Steinmayer DP-380 User Manual

DP-380 Digitalpiano

User manual

00044707/00044708 Version 07/2016

Not following this caution may result in injury and/or financial loss.

1

Safety Instructions

Before Reading:

This section is intended to ensure the user's safety and prevent financial damage. Please read this section carefully and use the product properly according to it.

Before Reading

Safety Instructions

To avoid the risk of death or physical injury due to electric shock, short circuit, damage or fire, please follow the fundamental safety instructions listed below. This warning includes the following:

ㆍNever open up this product or attempt to break

down o r m o d i fy i t s i n n e r p a r t s . T h i s p r o d u ct contains no user-ser vice able components. If it seems to be malfunctioning, please immediately cease use of the product and contact customer service for repair.

ㆍDo not expose the product to rain. Do not use this

product under watery or wet environment, and do not leave any liquid container on its top as it may spill into the product. If any liquid is spilled into the product, immediately turn off the product, take the plug off the AC outlet and contact a designated service center for inspection.

ㆍIf the power cable or plug is either wore off or

damaged, or the product suddenly stops sounding, or any unknown smell or smoke seem to emerge from the product, immediately turn off the product, take the adapter plug off the AC outlet and contact a designated service center for inspection.

ㆍAlways use the correct voltage for this product. The

voltage specification can be found on the name label located behind this product.

ㆍAlways take the plug off the outlet prior to cleaning

the product. Never insert or take off the plug with wet hands.

ㆍRegularly check the condition of the power plug,

and remove any substances or dusts that may have accumulated on it.

WARNING:

Not following this warning may result in death or serious injury

WARNING:

CAUTION:

2

Before Reading

Caution

To avoid the risk of physical injury, damage of this product or other financial loss, please follow the fundamental safety instructions listed below. This caution includes the following:

CAUTION

ㆍ Do not place t h e p o w er cable nea r b y h e at

generators like heaters or radiators. Bending the cable too much could damage the cable. Do not put heavy objects on the cable, or leave the cable on a location where others may step on or trip over it.

ㆍWhen removing the plug from either the product or

the outlet, always seize the neck of the plug. Seizing and pulling from the cable could damage it.

ㆍDo not use multi-connectors to power the product.

Do ing so m a y result in l owered sound qua l ity and/or overheat the outlet.

ㆍWhen not using the product for an extended period

of time, or during an electric storm, take the plug off the outlet.

ㆍWhen connecting this product to another electronic

produc t, turn off the p owers of both produ cts before connecting. Set the volumes of all products to minimum before turning on the products. After making sure that all volumes are set to minimum, begin using this product and gradually increase the volume until the desired level is reached.

ㆍDo not exp ose this product to exce ssive dus t,

vibration, or locations/sources of extreme heat (under direct sunlight, nearby heaters, inside cars during daytime). Exposure to such environments may result in external and/or internal damage.

ㆍDo not use this product nearby devices like TVs,

radios, stereo sound devices, mobile phones or other electronic devices. Doing so could result in excessive noise from either this product or the TV/radio.

ㆍDo not place the product on unstable locations

where it may fall off.

ㆍAlways remove all cables from the product before

moving it.

ㆍWhen cleaning the instrument, always use soft and

dry or lightly wet cloth. Do not use cloth imbued with pai nt diluent, s olvent, cleansing age nt or chemical substances. Do not place any objects made of vinyl, plastic or rubber on the product. Doing so may alter the color of the keys or the panel.

ㆍDo not place your weight or heavy objects on the

product.

ㆍDo not use excessive force while manipulating the

buttons, switches or connectors.

ㆍBe careful not to leave fingers below the key cover

when closing it. Do not insert fingers below the key cover or into any other gap between the parts of this product.

ㆍDo not insert or drop objects like paper or metal

substances on the key cover, panel, or in the gap between key s . Wh e n done so ac c i d e n tally, immediately turn off the power of the product, take the plug off the outlet, and contact a designated service center.

ㆍMaintain 3 inches of space between the piano and

the wall or other nearby objects. Insufficient space may inte rfer e w ith air circul atio n a nd result in overheat.

ㆍCarefully read the guide on assembling procedure

and follow the instructions. Not doing so could result in damage of the instrument and/or injury of the user.

ㆍAvoid using the product on volume high enough to

be disturbing to ears for extended period of time, as doing so could affect one's hearing permanently. If you experie nce hearin g difficulty, or excessive ringing on the ears, contact a physician.

ㆍDuring thunderstorms, take the plug off the outlet.

3

Preface

Before Reading Preface

Thank you for your purchase.

This product mixes up a maximum polyphony of 256 notes and a massive sound data weighing as much as 1GB to offer its 5 distinguished concert grand piano sounds and other high quality voices that recreate the authentic sound of 128 different instruments. Its RHA-3W (Tri-sensor) keyboard, a vast improvement over its two-sensored predecessor, and half-pedal feature that detects the precise movement of its keys add on its respectable quality.

The VP player of the piano features an extensive bank of demonstrational pieces including the pedagogical etude series of Beyer, Czerny, Burgmüller and selected sonatines by many composers, as well as 1,005 pieces in different genres for either entertainment or playing reference. The piano's music player allows to play MP3 and MIDI files saved in USB flash drives.

Also there are the two-track recording system designed to aid the learning process, a USB 2.0 terminal for connections with devices like computers or smartphones/tablets, and other versatile utilities such as the auto-accompaniment system.

To take full advantage of the wide range of features and utilities offered by this instrument, please read and examine this user's manual carefully.

Please keep this user's manual for future reference.

Thank you.

4

Piano Settings

String Resonance Volume Damper Resonance Volume Soundboard Resonance Volume Key-off Sound Volume Hammer Sound Stretch Tune

EQ

Auto Accompaniment

Choosing a Rhythm Adjusting Tempo Adjusting Acc. Volume Starting Auto Accompaniment Basic and Variation Patterns Ending Auto Accompaniment Adjusting Split Point Chordal Accompaniment Chord Input Methods

Record

Recording/Playing Saving To USB Loading From USB

Registration

Using Registration Memories Saving Registrations To USB Loading Registrations From USB

VP Player

Playing VP Music Files

Music Player

Playing MP3/MIDI Files

Memo

List of GM Voices & Percussions

GM Voices Percussions

List of Voices

MIDI Implementation Chart

VP Music List

Before Contacting Customer Service...

Product Specifications

Table of Contents

Before Reading...

Safety Instructions Preface

Table of Contents

Product Components

Assembly

Parts

Power Switch Headphone & Microphone Jacks Audio Connections Digital (MIDI) Connections Smart Connections Pedals Control Panel

LCD

Basic Controls

Adjusting Volume Choosing a Voice GM Voices Layer Layer Settings Split Split Settings Twin Piano Reverb Reverb Settings Mixer Metronome

DEMO/Edu MUSIC

Listening to Demo/Edu Music Adjusting Demo Volume DEMO List

Beyer / Czerny Etudes Burgmüller Etudes / Sonatines

Functions

Transpose Music Transpose Touch Mic.setting Effect MIDI Local Control

Other Functions

Master Tune Brilliance Octave Shift Auto Effect Scale Tune Linear Damper LCD Contrast Auto Power Off Keep Setting System Info Function Reset

1

1 3

4

5

6

8

8 8 9

9 10 11 12

14

15

15 15 16 17 17 18 18 19 19 20 21 22

23

23 23 24 25 26

27

27 27 28 29 30 31

32

32 32 33 33 33 34 34 34 34 34 34

35

35 35 35 36 36 36

37

38

38 38 39 39 40 40 40 41 42

44

44 45 47

48

48 48 49

50

52

54

55

55 56

58

59

60

82

83

5

Product Components

After purchasing the prod u c t , c a r e fully unpack it and examine the existence and condition of the items listed below. If an item is missing or damaged, contact the place of purchase.

Produc Components

Owner's Manual

USB Storage Device

Back Plate (d)

Pedal Plate/Main Body Fixers

(e) (M6x15)mm, 10EA

"$.1.64*$

Backplate Fixers

(f) (M4x22)mm, 4EA

(g) (M4x8)mm, 2EA

Piano Main Body

Left & Right Legs (a, b)

Pedal Plate (c)

☞ Keep the original packing materials for easier repacking if frequent or long-distance transportation of

this product is expected.

6

1

Assembling the legs and pedals

Attaching the backplate

2

1 Place the backplate (d) between the legs by inserting it from behind.

2 Use the backplate fixer (f), (g) to fix the backplate (d).

3 Make sure that the plate is standing straight.

B

C

D

F

E

G

H

Assembly

1 Set the legs (a, b) upside down like the picture, then use 4 Pedal Plate/Main Body Fixers (e, use 4 out of 10) to connect the Pedal Plate (c) to the legs.

2 Adjust the pedal plate knob (see picture) so that it would come in contact with the floor on which the piano is to be installed.

F

Assembly

7

Assembly

Connecting the pedal & power cables

4

1 Connect the pedal cable to the pedal input below the main body.

The pedal cable can be found tied below the pedal box.

3

2 Raise the scoreboard on the top of the main body and use the brackets on its back to keep it standing.

"$.1.64*$

Combining with the main body

Pedal input, located below the main body

1 Carefully place the main body onto the assembled lower body according to the picture so that its holes would match the brackets attached to each leg. Use the remaining Main Body Fixers (e, 6EA) to secure the connection between the main and lower bodies.

"$*/&5

e

8

Power Switch

Parts

Power Switch

Two headphone jacks are located on the left beneath the main body.

☞ When a headphone is connected to the piano, the

speakers of the piano are muted.

☞ Two headphone jacks exist, allowing up to two people

to listen simultaneously.

☞ The type of headphones for use is limited to the stereo 55 type

(1/4 inch). If seeking to use the 3.5mm headphones, an extra converter (3.5mm -> 55) will be required.

☞ Headphones are sold separately. ☞ Reduce the volume of the piano prior to connecting a

microphone to avoid unwanted accidental loudness.

Use the AC power cord to connect the piano and a household AC outlet, and press the power switch to turn on the piano. The LCD will turn on.

☞ When the piano is first turned on, the initial default voice

is 'Grand Piano 1'.

☞ Use the Master Volume knob to adjust the volume. ☞ When turning on the piano, do not press the damper

pedal. Doing so may cause the pedal to malfunction.

All parame t ers and settin g s ex c ept for the recor d ing and regist ratio n m emor i es ar e initialized whenever the piano is turned off and on again.

☞ If the KEEP SETTIN G feature has been enabl ed, the

settings are retained permanently.

Parts

Headphone & Microphone Jacks

Power Switch (on the left of the console)

Auto Power Off (APO)

This product features an auto power management system which turns off the instrument automatically when left unused for a certain amount of time. By default, the piano will turn off following 30 minutes of inactivity.

Refer to page 33 for setting the amount of time it can take before turning off.

9

Parts

Audio Connections / MIDI Connections

Audio Connections

q Audio Output Terminals (Line Out [L/Mono], [R])

These jacks are used when the use of a more powerful external sound producer (amplifiers etc.) is desired to reproduce the audio output of the piano. Use an audio cable (sold separately) to connect the audio output jacks (Line Out [L/Mono], [R]) of the piano and the input jack of the external device to hear the piano through the speaker system of the external device.

☞ When connecting to an external device, always turn on the external device first before turning on the power of the

piano. When quitting the use of the external device, reverse this order and turn the piano off first before turning off the external device.

☞ The audio connection terminals are made of RCA connectors.

External Connection Terminals (on the bottom left of the piano)

q

w MIDI Terminals

MIDI stands for 'Musical Instrument Digital Interface', and is the international standard for the exchange of musical data between two digital devices.

MIDI IN Receives MIDI messages coming in from external MIDI devices. MIDI OUT Outputs MIDI messages from the piano to external devices.

MIDI Connections

External Connection Terminals (on the bottom left of the piano)

w

Smart Connections

10

q USB TO HOST

The piano features a USB-to-host terminal to allow connecting directly to a computer. By using this jack, the piano and computer may exchange MIDI data via USB.

☞

Usable on Windows XP or higher, and Mac OS X.

☞

No extra driver is required since it utilizes the common Windows device driver.

☞

If the device is not recognized, or the USB audio device is not seen on the list of the device setup menu, check the USB cable and ensure proper connection.

☞

Compatible with 4.0 or higher versions of iPhones and iPads.

☞

Android compatibility may be limited depending on the specific manufacturer or version of the device.

☞

If connecting the instrument to a computer causes the computer to crash or stop functioning, do not reattempt the connection (doing so may damage the computer or the piano) and immediately contact customer service.

w AUX IN (3.5 Mini Stereo)

By connecting external devices to this jack the piano may play via its internal speakers soundtracks provided by external sources such as smart devices or MP3 audio devices. Connect the output terminal of laptops, smart devices, MP3 players and the AUX IN of the piano using an audio cable (sold separately) to reproduce the audio data of the devices through the piano's speaker system.

☞ When connecting to an external device, always turn on the external device first before turning on the

power of the piano. When quitting the use of the external device, reverse this order and turn the piano off first before turning off the external device.

☞ The audio connection terminals are made of stereo 3.5mm connectors.

e AUX OUT (3.5 Mini Stereo)

The piano's sound output may be relayed to an external device such as a laptop, smart device, or an MP3 player to be recorded. Use an audio cable (sold separately) to connect the AUX OUT of the piano and the input (microphone) terminal of the external device.

☞ When connecting to an external device, always turn on the external device first before turning on the power of the

piano. When quitting the use of the external device, reverse this order and turn the piano off first before turning off the external device.

☞ The audio connection terminals are made of stereo 3.5mm connectors.

r USB TO DEVICE

By inserting a USB memory drive to this slot, the piano may play the music files inside it.

☞

For the use of the VP player, use the provided USB memory that comes with the product.

☞

The MP3 and SMF files must be located in the MUSIC folder inside the USB flash for playing.

☞

Do not remove the USB memory when it is being accessed.

☞

The USB memory must be in FAT32 format.

Smart Connections

The smart connection terminals are located on the control panel of the digital piano.

q

e

w

r

Parts

11

Parts

Pedals

Pedal Functions

q Damper Pedal (Right Pedal)

This pedal performs the same function as the damper pedal of an acoustic piano; playing notes while keeping this pedal pressed will sustain the notes even if the keys have been released. It also provides the Half Pedal feature, which detects and responds to the delicate control that pianists exercise on acoustic pianos by pressing the pedal only halfway.

☞

The duration of the sustained notes differs depending on the chosen voice.

☞

The Half Pedal feature controls the sustain duration depending on how deep the pedal is pressed.

☞

Do not press the damper pedal when turning on the piano. If the pedal had been pressed when the piano was switched

on, it may not function properly.

w Sostenuto Pedal (Middle Pedal)

This pedal performs the same function as the sostenuto pedal, which is the middle pedal of an acoustic grand piano. It behaves similarly to the sustain pedal, but only the notes that are being played at the moment the sostenuto pedal is pressed will be retained. Notes that are played after the pedal was pressed will not be affected, even if the pedal is kept pressed.

e Soft Pedal (Left Pedal)

This pedal performs the same function as the soft pedal of an acoustic piano. Pressing this pedal causes the sound of the piano to be muffled a little bit and softens its character.

r Effect Pedal (Left Pedal Alternative)

When the Effect feature is used with Pedal Switch enabled, this pedal functions as a trigger for applying the effect. In other words, the effect is applied only when this pedal is pressed. If Pedal Switch is disabled, this pedal keeps performing its role as the soft pedal, even if Effect is still in use.

☞

When functioning as the switch for Effect, it will highlight the ‘FXP’ on the LCD whenever pressed.

☞

Refer to page 30 for more details on Effect.

Damper Pedal

Sostenuto Pedal

Soft/Effect Pedal

The piano consists of three pedals that correspond to the three pedals of an acoustic piano.

Connecting the Pedal Cables

Retrieve the pedal cable tied below the pedal box, and connect it to the pedal input located below the main body.

"$*/&5



Control Panel

Parts

Control Pannel

12

VOLUME CONTROL

ⓐ VOLUME

RHYTHMS

ⓑ RHYTHM Buttons ⓒ ACCOMP ⓓ INTRO/ENDING ⓔ START/STOP ⓕ FILL1/SYNC ⓖ FILL2/SYNC ⓗ FADE

TEMPO

ⓘ TEMPO UP/DOWN ⓙ METRONOME

FUNCTIONS

ⓝ FUNCTION ⓞ PIANO SETTING ⓟ LCD ⓠ DATA Wheel ⓡ DATA Buttons ⓢ MOVE/ENTER ⓣ EXIT ⓤ DISPLAY HOLD ⓥ MIXER ⓦ EQ ⓧ REGISTRATION

RECORDING/PLAYBACK

ⓨ DEMO/Edu MUSIC ⓩ RECORD Ⓐ VP PLAYER Ⓑ MUSIC PLAYER Ⓒ USB MEMORY

Page 15

Page 38, 41 Page 38, 41

Page 36, 37, 40 Page 39, 40 Page 39, 40

Page 38 Page 22

Page 27,32 Page 35 Page 14

Page 21 Page 37 Page 48

Page 23 Page 44 Page 50 Page 52 Page 45, 47, 48

q

w

t

e

r

"$*/&5



ⓐ

ⓒ

ⓓ

ⓔ

②③ ⓝ ⑥

④⑤ ⓞ

⑦⑧ⓕ⑨ⓖ⑩⑪ⓗⓘ

ⓙⓨ

ⓟ

ⓑ

Parts Control Pannel

13

VOICES/EFFECTS

① VOICE Buttons ② LAYER ③ SPLIT ④ TWIN ⑤ REVERB ⑥ TRANSPOSE ⑦ MUSIC KEY ⑧ TOUCH ⑨ MIC.SETTING ⑩ EFFECT ⑪ MIDI L.CTRL ⑫ MAIN VOL. Buttons ⑬ LAYER VOL. Buttons ⑭ SPLIT VOL. Buttons ⑮ ACC./MUSIC VOL. Buttons

DAMPER PEDAL SOSTENUTO PEDAL SOFT PEDAL

PEDAL INPUT AC INLET

HEADPHONES LINE OUT MIDI IN/OUT MICROPHONE SMART

CONNECTIONS

q w e

r t

y u i o p

Page 15 Page 16 Page 17 Page 19 Page 19 Page 27 Page

27 Page 28 Page 29 Page 30 Page 31

u

i

y

Page 11 Page 11 Page 11

Page 7 Page 7

Page 8 Page 9 Page 9 Page 8 Page 10

"$$.64*$

o

p

ⓠ

ⓡ⑫

ⓢⓣ ⓤⓦ

⑬⑭ⓧ⑮ⓥⓩⒶⒷⒸ

①

LCD

LCD Description

LCD

LCD Description

14

The LCD shows the current performance configuration of the piano.

Main Voice

Current main voice. The piano offers 128 different voices.

A

B

A

Layer Voice

Current layered voice when using the layer feature.

B

Split Voice

Current split voice when using the split feature.

C

Split Point

The point of division by which the keyboard is split when using split or auto-accompaniment.

D

Rhythm

Current rhythm for the auto-accompaniment.

E

Tempo

Current tempo for the auto-accompaniment or metronome.

F

Auto-accompaniment Chords

Ex.) C, Fm, G

G

Auto-accompaniment Mode

Ex.) OFF, FINGERED, SINGLE F

When a change occurs to the LCD, the tempo of any ongoing auto-accompaniment or metronome may be slowed temporarily.

H

NOTE

C

E

D

F

G

H

Adjusting Volume

Basic Controls

Basic Controls Adjusting Volume / Choosing a Voice

15

Adjusting Master Volume

Use the MASTER VOLUME knob to adjust the overall volume of the piano.

☞ This also affects the volume of headphones.

Choosing a Voice

This product is a high class digital piano which offers the refined deep sound of quality acoustic grand pianos along with the sound of other diverse acoustic and electric musical instruments.

Voice Types

☞ 128 GM (General MIDI) Voices, including the 70 basic voices ☞ 7 Percussion Kits ☞ 1 Sound Effect Set

q Select the desired voice.

Press the button that corresponds to the desired voice.

☞ The voices are categorized into 7 voice groups. Each voice group consists of 10 voices. ☞ When a voice button is pressed, the LCD will display a menu listing all voices belonging to the chosen voice group for 3

seconds. Use the DATA buttons or DATA wheel to select the desired voice.

☞ After displaying a menu for 3 seconds, the LCD automatically turns it off. If you want to disable this and would like to stay

on the menu, press DISPLAY HOLD.

☞ Your last choice for each group is retained even if you switch to another voice group. It will be retained until the piano is

turned off (unless the KEEP SETTING feature is enabled, in which case it is retained permanently).

☞ Refer to page 56 for detailed information on the voices.

Piano Harpsichord Organ Strings Brass Bass Percussion

Grand Piano 1 Grand Piano 2 Grand Piano 3 Grand Piano 4 Grand Piano 5 Chrs Piano E .GrPiano1 E. Piano2 FM Piano Syn Piano

Harpsichord VelHarpsichord Clavinet Vibraphone Marimba Xylophone OrcheHarp NylonGuitar HawaianGT Ukulele

Pipe Organ1 Pipe Organ2 Elec Organ1 Elec Organ2 Elec Organ3 Elec Organ4 Elec Organ5 Accordion Harmonica Bandonion

Strings Orche Str Str&Brass SL. Strings SL. Str&Br Pizz Str Synth Str Violin Cello Choir

Brass Flute Alto Sax Tenor Sax Trumpet Trombone Syn Brass1 Syn Brass2 Clarinet Oboe

Elec Bass1 Elec Bass2 AcousBass Synth Bass Steel Guitar 12Str. Guitar Elec Guitar Jazz Guitar Over Guitar Dist Guitar

Standard RoomDrum RockDrum ElectDrum AnalogDrum BrushDrum Jazz Drum Orche Drum SFX 1 SFX 2

List of Voices

w Play the piano using the chosen voice.

Use the MASTER VOLUME knob to adjust the volume.

"$.1.64*$

①

②②

Basic Controls

GM Voices / Layer

16

GM Voices

The piano is also equipped with the 128 voices that are fully compatible with the international standard GM (General MIDI), which may be recalled by pressing the GM VOICE button.

Selecting a GM Voice

q Press GM VOICE.

The LCD will display a list of 10 GM voices, including the currently chosen voice.

☞ Default: 025 Nylon Guitar

w Use the DATA buttons or DATA wheel to select the desired voice.

☞ Refer to the GM voice list on page 53. ☞ After displaying a menu for 3 seconds, the LCD automatically turns it off. If you want to disable this and would like

to stay on the menu, press DISPLAY HOLD.

☞ Your last choice of GM Voice will be retained until the piano is turned off (unless the KEEP SETTING feature is

enabled, in which case it is retained permanently).

Layer

Layer allows the player to sound two voices simultaneously when playing a key.

q Choose the desired main voice first.

Refer to page 15 for voice selection.

w Press LAYER.

e Choose the desired layer voice to be played simultaneously with the main

voice. Refer to page 15 for voice selection.

☞ The default layer voice is Slow Strings. ☞ When the LAYER button is pressed, the voice button corresponding to current layer voice will begin flashing for seconds.

A voice chosen via the voice buttons during this timespan will become the layer voice. After the flashing had gone out, choosing a voice will affect the main voice. You can still change your voice by entering the Layer menu, or turning the layer off and on again. Refer to page 17.

r Press LAYER again to turn off layer.

The button will turn off to indicate that the layer is no more active.

17

☞ Pressing both DATA UP/DOWN simultaneously will restore the default value. ☞ Keep a DATA button pressed to quickly run through the values. ☞ After displaying a menu for 3 seconds, the LCD automatically turns it off. If you want to disable this and would like to

stay on the menu, press DISPLAY HOLD.

☞ Press EXIT to exit the Layer menu. This does not turn off the Layer feature itself. ☞ Pressing LAYER again while in the Layer menu will turn off the menu.

q Press and hold down LAYER until the Layer menu pops up.

w Adjust the parameters as desired.

Press MOVE/ENTER to cycle through the fields and use the DATA buttons or DATA wheel to adjust the

value of current field.

☞ Pressing the VOICE buttons while in the Layer menu selects the layer voice.

Layer Settings

Parameter Default Range

LAYER VOLUME

70 0~100

PEDAL FUNCTION

ON ON, OFF

OCTAVE SHIFT

0 -2~0~+2

3 OCTAVE SHIFT

The layered voice may be moved up or down in octaves, independently from the main voice.

2 PEDAL FUNCTION

This determines whether the effect of the sustain pedal is applied to the layered voice.

1 LAYER VOLUME

This determines the volume of the layered voice.

☞ This also may be done by using the Mixer. Refer to page 21.

Split

Split divides the piano keyboard into two sections, and allows the player to assign different voices to each of the sections. For example, by using Split the melody part on the right could be played in piano voice while the accompaniment on the left sounding in acoustic bass voice.

Using Split

q Choose the desired main voice first. The main voice will be assigned to the right part. Refer to page 15 for voice selection.

w Press SPLIT. The button will turn on.

e Choose the desired Split voice (that is, the left part voice).

Refer to page 15 for voice selection.

☞ The default split voice is Acoustic Bass. ☞ Select the split voice while the corresponding voice button is flashing.

Refer to the description on selecting the layer voice on page 16.

r Press SPLIT again to turn off split.

The button will turn off to indicate that the split is no more active.

Basic Controls

Layer Settings / Split

The Layer menu allows the adjustment of several layer-related parameters.

18

Split Settings

▼

Default Split Point (F#3)

Available Range for the

Split Point (C2 ~ C#7)

A0 C1 C2 C3 C4 C5 C6 C7

C8

Parameter Default Range

SPLIT KEY

F#3 C2~C#7

SPLIT VOLUME

80 0~100

PEDAL FUNCTION

ON ON, OFF

OCTAVE SHIFT

O -2~0~+2

1 SPLIT POINT

Split Point refers to the point by which the keyboard is divided.

Split Settings

q Press and hold down SPLIT until the Split menu pops up.

w Adjust the parameters as desired.

Press MOVE/ENTER to move through the fields and use the DATA buttons or DATA wheel to adjust

the value of current field.

☞ Pressing the VOICE buttons while in the Split menu selects the split voice.

☞ Pressing both DATA UP/DOWN simultaneously will restore the default value. ☞ Keep a DATA button pressed to quickly run through the values. ☞ After displaying a menu for 3 seconds, the LCD automatically turns it off. If you want to disable this and would like to stay

on the menu, press DISPLAY HOLD.

☞ Press EXIT to exit the Split menu. This does not turn off the Split feature itself. ☞ Pressing SPLIT again while in Split Settings menu will turn off the menu.

2 SPLIT VOLUME

This determines the volume of the split voice. This also may be done by using the Mixer. Refer to page 21.

4 OCTAVE SHIFT

The split voice may be moved up or down in octaves, independently from the main voice, in order to allow playing in ranges limited by the division of keyboard.

3 PEDAL FUNCTION

This determines whether the effect of the sustain pedal is applied to the split voice.

The Split menu allows the adjustment of several split-related parameters.

19

Twin Piano

Twin Piano divides the piano keyboard into two equal smaller ("twin") keyboards with nearly identical registers. This allows two people to play the piano simultaneously on the same range without running into each other.

q Select a voice.

Refer to page 15 for voice selection.

w Press TWIN.

e Press TWIN once again to quit using TWIN PIANO.

The button will turn on. The keyboard will be divided into two parts with nearly identical registers, with D#4 as the point of division.

The button will turn off.

☞ Reverb is enabled by default.

Reverb

Reverb simulates the decaying reflections of sound as experienced in varying types of space, making the piano sound feel more natural and realistic.

q Press REVERB. The button will turn on to indicate that Reverb is now active.

w To disable Reverb, press REVERB again. The button will turn off.

Basic Controls

Twin Piano / Reverb

Basic Controls

Reverb Settings

20

w Adjust the parameters as desired.

Press MOVE/ENTER to move through the fields and use the DATA buttons or DATA wheel to adjust the value of current field.

Parameter Default Range Description

REVERB TYPE HL1

HL1, HL2, HL3,

ST1,ST2, RM1, RM1

Determines the type of reverb

REVERB TIME 24 0~100 Determines the duration of reverb

ROOM SIZE MED SML, MED, LRG Determines the depth of reverb

TONE CONTROL 50 0~100 Determines the tone of reverb

MAIN LEVEL 70 0~100 Reverb strength of the main voice

LAYER LEVEL 70 0~100 Reverb strength of the layered voice

SPLIT LEVEL 70 0~100 Reverb strength of the split voice

ACC. CHRD LEVEL 45 0~100 Reverb strength of the auto-accompaniment chords

ACC. BASS LEVEL 40 0~100 Reverb strength of the auto-accompaniment bass

ACC. DRUM LEVEL 40 0~100 Reverb strength of the auto-accompaniment drums

☞ Pressing both DATA UP/DOWN simultaneously will restore the default value. ☞ Keep a DATA button pressed to quickly run through the values. ☞ After displaying a menu for 3 seconds, the LCD automatically turns it off. If you want to disable this and would like to

stay on the menu, press DISPLAY HOLD.

☞ Press EXIT to exit the Reverb menu. This does not turn off the Reverb feature itself.

Reverb Settings

The Reverb menu allows the adjustment of several reverb-related parameters.

☞ 7 types of reverb exist, including Hall 1, Hall 2, Hall 3, Studio 1, Studio 2, Room 1 and Room 2.

q Press and hold down REVERB until the Reverb menu pops up.

Basic Controls

Mixer

21

Mixer

w Adjust the volume of each part as desired.

Press MOVE/ENTER to move through the parts, and use either the VOLUME buttons, DATA buttons, or the DATA wheel to adjust the part volumes.

e Press MIXER again to leave the mixer and resume using the piano.

☞ Alternatively, press EXIT.

q Press MIXER.

The button will be lighted, and the LCD will display the volumes of each part.

Parameter Default Range

MAIN VOLUME

100 0~100

LAYER VOLUME

70 0~100

SPLIT VOLUME

70 0~100

ACCOMP VOLUME

90 0~100

MUSIC VOLUME

80 0~100

MP3 VOLUME

30 0~100

☞ Pressing both VOLUME UP and DOWN buttons simultaneously will restore the default value. See below for the

description of VOLUME buttons.

☞ Keep an UP/DOWN button pressed to quickly run through the values. ☞ The VOLUME buttons include the MAIN, LAYER, SPLIT and ACC./MUSIC UP/DOWN buttons, which are also the

VOICE buttons. While in Mixer menu, they may be used to control the volume of their respective parts.

Mixer allows the user to adjust the individual volumes for each part (main, layer, split etc.) while viewing the others in order to control the balance between the parts.

Basic Controls

Metronome

22

Metronome

Turning Metronome On/Off

Press METRONOME to begin hearing metronome beats. Press METRONOME again to turn off the metronome.

Metronome provides clicks over a steady beat to help the player keep in time while playing.

Adjusting Tempo

The range of metronome tempo is from 40 to 250 bpm (beats per minute). It may be adjusted by using the TEMPO buttons, or the DATA wheel.

☞ Keep a TEMPO button pressed to quickly run through the values. ☞ Pressing both TEMPO buttons simultaneously will restore the default tempo (120). ☞ When a change occurs to the LCD, the metronome may be temporarily slowed.

Metronome Settings

Press and hold down METRONOME until the Metronome menu pops up. Press MOVE/ENTER to cycle through the fields and use the DATA buttons or DATA wheel to adjust the value.

Parameter Default Range Description

BEAT

1 1~12 Metronome beats

TEMPO

100 40~250 Metronome tempo

FIRST BEAT VOLUME

100 50~100 Volume of first beats

OTHER BEATS VOLUME

85 50~100 Volume of the rest

☞ Keep a DATA button pressed to quickly run through the values. ☞ Pressing both DATA buttons simultaneously will restore the default value. ☞ Pressing both TEMPO buttons simultaneously will restore the default Tempo. ☞ Press METRONOME again while in the Metronome menu to exit the menu.

23

Demo/Edu Music

This piano features an extensive bank of demonstrational recordings of 50 selected works all performed by professional pianists. It also includes a dedicated music data bank consisting of pedagogical etudes by Beyer (106), Czerny (100/30/40), Burgmüller (25) and selected sonatines for students (45).

Listening to Demo/Educational Music

q Press DEMO/Edu MUSIC.

Press DEMO/Edu MUSIC shortly to enter the DEMO list. Press and hold down DEMO/Edu MUSIC longer to enter the Edu MUSIC list.

w Choose the desired piece to be played.

Use the DATA buttons or DATA wheel to reach the desired piece, then press PLAY/PAUSE to play it.

The volume of the Demo/Educational music recordings may be adjusted.

Adjusting Demo/Edu Music Volume

w Adjust the Demo/Educational Music Volume.

Use the ACC./MUSIC UP/DOWN buttons to adjust the Demo/Educational Music volume.

☞ Alternatively, repeatedly press MOVE/ENTER until the cursor reaches 'MU' then use the DATA buttons.

q Enter the Mixer menu.

Press MIXER. The button will turn on, and the LCD will show individual volume controls for each part.

☞ To repeat a piece, press TRACK1/R. The button will turn on, and once a piece is over it will be played again. ☞ To play all pieces in the group in succession, press TRACK2/A. ☞ Refer to page 24 for the list of DEMO. ☞ Refer to page 25-26 for the list of Edu MUSIC.

DEMO/Edu MUSIC

Listening to Demo/Educational Music

/ Adjusting Demo/Edu Music Volume

DEMO List (1~50)

Display

Title Composer

DEMO_01 DEMO_02 DEMO_03 DEMO_04 DEMO_05 DEMO_06 DEMO_07 DEMO_08 DEMO_09 DEMO_10 DEMO_11 DEMO_12 DEMO_13 DEMO_14 DEMO_15 DEMO_16 DEMO_17 DEMO_18 DEMO_19 DEMO_20 DEMO_21 DEMO_22 DEMO_23 DEMO_24 DEMO_25 DEMO_26 DEMO_27 DEMO_28 DEMO_29 DEMO_30 DEMO_31 DEMO_32 DEMO_33 DEMO_34 DEMO_35 DEMO_36 DEMO_37

DEMO_38

DEMO_39 DEMO_40 DEMO_41 DEMO_42 DEMO_43 DEMO_44 DEMO_45 DEMO_46 DEMO_47 DEMO_48 DEMO_49 DEMO_50

Etude op.10 no.1 Etude op.10 no.4 Etude op.10 no.5 Etude op.10 no.9 Nocturne op.9 no.1 Nocturne op.9 no.2 Nocturne op.27 no.2 Nocturne op.32 no.1 Nocturne op.72 no.1 Sonata op.3 no.4 Mazurka op.7 no.1 Mazurka op.30 no.2 Mazurka op.67 no.3 Polonaise op.40 no.1 Waltz op.34 no.1 Waltz op.64 no.1 Waltz op.64 no.2 Waltz op.69 no.2 Impromptu - No.4 c-sharp minor (fantasie-Impromptu) Op.66 Ballade op.23 no.1 in g minor Ballade op.47 no.3 in A ﬂat Major Prelude op.28 no.1 in C Major- Agitato Prelude op.28 no.16 in b-ﬂat minor- Presto con fuoco Piano Sonata no.10 in C major, KV 330-1 Allegro moderato Piano Sonata no.11 in A major, KV331-3 Alla turca : Allegretto Piano Sonata no.14 in C minor, KV457-2 Adagio Piano Sonata no.14 in C minor, KV457-3 Allego assai Variations “Ah! Vous dirai-je, Manan” Rondo in D major, KV485 Sonate no.8 in c minor, op.13 ‘Pathetique’ Grave- Allegro molto e con brio Sonate no.8 in c minor, op.13 ‘Pathetique’ 2 Adagio cantabile Sonate no.8 in c minor, op.13 ‘Pathetique’ 3 Allegro Arabesque No.1 in E major Suite bergamesque 1. Prelude Suite bergamesque 3. Clair de lune Petite Suite, for piano 4-hands 2. Cortege

Scenes from Childhood op.15 From foreign lands and peoples in G major “12 Etudes d’execution transcendante (Transcendental Etudes), S139

Etue Transcendante in d minor, Mazeppa

The ﬂight of the bumble bee (by S. Rachmaninov)

Trois Gymnopedies 1. Lent et douloureaux

12 Fantasie per clavicembalo (TWV 33) - Harpsichord music - 1. Fantasia

12 Fantasie per clavicembalo (TWV 33) - Harpsichord music - 3. Fantasia

12 Fantasie per clavicembalo (TWV 33) - Harpsichord music - 5. Fantasia

12 Fantasie per clavicembalo (TWV 33) - Harpsichord music - 6. Fantasia

12 Fantasie per clavicembalo (TWV 33) - Harpsichord music - 12. Fantasia

Children’s Album, Op.39 No.4 Mama

Prelude in C major, BWV933

Preludium und Fuge in B BWV560- Pipe Organ music-

Wohltemperiertes Klavier-Pledudio 1

Wohltemperiertes Klavier-Fuga 1

Chopin, Fryderk

Francuszek

Mozart, Wolfgang

Amadeus

Beethoven, Ludwig van

Debussy, Claude Achille

Schumann, Robert

Alexander

Liszt, Franz

Rimsky, Korsakov

Satie, Erik

Telemann, Georq

Philipp

Tchaikovsky,Pyotrllyich

Bach, Johann

Sebastian

24

DEMO/Edu MUSIC

DEMO List

DEMO/Edu MUSIC

Beyer / Czerny Etudes

Czerny 30 -18 Czerny 30 -19 Czerny 30 -20 Czerny 30 -21 Czerny 30 -22 Czerny 30 -23 Czerny 30 -24 Czerny 30 -25 Czerny 30 -26 Czerny 30 -27 Czerny 30 -28 Czerny 30 -29 Czerny 30 -30

Czer ny40

Czerny 40 -1 Czerny 40 -2 Czerny 40 -3 Czerny 40 -4 Czerny 40 -5 Czerny 40 -6 Czerny 40 -7 Czerny 40 -8 Czerny 40 -9 Czerny 40 -10 Czerny 40 -11 Czerny 40 -12 Czerny 40 -13 Czerny 40 -14 Czerny 40 -15 Czerny 40 -16 Czerny 40 -17 Czerny 40 -18 Czerny 40 -19 Czerny 40 -20 Czerny 40 -21 Czerny 40 -22 Czerny 40 -23 Czerny 40 -24 Czerny 40 -25 Czerny 40 -26 Czerny 40 -27 Czerny 40 -28 Czerny 40 -29 Czerny 40 -30 Czerny 40 -31 Czerny 40 -32 Czerny 40 -33 Czerny 40 -34 Czerny 40 -35 Czerny 40 -36 Czerny 40 -37 Czerny 40 -38 Czerny 40 -39 Czerny 40 -40

Czerny 10 0-44 Czerny 10 0-45 Czerny 10 0-46 Czerny 10 0-47 Czerny 10 0-48 Czerny 10 0-49 Czerny 10 0-50 Czerny 10 0-51 Czerny 10 0-52 Czerny 10 0-53 Czerny 10 0-54 Czerny 10 0-55 Czerny 10 0-56 Czerny 10 0-57 Czerny 10 0-58 Czerny 10 0-59 Czerny 10 0-60 Czerny 10 0-61 Czerny 10 0-62 Czerny 10 0-63 Czerny 10 0-64 Czerny 10 0-65 Czerny 10 0-66 Czerny 10 0-67 Czerny 10 0-68 Czerny 10 0-69 Czerny 10 0-70 Czerny 10 0-71 Czerny 10 0-72 Czerny 10 0-73 Czerny 10 0-74 Czerny 10 0-75 Czerny 10 0-76 Czerny 10 0-77 Czerny 10 0-78 Czerny 10 0-79 Czerny 10 0-80 Czerny 10 0-81 Czerny 10 0-82 Czerny 10 0-83 Czerny 10 0-84 Czerny 10 0-85 Czerny 10 0-86 Czerny 10 0-87 Czerny 10 0-88 Czerny 10 0-89 Czerny 10 0-90 Czerny 10 0-91 Czerny 10 0-92 Czerny 10 0-93 Czerny 10 0-94 Czerny 10 0-95 Czerny 10 0-96 Czerny 10 0-97 Czerny 10 0-98 Czerny 10 0-99 Czerny 10 0-10 0

Czer ny 30

Czerny 30 -1 Czerny 30 -2 Czerny 30 -3 Czerny 30 -4 Czerny 30 -5 Czerny 30 -6 Czerny 30 -7 Czerny 30 -8 Czerny 30 -9 Czerny 30 -10 Czerny 30 -11 Czerny 30 -12 Czerny 30 -13 Czerny 30 -14 Czerny 30 -15 Czerny 30 -16 Czerny 30 -17

Beye r

Beyer 1 Beyer 2 Beyer 3 Beyer 4 Beyer 5 Beyer 6 Beyer 7 Beyer 8 Beyer 9 Beyer 10 Beyer 11 Beyer 12 Beyer 13 Beyer 14 Beyer 15 Beyer 16 Beyer 17 Beyer 18 Beyer 19 Beyer 20 Beyer 21 Beyer 22 Beyer 23 Beyer 24 Beyer 25 Beyer 26 Beyer 27 Beyer 28 Beyer 29 Beyer 30 Beyer 31 Beyer 32 Beyer 33 Beyer 34 Beyer 35 Beyer 36 Beyer 37 Beyer 38 Beyer 39 Beyer 40 Beyer 41 Beyer 42 Beyer 43 Beyer 44 Beyer 45 Beyer 46 Beyer 47 Beyer 48 Beyer 49 Beyer 50 Beyer 51 Beyer 52 Beyer 53 Beyer 54 Beyer 55 Beyer 56 Beyer 57 Beyer 58 Beyer 59 Beyer 60 Beyer 61 Beyer 62 Beyer 63 Beyer 64 Beyer 65 Beyer 66 Beyer 67 Beyer 68 Beyer 69 Beyer 70 Beyer 71 Beyer 72 Beyer 73 Beyer 74 Beyer 75

BYR-76 BYR-77 BYR-78 BYR-79 BYR-80 BYR-81 BYR-82 BYR-83 BYR-84 BYR-85 BYR-86 BYR-87 BYR-88 BYR-89 BYR-90 BYR-91 BYR-92 BYR-93 BYR-94 BYR-95 BYR-96 BYR-97 BYR-98

BYR-99 BYR-100 BYR-101 BYR-102 BYR-103 BYR-104 BYR-105 BYR-106

CZRN01 CZRN02 CZRN03 CZRN04 CZRN05 CZRN06 CZRN07 CZRN08 CZRN09 CZRN10 CZRN11 CZRN12 CZRN13 CZRN14 CZRN15 CZRN16 CZRN17 CZRN18 CZRN19 CZRN20 CZRN21 CZRN22 CZRN23 CZRN24 CZRN25 CZRN26 CZRN27 CZRN28 CZRN29 CZRN30 CZRN31 CZRN32 CZRN33 CZRN34 CZRN35 CZRN36 CZRN37 CZRN38 CZRN39 CZRN40 CZRN41 CZRN42 CZRN43

Beyer 76 Beyer 77 Beyer 78 Beyer 79 Beyer 80 Beyer 81 Beyer 82 Beyer 83 Beyer 84 Beyer 85 Beyer 86 Beyer 87 Beyer 88 Beyer 89 Beyer 90 Beyer 91 Beyer 92 Beyer 93 Beyer 94 Beyer 95 Beyer 96 Beyer 97 Beyer 98 Beyer 99 Beyer 10 0 Beyer 10 1 Beyer 10 2 Beyer 10 3 Beyer 10 4 Beyer 10 5 Beyer 10 6

Czer ny100

Czerny 10 0-1 Czerny 10 0-2 Czerny 10 0-3 Czerny 10 0-4 Czerny 10 0-5 Czerny 10 0-6 Czerny 10 0-7 Czerny 10 0-8 Czerny 10 0-9 Czerny 10 0-10 Czerny 10 0-11 Czerny 10 0-12 Czerny 10 0-13 Czerny 10 0-14 Czerny 10 0-15 Czerny 10 0-16 Czerny 10 0-17 Czerny 10 0-18 Czerny 10 0-19 Czerny 10 0-20 Czerny 10 0-21 Czerny 10 0-22 Czerny 10 0-23 Czerny 10 0-24 Czerny 10 0-25 Czerny 10 0-26 Czerny 10 0-27 Czerny 10 0-28 Czerny 10 0-29 Czerny 10 0-30 Czerny 10 0-31 Czerny 10 0-32 Czerny 10 0-33 Czerny 10 0-34 Czerny 10 0-35 Czerny 10 0-36 Czerny 10 0-37 Czerny 10 0-38 Czerny 10 0-39 Czerny 10 0-40 Czerny 10 0-41 Czerny 10 0-42 Czerny 10 0-43

Display

Title

Display

Title Display TitleDisplay Title

CZRN18 CZRN19 CZRN20 CZRN21 CZRN22 CZRN23 CZRN24 CZRN25 CZRN26 CZRN27 CZRN28 CZRN29 CZRN30

CZRN01 CZRN02 CZRN03 CZRN04 CZRN05 CZRN06 CZRN07 CZRN08 CZRN09 CZRN10 CZRN11 CZRN12 CZRN13 CZRN14 CZRN15 CZRN16 CZRN17 CZRN18 CZRN19 CZRN20 CZRN21 CZRN22 CZRN23 CZRN24 CZRN25 CZRN26 CZRN27 CZRN28 CZRN29 CZRN30 CZRN31 CZRN32 CZRN33 CZRN34 CZRN35 CZRN36 CZRN37 CZRN38 CZRN39 CZRN40

BYR-01 BYR-02 BYR-03 BYR-04 BYR-05 BYR-06 BYR-07 BYR-08 BYR-09 BYR-10 BYR-11 BYR-12 BYR-13 BYR-14 BYR-15 BYR-16 BYR-17 BYR-18 BYR-19 BYR-20 BYR-21 BYR-22 BYR-23 BYR-24 BYR-25 BYR-26 BYR-27 BYR-28 BYR-29 BYR-30 BYR-31 BYR-32 BYR-33 BYR-34 BYR-35 BYR-36 BYR-37 BYR-38 BYR-39 BYR-40 BYR-41 BYR-42 BYR-43 BYR-44 BYR-45 BYR-46 BYR-47 BYR-48 BYR-49 BYR-50 BYR-51 BYR-52 BYR-53 BYR-54 BYR-55 BYR-56 BYR-57 BYR-58 BYR-59 BYR-60 BYR-61 BYR-62 BYR-63 BYR-64 BYR-65 BYR-66 BYR-67 BYR-68 BYR-69 BYR-70 BYR-71 BYR-72 BYR-73 BYR-74 BYR-75

CZRN44 CZRN45 CZRN46 CZRN47 CZRN48 CZRN49 CZRN50 CZRN51 CZRN52 CZRN53 CZRN54 CZRN55 CZRN56 CZRN57 CZRN58 CZRN59 CZRN60 CZRN61 CZRN62 CZRN63 CZRN64 CZRN65 CZRN66 CZRN67 CZRN68 CZRN69 CZRN70 CZRN71 CZRN72 CZRN73 CZRN74 CZRN75 CZRN76 CZRN77 CZRN78 CZRN79 CZRN80 CZRN81 CZRN82 CZRN83 CZRN84 CZRN85 CZRN86 CZRN87 CZRN88 CZRN89 CZRN90 CZRN91 CZRN92 CZRN93 CZRN94 CZRN95 CZRN96 CZRN97 CZRN98 CZRN99

CZRN100

CZRN01 CZRN02 CZRN03 CZRN04 CZRN05 CZRN06 CZRN07 CZRN08 CZRN09 CZRN10 CZRN11 CZRN12 CZRN13 CZRN14 CZRN15 CZRN16 CZRN17

25

26

DEMO/Edu MUSIC

Burgmüller Etudes / Sonatines

Display Title Display Title Composer

BRG-01

BRG-02

BRG-03

BRG-04

BRG-05

BRG-06

BRG-07

BRG-08

BRG-09

BRG-10

BRG-11

BRG-12

BRG-13

BRG-14

BRG-15

BRG-16

BRG-17

BRG-18

BRG-19

BRG-20

BRG-21

BRG-22

BRG-23

BRG-24

BRG-25

Burgmüller 25 Etude No.1

La Candeur

Burgmüller 25 Etude No.2

L'Arabesque

Burgmüller 25 Etude No.3

La Pastorale

Burgmüller 25 Etude No.4

Patite Reunion

Burgmüller 25 Etude No.5

Innocence

Burgmüller 25 Etude No.6

Progres

Burgmüller 25 Etude No.7

La Courant Limpide

Burgmüller 25 Etude No.8

La Gracieuse

Burgmüller 25 Etude No.9

La Chasse

Burgmüller 25 Etude No.10

Tendre Fleur

Burgmüller 25 Etude No.11

La Bergeronnette

Burgmüller 25 Etude No.12

L'Adieu

Burgmüller 25 Etude No.13

Consolation

Burgmüller 25 Etude No.14

La Styrienne

Burgmüller 25 Etude No.15

Ballade

Burgmüller 25 Etude No.16

Douce Plainte

Burgmüller 25 Etude No.17

La Babillarde

Burgmüller 25 Etude No.18

Inquietude

Burgmüller 25 Etude No.19

Ave Maria

Burgmüller 25 Etude No.20

Tarantelle

Burgmüller 25 Etude No.21

L'Harmonie Des Anges

Burgmüller 25 Etude No.22

Barcarolle

Burgmüller 25 Etude No.23

Le Retour

Burgmüller 25 Etude No.24

L'hirondelle

Burgmüller 25 Etude No.25

La Chevaleresque

STN01_1 STN01_2 STN01_3 STN02_1 STN02_2 STN02_3 STN03_1 STN03_2 STN03_3 STN04_1 STN04_2 STN05_1 STN05_2 STN05_3 STN06_1 STN06_2

STN07_1 STN07_2 STN07_3 STN08_1 STN08_2 STN08_3 STN09_1 STN09_2 STN09_3 STN10_1 STN10_2 STN10_3 STN11_1 STN11_2 STN11_3 STN12_1 STN12_2

STN13_1 STN13_2 STN13_3

STN14_1 STN14_2 STN14_3

STN15_1 STN15_2 STN16_1 STN16_2

STN17_1 STN17_2

Sonatines op.20 no.1 1 Sonatines op.20 no.1 2 Sonatines op.20 no.1 3 Sonatines op.20 no.2 1 Sonatines op.20 no.2 2 Sonatines op.20 no.2 3 Sonatines op.20 no.3 1 Sonatines op.20 no.3 2 Sonatines op.20 no.3 3 Sonatines op.55 no.1 1 Sonatines op.55 no.1 2 Sonatines op.55no. 2 1 Sonatines op.55 no.2 2 Sonatines op.55 no.2 3 Sonatines op.55 no.3 1 Sonatines op.55 no.3 2

Sonatines op.36 no.1 1 Sonatines op.36 no.1 2 Sonatines op.36 no.1 3 Sonatines op.36 no.2 1 Sonatines op.36 no.2 2 Sonatines op.36 no.2 3 Sonatines op.36 no.3 1 Sonatines op.36 no.3 2 Sonatines op.36 no.3 3 Sonatines op.36 no.4 1 Sonatines op.36 no.4 2 Sonatines op.36 no.4 3 Sonatines op.36 no.5 1 Sonatines op.36 no.5 2 Sonatines op.36 no.5 3 Sonatines op.36 no.6 1 Sonatines op.36 no.6 2

Sonatines Hob. 16-35 1 Sonatines Hob. 16-35 2 Sonatines Hob. 16-35 3

Sonatines K.545 1 Sonatines K.545 2 Sonatines K.545 3

Sonatines op.49 no.2 1 Sonatines op.49 no.2 2 Sonatines op.49 no.1 1 Sonatines op.49 no.1 2

Sonatines op.20 no.1 1 Sonatines op.20 no.1 2

F. Kuhlau

M. Clementi

J.Haydn

W.A.Mozart

L.V.Beethoven

J.L.Dussek

27

Function

Transpose / Music Transpose

Functions

The piano offers extensive utilities designed to allow adjusting the piano to suit either personal preferences of a user or a given performance condition.

Transpose

The piano may be transposed up or down by units of semitones. It may be done to avoid having to change fingerings to accommodate playing with a singer or other instruments who are limited by their registers.

☞ The LCD will show the current value. ☞ Pressing both TRANSPOSE UP/DOWN buttons simultaneously will restore the default value (0).

Music Transpose

Music Transpose moves the pitch of the Demo/Educational/VP Player music recordings in semitone steps. Use this when changing the key of demo recordings are required due to register issues of a singer or other instruments.

☞ The LCD will show the current value. ☞ Pressing both MUSIC KEY UP/DOWN keys simultaneously will restore the default value (0).

Press FUNCTION, then use the TRANSPOSE UP/DOWN buttons to transpose the piano.

Press FUNCTION, then use the MUSIC KEY UP/DOWN buttons to transpose the demos.

28

Touch

The Touch parameter determines how responsive the volume of a note is to the speed of the player's keystroke. The piano offers 10 different Touch settings to suit different types of players.

Adjusting Touch

Press FUNCTION, then press TOUCH to call up the Touch menu.

Use the MOVE/ENTER button to reach the desired value.

Adjusting the Velocity for the 'Fixed Velocity' Setting

When the Touch parameter is set to 'Fixed Velocity', all notes played will have the same velocity regardless of how it is played. You also may set the constant volume level that you wish to use while using Fixed Velocity.

While in the Touch menu, repeatedly press MOVE/ENTER until you reach Fixed Velocity. Then use the DATA buttons or DATA wheel to edit the velocity value.

Display Description

SOFT 1 SOFT 2 SOFT 3

These settings allow the player to produce large sound without necessarily using large forces, and are designed to suit players who do not have much finger strength.

NORMAL 1 NORMAL 2 NORMAL 3

These settings represent the responsiveness of ordinary acoustic pianos. Default value: Normal 2.

HARD 1 HARD 2 HARD 3

These settings require the player to play quite hard to produce loud sounds, and suits players that possess strong fingers or desire more delicate control of soft melodies.

FIXED VELOCITY

Under this unique setting, all notes are pronounced equally regardless of the player's finger velocity.

☞ The LCD will show the current value. ☞ Pressing both DATA buttons simultaneously will restore the default value (Normal 2). ☞ Your last configurations will be retained until the piano is turned off (unless the KEEP SETTING feature is enabled, in

which case it is retained permanently).

☞ After displaying a menu for 3 seconds, the LCD automatically turns it off. If you want to disable this and would like to stay on

the menu, press DISPLAY HOLD.

☞ Pressing both DATA buttons simultaneously will restore the default value (80). ☞ Your last configurations will be retained until the piano is turned off (unless the KEEP SETTING feature is enabled, in

which case it is retained permanently).

☞ After displaying a menu for 3 seconds, the LCD automatically turns it off. If you want to disable this and would like to stay

on the menu, press DISPLAY HOLD.

Function

Touch

29

Function

Scale Tune

MIC.SETTING

Setting related to Microphone usage may be adjusted.

MIC.SEETTING

Press FUNCTION, then press MIC.SETTING to call up the mic.setting menu.

Use the MOVE/ENTER button to reach the desired value.

Parameter Default Range Description

MIC VOLUME 60 1~100

Microphone sound control

REVERB VOLUME 50 1~100

Microphone reverb sound control

ECHO TYPE 4 OFF, 1~4

Types of microphone reverberation

ECHO VOLUME 50 1~100

Microphone reverberation sound control

VOICE CHANGER OFF OFF 1~9

Voice change settings

V.CHANGER VOL. 100 1~100

Voice change sound control

COMPRESSOR TYPE OFF OFF, 1~9

Types of compressor

EQ ON/OFF OFF ON, OFF

EQ settings check

EQ LOW 87 1~100

EQ lower register sound control

EQ MID-LOW 50 1~100

EQ lower midrange register sound control

EQ MID-HIGH 63 1~100

EQ upper midrange register sound control

EQ HIGH 87 1~100

EQ upper register sound control

30

Function

Effect

☞ The LCD will show the current value. ☞ Pressing both DATA buttons simultaneously will restore the default value. ☞ Your last configurations will be retained until the piano is turned off (unless the KEEP SETTING feature is enabled, in

which case it is retained permanently).

☞ If the AUTO EFFECT feature is enabled, when a voice is selected an optimal effect setting for that voice is automatically

applied.

Effect adds digital sound effects to the voices, allowing the piano to produce more abundant and unique colors of sound.

4 types of effect are available: Chorus, Phaser, Tremolo, and Rotary. All types of effect have their own default values, which may be adjusted by the user.

FX TYPE OFF CHR PHS TRM RTY

Range Description

FX PEDAL SWITCH OFF ON ON ON ON ON, OFF

Left Pedal

Behavior

FX LEVEL 0 70 70 70 100 0~100

Effect Strength

FX RATE 0 37 59 32 0 0~100

Effect Rate

FX DEPTH 0 100 50 100 0 0~100

Effect Depth

Using Effect

Press FUNCTION, then press EFFECT.

Effect Parameters

Repeatedly press MOVE/ENTER to reach the desired field, then use the DATA buttons or DATA wheel to adjust its value.

FX Pedal Switch

When enabled, it sets the left pedal to function as a trigger for applying the effect. In other words, the effect

is applied only when the left pedal is pressed. (Default: ON)

Set this to OFF if you wish to always apply the effect regardless of the pedal.

31

Function

MIDI Local Control

Parameter Default Range

SEND CH. MAIN

1 1~16

SEND CH. LAYER

2 1~16

SEND CH. SPLIT

3 1~16

NOTE OFF VEL

ON ON, OFF

LOCAL CONTROL

ON ON, OFF

Setting Local Control to Off prevents the input data of the keyboard from being sent to the internal speaker system of the piano, thereby silencing it while the data is output as MIDI signals to any external devices connected to the piano.

Press FUNCTION, then press MIDI L.CTRL to call up the MIDI menu. Use the MOVE/ENTER button to reach the desired field, then use the DATA buttons or DATA wheel to adjust its value.

Intended for MIDI users, this setting is used mainly when connecting the piano to external devices like computers so as to use the piano as a MIDI input device.

Configuring MIDI Output Channels

All MIDI devices use 16 channels to exchange MIDI signals. These channels must match between the two devices exchanging the signals, otherwise the messages cannot be exchanged. These fields allow to set the MIDI channels to use for outputting the individual parts of the piano. Each part may be sent via a separate MIDI channel.

32

Other Functions

Master Tune / Brilliance / Octave Shift

Master Tune

Other Functions

Tune allows fine tuning of the piano by units of cents, which is useful when the piano is to be played alongside other acoustic instruments that are tune-sensitive.

☞ Press both DATA buttons simultaneously to restore its default value (0). ☞ Range: A4 440Hz ± 99 cents (default 0) ☞ Hertz (Hz): A unit of vibration; it represents the number of repetition occurring in a second in regard of an iterative

movement by an object or a wave.

☞ Cent: A unit of pitch; 1 cent equals to a hundredth of a semitone.

Brilliance

Brilliance determines the timbre of the piano sound. When Brilliance is increased the piano sound gains more pronouncing clarity, and when decreased the sound is softened.

☞ This affects ALL voices, including the voices used for the Layer/Split features. ☞ Press both DATA buttons simultaneously to restore the default value (0). ☞ Range: ±50 (Default: 0)

q Press FUNCTION to call up the function menu.

w Repeatedly press the MOVE/ENTER button to reach the desired field and use the

DATA buttons or DATA wheel to adjust its value.

☞ The LCD shows the current values. ☞ Your last configurations will be retained until the piano is turned off (unless the KEEP SETTING feature is enabled, in

which case it is retained permanently).

☞ After displaying a menu for 3 seconds, the LCD automatically turns it off. If you want to disable this and would like to stay

on the menu, press DISPLAY HOLD.

Octave Shift

Octave Shift allows to transpose the piano up or down by 1 or 2 octaves.

☞ Each voice (Main/Layer/Split) has its own independent Octave Shift value. ☞ Range: -2 ~ 0 ~ +2 Octaves (Default: 0) ☞ Press both DATA buttons simultaneously to restore its default value (0).

Press the DATA UP button or turn the DATA wheel to view its subcategories. In the submenu, use the

MOVE/ENTER button and DATA buttons to set the values accordingly.

33

Other Functions

Auto Effect / Scale Tune

Auto Effect

Scale Tune

Most western music and its instruments use the equal temperament system for tuning, but in different historic periods and/or cultures many other types of tuning systems are found. This piano may be tuned to any of the tuning systems described below.

If enabled, this automatically applies the optimal Reverb and Effect settings whenever a voice is selected.

☞ Range: On, Off (Default Off) ☞ If you want to keep your previous Reverb/Effect settings, this must be disabled. ☞ Refer to page 56 for details on settings applied depending on the chosen voice.

Display Name Description

The tuning system used for traditional Arabic music.

Thes e tuning syste ms were create d by combining the mean tone and Py t h a g o rean sys t e m s , in w h i c h each m u s ical key poss e s s e s its o w n characteristic.

The Pythagorean system is constructed purely on the basis of octaves and fifths, which produces the purest fifths and fourths but destabilizes thirds. The mean-tone system was developed to address this issue to "fix" the thirds so that they would sound consonant.

A tuning system that strictly follows the natural overtones, which sets the frequency ratio between two notes to small integers. This scale produces the purest triads (I, IV, V).

The most widely used system of tuning which features equal ratios of frequency between all semitones.

1

2

3

4

5

6

7

8

9

EQUAL_TEMPERAMENT

PURE_MAJOR

PURE_MINOR

MEAN_TONE

PYTHAGOREAN

WERCKMEISTER

KIRNBERGER

ARABIC_1

ARABIC_2

Other Functions

Linear Damper / LCD Contrast / Auto Power-Off /

Keep Setting / System Info / Function Reset

Linear Damper

The Linear Damper feature, also commonly referred to as the Half Pedal, adjusts the duration of sustain depending on how deep the sustain pedal is pressed.

☞ Range: On, Off (Default ON) ☞ Refer to page 11 for details on pedals.

LCD Contrast

Auto Power-Off Timer

Keep Setting

System Info

This determines the brightness of the LCD.

☞ Range: -20 ~ 0 ~ +20 (Default 0) ☞ This field retains its value even if the piano is turned off, regardless of the KEEP SETTING feature.

This determines the amount of unused time to wait before the piano turns off itself automatically.

☞ Range: OFF, 30, 120, 240 minutes ☞ Press both DATA buttons simultaneously to restore the default value (30). ☞ This field retains its value even if the piano is turned off, regardless of the KEEP SETTING feature. ☞ Refer to page 8 for details on the Auto Power-Off feature.

Displays the version of the internal software.

If enabled, all changes made to the settings and parameters of the piano will be retained even if the piano is turned off.

☞ Range: On, Off

Function Reset

Initializes ALL settings and parameters to their default values, except for the LCD Contrast and Auto Power-Off fields.

34

Piano Settings

String Resonance Volume

Damper Resonance Volume

SND.BD Resonance Volume

On acoustic pianos, when a key is played there are subtle interferences between sympathetic strings, which is a phenomenon commonly referred as the string resonance. The piano sound contains string resonance samples for advanced realism. This parameter determines the volume of this effect.

☞ Range: 0 - 100 (Default: 80) ☞ Press both DATA buttons simultaneously to restore its default value (80).

When playing an acoustic piano with the sustain pedal pressed, the open strings that are not being played also vibrate sympathetically since the dampers are off. This piano offers live samples of this sound of all open strings vibrating when a key is played with damper pedal pressed. This parameter determines the volume of this effect.

q Press PIANO SETTING to call up the Piano Setting menu.

w Press MOVE/ENTER to reach the desired field, then use the DATA buttons or DATA

wheel to adjust its value.

e Press PIANO SETTING again to exit the menu.

The soundboard of an acoustic piano resonates along in reaction to the frequencies of the notes as they are played. This parameter determines the strength of this reflections.

☞ Range: 0 - 100 (Default: 65) ☞ Press both DATA buttons simultaneously to restore its default value (65).

☞ Range: 0 - 100 (Default: 80) ☞ Press both DATA buttons simultaneously to restore its default value (80).

This represents many parameters related to different acoustic characteristics that are related to the acoustic piano. All parameters in this category affect only the piano voices.

Piano Settings

String Resonance Volume / Damper Resonance

Volume / SND.BD Resonance Volume

35

Piano Settings

Key-Off Volume / Hammer Sound

/ Stretch Tune

Key-Off Volume

Hammer Sound

Stretch Tune

When tuning an acoustic piano, the low strings are tuned a bit lower than their original pitches, and the high strings higher, in order to accommodate the frequency difference of the harmonic series that occurs depending on the tension and stiffness of the strings, balancing the pitches of the overtones and preventing dissonance when playing multiple notes at once.

☞ Setting this OFF will result in the piano being 'flat-tuned', which means that the notes are tuned strictly according to

their basic pitches, disregarding the harmonic series.

☞ Range: ON, OFF (Default: ON) ☞ Press both DATA buttons simultaneously to restore its default value (ON).

On acoustic pianos, as the key is released there is the subtle sound of the dampers falling back onto their strings again. The key-off samples of this piano bring the subtle yet essential sensation of key release to life. This parameter determines the volume of this effect.

☞ Range: 0 - 4 (Default: 0) ☞ Press both DATA buttons simultaneously to restore its default value (0).

The acoustic piano creates sound by striking its strings with hammers, which is called the hammer sound. This parameter controls the volume of the physical sound of hammers hitting the strings.

☞ Range: 0 - 100 (Default: 40) ☞ Press both DATA buttons simultaneously to restore its default value (40).

36

EQ Settings

The equalizer divides all output sound of the piano into four levels of frequencies consisting of high (2.6KHz), mid-high (1.2KHz), mid-low (300Hz) and low (115Hz), and allows to make volume adjustments to each level independently.

Setting Equalizer

Press and hold down the EQ button until the EQ menu pops up. Use the DATA buttons or DATA wheel to set the values as desired.

☞ 7 preset EQs including PIANO, 3D PIANO, CLASSIC, DANCE, ROCK, HI-FI, LIVE CLUB are provided, as well as a customizable

USER setting.

Custom EQ

In the EQ Settings menu, press the MOVE/ENTER button to call up the USER EQ window. Then use the MOVE/ENTER button to reach the desired frequency range (low, mid-low, mid-high, high) and the DATA buttons or DATA wheel to adjust its value.

☞ Frequency Levels

1) High band(2.6KHz)

2) Middle high band(1.2KHz)

3) Middle low band(300Hz)

4) Low band(115Hz)

☞ Available EQ adjustment range: -12db ~ +12db

EQ

37

EQ

EQ Settings

Auto Accompaniment

Choosing a Rhythm / Adjusting Tempo

Auto Accompaniment

The piano features a versatile auto accompaniment system that is capable of providing fitting rhythmic accompaniment to diverse musical genres. This system also provides a chordal accompaniment feature that detects simple chord inputs from the player and generates a full accompaniment consisting of drums, bass and chords.

Choosing a Rhythm

Adjusting Tempo

80 types of different rhythmic styles are provided.

Press a rhythm group button corresponding to the desired rhythm. The LCD will show the list of rhythms belonging to that rhythm group. Either repeatedly press the same rhythm button or use the DATA buttons or DATA wheels to reach the desired rhythm style.

☞ 8 rhythm groups exist, each consisting of 10 different rhythm patterns. ☞ When a rhythm button is pressed, the LCD will display a menu listing all rhythms belonging to the chosen rhythm group

for 3 seconds. Use the DATA buttons or DATA wheel to select the desired voice.

☞ After displaying a menu for 3 seconds, the LCD automatically turns it off. If you want to disable this and would like to stay on

the menu, press DISPLAY HOLD.

☞ Your last configurations will be retained until the piano is turned off (unless the KEEP SETTING feature is enabled, in

which case it is retained permanently).

☞ Keep a TEMPO button pressed to quickly run through the values. ☞ Range: 40 - 250 bpm (beats per minute) ☞ Pressing both TEMPO buttons simultaneously will restore the default tempo (120). ☞ When a change occurs to the LCD, the accompaniment may be temporarily slowed. ☞ Each rhythm has its own default tempo setting. Whenever a new rhythm style is chosen, the tempo is set to the default

value of the new rhythm.

Use the TEMPO buttons to adjust the tempo of the auto accompaniment.

POP BALLAD ROCK SL ROCK LATIN JAZZ WALTZ CNTRY.

Pop1 Pop2 Dance1 Dance2 Dance3 Dance4 Dance5 Dance6 Hiphop House

Ballad1 Ballad2 Ballad3 Ballad4 Ballad5 Ballad6 Beguine1 Beguine2 R&B NewAge

Rock 1 Rock 2 Rock 3 Rock 4 Rock 5 Shuffle 1 Shuffle 2 Shuffle 3 Motown1 Motown2

Slow Rock1 Slow Rock2 Slow Rock3 Gospel Funk1 Funk2 Funk3 Boogie Soul1 Soul2

Latin 1 Latin 2 Latin 3 Latin 4 Samba Rhumha Salsa 1 Salsa 2 Tango1 Tango2

Blues1 Blues2 Swing1 Swing2 Jazz 1 Jazz 2 Jazz 3 Bossanova1 Bossanova2 Bossanova3

Waltz 1 Waltz 2 Waltz 3 Waltz 4 March 1 March 2 Polka Bluegrass Dolce Classic

Country 1 Country 2 Folk Rock1 Folk Rock2 CntryRock Folk Reggae ChaCha Makarena1 Makarena2

38

Adjusting Auto Accompaniment Volume

Starting the Auto Accompaniment

w Adjust the volume of auto accompaniment.

Use the ACC.MUSIC buttons to adjust the volume of auto accompaniment.

q

Press MIXER to call up the Mixer menu.

☞ Pressing both ACC.MUSIC buttons simultaneously will restore the default value. ☞ Hold down an ACC.MUSIC button to quickly run through the values. ☞ Alternatively, repeatedly press MOVE/ENTER to reach 'AC', then use the DATA buttons or DATA wheel to adjust the

volume.

There are three methods to start the auto accompaniment.

q Start immediately

Press START/STOP to start the accompaniment immediately. Press START/STOP again to stop.

w Start with an introduction passage

Press INTRO/END, then press START/STOP to begin the accompaniment with an introduction.

e Fade in

The accompaniment may be initiated with a gradual fade in effect beginning from zero volume. Press FADE before starting the accompaniment using the above methods. The button will turn on, and when the accompaniment starts its volume will gradually grow from zero until reaching the full volume, upon which the FADE button will turn off.

Basic and Variation Patterns

The auto accompaniment is based on a four-measure long sequence, of which there are two types: the basic and variation. Mixing up these patterns can greatly increase the impact of musical climax. While an auto accompaniment is going on, press FILL2/SYNC button to enter the variation pattern after a brief transitional sequence is played. Press FILL1/SYNC to return to the basic pattern, again with a brief transition.

☞ Basic pattern is intended for normal passages of a musical piece. ☞ Variation pattern is intended for the musical climax, or refrain in case of vocal music. ☞ These FILL buttons may be used just for the transition, or the FILL-IN effect to emphasize certain passages without

switching the ongoing pattern. For example, you may press FILL1/SYNC while on the basic pattern, which will play the transition for the emphasizing effect, but not switch to the variation pattern afterwards.

Auto Accompaniment

39

Adjusting Auto Accompaniment Volume / Starting the

Auto Accompaniment / Basic and Variation Patterns

Auto Accompaniment

Ending the Auto Accompaniment / Adjusting the Split Point

Ending the Auto Accompaniment

There are three methods to end the accompaniment.

q End immediately

Press START/STOP to immediately stop an ongoing accompaniment.

w End with a closing pattern

Press INTRO/END while an accompaniment is ongoing. A closing passage of maximum 12 measures will be played before the accompaniment terminates.

☞ While the closing pattern is being played, pressing the FILL buttons will abort the closing and instead play the FILL

transitions, followed by the regular rhythm patterns.

e Fade out

The accompaniment may gradually fade out until its volume reaches zero. Press FADE while an accompaniment is going. The button will turn on, and the accompaniment will fade away until its volume reaches zero, upon which the FADE button will turn off.

☞ Press FADE again if you wish to abort the fading out.

Adjusting the Split Point

Split Point also determines the area of keyboard that is used for indicating chords when using the auto accompaniment in the Single Finger or Fingered mode. In these modes, chords should be indicated using the keys on the left part, otherwise they would not be recognized. Press and hold down SPLIT until the Split menu is called up, then set the Split Point using the DATA buttons and DATA wheel.

☞ Default: F#3 ☞ Refer to page 18 for details on the Split menu.

40

Chordal Accompaniment

The auto accompaniment feature is able to generate chordal accompaniment as indicated by the player on the keys, following the chosen rhythmic pattern. When this is enabled, besides the drums and percussions the accompaniment also adds on melodic instruments to play the chords so that anyone may enjoy playing music of different genres.

q Choose a rhythm first.

Refer to page 37.

w Set the tempo.

Refer to page 37.

e Turn on the chordal accompaniment.

Press ACCOMP. The button will turn on.

☞ Press ACCOMP again to turn off the chordal accompaniment. This only affects the chord part and does not turn off the

rhythmic accompaniment.

r Select the desired method for indicating chords.

When the ACCOMP button is pressed, the LCD will show the list of available methods for inputting chords. Use the DATA buttons or DATA wheel to select the desired method.

☞ Default : FINGERED

t Start the auto accompaniment.

Press START/STOP to begin the rhythm accompaniment (see page 37), and indicate a chord using the selected method to trigger the chordal accompaniment. All other auto accompaniment features are also available (see page 37~39).

n End the auto accompaniment

Use the START/STOP, INTRO/ENDING or FADE buttons to end the auto accompaniment. (see page 39).

☞ Alternatively, indicate a chord first to begin the chord and rhythm parts together while the START/STOP button is

flashing.

Auto Accompaniment

41

Chordal Accompaniment

Auto Accompaniment

Chord Input Methods

Chord

Example

MAJOR

Play a note to generate a major triad

with that note as its bass.

C

MINOR

Play a note and its next white key to

generate a minor triad with the first note

as its bass.

Cm

Dominant 7th

Play a note and its next two white keys to

generate a dominant 7th chord with the

first note as its bass.

C7

Minor 7th

Play a note and its next three white keys

to generate a minor 7th chord with the

first note as its bass.

Cm7

♬ Fingered (Default)

The fingered mode detects a chord only when all notes of the chord is played on the lower register (determined by the Split Point). It is the most commonly used method. (See page 36).

♬ Single Finger

The single finger mode allows the user to indicate chords by playing 1, 2, 3, or 4 adjacent white notes on the lower register to play the major, minor, dominant 7th and minor 7th chords, and is suitable for novices.

♬ Full Keyboard

The full keyboard mode detects chords from all notes played on all 88 keys, and do not reserve the lower register for chord indication.

Chord Input Methods

Single Finger Method

The chords may be indicated on the lower register, using 1~4 fingers following the rules below.

There are three available methods for a player to indicate chords to be generated.

42

Fingered

The fingered mode detects a chord only when it is fully spelled within the lower register, which is capable of generating more advanced chords and is the most commonly used method.

Major: C Minor: Cm Dominant 7: C7 Minor 7th: Cm7

Major 7th: CM 7 Augmented: Caug Diminished: Cdim Suspended 4: Csus4

Minor 7♭5: Cm7-5 Dominant Sus4: C7sus4 Dominant Diminished:C7dim Dominant Augmented:C7aug

Minor Add 9th: Cmadd9 Minor Major 7th♭5: CmM7-5

Minor Major 7th: CmM7 Dominant 7th♭5: C7-5 Suspended 2: Csus2 Major 7th Augmented:CM7aug

♭5th: C♭5 6th: C6 Minor 6th: Cm6 Add 9th : Cadd9

Full Keyboard

The full keyboard mode detects chords from all 88 keys. Therefore, there is no 'reserved area' for chord indication, your both hands are free to play on any register, and the piano will take care of analyzing the notes and coming up with a chord. This mode offers the advantage that there is no need to consider the exact notes that make up a given chord while playing. The detected chord is displayed on the LCD, but sometimes the chord may be incorrect, because the piano takes all non-harmonic notes into account.

Auto Accompaniment Chord Input Methods

43

44

RECORD

Recording/Playing

Record

The piano features an extensive recording system to record the player's performance. The recordings may be saved to a USB flash memory for convenience, and saved recordings may be recalled for playback at user's discretion.

If desiring to hear what is recorded in Track 1, press PLAY/PAUSE once again.

☞ Press STOP to stop the playback.

e Leave Track 1.

Press the PLAY/PAUSE or STOP button to stop recording to Track 1.

r Record to Track 2.

Press TRACK2 to trigger the button. Then play a key, or press PLAY/STOP to begin recording.

☞ If you want to mute track 1 while recording to track 2, press TRACK1 again to turn it off. ☞ Recording will terminate if the piano is not played for a long time.

q Preparation

Choose the voice(s) that you wish to use for recording, and press RECORD. The button will turn on, and the TRACK1 button will begin flashing. The Layer and Split features may be used for recording.

☞ A flashing TRACK button indicates that its corresponding track is ready to record. ☞ Two recording tracks are available, each able to save up to 9,000 notes.

w Record to Track 1.

Play a key, or press PLAY/PAUSE to begin recording.

☞ Recording will terminate if the piano is not played for a long time.

t Leave Track 2.

Press the PLAY/PAUSE or STOP button to stop recording.

n Playback

Press PLAY/PAUSE to hear the recorded tracks.

☞ Press STOP to stop the playback.

☞ The tracks are not erased by turning off the piano.

i Exit recording mode.

Press RECORD again to quit recording and return to performance mode.

Saving To USB

The recorded music may be saved to a USB flash memory, which may be recalled to be played anytime.

q Insert the USB memory to the USB-TO-DEVICE terminal.

w Call up the USB memory menu.

Press the USB MEMORY button. The LCD will show the USB memory menu.

☞ The USB memory feature cannot be accessed while RECORD is active.

☞ The use of the bundled USB memory is recommended. ☞ The USB MEMORY button does not work if no USB memory is detected. ☞ Do not try to force the USB memory in or out of the slot. ☞ Do not remove the USB memory when it is being accessed. Doing so may corrupt the data inside.

u Erasing

Press and hold down a TRACK button until a 'bell' rings to erase the corresponding track. Press and hold down the RECORD button until a 'bell' rings to erase all tracks.

RECORD

Recording/Playing / Saving To USB

45

RECORD

Recording/Playing / Saving To USB

r Save to the USB memory.

Use the DATA buttons to cycle through the characters, and press MOVE/ENTER when the desired alphabet is chosen.

Repeat this process until the full filename is written, then locate '.' on the character input (found ahead of A) and press MOVE/ENTER to save the tracks recorded in the piano. After saving, the initial screen will be displayed again.

e Select "SAVE REC.SONG".

Press the MOVE/ENTER button to reach the SAVE REC.SONG option and use the DATA buttons or DATA wheel to write the filename.

☞ If a file with the same name exists, the filename cannot be used. ☞ It takes about 10-60 seconds to recall data saved in the USB memory, depending on the size of the saved data. ☞ Do not remove the USB memory while data is being accessed. Doing so may corrupt the data. ☞ If a file could not be saved properly, the LCD will display an ERROR message, followed by a return to the initial screen. In

this case, the file is permanently lost.

☞ If you wish to save only 1 track, erase the unwanted track prior to saving.

46

RECORD Loading From USB

q Insert the USB memory to the USB-TO-DEVICE terminal.

The recordings saved in the USB memory may be loaded and played again.

e Select 'LOAD REC.SONG'.

Press MOVE/ENTER to select the LOAD REC.SONG option and use the DATA buttons or DATA wheel to pop the dialog below.

r Load the desired file.

Use the DATA buttons or DATA wheel to move the cursor around, and press MOVE/ENTER to select a file or a folder. Once the loading is complete, the RECORD button will turn on.

t Play the loaded song.

Press PLAY/PAUSE to play the loaded song.

☞ When a saved file has been loaded, the tracks are overwritten with the loaded song. ☞ All previous contents of the tracks are lost.

w Press the USB MEMORY button.

The LCD will show the USB memory menu.

Loading From USB

47

REGISTRATION

Registration Memory

/ Saving Registrations To USB

48

Using Registration Memory

Registration

Registration allows the user to save all current settings and parameters of the piano to the registration memories,

so that they may be recalled for easy use in the future.

Loading a Registration

Press the REGISTRATION button corresponding to the desired registration number.

Saving a Registration

Once all desired parameters are set, press and hold down SAVE and then press one of the 4 REGISTRATION buttons to save current settings to that memory. If more than 4 registration slots are needed, hold down the BANK button, then press one of the 4 REGISTARTION buttons to switch to another registration memory bank. Each bank consists of 4 registration memories, allowing for a total of 16 registration slots.

The registrations saved in the piano memory may also be saved to USB memories as files, which may be reloaded to the piano later.

Saving Registrations To USB

q Insert the USB memory to the USB-TO-DEVICE terminal.

w Call up the USB memory menu.

Press the USB memory button. The LCD will show the USB memory menu

.

 If desiring to load a registration saved in banks other than bank #1, press and hold down the BANK button, then press

the REGISTRATION button with the corresponding number to select the desired bank first.

 The use of the bundled USB memory is recommended.  The USB MEMORY button does not work if no USB memory is detected.  Do not try to force the USB memory in or out of the slot.  Do not remove the USB memory while data is being accessed. Doing so may corrupt the data.

REGISTRATION Loading Registrations From USB

49

r Save to the USB memory.

Use the DATA buttons to cycle through the characters, and press MOVE/ENTER when the desired alphabet is chosen. Repeat this process until the full filename is written, then find '.' on the character input (located ahead of ‘A’) and press MOVE/ENTER to save. After saving, the initial screen will be displayed again.

☞ If a file with the same name exists, the filename cannot be used. ☞ It takes about 10-60 seconds to recall data saved in the USB memory, depending on the size of the saved data. ☞ Do not remove the USB memory while it is being accessed. Doing so may corrupt the data. ☞ If a file could not be saved properly, the LCD will display an ERROR message, followed by a return to the initial screen.

In this case, the file is permanently lost.

e Select 'SAVE REG'.

Press the MOVE/ENTER button to move the cursor to the 'SELECT REGISTRATION' option, then use the DATA buttons or DATA wheel to call up the input dialog on the right.

q Insert the USB memory to the USB-TO-DEVICE terminal.

The registration files saved in the USB memory may be reloaded to the piano.

e Select 'LOAD REGISTRATION'.

Repeatedly press MOVE/ENTER to select 'LOAD REGIST.', then use the DATA buttons or DATA wheel to see the dialog below.

r Load the desired registration file.

Select the desired file by using the DATA buttons, then press MOVE/ENTER to load it.

☞ When a registration file has been loaded, the registration memories are overwritten with the loaded content.

w Call up the USB memory menu.

Press the USB MEMORY button.

Loading Registrations From USB

VP PLAYER

Playing VP Music Files

50

e Select the desired piece to play.

Use the DATA buttons or DATA wheel to pick a piece.

Playing VP Music Files

q Insert the USB memory to the USB-TO-DEVICE terminal.

w Select a VP player group.

Press the VP PLAYER button. The LCD will show the folders, each corresponding to a musical genre. Use the DATA buttons or DATA wheel to select a folder, then press MOVE/ENTER to enter it.

☞ The VP music data is saved in the provided USB memory. Therefore the bundle USB memory must be used in order to play

the VP music.

☞ If the bundled USB memory is lost, or its data has been corrupted, the VP music data must be installed again. Since the USB

memory must be formatted in order to do this, it is recommended to create a backup copy of its contents.

☞ Contact customer service for instructions on installing the data.

VP Player

The provided USB memory that comes with the piano contains recordings of music in many different genres, which may be played using the VP player feature.

☞ Each folder represents a specific musical genre (classic, pop, jazz, juvenile, educational etc.). ☞ Use the DATA buttons or DATA wheel to navigate the folders. ☞ The DISPLAY HOLD button does not work when using VP PLAYER.

☞ ' 'indicates a folder and ' ' indicates a music file.

VP PLAYER Playing VP Music Files

51

r Play the chosen piece.

Press PLAY/PAUSE to play the chosen piece.

Adjusting VP player tempo

Each piece in the VP library has its own default tempo. When a piece is being played, use the TEMPO buttons to adjust its tempo.

☞ When the playback is stopped and then resumed, or a new piece has been selected, its tempo is set back to the

default.

☞ Pressing both TEMPO buttons simultaneously will restore the default tempo of current piece.

Repeating

To repeat a piece, press TRACK1/R. The button will turn on, and once a piece is over it will be played again.

Playing all pieces in succession

To play all pieces in the folder in succession, press TRACK2/A. The button will turn on, and once a piece is over it will be followed by the next piece in the folder, continuing until the end of the folder is reached.

Adjusting VP player volume

Press MIXER to call up the Mixer menu, then use the ACC.MUSIC buttons to adjust playback volume.

☞ Alternatively, use the DATA buttons to adjust the volume ('MU'). ☞ Available range is 0 - 100, with 80 as default. ☞ Refer to page 21 for details on Mixer.

t To move to a different folder (genre), select '..' on the first of the list and press MOVE/ENTER to move to the parent folder, where you may choose another folder to enter.

y Press STOP to stop the playback.

☞ Any repetition or successive playback options also will be aborted.

u Exit VP player.

Press the VP PLAYER button again to turn it off.

MUSIC PLAYER

Playing MP3/MIDI files

52

Playing MP3/MIDI files

Music Player

SMF stands for the Standard MIDI File, and is the standard format of MI D I fi l e s used in various MIDI re l ated application and sequencers for data compatibility. Three types of SMF format exist, of which SMF 0 and SMF 1 are supported by the SMF player included in this piano.

q Insert the USB memory to the USB-TO-DEVICE terminal.

Prior to this, copy the MP3/SMF files you wish to play into the USB memory.

☞ Preparation

1) Download the MP3 (*.mp3) or SMF (*.mid) files from music websites.

2) Move or copy the downloaded MP3 or SMF files in your computer to the USB memory.

e Use the DATA buttons or DATA wheel to select the desired file.

w Select the file to play.

Press the MUSIC PLAYER button shortly to see the list of MP3 files. Press and hold down MUSIC PLAYER longer to see the list of SMF files.

The extension of SMF files are *.MID. Most files with this extension should be playable. Many SMFs are available for download online via music related websites.

☞ The use of the bundled USB memory is recommended. ☞ Do not try to force the USB memory in or out of the slot. ☞ Do not remove the USB memory while data is being accessed. Doing so may corrupt the data. ☞ The USB MEMORY button does not work if no USB memory is detected.

☞ ' 'indicates a folder and ' ' indicates a music file.

MUSIC PLAYER Playing MP3/MIDI files

53

y Press STOP to stop the playback.

☞ The piano needs to convert MIDI files in SMF 1 format into SMF 0 before it could be played. Therefore it will require some

time for the conversion (10-60 seconds depending on size).

r Play the chosen MP3/SMF file.

Press PLAY/PAUSE to start playback.

Repeating

To repeat a piece, press TRACK1/R. The button will turn on, and once a piece is over it will be played again.

Playing all pieces in succession

To play all pieces in the folder in succession, press TRACK2/A. The button will turn on, and once a piece is over it will be followed by the next piece in the folder, continuing until the end of the folder is reached.

Adjusting music file playback volume Press MIXER to call up the Mixer menu, then use the ACC.MUSIC buttons to adjust playback volume.

☞ Alternatively, use the DATA buttons to adjust the volume. ☞ Available range is 0 - 100, with 80 as default. ☞ Refer to page 21 for details on MIXER.

t To move to a different folder, select '..' on the first of the list and press MOVE/ENTER to move to

the parent folder, where you may choose another folder to enter.

GM Voice

GM Voice & Percussions List

1 2 1 1 2 2 1 2 3 1 4 4 1 2 5 1 2 6 1 2 7 1 2 8

Guitar Noise Breath Noise Sea Shore Birds Telephone Helicopter Applause Gunshot

Soprano Saxophone Alto Saxophone Tenor Saxophone Baritone Saxophone Oboe English Horn Basson Clarinet

Piccolo Flute Recorder Pan Flute Bottle Blow Shakuhachi Whistle Ocarina

GM # GM #VOICE

VOICE

0 8 1 0 8 2 0 8 3 0 8 4 0 8 5 0 8 6 0 8 7 0 8 8

Square Sawtooth Calliope Chiffer Charang Solo Vox Fifths Bass Lead

0 8 9 0 9 0 0 9 1 0 9 2 0 9 3 0 9 4 0 9 5 0 9 6

Fantasia Warm Pad Poly Synth Space Vox Bow Glass Metal Pad Halo Pad Sweep Pad

0 9 7 0 9 8 0 9 9 1 0 0 1 0 1 1 0 2 1 0 3 1 0 4

Ice Rain Sound Track Crystal Atmosphere Brightness Goblin Echo Drop Star Theme

1 0 5 1 0 6 1 0 7 1 0 8 1 0 9 1 1 0 1 1 1 1 1 2

Sitar Banjo Shamishen Koto Kalimba Bagpipe Fiddle Shanai

1 1 3 1 1 4 1 1 5 1 1 6 1 1 7 1 1 8 1 1 9 1 2 0

Tinkle Bell Agogo Steel Drum Wood Block Taiko Melody Tom Synth Drum Reversed Cymbal

0 0 1 0 0 2 0 0 3 0 0 4 0 0 5 0 0 6 0 0 7 0 0 8

Pian o1 Pian o2 Pian o3 Honk y Ton k Elec tric Piano1 Elec tric Piano2 Harpsichord Clavinet

0 0 9 0 1 0 0 1 1 0 1 2 0 1 3 0 1 4 0 1 5 0 1 6

Celesta Glockenspiel Music Box Vibraphone Marimba Xylophone Tubular Bell Dulcimer

0 1 7 0 1 8 0 1 9 0 2 0 0 2 1 0 2 2 0 2 3 0 2 4

Electric Organ Jazz Organ Rock Organ Pipe Organ Reed Organ Accordion Harmonica Bandonion

0 2 5 0 2 6 0 2 7 0 2 8 0 2 9 0 3 0 0 3 1 0 3 2

Nylon Guitar Steel Guitar Jazz Guitar Clean Guitar Muted Guitar Drive Guitar Lead Guitar Harmonic Guitar

0 3 3 0 3 4 0 3 5 0 3 6 0 3 7 0 3 8 0 3 9 0 4 0

Acoustic Bass Finger Bass Pick Bass Fretless Bass Slap Bass1 Slap Bass2 Synth Bass1 Synth Bass2

0 4 1 0 4 2 0 4 3 0 4 4 0 4 5 0 4 6 0 4 7 0 4 8

Violin Viola Cello Contra Bass Tremolo Strings Pizzicato Strings Harp Timpani

0 4 9 0 5 0 0 5 1 0 5 2 0 5 3 0 5 4 0 5 5 0 5 6

Strings Slow Strings Synth Strings1 Synth Strings2 Choir Aahs Voice Oohs Synth Voice Orchestra Hit

0 5 7 0 5 8 0 5 9 0 6 0 0 6 1 0 6 2 0 6 3 0 6 4

Trumpet Trombone Tuba Muted Trumpet French Horn Brass Section Synth Brass1 Synth Brass2

0 6 5 0 6 6 0 6 7 0 6 8 0 6 9 0 7 0 0 7 1 0 7 2

0 7 3 0 7 4 0 7 5 0 7 6 0 7 7 0 7 8 0 7 9 0 8 0

GM Voice & Percussions

GM Voice

55

56

Percussions

Prog 1 Prog 9 Prog 17 Prog 25 Prog 26 Standard Drum Room Drum Rock Drum Elec. Drum Analog Drum

27 - D#1 High Q 28 - E1 Slap 29 - F1 Scratch Push 30 - F#1 Scratch Pull 31 - G1 Sticks 32 - G#1 Square Click 33 - A1 Metronome Click 34 - A#1 Metronome Bell 35 - B1 Kick drum2/Jazz BD2 36 - C1 Kick drum1/Jazz BD1 Power Kick Elec BD 808 Bass Drum 37 - C#2 Side Stick 808 Rim shot 38 - D2 Snare Drum1 Gated Snare Elec SD 808 Snare Drum 39 - D#2 Hand Clap 40 - E2 Snare Drum 2 41 - F2 Low Floor Tom Room Low Tom2 Room Low Tom2 Elec Low Tom2 808 Low Tom2 42 - F#2 Closed Hi Hat [EXC1] 808 CHH[EXC1] 43 - G2 High Floor Tom Room Low Tom1 Room Low Tom1 Elec Low Tom1 808 Low Tom2 44 - G#2 Pedal Hi-Hat [EXC1] 808 CHH[EXC1] 45 - A2 Low Tom Room Mid Tom2 Room Mid Tom2 Elec Mid Tom2 808 Mid Tom2 46 - A#2 Open Hi-Hat [EXC1] 808 OHH[EXC1] 47 - B2 Low-Mid Tom Room Mid Tom1 Room Mid Tom1 Elec Mid Tom1 808 Mid Tom1 48 - C2 Hi Mid Tom Room Hi Tom2 Room Hi Tom2 Elec Hi Tom2 808 Hi Tom2 49 - C#3 Crash Cymbal 1 808 Cymbal 50 - D3 High Tom Room Hi Tom1 Room Hi Tom1 Elec Hi Tom1 808 Hi Tom1 51 - D#3 Ride Cymbal 1 52 - E3 Chinese Cymbal Reverse Cymbal 53 - F3 Ride Bell 54 - F#3 Tambourine 55 - G3 Splash Cymbal 56 - G#3 Cowbell 808 Cowbell 57 - A3 Crash Cymbal2 58 - A#3 Vibraslap 59 - B3 Ride Cymbal2 60 - C4 Hi Bongo 61 - C#4 Low Bongo 62 - D4 Mute Hi Conga 808 High Conga 63 - D#4 Open Hi Conga 808 Mid Conga 64 - E4 Low Conga 808 Low Conga 65 - F4 High Timbale 66 - F#4 Low Timbale 67 - G4 High Timbale 68 - G#4 Low Agogo 69 - A4 Cabasa 70 - A#4 Maracas 71 - B4 Short Whistle[EXC2] 808 Maracas 72 - C5 Long Whistle[EXC2] 73 - C#5 Short Guiro[EXC3] 74 - D5 Long Guiro[EXC3] 75 - D#5 Claves 808 Claves 76 - E5 Hi Wood Block 77 - F5 Low Wood Block 78 - F#5 Mute Cuica[EXC4] 79 - G5 Open Cuica[EXC4] 80 - G#5 Mute Triangle[EXC5] 81 - A5 Open Triangle[EXC5] 82 - A#5 Shaker 83 - B5 Jingle Bell 84 - C6 Belltree 85 - C#6 Castanets 86 - D6 Mute Surdo[EXC6] 87 - D#6 Open Surdo[EXC6] 88 - E6

※ Prog. 33(Jazz Drum) is available only through MIDI connections. The internal percussion kits of the piano does not include it.

GM Voice & Percussions

Percussions

GM Voice & Percussions Percussions

57

Prog 33 Prog 41 Prog 49 Prog 57 REMARKS

표시창

# Jazz Drum Brush Drum Classic SFX 27 - D#1 Closed Hi Hat 28 - E1 Pedal Hi-Hat 29 - F1 Open Hi Hat 30 - F#1 Ride Cymbal 31 - G1 32 - G#1 33 - A1 34 - A#1 35 - B1 Jazz BD2 Jazz BD2 Concert BD 2 36 - C2 Jazz BD1 Jazz BD1 Concert BD1 37 - C#2 38 - D2 Brush Tap Concert SD 39 - D#2 Brush Slap Castanets High Q 40 - E2 Brush Swirl Concert SD Slap 41 - F2 Timpani F Scratch Push 42 - F#2 Timpani F# Scratch Pull 43 - G2 Timpani G Sticks 44 - G#2 Timpani G# Square Click 45 - A2 Timpani A Metronome Click 46 - A#2 Timpani A# Metronome Bell 47 - B2 Timpani B Guitar Slide 48 - C3 Timpani c Gt Cut Noise(dw) 49 - C#3 Timpani c# Gt Cut Noise (up) 50 - D3 Timpani d Double Bass Slap 51 - D#3 Timpani d# Key Click 52 - E3 Timpani e Laughing 53 - F3 Timpani f Screaming 54 - F#3 Punch 55 - G3 Heart Beat 56 - G#3 Footsteps1 57 - A3 Concert Cymbal2 Footsteps2 58 - A#3 Applause 59 - B3 Concert Cymbal1 Door Creaking

60 - C4 Door Closing 61 - C#4 Scratch 62 - D4 Wind Chime 63 - D#4 Car Engine Start 64 - E4 Car Breaking 65 - F4 Car Pass 66 - F#4 Car Crash 67 - G4 Police Siren 68 - G#4 Train 69 - A4 Jet Take-off 70 - A#4 Helicopter 71 - B4 Starship 72 - C5 Gun Shot 73 - C#5 Machine gun 74 - D5 Laser gun 75 - D#5 Explosion 76 - E5 Dog 77 - F5 Horse Gallop 78 - F#5 Birds 79 - G5 Rain 80 - G#5 Thunder 81 - A5 Wind 82 - A#5 Sea Shore 83 - B5 Stream 84 - C6 Bubble 85 - C#6 86 - D6 87 - D#6 88 - E6

List of Voice

Voice Group& Auto Tune List

Voice Group Voices Displayed

AUTO EFFECT

REVERB EFFECT

PIANO

Harpsichord

ORGAN

STRINGS

BRASS

BASS

PERCUSSION

CONCERT GRAND CLASSIC GRAND NEWAGE GRAND WARM GRAND STAGE GRAND CHORUSED GRAND E.GRAND PIANO ELEC.PIANO FM PIANO SYNTH PIANO

GrPiano1

GrPiano2 GrPiano3 GrPiano4 GrPiano5 ChrsPiano E.GrPiano E.Piano FM Piano SynPiano

RM2 RM2 RM2 RM2 RM2 RM2 HL1 RM1 ST1 HL3

OFF OFF OFF OFF OFF OFF CHR CHR CHR CHR

HARPSICHORD VEL.HRPSICD CLAVINET VIBRAPHONE MARIMBA XYLOPHONE ORCHESTRA HARP NYLON GUITAR HAWAIIAN GUITR UKULELE

Hrpsichrd VelHarpsi Clavinet Vibrphone Marimba Xylophone OrcheHarp NylonGuitr HawaiianGT Ukulele

HL3 HL3 HL2 HL2 HL1 HL1 HL2 HL2 ST2 ST1

CHR CHR PHS CHR CHR CHR PHS PHS PHS PHS

PIPE ORGAN1 PIPE ORGAN2 ELEC.ORGAN1 ELEC.ORGAN2 ELEC.ORGAN3 ELEC.ORGAN4 ELEC.ORGAN5 ACCORDION HARMONICA BANDONION

PipeOrgn1 PipeOrgn2 ElecOrgn1 ElecOrgn2 ElecOrgn3 ElecOrgn4 ElecOrgn5 Accordion Harmonica Bandonion

HL3 ST2 HL2 HL2 ST2 ST2 HL2 HL1 HL1 HL1

CHR CHR RTY RTY RTY RTY RTY PHS CHR PHS

STRINGS ORCHESTRA STRG STR&BRASS SLOW STRINGS SL.STR&BRASS PIZZ STRINGS SYNTH STRINGS VIOLIN CELLO CHOIR

Strings OrcheStr Str&Brss SL.Strngs SL.Str&Br PizzStr SynthStr Violin Cello Choir

HL2 HL2 HL3 HL2 HL2 HL2 HL3 HL1 HL1 HL3

PHS PHS PHS PHS PHS OFF OFF PHS PHS OFF

BRASS FLUTE ALTO SAX TENOR SAX TRUMPET TROMBONE SYNTH BRASS1 SYNTH BRASS2 CLARINET OBOE

Brass Flute AltoSax TenorSax Trumpet Trombone SynBrass1 SynBrass2 Clarinaet Oboe

HL1 HL2 ST2 HL1 HL2 HL2 HL1 ST2 HL1 HL1

PHS PHS PHS PHS PHS PHS PHS PHS CHR PHS

ELEC.BASS1 ELEC.BASS2 ACOUSTIC BASS SYNTH BASS STEEL GUITAR 12STR GUITAR ELEC.GUITAR JAZZ GUITAR DRIVE GUITAR DIST.GUITAR

ElecBass1 ElecBass2 AcoustBass SynthBass StelGuitar 12StGuitar ElecGuitar JazzGuitar DrivGuitar DistGuitar

RM2 RM2 RM2 ST1 HL1 HL1 ST2 ST2 ST2 ST2

CHR CHR CHR CHR CHR CHR CHR PHS PHS CHR

STANDARD DRUM ROOM DRUM ROCK DRUM ELEC.DRUM ANALOG DRUM BRUSH DRUM JAZZ DRUM ORCHESTRA DRUM SFX 1 SFX 2

Standard RoomDrum RockDrum ElecDrum AnlgDrum BrshDrum JazzDrum OrcheDrum SFX 1 SFX 2

HL1 HL1 HL1 HL1 HL1 HL1 HL1 HL1 HL1 HL1

OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF

Voice Group & Auto Effect List

58

59

MIDI CHART

MIDI Implementation Chart

MIDI CHART

Function Recognized Transmitted Remark

Basic Channel Default ALL 1 -3

Mode Default OMNI OFF, POLY OMNI OFF, POLY

Note ON/OFF 9nH kk vv O O #kk:note ON (0-127)

#vv:velocity (1-127)

Pitch Bender EnH bi bh O O Maximum swing +/- 1 tone

00 BnH 00H cc O X Bank Select

01 BnH 01H cc O X Modulation Wheel

05 BnH 05H cc O X Portamento Time

06 BnH 06H cc O X Data Entry

07 BnH 07H cc O X Volume

10 BnH 0AH cc O X Pan Out

11 BnH 0BH cc O X Expression

64 BnH 40H cc O O Damper Pedal

65 BnH 41H cc O X Portamento ON/OFF

66 BnH 42H cc O O Sostenuto Pedal

Control 67 BnH 43H cc O O Soft Pedal

Change 80 BnH 80H vv O X Reverb Prog.(vv=00H-70H)

81 BnH 51H vv O X Chorus Prog.

91 BnH 5BH vv O O Reverb Send Level

93 BnH 5DH vv O O Chorus Send Level

120 BnH 78H 00H O X All Sound Off

121 BnH 79H 00H O X Reset All Controller

123 BnH 7BH 00H O X All Notes Off

126 BnH 7EH 00H O X Mono On

127 BnH 7FH 00H O X Poly On

Program Change CnH PP O O Sounds/Drum Set List

System Exclusive General MIDI X X

Reset

O : Move/enter, X : No

MIDI Implementation Chart

VP PLAYER LIST

CLASSIC 01

VP PLAYER LIST

The bundled memory that comes with the piano contains many demonstrational recordings of piano music in different genres including classical, jazz, gospel, juvenile and etc.

CLASSIC 01 - Chopin

GROUP NAME Clssic01

C H0 01 C H0 02 C H0 03 C H0 04 C H0 05 C H0 06 C H0 07 C H0 08 C H0 09 C H0 10 C H0 11 C H0 12 C H0 13 C H0 14 C H0 15 C H0 16 C H0 17 C H0 18 C H0 19 C H0 20 C H0 21 C H0 22 C H0 23 C H0 24 C H0 25 C H0 26 C H0 27 C H0 28 C H0 29 C H0 30 C H0 31 C H0 32 C H0 33 C H0 34 C H0 35 C H0 36 C H0 37 C H0 38 C H0 39 C H0 40 C H0 41 C H0 42 C H0 43 C H0 44 C H0 45 C H0 46 C H0 47 C H0 48 C H0 49 C H0 50

C ho pi n , Fr yd er k

F ra nc u s z ek

E tu de o p .1 0 no . 1 E tu de o p .1 0 no . 2 E tu de o p .1 0 no . 4 E tu de o p .1 0 no . 5 E tu de o p .1 0 no . 6 E tu de o p .1 0 no . 7 E tu de o p .1 0 no . 8 E tu de o p .1 0 no . 9 E tu de o p .1 0 no . 1 0 E tu de o p .1 0 no . 1 1 E tu de o p .1 0 no . 1 2 E tu de o p .2 5 no . 1 E tu de o p .2 5 no . 2 E tu de o p .2 5 no . 3 E tu de o p .2 5 no . 4 E tu de o p .2 5 no . 5 E tu de o p .2 5 no . 6 E tu de o p .2 5 no . 7 E tu de o p .2 5 no . 8 E tu de o p .2 5 no . 9 E tu de o p .2 5 no . 1 0 E tu de o p .2 5 no . 1 1 N oc tu r n e o p. 9 n o . 1 N oc tu r n e o p. 9 n o . 2 N oc tu r n e o p. 15 n o .2 N oc tu r n e o p. 27 n o .2 N oc tu r n e o p. 32 n o .1 N oc tu r n e o p. 37 n o .1 N oc tu r n e o p. 37 n o .2 N oc tu r n e o p. 48 n o .1 N oc tu r n e o p. 55 n o .1 N oc tu r n e o p. 62 n o .2 N oc tu r n e o p. 72 n o .1 S on at a o p. 3 no . 3 S on at a o p. 3 no . 4 M az ur k a op .6 n o . 1 M az ur k a op .6 n o . 2 M az ur k a op .6 n o . 3 M az ur k a op .6 n o . 4 M az ur k a op .7 n o . 1 M az ur k a op .7 n o . 2 M az ur k a op .7 n o . 3 M az ur k a op .7 n o . 4 M az ur k a op .7 n o . 5 M az ur k a op .1 7 n o . 1 M az ur k a op .1 7 n o . 2 M az ur k a op .1 7 n o . 3 M az ur k a op .1 7 n o . 4 M az ur k a op .2 4 n o . 1 M az ur k a op .2 4 n o . 2

Display Title Composer

60

61

VP PLAYER LIST

CLASSIC 02

CLASSIC 02 - Chopin

GROUP NAME Clssic02

C H0 51 C H0 52 C H0 53 C H0 54 C H0 55 C H0 56 C H0 57 C H0 58 C H0 59 C H0 60 C H0 61 C H0 62 C H0 63 C H0 64 C H0 65 C H0 66 C H0 67 C H0 68 C H0 69 C H0 70 C H0 71 C H0 72 C H0 73 C H0 74 C H0 75 C H0 76 C H0 77 C H0 78 C H0 79 C H0 80 C H0 81 C H0 82 C H0 83 C H0 84 C H0 85 C H0 86 C H0 87 C H0 88 C H0 89 C H0 90 C H0 91 C H0 92 C H0 93 C H0 94 C H0 95 C H0 96 C H0 97 C H0 98

C H0 99 C H1 00

C ho pi n , Fr yd er k

F ra nc u s z ek

M az ur k a op .2 4 n o . 3 M az ur k a op .2 4 n o . 4 M az ur k a op .3 0 n o . 1 M az ur k a op .3 0 n o . 2 M az ur k a op .3 0 n o . 3 M az ur k a op .3 0 n o . 4 M az ur k a op .3 3 n o . 1 M az ur k a op .3 3 n o . 2 M az ur k a op .3 3 n o . 3 M az ur k a op .3 3 n o . 4 M az ur k a op .4 1 n o . 1 M az ur k a op .4 1 n o . 2 M az ur k a op .4 1 n o . 3 M az ur k a op .4 1 n o . 4 M az ur k a op .5 0 n o . 1 M az ur k a op .5 0 n o . 2 M az ur k a op .5 0 n o . 3 M az ur k a op .5 6 n o . 1 M az ur k a op .5 6 n o . 2 M az ur k a op .5 6 n o . 3 M az ur k a op .5 9 n o . 1 M az ur k a op .5 9 n o . 2 M az ur k a op .5 9 n o . 3 M az ur k a op .6 3 n o . 1 M az ur k a op .6 3 n o . 2 M az ur k a op .6 3 n o . 3 M az ur k a op .6 7 n o . 1 M az ur k a op .6 7 n o . 2 M az ur k a op .6 7 n o . 3 M az ur k a op .6 7 n o . 4 M az ur k a op .6 8 n o . 1 M az ur k a op .6 8 n o . 2 M az ur k a op .6 8 n o . 3 M az ur k a op .6 8 n o . 4 P ol on a i s e op .4 1 n o. 1 T ro is N o uv el le s E tu de N o . 1 S ch er z o no .1 S ch er z o no .2 S ch er z o no .3 W al tz o p .3 4 no . 1 W al tz o p .3 4 no . 2 W al tz o p .6 4 no . 1 W al tz o p .6 4 no . 2 W al tz o p .6 4 no . 3 W al tz o p .6 9 no . 2 W al tz o p .7 0 no . 2 W al tz o p .5 6 I mp ro m p t u - No . 4 c s ha r p mi no r ( Fa nt a s i e- Im pr o m p tu ) Op . 6 6 B al la d e no .1 i n g m in or o p .2 3 B al la d e no .2 i n F M aj or , o p. 38

Display Title

62

VP PLAYER LIST

CLASSIC 03

Display Title

CLASSIC 03 - Chopin and Brahms

GROUP NAME Clssic03

C H1 01 C H1 02 C H1 03 C H1 04 C H1 05 C H1 06 C H1 07 C H1 08 C H1 09 C H1 10 C H1 11 C H1 12 C H1 13 C H1 14 C H1 15 C H1 16 C H1 17 C H1 18 C H1 19 C H1 20 C H1 21 C H1 22 C H1 23 C H1 24 C H1 25 C H1 26

C ho pi n , Fr yd er k

F ra nc u s z ek

B al la d e no .3 i n A f la t M a j or , op . 4 7 B al la d e no .4 i n f m in or , o p. 52 P re lu d e op .2 8 n o . 1 in C M a jo r- A g i t at o P re lu d e no .2 8 n o . 2 in a m i no r- L e n t o P re lu d e op .2 8 n o . 3 in G M a jo r- V i v a ce P re lu d e op .2 8 n o . 4 in e m i no r- L a r g o P re lu d e op .2 8 n o . 5 in D M a jo r- M o l t o al le g r o P re lu d e op .2 8 n o . 6 in b m i no r- A s s a i le nt o P re lu d e op .2 8 n o . 7 in A M a jo r- A n d a nt in o P re lu d e op .2 8 n o . 8 in f - s h ar p mi n o r - Mo lt o a gi ta to P re lu d e op .2 8 n o . 9 in E M a jo r- L a r g o P re lu d e op .2 8 n o . 10 i n c - s ha rp m i n o r- M ol t o al le gr o P re lu d e op .2 8 n o . 11 i n B M aj or - V i v ac e P re lu d e op .2 8 n o . 12 i n g - s ha rp m i n o r- P re s t o P re lu d e op .2 8 n o . 13 i n F - s ha rp M a j o r- L en t o P re lu d e op .2 8 n o . 14 i n e - f la t mi n o r - Al le g r o P re lu d e op .2 8 n o . 15 i n D - f la t Ma j o r - So st e n u to P re lu d e op .2 8 n o . 16 i n b - f la t mi n o r - Pr es t o co n fu o c o P re lu d e op .2 8 n o . 17 i n A - f la t Ma j o r - Al le g r e tt o P re lu d e op .2 8 n o . 18 i n f m in or - M o l to a ll e g r o P re lu d e op .2 8 n o . 19 i n E - f la t Ma j o r - Vi va c e P re lu d e op .2 8 n o . 20 i n c m in or - L a r go P re lu d e op .2 8 n o . 21 i n B - f la t Ma j o r - Ca nt a b i le P re lu d e op .2 8 n o . 22 i n g m in or - M o l to a gi t a t o P re lu d e op .2 8 n o . 23 i n F M aj or - M o d er at o P re lu d e op .2 8 n o . 24 i n d m in or - A l l eg ro a p p a ss io na t o

B R0 1 B R0 2 B R0 3 B R0 4 B R0 5 B R0 6 B R0 7 B R0 8

B ra hm s , Jo ha nn e sB al la d e in D m a j o r, o p. 1 0 no .2 C ap ri c c i o in b m i no r, o p . 7 6 no .2 H un ga r i a n Da nc e n o. 5 in f sh ar p m i n o W al tz e s no .2 i n E m aj or W al tz e s no .5 i n E m aj or W al tz e s no .6 i n C s ha rp m a jo r H un ga r i a n Da nc e n o. 9 in e mi no r W al tz e s in A f l a t m aj or , o p. 39 n o . 1 5

Composer

63

CLASSIC 04 - Mozart and Others

GROUP NAME Clssic04

M 01 M 02 M 03

M 04 M 05 M 06

M 07 M 08 M 09

M 10 M 11 M 12

M 13 M 14 M 15

M 16 M 17 M 18

M 19 M 20 M 21

M 22 M 23 M 24

M 25 M 26 M 27

M 28 M 29 M 30 M 31 M 32 M 33

M oz ar t , Wo lf ga n g

A ma de u s

P ia no S o na ta n o . 9 i n a m i n or , KV 3 1 0

K 31 0- 1 ( Al le gr o m ae st os o ) K 31 0- 2 ( An da nt e c an ta bi l e co n es p r e ss io ne ) K 31 0- 3 ( Pr es to )

P ia no S o na ta n o . 1 0 in C m a jo r, K V 3 3 0

K 33 0- 1 ( Al le gr o m od er at o ) K 33 0- 2 ( An da nt e c an ta bi l e ) K 33 0- 3 ( Al le gr e t t o)

P ia no S o na ta n o . 1 1 in A m a jo r, K V 3 3 1

K 33 1- 1 ( An da nt e g ra zi os o , co n va r i a zi on i) K 33 1- 2 ( Mi nu et t o ) K 33 1- 3 ( Al la t u r c a : Al l e g re tt o)

P ia no S o na ta n o . 1 2 in A m a jo r, K V 3 3 2

K 33 2- 1 ( Al le gr o ) K 33 2- 2 ( Ad ag io ) K 33 2- 3 ( Al le gr o a ss ai )

P ia no S o na ta n o . 1 3 in B f l at m aj o r , K V3 33

K 33 3- 1 ( Al le gr o ) K 33 3- 2 ( An da nt e c an ta bi l e ) K 33 3- 3 ( Al le gr e t t o gr az i o s o)

P ia no S o na ta n o . 1 4 in c m i no r, K V 4 5 7

K 45 7- 1 ( Al le gr o ) K 45 7- 2 ( Ad ag io ) K 45 7- 3 ( Mo lt o a l l eg ro )

P ia no S o na ta n o . 1 6 in C m a jo r, K V 5 4 5

K 54 5- 1 ( Al le gr o ) K 54 5- 2 ( An da nt e ) K 54 5- 3 ( Ro nd o : A ll eg ro )

P ia no S o na ta n o . 1 8 in B f l at m aj o r , K V5 70

K 57 0- 1 ( Al le gr o ) K 57 0- 2 ( Ad ag io ) K 57 0- 3 ( Al le gr e t t o)

P ia no S o na ta n o . 1 9 in D m a jo r, K V 5 7 6

K 57 6- 1 ( Al le gr o ) K 57 6- 2 ( Ad ag io ) K 57 6- 3 ( Al le gr e t t o)

F an ta s i a n o. 3 i n d mi no r , KV 39 7 F an ta s i a n o. 4 i n c mi no r , KV 47 5 V ar ia t i o ns " Ah ! V ou s di r a i -j e, M a m a n" P as to r a l e va ri e e R om an c e in A f l a t m aj or R on do i n D m aj o r , K V4 85

B E0 1 B E0 2 B E0 3

B E0 4 B E0 5 B E0 6 B E0 7 B E0 8

B ee th o v e n, L ud w i g

v an

S on at e n o. 8 in c mi no r, o p .1 3 'P a t h et iq ue ' G ra ve - Al le gr o m ol to e c o n br io

A da gi o c an ta bi l e R on do - Al le gr o

S on at e n o. 14 i n c s ha rp m i no r, o p . 2 7 no .2 ' M oo nl ig h t '

A da gi o s os te nu t o A ll eg r e t to

P re st o c on f uo c o C ou nt r y Da nc e n o . 1 R on do a ca pr ic c i o , op . 1 2 9

H 01 H 02

H an de l , Fr ie dr i c h

G eo rg

" Th e h a r mo ni ou s B la ck sm i t h " L ar go , p ia no ( t r a ns cr ip t i o n by o t h e r co mp o s e rs )

Display Title Composer

VP 음악 VP PLAYER LIST

CLASSIC 04

64

VP PLAYER LIST

CLASSIC 05

CLASSIC 05 - Debussy and Others

GROUP NAME Clssic05

D 01 D 02 D 03 D 04 D 05 D 06 D 07

D 08

D 09

D 10 D 11 D 12 D 13 D 14 D 15 D 16 D 17 D 18 D 19 D 20 D 21 D 22 D 23 D 24 D 25 D 26 D 27 D 28 D 29

D eb us s y , C la ud e

A ch il l e

J ar di n s so us l a p lu ie A ra be s q u e No .1 i n E m aj o r G ol li w o g 's C ak e W a lk I ma ge s , 1e r Li v r e 1 . Re f l e ts d an s l 'e au I ma ge s , 1e r Li v r e 2 . Ho m m a ge a R a m e au I ma ge s , 1e r Li v r e 3 . Mo u v e me nt P re lu d e s ( 1e r L i v re ) [ se le c t i on ] Pr e l u de V I ( D e s pa s s u r l a ne i g e ) P re lu d e s ( 1e r L i v re ) [ se le c t i on ] Pr e l u de V II I ( La f il l e au x ch e v e ux d e l i n ) P re lu d e s ( 1e r L i v re ) [ se le c t i on ] Pr e l u de X ( L a ca th ed r a l e en gl o u t ie ) S ui te b e rg am es q u e 1 . Pr e l u de S ui te b e rg am es q u e 2 . Me n u e t S ui te b e rg am es q u e 3 . Cl a i r d e lu n e S ui te b e rg am es q u e 4 . Pa s s e pi ed P ou r l e pi an o 1 . Pr el ud e P ou r l e pi an o 2 . Sa ra ba n d e P ou r l e pi an o 3 . To cc at a P ou r l e pi an o( I I ) 1 . L' i s l e jo ye u s e P ou r l e pi an o( I I ) 2 . Ma s q u e P ou r l e pi an o( I I ) 3 . La p l us q ue l e nt e L it tl e p ie ce s 1 . Ba ll ad e L it tl e p ie ce s 2 . No ct ur n e L it tl e p ie ce s 3 . Re ve ri e L it tl e p ie ce s 4 . Da nc e P et it e S ui te , f o r p ia no 4 - ha nd s 1 . En B at e a u P et it e S ui te , f o r p ia no 4 - ha nd s 2 . Co rt eg e P et it e S ui te , f o r p ia no 4 - ha nd s 3 . Me nu et P et it e S ui te , f o r p ia no 4 - ha nd s 4 . Ba ll et " Th e A f t er no on o f a F aw n " fo r pi a n o 4 -h an d s C hi ld r e n 's C or n e r

F 01 F 02 F 03 F 04 F 05 F 06 F 07 F 08

F au re , G ab ri el" Ro ma n c e s an s p a r ol es ", i n A f la t m aj or , o p . 17 n o. 1 B ar ca r o l le o p. 2 6 D ol ly S u it e, o p . 5 6 - Be r c e us e D ol ly S u it e, o p . 5 6 - Mi - a - ou D ol ly S u it e, o p . 5 6 - Ja r d i n de D o l l y D ol ly S u it e, o p . 5 6 - Ki t t y V al se D ol ly S u it e, o p . 5 6 - Te n d r es se D ol ly S u it e, o p . 5 6 - Le P a s Es pa g n o le

H IN 01 H IN 02 H IN 03 H IN 04 H IN 05 H IN 06 H IN 07 H IN 08 H IN 09 H IN 10 H IN 11 H IN 12

H in de m i t h, P au l

M as si g s ch ne ll R uh ig b e we gt M un te r . Sc hn el l e Vi er te l L eb ha f t , s eh r m a r ki er t S ch ne l l . G an ze T a kt e G em ac h l i ch S ch ne l l un d wi l d M as si g s ch ne ll L an gs a m , r uh ig s c hr ei te n d M un te r , zi em li c h le bh af t M as si g s ch ne ll B ew eg t

D V0 1 D vo ra k , An to ni n

H um or e s q ue i n G f la t ma j o r , op .1 0 1 no .7

Display Title Composer

65

VP PLAYER LIST

CLASSIC 06

CLASSIC 06 - Schumann and Others

GROUP NAME Clssic06

S CH U0 1

S CH U0 2 S CH U0 3 S CH U0 4 S CH U0 5 S CH U0 6 S CH U0 7 S CH U0 8 S CH U0 9 S CH U1 0

S CH U1 1 S CH U1 2 S CH U1 3

S S0 1 S S0 2 S S0 3

A LB EN 0 1

A LB EN 0 2 A LB EN 0 3

M EN 01 M EN 02 M EN 03 M EN 04 M EN 05 M EN 06 M EN 07 M EN 08 M EN 09 M EN 10 M EN 11

R A0 1 R A0 2

R A0 3 R A0 4 R A0 5 R A0 6 R A0 7 R A0 8 R A0 9 R A1 0 R A1 1 R A1 2 R A1 3

R A1 4 R A1 5 R A1 6 R A1 7 R A1 8 R A1 9

S ch um a n n , Ro be r t

A le xa n d e r

S ai nt - S a en s, C a m i ll e

A lb en i z , I sa ac

M an ue l F ra nc is c o

M en de l s s oh n -

B ar th o l d y, F el i x

R av el , M au ri ce

J os ep h

P ap il l o n o p. 2 n o . 1, W id m u n g S ce ne s f ro m Ch i l d ho od o p . 1 5

F ro m f o r ei gn l a n d s an d p e o pl es i n G m aj or B li nd m a n' s bl u f f i n b m i n d i n D m aj or P le as i n g c hi ld i n D m aj o r A n im p o r ta n ev e n t i n A m a j or D re am i n g o r Re v e r ie i n F m aj or K ni gh t o f th e h o b by ho rs e i n C ma j o r C hi ld f a ll in g a s l ee p in e mi no r T he p o e t s pe ak s i n G ma j o r K re is l e r ia na , o p . 16 n o. 7

K la vi e r in F ug h e t te nf or m , op .1 26

N ic ht s c hn el l, l e is e vu r z u tr ge n Z ie ml i c h l an gs a m , e mp fi n d u ng sv ol l v or zu tr a g e n

1 6. Er s t e r Ve rl u s t

E tu de s 6 . In W a l t z fo rm I l ba c i o ( Th e s w a n) M y he a r t a t th y . sw ee t v o i ce

A st ur i a s I be ri a , Bo ok 1 ( 1 90 7)

1 . Ev o c a ci on 2 . El P u er to

V en et i a n is ch es G o nd el li e d , o p. 19 n o .6 V en et i a n is ch es G o nd el li e d , o p. 30 n o .6 D ue t i n A fl at m a jo r, o p . 3 8 no .6 V en et i a n is ch es G o nd el li e d , o p. 62 n o .5 S pr in g s on g / F r u li ng sl i e d , op .6 2 n o. 6 S pi nn i n g s on g / S pi nn er l i e d, o p. 6 7 no .4 L os t i l l us io ns i n f s ha r p mi no r R on do C a pr ic ci o s o i n E m a j or o p. 1 4 S ch er z o in b m i n o r op .1 6 n o. 2 V ar ia t i o ns s er i e u se s, f o r pi an o i n d mi no r , op .5 4 A uf F l u g el n de s G es an ge s

M ir oi r s

N oc tu e l l es O is ea u x tr is te s

L e To m b e au d e C o u pe ri n, S u it e

P re lu d e F ug ue F or la n e R ig au d o n M en ue t

T oc ca t a P av an e p ou r un e i nf an te d e fu nt e M en ue t s ur l e n o m d 'H ay d n A l a m a n ie re d e B or od in A l a m a n ie re d e E mm an ue l C ha br ie r P re lu d e M a me r e L' oy e, S u it e

P av an e d e la B e l l e au b o i s d or ma n t

P et it P o uc et

L ai de r o n ne tt e, I m pe ra tr i c e d es P a g o de s

L e ja r d i n fe er i q u e J eu x d ' e au M en ue t a nt iq ue

Display Title Composer

66

VP PLAYER LIST

CLASSIC 07

CLASSIC 07 - Haydn and Others

GROUP NAME Clssic07

A NO N0 1

C LE 01 C LE 02 C LE 03

C LE 04 C LE 05 C LE 06

C LE 07 C LE 08 C LE 09

C LE 10 C LE 11 C LE 12

C OU P0 1

E LM EN 0 1

G UR LI 0 1

H AY D0 1 H AY D0 2 H AY D0 3 H AY D0 4 H AY D0 5

J EN 01

L IS T0 1

M US S0 1

R IM 01

S AT IE 0 1 S AT IE 0 2

S AT IE 0 3 S AT IE 0 4

T EL EM 0 1 T EL EM 0 2 T EL EM 0 3 T EL EM 0 4 T EL EM 0 5 T EL EM 0 6 T EL EM 0 7 T EL EM 0 8 T EL EM 0 9 T EL EM 1 0 T EL EM 1 1 T EL EM 1 2

T CH AI 0 1 T CH AI 0 2 T CH AI 0 3

A no ny m o u s

C le me n t i , Mu zi o

C ou pe r i n , Fr an c o i s

E ll me n r e ic h, A l b e rt

G ur li t t , C or ne l i u s

H ay dn , F ra nz J o s e ph

J en se n A .

L is zt , F ra nz

M us so r g s ky , Mo d e s t

R im sk y , Ko rs ak o v

S at ie , E ri k

T el em a n n , Ge or q

P hi li p p

T ch ai k o v sk y, P e t e r

I li ch

F ug a g - m ol l

P ia no S o na ta O p . 7 N o. 3

1 . Al l e g ro c on s p ir it o

2 . Ca n t a bi le e l e nt o

3 . Pr e s t o P ia no S o na ta O p . 1 2 No .2 i n E b Ma j o r

1 . Pr e s t o

2 . La r g o

3 . As s a i a ll eg r o P ia no S o na ta O p . 2 6 No .3 i n D M aj o r

1 . Pr e s t o

2 . Un p o co a nd a n t e

3 . As s a i a ll eg r o P ia no S o na ta O p . 2 4 No .2 i n F M aj o r

1 . Al l e g ro c on s p ir it o

2 . Ad a g i o

3 . Ro n d o - A ll e g r et to c o n sp ir it o

T he l i t t le W in d m i ll s

S pi nn e r l ie o p1 4 - 4

T he F a i r , Op . 1 0 1 , No . 8

A nd an t e wi th V a r i at io ns i n f m in o r , H ob . X V I I6 ( 17 9 3 )

A nd an t e wi th V a r i at io ns i n f m in o r

T ri o

V ar ia t i o n I

V ar ia t i o n II

F in al e

D ie M u h l e

12 E tudes d' executio n transc end ante (Tr anscende ntal Etu des), S 139

E tu de T r an sc en d a n te i n d m in or , M a ze pp a

U ne L a r m e

T he f l i g ht o f t h e b um bl e b ee ( by S . R ac hm a n i no v)

T RO IS G Y MN OP ED I E

S AT IE 0 1 Gy mn op e d i e 1e re

S AT IE 0 2 Gy mn op e d i e 2e me T RO IS G N OS SI EN N E S

S AT IE 0 3 Gn os si e n n e 1e re

S AT IE 0 4 Gn os si e n n e 3e me

- H ar p s i ch or d m u s ic - 1 2 Fa n t a si e pe r c la vi ce m b a lo ( TW V 3 3)

T EL EM 0 1 1. F an t a s ia

T EL EM 0 2 2. F an t a s ia

T EL EM 0 3 3. F an t a s ia

T EL EM 0 4 4. F an t a s ia

T EL EM 0 5 5. F an t a s ia

T EL EM 0 6 6. F an t a s ia

T EL EM 0 7 7. F an t a s ia

T EL EM 0 8 8. F an t a s ia

T EL EM 0 9 9. F an t a s ia

T EL EM 1 0 10 . Fa n t a si a

T EL EM 1 1 11 . Fa n t a si a

T EL EM 1 2 12 . Fa n t a si a

4 . Ma m a

1 3. Ka m a r in sk ay a

1 6. Ol d F re nc h A i r

Display Title Composer

67

VP PLAYER LIST

CLASSIC 08

CLASSIC 08 - Bach

GROUP NAME Clssic08

B A1 -0 1 B A1 -0 2 B A1 -0 3 B A1 -0 4 B A1 -0 5 B A1 -0 6 B A1 -0 7 B A1 -0 8 B A1 -0 9 B A1 -1 0 B A1 -1 1 B A1 -1 2 B A1 -1 3 B A1 -1 4 B A1 -1 5 B A1 -1 6 B A1 -1 7 B A1 -1 8

B A1 -1 9 B A1 -2 0 B A1 -2 1 B A1 -2 2 B A1 -2 3 B A1 -2 4 B A1 -2 5 B A1 -2 6 B A1 -2 7 B A1 -2 8 B A1 -2 9 B A1 -3 0 B A1 -3 1 B A1 -3 2 B A1 -3 3

B A1 -3 4 B A1 -3 5 B A1 -3 6 B A1 -3 7 B A1 -3 8 B A1 -3 9 B A1 -4 0 B A1 -4 1 B A1 -4 2 B A1 -4 3 B A1 -4 4 B A1 -4 5 B A1 -4 6 B A1 -4 7 B A1 -4 8

B ac h, J o ha nn

S eb as t i a n

- Ha rp s i c ho rd o r C la vi ch o r d w or ks - P re am b u l um i n C m aj or , B W V 92 4 P re am b u l um i n D m aj or , B W V 92 5 P re lu d e in d m i n o r, B WV 9 2 6 P re am b u l um i n F m aj or , B W V 92 7 P re lu d e in F m a j o r, B WV 9 2 8 T ri o P r e lu de i n g m in or , B WV 92 9 P re am b u l um i n g m in or , B W V 93 0 P re lu d e in C m a j o r, B WV 9 3 3 P re lu d e in c m i n o r, B WV 9 3 4 P re lu d e in d m i n o r, B WV 9 3 5 P re lu d e in D m a j o r, B WV 9 3 6 P re lu d e in E m a j o r, B WV 9 3 7 P re lu d e in e m i n o r, B WV 9 3 8 P re lu d e in C m a j o r, B WV 9 3 9 P re lu d e in d m i n o r, B WV 9 4 0 P re lu d e in e m i n o r, B WV 9 4 1 P re lu d e in a m i n o r, B WV 9 4 2 P re lu d e in C m a j o r, B WV 9 4 3 ( Tw o- V o i ce I nv e n t io ns ) I nv en t i o n in C m a jo r, B W V 7 72 I nv en t i o n in c m i no r, B W V 7 73 [ Ca n o n ] I nv en t i o n in D m a jo r, B W V 7 74 I nv en t i o n in d m i no r, B W V 7 75 I nv en t i o n in E f l at m aj o r , B WV 77 6 I nv en t i o n in E m a jo r, B W V 7 77 I nv en t i o n in e m i no r, B W V 7 78 I nv en t i o n in F m a jo r, B W V 7 79 I nv en t i o n in f m i no r, B W V 7 80 I nv en t i o n in G m a jo r, B W V 7 81 [ Fu g u e ] I nv en t i o n in g m i no r, B W V 7 82 [ Do u b l e- Fu gu e ] I nv en t i o n in A m a jo r, B W V 7 83 I nv en t i o n in a m i no r, B W V 7 84 I nv en t i o n in B f l at m aj o r , B WV 78 5 I nv en t i o n in h m i no r, B W V 7 86 [ Fu g u e ] ( Th re e - V oi ce S i n f on ia s) S in fo n i a i n C m a j or , BW V 7 87 [ Fu g u e ] S in fo n i a i n c m i n or , BW V 7 88 [ Fu g u e ] S in fo n i a i n D m a j or , BW V 7 89 [ Fu g u e ] S in fo n i a i n d m i n or , BW V 7 90 [ Fu g u e ] S in fo n i a i n E f l a t ma jo r , BW V 79 1 [ Tw o pa r t s F ug ue ] S in fo n i a i n E m a j or , BW V 7 9 2 [F ug u e ] S in fo n i a i n e m i n or , BW V 7 9 3 [F ug u e ] S in fo n i a i n F m a j or , BW V 7 9 4 [F ug u e ] S in fo n i a i n f m i n or , BW V 7 9 5 [T ri p l e -F ug ue ] S in fo n i a i n G m a j or , BW V 7 9 6 [F ug u e ] S in fo n i a i n g m i n or , BW V 7 9 7 [F ug u e ] S in fo n i a i n A m a j or , BW V 7 9 8 [F ug u e ] S in fo n i a i n a m i n or , BW V 7 9 9 [F ug u e ] S in fo n i a i n B f l a t ma jo r , BW V8 00 [ F ug ue ] S in fo n i a i n h m i n or , BW V 8 0 1 [T wo v o ic e]

Display Title Composer

68

VP PLAYER LIST

CLASSIC 09

CLASSIC 09 - Bach

GROUP NAME Clssic09

B A2 -0 1 B A2 -0 2 B A2 -0 3 B A2 -0 4

B A2 -0 5 B A2 -0 6 B A2 -0 7 B A2 -0 8 B A2 -0 9 B A2 -1 0 B A2 -1 1

B A2 -1 2 B A2 -1 3 B A2 -1 4 B A2 -1 5 B A2 -1 6 B A2 -1 7

B A2 -1 8 B A2 -1 9 B A2 -2 0 B A2 -2 1 B A2 -2 2 B A2 -2 3

B A2 -2 4 B A2 -2 5 B A2 -2 6 B A2 -2 7 B A2 -2 8 B A2 -2 9 B A2 -3 0

B A2 -3 1 B A2 -3 2 B A2 -3 3 B A2 -3 4 B A2 -3 5 B A2 -3 6 B A2 -3 7

B A2 -3 8 B A2 -3 9 B A2 -4 0 B A2 -4 1 B A2 -4 2 B A2 -4 3

B ac h, J o ha nn

S eb as t i a n

- Ha rp s i c ho rd o r C la vi ch o r d w or ks - ( Fo ur D u et to s) D u et to s f r o m 'C la v i e r Ub un g ' II I

D ue tt e I i n e m i n or , BW V 8 0 2

D ue tt e I I in F m a jo r, B W V 8 03

D ue tt e I II i n G m aj or , B W V 80 4

D ue tt e I V in a m i no r, B W V 8 05

- E ng l i s h Su it e s (f ro m B W V 8 06 t o B WV 8 11 ) S ui te i n A m aj o r , B WV 8 0 6

I . Pr e l u de

I I. A l l e ma nd e

I II . C o u ra nt e

I V. C o u r an te I I - D ou bl e I & I I

V . Sa r a b an de

V I. B o u r re e I & I I

V II . G i g ue

S ui te i n a m in o r , B WV 8 0 7

I . Pr e l u de

I I. A l l e ma nd e

I II . C o u ra nt e

I V. S a r a ba nd e

V . Bo u r r ee I & I I

V I. G i g u e

S ui te i n g m in o r , B WV 8 0 8

I . Pr e l u de

I I. A l l e ma nd e

I II . C o u ra nt e

I V. S a r a ba nd e

V . Ga v o t te

V I. G i g u e

S ui te i n F M aj o r , B WV 8 0 9

I . Pr e l u de

I I. A l l e ma nd e

I II . C o u ra nt e

I V. S a r a ba nd e

V . Me n u e tt I

V I. M e n u et t II

V II . G i g ue

S ui te i n e m in o r , B WV 8 1 0

I . Pr e l u de

I I. A l l e ma nd e

I II . C o u rt an te

I V. S a r a ba nd e

V . Pa s s e pi ed I

V I. P a s s ep ie d I D a Ca po

V II . G i g ue

S ui te i n d m in o r , B WV 8 1 1

I . Pr e l u de

I I. A l l e ma nd e

I II . C o u ra nt e

I V. S a r a ba nd e

V . Ga v o t te I & I I

V I. G i g u e

Display Title Composer

69

VP PLAYER LIST

CLASSIC 10

CLASSIC 10 - Bach

GROUP NAME Clssic10

B A3 -0 1 B A3 -0 2 B A3 -0 3 B A3 -0 4 B A3 -0 5 B A3 -0 6

B A3 -0 7 B A3 -0 8 B A3 -0 9 B A3 -1 0 B A3 -1 1 B A3 -1 2

B A3 -1 3 B A3 -1 4 B A3 -1 5 B A3 -1 6 B A3 -1 7 B A3 -1 8 B A3 -1 9

B A3 -2 0 B A3 -2 1 B A3 -2 2 B A3 -2 3 B A3 -2 4 B A3 -2 5 B A3 -2 6 B A3 -2 7

B A3 -2 8

B A3 -2 9 B A3 -3 0 B A3 -3 1

B A3 -3 2 B A3 -3 3 B A3 -3 4 B A3 -3 5

B A3 -3 6

B A3 -3 7 B A3 -3 8 B A3 -3 9 B A3 -4 0

B ac h, J o ha nn

S eb as t i a n

- Ha rp s i c ho rd o r C la vi ch o r d w or ks -

- F re n c h S ui te s

S ui te i n c m in o r , B WV 8 1 3

I . Al l e m an de

I I. C o u r an te

I II . S a r ab an de

I V. M e n u et t I

V . Me n u e tt I I

V I. G i g u e

S ui te i n h m in o r , B WV 8 1 4

I . Al l e m an de

I I. C o u r an te

I II . S a r ab an de

I V. M e n u et t - T r i o

V . An g l a is e

V I. G i g u e

S ui te i n E f la t m aj or , B W V 8 15

I . Al l e m an de

I I. C o u r an te

I II . S a r ab an de

I V. M e n u et t

V . Ga v o t te

V I. A i r

V II . G i g ue

S ui te i n E m aj o r , B WV 8 1 7

I . Al l e m an de

I I. C o u r an te

I II . S a r ab an de

I V. G a v o tt e

V . Po l o n ai se

V I. M e n u et t

V II . B o u rr e

V II I. G i gu e

- Pi pe O r ga n- P ra lu d i u m un d F u g e in B B W V5 60

- Ha rp s i c ho rd o r C la vi ch o r d w or ks - ( Se pa r a t ed p ie c e s o f Su i t e s)

A ll em a n d a, B WV 8 3 5

M in ue t t o i n G m a j or , BW V 8 4 1

S ch er z o , B WV 84 4

( Cl av i e r bu ch le i n II f ur A n na M ag d a l en a)

P ol on e s e i n d m i n or

S ol o p e r i l Ce m b a lo i n E f la t ma j o r

P ol on e s e i n G m a j or

M in ue t t o i n d m i n or

F an ta s i a i n c m i n or , BW V 9 1 9

- Pi an o w or ks -

1 5 Sy m p h on ie n 1

1 5 Sy m p h on ie n 6

W oh lt e m p er ri er t e s K la vi e r - Pl ed ud i o 1

W oh lt e m p er ri er t e s K la vi e r - Fu ga l

Display Title Composer

70

VP PLAYER LIST

CPIANO 01

CONTEMPORARY MUSIC PIANO 01

GROUP NAME CPiano01

C P0 1 C P0 2 C P0 3 C P0 4 C P0 5 C P0 6 C P0 7 C P0 8 C P0 9 C P1 0 C P1 1 C P1 2 C P1 3 C P1 4 C P1 5 C P1 6 C P1 7 C P1 8 C P1 9 C P2 0 C P2 1 C P2 2 C P2 3 C P2 4 C P2 5 C P2 6 C P2 7 C P2 8 C P2 9 C P3 0 C P3 1 C P3 2 C P3 3 C P3 4 C P3 5 C P3 6 C P3 7 C P3 8 C P3 9 C P4 0 C P4 1 C P4 2 C P4 3 C P4 4 C P4 5 C P4 6 C P4 7 C P4 8 C P4 9 C P5 0

L ak e l o u is e - Y u k i Gu ra m o t o R om an c e - Yu ki G u ra mo to A S on g f ro m Se c r e t Ga rd e n - Se cr e t Ga rd en V ar ia t i o n on t h e Ca no n - P ac he lb e l S eo l R a e I m - K i m K wa ng M i n A pr il R a in A ri zo n a Tr ai l A sc en c i o n A ut um n L ea ve s C as sa n d r a C as tl e s C el ti c S ki es C ha kr a C ol d H o r iz on C ou nt r y Ch ap el D es ti n y D re am s o n g E as t o f Ma ur it i u s E l Es c o r ia l E ve ni n g Be ll s F ae ri e F ai ry t a l es F ar A b o v e F uc hs i a G ia nt s G yp sy T e ar s H ig hl a n d I ce D e m o ns I re la n d I sl e o f Dr ea ms K al ah a r i K ot o L a Pl u i e L ak e A t h ab as ka M id ni g h t M in ue t M om en t s Li ng er N ew O r l e an s O nc e W e Kn ew t h e Wo rd s P om eg r a n at e Fl o w e r P ra ir l e Mo rn in g R ai nb o w Sk y R ef le c t i on s R ib bo n o f Dr ea m s R it es o f S pr in g R oo ms W i th in S ar a' s S on g S au di S ea V o y a ge S ea rc h

Display Title

71

VP PLAYER LIST

CPIANO 02 / OST

CONTEMPORARY MUSIC PIANO 02

GROUP NAME CPiano02

C P5 1 C P5 2 C P5 3 C P5 4 C P5 5 C P5 6 C P5 7 C P5 8 C P5 9 C P6 0 C P6 1 C P6 2 C P6 3 C P6 4 C P6 5 C P6 6 C P6 7 C P6 8 C P6 9 C P7 0 C P7 1 C P7 2 C P7 3 C P7 4 C P7 5

S ho ji S ky wa r d S o Lo n g , M ig ue l S op hi a S or ce r o r 's A ss i s t an t S pi ri t Q ue st S pr in g S py ra l G yr al S un da n c e S wa n S o n g T he P r o m is e T he R i v e r T he S t r a nd T he S u n Ro se T o m o rr ow T ib et T oc at t a T op az T ot em U nd er t h e So ut h e r n Cr os s W hi rl p o o ls W in te r o f Ou r L o v e W it hi n C el ti c S ki es I ce P e t a ls C ou nt r y De to ur

Display Title

Original Sound Track

GROUP NAME OST

O ST S0 1 O ST S0 2 O ST S0 3 O ST S0 4 O ST S0 5 O ST S0 6 O ST S0 7 O ST S0 8 O ST S0 9 O ST S1 0 O ST S1 1 O ST S1 2 O ST E0 1 O ST E0 2 O ST E0 3 O ST E0 4 O ST E0 5 O ST E0 6

L ov e A f a ir - E n n i o Mo rr i c o ne A W in t e r S to ry - Re me di o s K or ea n f il m 'D o n g K am ' O S T - L ee W o ok -h ye n M ai n T i t le F ro m R et ur n o f Th e Je d i - Jo hn W i ll ia ms F or re s t Gu mp m a i n t it le - Al an S i l v es tr i T ru ma n S le ep s ' t h e Tr ue m a n S ho w' T he J a m e s Bo nd T h em e - M o n ty N or m a n S TA R W A R S 'T he E m pi re S t r i ke s Ba c k ' M ai n T h e me - J o h n W il li a m s W he n S h e L ov ed M e ' To y S t o ry 2 ' C ha ri o t s o f Fi r e Ma in T h e m e - Va n g e li s I mp er i a l M ar ch f r om ' St a r Wa rs ' - J oh n Wi l l i am s L ov e S t o ry M y He a r t W il l G o On - ' T i t an ic ' O S T M oo n r i v er - ' T i f fa ny 's ' O ST Y ou M u s t L ov e M e - Ev it a O ST - A n d r ew L lo y d We bb er B ub bl e B ub bl e - G am e 'B u b b le B ub b l e ' Th em a S up er M a ri o - G a m e 'S up e r Ma ri o' T h em a 0 07 T h e m a

Display Title/Artist

VP PLAYER LIST

GOSPEL

72

GOSPEL

GROUP NAME GOSPEL

G E0 00 1 G E0 00 2 G E0 00 3 G E0 00 4 G E0 00 5 G E0 00 6 G E0 00 7 G E0 00 8 G E0 00 9 G E0 01 0 G E0 01 1 G E0 01 2 G E0 01 3 G E0 01 4 G E0 01 5 G E0 01 6 G E0 01 7 G E0 01 8 G E0 01 9 G E0 02 0 G E0 02 1 G E0 02 2 G E0 02 3 G E0 02 4 G E0 02 5

G E0 02 6 G PS 00 0 1 G PS 00 0 2 G PS 00 0 3 G PS 00 0 4 G PS 00 0 5 G PS 00 0 6 G PS 00 0 7 G PS 00 0 8 G PS 00 0 9 G PS 00 1 0 G PS 00 1 1 G PS 00 1 2 G PS 00 1 3 G PS 00 1 4 G PS 00 1 5 G PS 00 1 6 G PS 00 1 7 G PS 00 1 8 G PS 00 1 9 G PS 00 2 0 G PS 00 2 1

A ma zi n g Gr ac e H ow G r e a t Th ou A r t H ol y, H o ly , Ho l y O h! H a p p y Da y C ry in g i n th e C h a pe l I B el i e v e B le ss e d As su ra n c e H e' s G o t t he W h o l e Wo rl d i n Hi s H a n ds W ha t a F ri en d W e Ha ve i n J es us W he n t h e S ai nt s G o Ma rc h i n g In A bi de W i th M e C ro wn H i m Wi th M a ny C ro w n s W il l t h e C ir cl e B e Un br o k e n I S aw T h e Li gh t J us t A s I Am T ur n, T u rn , Tu r n R oc k o f Ag es I S ur r e n de r Al l O nw ar d C hr is ti a n So ld ie r s M ic ha e l Ro w th e B oa t As h o r e S wi ng L o w, S we e t Ch ar io t M y Sw e e t L or d W in gs o f a D ov e S av io r L ik e a S h e ph er d. A ny wa y Y ou B le s s Me A we so m e Go d A me n A re y o u wa sh ed i n t he B l o o d D ay o f R ed em pt i o n M ed le y ( pa tr io t i c , in cl u d i ng T ru t h Ma rc hi n g On ) P ra is e H im S il en t N ig ht T ru st a n d Ob ey J es us L o ve s Me ( v er si on 1 ) E ve ry t i m e I fe e l th e sp i r i t I s ha l l no t be m o ve d G iv e m e th at o l d ti me r e l i gi on G od b e w it h yo u G re at i s T hy f a i t hf ul ne s s H is e y e is o n t h e s pa rr o w I w an t t o be J es us l o ve s me ( v er si on 2 ) L or ds p r ay er W he n t h e s ai nt s g o ma rc h i n ' in R ev iv e u s ag ai n T he n m y li vi ng s h al l no t b e in v a i n W ha t a f ri en d w e ha ve i n J es us

Display Title

73

VP PLAYER LIST

HOLIDAY

GROUP NAME HOLIDAY

C AE 00 1

C AE 00 2

C AE 00 3

C AE 00 4

C AE 00 5

C AE 00 6

C AE 00 7

C AE 00 8

C AE 00 9

C AE 01 0

C AE 01 1

C AE 01 2

C AE 01 3

C AE 01 4

C AE 01 5

C AE 01 6

C AE 01 7

C AE 01 8

C AE 01 9

C AE 02 0

C AE 02 1

C AE 02 2

C AE 02 3

C AE 02 4

C AS 00 1

C AS 00 2

C AS 00 3

C AS 00 4

C AS 00 5

C AS 00 6

C AS 00 7

C AS 00 8

C AS 00 9

C AS 01 0

C AS 01 1

C AS 01 2

C AS 01 3

C AS 01 4

G od R e s t I t' s B e g in ni ng H ap py X - ma s S il en t N ig ht D in g D o n g Me rr i l y D o Yo u H ea r S an ta C l au s S le ig h R id e T he S l e i gh R id e S il ve r S le ig h B e l ls O T an n e n ba um L in us a n d Lu cy J ol ly J i ng le s C hr is t m a s is C o m m in g A ul d L a n g Sy ne ; F ro st y t he S no w m a n; H ar k! T h e He ra l d An ge ls S i ng ; J in gl e B el l Ro c k ; J in gl e B el ls ; J oy t o T he W or l d ; L et i t S no w; R ud ol p h Th e Re d N os ed R e i n de er ; S il ve r B el ls ; T he F i r s t No el . G oo d K i n g L et i t S no w C hr is t m a s Tr ee S il en t N ig ht V e r s io n 1 S il en t N ig ht V e r s io n 2 S il ve r B el ls S an ta C l au s is C o mi n' T o T ow n R ei nd e e r R ag I T hi n k of H om e a nd M ot h e r W he n I t ' s Ch ri s t m as T im e H av e Y o u rs el f A M er ry L i t t le C hr i s t ma s M is tl e t o e Wa lt z e s J in gl e B el ls o r t he O ne H o rs e Op e n Sl ei gh C hr is t m a s Ch im e s C hr is t m a s Be ll s

Display Title

JAZZ 01 - Ensemble

GROUP NAME JAZZ01

J E0 00 1 J E0 00 2 J E0 00 3 J E0 00 4 J E0 00 5 J E0 00 6 J E0 00 7 J E0 00 8 J E0 00 9 J E0 01 0 J E0 01 1 J E0 01 2 J E0 01 3 J E0 01 4 J E0 01 5 J E0 01 6 J E0 01 7 J E0 01 8 J E0 01 9 J E0 02 0 J E0 02 1 J E0 02 2 J E0 02 3 J E0 02 4 J E0 02 5 J E0 02 6 J E0 02 7 J E0 02 8 J E0 02 9 J E0 03 0 J E0 03 1 J E0 03 2 J E0 03 3 J E0 03 4 J E0 03 5 J E0 03 6 J E0 03 7 J E0 03 8 J E0 03 9 J E0 04 0 J E0 04 1 J E0 04 2 J E0 04 3 J E0 04 4 J E0 04 5 J E0 04 6 J E0 04 7 J E0 04 8 J E0 04 9 J E0 05 0

B lu es i n C - F u l l er , L G oo d B a i t - Da m e r ., Ba si e L ov e w a l ke d in - Ge rs hw i n I n a m e l lo wt on e - D uk e E l l in gt on S at in d o ll - D u k e E ll in g t o n I t do n ' t m ea n a t hi ng - D u ke E ll i n g to n T ak e F i v e C ar ni v a l - B an f a , L . S om ed a y my p ri n c e w il l c o m e - Ch u r c hi ll B lu es i n F - G a n o n, O F al li n g fo r yo u - G an on , O S o ni c e - Ga no n , O I s ai d i t be fo r e - Ga no n , O N ig ht B r ee ze - G a no n, O C he ro k e e ( Mi le s B la ck v e r . ) - No b l e R ay T he R o s e - M cB r o o m, A . T he s h a d ow o f y o u r sm il e - M an de l , J. D ay s o f wi ne a n d ro se s - M an ci ni C om e r a i n or c o m e s hi ne - Me rc er , A rl en W in d B e n ea th m y w in gs - H e nl ey ,S i l b . O ld D e v i l Mo on - Ha rb ., L a n e E as y t o Lo ve - P o rt er , C o l e I C on c e n tr at e o n Yo u - P o r te r, C o l e I G et a Ki ck o u t of y ou - Po rt er , C ol e I L ov e Y ou ( Ac c o m pa ni me n t ) - P or t e r , Co le N ig ht a n d Da y - P or te r, C o le Y ou 'd b e s o ni c e to c om e h om e to - Po rt er , C ol e E as y L i v in g - R a i ng er F al li n g in L ov e w it h Lo v e - Ro dg e r s /H ar t H av e y o u m et m i s s J on es - Ro dg er s / H ar t I d id n ' t k no w w h a t ti me i t w as ( A c c om pa ni m e n t) - R o d g er s/ Ha r t I d id n ' t k no w w h a t ti me i t w as - R o dg er s/ H a r t M y fu n n y V al en t i n e (A cc o m p an im en t ) - Ro dg e r s /H ar t W he n y o u r lo ve r h as g on e - S wa n, E . A. T he re i s n o gr e a t er l ov e - S ym es / J o ne s H er e' s T ha t Ra i n y D ay ( L a r ry F ul l e r V er si o n ) - V an H e us en P ol ka D o ts a nd M o on be am s ( Ac co mp . V er si on ) - V an H e u s en T he M o r e I s ee y o u (A cc o m p an im en t ) - Wa rr e n , H . S ep te m b e r in t h e Ra in ( A c c om pa ni m e n t) - W a r r en /D ub i n I w an t t o be H a p p y - Yo u m . /C ae sa r A bs tr a c t io n Bl u e [F or G e o r gi a O' K e e ff e] - R e ne e Ro s n e s 5 0' s C h a -c ha - R e be ca M a u l eo n- Sa n t a na A ft er n o o n in C a r m el - M i l e s Bl ac k T he L o w Ro ad - B r ad T ur n e r P ie ce s o f Sk y - M il es B l a c k P as te l s - Ro n J o h ns to n C al le r # 9 - Br a d Tu rn er L ex ic o n - Re ne e R os ne s L it tl e P .A . - B r a d Tu rn e r M od er n o Bl ue s - M il es B l a c k

Display Title/Artist

74

VP PLAYER LIST

JAZZ 01

75

VP PLAYER LIST

JAZZ 02

JAZZ 02 - Ensemble

GROUP NAME JAZZ02

J E0 05 1 J E0 05 2 J E0 05 3 J E0 05 4 J E0 05 5 J E0 05 6 J E0 05 7 J E0 05 8 J E0 05 9 J E0 06 0 J E0 06 1 J E0 06 2 J E0 06 3 J E0 06 4 J E0 06 5 J E0 06 6 J E0 06 7 J E0 06 8 J E0 06 9 J E0 07 0 J E0 07 1 J E0 07 2 J E0 07 3 J E0 07 4 J E0 07 5 J E0 07 6 J E0 07 7 J E0 07 8 J E0 07 9 J E0 08 0 J E0 08 1 J E0 08 2 J E0 08 3 J E0 08 4 J E0 08 5 J E0 08 6 J E0 08 7 J E0 08 8 J E0 08 9 J E0 09 0 J E0 09 1 J E0 09 2 J E0 09 3 J E0 09 4 J E0 09 5 J E0 09 6 J E0 09 7 J E0 09 8 J E0 09 9 J E0 10 0

D ev on i t e ly - R o n Jo hn st o n D ev on ' s De li gh t - R on J o h n st on D ub li n - R on J o h n st on F il om e n a - R on J o hn st on F ly in g D uc k - M i l es B la c k F or t h e Mo me nt - Re ne e R o s ne s G if t o f Lo ve - R o n Jo hn s t o n G ir li e ' s W or ld - Re ne e R o s ne s G ot ha m - B ra d T u r ne r I .A . B l u es - R e n e e Ro sn e s L if ew i s h - R en e e Ro sn es L oo ko u t - Mi le s B la ck M iz ma h t a - R en e e Ro sn es O ne F o r Wa lt on - Re ne e R o s ne s O ne L o o k - B ra d T ur ne r P al e M o o n - Mi l e s B la ck O ne W o r l d - Re n e e R os ne s O ri on ' s Be lt - R e ne e Ro s n e s R ob in - Ro n Jo h n s to n R ox y - B ra d Tu r n e r S ix th S e ns e - R o n J oh ns t o n S na ke s & L ad de r s - Mi le s B la ck S om et h i n g Li ke - Mi le s B l a ck S on g f o r P J - M i l es B la c k S um me r s e t - Mi l e s B la ck T he G i f t - R en e e Ro sn es T he L a n d o f Fi v e Ri ve rs - Re ne e R o s ne s A F og g y Da y C lo ud y D ay B lu e s - Mi le s B la ck C af e i n Pa ri s - M il es B l a c k F li pp i n ' a nd a F l yi n - M i l es B la c k G on e W i t h th e D a w n - Mi l e s B la ck G oo d C o o ki n' - M i le s Bl a c k G yp sy B l ue s - M i l es B la c k A N or o - S on T r a d it i A fr o- C u b an M oo d - R eb ec a M au le on - S a nt an a L az y E v e ni ng B l u e s - Mi l e s B la ck R oc ki n ' My S ou l - M il es B l ac k S ol o T U - B ol e r o M am bo f o r On e - M am bo L a t i n P er uc h i n ea nd o - S on T ra d i t i B at uc a d a P ra V o c e - B at u c a da B at u- S a l sa - B a t u ca da B lu e C h a -c ha - C h a- ch a- c h B om b t i c o - Bo m b a B os sa M e - B os s a No va A fr o a C ua tr o - R eb ec a M a u le on S a n t an a B ai la R u mb er it a - R eb ec a M au le on - S a nt an a B at a- M o n tu no - M a mb o La t i n C af e O l e - M am b o La ti n

Display Title/Artist

JAZZ 03 - Ensemble

GROUP NAME JAZZ03

J E0 10 1 J E0 10 2 J E0 10 3 J E0 10 4 J E0 10 5 J E0 10 6 J E0 10 7 J E0 10 8 J E0 10 9 J E0 11 0 J E0 11 1 J E0 11 2 J E0 11 3 J E0 11 4 J E0 11 5 J E0 11 6 J E0 11 7 J E0 11 8 J E0 11 9 J E0 12 0 J E0 12 1 J E0 12 2 J E0 12 3 J E0 12 4 J E0 12 5 J E0 12 6 J E0 12 7 J E0 12 8 J E0 12 9 J E0 13 0 J E0 13 1 J E0 13 2 J E0 13 3 J E0 13 4 J E0 13 5 J E0 13 6 J E0 13 7 J E0 13 8 J E0 13 9 J E0 14 0 J E0 14 1 J E0 14 2

C on ga r a m a - Co n g a D es ca r g a nd o - M a m bo L at i n T hr ee 2 Sa mb a - S am ba T ri o P a r a No ro - So n Co n t e mp T ri o U n o - B ol e r o W es t C o a st C ha - c h a - Ch a c ha c ha N ue va Y o rk M am b o - Gu ar a c h a La P ac ha n g a - P ac h a n ga F un ky S o n ch a - S on M on t u n o G it an i t a - R um b a Fl am en G oo d B y e B os sa - Bo ss a N o v a D il e a F ul an a - S on -M on t u n o F un ky M a mb o - M a m bo L at i n S on go m a n ia - S o n g o L as G u a j ir it as - Gu aj ir a I n a G r o ov e - 6 . 8 L a Ba t i d or a - M e r en gu e L a Je f a - Gu ar a c h a La E l Pa n a m e - Da n z a M am bo M u la to - M a mb o La t i n M in or D e ta il s - M am bo L a t i n M i Pa r t i do - P a r t id o Al t o P ar ti d i d o Fe li c i d ad - P a r t id o Al t o S on an d o - So n T r a di ti S am ba R o se - S a m b a S ab ro s o - De sc a r g a Sa P le ne r a - Pl en a M on tu n e a nd o - S o n -M on tu n o M i Cu m b i a - Cu m b i a1 28 M o n t un ea nd o - S on -M o n t un o M er en g a t io n - M e r en gu e D an za f o r On e - D an za I G ot C a ly ps o - C al ys po - s o n A s We A r e No w - R en ee R o s n es C om e T o Me - R o n Jo hn st o n D on na L e e - Ch a r l ie P ar k e r B lu es f o r Al ic e - C ha rl i e Pa rk er D ea r O l d S to ck h o l m - Ch a r l ie P ar k e r S ha w " N u ff - C h a r li e Pa r k e O rn it h o l og y - C h a rl ie P a r k er B la ck D i am on d - B il l Ev a n s H id eo u t - Da vi d S an bo rn M ap ut o - D av id S a nb or n

Display Title/Artist

76

VP PLAYER LIST

JAZZ 03

77

VP PLAYER LIST

JAZZ 04

JAZZ 04 - Piano Solo

GROUP NAME JAZZ04

J S0 00 1 J S0 00 2 J S0 00 3 J S0 00 4 J S0 00 5 J S0 00 6 J S0 00 7 J S0 00 8 J S0 00 9 J S0 01 0 J S0 01 1 J S0 01 2 J S0 01 3 J S0 01 4 J S0 01 5 J S0 01 6 J S0 01 7 J S0 01 8 J S0 01 9 J S0 02 0 J S0 02 1 J S0 02 2 J S0 02 3 J S0 02 4 J S0 02 5 J S0 02 6 J S0 02 7 J S0 02 8 J S0 02 9 J S0 03 0 J S0 03 1 J S0 03 2 J S0 03 3 J S0 03 4 J S0 03 5 J S0 03 6 J S0 03 7 J S0 03 8 J S0 03 9 J S0 04 0 J S0 04 1 J S0 04 2 J S0 04 3 J S0 04 4 J S0 04 5 J S0 04 6 J S0 04 7 J S0 04 8 J S0 04 9 J S0 05 0

O h la d y be g oo d - G er sh w i n S om eo n e to w at c h ov er m e - G er sh w i n T he m a n I lo ve - Ge rs hw i n T he y c a n 't t ak e t ha t aw a y fr om m e - G er sh w i n N ic e w o r k if y o u ca n ge t i t - Ge r s h wi n I g od i t b ad M oo d I n d ig o - D u k e Al li n g t on B lu es f o r Dr .J o h n - B la c k , M il es B oo gi e B lu es - B l ac k, M i l e s D on 't g e t ar ou n d mu ch a n y m or e - D u k e El li n g t on H ey t h e r e - Ad l e r ,, R os s I n a S e n ti me nt a l Mo od - D u ke E ll i n g to n P re lu d e to a K i s s - D uk e E ll in gt o n A rt hu r ' s T he me - Ba ch ar a c h G en tl e R ai n - B o n fa , L. R ay 's M o od - B l a c k, M il e s I l ef t m y he ar t i s Sa n F r a nc is co - Cr os s, c o ry B il l B a i le y - C a n on , H E as t o f th e Su n - B ow ma n I 'm W a l k in - B a t h ol om ew M el an c h o ly B ab y - B ur n. , N or to n M is ty - Er ro ll G a rn er B ro ok l y n - G an o n , O J ay 's B l ue s - G a n on , O S ea rc h - G an on , O W ar m - G an on , O S an ta M a rt a - G a n on , O T he n c a m e Se pt e m b er - G a n o n, O B lu e i n Gr ee n - D av is , M i l es N ar di s - D av is , M il es B eg in t h e Be gu i n e - P or t e r , Co le A ut um n L ea ve s - J os ep h K o s ma H ow a b o u t yo u - F re ed ,, L a n e Y ou g o t o my h e a d - G il l . , ,G oo ts S ec re t L ov e - F a i n, ,W eb s t e r A ng le E y es - D e n n is , M. I 'l l r e m em be r A p r il - R a y e , De pa u l I c an ' t ge t st a r t ed - D u k e V er n N ew y o r k N ew y o r k - E bb , , K an de r W av e - J ob im A . C . T ri st e - J ob im A . C. I nd ia n S um me r - H er b. , D u b in A c hi l d is b or n - J on es , T ha d A ft er y o u' ve g o n e - L ay t o n A s ti m e go es b y - H up fi e l d , H. P oo r B u t te rf ly - Hu bb el l T he w a y we w er e - H am li s h , M O nc e i n a wh il e - G re en , E dw ar d D on 't b l am e me - Mc Hu gh , J . E mi ly - Ma nd el , J

Display Title/Artist

JAZZ 05 - Piano Solo

GROUP NAME JAZZ05

J S0 05 1 J S0 05 2 J S0 05 3 J S0 05 4 J S0 05 5 J S0 05 6 J S0 05 7 J S0 05 8 J S0 05 9 J S0 06 0 J S0 06 1 J S0 06 2 J S0 06 3 J S0 06 4 J S0 06 5 J S0 06 6 J S0 06 7 J S0 06 8 J S0 06 9 J S0 07 0 J S0 07 1 J S0 07 2 J S0 07 3 J S0 07 4 J S0 07 5 J S0 07 6 J S0 07 7 J S0 07 8 J S0 07 9 J S0 08 0 J S0 08 1 J S0 08 2 J S0 08 3 J S0 08 4 J S0 08 5 J S0 08 6 J S0 08 7 J S0 08 8 J S0 08 9 J S0 09 0 J S0 09 1 J S0 09 2 J S0 09 3 J S0 09 4 J S0 09 5 J S0 09 6 J S0 09 7 J S0 09 8 J S0 09 9 J S0 10 0

G ro w w o r m - Li n c k e W ha t a r e y ou d o i n g th e r e s t of y o u r l if e - L eG ra nd e , M. M y on e a nd o nl y l ov e - M e l li n, W o o d G re en d o lp hi n s t r ee t - K a p er , B. P eo pl e - M er il l , S ty ne Y ou ng a n d fo ol i s h - H or w . , Ha gu e S we et G e or gi a B r o wn ( Lo u S te in V e r . ) - Pi n k a rd S we et G e or gi a B r o wn ( Mi l e s B la ck V e r. ) - P i n ka rd .B . B eg in t h e Be gu i n e - P or t e r , Co le I t' s A l l R ig ht w i th m e - P or te r, C o le L au ra ( L ar ry F u l l er V er . ) - Ra ks i n , D . L au ra ( R on J oh n s t on V er . ) - Ra ks i n , D . I c ou l d wr it e a B oo k - R o d ge rs /H a r t M y fu n n y V al en t i n e - Ro d g e rs /H ar t S pr in g i s He re ( V er si on 1 ) - R od g e r s/ Ha rt S pr in g i s He re ( V er si on 2 ) - R od g e r s/ Ha rt T hi s c a n 't b e L o v e - Ro d g e rs /H ar t W he re o r w he n - R od ge rs / H a rt B lu es i n B b - S i g er so n, C . E bb T i d e ( 2 Ve r s i on s) - S i gm an Y ou m a d e m e lo v e me I s ho u l d c ar e - S to rd ah l E ve rg r e e n - St r / W il li am s T ak e t h e " A" T r a i n (S hr i s Si ge rs o n Ve rs io n ) - St ra y h o rn , B T ak e t h e " A" T r a i n (L ar r y Fu ll er V e rs io n) - St ay ho r n , B F ra nk i e an d Jo h n n y - Tr a d i ti on al D an ny b o y - Un k n o wn B ut B e a u ti fu l - V an H eu s e n H er e' s T ha t Ra i n y D ay ( R o n J oh ns t o n V er si o n ) - V an H e us en I ma gi n a t io n - V a n H eu se n L ik e S o m eo ne i n L ov e - V a n H eu se n P ol ka D o ts a nd M o on be am s ( Ch ri s S i g er so n V ) - Va n H e u se n S te ll a b y St ar l i g ht - Y o u n g, V . T he M o r e I s ee y o u - Wa r r e n, H . T he re s i ll n ev e r be a no t h e r yo u - W ar re n, H . S ep te m b e r in t h e Ra in - W a rr en /D u b i n C an 't H e lp f al l i n g in l o v e w it h y o u - W ei s s / Cr ea . W he n I f al l in L o ve - Y o u . /H ey ma n T ea f o r Tw o - Y o u m. /C ae s a r N in e P o i nt F iv e B lu es - B u tl er , H e n ry A ft er D i nn er B l u e s - Bu t l e r, H en r y B ar C o d e B oo gi e - B ut le r , He nr y B oo gi e f or J er r y Le e - B u t le r, H e n r y B lu e W a l tz - B u t l er , He n r y D o Yo u R ea ll y L o v e me - B u tl er , H e n ry E P lu r i b us B lu n u m - B ut l e r , He nr y A L it t l e N ai ve - Br ad T u r n er A ut um n N oc tu rn a l - Mi le s B la ck B e th e O ne - M i l e s Bl ac k M id id a d - Ro n J o h ns to n

Display Title/Artist

78

VP PLAYER LIST

JAZZ 05

79

VP PLAYER LIST

JAZZ 06

JAZZ 06 - Piano Solo

GROUP NAME JAZZ06

J S0 10 1 J S0 10 2 J S0 10 3 J S0 10 4 J S0 10 5 J S0 10 6 J S0 10 7 J S0 10 8 J S0 10 9 J S0 11 0 J S0 11 1 J S0 11 2 J S0 11 3 J S0 11 4 J S0 11 5 J S0 11 6 J S0 11 7 J S0 11 8 J S0 11 9 J S0 12 0 J S0 12 1 J S0 12 2 J S0 12 3 J S0 12 4 J S0 12 5 J S0 12 6 J S0 12 7 J S0 12 8 J S0 12 9 J S0 13 0 J S0 13 1 J S0 13 2 J S0 13 3 J S0 13 4 J S0 13 5 J S0 13 6

M oo n W a l k - Mi l e s B la ck O ut o f t he V al l e y - B ra d T ur ne r T om or r o w 's T un e - M il es B l ac k U nd er s t a nd in g S t a nd in g U n d er - M i l e s Bl ac k N at iv e C ol ou rs - Re ne e R o s ne s C B oo g i e - D oc F i ng er s C ak ew a l k - D oc F i ng er s C al 's S h uf fl e - D oc F in g e r s C ar l' s B lu es C oo l M i n or - P a q u et te , D . F ri da y N ig ht i n t he F au b o u rg - B u t l er , He n r y W al ki n ' Ho me - D o c Fi ng e r s L uc ky S e ve ns - B u tl er , H e n ry L ur ch i n - Do c F i n ge rs N o Wo r r i es - P a q u et te , D . E ve ry b o d y' s Ha v i n ' Fu n - B ut le r, H e nr y L at es t G os si p B l u es - B u t l er , He n r y L et M e B e - Bu t l e r, H en r y L iv in g R oo m Wa l t z - B ut l e r , He nr y M id ni g h t M am bo - Bu tl er , H en ry M in er a l o gy - B u t l er , He n r y S ad ie I d a & Bi l l i e - Pa q u e tt e, D . S ha de s o f Bo ok e r - Bu tl e r , H en ry S te al t h e Fe el - Pa qu et t e , D . S ti ll Y o un g at F i ft y - B u t le r, H e n r y T he H e n r y Di d I t - Bu tl e r , h en ry T he M o v i n' O n B l u es - D o c Fi ng er s T he P o s s um - P a q u et te , D . e en y B l u es - D o c Fi ng er s T he M i s s is si pp i S to mp - D o c Fi ng e r s T he R e d Li gh t B l u es - D o c Fi ng er s N ut ri a S ui te B l u e s - Bu t l e r, H en r y S ou r M i l k Bo og i e - Bu tl e r , H en ry R eu ni o n Bl ue s - B ut le r, H e nr y T he S h i n gl e St o m p - D oc F i ng er s S we et 4 6 - B ut l e r , He nr y

Display Title/Artist

80

RAGTIME 1

GROUP NAME RAGTIME1

R AG 00 1

R AG 00 2

R AG 00 3

R AG 00 4

R AG 00 5

R AG 00 6

R AG 00 7

R AG 00 8

R AG 00 9

R AG 01 0

R AG 01 1

R AG 01 2

R AG 01 3

R AG 01 4

R AG 01 5

R AG 01 6

R AG 01 7

R AG 01 8

R AG 01 9

R AG 02 0

R AG 02 1

R AG 02 2

R AG 02 3

R AG 02 4

R AG 02 5

R AG 02 6

R AG 02 7

R AG 02 8

R AG 02 9

R AG 03 0

R AG 03 1

R AG 03 2

R AG 03 3

R AG 03 4

R AG 03 5

R AG 03 6

R AG 03 7

R AG 03 8

R AG 03 9

R AG 04 0

R AG 04 1

R AG 04 2

R AG 04 3

R AG 04 4

R AG 04 5

R AG 04 6

R AG 04 7

R AG 04 8

R AG 04 9

R AG 05 0

A B re e z e F ro m A l a ba ma ( 1 9 0 2) - S c o t t Jo pl i n S co tt J o pl in 's N e w Ra g ( 1 9 12 ) - S c o tt J op l i n C le op h a - Ma rc h & T wo S t e p ( 19 02 ) - S co tt J o pl in S ea rc h l i gh t Ra g ( 19 07 ) - S co tt J o p l in E li te S y nc op at i o n s (1 90 2 ) - Sc ot t J op li n F ig L e a f R ag ( 1 9 0 8) - S c o t t Jo pl i n M ap le L e af R ag ( 1 89 9) - S c ot t Jo p l i n P ar ag o n Ra g (1 9 0 9 ) - Sc o t t J op li n R ef le c t i on R ag ( 1 91 7) - S c ot t Jo p l i n T he E n t e rt ai ne r ( 19 02 ) - S co tt J o p l in T he E a s y W in ne r s (1 90 1) - Sc ot t J o p li n S ug ar C a ne R ag ( 1 90 8) - S c ot t Jo p l i n C li ma x R ag ( 19 1 4 ) - J am e s Sc ot t G ra ce a n d Be au t y (1 90 9) - Ja me s S c o tt H on ey M o on R ag ( 1 91 6) - J a me s Sc o t t O ph el i a Ra g (1 9 1 0 ) - Ja m e s S co tt P ea ce a n d Pl en t y Ra g (1 9 1 9 ) - Ja m e s S co tt P ar am o u n t Ra g ( 1 9 17 ) - J a m es S co t t P eg as u s - A Cl a s s ic R ag ( 1 92 0) - J a me s Sc o t t P ro sp e r i ty R ag ( 1 91 6) - J a me s Sc o t t Q ua li t y - A Hi g h Cl as s R a g ( 19 11 ) - J am es S c ot t R ag S e n t im en ta l ( 19 18 ) - J am es S c o t t S un bu r s t R ag ( 1 9 0 9) - J a m e s Sc ot t T he S u f f ra ge tt e W al tz ( 1 9 1 4) - J a m e s Sc ot t V ic to r y Ra g (1 9 2 1 ) - Ja m e s S co tt C he vy C h as e (1 9 1 4 ) - Ja m e s H ub er t ( Eu bi e) B l ak e T he C h a r le st on R a g (1 89 9 . 1 91 7) - J a me s Hu b e r t (E ub i e ) B la ke C on te n t m en t Ra g ( 19 15 ) - J os ep h L a m b C um B a c Ra g (1 9 1 1 ) - Ch a r l es L . J o h ns on D il l P i c kl es R a g (1 90 6) - Ch ar le s L . Jo hn s o n P ow de r R ag ( 19 0 8 ) - C ha r l e s L. J o h n so n S we et n e s s Ra g ( 1 9 12 ) - C h a rl es L . J oh ns on F ro g- I - M or e Ra g ( 19 18 ) - F er di na n d ( Je ll y- R o l l) M or t o n O ri gi n a l J el ly R o ll B lu e s (1 91 5) - Fe rd in a n d (J el ly - R o ll ) Mo r t o n T he B l a c k Ca t R a g ( 19 05 ) - F ra nk W o os te r& E t h yl B .S m i t h A R ag t i m e Ni gh t m a re ( 19 0 0 ) - T om T u rp in H ar le m R ag ( 18 9 7 ) - T om T u rp in P an A m R ag ( 19 1 4 ) - T om T u rp in T he S a i n t Lo ui s R ag ( 19 0 3 ) - T om T u rp in R ei nd e e r R ag ( 1 9 1 5) - J o s e ph L am b S en sa t i o n - A R a g ( 19 08 ) - J os ep h L am b T op L i n e r Ra g ( 1 9 16 ) - J o s ep h La m b A me ri c a n B ea ut y R ag ( 19 1 3 ) - J os e p h L am b B oh em i a Ra g (1 9 1 9 ) - Jo s e p h La mb C ha mp a g n e Ra g ( 1 9 10 ) - J o s ep h La m b C le op a t r a Ra g ( 1 9 15 ) - J o s ep h La m b T he S m i l er ( 19 0 7 ) - P er c y We nr ic h T he T h r i ll er ! R a g ( 19 09 ) - M ay A u f d er he id e T ic kl e d to D ea t h (1 89 9) - Ch ar le s H un te r C as tl e H ou se R a g (1 91 4) - Ja me s R e e se E ur o p e

Display Title/Artist

VP PLAYER LIST

RAGTIME 1

81

VP PLAYER LIST

RAGTIME 1 / WEDDING / CHILDREN'S

RAGTIME 2

GROUP NAME RAGTIME2

R AG 05 1 R AG 05 2 R AG 05 3 R AG 05 4 R AG 05 5 R AG 05 6 R AG 05 7 R AG 05 8 R AG 05 9 R AG 06 0 R AG 06 1 R AG 06 2 R AG 06 3 R AG 06 4 R AG 06 5 R AG 06 6 R AG 06 7 R AG 06 8 R AG 06 9 R AG 07 0 R AG 07 1 R AG 07 2 R AG 07 3 R AG 07 4 R AG 07 5

C at ar a c t R ag ( 1 9 1 4) - R o b e rt H am p t o n C hi ck e n Ch ow de r ( 19 05 ) - I re ne G i b l in D en go z o (B ra zi l i a n Ma xi x e ) ( 19 14 ) - E rn es t o Na za re t h D es ec r a t io n (R a g Hu mo re s q u e) ( 19 1 4 ) - F el i x Ar nd t D us ty R a g (1 90 8 ) - Ma y A u f de rh ei d e F el ix R a g (1 91 0 ) - H. H. M c S ki mm in g G re en w i c h Wi tc h ( 19 21 ) - Z ez C on f r e y H ol y M o s es R ag b y C y Se y m o ur H ot H o u s e Ra g ( 1 9 14 ) - p a u l Pr at t J un gl e T im e Ra g ( 19 09 ) - E .P hi li p S ev er in K ey -S t o n e Ra g ( 1 9 21 ) - W i l li e An d e r so n K in kl e t s , Tw o S t e p (1 90 6 ) - Ar th u r Ma rs ha l l K it te n o n th e K e y s (1 92 1 ) - Ze z C o n fr ey T ha t D e m on R ag b y R us se l l Sm it h ( 1 9 12 ) P as qu i n a de ( ca p r i ce ) by L o ui s Mo r e a u Go tt s c h al k (1 8 7 0 ) P ia no f l a ge b y R o y B ar gy ( 1 92 2) P os su m R ag b y G e r al dy ne D o by ns ( 1 9 0 7) R us si a n Ra g (R o c k ie s Ra g ) by G eo r g e L . Co b b (1 91 8) S ap ho R a g by J . R us se l R o b in so n ( 1 9 09 ) S le ep y H ol lo w R a g b y Cl a r e nc e Wo o d s ( 19 18 ) T he B l a c k an d W h i te R ag b y G eo rg e B ot sf or d ( 1 90 8) M aj es t i c R ag b y B en R aw l s & Ro ya l N ee l (1 9 1 4 ) T he L i o n T am er R a g b y M a r k Ja nz a ( 19 13 ) T we lf t h St re et R a g by E u d a y L. B o w m an ( 19 1 4 ) W il d C h e rr ie s R a g b y Te d S ny de r ( 1 9 08 )

Display Title/Artist

WEDDING

GROUP NAME WEDDING

W ED 00 1 W ED 00 2 W ED 00 3 W ED 00 4 W ED 00 5 W ED 00 6 W ED 00 7

B ra ut c h o r - Wi l h e lm R ic h a r d Wa gn e r H oc hz e i t sm ar sc h - J ak ob L u dw ig F e l i x Me nd e l s so hn -B a r t ho ld y B ri nd i s i - G iu s e p pe F or t u n io F ra n c e sc o Ve r d i J in gl e 1 - Ko ui c h i H as hi m o t o J in gl e 2 - Ko ui c h i H as hi m o t o F an fa r e 1 F an fa r e 2

Display Title/Artist

CHILDRESN'S

GROUP NAME CHILDREN

C HR 01 C HR 02 C HR 03 C HR 04 C HR 05 C HR 06 C HR 07 C HR 08 C HR 09 C HR 10 C HR 11 C HR 12

T he A n t s G o Ma r c h in g B aa , B a a , Bl ac k S he ep B in go H um pt y D um pt y H us h L i t tl e Ba b y I t' s R a i ni ng , I t ' s Po ur i n g I ts y B i t sy S pi d e r J ac k & J il l L on do n B ri dg e L it tl e B o- Be ep M ar y H a d A L it t l e L am b O ld M a c D on al d H a d a F ar m

Display Title

82

TROUBLE SHOOTING

If a problem occurs while using this product, check the points listed below first prior to contacting customer service.

Trouble shooting

Problem Cause Solution

The piano does not turn on.

1) The power cord is not properly

plugged.

2) The power switch is not pressed.

(The button is lighted when it is pressed.)

1) Properly plug the power cord.

2) Press the power switch.

3) Contact customer service.

The speakers produce no

sound when a key is played.

1) The master volume is set to minimum.

2) A headphone is connected.

3) The power connection jack of the

power cord is not properly connected to

the product.

4) The treble/bass volume is set to

minimum.

1) Increase the master volume.

2) Disconnect the headphone.

3) Properly connect the power

connection jack to the product.

4) Increase the part volumes.

There are notable

difference between the

volumes of the

main voice and the

secondary voice.

1) The secondary voice volume is set to

a wrong value.

1) Set the secondary voice

volume properly.

Random noise is heard

when using the product.

1) Other electric products such as a

refrigerator or an electric washer are

operating nearby.

1) Move the product faraway

from other electric products,

particularly those that use

motors.

No sound is heard when

using the product

connected to an external

sound device.

1) The master volume is set to minimum.

2) The connecting cord is either cut or

damaged.

1) Increase the master volume.

2) Replace the cord.

PRODUCT SPECIFICATIONS

83

Product Specifications

Product Name High Performance USB Digital Piano

Keyboard Real Hammer Action-3W (Wooden Key,Triple-Sensor)

Touch 10 Levels (Soft 1/2/3, Normal 1/2/3, Hard 1/2/3, Off)

Maximum Polyphony 256

Voices 128 General MIDI

8 Drum Sets

2 Effect Set

Auto Accompaniment 80 Rhythm Styles

Single-finger, fingered, full keyboard modes

Play/Stop, Intro/End, Sync, Fill 1/2, Fade, Variation

Features Layer, Split, Tune, Transpose, EQ, Brilliance, Pedals

Registration Memory 16

DSP 7 Reverbs, 4 Effects

Metronome Yes (Tempo/Meter/Volume Adjustable)

Display Graphic LCD

VP Music Bank Pedagogical

(Beyer/Czerny/Burgmüller etudes, selected Sonatines)

Standard (Classical/Jazz/Wedding/Carol/Ragtime etc.)

SMF Player Supports SMF 0 & 1

Recording Real-time recording

2 Tracks

About 9,000 notes per track

Volume Control Main, Layer, Split, Accompaniment

Terminals MIDI IN/OUT, Audio IN/OUT, USB, Pedal

2 headphones

Speakers 2 INCH x 2, 6:9 INCH x 2

STEREO 50W + 50W

Power AC IN

Accessories Manual, USBMEMORY

WEEE-Declaration / Disposal

Yo

ur product is designed and manufactured with materials and components of high quality, which are recyclable and can be reused. The symbol means that your product should be disposed of separately from household waste when it reaches its end of life. Please dispose of this equipment at your local collection point or recycling center. Please help to protect the environment in which we all live.

All specifications and appearances are subject to change without notice. All information was correct at time of printing. Musikhaus Kirstein GmbH does not guarantee for the accuracy or completeness of any description, photograph or statement contained in this manual. Printed colors and specifications may vary slightly from product. Products from Musikhaus Kirstein GmbH are only sold through authorized dealer. Distributors and dealers are not agents of Musikhaus Kirstein GmbH and have no authority to bind Musikhaus Kirstein GmbH legally in any way. This manual is protected by copyright. Any copying or reprint, even in excerpts, is only allowed with written consent of Musikhaus Kirstein GmbH. The same applies to reproduction or copying of images, even in altered form.

Musikhaus Kirstein GmbH

Bernbeurener Strasse 11

86956 Schongau

Telefon: 08861-9

09494-0

Telefax: 08861-909494-19

www.kirstein.de