IN 1 IN 2 MONO
Control
Stereo Monitor Co ntroller
SP 1 SP 2 SP 3
DIM
•
2860
Manual
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2Control
Model 2861
Speaker and Headphone Monitoring Controller
Manual 2Control
Model 2861
Version 1.3 – 6 /2011
Designer: Vincenzo Triolo
Th is us er‘s guide cont ains a de scr iptio n of th e pro duc t. It in no way represents a guarantee of particular characteristics or results of use. The
information in this document has been carefully compiled and verified
and, unless otherwise stated or agreed upon, correctly describes the
product at the time of pack aging with this document.
Sound Performance Lab (SPL ) continuously st rives to improve it s products and reserves the right to modif y the product described in this
manual at any time without prior notice. This document is the property
of SPL and may not be copied or reproduced in any manner, in par t or
fully, without prior authorization by SPL .
SPL electronics GmbH
Sohlweg 80, 41372 Niederkruechten, Germany
Phone +49 (0)2163 983 40
Fax +49 (0)2163 983 420
E-Mail: info@spl.info
Internet: spl.info
The construction of the 2Control, Model 2861, is in compliance with the standards and regulations of the European
Community.
Notes on Environmental Protection
At the end of its operating life, this product must not be disposed of with regular household waste but must be returned
to a collection point for the recycling of electrical and electronic equipment. The wheelie bin symbol on the product,
user‘s manual and packaging indicates that. The materials can be reused in accordance with their markings. Through re-use, recycling of
raw materials, or other forms of rec ycling of old products, you are making an impor tant contribution to the protection of our environment.
Your local administrative of fice can advise you of the responsible
waste disposal point.
WEEE Registration: 973 349 88
© 2011 SPL elec tronics GmbH. All right s reserved. Names of other companies
and the ir prod ucts are tra demarks of th eir respe ctive own ers.
2
2Control
Symbols And Notes, Scope of Deliver y ............................ 4
Important Security Information ..................................... 5
Hook Up .............................................................. 7
Introduction .......................................................... 8
Speakers or headphones? ....................................... 9
Applications ......................................................... 10
The speaker and headphone monitoring center,
Analog volume control for your DAW,
Two excellent headphone amplifiers,
Extend the range of headphone applications,
High-g rade balancing stage s,
Separate mono speaker output .................................. 10
Connections ......................................................... 11
Wiring ............................................................. 11
Rear Panel/Switches & Connections ............................... 12
Voltage Selector ................................................... 12
Power Connection, Power Switch, GND Lift Switch,
Input Sensitivity IN 2 .............................................. 13
XLR Sockets, Unbalanced Connections (i. e. RCA , TS Jack) .. ... 14
Front Panel/Connections ........................................... 15
Headphone connection, Recommendations, Warning .......... 15
Content
Control Elements .................................................... 16
IN 1 and IN 2 Switches, Mono, Dim,
Volume Control (Speakers) ....................................... 16
Calibration of the Monitoring System ........................... 17
Crossfeed ......................................................... 18
Headphone Volume Controls 1 and 2,
Optimal Control Range of the Potentiometers,
Protect your Hearing .............................................. 19
Specifications ....................................................... 20
Block Diagram ...................................................... 21
Copy Master: Recall Settings ....................................... 22
Your Notes ............................................................ 23
2Control
3
Symbols and Notes
Symbols And Notes
IN THIS MANUAL A LIGHTNING SYMBOL WITHIN A TRIANGLE WARNS
YOU ABOUT THE POTENTIAL FOR DANGEROUS ELECTRICAL SHOCKS
– WHICH CAN ALSO OCCUR EVEN AFTER THE MACHINE HAS BEEN
DISCONNECTED FROM A POWER SOURCE .
AN EXCL AMATION MARK (!) WITHIN A TRIANGLE IS INTENDED TO MAKE
YOU AWARE OF IMPORTANT OPERATIONAL ADVICE AND/OR WARNINGS
THAT MUST BE FOLLOWED. BE ESPECIALLY ATTENTIVE TO THESE AND
ALWAYS FOLLOW THE ADVICE THE Y GIVE .
The symbol of a lamp directs your attention to explanations of important functions or applications.
Attention
Do not attempt any alterations to this machine without the approval
or supervision of SPL electronics GmbH. Doing so could nullify completely any and all of your warranty/guarantee rights and claims to
user support.
Scope of Delivery
• 2Control , Model 2861
• This manual
• Power cord
4
2Control
Important Security Information
Please note and retain this manual. Carefully read and follow all of the
safety and operating instructions before you use the machine. Be doubly careful to follow all warnings and special safety instructions noted
in this manual and on the unit.
Connections: Only use the connections as described. Other connections can lead to health risks and equipment damage.
Water and humidity: Do NOT use this machine anywhere near water
(for example near a wash basin or bath, in a damp cellar, near swimming pools, or the like). In such cases there is an extremely high risk of
fatal electrical shocks!
Insertion of foreign objects or fluids: NEVER allow a foreign object
through any of the machine‘s chassis openings. You can easily come
into contact with dangerous voltage or cause a damaging short circuit.
NEVER allow any fluids to be spilled or sprayed on the machine. Such
actions can lead to dangerous electrical shocks or fire!
Opening the Unit: Do NOT open the machine housing, as there is great
risk you will damage the machine, or – even after being disconnected –
you may re ceive a dangerous electrical sh ock!
Electrical power: Run this machine ONLY from sources which can
provide proper power at the prescribed rating. When in doubt about
a source, contact your dealer or a professional electrician. To be sure
you have isolated the machine, do so by disconnecting the power cord
from your wall connection. Be sure that the power cord plug is always
accessible. When not using the machine for a longer period, make sure
to unplug it from your wall power socket.
Power cord protection: Make sure that your power cord is arranged to
avoid being stepped on or any kind of crimping and damage related
to such event. Do not allow any equipment or furniture to crimp this
power cord.
Power connection overloads: Avoid any kind of overload in connections to wall sockets, extension or splitter power cords. Always keep
manufacturer warnings and instructions in mind. Overloads create fire
hazards and risk of dangerous shocks!
Lightning: Before thunderstorms or other severe weather, disconnect
the machine from wall power (but to avoid life threatening lightning
strikes, not during a storm). Similarly, before any severe weather, disconnect ALL the po wer con nec tio ns of oth er mach ines an d antenna and
phone/network cables which may be interconnected so that no lightning damage or overload results from such secondar y connections .
2Control
5
Important Security Information
Air circulation: Chassis openings offer ventilation and ser ve to protect
the machine from overheating. NEVER cover or otherwise close off
these openings. NEVER place the machine on a soft surface (carpet,
sofa, etc.). Make sure to provide for a mounting space of 4-5 cm/2 inches to the sides of the unit when mounting the unit in racks or cabinets.
Controls And switches: Operate the controls and switches only as
described in the manual. Incorrect adjustments outside safe parameters can lead to damage and unnecessar y repair costs. Never use
the switches or level controls to effect excessive or extreme changes.
Repairs: Unplug the unit and immediately contact a qualified technician when you think repairs are needed – or when moisture or foreign objects may accidentally have gotten in to the housing, or in
cases when the machine may have fallen and shows any sign of having been damaged. This also applies to any situation in which the unit
has not been subjected to any of these unusual circumstances but
still is not functioning normally or its performance is substantially altered.
In cases of damage to the power cord or its plug, first consider turning
off the main circuit breaker before unplugging the power cord.
Replacement/substitute parts: Be sure that any service technician
uses original replacement parts or those with identical specifications
as the originals. Incorrectly substituted parts can lead to fire, electrical
shock, or other dangers, including further equipment damage.
Safety inspection: Be sure always to ask a service technician to conduct a thorough safety check and ensure that the state of the repaired
machine is in all respect s up to factory standards.
Cleaning: In cleaning, do NOT use any solvents, as these can damage
the chassis finish. Use a clean, dry cloth (if necessary, with an acid-free
cleaning oil). Disconnect the machine from your power source before
cleaning.
6
2Control
Be very careful to check that the rear chassis power selection switch
is set to the correct local line voltage position before using the unit
(230 V position: 220-240 V/50 Hz, 115 V position: 110-120 V/60 Hz)!
When in doubt about a source, contact your dealer or a professional
electrician.
Before connecting any equipment make sure that any machine to be
connected is turned off. Follow all safety instructions from page 5.
Pl ace the uni t on a lev el and stab le sur f ace. Th e unit ’s enclo sur e is EM Csafe and effectively shielded against HF interference. Nonetheless, you
should carefully consider where you place the unit to avoid electrical
disturbances. It should be positioned so that you can easily reach it,
but there are other considerations. Try not to place it near heat sources
or in direct sunlight, and avoid exposure to vibrations, dust, heat, cold
or moisture. It should also be kept away from transformers, motors,
power amplifiers and digital processors. Always ensure sufficient air
circulation by keeping a distance of 4-5 cm/2 inches to the sides of the
unit.
Before You Begin
Make sure all volume controls are turned hard left before you power
up the unit. Now control volume. Note that too high levels can damage
speakers, headphones and hearing!
Hook Up
2Control
7
Introduction
The 2Control combines loudspeaker and headphone monitoring in
a compact, user-friendly and high quality control device. Any studio
based on a digital audio workstation (DAW) can benefit from its important and essential monitoring functions. The concept of the 2Control is
based on a dual-channel operation that allows for connection of two
sources, two stereo speaker sets and two headphones.
The advantages of an analog monitoring controller becomes especially
apparent in combination with modern audio and video production tools
such as ProTools™, Nuendo™, Cubase™, Logic™, Deck™, etc. Monitor
levels and source management can be handled independently of the
software and with virtually no loss in quality. You no longer need to set
up additional aux sends for monitoring. In addition, you won’t have to
worry about over- or underdriving the converters when changing monitor levels.
The high-quality 2Control speaker volume potentiometer and active
circuits correspond with the high demands in professional audio applications regarding sound quality and usability. In contrast to passive
circuits, the 2Control’s active designs do not inf luence impedances
when levels change. Altering impedances would again have effects on
the frequency response, so the 2Control’s active design guarantees
linearity. Often there is the need to “zoom” into audio material when
listening to quiet passages or checking for artifacts etc. – and only active desig ns offer sig nal amplification.
Each of the three speaker outputs (2 x stereo, 1 x mono) is driven by
its own balancing stage to exclude signal degrading mutual influences.
Each headphone output is supplied by a separate amplifier to allow for
completely independent operation of two headphones without any interaction from the other output.
There is more than meets the eye in working with headphones. One
reason for this is that modern audio production often necessitates
decentralized processes. In turn, many musicians or producers might
wish to – or be able to – mix at home (to say nothing of having to). Then
the headphone becomes a clear must, enabling an evening or late night
session that can only take place thanks to its being unhindered by the
local acoustic environment.
Now each and every careful headphone user should know about the
analytical advantages of headphone monitoring, but also about the
main disadvantage: the difficulty (if note impossibility) in properly
judging room ambience. >
8
2Control
Crossfeed
A new feature of the 2Control is the CROSSFEED control for both headphone outputs, which was derived from the high-end headphone
amplifier Phonitor. From their principle, headphones have the disadvantage of producing a 180 degree stereo panorama – the CROSSFEED
control can be used to adjust a stereo panorama that corresponds to
a stereo speaker image. Based upon the imaging of a speaker set positioned on angle of 30 degrees towards the listener, the crosstalk of
both channels can be regulated to meet individual demands. Whenever
speaker monitoring may not be possible or if an monitoring alternative
to speakers is required, the 2Control allows for judging mixes also on
headphones.
Source and speaker output switches as well as mono and dim switches
provide the main monitoring functions for a complete controller – without overloading user interface and electronics.
Speakers or headphones?
The 2Control encompasses advantages of both kinds of monitoring
methods: On one hand the analytical headphone monitoring is like
work ing wi th an acoustic magnif ier but without external room inf luen ces; on the other hand, loudspeaker monitoring forgoes the microscopic
effect , but provides for room ambience.
Working with the magnifier effect of headphones has the advantage of
safely hearing clicks or similar defects and helps in fine tuning crossfades or to judge tonal problems in individual tracks. On loudspeakers
such analyses are much more difficult, as such problems just are not as
apparent when one is working without being able to “zoom in” aurally.
Conversely, loudspeakers provide monitoring with the advantage of
spatial balance in a (definable through placement) stereo width, which
in turn provides the illusion of an acous tic stage.
With the analog Crossfeed control you can match headphone listening
to speaker listening. The range of headphone applications becomes
much broader and you may find more or new scenarios in your working
life.
Introduction
2Control
9
Applications
The speakers and headphones monitoring center
The 2Control combines loudspeaker and headphone monitoring in a
compact, user-friendly and high quality control device. Control nearfield monitors, full-range speakers and headphone monitoring for two
listeners from one cent ral unit!
Analog volume control for your DAW
A majority of D/A converters and sound cards provide nothing in the
way of analog level monitoring control, and this means the necessity of
varying signal levels at the converter outputs. The result is a lowered
bit rate in the monitoring signal, which can lead to commensurate loss
of audio quality.
Two excellent headphone amplifiers
Friends, colleagues, customers: in the end there’s always someone
else who wants to listen in, too. With the 2Control you also have the
second headphone under control – and can rely on first-cla ss qualit y.
Extend the range of headphone applications
At home, nocturnal engineers now have an alternative to full range
monitors for judging stereo imaging in their mixes. Furthermore, the
headphone monitoring is not restricted for analytical listening only,
but can serve as full stereo monitoring alternative. And the compact
housing makes it easy to transport the 2Control to have familiar monitoring conditions at foreign places.
High-grade balancing stages
We use custom made balancing stages to drive long distances reliably and for first class common mode rejection values. Note that only
balanced connections exclude hum and interferences. We recommend
employing balanced connections wherever possible – especially connections over long distances (e. g. to speakers).
Separate mono speaker output
In addition to two stereo speaker sets you can also connect a mono
speaker or a subwoofer.
Tip for working with headphones: Listen with subwoofer to enjoy the
physical impact of the low end.
10
2Control
Wiring
subwoofer
Connections
Two headphones
2nd stereo source (e. g. player)
DAW
MAINS INPUT
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPE N
AVIS: RISQUE DE CHOC ÉLECT RIQUE - NE PAS OUVRIR
WARNING: DO NOT EXPO SE THIS UNIT TO RAIN OR
MOISTURE. THIS EQUIPMEN T MUST BE EARTHED.
230
230V: Fus e 630mA slow
115V: Fus e 315mA slow
VOLTAGE | FUSE
2Control
Sound Perfor mance Lab
2Control– Model 2860
soundperformancelab.com
MADE IN GERMANY
SERIAL NUMBER
Pin 1 = GND
Pin 2 = (+) hot
Pin 3 = (–) cold
Connect Pin 3 to
GND for unbal.
GND LIFT XLR-WIRING
operation.
Mono speaker/
+4 dBu
-10 dBV
SP 3
Full Range Mono Output.
To Sub or Mono Speaker
SP 3
IN 2 L
R L
SP 2
Stereo speakers
set 2
L RRIN 2
L RSP 2
IN 1
IN 1 L
R
R L
SP 1
Stereo speakers
set 1
11
L R
L RSP 1
Rear Panel/Switches & Connections
R L
R
SP 1
IN 1 L
Electrical
Power
MAINS INPUT
CAUTION
RISK OF ELECTRIC SHO CK
DO NOT OPEN
AVIS: RISQUE DE CHO C ÉLECTRIQUE - NE PAS OUV RIR
WARNING: DO NOT E XPOSE THIS UNIT TO RAI N OR
MOISTURE. TH IS EQUIPMENT MUST BE EARTHED.
Power
Switch
230
230V: Fu se 630mA slow
115V: Fuse 315mA slow
VOLTAGE | FUSE
GND LIFT XLR-WIRING
GND Lift
Switch
Sound Per formance Lab
2Control– Model 28 60
soundperformancelab.com
MADE IN GERMANY
SERIAL NUMBER
Pin 1 = GND
Pin 2 = (+) hot
Pin 3 = (–) cold
Connec t Pin 3 to
GND for unbal .
operation.
Input
Sensitivity
+4 dBu
-10 dBV
SP 3
Full Range Mono Output.
To Sub or Mono Speaker
SP 3
IN 2
R
IN 2 L
R L
SP 2
L R
L RSP 2
Voltage Selector
The rear panel VOLTAGE SELECTOR serves to let you switch to the
local line voltage standard (115 V position: 110-120 volts/6o Hz, 230 V
position: 220-240 volts/50 Hz). The diagram above shows the correct
switch position for 230 V power supply.
BEFORE you connect electrical power make sure that the VOLTAGE
SELEC TOR set ting reflects the correct local power line voltage!
12
2Control
Rear Panel/Switches & Connections
Power Connection
Connect the included power cord to the rear Mains Input. Transformer,
power cord and case connection conform to VDE, UL and CSA requirements. Power fuse ratings are 315 mA slow blow (
630 mA slow blow (
110-120
volts).
Power Switch
The rear panel POWER switch activates the unit, conf irmed by the
Power LED on the front panel (between the headphone symbols).
IMPORTANT ADVICE: Switch on the unit only after you have
turned all VOLUME controls fully left, and wait to set your
de sir ed vo lum e lev el un til the uni t is po wered on . Negle cting
this can damage either or both your ears and your headphones!
GND LIFT Switch
The rear panel GND LIF T switch eliminates hum by separating the internal ground from the unit’s housing ground. Hum can, for example,
result when this unit’s housing has a common ground connection with
other machines that might have a different ground potential.
220-240
volts) or
Input Sensitivity IN 2
Inputs IN 1 and IN 2 are gauged to analog line level signals at +4 dBu.
The second input IN 2 can alternatively be set to another input sensitivity of -10dBV nominal level with the switch next to the IN2 inputs. A
nominal level of +4 dBu represents the international standard of professional studio equipment, -10dBV corresponds to the standard in
consumer electronics, for example a CD/DVD-Player for home use.
If the switch is actuated, IN 2 is set to +4 dBu, if the switch is not actuated, sensitivity of IN 2 is set to -10 dBV. If you connect a unit adjusted to
-10dBV to a +4 dBu input, the signal is too quiet (and too loud vice versa).
In this case change the switch position accordingly.
2Control
13
Rear Panel/Switches and Connections
XLR Sockets
Switch off the unit before you begin the process of making the first
or any subsequent connections (rear panel power switch). Neglecting
this can damage either or both your ears and your headphones!
Connect the monitoring signal(s) to the XLR sockets of the first or second input IN 1 and IN 2 (A/D converter outputs of DAWs and interfaces
or playback devices).
Connect your speakers to the XLR sockets of outputs SP1, SP2 or SP3.
SP1 and SP2 are supposed to feed stereo pairs, SP3 delivers a mono
signal by summing left and right channel. Aside from mono speakers
you can also connect a subwoofer to SP 3.
Unbalanced Connections (i. e. RCA, TS Jack)
You can establish unbalanced connections easily and without adaptors
– for example from CD-Players with RC A outputs or to (HiFi) power amplifiers with RCA inputs. It is impor tant to pay attention to the correct
polarity of the three XLR wires. The diagram shows the pin wiring of
all XLR sockets as well as the correct polarity to establish unbalanced
connections:
Input
1
unbalanced
2
1
3
1=GND
2=hot (+)
3=cold (-)
balanced
2
3
Connections to RC A and TS Jack inputs or outputs are always unbalanced. Connections to TRS inputs or outputs may be balanced or unbalanced. In any case we recommend to use readily configured cables
from XLR to the respective RCA or TS/TRS connector to dispense with
adaptors. Ask your dealer for conf igured cables. With the diagram
above any audio expert can ensure to select or configure the right cables for connections from the 2Control to any other device.
balanced
1
3
Output
2
14
unbalanced
2
1
3
2Control
IN 1 IN 2 MONO
Control
Stereo Monitor Co ntroller
SP 1 SP 2 SP 3
DIM
•
2860
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Headphone Connection
Connect headphones to the standard 1/4" ( TRS) stereo jack plugs on
the front panel.
The layout is: Tip =lef t channel, Ring = right channel, Sleeve = ground.
Make sure that the plug is firmly seated for a solid connec tion.
Recommendations
Reduce volume level or press DIM before you remove or plug in a head phone (or when switching headphones). This excludes louder clicks
and pops reaching the ear. In addition, this can avoid the unpleasant
surprise that follows when a headphone’s lower impedance suddenly
reproduces an otherwise acceptable 2Control volume setting of a first
headphone at a much higher – even painf ul – level.
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Warning
NEVER plug in a mono 1/4" jack (TS) to the headphone output. The use
of a mono 1/4" will lead to a short-circuit that will destroy the final
amplifier stage! Standard headphone connectors always have stereo
plugs, and thus a correct connection will be assured when you only
connect headphones directly. Double check that you use stereo 1/4"
TRS plugs when you connect headphones via patchbays or extension
cables etc.
2Control
15
Control Elements
IN 1 IN 2
MONO
DIM
IN 1 and IN 2 Switch
With IN 1 and IN 2 you select the source to listen to on speakers and
headphones. Like all switches they illuminate after activation so that
you can easily see which source is selected. Activation of both switches sums the input signals.
Mono
The MONO switch creates a sum of the lef t and right channel, so you
can listen to stereo sources also in mono on speakers and headphones.
You can also listen to a mono source on both monitoring channel s.
The MONO switch is of course also important and useful to examine
the mono compatibility of a mix. Phase alterations or reversions that
may not be too obvious in the stereo panorama can be detected more
clearly in a mono sum – in extreme cases they lead to cancellations.
Dim
The DIM function reduces the listening level ( Volume) by around 15 dB.
Normally you employ this function when mixing to choose between two
defined volumes to avoid having to move the VOLUME control.
Volume Control (Speakers)
The VOLUME level control allows you to increase or decrease the signal
level of both channels for all speaker outputs (SP 1, SP 2 and SP 3). The
VOLUME control is calibrated in a relative dB scale that refer-
ences the input level. At the 0 dB position the input signal is
led to the output with an unaltered level (unity gain).
The VOLUME potentiometer covers a control range
from -80 dB to +7 dB. Thanks to the signal amplifica-
tion you can listen louder to quiet passages and in
general better check the material if you are hearing
for acoustical problems (artifacts, noise etc.).
Calibrate the whole monitoring system (refer to
page 17) so that the effectively used control range is
always somewhere between the 8 and 4 o’clock po-
sitions. In this case, the potentiometer is working op-
timally and you insure a well-aligned, low-noise gaining
for the whole monitoring chain. >
16
2Control
The high-grade potentiometer regulates the audio signal directly to
avoid any coloration/distortion typical of VCAs, DCAs, etc., which require higher inter-channel tolerances and tend toward higher distortion
figures. Moreover, this potentiometer possesses an optimal rotational
torque and “feel” for precise hand cont rol.
Control Elements
Calibration of the Monitoring System
Both the signal level which is send to the 2Control as well as the input
sensitivity of the power amps or active speakers should be matched to
ensure a proper overall gain. An inappropriate adjustment might occur
when, for example, a fairly small volume level setting at the 2Control
might already result in an extremely high playback level.
Important: You can encounter very loud signals during calibration,
so be sure to keep your ear protection on. For calibration we recom-
mend measurement with a SPL Meter (in this case, SPL means “Sound
Pressure Level“). Place the measuring microphone on the listening position run pink noise from a generator calibrated to 0 dBu.
Each measurement should be done through one channel and loudspeaker at a time. A recommendable calibration is the playback of a
83 dB SPL reference signal at the playback location—a common reference volume level.
The DAW output level should be adjusted to 0 dB, and next, the power
amp‘s or active speaker‘s input level should also be set to 0 dB. Now
the 2Control level control is adjusted until the SPL Meter measures
83 dB with the pink noise playback.
For a perfectly matched gaining the VOLUME control would now be set
above a 12 o’clock scale position. At this point one can record or note
the exact value for 83 dB. Should this 83 dB SPL occur markedly above
a 60-80% scale position, one should raise the power amp’s/active
speaker’s input sensitivity. On the other hand, the power amp’s/active
speaker’s input sensitivity should be lowered if the 83 dB SPL point is
reached far before the 60% control level.
In cases where regulating power amp/active speaker inputs is
not enough, one may achieve optimal values by changing the
D/A converter output level (for example from +4 dBu to 0 dBu or -10 dBV
in cases where this switch option may exist). In any case, the converters should always be driven at full scale from the DAW.
Please also note that you can adjust sensitivity of IN 2 for other sources
(ref er to „Input Sensitivit y IN2“ on page 13).
2Control
17
Control Elements
S
F
S
E
E
O
R
C
4
3
2
1
D
5
6
0
7
8
9
1
0
ON
Crossfeed
The CROSSFEED control interacts with a complex analog circuitry that
– simply put – serves to simulate the listening experience from loudspeakers on headphones. The ON switch below the control activates
and deactivates the circuitry. CROSSFEED regulation is always applied
to both headphone outputs simultaneously and is present at the headphone outputs only (no effect on the speaker outputs).
Adjustments can be made between a minimum and maximum value.
The more you turn the control to the right, the more of the headphone’s
super stereo width is reduced – in a maximum setting almost up to a
mono signal impression.
Adjusting CROSSFEED is an individual process. Depending on headphones, music, individual preferences etc., your CROSSFEED adjustment simply should achieve the most sig nificant advantage in monitoring your stereo mixes. We recommend comparing CROSSFEED settings
to your own speaker monitors in order to get a familiar imaging – this
ensures coherent conditions in speaker and headphone monitoring.
The circuitry for the CROSSFEED control is derived from the reference
headphone amplifier Phonitor. In the Phonitor, the loudspeaker imaging simulation is realized with three controls: Crossfeed, Speaker Angle
and Center Level. The Phonitor Crossfeed control allows to adjust the
frequency-dependent crossfeed simulation of both channels by adjustments of interaural level difference. The Speaker Angle switch provides
for frequency-dependent simulation of your stereo image width by adjustments of interaural time difference. Finally, with Center Level you
can adjust the intensity of center signals – the relation between center
and side signals changes when the super stereo width is transferred to
a stereo image that is equivalent to loudspeakers.
For the 2Control the parameters “Speaker Angle” and “Center Level”
are adjusted to a simulated speaker angle positioning of 30 degrees
(the standard speaker angle) at the re specti ve CROSSFEED setting s.*
* also refer to Dipl.-Ing. Eberhard Sengpiel, http:// www.sengpielaudio.com/
LaufzeitdifferenzenBeimNatuerlichenHoeren.pdf.
18
2Control
Control Elements
Headphone Volume Controls 1 and 2
With these two detended controls you regulate the amplification of
the headphone signals. Output and amplification specifications allow
operation with a wide variety of headphones from ranges 30 to 600
Ohms. The 2Control provides two separate headphone amplifiers. This
excludes mutual influences while VOLUME controls are independent
from each other as well as from speaker volume. For further details on
connecting headphones please refer to “Headphone Connection“ on
page 15.
Optimal Control Range of the Potentiometers
The control range of the headphone volume covers a very large bandwidth in order to provide a production tool that simply works with all
headphones. You can listen to loud levels with 30 Ohm headphones and
you can “zo om ” into quie t pa ssages with 600 Ohm headphones. In order
to achieve this large bandwidth, we can not guarantee that the potentiometers run with perfect left/right alignment already at the very first
few clicks. This is component-related and no design f law or damage. A
reduction of overall amplification would decrease audible tolerances at
the star t of the control range, but it also would reduce the overall amplification which may be needed when listening to low level signals in a
mix. Use the control range above scale position “1” for critical listening
to remain wit hin the optimal control range of the potentiometer.
Protect your Hearing
Always reduce volume before you put on headphones or before you remove or plug in the headphone. This excludes louder clicks and pops
reaching the ear. In addition, this can avoid unpleasant surprise that
follows when a headphone’s lower impedance suddenly reproduces a
much hig her – even painful – level.
Always take care of your hearing when monitoring – especially with
headphones. Reduce volume all the time as far as possible and expose
your hearing to higher volumes only for short periods. As an orientation: German laws oblige ear protection in the professional area if the
hear ing is exp ose d to more than 85 dB soun d pre ssure level – this lev el
can already damage the hearing in the long term.
The 2Control can produce sound pressure levels that may be dangerous for your hearing because the large impedance scale of headphones
requires a large performance range. Always regulate volume by starting from the zero position especially when you start working or switch
headphones.
2Control
19
Specifications
Inputs & Outputs
Electronically balanced instrumentation amplifiers
Input sockets: XLR
Output sockets: XLR (rear), TRS (front)
Nominal input level: IN 1: +4 dBu, IN 2: +4 dBu/-10 dBV
Input impedance: 22 kOhm
Output impedance: 75 Ohm/Headphones: 22 Ohm
Max. input level: 21,3 dBu
Max. output level: 21,3 dBu
Volume control range: -80 dB to +6,6 dB
Headphones: -65 dB to +14,9 dB
Measurements
Frequency range: 10 Hz to 200 kHz, -3 dB
CMRR: › 60 dB
(@1 kHz, 0 dBu input level, unity gain)
THD & N: 0,002 %
(@1 kHz, 0 dBu input level, unity gain)
Signal to noise ratio: -96 dB/Headphones: -85 dB
(A-weighted)
Crosstalk L/R: › 70 dB
(@ 1kHz)
Dynamic range: 116 dB
Power consumption: ca. 25 W
Power Supply
Features: Toroidal transformer with
voltage selector
Fuses (slow blow): 230 V/50 Hz: 315 mA
120 V/60 Hz: 630 mA
Dimensions and Weight
Housing (B x H x T): 215 x 80 x 220 mm
Depth w. controls & sockets: 245 mm
Height with feet: 95 mm
Front height w. opened feet: 126 mm
Weight: 2,1 kg
Note: 0 dBu = 0,775 V. Specifications are subject to change without notice.
20
2Control
Block Diagram
2Control
21
Copy Master: Recall Settings
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1
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Made in Ge rmany
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2860
•
Control
Stereo Moni tor Controller
SP 1 SP 2 SP 3
DIM
IN 1 IN 2 MONO
2Control
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2Control
23
Manual 2Control
Model 2861
spl.info
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