SPL ATMOS 2, 2600 User manual

Manual

Atmos® Surround Miking System

2

Atmos Surround Miking System, Model 2600 Manual

Version 1.0 E – 12/2006

R&D: Wolfgang Neumann

This manual contains a description of the product. It in no way represents a guar­antee of particular characteristics or results of use. The information in this document
has been carefully compiled and veried and, unless otherwise stated or agreed
upon, correctly describes the product at the time of packaging with this document.

Sound Performance Lab (SPL) continuously strives to improve its products and
reserves the right to modify the product described in this manual at any time without
prior notice. This document is the property of SPL and may not be copied or repro-

duced in any manner, in part or fully, without prior authorization by SPL.

Sound Performance Lab

Sohlweg 80, 41372 Niederkruechten, Germany

Fon [phone]

Fax [phone]

Internet: www.spl.info

Contact

Mail: [e-mail]

The construction of the Atmos, Model 2600, is in compliance with the standards and
regulations of the European Cummunity

© 2006 SPL electronics GmbH. All rights reserved. Technical specications and appearance subject to change without notice.

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Atmos – the complete surround miking preamp ............................................. 4

Installation ................................................................................................... 5

Control Elements .......................................................................................... 6

Specications .............................................................................................. 7

Content

Introduction

Dear customer,

thanks for using the Atmos system. We wish you have as much fun working with it as
we had during the development of this extraordinary recording equipment.

The complete Atmos system includes the Atmos preamp, the external power supply
and the power connection.

The Atmos system allows to record the original event and all of its authentic spatial
content with highest precision. It demonstrates the signicant difference between
discrete surround recordings and articial surround mixes with breathtaking
results.

Due to its analog structure, the audio signals are compatible with any common
surround format—DVD-A, DVD-V, SACD, AC3, DTS, MLP... you name it, Atmos can
deliver it.

Together with a main microphone array this unique system offers an unparalleled
combination of uncompromising audio quality and ultimate exibility.

Most importantly, the Atmos system is a breeze to use and can be set up in minutes,
arming you for the most convincing 5.1 recordings you‘ve ever experienced.