Koontz, Dan Merrill, Ali Khonsari, Ellen Rose, Chris Standal, Lorie Goodman, Neal Johnston, Son Garth, James Larsen, Karl Weibel, Ramin Khonsari, Ed. omas Jr., Stanton Sargent, Oswald Greene, Audrey Amey, Sanford Santacroce, Jeﬀ Madrick, Ben Weaver, CS Lee, Yoshi Amao, Martha Morrison, Sarah Bloodsworth, Adam Deher, Billy Gonzalez

motion cAPture director

Navid Khonsari

motion cAPture Performed By

Danny Mastrogiorgio, Jeﬀrey C. Hawkins, Bruce MacVittie, David Zayas, Peter Appel, Hannah Moon, Alyssa Truppelli, Joe Lotruglio

AdditionAl motion grAPhicS

Maryam Parwana

diAlogue recording & mixing

Nicholas Montgomery

foley recording

Bryan Scibinico

foley recorded At

Dig It Studios

Production teAm

Noelle Sadler, Eli Weissman, Kerry Shaw, John Zurhellen, Peter Adler, Anthony Carvalho, Phil Poli, Jaesun Celebre, Franceska Clemens, Anthony Litton

cASting

Judy Henderson and Associates

motion cAPture recorded At

Perspective Studios

Radio

dj BAnter, tAlk rAdio, commerciAlS And imAging Written By

Dan Houser and Lazlow

Production By

Lazlow

Page 15

Page 18

LCFR

imAging VoiceS

Smith Harrison, Karen Saltus

H V  N B

Nurse Bob - Chuck Montgomery

gueStS And cAllerS

Ayana Osada, Nick Montgomery, Russell Lewis, Nick Born, Sean Macaluso, Kerry Shaw, Chad Johnson, Craig Conner, Mary Elizabeth, Rob Cross, Josh Bitney

E Z

Steve - Ptolemy Slocum Bill - Michael Urichek

cAllerS

Alice Saltzman, Jeremy Wheaton, Ryan Rayhill, Maine Anderson, Patton Oswalt, Wil Wheaton, Anthony Cumia, Madena Parwana

B W

Lee Chowder - Ashley Albert Crow - Gregg Martin

C ‘O’ V

Richard Goblin - Mike Shapiro

imAging Voice

Ben Krech

cAllerS

Franceska Clemins, Sarah Bloodsworth, Adam Deher, Martha Morrison, Carmelo Gaeta

C

Lazlow as himself

cAllerS

Susan Lewis, Ben Weaver, Jacky Bam Bam, Ben Sparks, Deanna Moyer, Liezl Jacinto, Joshua Batista, Gregg Opie Hughes, Sondra James, Elizabeth Satterwhite

HEAD RADIO

Michael Hunt – Russ Mottla

imAging VoiceS

Jeﬀ Berlin, Katelyn Hutchinson

imAging Production

Jeﬀ Berlin

“Train”

Conor & Jay

Written by Craig Conner & Julie Wemyss • Produced by Craig Conner • Guitars by Jon McCavish• Vocals by Julie Wemyss and Craig Conner

“e One For Me”

Cloud Nineteen

Written & Produced by Will Morton • Additional Lyrics by Paul Mackie • Guitars by Allan Walker & Chris Morton Lead Vocals by Raﬀ • Backing Vocals by Paul Mackie & Raﬀ

Page 16

CREDITS CREDITS

Radio

“Take e Pain”

Purser

Written & Produced by Will Morton & Chris Morton Additional Lyrics by Paul Mackie • Lead Voca ls by Paul Mackie Additional Vocals by Will Morton

“Free Yourself”

L-Marie featuring Raﬀ

Written & Produced by Craig Conner • Vocals by L-Marie and Raﬀ • Backing Vocals by Craig Conner

“Drive”

15 Ways

Written & Produced by Colin Entwistle Vocals by Paul Mackie

“Welcome To e Real World”

Rosco Stow

Written & Produced by Craig Conner • Guitars, Written, Produced and Performed by Allan Walker • Lead Vocals by Andy Dorrat • Backing Vocals by Craig Conner, Anna Stuart and Kim Gurney

“Keep Dreaming”

Vanilla Smoothie

Written & Produced by Alastair MacGregor • Guitars by Allan Walker • Vocals by Fiona Stoddart

LIPS 106

djS

Cliﬀ – Ed McMann Andee – Shelley Miller

imAging Voice

Jonathan Hanst

imAging Production

Jonathan Hanst

“Funk In Time”

Rudy La Fontaine

Written & Produced by Jon McCavish • Guitars by Julian Pais Vocals by Julian Pais

“Love Is e Feeling”

Sawarr

Written by Craig Conner & Julie Wemyss • Produced by Craig Conner • Vocals by Julie Wemyss

“Mine Until Monday”

Sunshine Shine

Written & Produced by Will Morton • Additional Lyrics by Paul Mackie • Voca ls by Paul Mackie & Raﬀ

“Get Down”

Credit Check

Written & Produced by Alastair MacGregor • Guitars by Martyn Livingstone • Bass by Andy Wilson • Voca ls by Louise Ferrier

“Tonight”

Cool Timers

Written & Produced by Craig Conner • Vocals by Julie Wemyss

“Bassmatic”

Nina Barry

Written & Produced by Jon McCavish • Voca ls by Riz Maslen

“Into Something (C’mon Get Down)”

e Jackstars

Written & Produced By Craig Conner • Voca ls by Lucie DantiJuan • Backing vocals by Kevin Stacey & Craig Conner

DOUBLE CLEF FM

Sergio Boccino – Robert Blumenfeld

cAller

Gerald Cosgrove

“Il Trovatore: Anvil Chorus”

Composed by Giuseppi Verdi

Performed by Nuremberg Symphonic Orchestra & Munich State Opera Choir • Courtesy of Point Classics, LLC

Page 19

Radio

“Il Trovatore: Tacea la notte placida”

Composed by Giuseppi Verdi

Performed by Nuremberg Symphonic Orchestra & Munich State Opera Choir (Eva Illes, Soprano) • Courtesy of Point Classics, LLC

“Nabucco: Chorus of the Hebrew Slaves”

Composed by Giuseppi Verdi

Performed by Philharmonia Slavonica • Courtesy of Point Classics, LLC

“Così Fan Tutte: È amore un ladroncello”

Composed by Wolfgang Amadeus Mozart

Performed by Bratislava Opera Soloists, Choir and Orchestra (Ida Kirilova “Dorabella”) • Courtesy of Point Classics, LLC

“Marriage of Figaro: Overture”

Composed by Wolfgang Amadeus Mozart

Performed by London Philharmonic Orchestra Courtesy of Point Classics, LLC

“I Pagliacci: Vesti la giubba”

Composed by Ruggiero Leoncavallo

Performed by Nuremberg Symphonic Orchestra • (José Maria Perez, Tenor) • Courtesy of Point Classics, LLC

RISE FM

engineered By

Mike Callaghan

Boy Sanchez - Oliver Vaquer

imAging VoiceS

DJ Andre, Lupus under, Andi Hanley, Mat Ckillz, Couzin Ed, Lazlow, Terry Donovan, Bill Brissette, Juan Aller, Ed Andrews, Xeni Jardin, Matthew Orr, Jeﬀ Berlin

“Sing It Back (Boris Musical Mix)”

Moloko

“Free”

Ultra Nate

“I Believe”

Happy Clappers

“House Music”

Eddie Amador

“Feel What You Want”

Kristine W

“Hideaway (Deep Dish Voca l Remix)”

De’Lacy

Written by K. Hedge, J. Milan • Published by Warner-Tamerlane Publishing Corp • Remix and Additional Production by Deep Dish • p 1995 Easy Street Recordings Inc. • © 1998 Kickin Music Ltd. • Courtesy of Easy Street Recordings Inc. and Slip n’ Slide Records

“Spin Spin Sugar (Armand’s Dark Garage Mix)”

Sneaker Pimps

Written by I. Pickering, L. Coverdale Howe, C. Corner • Remix and Additional Production by Armand Van Helden • Published by BMG Songs, Inc. • p + © 1997 Clean Up Records Ltd. Courtesy of EMI Music / One Little Indian, Ltd.

October 30, 1998

“Plastic Dreams”

Jaydee

Written by R. Albers • Published by TBM Holland •p 1992 R & S Records • © Robin Albers • Courtesy of Robin “Jaydee” Albers

“Altered States”

Ron Trent

“ere Will Come A Day (Half Tab Dub)”

e Absolute featuring Suzanne Palmer

“Positive Education”

Slam

“Flash”

Green Velvet

Written by C. Jones • Published by Curtis A. Jones Music (ASCAP) • p 1995 Relief Records • © 2000 Warner Bros. Records and N.E.W.S. Records and Relief Records • Courtesy of Warner Strategic Marketing, N.E.W.S. Records, Relief Records

“Circus Bells (Hardﬂoor Remix)”

Robert Armani

“Higher State Of Consciousness”

Wink

Written by J. Wink • Published by Strictly Rhythm Publishing, Inc. (ASCAP) / Warner / Chappell Music / Wink Inc. (ASCAP) / EMI Music Publishing • p + © 1995 Strictly Rhythm Records LLC • Courtesy of War ner Strategic Marketing

RADIO DEL MUNDO

Panjit Gavaskar - Hajaz Akram

imAging Voice

Jessica Wachsman

“Raghupati (Folk Tune)”

Ananda Shankar

“Dum Maro Dum”

Asha Bhosle

“Neeve Nanna (Only You Were Mine)”

Vijaya Anand

“Kidda”

Natacha Atlas

Written by N. Atlas, J. Reynolds, J. Adams • Published by Warner Chappell Music Ltd. • p + © 1997 Nation Records Ltd. / Beggars Banquet Records Ltd. • Courtesy of Nation Records Ltd. / Beggars Banquet Records Ltd.

“Hebeena Hebeena”

Farid El Atrache

“Aini Bet Ref”

Ahmed Mneimneh

Written by A. AlishaanPublished by D. Dersahakian (ASCAP) p + © Voice of Stars & Lys Records • Courtesy of Voice of Stars & Lys Records

Page 17

Page 20

“Im Nin’Alu”

Ofra Haza

“Ballaa Tsoubou Hal Kahwa”

Samira Tawﬁc

Written by R. Al Khylani, J. Al A’ss •Published by Copyright Control • p + © Voices of Lebanon • Courtesy of EMI Music / EMI Music Arabia

KJAH

Natalee Walsh Davis - Pascale Armand

imAging VoiceS

Karl Weibel, Pat McKay

imAging Production

Jay Wright Productions

“Pick a Sound”

Selah Collins, Ruddy Ranks, Redeye

Written by S. Collins, H. Burke, E. Donaldson • Published by Copyright Control / MCPS • p 1988 by R. Fearon • Courtesy of Honest Jons Records

“What a Wonderful Feeling”

Errol Bellot, Ruddy Ranks, Redeye

Written by E. Bellot, H. Burke, E. Donaldson • Published by MCPS • p 1988 by R. Fearon • Courtesy of Honest Jons Records

“Watch How the People Dancing”

Kenny Knots, Ruddy Ranks, Redeye

Written by K. Wright • Published by Jetstar • Courtesy of Honest Jons Records

“Lean Boot”

Richie Davis, Ruddy Ranks, Redeye

Written by R. Davis, H. Burke, E. Donaldson • Published by Westbury Music / MCPS • p 1988 by R. Fearon • Courtesy of Honest Jons Records

“Ready For the Dancehall Tonight”

Peter Bouncer, Ruddy Ranks, Redeye

Written by Peter McKenzie, H. Burke, E. Donaldson Published by MCPS • p 1988 by R. Fearon • Courtesy of Honest Jons Records

“You Ha Fe Cool”

Richie Davis, Ruddy Ranks, Redeye

Written by R. Davis, H. Burke, E. Donaldson • Published by Westbury Music / MCPS • p 1988 by R. Fearon • Courtesy of Honest Jons Records

“Ring My Number”

Kenny Knots, Ruddy Ranks, Redeye

Written by Kenneth Wright, H. Burke, E. Donaldson Published by MCPS • p 1988 by R. Fearon • Courtesy of Honest Jons Records

“Run Come Call Me”

Kenny Knots, Ruddy Ranks, Redeye

Written by Kenneth Wright, H. Burke, E. Donaldson Published by MCPS • p 1988 by R. Fearon • Courtesy of Honest Jons Records

THE LIBERTY JAM

DJ Clue as himself

imAging VoiceS

Jay Wright, Tom Yankowski, Chris Mercado, Vanessa Grullon

imAging Production

Jay Wright Productions

“All I Need”

Method Man

Page 18

CREDITS

Radio

“Shook Ones Pt. II”

Mobb Deep

“Incarcerated Scarfaces”

Raekwon

Written by R. Diggs, C. Woods, A. Tilman • Published by Careers-BMG Music Publishing Inc. / Wu Tang Publishing (BMI) / Bridgeport Music • p + © 1995 BMG Music Courtesy of RCA Records by arrangement with Sony BMG Ent. • is track contains a sample of “You’re Getting A Little Too Smart” as performed by e Detroit Emeralds. Courtesy of Westbound Records. Used by permission. All rights reserved.

“N.O.R.E.”

Noreaga

Written by V. Santiago, J. Olivier, S. Barnes • Published by Suite 1202 Music / Jose Luis Gotcha Music (BMI) / Slamuwell Productions/ Jelly Jams LLC (ASCAP)/12 & Under Music / Jumping Bean Songs LLC (BMI) • p + © 1998 Penalty Recordings • Courtesy of Warner Strategic Marketing

“Shut ‘Em Down (Remix)”

Onyx featuring Noreaga & Big Pun

Written by F. Scruggs , K. Jones, T. Taylor, E. Hinson, E. Simmons • Published by Universal Music / Let Me Show You Music / Jelly Jams Music / III Posse Music / Ill Hill Billy’z Music / Warner-Tamerlane Music • p + © 1998 Rush Associated Labels Recordings •Courtesy of Universal Music Enterprises

“Beware”

Big Pun

Written by C. Rios, J. Tineo • Published by Let Me Show You Music / Joe Cartegena Music (ASCAP), Administered by Jelly Jams Music (BMI) / P.H.D. Music (ASCAP) • p + © 1998 Loud Records LLC • Courtesy of Columbia Records by arrangement with Sony BMG Ent.

“Twinz (Deep Cover 98)”

Big Pun

Written by C. Rios, J. Cartegena, C. Brodus, A. Young, C. Wolfe • Published by Let Me Show You Music / Joe Cartegena Music (ASCAP) / Jelly Jams Music (BMI) / Sony Tunes Inc. (ASCAP) • p + © 1998 Loud Records LLC • Courtesy of Columbia Records by arrangement with Sony BMG Ent. is track contains a sample of “Deep Cover” as performed by Dr. Dre. Courtesy of Solar Records. Used by permission. All rights reserved.

“Get At Me Dog”

DMX featuring Sheek of e Lox

Written by E. Simmons, D. Blackman, A. Fields, S. Taylor Published by Universal Music Publishing / EMI April Music / Sony ATV Tunes • p + © 1998 Rush Associated Labels Recordings • Courtesy of Universal Music Enterprises

“Ruﬀ Ryders Anthem (Remix)”

DMX featuring DJ Clue, Jadakiss, Styles, Drag-On & Eve

Written by J. Phillips, M.J. Smalls, E. Shaw, K. Iﬁll, E. Simmons, K. Dean, E. Jeﬀers • Published by Universal Music Publishing / EMI Music Publishing • p + © 1998 Roc-a-Fella Records • Courtesy of Universal Music Enterprises

“Do What You Feel”

Redman featuring Method Man

“Chain Gang Freestyle”

e Lox & Black Rob

Written by Frierson, Phillips, Styles, Jacobs, Ross, Shaw Published by EMI Music Publishing • Courtesy of Bad Boy Records

“Chest2chest Freestyle”

e Lox

Written by Phillips, Styles, Jacobs, Shaw, Barnes, Lemay, Montgomery • Published by Taggie Music (BMI) / Universal Polygram Int’l. (ASCAP) / EMI Music Publishing • Courtesy of Bad Boy Records • is track contains a sample of “Next Level” as performed by Showbiz & AG. Courtesy of Universal Music Enterprises. Used by permission. All rights reserved.

Page 21

CREDITS

Radio

MSX 98

Codebreaker as himself

Timecode

StAtion Production

Timecode

“Renegade Snares”

Omni Trio

“Terrorist”

Renegade

“Finest Illusion (Legal Mix)”

Foul Play

“Living For the Future (FBD Project Remix)”

Omni Trio

“Stay Calm (Foul Play Remix)”

DJ Pulse

“Disturbance (Tango Remix)”

Hyper-On Experience

“Cold Fresh Air”

Higher Sense

“Living For the Future”

Omni Trio

“ru e Vibe (2 on 1 Mix)”

Omni Trio

“e Helicopter Tune”

Deep Blue

“Dred Bass”

Dead Dred

FLASHBACK FM

Reni Wassulmaier - Barbara Rosenblatt

imAging Voice

Mike Shapiro

October 30, 1998

“First Hand Experience In Second Hand Love”

Giorgio

“I Wanna Rock You”

Giorgio

“E=MC2”

Giorgio

“Chase”

Giorgio Moroder

“I’m Left, You’re Right, She’s Gone”

Giorgio

“From Here To Eternity”

Giorgio

COMMERCIAL VOICES

Alex Anthony, Anouchka Benson, Audrey Amey, Bill Smith, Billy Gonzalez, Brian omas, Chris Jobin, Chris Silvestro, Craig Blair, Dan Houser, Dan Merrill, Ed omas, Ethan Abeles, Garth Johnston, Gregg Martin, Gregory Johnson, Hikari Yokoyama, James Ferrante, James Larson, Jay Capozello, Jayson Gladstone, Jeﬀ Berlin, Jen Sweeney, Jessica Wachsman, JJ Adler, Jonathan Hanst, Joshua Batista, Karen Saltus, Koji Nonoyami, Lance Williams, Lazlow, Lynne Horton, Michael Nathan, Mike Ferrante Jr., Chris Ferrante, Mike Shapiro, Natalya Wilson, Noelle Sadler, Phil Mikkelson, Ron Reeve, Smith Harrison, Stacy Rachels, Steve Carlesi, Julie Wemyss, Kim Gurney

INTRO TRACK

“A Dark March”

Danger Mouse

Written by Danger Mouse • Published by Underground Animals (ASCAP)

CUTSCENE MUSIC

“Japanese Geisha”

Sonia Slany

Written by Sonia Slany • Published by West One Music Courtesy of APM Music, LLC

“e Heist”

Bugz in the Attic

Written by K. Tatham • Published by Copyright Control p 2005 Bugz In e Attic • Courtesy of Bugz In e Attic www.bugzintheattic.co.uk

Page 19

Page 22

ROCKSTAR NYC PUBLISHING TEAM

Terry Donovan, Jenefer Gross, Jennifer Kolbe, Devin Winterbottom, Adam Tedman, Michael Elkind, Justin Hills, Paul Yeates, Hosi Simon, Daniel Einzig, Marlene Yamaguchi, Gauri Khindaria, Stanton Sarjeant, Jordan Chew, Ryan Rayhill, Devin Bennett, Todd Zuniga, omas O’Donnell, Maria Tabia, Anthony Carvalho, Lyonel Tollemache, John Notarfrancesco, Jerry Luna, Stuart Petri, Stephen Walsh, Michael Carnevale, Andrea Borzuku, John Schuhmann, Alice Chuang, Mike Torok, Mayumi Kobayashi, Elizabeth Satterwhite, Bruce Dugan, Eli Weissman, Phil Poli, Jaesun Celebre, Russell Lewis, Sean Mackenzie, Megan Henretta, Angus Wong, Kristine Severson, Rowan Hajaj

coVer Art

Steven Olds, Stephen Bliss, Anthony Macbain

ROCKSTAR LONDON PD

Chris Madgwick, Chris Wood, Daimion Pinnock, David McCarthy, Graham Ainsley, Jurgen Mol, Laura Battistuzzi, Maike Köhler, Shino Hori, Lucien King

ROCKSTAR LINCOLN

QA mAnAger

Mark Lloyd

dePuty QA mAnAger

Tim Bates

QA SuPerViSor

Kit Brown

leAd teSter

Eddie Gibson

teSt teAm

Kevin Hobson, Pete Broughton, Craig Reeve, Dan Goddard, Carl Young, Michael Bennett, Will Riggott, Andre Mountain, Joby Luckett

locAliSAtion teSt teAm

Antoine Cabrol, Chris Welsh, Dominic Garcia, Breogán ZazpeTejedor, Carola Berens, Naomi Long, Gabriel Bienzobas Mauraza,

Page 20

CREDITS

Rockstar

François-Xavier Fouchet, Paolo Ceccotti

SPECIAL THANKS

Scooter, Ross Wallace, Steve Taylor, Kevin Wong, Kevin Bolt, John Haime, Dave Watson, omas French, James Arthur, Martin Connor, Brendon McDonald, Julie Wemyss, Raﬀ Crolla, James Duﬀy, Kim Gurney, Andrew Ness, Andy Brooks (Gearbox), Alan Mcgregor, Chris McCallum, Fred, Narns, Alan, Taruki, Red, Big Foot, Rita Liberator, Elliot Torres

THANKS

Deborah Mannis-Gardner and Mark Schwartz. Randy Acker, Karen Adams, Mark Ainley, Robin Albers, Jeﬀ Antebi, Duncan Baker, Armen Boladian, Tanya Bridges, Richard Brown, Matt Brookman, Elena Byington, Ed Butts, Rob Cairns, Mike Callaghan, Joseph Carlone, Kevin Carson, Jason Chin, Allison Cipris, Alimah Deen, James Ellis, Helen English, Nasko Fejza, Scott Gardner, Jochem Gerrits, Laurie Goldstein, omas Golubic, Nick Guarino, Jon Handle, Millie Hysu, Robert Jo, Paul Johannes, Gavin Johnson, Curtis A. Jones, Jennifer Justice, Rod Kotler, Diana La Pointe, Michael Lau, Jim Long, Alex De Maegd, John Massa, Kendall Minter, Steve Morgan, Giorgio Moroder, Suzanne Moss, Melissa Munana, Kirin Murphy, Kurosh Nasseri, Gwen Niles, Sean Ogden aka DJ Nightshade, Robin Orlowski, Jonathan Palmer, Tanvi Patel, Jane Peterer, Mark Picchiotti, Rob Playford, Dan Quan, R. Ramnarayan, Mary Beth Roberts, Virgil Roberts, Lindsay Rodman, Jim Romano, Craig Roseberry, Gerry Rosenblatt, RZA, Ali Samii, Alan Scholeﬁeld, Christopher Scott, Suzi Scott, Fredro Scruggs, Jennefer Showalter, Alan Skiena, Saskia Slegers, Fran Spero, Lem Springsteen, David Steel, Mikey Stirton, Jane Ventom, Christian Wiseman, Debi Wylde, Donna Young, Richie Zito

Page 23

YOUR USE OF this software is subject to this Limited software warranty and License agreement (the “agreement”) and the terms set forth below. e “SOFTWARE” includes all software included with this agreement, the accompanying manual(s), packaging and other written, ELECTRONIC OR ONLINE materials or documentation, and any and all copies of such software and ITS materials. By opening THE SOFTWARE, installing, and/or using the SOFTWARE and any OTHER MATERIALS INCLUDED WITH THE SOFTWARE, you HEREBY accept the terms of this license with [ROCKSTAR GAMES] (“LICENSOR”).

LICENSE: Subject to this Agreement and its terms and conditions, LICENSOR hereby grants you the non-exclusive, non-transferable, limited right and license to use one copy of the Software for your personal use on a single console. e Software is being licensed to you and you hereby acknowledge that no title or ownership in the Software is being transferred or assigned and this Agreement should not be construed as a sale of any rights in the Software. All rights not speciﬁcally granted under this Agreement are reserved by LICENSOR and, as applicable, its licensors.

OWNERSHIP: LICENSOR retains all right, title and interest to this Software, including, but not limited to, all copyrights, trademarks, trade secrets, trade names, proprietary rights, patents, titles, computer codes, audiovisual eﬀects, themes, characters, character names, stories, dialog, settings, artwork, sounds eﬀects, musical works, and moral rights. e Software is protected by United States copyrig and applicable copyright laws and treaties throughout the world. e Software may not be copied, reproduced or distributed in any manner or medium, in whole or in part, without prior written consent from LICENSOR. Any persons copying, reproducing or distributing all or any portion of the Software in any manner or medium, will be willfully violating the copyright laws and may be subject to civil and criminal penalties. Be advised that copyright violations are subject to penalties of up to $100,000 per violation. e Software contains certain licensed materials and LICENSOR’s licensors may protect their rights in the event of any violation of this Agreement.

LICENSE CONDITIONS: You agree not to: (a) Commercially exploit the Software; (b) Distribute, lease, license, sell, rent or otherwise transfer or assign this Software, or any copies of this Software, without the express prior written consent of LICENSOR; (c) Make copies of the Software or any part thereof; (d) Except as otherwise speciﬁcally provided by the Software or this Agreement, use or install the Software (or permit others to do same) on a network, for online use, or on more than one console at the same time; (e) Copy the Software onto a hard drive or other storage device and must run the Software from the included CD-ROM (although the Software may automatically copy a portion of itself onto your console during installation in order to run more eﬃciently); (f) Use or copy the Software at a computer gaming center or any other location-based site; provided, that LICENSOR may oﬀer you a separate site license agreement to make the Software available for commercial use; (g) Reverse engineer, decompile, disassemble or otherwise modify the Software, in whole or in part; (h) Remove or modify any proprietary notices or labels contained on or within the Software; and (i) transport, export or re-export (directly or indirectly) into any country forbidden to receive such Software by any U.S. export laws or accompanying regulations or otherwise violate such laws or regulations, that may be amended from time to time.

LIMITED WARRANTY: LICENSOR warrants to you (if you are the initial and original purchaser of the Software) that the original storage medium holding the Software is free from defects in material and workmanship under normal use and service for 90 days from the date of purchase. If for any reason you ﬁnd a defect in the storage medium during the warranty period, LICENSOR agrees to replace, free of charge, any Software discovered to be defective within the warranty period as long as the Software is currently being manufactured by LICENSOR. If the Software is no longer available, LICENSOR retains the right to substitute a similar program of equal or greater value. is warranty is limited to the storage medium containing the Software as originally provided by LICENSOR and is not applicable to normal wear and tear. is warranty shall not be applicable and shall be void if the defect has arisen through abuse, mistreatment, or neglect. Any implied warranties prescribed by statute are expressly limited to the 90-day period described above.

Except as set forth above, this warranty is in lieu of all other warranties, whether oral or written, express or implied, including any other warranty of merchantability, ﬁtness for a particular purpose or non-infringement, and no other representations or warranties of any kind shall be binding on LICENSOR.

When returning the Software subject to the limited warranty above, please send the original Software only to the LICENSOR address speciﬁed below and include: your name and return address; a photocopy of your dated sales receipt; and a brief note describing the defect and the system on which you are running the Software.

In no event will Licensor be liable for special, incidental or consequential damages resulting from possession, use or malfunction of the Software, including damages to property, loss of goodwill, computer failure or malfunction and, to the extent permitted by law, damages for personal injuries, even if Licensor has been advised of the possibility of such damages. LICENSOR’s liability shall not exceed the actual price paid for use of the Software. Some states / countries do not allow limitations on how long an implied warranty lasts and/or the exclusion or limitation of incidental or consequential damages, so the above limitations and /or exclusion or limitation of liability may not apply to you. is warranty gives you speciﬁc legal rights, and you may have other rights that vary from jurisdiction to jurisdiction.

TERMINATION such event, you must destroy all copies of the Software and all of its component parts. You can also end this Agreement by destroying the Software and all copies and reproductions of the Software and deleting and permanently purging the Software from any client server or computer on which it has been installed.

U.S. GOVERNMENT RESTRUICTED RIGHTS: e Software and documentation have been developed entirely at private expense and are provided as “Commercial Computer Software” or “restricted computer software”. Use, duplication or disclosure by the U.S. Government or a U.S. Government subcontractor is subject to the restrictions set forth in subparagraph (c)(1)(ii) of the Rights in Technical Date and Computer Software clauses in DFARS 252.227-7013 or as set forth in subparagraph (c)(1) and (2) of the Commercial Computer Software Restricted Rights clauses at FAR 52.227-19, as applicable. e Contractor / Manufacturer is the LICENSOR at the location listed below.

EQUITABLE REMEDIES: You hereby agree that if the terms of this Agreement are not speciﬁcally enforced, LICENSOR will be irreparably damaged, and therefore you agree that LICENSOR shall be entitled, without bond, other security, proof of damages, to appropriate equitable remedies with respect any of this Agreement, in addition to any other available remedies.

INDEMNITY oﬃcers, directors, employees and agents harmless from all damages, losses and expenses arising directly or indirectly from your acts and omissions to act in using the Software pursuant to the terms of the Agreement.

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If you have any questions concerning this license, you may contact in writing ROCKSTAR GAMES 622 Broadway, New York, NY 10012.

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LIMITED SOFTWARE WARRANTY AND LICENSE AGREEMENT

: is Agreement will terminate automatically if you fail to comply with its terms and conditions. In

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Page 24

R button

Target

Handbrake

L button

Look or Fine Aim

Hold + Analog stick to move camera

Analog stick

Movement

Vehicle Control

Select button

Camera Modes

Start button

Pause / Menu

button

Jump / Zoom in while Targeting

Brake/Reverse

button

Sprint / Zoom Out while Targeting

Accelerate

button

Attack / Fire Weapon

Attack / Fire

button

Enter Vehicle

Exit Vehicle

, / * buttons

Cycle Weapons / Targets

Radio Cycle

Special Mission

button

Free Aim

Special Mission / Horn

button

Button

On Foot

In Vehicle

Key

Quick Controls

(Control Setup 1) Control Setup 1 is available

Multiplayer Rules Quick Reference

Liberty City Survivor

Clas sic deathmatch , take out th e other playe rs to rack up the mo st kill s. Hit the pre-de termined point-li mit or ha ve the h ighest t otal when time expire s.

Divide into two teams and defend the four limousines from the att acking team. e ti mer starts counting up and once the attacking team destroys the limousines, the tea ms switch. Now t he defending team must destroy the limousines in less time than it took the attacking team. e team that destroys their objectives quickest is the winner!

Steal the opposing team’s car and return it to your base while protecting your own. Destroying your team’s car will return it to the base. In order to capture the opposing team’s car your car must be in your base. First team to reach the capture limit wins!

Be the ﬁrst to the tank and try to survive the target Tank Time. Other players must try to destroy your tank before the Tank Time is reached. If this happens the player who c aused the most damage to the tank will now occupy the new tank and you must destroy it as quickly as possible. First player that hits the Ta nk Time wins!

DEATHMATCH

Protection Racket

DEFEND THE BASE

Get Stretch

CAPTURE THE FLAG

Tanks for the Memories

TURN-BASED TANK SURVIVAL

e Hit List

TURN-BASED S URVIVAL

A player is r andomly “Marked” and all other players must tr y to kill the Mark as quickly a s possible. Once that player is killed the Mark sw itches to a new player, and the player that killed the Mark has time added to his survival total. After all players have been Marked and k illed the player with the longest survival time wins!

Players must d rive th rough e ach che ckpoint to ge t to the ﬁnish l ine. D uring th e race, you are allow ed t o ch ange vehicles an d sho ot other player s. If any player is kille d th ey a re automat ically spawned in a new ve hicle a fter a short per iod of time. Firs t across the li ne wins.

A free for all where players must collect ca rs scattered around the city and deliver them to hidden shipping crates. Cash is awa rded based on the condition of the car when it is delivered. e player that collects the most cash wins!

Street Rage

CHECKPOIN T RACE

e Wedding List

CAR COLLECTION

Take-Two Interactive Grand Theft Auto: Liberty City User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual