stageClix Pack transmitter, Pack Reference Manual

Reference guide English

Version 1.0 04/2010

Safety

Do not open; no user serviceable parts inside.
Guarantee invalid if opened.
Unit is not waterproof.
Keep away from water and other liquids.
Maximum operating temperature of this unit is 550C.
Keep away from electric heaters and ames.
Use a damp cloth for cleaning.
Do not use cleaning agents or solvents.

Legal

stageClix is a trade mark of QDES works BV. QDES
Works BV shall in no case be liable for damages arising
from use of this product.

A word of gratitude

Thank you for using stageClix! This unit has been de­signed with the professional musician in mind.
All units use only the best quality components and are
produced using RoHS compliant materials - this means
they do not contain any harmful substances like lead
or mercury. All materials used, including the
batteries, can and should be recycled!

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Safety & Legal

Contents (this page)

1. What’s in the package?

2. Getting ready for use

3. In use

4. Digital or Wired sound

5. Radio Frequency Hints

6. Channels

7. Batteries

8. Receiver

9. Transmitter

10. Accessories

11. Other stageClix products

12. Conformities

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Contents

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2 belt clips

1. What’s in the package?

transmitter

adapter 2 patch cablesvelcro strap antenna

receiver

1

DONE!

2. Getting ready for use

1. Attach the antenna to the back of the receiver
by turning clockwise (do not use tools, do not
over tighten)

2. Plug the supplied adapter into a
110-230V supply, and the DC plug into the rear
panel DC socket. Only use the stageClix power
supply.

3. Use the supplied patch cable to connect the
rear panel output jack to your amplier or to
your amplier, the input of your effects unit,
mixer or stagebox.

4. Plug the transmitter into the front socket
marked ‘charge’ and leave the transmitter to
charge for some time, preferably more than
one hour.

2

3

The transmitter will be automatically switched off
when you pull the transmitter out of the receiver.
The transmitter is activated by pressing the single
button.

3. In use

3.5mm (high impedance)

This input is designed for line
level signals (eg. keyboards, ac­tive guitars and basses)

2.5mm input (Pre-amplied)

Input with a built-in preamp for
microphones (clip-on’s and pick­ups for acoustic instruments)