Superlux PRO238MKII User Manual

Specifications
Description
JUST PLAY IT
PRO238MKII
Large Diaphragm True
Condenser Microphone
User Guide
Type
Polar pattern
Unidirectional (Cardioid), rotationally symmetrical about microphone axis, uniform with frequency. (Figure 1)
Frequency response
20 to 20,000 Hz (Figure 2)
Sensitivity
(at 1,000 Hz Open Circuit Voltage)
-40dBV/Pa (10mV/Pa) 1Pa=94dB SPL
3dB
Rated impedance
200Ω
Minimum load impedance
1,000Ω
Equivalent noise level
(A-weighted)
16dB (IEC/DIN 651)
Max. SPL
136dB SPL (THD 1% 1kHz)
Dynamic range
120 dB
(1 k load)Ω
(1 k Load)Ω
Low frequency roll-off
100 Hz, 12dB/OCT
Power supply
9 to 52 VDC phantom
Current consumption
<3.5mA
Polarity
Pin 2 output positive voltage (related to pin 3) when diaphragm receives positive pressure. (Diaphragm moving inward)
Connector
Integral 3 pin male XLR type
Finish
Metal construction with
painted finishGrey
Environmental conditions
The PRO238MKII operates between -10 to +50 (14 to 122 ) with relative humidity between 0 to 95%.
Dimensions
Φ49.5mm(1.95in.) X 183.0mm (7.20in.) (Figure 3)
250 Hz
500 Hz
1000 Hz
TYPICAL POLARPATTERN (Figure 1)
dB
10
0
-10
-20
RELATIVE RESPONSEIN dB
20 50 100 200 500 1000 2000 5000 10000 20000 Hz
Frequency Response
TYPICAL FREQUENCY RESPONSE (Figure2)
O
2000 Hz
4000 Hz
8000 Hz
FREQUENCY INHz
49.5 mm
(1.95 in.)
53.0 mm (2.10 in.)
183.0 mm (7.20 in.)
PRO238MKII handheld large diaphragm condenser microphone is based on the superior performance, and improving the frequency response, lower handling noise, and mechanical structure. Modular design makes it easy to remove/restore the capsule. While the hidden low cut filter switch inside the chamber can be protected from mis-operation, and let the artist perform comfortably with the great holding feeling of the PRO238MKII.
Wide and extended frequency and optimized damping, this cardioids PRO238MKII exhibit nature and lively sound. A best microphone for live sound, broadcasting, and recording.
Features
?
1" gold plated 3 m thin film diaphragm. Protected capsule.
?
Wide range with mid-high band emphasis tailor frequency
μ
response.
?
High dynamic range, low distortion.
?
Superior modular design, lower handling noise.
?
Hidden low cut filter.
?
Warm and detail sound even
at close-up.
Attenuation switch
Supplied accessories
Foam windshield -- ----------------- - - - S58 Microphone holder ---- -­5/8" to 3/8" adapter - -------- --
- - - - ---
--------------------------------- ---- HM38S
--- ---- ----- ------ ----- YA1
- - -- ----
-------- --------
GOANG-FANNCO.,LTD.
2007, SUPERLUX I LB10238MK01EN (Rev. 1)
Net weight
noise ratio-to- ignal
78 dB
350.0 grams (13.78oz.)
O
22.5 mm (0.89 in.)
S58
Foam windshield
HM38S
Microphone clip
YA1
Screw adaptor
3 pin male XLR
Foam windshield (Figure 3)
nc.
Related accessories
Shock mount -- ---------- -------- - HM26B Phantom power supplier ------- ----­HM18AG Pop screen --- ---- ----------------------­Adjustable boom stand ----- ------------------- S131E
- - -- ---
------------------ -
----------------- ------ PS2A
- - --- -- - H
------- - ---- M
- M18AG
Knowing your microphone
Superlux provides variety selection of microphones for professionals and amatures. To know your microphone is the first step to successful result.
Type of transducer
Condenser
Directivity
Cardioid
Picks up most signal on axis. Rejects side and picks up least to the back. Suitable for live sound re-inforcement. Apparent proximity effect and most singer likes to take this bass boost advantageswhich is notgood for speech.
HM26B
Shock Mount
HM18AG
Pop screen
PS2A
Phantom
power supplier
MS131E
Adjustable
boom stand
Extremely light weight diaphragm, very sensitive to sound. Very small versions available for hiding applications. High performance condenser microphones are regarded as standard equipment of recording studios for extreme detail capturing. Operates with power, such as phantom or battery.
Powering microphone
Condenser microphones work with power. Professional standard is 48VDC phantom power. Some microphones work with lower voltage as low as
1.5VDC, such as battery power model. PRO238MKII work with 9 to 52VDC phantom only. Please make sure your sound system provide adaquate power to the microphone.
About Frequency Response
Flat
Suitable for working at controlled environment, or for acoustic measurements. Although people persuit flatness, but for none­professionals, it is a challenge to makes it works as expectation.
Popular curve response
Based on years of practical experience of pro users. There are curves to be build for various applications, so that it is very simple to use the microphone for the purpose. Limiting bandwidth, and emphasing are typical skill.
Variable response
Incorporating switchable filters to elliminates interference, such as sub­sonic filter to cut air-conditioner and floor vibrations. And allows full flat when used in controlled environment.
Distance to source
Close miking or distant miking sound very differently. Vocal recording or live performance practice close miking mostly. Suitable proximity effect is one desired target, and lower feedback problem is another factor for live sound application.
While distant miking is common practice for recording, especially stereo pair recording with large group of performers, such as orchestra or choir.
Distant miking generally picks up less bass section with pressure gradient type of microphone (cardioid, figure-8, shotgun...) due to acoustic nature and lack of proximity effects.
Rich bass with distant miking can be recorded with pressure type of microphone (Omni), which performs the same frequency response with close or distant pick-up.
Mounting the microphone
Pressure gradient microphone is very sensitive to vibration. Suitable shock mount for high performance microphone is necessary for extreme low noise recording. Sturdy stand can set the microphone excatly at the sweet spot and keep it there. Choose heavy duty microphone stand for studio condenser microphone which weights much more than handle microphone.
Superlux provides wide range of microphone stands for various demands. Big Foot Willie is specially developed for large condenser microphones that able to support 2 large microphones with stereo bracket for single point stereo recording.
Extension foot on all the 'E' versions serve to mount heavy studio microphone in limit space live sound applications.
Maintainence
Condenser microphone shall be kept in low humidity environment for best sound performance. Store the condenser microphones in airconditioned room or dehumidifier to keep away form moisture. Clean air is another important factor. Keep away from smoking environment to avoid tar residuals.
PRO AUDIO
GF
Shanghai Shenzhen Taipei••
GOANG-FANN CO.,LTD.
3F, No.7,Alley2, Lane 342, Fu-Der 1st Road Hsichih, Taipei,Taiwan
Tel 886-2-2693 1323: Fax 886-2-2694 8990: E-mail sales@superlux.com.tw: Http://www.superlux.com.tw
Loading...