Superlux UT64/248 User Manual

User Manual
UT6 series
UHF wireless microphone system
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Contents
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Contents
3.1 Front view ………………… 4
3.2 Rear view ………………… 4
7. Receiver LCD operation ………………… 11
7.1 LCD layout and buttons ………………… 11
7.2 Menu function ………………… 11
7.2.1 Locking and unlocking ………………… 11
7.2.2 G/CH: Display group and channel setting ………………… 12
7.2.3 FREQ: Display frequency in use ………………… 13
7.2.4 SQ: Squelch setting ………………… 14
7.2.5 VOL: Display volume on or mute ………………… 15
7.2.6 NAME: Displaying and naming receiver ………………… 16
7.3 FIC, Frequency Infrared Control ………………… 17
8. Receiver Cautions ………………… 18
9. Receiver Accessories ………………… 19
10. Handheld wireless microphone ………………… 20
10.1 Handheld wireless microphone Introduction ………………… 20
10.2 Inserting batteries ………………… 21
10.3 LCD ………………… 22
10.4 Color coded cover ………………… 23
11. Beltpack transmitter ………………… 24
11.1 Introduction ………………… 24
11.2 Operating ………………… 26
11.3 Wiring for audio input ………………… 27
11.4 LCD ………………… 28
11.5 Batteries exchange ………………… 29
12. Specification ………………… 30
13. Capsules for handheld microphone ………………… 32
14. Microphones for beltpack transmitter ………………… 33
15. Knowing your microphone ………………… 34
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1. Preface
2. Unpacking
Thank you for choosing the Superlux UT6 series UHF wirelss microphone. This remarkable component has been engineered to provide superb sound pick-up with stable transmission and receiption, as well as providing outstanding ease of operation. As this product is provided with a wide selections of microphones and connec­tion possibilities, we recommend that before you begin hookup and operation that you review the contents of this manual before proceeding.
Your package
There are combinations of products for various demands. There are 2 type of transmitter in this UT6 system, handheld of beltpack. User can include both in this package, but only one transmitter can operate at the same time. For handheld user, there are 4 types of capsules to choose, 2 dynamics, 1 true condenser, and 1 electret condenser. For beltpack user, there are 7 microphones and 1 cable to choose. Your package can be any combination. Please verify the contents with your dealer. Future upgrade with more components can be easily made by contacting your dealer.
1 x dual plug cable 1 x power supply 1 x user manual 1 x warranty card 1 x UT6 receiver 2 x antenna (under UT6 receiver) Optional headworn microphone Optional UT2 beltpack transmitter Optional UT4 handheld transmitter
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single channel receiver
single channel receiver
3. Receiver Introduction
Front view
Illustration 1
Rear view
Illustration 2
Front panel antenna A socket: for optional
antenna extension from rear panel.
Front panel antenna B socket: for optional antenna extension from rear panel.
Antenna B socket
Rack mount side panel (optional)
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single channel receiver
Power switch: LED indicator lighted when power-on.
Balanced audio output, XLR-3M, microphone level
Un-balanced audio level switch: Switch between “MIC” or “LINE” level for un-balanced output socket.
Un-balanced audio output socket: 6.3mm phone jack, level switchable
DC power socket: 12VDC power source, center positive.
Color LCD display panel
Rack mount side panel, 1/2 space width (optional)
Antenna A socket
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single channel receiver
4. Receiver Connections
single channel receiver
Illustration 3
4.1 Connect both antenna to rear panel socket and as illustration 3.
4.2 Connect power adapter output to receiver and plug into power line (Caution: check power source specification, make sure the power adapter matches the source spec.
4.3 Audio connections:
4.3.1 Level switch , when un-balanced output socket is connected to mixers or amplifiers’ line level input, switch the output level to “LINE” position. When connected to mixers or amplifiers’ mic level input, switch the output level to “MIC” position. Mis-match level setting, will result distortion or high noise. When used with guitar, keep the level at “LINE” position.
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single channel receiver
Ground
Signal +
Signal
-
Illustration 4
4.3.2 Un-balanced connection: When receiver and mixer are positioned at short distance, 6.3mm phone type plugs can be used with un­balanced connection.
4.3.3 Balanced connection: When receiver is located at a remote loca­tion from mixer, balanced XLR cable shall be used. Pin 2 hot at receiver output.
4.3.4 When electric guitar is in used, connect PHONE output to guitar amp input and level switch to “LINE”.
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single channel receiver
5. Receiver Operation
single channel receiver
5.1 Set mixer/amplifier input level to minimum or mute the channel. Turn on the receiver, the indicator shall be lighted to show the operation status.
5.2 Power up the matched channel transmitter, the RF level indication shall be lighted.
5.3 Adjust the mixer/amplifier level to optimum and test the microphone/transmit­ter with normal talking or instrument playing. The AF level indicators shall show the AF signal.
Notes:
If audio signal doesn’t show or go through the mixer/amplifier, check the signal chain, connections, level settings... Wireless microphone level controlled only on mixer/amplfier, the only setting of the receiver is “MIC/LINE” position.
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single channel receiver
6. Receiver Installation
6.1 Single receiver half width space rack mouting
6.1.1 Mount the rack mouting kit with receiver according to illustration 5.
Illustration 5
6.2 Dual receivers, full width space rack mouting
6.2.1 Unscrew the 4 screws according to the illustration 6.
6.2.2 Mount the connection plate with previous 4 screws to interlock the 2 receivers.
6.2.3 Mount the rack brackets to both ends as illustration.
Illustration 6
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single channel receiver
6.3 After the rack mount kit was properly installed, the receiver(s) can be mounted
single channel receiver
into EIA standard rack for 1 space height, as illustrated.
6.4 For best receiption, receiver shall be located at least 1 meter above ground. Transmitter shall be at least 1 meter away and keep away from noise as illustra­tion.
Illustration 7
Illustration 8
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