16Plug and connection assignment................................................................................. 55
17Protecting the environment........................................................................................... 56
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1 General information
1.1 Further information
General information
This user manual contains important information on the safe operation of the device.
Read and follow all safety notes and all instructions. Save this manual for future refer‐
ence. Make sure that it is available to all persons using this device. If you sell the
device to another user, be sure that they also receive this manual.
Our products and user manuals are subject to a process of continuous development.
We therefore reserve the right to make changes without notice. Please refer to the
latest version of the user manual which is ready for download under
www.thomann.de.
1.2 Notational conventions
Letterings
On our website (
details on the following points:
DownloadThis manual is also available as PDF le for you to download.
Keyword search
Online guides
Personal
consultation
Service
This manual uses the following notational conventions:
The letterings for connectors and controls are marked by square brackets and italics.
Examples: [VOLUME] control, [Mono] button.
www.thomann.de) you will nd lots of further information and
Use the search function in the electronic version to nd the
topics of interest for you quickly.
Our online guides provide detailed information on technical
basics and terms.
For personal consultation please contact our
technical hotline.
If you have any problems with the device the
customer service will gladly assist you.
Displays
Texts and values displayed on the device are marked by quotation marks and italics.
Examples: ‘24ch’ , ‘OFF’.
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General information
Instructions
Cross-references
1.3 Symbols and signal words
The individual steps of an instruction are numbered consecutively. The result of a
step is indented and highlighted by an arrow.
Example:
1.Switch on the device.
2.Press [Auto].
Automatic operation is started.
ð
3.Switch o the device.
References to other locations in this manual are identied by an arrow and the speci‐
ed page number. In the electronic version of the manual, you can click the crossreference to jump to the specied location.
Example: See
In this section you will nd an overview of the meaning of symbols and signal words
that are used in this manual.
Signal wordMeaning
Ä
‘Cross-references’ on page 6.
DANGER!This combination of symbol and signal word indicates
an immediate dangerous situation that will result in
death or serious injury if it is not avoided.
CAUTION!This combination of symbol and signal word indicates
a possible dangerous situation that can result in minor
injury if it is not avoided.
NOTICE!This combination of symbol and signal word indicates
a possible dangerous situation that can result in mate‐
rial and environmental damage if it is not avoided.
Warning signsType of danger
Warning – danger zone.
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2 Safety instructions
Safety instructions
Intended use
Safety
DANGER!
Danger for children
Ensure that plastic bags, packaging, etc. are disposed of properly and are not within reach of babies and young children. Choking
hazard! Ensure that children do not detach any small parts (e.g. knobs or the like) from the unit. They could swallow the pieces
and choke! Never let children unattended use electrical devices.
CAUTION!
Possible hearing damage
With loudspeakers or headphones connected, the device can produce volume levels that may cause temporary or permanent
hearing impairment. Do not operate the device permanently at a high volume level. Decrease the volume level immediately if
you experience ringing in your ears or hearing impairment.
NOTICE!
Operating conditions
This device has been designed for indoor use only. To prevent damage, never expose the device to any liquid or moisture. Avoid
direct sunlight, heavy dirt, and strong vibrations. Only operate the device within the ambient conditions specied in the chapter
‘Technical specications’ of this user manual. Avoid heavy temperature uctuations and do not switch the device on immediately
after it was exposed to temperature uctuations (for example after transport at low outside temperatures). Dust and dirt inside
can damage the unit. When operated in harmful ambient conditions (dust, smoke, nicotine, fog, etc.), the unit should be main‐
tained by qualied service personnel at regular intervals to prevent overheating and other malfunction.
This device is intended to be used for electronic sound generation using a piano key‐
board. Use the device only as described in this user manual. Any other use or use
under other operating conditions is considered to be improper and may result in per‐
sonal injury or property damage. No liability will be assumed for damages resulting
from improper use.
This device may be used only by persons with sucient physical, sensorial, and intel‐
lectual abilities and having corresponding knowledge and experience. Other persons
may use this device only if they are supervised or instructed by a person who is
responsible for their safety.
NOTICE!
External power supply
The device is powered by an external power supply. Before connecting the external power supply, ensure that the input voltage
(AC outlet) matches the voltage rating of the device and that the AC outlet is protected by a residual current circuit breaker.
Failure to do so could result in damage to the device and possibly the user. Unplug the external power supply before electrical
storms occur and when the device is unused for long periods of time to reduce the risk of electric shock or re.
NOTICE!
Possible damage by leaking batteries
Leaking batteries can cause permanent damage to the device. Take batteries out of the device if it is not going to be used for a
longer period.
NOTICE!
Risk of re due to incorrect polarity
Incorrectly inserted batteries may destroy the device or the batteries. Ensure that proper polarity is observed when inserting bat‐
teries.
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Safety instructions
NOTICE!
Possible staining
The plasticiser contained in the rubber feet of this product may possibly react with the coating of your surface and after some
time cause permanent dark stains. In case of doubt, do not put the rubber feet directly on the surface and use a suitable underlay
if necessary, i.e. felt-pad oor protectors or similar.
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3 Features
Features
The keyboard is characterized by the following features:
n Keyboard: 61 keys with adjustable touch velocity
n 64-voice polyphony
n 390 voices
n 100 styles
n 110 rehearsal songs
n 8 demo songs
n Record and playback function
n 4 memory locations
n Reverb
n Chorus
n Split mode
n Metronome
n Transpose function
n Speaker: 2 × 10 W
n Connections: Headphones output, sustain pedal, USB
n Operating system: Windows® 8 and later, Mac OS X® 10.8 and later
n Automatic shuto
n Battery operation possible (6x AA battery, not included)
n Includes power supply
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Assembly instructions
4 Assembly instructions
Unpack and check carefully there is no transportation damage before using the unit.
Keep the equipment packaging. To fully protect the product against vibration, dust
and moisture during transportation or storage use the original packaging or your
own packaging material suitable for transport or storage, respectively.
Set up the device in the desired location.
Power supply
The device can be powered by batteries or with the included AC adapter.
Batteries
1.Make sure that the device is turned o before you connect it to the power
supply or disconnect it.
2.Turn the volume knob counter-clockwise to minimum before connecting the
keyboard to the power supply or to other devices. This is to protect the
speakers from damage.
3.Take o the battery compartment cover on the underside of the keyboard.
4.Insert six AA/R6 size batteries. Pay attention to the correct polarity according to
the marks.
NOTICE!
Possible damage by leaking batteries
Leaking batteries can cause permanent damage to the device.
Take batteries out of the device if it is not going to be used for a
longer period.
Always use batteries of the same type and do not use new and used batteries
at the same time.
5.Reattach the battery compartment cover and snap it into place.
10
Power adapter
1.Make sure that the device is turned o before you connect it to the power
supply or disconnect it.
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Assembly instructions
2.Turn the volume knob counter-clockwise to minimum before connecting the
keyboard to the power supply or to other devices. This is to protect the
speakers from damage.
3.Connect the cable from the power adapter outlet to the input socket [12V] on
the rear panel of the keyboard.
Plug the power adapter into a properly wired mains wall outlet.
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MK-300
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Control panel and connections
5 Control panel and connections
Overview
Operating panel
1 Button to turn the keyboard on and o.
2 Rotary control [VOLUME] to set the volume.
3 [TEMPO +]/[TEMPO –] buttons to increase / decrease the tempo.
4 [CHORD DICT./LESSON] buttons to activate the learning mode and call the chord dictionary.
5 [MIXER] button to adjust the volume of each component.
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Control panel and connections
6 [START/STOP] button to play the rehearsal songs in [SONG] mode and to start and stop Styles in [STYLE] mode.
7 [SYNC START] for activating and deactivating the synchronous start of the Auto Accompaniment.
8 [INTRO/ENDING] button selecting an Intro or Ending.
9 [FILL A] button to select Fill A/Main A.
10 [FILL B] button to select Fill B/Main B.
11 [FADE IN/OUT] button to fade the currently playing Style in or out.
12 [CHORD] button for setting up the chord recognition mode.
13 [RECORD] button to start or stop a real time recording.
14 [PLAY] button to play the recorded User song.
15 [VOICE] button to call up the [VOICE] mode. Pressing both [VOICE] and [STYLE] buttons simultaneously will start the
automatic playback of the demo songs.
16 [STYLE] button to call up the [STYLE] mode. Pressing both [STYLE] and [VOICE] buttons simultaneously will start the
automatic playback of the demo songs.
17 [SONG] button to call up the [SONG] mode.
18 [STORE] button to save the current settings to a specic memory location.
19 [M1] to [M4] buttons to call up the saved settings.
20 [O.T.S.] button (One Touch Setting) for sound pre-assignment.
21 [FUNCTION] button to enter the function menu and ne tuning of parameters.
22 [METRO] button to turn the Metronome function on and o.
23 [TRANSPOSE +] and [TRANSPOSE –] buttons.
24 [DUAL] button to turn the Dual mode on and o.
25 [LOWER] button to turn the key assignment for the left hand on and o.
26 [SUSTAIN] button to turn the Sustain eect on and o.
27 Numeric buttons to select a number or a parameter setting.
28 Pitch bend wheel for changing the pitch.
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Control panel and connections
Display
1 LED [MODULATION]
Lights up on Modulation.
2 LED [RECORD]
Lights up when recording.
3 Bass clef.
4 Treble clef.
5 ‘VOICE/STYLE/DEMO/SONG’
Voice/Style/Demo/Song number display.
6 ‘CHORD’
Chord display.
7 ‘MEASURE’
Measure display.
8 ‘BEAT’
Beat display within the bar.
9 ‘TEMPO’
Tempo display.
10 ‘MEMORY1/2/3/4 / O.T.S.’
Memory location display 1 to 4 and O.T.S.
11 LED [TOUCH]
Lights up when the velocity sensitivity is being adjusted.
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12 LED [SUSTAIN]
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Lights up when a Sustain pedal is connected.
13 ‘DUAL/LOWER/DSP’
Display for Dual mode, left hand assignment and DSP.
14 ‘LESSON 123 / L/R’
Learning mode display for left and right hand.
15 Note display.
16 ‘A.B.C. / FADE / A/B’
Display of automatic bass accompaniment / Fade / A/B.
17 ‘USB’
Lights up when the USB port of the device is connected to a computer.
Rear panel connections
Control panel and connections
1 [USB]
USB/MIDI interface to connect a computer.
2 [SUSTAIN]
Sustain pedal connection.
3 [PHONES]
Output for headphones or external audio devices like active speakers or
ampliers.
4 [12V]
Connection for the power adapter.
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Connectivity options
6 Connectivity options
Headphones
External audio devices
On the back of the keyboard, you can connect headphones to the [PHONES] output
socket.
When you connect headphones, the internal speakers of the keyboard are automati‐
cally disconnected.
Use the [PHONES] output socket to connect the keyboard to an amplier, stereo
device, mixing console or recording device. Plug one end of the audio cable into the
[PHONES] socket on the rear panel of the keyboard and the other end into the input
of the respective audio device.
Computer
NOTICE!
To prevent damage to the speakers, turn the volume down to ‘Mini‐
mum’ before you connect other devices to the keyboard.
MIDI data is sent and received through the USB/MIDI interface.
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7 Switching on / o and basic operation
7.1 Powering up the keyboard
7.1.1 Normal switching on / o
Press the power button on the far left of the operating panel to turn the keyboard on
or o.
7.1.2 Automatic shuto
When the keyboard is not being used for 30 minutes, it switches o automatically. To
turn it on again, press the power button on the unit.
The automatic shuto is activated automatically when powering up the keyboard.
Switching on / o and basic operation
7.2 Adjusting the volume
7.3 Demo songs
Adjust the rotary control [VOLUME] for a pleasant volume for playback and rehearsal.
Turn this control clockwise to increase the volume. Turn it counter-clockwise to
reduce the volume.
The eight demo songs built-in in the keyboard show the sound and the pitch range
Ä
of the instrument (see
1.Press the [STYLE] and [VOICE] buttons simultaneously to enter the DEMO mode.
2.Select a demo song using the numeric keys or the [+] and [ –] buttons.
After four beats, the rst demo song starts and all eight demo songs will be
played in an endless loop.
3.Press the buttons [STYLE] and [VOICE] again or the [START/STOP] button, to stop
playback and exit the DEMO mode.
Chapter 12 ‘Demo List’ on page 49).
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Functions
8 Functions
8.1 Using the Sustain pedal
8.2 Voices and eects
8.2.1 Selecting voices
By using a Sustain pedal, you can make your playing more expressive and let tones
linger after you lift your ngers from the keys of the keyboard. The sustain eect is
activated when you step on the pedal and deactivated when you release it.
8.2.2 Dual mode
The instrument oers 390 exceptionally realistic voices including piano, guitar,
strings, brass and other sounds (see
1.The default and displayed ‘VOICE R1’ is number ‘001’ with the corresponding
shortname ‘GrandPno’ .
2.To select another voice, press the [+] and [ –] buttons or the numeric buttons.
If Dual or Split mode is turned on, you can repeatedly press the [VOICE]
button to navigate through the current selection for the rst right hand
voice ‘VOICE R1’, the second right hand voice ‘VOICE R2’, and the left hand
voice ‘VOICE L’.
In Dual mode, you can play two voices simultaneously.
1.Press the [DUAL] button to enter Dual mode. The display shows ‘VOICE R2’ and
the symbol ‘DUAL’ lights up. The currently set second voice also appears in the
display. If you now press a key, both voices sound simultaneously.
2.Press the [+] or [–] buttons or the numeric buttons to select the desired voice.
3.Press the [DUAL] button again to exit Dual mode. ‘VOICE R2’ is being disabled
and you only hear the voice set for ‘VOICE R1’ .
Ä
Chapter 9 ‘Voice List’ on page 38).
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8.2.3 Split mode
8.2.4 Sustain
Functions
When the keyboard is split, the Dual mode aects only the keys to the right
of the keyboard split point.
With this function, you can assign dierent voices to certain keyboard areas.
1.Press the [LOWER] button in order to activate the split mode and thus the left
hand voice. ‘VOICE L’ and the shortname for the voice appear simultaneously
in the display.
2.Press the [+] or [–] buttons or the numeric buttons to select the desired voice.
3.Press the [LOWER] button again to exit Split mode. The ‘LOWER’ symbol turns
o in the display.
8.2.5 Transposing
When the Sustain function is turned on, all tones played on the keyboard linger.
Press the [SUSTAIN] button to turn the Sustain eect on or o.
With this function you can adjust the pitch of the keyboard in 12 semitone steps up
to one octave up or down.
Press the [TRANSPOSE +] and [TRANSPOSE –] buttons to adjust the keyboard
pitch in semitone steps up or down. The display shows ‘XXX Transpos’ .
–Press the [TRANSPOSE +] and [TRANSPOSE –] buttons simultaneously to
restore the default setting (no transposition).
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Functions
8.2.6 Pitch bend wheel
While playing the keyboard, you can roll the Pitch bend wheel upward and down‐
ward to vary the pitch up or down. After releasing, the Pitch Bend wheel automati‐
cally returns to its default position.
8.3 Style operation and Auto Accompaniment
The keyboard oers a total of 100 dierent styles from a variety of dierent musical
genres (see
The Auto Accompaniment feature gives you a full backing band. To use it, you only
need to play chords with your left hand while playing with your right hand.
Ä
Chapter 10 ‘Style List’ on page 45).
8.3.1 Starting Auto Accompaniment (rhythm track only)
1.Press the [STYLE] button to enter [STYLE] mode. The display shows ‘STYLE’ and
the currently selected Style.
2.Select the desired Style using the buttons [+] and [–] or the numeric buttons.
3.Press the [START/STOP] button to start the Auto Accompaniment's rhythm
track.
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8.3.2 Starting Auto Accompaniment (all tracks)
1.Press the [STYLE] button to enter [STYLE] mode. The display shows ‘STYLE’ and
the currently selected Style.
2.Select the desired Style using the buttons [+] and [–] or the numeric buttons.
3.Press the [CHORD] button to enter Chord Recognition mode. The area dened
for the left hand becomes the Auto Accompaniment area and chords played
here are automatically recognized and used as a base for the Auto Accompani‐
ment with the selected Style.
4.Press the [SYNC START] button to turn on the Synchronous Start function. The
indicators for the beats within the bar are ashing in the display according to
the set tempo. Once you play a chord with your left hand, Auto Accompani‐
ment will start.
5.Try playing other chords with your left hand.
6.Press the [START/STOP] button again to stop the Auto Accompaniment.
8.3.3 Auto Accompaniment patterns
Functions
Auto Accompaniment is controlled via several patterns: Intro, Main, Fill-in (A,B), and
Ending.
1.INTRO
To insert an intro, press the [INTRO/ENDING] button before beginning to play.
Depending on the selected Style the rhythm starts with two to four bars, fol‐
lowed by the main part.
2.MAIN
The main part is an Accompaniment pattern of several bars that is repeated
indenitely until a button is pressed to call another pattern of the Auto Accom‐
paniment.
3.FILL
With activated Auto Accompaniment, you can press the [FILL A] or [FILL B]
button to insert a Rhythm or Accompaniment part.
4.ENDING
If you press the [INTRO/ENDING] button while Auto Accompaniment is acti‐
vated, an ending part suitable for the Accompaniment is started, nishing the
song.
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Functions
8.3.4 Varying with dierent Accompaniment patterns
1.Press the [STYLE] button and select a Style.
2.Press the [CHORD] button to turn on the Chord Recognition mode and press
the [SYNC START] button.
3.Press the [FILL A] button.
4.Press the [INTRO/ENDING] button. The ‘A ’ symbol is ashing in the display. This
indicates that the Intro is ready to start.
5.Once you play a chord with your left hand, Auto Accompaniment will start. If
the intro is nished, the Auto Accompaniment ows seamlessly into main part
A.
6.Press the [FILL B] button.
A Fill part is inserted, that ows seamlessly into main part B.
7.Press the [INTRO/ENDING] button to conclude the song with an Ending. The
style stops after the Ending.
8.3.5 Tempo
8.3.6 Fade
Hold the [FILL A] or [FILL B] button pressed while a Style is being played, so
the selected ll pattern is played until you release the key.
1.Each style of the instrument is programmed with a preset default tempo, but
you can change it using the [TEMPO+] and [TEMPO–] buttons.
2.Press the [TEMPO+]/[TEMPO–] buttons simultaneously, then the tempo is reset
to the factory default setting.
1.FADE IN
Press the [FADE IN/OUT] button while no Style is played.
When the Style begins to play, the Style volume is increased slowly from 0 to
normal volume.
2.FADE OUT
Press the [FADE IN/OUT] button while a Style is played. The Style volume is
slowly decreased from normal volume to 0. Then the Style playback is stopped.
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8.3.7 One Touch Setting
One Touch Setting (O.T.S. or one-key operation) is a convenient function that allows
you to immediately recongure all settings with just one single key press. This is
about rhythm-based compilations of instrument voices. With this function, four
parameter types (M1 to M4) can be loaded.
1.Press the [O.T.S.] button to enter this mode. ‘O.T.S.’ appears in the display.
Press one of the keys [M1] to [M4], then the device loads the corresponding
parameter types that match the current Style. The ABC mode is automatically
turned on at that.
2.Press the [O.T.S.] button again to exit O.T.S. mode.
8.3.8 Chord recognition and ngering techniques
Functions
How the chords are played or displayed for the left hand in the auto accompaniment
on your keyboard is called chord ngering. A distinction is made between single and
multi-nger chords on one hand and the chord detection over the entire keyboard
range.
n Chord basics
A chord consists of three or more notes played together. The most commonly
used chord is the triad consisting of three notes: Root, third and fth of the corre‐
sponding scale. The C major chord for example is formed from the notes C (root),
E (the third note of the C major scale), and G (the fth note of the C major scale).
In the C major chord shown, the lowest note is the root (this is the basic form of
the chord - if you play other notes of the chord as the lowest note, this is called
‘chord inversion’). The root is the central sound of the chord on which the other
chord notes are built upon. The interval between adjacent notes and the root
determines whether the result is a major or minor third.
n Chord structure
The lower interval in our triad (between root and third) determines whether the
result is a major or minor triad. In addition, we can shift the highest note by a half
step up or down to produce two additional chords.
The basic characteristic of the triad remains even if we change the order of the
notes to create dierent inversions. Consecutive chords can be softly connected
in a chord progression, e.g. by choosing suitable chord inversions (also called
‘voicings’).
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Functions
n Chord names
Chord names will tell you everything you need to know about a chord. Through
the chord name, you know the root, whether it is a major, minor, or diminished
chord, whether a large or atted seventh is needed and what changes or ten‐
sions are used - all at a glance.
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Page 25
Functions
Chord recognition modes
With the chord recognition mode you can determine how the ngered chords are
interpreted within the auto accompaniment. Press [CHORD] to activate the A.B.C.
mode (chord recognition). The keyboard then automatically recognizes the single or
multi-nger chords played.
n Single-nger chords
With this method, you can play chords with only one, two or three ngers within
the capabilities of the auto accompaniment. Here we show you some examples
of single nger chords (C, Cm, C7 and Cm7).
n Multi-nger chords
With this method, you can play chords with normal ngering within the capabili‐
ties of the auto accompaniment. Here we show you 32 chords using the example
of C chords.
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Functions
8.4 Function menu
n Chord recognition throughout the entire keyboard range
If you press the [CHORD] button twice, the Full Range mode is being activated
and the ‘FullRange’ symbol lights up in the display. In this mode, chords being
played over the entire keyboard range are being detected. The Split Point setting
for Auto Accompaniment will be ignored.
Press the [FUNCTION] button to enter the function menu. The rst function to appear
each time after activation is ‘Octave’ . Press the [FUNCTION] button repeatedly to
select the desired option. Then you can change the parameters using the numeric
buttons or the [ +] / [–] buttons.
OptionLCDControl rangeDefault value
Octave shift‘XXX Octave’–1 to +10
Digital eects‘DSP’ON/OFFON
Reverb eect‘XXX Rev Type’0 to 74
Reverb eect
depth
‘XXX Rev Level’0 to 329
26
Chorus eect‘XXX Chr Type’0 to 7
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Page 27
Functions
OptionLCDControl rangeDefault value
8.4.1 Octave shift
Chorus eect
depth
Vibrato‘Modul’ON/OFF
Touch sensitivity‘Touch’OFF, 1, 2, 32
Beat‘XXX Beat’0, 2 to 94
Fine tuning‘XXX Tune’–50 to 50
MIDI receive
channel
MIDI send channel‘Midi Out’01 to 16
Automatic shutoPower O030, 060, OFF030
If you don't press any key within ve seconds after entering the function
menu, the menu is automatically closed.
1.First, press the [FUNCTION] button to enter the ‘Octave ’ menu. The display
shows the current setting ‘XXX Octave’ .
2.Press the [+] or [–] buttons or the numeric buttons to shift the keyboard setting
by one octave up or down. The default value is ‘000’ .
‘XXX Chr Level’0 to 32
‘Midi In’01 to 16, ALL
8.4.2 DSP
8.4.3 Reverb eect
With the built-in digital eects, you can give your music more expression and depth
in many ways, e.g. by using reverb eects or adding harmonies.
1.First, press the [FUNCTION] button to enter ‘DSP’ menu. The current setting
appears on the display.
2.Press the [+] or [–] buttons to turn the digital eects on or o. The default value
when turning the keyboard on is ‘ON’ .
The Reverb eect lets you simulate the acoustic eects of dierent environmental
conditions.
1.Press the [FUNCTION] button to select the setting for the Reverb eect. The dis‐
play shows the current setting ‘XXX Rev Type’ .
2.Press the [+] or [–] buttons to change the Reverb type in a range from 0 to 7.
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Functions
8.4.4 Reverb eect depth
8.4.5 Chorus eect
1.Press the [FUNCTION] button to select the setting for the Reverb eect depth.
The display shows the current setting ‘XXX Rev Level’ .
2.Press the numeric buttons or the [+] / [–] buttons to change the Reverb eect
depth in a range from 0 to 32.
The Chorus eect lets you simulate the acoustic eects of dierent environmental
conditions.
1.Press the [FUNCTION] button to select the setting for the Chorus eect. The dis‐
play shows the current setting ‘XXX Chr Type’ .
2.Press the [+] or [–] buttons to change the Chorus type in a range from 0 to 7.
8.4.6 Chorus eect depth
8.4.7 Vibrato eect
1.Press the [FUNCTION] button to select the setting for the Chorus eect depth.
The display shows the current setting ‘XXX Chr Level’ .
2.Press the numeric buttons or the [+] / [–] buttons to change the Chorus eect
depth in a range from 0 to 32.
The Vibrato eect modulates the tones played on the keyboard.
1.Press the [FUNCTION] button to select the setting for the Vibrato eect. The
current setting appears on the display.
2.Press the [+] or [–] buttons to turn the Vibrato eect on or o.
The Vibrato eect does not aect the Percussion voices.
8.4.8 Touch sensitivity
28
With this function you can adjust the touch response of the keyboard at four dif‐
ferent levels.
keyboard
Page 29
Functions
ParameterMeaning
‘OFF’Touch sensitivity is o. This can be very recommendable when
playing the organ voice.
‘001’Soft
In this setting, the volume is higher than usual even when playing
with a soft touch.
‘002’Normal
This setting corresponds to the usual touch response of a key‐
board.
‘003’Hard
In this setting, the volume is lower than usual even when playing
with a hard touch.
1.Press the [FUNCTION] button until the display shows the setting ‘TOUCH’ .
Use the [ +] or [–] buttons to adjust the Touch sensitivity.
2.If you select ‘OFF’ , the Touch sensitivity is disabled.
8.4.9 Beats
8.4.10 Fine tuning
With this function you can set the beats in a range from 0 to 9.
1.Press the [FUNCTION] button to select the setting for the Beats. The display
shows the current setting ‘XXX Beat’ .
2.Use the numeric buttons and the [ +] or [–] buttons to adjust the Beats.
With this function you can ne tune the entire keyboard in cent steps.
1.Press the [FUNCTION] button to select the setting for the Fine Tuning. The dis‐
play shows the current setting ‘XXX Tune’ .
2.Use the [ +] or [–] buttons to adjust the tuning in a range from –50 to +50
cents. Each time a key is pressed, the value changes by 1 cent. If you press the
buttons [ +] and [–] simultaneously, the tuning is reset to the default value.
The ne tuning aects both keyboard and styles.
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Functions
8.4.11 MIDI channels
Press the [FUNCTION] button to select the setting for the MIDI channels. The
display shows the current setting ‘XXX Midi In’ and ‘XXX Midi Out’. In the func‐
tion menu ‘Midi In’ you can dene on which MIDI channels the Keyboard
receives MIDI information from other devices. Use the numeric buttons or the
[ +] / [–] buttons to select the MIDI Receive channel(s).
Parameter range: Channels 1 to 16 or ‘ALL’ for all channels. Default setting:
‘ALL’ .
Press the [FUNCTION] button to select the setting for the MIDI channels. The
display shows the current setting ‘XXX Midi In’ and ‘XXX Midi Out’. In the func‐
tion menu ‘Midi Out’ you can dene on which MIDI channels the Keyboard
sends MIDI information to other devices. Use the numeric buttons or the [ +] /
[–] buttons to select the MIDI Send channel.
8.4.12 Automatic shuto
Parameter range: Channels 1 to 16. Default setting: ‘001’.
If the keyboard is not in use, it shuts o automatically after 30 minutes.
1.Press the [FUNCTION] button to select the setting for the Automatic shuto.
The display shows the current setting ‘XXX Power O’ .
2.Use the [+] or [–] buttons to choose one of these options:
n‘030’ (automatic shutdown after 30 minutes)
n‘060’ (automatic shutdown after 60 minutes)
n‘OFF’ (automatic shutdown o).
If you press the buttons [+] and [–] simultaneously the default setting (auto‐
matic shuto after 30 minutes) is reselected.
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8.5 Mixer menu
This menu is used to adjust the volume of the various style elements.
1.Press the [MIXER] button to enter the Mixer menu. By default, when you open
this menu the option ‘ Accomp’ appears.
2.Press the [MIXER] button repeatedly to select the desired option. Then you can
adjust the selected parameter using the [ +] or [–] buttons.
If you don't press any key within ve seconds after entering the Mixer menu,
the menu is automatically closed.
Tab. 1: Adjustable options and parameters
OptionLCDControl rangeDescription
Functions
Accompaniment Volume‘XXX Accomp’000 to 032Accompaniment volume
Rhythm_s Volume‘XXX Rhythm_s’000 to 032Percussion instrument 1
Rhythm_m Volume‘XXX Rhythm_m’000 to 032Percussion instrument 2
Bass Volume‘XXX Bass’000 to 032Bass
Chord 1 Volume‘XXX Chord1’000 to 032Polyphonic Melody 1
Chord 2 Volume‘XXX Chord2’000 to 032Polyphonic Melody 2
Chord 3 Volume‘XXX Chord3’000 to 032Polyphonic Melody 3
Phrase 1 Volume‘XXX Phrase1’000 to 032Intermezzo1
Phrase 2 Volume‘XXX Phrase2’000 to 032Intermezzo 2
Voice R1 Volume‘XXX Voice R1’000 bis 032Right hand voice
Voice R2 Volume‘XXX Voice R2 ’000 bis 032Second right hand voice in Dual
mode
Voice L Volume‘XXX Voice L’000 bis 032Left hand voice
8.6 Metronome
1.Press the [METRO] button to turn the Metronome on or o.
2.Press the [TEMPO +] or [TEMPO –] button to adjust the Metronome tempo.
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Functions
8.7 Memory
8.7.1 Load / save parameters
You can store the control panel conguration in the memory of the keyboard and
recall the data any time, if required.
1.Hold the [STORE] button pressed and simultaneously press one of the [M1] to
[M4] buttons. The data are then stored in the respective memory location (M1
to M4). Please note that any data previously stored there will be deleted.
2.Press one of the [M1] to [M4] buttons. The data are then loaded from the corre‐
sponding memory and replace the current settings thereby.
Memory data can not be retrieved if the O.T.S. function is turned on. The
stored data will be reset to the default values when you turn o the key‐
board.
8.8 Record
The keyboard lets you record your playing together with the accompaniment.
1.Press the [RECORD] button. The record icon left of the display is lit and the
beats are ashing in time.
2.Play the notes you want to record or press the [START/STOP] button to start
recording. If you want to record your playing with style accompaniment, turn
on the auto accompaniment and play the chords with your left hand on the
keyboard.
3.Press the [RECORD] button again to stop the recording. The record icon turns
o.
4.Press the [PLAY] button to play back the recording.
5.Press the [PLAY] button again to stop the playback. If you press the [PLAY]
button while recording, the recording is stopped and played back.
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If you turn o the keyboard, the recorded data will be lost.
8.9 Rehearsal songs
8.9.1 Selecting, playing and stopping rehearsal songs
The digital piano oers 110 rehearsal songs in total (see
on page 47). Each song can be practised in learning mode.
1.Press the [SONG] button to enter the playback mode for practising songs. All
rehearsal songs are played in an endless loop. The display shows ‘SONG ’ and
the number of the currently playing song.
2.In ‘SONG ’ mode, use the numeric buttons or the [+] and [–], [START/STOP] but‐
tons to select a rehearsal song.
3.If you press the [START/STOP] button this song is repeated in an endless loop
until you press the [START/STOP] button again. This will not quit the mode for
rehearsal song playback.
Functions
Ä
Chapter 11 ‘Song List’
8.10 Learning mode
Lesson 1 - playing in time
When practising, it is especially important to play the right notes at the right time. In
this mode you can check your progress. There are three training stages.
Press the [SONG] button. Quit the onset of playback with the [START / STOP] button.
Then press the [LESSON] button to call the learning mode. ‘LESSON 1’ appears on the
display. In this mode, it is only rated whether you play the notes at the right time, but
not whether you hit the right notes.
1.In the right hand symbol in the display, a ‘R’ appears, meaning the right hand
is to be practised. Press the [L/R Part] button if you want to practise the left
hand. Then an ‘L’ appears in the left hand symbol. Press the [L/R Part] button
again if you want to practise both hands. ‘L’ and ‘R ’ then appear in the dis‐
play‘s hand symbols.
2.Press the [START/STOP] button, to start practising.
3.If you have selected ‘R’ the right hand voice is muted and you have to play the
right hand yourself. As long as you are in time, you will hear the right hand
voice. If you have selected ‘L’ the left hand voice is muted and you have to play
the left hand yourself. As long as you are in time, you will hear the left hand
voice. Are both ‘L’ and ‘R’ selected the voices for both hands are muted. You
then have to play in time with both hands.
4.After completing the exercise, you will learn the result.
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Functions
Lesson 2 - hitting the right notes
Lesson 3 - hitting the right notes at
the right time.
Press the [LESSON] button again to enter the learning mode 2. ‘LESSON 2’ appears on
the display. In this mode, it is only rated whether you hit the right notes, but not
whether you play them at the right time. The practising song continues only when
you play the right note.
After completing the exercise, you will learn the result.
Press the [LESSON] button again to enter the learning mode 3. ‘LESSON 3’ appears on
the display. In this mode, it is rated whether you play the right notes at the right time.
The practising song continues only when both is correct.
After completing the exercise, you will learn the result.
Rating
8.11 Chord dictionary
The rating is based on the level you have achieved during practising:
n Level 1: Try it again.
n Level 2: OK.
n Level 3: Well done.
n Level 4: Outstanding.
After the rating, the rehearsal song will be played again and you can go on prac‐
tising.
The Chord dictionary is basically a built-in ‘Chord book’ assisting you to nd the right
tones of a chord if you e.g. know only the chord name, but not how to play it.
1.DICT 1 (chord learning mode)
Keep the [CHORD DICT.] button pressed for two seconds to enter the ‘DICT.1’
mode. In this mode, the keys from C4 on are used to assign the chord type, and
the keys from C6 to assign the root note. If you have pressed the keys for chord
type and root note, the display shows the chord name and the individual notes
in the notation system.
For example, If you want to play a Cm7 chord, press the C6 key (root note C in
the Cm7 chord). You will hear no sound, but the root note is displayed.
Press the A4 key (chord type for minor-seventh chord, ‘m7’). You will hear no
sound, but the chord name and the notes you should play for the specied
chord appear in the display.
34
2.DICT 2 (chord testing mode)
Press the [CHORD DICT.] button again to enter the ‘DICT.2’ mode. The display
shows a randomly generated chord name, but not its individual notes in the
notation system. If you play the right chord within three seconds, the next ran‐
domly generated chord name appears. If this does not happen, the individual
notes of the chord in the notation system appear automatically in the display.
keyboard
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Functions
3.Press the [CHORD DICT.] button a third time to exit the chord dictionary.
In the chord dictionary, the 12 root notes and 24 chord types are presented as fol‐
lows:
Key namesRoot noteKey namesRoot note
C6C
C#6C#/D
b
D6DAb6
Eb6
D#/Eb6
E6EBb6
F#6F#/G
G6G
G#/A
A6A
A#/B
b
b
b
F6FB6B
Key namesChord typeKey namesChord type
C4MC57b9
C#4
M(9)
C#5
D46D5
7(9)
7(#9)
Eb4mM7Eb57b13
E4M7E57(13)
F4mF5
F#4
m(9)
F#5
7(#11)
dim7
G4m6G5dim
Ab4m7(9)Ab57aug
A4m7A5aug
Bb4m7b5Bb57sus4
B47B5sus4
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Functions
8.12 MIDI functions
8.12.1 What is MIDI?
8.12.2 USB connection
With MIDI connections, the device that controls other devices is called the ‘Master’. A
device that is controlled via MIDI is called ‘Slave’. The MIDI output of the master is to
be connected to the MIDI input of the slave. You cannot connect the MIDI output of a
device to the MIDI input of the same device.
MIDI stands for ‘Musical Instrument Digital Interface’ and represents the standard
interface between a computer and electronic instruments.
You can use the USB connection to exchange MIDI data with computers or other USB
devices that support USB audio via USB cable. MIDI data from computers or other
USB devices can be played back by the sound module of the keyboard.
1.System requirements
n CPU: 300 MHz, Pentium 2 or higher
n RAM: 64 MB or more
n 2 MB free hard disc space
n Operating system: Windows® 8 and later, Mac OS X® 10.8 and later
Use a current operating system still supported by the provider to
avoid technical diculties.
2.Connecting
Connect the USB port on the rear panel of the keyboard to the USB port on
your computer using a standard USB cable (not included).
3.USB precautions
Please heed the following instructions when connecting USB instruments to
computers. Otherwise, the instrument or the computer may ‘crash’, which can
result in data loss. If a ‘crash’ should occur, turn o computer and instrument
and restart them after a few seconds.
–If the computer is in standby or hibernation, wake the computer
before connecting the USB cable.
–Establish the USB connection between computer and instrument
before turning on the instrument.
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8.13 Troubleshooting
ProblemPossible causes and solutions
Functions
You hear a 'pop' sound from the speakers when switching the
digital piano on and o.
No sound can be heard when playing the piano.Make sure that the volume control is set appropriately.
Interference occurs when using a cell phone.Using a cell phone near the keyboard may cause interference.
The auto accompaniment does not start although the Sync
Start function is enabled and a key is pressed.
This is normal. No need to worry.
To prevent this, turn o the mobile phone or use it only at a
safe distance.
Maybe you try to start the Auto Accompaniment by pressing a
button in the right hand area. Auto Accompaniment with Sync
Start function can only be started by pressing a key in the left
hand chord area.
19Major seventh chord with at seventh [7]1–3–(5)–b7C7C7
20Flat major seventh chord with suspended fourth
[7sus4]
21Flat major seventh chord with diminished fth
[7b5]
22Flat major seventh ninth chord [79]1–2–3–(5)–b7C7 9C7(9)
23Flat major seventh chord with augmented elev‐
enth [7#11]
24Flat major seventh chord with thirteenth [7 13]1–3–(5)–6–b7 or 2–3–5–6–b7C7 13C7(13)
1–4–5–b7C7sus4C7sus4
1–3–b5–b7C7b5C7(b5)
1–2–3–#4–(5)–b7 or 1–(2)–3–#4–5–b7C7#11C7(#11)
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Chord List
Chord nameNormal chord structureChord
symbol
25Flat major seventh chord with diminished ninth
[7b9]
26Flat major seventh chord with diminished thir‐
teenth [7b13]
27Flat major seventh chord with augmented ninth
[7#9]
28Major seventh chord with augmented fth
[M7aug]
29Flat major seventh chord with augmented fth
[7aug]
30Suspended fourth [sus4]1–4–5Csus4Csus4
31Suspended second [1+2+5]1–2–5C1+2+5C
1–b2–3–(5)–b7C7b9C7(b9)
1–3–5–b6–b7C7b13C7(b13)
(1)–#2–3–(5)–b7C7#9C7(#9)
1–3–#5–7CM7augCM7aug
(1)–3–#5–b7C7augC7aug
Represen‐
tation in
the dis‐
play
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MIDI implementation chart
14 MIDI implementation chart
FunctionSentReceivedNotes
Basic ChannelDefault1ALL
Changed1-161-16
ModeDefaultNoMode 3
MessagesNoNo
Altered********No
Note Number0 – 1270 – 127
True voice********0 – 127
Velocity NoteNote ONYes, 9nH,
v = 1 – 127
Note OFFNo, 9nH,
v = 0
After TouchKeysNoNo
ChannelsNoNo
Pitch BendYesYes
Control Change0
1
5
6
7
10
11
64
65
66
67
80
81
91
93
120
121
123
Yes
Yes
No
No
No
No
Yes
Yes
No
No
No
No
No
No
No
No
No
Yes
Yes, 9nH,
v = 1 – 127
Yes, 9nH,
v = 0 or 8nH,
v = 0 – 127
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Yes
Bank Select
Modulation
Portamento Time
Data Entry
Volume
Pan
Expression
Sustain Pedal
Portamento ON/OFF
Sostenuto Pedal
Soft Pedal
Reverb Program
Chorus Program
Reverb Level
Chorus Level
All Sound O
Reset All Controllers
All Notes O
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MIDI implementation chart
FunctionSentReceivedNotes
Program ChangeTrue #Yes
********
System ExclusiveNoYes
System CommonSong Position PointerNoNo
Song SelectNoNo
Tune RequestNoNo
System Real TimeClockYesNo
CommandsNoNo
Aux MessagesLocal ON/OFFNoNo
ALL Notes OFFNoYes
Active SensingYesYes
System ResetNoYes
MIDI channel modes
POLYMONO
OMNI ONMode 1Mode 2
OMNI OFFMode 3Mode 4
Yes
0 – 127
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Technical specications
15 Technical specications
Input connectionsPower supplyConnection socket for external power adapter
Sustain pedal1 × 1/4" jack socket
Output connectionsHeadphones, external audio
devices
MIDI portUSB to host
Keyboard61 keys with adjustable touch velocity
Polyphony64-voice
Voices390
Styles100
EectsReverb, Chorus
PedalSustain
Operating elementsOn / o switch, volume control, start / stop button, numeric keypad and buttons to select
Learning Mode, left hand, right hand, Chord Dictionary, Tempo, Mixer, Saving, Memory Locations
M1 to M4, O.T.S., Dual Mode, Split Mode, Metronome, Touch Sensitivity, Transposition, Fine
Tuning.
Auto Accompaniment[START/STOP], [SYNC START], [INTRO]/[ENDING]/ [FILL A/B], [FADE IN/OUT],[CHORD]
Recording functionRecord and playback
Practising songs110
Demo pieces8
Speaker2 × 10 W, 4 Ω
1 × 1/4" jack socket
Power supply
Operating voltage
Operating systemWindows® 8 and later, Mac OS X® 10.8 and later
Dimensions (W × H × D)955 mm × 145 mm × 360 mm
Weight4.5 kg
ColourBlack
Ambient conditionsTemperature range0 °C…40 °C
Further information
Sustain pedalSuitable sustain pedal optionally available (item no. 320312)
CoverSuitable cover optionally available (item no. 486652 and item no. 493056)
external plug-in power supply, 100 - 240 V
Batteries: 6 × NiMH type AA/R6 (not included)
12 V
/ 1000 mA, centre positive
Relative humidity20 %…80 % (non-condensing)
50/60 Hz or
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16 Plug and connection assignment
Plug and connection assignment
Introduction
Balanced and unbalanced transmis‐
sion
1/4" TRS phone plug (stereo, unbal‐
anced)
This chapter will help you select the right cables and plugs to connect your valuable
equipment in such a way that a perfect sound experience is ensured.
Please note these advices, because especially in ‘Sound & Light’ caution is indicated:
Even if a plug ts into the socket, an incorrect connection may result in a destroyed
power amp, a short circuit or ‘just’ in poor transmission quality!
Unbalanced transmission is mainly used in semi-professional environment and in hi
use. Instrument cables with two conductors (one core plus shielding) are typical rep‐
resentatives of the unbalanced transmission. One conductor is ground and shielding
while the signal is transmitted through the core.
Unbalanced transmission is susceptible to electromagnetic interference, especially at
low levels, such as microphone signals and when using long cables.
In a professional environment, therefore, the balanced transmission is preferred,
because this enables an undisturbed transmission of signals over long distances. In
addition to the conductors ‘Ground’ and ‘Signal’, in a balanced transmission a second
core is added. This also transfers the signal, but phase-shifted by 180°.
Since the interference aects both cores equally, by subtracting the phase-shifted
signals, the interfering signal is completely neutralized. The result is a pure signal
without any noise interference.
1Signal (left)
2Signal (right)
3Ground
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Protecting the environment
17 Protecting the environment
Disposal of the packaging material
For the transport and protective packaging, environmentally friendly materials have
been chosen that can be supplied to normal recycling.
Ensure that plastic bags, packaging, etc. are properly disposed of.
Do not just dispose these materials with your normal household waste, but make
sure that they are fed to a recovery. Please follow the notes and markings on the
packaging.
Disposal of batteries
Batteries must not be disposed of as domestic waste or thrown into re. Dispose of
the batteries according to national or local regulations regarding hazardous waste.
To protect the environment, dispose of empty batteries at your retail store or at
appropriate collection sites.
Disposal of your old device
This product is subject to the European Waste Electrical and Electronic Equipment
Directive (WEEE) in its currently valid version. Do not dispose with your normal
household waste.
Dispose this device through an approved waste disposal rm or through your local
waste facility. When discarding the device, comply with the rules and regulations
that apply in your country. If in doubt, consult your local waste disposal facility.