SparkLAN Communications WUBR507N Users Manual

9999100
NOTICE:
After taking pictures using the Exposure Compensation feature, be sure to return the exposure compensation dial to the 0 position.
The exposure compensation feature is available during AE locked operation.
The width of the exposure compensation step can be changed.
The maximum amount of the compensation can be set either at ±3 or ±5.
9.0 Advanced 645DF+ Camera Functions
9.1 Exposure Compensation
In situations providing extreme high contrast, the resulting photograph may be under or overexposed. When this occurs, use the Exposure Compensation function. Exposure Compensation can also be used when you want to intentionally create overexposed or underexposed pictures. N.B. Creating an under or overexposed image can also be eectivity achieved with the High Dynamic Range Tool and Exposure Tool in Capture One.
The exposure compensation dial icon:
C3
C2
C1
A
Exposure mode Exposure compensation display
P
Av
Tv
M
X
Program AE
Aperture Value Priority
Time Value Priority
Manual Mode
Sync Mode Not displayed
X
CF
M
Tv
Av
P
The set value is displayed
The dierence between the metered
value and the set
Exposure value is displayed
1. Press the Exposure Compensation button [A] so that icon appears on the camera’s top LCD. When the front or rear dial is turned counter-clockwise, the exposure is increased and when it is turned clockwise, it is decreased. The exposure compensation value can be checked on the external LCD or LCD inside the viewnder.
2. After taking the pictures, press the Exposure Compensation button [A] again to return the exposure compensation value to 0. The exposure compensation value mark on the external LCD is cleared and the exposure compensation function is released.
9.2 AE Lock
X
CF
M
C3
Tv
C2
Av
C1
P
AE lock function is useful in a number of shooting scenarios but is particularly useful when capturing panoramic images where a consistent exposure is needed to seamlessly stick images together in post production.
NOTICE:
[ ] in the viewnder LCD blinks to indicate the exposure is locked, when you continue to take the next picture in the AE lock mode.
If you turn the shutter release mode selector lever to the L (power OFF) position, or after elapse of one hour, the AE lock mode will automatically be cancelled.
In the Manual M exposure mode, you cannot use the AE lock function.
When the dierence between the metered value and the set value is displayed, press the AEL button [A] for approximately one second, and one-push shift function will be activated and the camera will automatically adjust the shutter speed.
A
The AEL button will lock the Auto-exposure value as the photo is being recomposed.
1. Turn the shutter release mode selector lever to S or C.
2. Turn the exposure mode setting dial and select P, Av or Tv.
3. Focus on the subject for metering exposure, and press the AEL button on the rear of the grip. [ ] Will appear on the viewnder LCD, indicating that the exposure value is locked.
4. Slide the camera to recompose the shot, and take the picture.
When you press and hold AEL button the over/under exposure value will be shown to the far right in the viewnder LCD.
101
9.3 Metered-Value Dierence Indicator
X
CF
M
C3
Tv
C2
Av
C1
P
A
Keep pressing the AEL button [A] and the dierence between the metered exposure value and the exposure of the new composition will be displayed on the viewnder LCD. This function can be used to see if an object of very dierent brightness levels can be properly photographed.
If the dierence between the set value and the metered value exceeds 6EV, the viewnder LCD blinks “– u –” for underexposure and “– o – ” for overexposure.
NOTICE:
The way to cancel the AE lock can be changed. C-11 AEL function lock/unlock mode
[AEL]
Half-pressing of he shutter release button can activate the AE lock mode. C-10 Release
button [HALF]
The assignment of the AEL button and AFL button can be swapped by using C-09 AEL &
AFL button [AEFL]
Exposure compensation and auto­bracketing function can be used when the camera is in the AE lock mode in normal operation or with the mirror locked up.
By turning the front or rear dial in the AE lock mode, you can change the aperture and shutter speed value without changing the exposure value that is set when entered into AE lock mode.
In the P mode (Program AE) mode, turning either the front or rear dial shifts the program to PH and PL. When in Av (Aperture priority AE) or Tv Shutter priority AE), turning one of the dials changes both the aperture and shutter speed values.
102
NOTICE:
When you want to cancel the auto­bracketing mode, turn the rear dial to change “On” to “OF”
9.4 Auto Bracketing
X
CF
M
C3
Tv
C2
Av
C1
P
Auto Bracketing can be used when it is dicult to determine your exposure compensation value. This function automatically captures dierent exposure variations in succession. The bracketing margin can be selected as desired for shooting in Auto Bracketing mode.
NOTICE:
After multiple turns, the mark [RP] will appear in the main LCD.
Repeat turning will lead to a countdown being displayed on the main LCD and after taking a photo the camera will return to Auto Bracketing mode.
The setting for the Auto Bracketing will be stored by pressing any other button or leaving the camera for 5 seconds.
A
Underexposure
Standard
Auto Bracketing Icon
X
CF
M
C3
Tv
C2
Av
C1
P
Overexposure
Bracketing Margin
Setting selection
1. Turn the Shutter Release Mode Lever to the S or C position. When set at the S position, you can shoot a single frame with each full press of the Shutter Release button. In the C mode, the camera takes a series of three frames successively with one press of the shutter release button.
2. Turn on Auto Bracketing by pressing the Auto Bracketing button[A] for approximately one second. The Auto Bracketing icon will blink on the top LCD panel. Turn the front dial (before this indicator times out) and change OF on the display to On.
3. When the shutter button is pressed in Auto Bracketing mode, the auto bracketing mark will blink on the LCD inside the viewnder. The bracket step width is displayed and the Auto Bracketing icon will also blink.
4. To deactivate the bracketing function, press the Auto Bracketing set button[A], turn the rear dial, set auto bracketing mode to OF, and release. Then press the Auto Bracketing set button [A] or half-press the shutter button to return to the normal display mode.
X
CF
M
C3
Tv
C2
Av
C1
P
103
AE Settings Under Auto-bracketing Mode
Exposure Mode Setting
P
Av
Tv
M
X
Program AE Shutter speed varies
Aperture Priority AE Shutter speed varies
Shutter Priority AE Aperture varies
Manual Mode Shutter speed varies
X-sync mode No setting
Single-Frame Mode (S)
Press the shutter release button for each shot. The camera meters adequate exposure value for each shot and performs Auto Bracketing. The camera stays in the Auto Bracketing mode until you cancel the Auto Bracketing mode manually.
Continuous Mode (C)
By pressing the shutter release button once, the camera takes 3 shots in series. With each full press of the shutter release button, the camera repeats auto-bracketing. The standard (normal) exposure value will be xed when you take the rst frame.
Cancelling Auto Bracketing
When you want to cancel the auto-bracketing mode, turn the rear dial to change “On” to “OF”.
NOTICE:
When exposure compensation is initiated by pressing the exposure compensation button, shooting in Auto Bracketing mode is possible using the exposure value to which the exposure compensation value has been added.
104
NOTICE:
Auto bracketing exposures can be made when the auto bracketing mode is set before taking photos with mirror up.
After 10 seconds, mirror up photography will be cancelled
The mirror will return to the original position if the lens is removed from the camera body
9.5 Taking Photos with the Mirror Up
This function prevents mirror-caused vibrations which may blur an image when shutter speed is slow. A electromagnetic Cable Release RE401 (optional)
M.UP
C
S
L
is recommended to use with the mirror-up function.
1. Set the drive dial to M.UP.
2. Select S (single focus mode) by turning the focus mode selector lever.
3. Turn the exposure dial to P, Av or Tv exposure mode.
X
CF
M
C3
Tv
C2
Av
C1
P
4. Ensure the subject is in focus and that composition and exposure have been determined.
5. The mirror moves up when the shutter release button is fully pressed.
6. Press the shutter release button again to take pictures.
In the Manual Mode
Follow steps 1 through 3 of the above auto focusing steps and continue with the steps below.
2.25
0.7
25
22
0.8
ft
m
1-3 (reference steps 1-3 in the Mirror Up Autofocus method)
WARNING:
DO NOT point the lens at the sun during the Mirror Up mode. The sun’s intense light can scorch and damage the shutter curtain.
4. Set the focus mode selector lever to M (manual focus mode). Turn the lens-focusing ring to focus.
5. Determine the exposure, focusing and frame structure by pressing the shutter release button halfway while looking into the viewnder.
6. Lock the mirror up by pressing the shutter release button.
7. Press the shutter release button again to take pictures.
105
9.6 Mirror Up Delay
X
CF
M
C3
Tv
C2
Av
C1
P
X
CF
M
C3
Tv
C2
Av
C1
P
22
11
4
4
11
22
5
20
0
AF
MF
1:28
80mm
To change from the Self-timer to the Mirror Up setting, press the shutter button so the mirror goes into the upright position. Once the set time has expired the shutter will release, and the mirror will return to the lower position. Separately purchased electronic cable release RE401 can be used to eliminate camera shake.
When using autofocus the operational method is the same as 1 to 3 when using M.UP and autofocus.
1-3 (reference steps 1-3 in the Mirror Up Autofocus method).
4. Press the Self-timer button and turn the front dial to ON.
5. Turn the rear dial to select the time needed. 0.5/1 seconds to 10 seconds allows for increases by the second, 10 to 90 seconds increases by 10 seconds per turn. For 2 to 10 minutes the value by the minute and 10 to 60 minutes increases by 10 minutes per turn.
6. Line up the photograph through the viewnder and half press the shutter button to ensure the focus and framing is correct.
7. Full-press the shutter button and the mirror will go to the upper position, then after the set time the shutter will release and the mirror will return to the lower position.
Electronic Shutter Release Contact
For Mirror Up, long exposure, or slow shutter shooting, use the magnetic cable release RE401 or the remote control RS402. The assisting release contact is to insert the cable.
Eyepiece Shutter
Close the eyepiece shutter when there is a strong light source behind the camera.
106
NOTICE:
As the camera is electronically controlled even during exposures, it is recommended to replace batteries before bulb exposure.
NOTICE:
Using “tIME” (Time) setting, the shutter will open and close according to the number of times you press it.
“tIME” (Time) photography is electronically controlled so it is possible that the batteries will drain quickly. In the case, please replace the batteries with new ones.
9.7 Bulb Mode & Long Exposure
C2
C1
C3
P
CF
Av
X
M
Tv
v
M
X
T
Av
CF
P
C3
C1
C2
To make an exposure longer than 30 seconds, adjust the shutter speed to “B” (bulb). In order to prevent camera shake, use the RE401 or RS402 electromagnetic shutter release and tripod.
1. Turn the exposure mode dial to M (manual mode).
2. Turn the front dial to select ‘bulb’, then turn the rear dial to set the aperture.
3. Determine the composition, focus and then take the picture. The shutter remains open as long as the shutter release button is pressed.
Setting Long Exposures When photographing under normal conditions, the shutter speed can be adjusted for longer exposures.
Turn the front dial for shooting time settings. New time settings include 1, bulb, tine(Time), 2, 4, 8, 15, 30, 60.
NOTICE:
When releasing the shutter, or pressing the backlight button [A] while the backlight is on, the backlight will go OFF.
Choose the time of display light. C-03
Sleeptimer [HOLd]
X
CF
M
C3
Tv
C2
Av
C1
P
A
9.8 Camera Display Light
Press the backlight button[A] to illuminate the top display to see it at night or in dark places. The backlight will go on for approximately 20 seconds and turn o unless it is pressed again.
The backlight will be lit for approximately another 10 seconds when operating the camera.
107
NOTICE:
The setting will be stored after one second.
Dial lock can not be set when the exposure mode is P (program AE).
Even while dial lock is set, the front dial or rear dial can still be used to perform the various settings. (Dial lock is temporarily released.)
9.9 Front/Rear Dial Lock Mechanisms
CF
C3
X
C2
M
C1
Tv
Av
P
When the Electronic Dial Lock is On, all currently set values in Av (Aperture Priority AE), Tv (Shutter Priority AE) and M (Manual mode) cannot be adjusted with the front or rear dials. This prevents accidental change of shutter speed or aperture values.
X
CF
M
C3
Tv
C2
Av
C1
P
Press down the two lock buttons [A] and [B] at the same time for approximately one second, until the On indicator blinks.
A
B
To release the mode, hold down the same buttons until OF blinks.
is displayed on the main LCD to indicate that operation of the front and rear dials is locked.
When the dial lock is ON, the shutter speed and aperture will not change
CF
C3
X
C2
M
C1
Tv
Av
P
even if you turn the front or rear dial.
When you activate the electronic dial lock, and then operate the electronic dial, the dial lock indicator on the main panel blinks for three seconds to show that the electronic dial lock is functioning.
108
Notice:
To release the self timer while it is operating, turn o the power (by setting the drive dial to L)
9.10 Self-Timer Mode
The default setting for the Self-Timer mode to release the shutter is 10 seconds after the shutter release button is pressed. The self timer lamp ashes slowly for the rst 7 seconds, and then ashes quickly for the last 3 seconds before the shutter is released. This function can be used to avoid camera shake, to take group photos or for self-portraiture.
1. Mount the camera on a tripod.
X
CF
M
C3
Tv
C2
Av
C1
P
2. Switch the shutter release mode selector to the (self timer mode).
3. Turn the front dial, and set the self-timer mode to ON.
4. Check the view by looking through the viewnder. Make sure that the focus is correct, press the shutter release button and the shutter will be released after 10 seconds.
Changing the Self-Timer Duration
Notice:
In the Self-timer setting, put the drive dial to M.UP (mirror up) mode. Should you wish to operate with mirror up and delay, simply switch the drive dial to M.UP(mirror up) mode in the Self-timer
setting.
X
CF
M
C3
Tv
C2
Av
C1
P
1. Press the Self-Timer button to activate this function.
2. Turn the rear dial to change the duration of the Self-Timer. 0.5/1 seconds to 10 seconds allows for increases by the second, while 10 to 90 seconds increases by 10 seconds per turn. For 2 to 60 minutes increases by 10 minutes per turn.
Releasing Self-Timer mode
1. Press the Self-Timer button to activate this function.
2. Turn the front dial to “OF”
109
Notice:
Repeat turning (according to the number of times) will lead to a countdown appearing in the display.
9.11 Interval Photography
X
CF
M
C3
Tv
C2
Av
C1
P
Interval photography can used for a variety of shooting scenarios such as such as to capture cloud movement or a ower coming into bloom.
1. Ensure the camera is rmly secured on a tripod.
After setting the interval photography, turn the drive dial to “M.UP” (mirror up mode) and you can operate in mirror up delay mode. While photographing in this setting the “AEL” will be displayed on the main LCD.
When using auto bracketing, the interval function cannot be used at the same time.
2. Press and Self-Timer button twice.
3. Turn the front dial to display interval mode as On.
4. Turn the rear dial to set the interval time. Settings include 0 seconds (no
X
CF
M
C3
Tv
C2
Av
C1
P
interval time), 1 to 10 seconds (increased by the second), 10 to 90 seconds (increased in units of 10 seconds), 2 to 10 minutes (increased by the minute) or 10 to 60 minutes (increased in units of 10 minutes per turn).
5. Turn the front dial to the repeat mode to select how many shots you want in your interval session, 1-10, or up to 60 in intervals of 10. If you want to make a motion lm of your session and need more images, try shooting tethered to a computer and set the interval to ON. The camera will do a shot until you stop the session. Remember to leave enough free hard disk space on your computer.
X
CF
M
C3
Tv
C2
Av
C1
P
7. Check the focus and framing in the viewnder then press the shutter.
Cancelling Interval Mode
1. Press the interval mode button for interval mode.
2. Turn the front dial to “OF”
110
1.5
22 2211 114 4
54 7
1.51.2 2
When the aperture is open (the subject depth is small)
ft
m
When the aperture is stopped down (the subject depth is large)
9.12 Depth of Field
Depth of eld (D.O.F.) is dened as the zone of sharpness before and behind the plane of focus. It depends on distance to subject, focal length of lens, aperture setting and distance the lens is focused at.
In addition to visual observation via the depth of eld preview button, the D.O.F. can be determined by using the depth of eld scale on each lens. The f/ stop numbers appear on both the right and left side of the white index mark in the center of the scale. Simply read the gures which appear above the f/ stop numbers on the distance scale of the lens.
NOTICE:
While operating the preview button, you cannot release the shutter
Depth of Field Preview Button
When the preview button is pressed in, the depth of eld for the aperture set on the camera can be checked by looking through the viewnder.
After focusing, press the preview button. The diaphragm will be stopped down to the set aperture.
Web Resources
http://www.cambridgeincolour.com/tutorials/depth-of-eld.htm http://en.wikipedia.org/wiki/Depth_of_eld
111
9.13 Infrared Photography
Infrared Photography is complicated when using digital backs, as the digital back is adjusted to match the viewable light perfectly.
Use a dedicated digital back for infrared photography. The IQ back needs to be adjusted to work properly for infrared photography. DO NOT TRY THIS AT HOME!
– All corrections in this area must be done by Phase One to ensure precision. If you remove the protective glass or make other physical adjustments on the back the warranty will immediately be void.
If you are considering Infrared Photography, please contact your local Phase One dealer for technical advice and pricing.
Infrared light has a slightly dierent area of sharpness compared to the viewable light so when the distance is set on the lens, you should always manually correct sharpness, to be in front of the red dot.
Do not use your camera’s light meter when photographing infrared, as the light meter is aimed towards reading the visible light.
NOTICE:
You cannot take photos in AE modes when using an infrared lm as the AE is based on visible light.
112
9.14 Custom Function
P
C1
Av
C2
Tv
C3
M
CF
X
The custom functions can store separate three dierent camera set-ups. When at C-00, chose 1 (A), 2 (B), or 3 (C) to store a specic set of user function selections for the group of custom settings from C-01 to C-19.
The C-00 is set to 0 which is the settings used for the default set.
P
C1
Av
C2
Tv
C3
M
CF
X
1. Turn on the power. Turn the shutter release mode lever to the S or C position.
2. Turn the exposure mode dial to select CF (Custom Function mode).
3. Turn the rear dial to select the settings for user A, B, or C.
4. Turn the front dial to select the item you want to set.
X
CF
M
C3
Tv
C2
Av
C1
P
Clear all Custom Functions
Set mode dial button to CF, then press +/- button for 5 seconds, this will reset ALL Custom Functions to the factory default.
Setting Custom Functions to Default
1. By turning the exposure mode dial, CF (custom function mode) can be selected.
2. By turning the rear dial, user A, B or C can be selected.
Setting Custom Functions
P
C1
Av
C2
Tv
C3
M
CF
X
3. Press and hold down set button (for longer than 1 second) and settings for A,B,C can be initialized, or the settings can be returned to “default”.
113
9.15 Types of Custom Functions
C-00 Custom functions prole [SEL]
0: None (default=0) 1: A 2: B 3: C When “0” has been selected and set, none of the custom items can be set.
C-01 EV-Steps [StEP]
This function is used to set the size of increments concerning the shutter speed, f-number and exposure compensation value. 0: 0.3 (1/3EV step: default setting) 1: 0.5 (1/2EV step) 2: 1.0 (1EV step)
0: Alkaline 1: NiCd, NiMH, Li–ion 2: Li-ION (Only for use with Li-Ion battery Kit or Vertical Grip)
C-05 Bracketing [Stno]
Setting bracket’s width for auto bracketing setting 0: 3 Exposures 1: 5 Exposures 2: 7 Exposures
C-06 Front/Rear dial [dF]
This function is used to interchange the functions of the front and rear dials in the M (manual mode).
0: Front dial: TV, rear dial: Av [OF] 1: Front dial: AV rear dial: Tv [On]
C-02 Lens change [IrIS]
This function is used to set the f-number display method for the previously used lens when the lenses have been interchanged. The default setting is “0” in which case the f-number of the lens prior to the changeover is displayed. 0: Previous f-number 1: Maximum aperture setting 2: Minimum aperture setting
C-03 Sleeptimer [HOLd]
This function is used to set the time for sleep mode to be established after the camera’s power is turned on. The default setting is 15 seconds. 0: 15 seconds 1: 30 seconds 2: 60 seconds 3: Disabled The batteries will continuously lose power when “On” (no sleep mode) has been set.
C-04 Battery Type [batt]
This function is used to set the batteries used in the camera so that the remaining battery charge will be displayed correctly on the external LCD panel.
C-07 Rear dial in P mode [d_AC]
Initializing the P mode on the rear dial then changing the function to the front dial will cancel out P mode function on the rear dial. 0: Enable 1: Disable
C-08 Dial Direction [d_dl]
This function is used to determine the direction in which the electronic dial is to be rotated to increase and decrease shutter speed, the f-number, and exposure compensation.
0: CW: Decrease [OF] 1: CW: Increase [On]
C-09 AEL & AFL button [AEFL]
This function is used to set whether to interchange the operations of the front and rear AEL and AFL buttons.
0: Default setting (front: AFL, rear: AEL) [OF] 1: Switched (front AEL, rear: AFL) [On] C-10 Release button [HALF]
This function is used to set the AE lock and AF operations when the shutter release button is half-pressed. 0: AF operation (default setting) 1: AF & AE operation 2: Only shutter release
114
C-11 AEL function lock/unlock mode [AEL]
This function is used to set the method of operating the AEL button to lock AE. At the default setting, when the AEL button is pressed, AE is locked; pressing the button again releases the AE lock. At the “1” setting (released after one shot), after AE lock is set, it is released when the shutter is triggered. At the “2” setting, AE lock is only kept while the AE lock button is being pressed. 0: One shot 1: Continuous 2: While pressed
C-12 AFL [AFL]
This function is used to set the AF lock method when the AFL button is operated. AF >< Lock is activated with one press of the auto-lock button then deactivated with a second press. 0: While pressed (default setting) 1: AF operation 2: Continuous
C-13 M-mode AEL [OnEP]
When using M (manual mode) one push function, the shutter speed or aperture value can be set automatically by pressing AEL button.
0: Shutter speed shift [tv] 1: Aperture value shift [Av] 2: No [no]
C-14 AF assist setting [AF_L]
The AF auxiliary light res automatically when the subject is too dark to perform AF, but this function can be used to prevent the AF auxiliary light from ring.
0: On [On] 1: O [OF] C-15 Flash sync. [FLSY]
When shooting moving subjects with ash you can set the synchronization timing. This allows you to have the ash re at the beginning of the exposure or at the end of the exposure. 0: First (default setting) 1: Second
C-16 Beep [bu]
When the SET button is pressed a beep sounds 0: ON (AF) (Default setting) 1: ON 2: OFF
C-17 Shutter TV, AV & P [Sh_P]
When using P, Av or Tv mode and the leaf shutter lens is attached but you prefer to use the focal plane shutter. 0: Mixed. Default (Focal Plane shutter operation at < 1S) 1: Leaf shutter 2: Focal plane shutter
C-18 Shutter in M & X [Sh]
When initializing the setting, use of the lens shutter (and its respective ranges) or the focal plane shutter can be chosen when the leaf shutter lens is attached. 0: Mixed. Default (Focal Plane shutter operation at < 1S) 1: Leaf shutter 2: Focal plane shutter
C-19 AF Priority [AF_2]
Accuracy of auto-focusing priority (default setting) or speed priority can be decided. Use the front dial to scroll to Custom function 19 and the rear dial to set AF Priority to one of the following: 00: Speed 01: Accuracy Please note: On IQ, P 65+ or P 40+ digital backs, this CF function can also be set from within the digital back menu system: Menu > 645DF > Setup Custom A > AF priority
C-20 AF Fine Tune Use the front dial to scroll to Custom function 20. Use the rear dial to ne-tune the focus point on a subject that is closer or further away from the camera. 50: Neutral factory calibration Minus: Move AF point closer Plus: Move AF point further away
115
C-97 Support for Mamiya ZD backs This function should ONLY be activated when shooting on a Mamiya ZD back. 0: Default setting NO Mamiya ZD back on the camera body 1: Mamiya ZD back on camera body
C-98 Lens rmware version The current rmware version can be checked.
C-99 Body rmware version The current rmware version of the body can be checked.
Liquid Crystal Display
Due to the limitations of the space and letters, words and letters on the LCD are abbreviated.
Display examples of the main LCD
Display examples in the custom function mode
116
Custom Functions overview
No. Item Initial setting (0) 1 2 3
C-00 Custom Function User Last used User A User B User C
C-01 Steps of aperture, shutter speed,
Exposure compensation
C-02 Aperture setting after lens change Previous aperture value Maximum aperture
C-03 Time to sleep 15 sec 30 sec. 60 sec. ON
C-04 Battery type Alkaline NiMH or NiCD Future feature
C-05 Auto Bracketing steps 3 5 7
C-06 Front/Rear dial function exchange in manual
mode
C-07 Disable Rear dial in P mode Yes No
C-08 Dial Function direction No switching Switched
C-09 AEL & AFL button exchange Front: AFL
C-10 Shutter half-press function AF operation AF operation &
C-11 AEL function lock/unlock mode Continuous One shot While the shutter button is
C-12 AFL lock mode setting Set with AF lock only AF operation Continuous
C-13 One push function M-Mode Shutter speed shift Aperture value shift O
C-14 AF assist beam Fires Does not re
C-15 Flash sync. timing Front Curtain Rear Curtain
C-16 Beep ON (AF) ON OFF
C-17 Choose shutter function (P, Av or Tv mode) Mixed.
C-18 Shutter function in Manual mode Mixed.
C-19 AF Speed High Speed mode High accuracy mode
0.3
1/3 EV step
Front: TV Rear : AV
Rear : AEL
(When inside the range of the
leaf shutter lens)
(When inside the range of the
leaf shutter lens)
0.5
1/2EV step
Minimum aperture setting
setting
Front:Av
Rear :Tv
CCW : Increase
CW : Decrease
Front: AEL Rear : AFL
AE Lock
Only Leaf shutter Only Focal plane shutter
Only Leaf shutter Only Focal plane shutter
1.0
1 EV step
OFF
(no function)
pressed
C-97 Mamiya ZD digital back support NO Mamiya ZD back Mamiya ZD back
C-98 Lens Firmware version
C-99 Body Firmware version
117
C2
C1
9.16 Custom Dial Modes C1, C2 or C3
Mode dial options C1, C2 and C3 can be used to store preferred settings.
These settings can be changed instantly to suit the photographer's needs. Users can change the settings on the camera body or via an IQ back.
Programmable settings are exposure mode, P (program AE), Av (aperture priority AE), Tv (shutter speed priority AE), X (synchro mode), M (manual
v
v
CF
C3
X
M
Tv
Av
P
T
M
A
X
CF
P
C1
C2
C2
1
mode), focus area and spot metering.
Programming the Custom Dial Modes C1, C2 or C3 via the camera body
1. Go to the setting you wish to assign to C1, C2 or C3.
3
4
2
* The illustration shows the exposure mode Av (aperture priority AE) being recorded to C2.
NOTICE:
Even when the power is switched o, the mode recorded will still be saved to C mode.
2. After arriving at the setting you wish to assign, hold the SET button down while turning the mode dial to C1, C2 or C3. When you release the SET button, the chosen setting will be programmed to your selection of C1, C2 or C3.
C1, C2 or C3 modes can be changed while photographing. However after taking a photo in a mode other than the modes selected in C1, C2 or C3, when you turn the dial back to a C mode setting the change will not be saved.
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9.17 Lenses and Multi Mount
When it comes to lenses, Phase One provides the widest range of possibilities to ensure photographers get the most creative freedom from their Phase One camera. This chapter looks at some possible lens systems. However, it is worth noting that there are even more applicable lenses available than presented in the upcoming pages. User can nd more information from dedicated Phase One dealers on items such as mount-adaptors for example the Phase One Multi­Mount.
N.B. Errors or damage caused by third party products are not covered by the warranty. Please test new products with caution.
9.18 Functions of the Phase One Lens
The Phase One 80mm f/2.8 is a sharp and well tested digital lens. The lens is mounted by aligning the white dot on the lens with the white dot on the camera body. Carefully mount the lens by turning it clockwise, until a click is heard. If you feel resistance or if you hear a scratching-like sound stop and retry – NEVER use force when mounting the lens as it should always slide into place without resistance.
9.19 Function of the Phase One Lens Adaptor
To mount the Phase One Multi-Mount, match the white dot on the camera up with the white dot on the Multi-Mount and turn slowly clockwise. NEVER use force to mount the ring. When the Phase One Multi-Mount is mounted you can t Carl Zeiss/Hasselblad V and Hasselblad 200series lenses on the camera.
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9.20 List of Alternative Lenses
Recommended Digital lenses
Producer Specs Limitations Adaptor/Mount notice
Mamiya 28 f.4,5 AFD Mamiya 645AFD Sekor Mamiya 75-150 f.4,5 Mamiya 645AFD Sekor Mamiya 35 f.3,5 Mamiya 645AFD Mamiya 45 f.2,8 Mamiya 645AFD Mamiya 55 f.2,8 Mamiya 645AFD Mamiya 150 f.3,5 Mamiya 645AFD Mamiya 210 f.4,0 Mamiya 645AFD ULD Mamiya 300 f.4,5 Mamiya 645AFD APO Mamiya 55-110 f.4,5 Mamiya 645AFD Mamiya 105-210 f.4,5 Mamiya 645AFD ULD Schneider Kreutnach 55 f.2,8 Mamiya 645AFD Leafshutter Schneider Kreutnach 80 f.2,8 Mamiya 645AFD Leafshutter
Schneider Kreutnach 110 f.2,8 Mamiya 645AFD Leafshutter
Producer Specs Limitations Adaptor/Mount Notice Recommended MF lenses Mamiya A 500 f.4,5 1+2 Mamiya 645 MF Mamiya A 300 f.2,8 1+2 Mamiya 645 MF+APO Mamiya A 200 f.2,8 1+2 Mamiya 645 MF+APO Mamiya 55 1+2 Mamiya 645 leafshutter Mamiya 80 f.2,8 N/L 1+2 Mamiya 645 leafshutter Mamiya 150 f.3,8 N/L 1+2 Mamiya 645 leafshutter Mamiya 105-210 f.4,5 1+2 Mamiya 645 Mamiya 500 f.5,6 1+2 Mamiya 645 Mamiya 55-110 f.4,5 N 1+2 Mamiya 645 Mamiya 150 f.2,8 1+2 Mamiya 645 Mamiya 300 1+2 Mamiya 645 Mamiya 24 f.4,0 1+2 Mamiya 645 Mamiya 35 1+2 Mamiya 645 Mamiya 150 f.3,5 N 1+2 Mamiya 645 Mamiya 45 1+2 Mamiya 645 Mamiya 210 N 1+2 Mamiya 645 Mamiya 80 f.1,9 1+2 Mamiya 645 Mamiya 55 1+2 Mamiya 645 Mamiya 80 f. 2,8 N 1+2 Mamiya 645
Hartblei MC TS-PC 45 f. 3,5 mamiya/Pentacon six super-rotator tilt/shift Hartblei MC Hartblei 2x converter pentacon six
Producer Specs Limitations Adaptor/Mount Notice Arsat MC Arsat 30 f.3,5 sheye Pentacon six Arsat MC Arsat 45 f.3,5 Wide Angle Pentacon six Arsat MC PCS Arsat 45 f.3,5 Pentacon six shift Arsat MC PCS Arsat 55 f.4,5 Pentacon six shift Arsat MC PCS Arsat 65 f.3,5 Pentacon six shift Arsat MC Arsat 80 f.2,8 Pentacon six Arsat MC Arsat 600 f.8,0 Pentacon six Mirror
Lenses usable in combination with Phase One Multi-Mount Carl Zeiss CFi 30 f.3,5 3 hasselblad V Carl Zeiss CFE 40 f.4,0 3 hasselblad V Carl Zeiss CFi 50 f.4,0 3 hasselblad V Carl Zeiss CFi 60 f.3,5 3 hasselblad V Carl Zeiss CFE 80 f.2,8 3 hasselblad V Carl Zeiss CFi 100 f.3,5 3 hasselblad V Carl Zeiss CFE 120 f. 4,0 3 hasselblad V Carl Zeiss CFi 150 f.4,0 3 hasselblad V Carl Zeiss CFE 180 f.4,0 3 hasselblad V Carl Zeiss CFi 250 f.5,6 3 hasselblad V Carl Zeiss CFE 350 f.5,6 3 hasselblad V SA
Special purpose lenses Mamiya 120 f.4,0 MACRO Mamiya 645 MF Mamiya 50 SHIFT 1 Mamiya 645 MF Mamiya 645 Auto bellows unit 1 Mamiya 645 Mamiya 80 MACRO 1 Mamiya 645
Other lenses usable in combination with adapter Hasselblad 30 sheye Hasselblad 40 Hasselblad 50
Pentacon ektogon 50 Arsat 55mm Shift Biometar 80mm Biometer 120mm Sonnar 180mm
Limitation codes:
1: Stopped down metering not possible 2: Discontinued 3: Leaf shutter disables, only aperture priority
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NOTICE
Since the Focusing Screen’s surfaces are soft and easily damaged, handle them carefully.
Never touch the surface with bare ngers. Should dust settle on it, merely blow away by using a blower.
10.0 Maintenance
The Phase One 645DF+ generally needs very little maintenance. But this is
A
a professional tool and should be treated with care and caution. Always do test shots before a photographic session if the camera for any reason has not been used for a long period of time.
If the Focusing Screen needs cleaning, send it to the nearest authorized Phase One service center.
Do not attempt to clean the surface of the Focusing Screen, as it is very delicate.
Do not touch and damage the mirror in any way.
A frequently used product should be inspected periodically at the nearest ocial Phase One repair center. Do NOT try to repair any camera, lens or back errors or malfunctions – Please consult your local dealer.
10.1 Changing the Focusing Screen
1. Remove the lens.
2. Pull the Focusing Screen Release lever A forward, as illustrated, with tweezers to ease the Focusing Screen down.
3. Remove the Focusing Screen from the Focusing Screen Frame by grasping the tab on the edge of the screen with tweezers as illustrated.
4. When installing the screen, pinch the tab of the screen with tweezers, and place the screen on the screen frame.
5. Push the screen frame up using the tweezers until hearing a clicking sound. The screen is now properly installed. Never press down on other parts as this will aect the focus function.
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Notice:
Make sure to re-install the empty battery case into the body.
10.2 Battery Socket
Never leave batteries in the socket if the camera or back is not planned to be used for longer periods.
Keep contacts clean and dry at all times.
The empty battery cassette must be inserted into the body.
The batteries may generate heat if the external battery case is connected to the body while the batteries are loaded on the body.
M.UP
C
External Battery Socket Use an external battery case PE401 when using the camera in cold temperatures where the battery capacity may drop.
1. Turn the shutter release mode selector lever to the L position (power o).
S
L
2. Use a coin or similar object to turn and remove the external battery socket cap.
3. Remove the battery case from the camera body
4. Connect the external battery case to the body. Connect the plug of the external battery case in which the batteries are installed, to the external battery socket.
5. Reinstall the original battery case, from which the batteries were removed, in the body. Turn the battery case lock to lock it in the body.
A
10.3 Tripod/Electronic Shutter Release Contact
Keep all contacts clean and dry at all time.
B
When using a tripod with 3/8” screw (instead of 1/4” screw) remove the small screw[A] from the tripod screw hole on the bottom of the body using a plus screwdriver, then use a coin to remove the tripod screw adapter bushing[B].
You will nd Electronic Shutter Release both on the camera body and on the back. When used, it is recommended to use the shutter release on the back. Keep both contacts dry and clean.
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10.4 Camera Display Error-Notication
When Any of These Displays Appear
When Any of These Displays Appear...
LCD display
The camera caution mark will blink if the camera body detects an abnormality.
Problems
S
Causes and remedies
Remedies
End
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10.5 Lens Maintenance
Never touch the inner optics of the lens with your ngers. Keep the inner optics perfectly clean with air, a lens brush or the dry cloth delivered with the lens.
Do not touch the contacts. Keep the contacts clean with either a dry cloth or by using a breglass brush. Do not use any other tools on the lens.
The lens is not waterproof. It should be immediately dried with a cloth if becomes wet. If it is exposed to salt, moisten a cloth, wring it and carefully clean.
10.6 Back Maintenance
Cleaning the CCD The Phase One IQ back must have the protection plate tted when it is not attached to a camera. Dust may accumulate on the IR lter, which will degrade the image quality if not removed. Please follow the directions included in the CCD cleaning kit that came with the IQ back.
10.7 IR Filter on the CCD
The IR lter (Infrared reduction lter) is permanently mounted on top of the CCD. The lter may not be removed for several reasons:
• The focusing of the IQ back camera back will be damaged
• It is only possible to remount the lter without dust getting in between the lter and the CCD if you have access to special clean room facilities
• The Phase One Product Warranty is terminated
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10.8 645DF+ Camera Body Specifications
l Open platform for maximum choice and compatibility
l Durable, proven platform for secure operation
l Ergonomic handling and ease of use
l Use Phase One digital lenses, Mamiya AF/AFD lenses or Hasselblad
V lenses
l Exposures from 1/4000s to 60 minutes
l Flash synchronization up to 1/1600 sec.
Shutter speed from 1/4000s to 60 minutes, extremely high flash synchronisation up to 1/1600 second to stop action with fast shutter speed or flash.
The mirror and viewfinder of the Phase One 645DF+ camera are almost three times larger than those of 35mm cameras, providing much greater control of focus and composition.
While hosting a complete list of features and custom functions, the Phase One 645DF+ camera is extremely easy to use. All settings important to the exposure are easily controlled by manual dials and soft buttons.
Camera type Modular 645 AF SLR body
Phase One Digital focal plane lenses,
Lenses
Backs Open platform back mount
Auto focus
Shutter
Flash
Light Metering
Mirror-Up Electronically-activated by switch on grip
Schneider Kreutznach leaf shutter lenses and Mamiya 645 AFD lenses Compatible with Hasselblad V lenses
TTL phase-dierence AF with 3 focus points Focus conrmation in manual mode Infrared AF assists for unfailing focus Auto focus lock for swift AF/ M shift
1/4000s to 60 minutes Up to 120 frames per minute Shutter speed bracketing
Focal plane shutter: Up to 1/125s Leaf shutter lenses: Up to 1/1600s’ 1 curtain ash synchronization X sync terminal and support for TTL ash
TTL metering (average, spot and auto) Programmable AEL button Exposure compensation: +/- 5EV
st
and 2nd
Viewnder
Focusing Screen
Selftimer Self-timer from 2 to 60 sec
Remote
Stop Down Preview
Tripod Socket 1/4 inch and 3/8 inch included
Power Requirements
User conguration
Size W, H, D // 6, 5, 7.2" // 153, 128, 184mm
Weight 35 oz. / 1030g. w/o batteries
Content is subject to change without notice
Fixed prism viewnder Exchangeable diopter from -5 to +3 LCD panel with full exposure information
Interchangeable focus screens Laser engraved mask for digital back Matte, Grid, Checker, Microprism
Screw-in cable release on shutter button Terminal for electronic triggering devices
Stop down button on front of camera
Rechargeable Li-ion battery or 6 AA batteries (standard or rechargeable) External battery pack – 6 AA batteries External AC adapter
3 Custom dial modes for capture settings 36 custom settings Customizable dials and buttons
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10.9 Phase One 645DF+ Housing Specication
Camera type : 6x4.5cm format, electronically controlled focal-plane shutter, TTL multiple mode AE, AF single lens reex
Actual Image size: 56x41.5 mm
Lens mount : stopped-down exposure metering)
Viewnder : Fixed prism viewnder magnication x0.71; built-in diopter adjustment (-2.5 to +0.5, optional diopter correction lenses provide adjustment ranges of -5 to -2 diopter and 0 to +3 diopter); built-in eye-piece shutter
Focusing screen : Interchangeable, Matte (standard), Checker, and Microprism Type C for Non-AF M645 lenses.
Field of view : 94%* of actual image
Viewnder info : Focus mark, defocus mark, warning mark, aperture value, shutter speed, metering mode (A, S, A/S), exposure compensation value (dierence between set value and metered value) and ash ready/ OK lamp with TTL Metz connection.
AF method : to EV18 (ISO 100)
Focus area : Displays the focus area in the viewnder screen
AF assist beam : Activates automatically under low light, low contrast.
Range: 9m (when using AF80mm f/2.8 D lens)
AF lock : By pressing the shutter release button halfway down in the AF-S mode, or by pressing the AFL button.
Exposure modes : Aperture-priority AE, shutter-priority AE, programmed AE (PH, PL setting possible), and manual
AE meteringmode : TTL metering, center-weighted average (AV), spot (S), and variable ratio (A-S auto)
Increments of shutter : Both the shutter speed and the aperture level can be set to 1/3 or speed and aperture 1/2 using the electronic dial lock function
Metering range : EV 2 to EV 19 (with ISO100 and AF80mm f/2.8 D lens)
Exposure compensation : Expandable to ±5 EV
AE lock : With AEL button; canceled by pressing the button again. When AEL button is pressed, exposure compensation and metering dierence is displayed in the viewnder. (+-6EV, 1/3 steps in M mode).
Shutter :
Shutter speed : AE 30 to 1/4000 sec. (1/8 step), manual 30 to 1/4000 sec. (1/2 or 1/3 steps), 1 min-60 sec. (1 step), X, bulb (Bulb, electronically controlled), tIME, shutter curtain protection mechanism
Auto bracket shot:Enable with auto bracket button (3 frame shots, 5 frame or 7 frame shot with auto bracketing). Specify 1/3, 1/2, 2/3 or 1EV steps.
Flash synch : X contact point, 1/125 seconds. Synchro speed can be changed away from terminal.
Mamiya 645 AF Mount, compatible with M645 Mount (manual focus conrmation, focus aid,
TTL phase dierence detection method; sensor: CCD line sensor (I+I type); operating range: EV0
Electronically controlled vertical metal focal-plane shutter. (vertical travel)
Flash control : TTL direct ash control, supports Metz SCA3002 system (SCA3952 Adapter)
Mirror up shot : Select by pressing the mirror up button.
LCD displays : Program AE mode icon, synchro mode icon, shutter speed, aperture, custom function icon, user function icon, focal plane mode icon, lens shutter mode icon, AE lock icon, auto focus lock icon, mirror up icon, focus area icon, auto bracketing icon, self timer icon, repeat mode icon, delay mode icon, remaining battery power icon, spot metering icon, dial lock icon, ash compensation icon, exposure compensation icon, exposure compensation, delay time.
Sync terminal : X contact (sync speed 1/125 sec.)
Cable release socket : On shutter button
Remote-control terminal : On side of body; electromagnetic cable release RE401 and RS402
Self timer : Self timer intervals can be set from 0.5 to 90 sec.: 0.5-10 sec. by the second, 10 to 90 sec. in 10 sec. units, 2 to 10 mins by the minute and 10 to 6 mins in units of 10 minutes.
Depth-of-eld conrmation : Preview Button on body
Custom settings : 19 items
Tripod socket : U 1/4 inch and U 3/8 included
Power requirements : Rechargeable Li-ion battery or 6 AA batteries (alkaline or rechargeable)
External power socket : An external battery case can be connected.
Size & weight : 6 ”(W )X5 ”(H)X6 ”(D) / 153(W )X128(H)X152(D)mm
2.3 pounds / 1,030 g (body only)
* This information is based on a linear (horizontal/vertical) measurement.
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11.0 Software
Capture One Pro is a professional RAW converter and image editing software. It contains all the essential tools and high-end performance in one package to enable you to capture, organize, edit, share and print images in a fast, exible and ecient workow.
Please go to http://help.phaseone.com/en for further information regarding Capture One. (This online Users Guide can also be found under the Help menu on Windows and Mac). A PDF of the Capture One User Guide can also be found on the USB memory stick that came with you IQ back.
11.1 To Import Images...
1. Go to File and select “Import Images…” The dialog box will open to browse les.
2. Navigate to the applicable folder, card or disk in the Locations tool.
3. Select Capture folder (import location) and type in the job name and Metadata (copyright, caption) if desired.
4. If you want to select a naming format for the imported les, press “For­mat” in the Naming tool.
5. You can select all or specic images to import.
6. Press “Import All”. You can continue working while images are imported in the background.
Inserting a memory card into a card reader will automatically bring up the Import Images dialog window.
Shooting Tethered
Capture One Pro is also used to shoot tethered from an IQ back. Find out more on page 53 or for more information please consult the online User Guide available in the Capture One Help menu or go direct to http://help.phaseone.com/CO7/Capture/Tethered-Shooting.aspx
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12.0 End User Support Policy
Phase One guarantee World Class Support and Service with every purchased product. Please check www.phaseone.com for the latest updated support policy.
Worldwide Dealer Network
At Phase One we think globally but act locally. Phase One’s products are sold through a worldwide network of dedicated and competent local partners to make after-sales support convenient for you.
Phase One’s local partners oer rst line support to their customers. Many provide additional services such as training, extended warranty agreements, upgrade programs, and many other services that will add value to your Phase One investment. Contact your local Phase One partner to discuss your options. Digital camera back pricing and repairs are also handled locally.
If there is no local partner in your area, then please contact Phase One directly, and we will assist you directly or through one of our partners. Find your local Phase One partner or take advantage of Phase One’s wide range of on-line support tools at http://support.phaseone.com
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12.1 Web Resources
Phase One oer users a host of online resources including inspire, enthuse and inform. Find detailed information including User Guides and manuals about Capture One or our Digital Backs from www.phaseone.com
Knowledge Base
Phase One’s searchable Knowledge Base at http://support.phaseone.com provides detailed answers to many users questions. This ‘self-service’ site is free of charge and available to all Phase One owners.
Capture One On-line Support Forums
Go to Phase One’s ocial support forum to share your experiences and get assistance from other Phase One owners as well as from Phase One’s Technical Support team at http://support.phaseone.com Some Phase One partners oer on-line support forums, hosted from their own web pages. Please note that these forums are governed by separate rules. Phase One oers no guarantees and assumes no responsibility or liability with respect to the support provided by our local partners.
Many resources and tutorials are created on voluntary basis, and Phase One is always interested in seeing your videos, reviews, blogs or websites concerning Phase One.
PhaseOneDK Ocial YouTube Channel
Check out our Youtube channel that provides access to tutorials, showcases, technical videos and more at http://www.youtube.com/PhaseOneDK
Twitter, Facebook and Google+
There are plenty of ways to get in touch with Phase One across all the main social media platforms. Finds us on facebook follows us on Twitter and connect with us on Google+ for the latest product news, promotions and much more.
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130
User Guide: Appendix
13.0 Open Platform – Freedom of Choice
Phase One’s Open Platform policy delivers maximum choice and compatibility with a wide range of dierent camera platforms.
This section covers the IQ back’s compatibility with the Hasselblad V and H series, Mamiya RZ67, Phase One 645, Mamiya 645, Contax 645 and View Camera solutions.
Double Exposure Protection
It is not possible to accidentally double expose an image by capturing one shot quickly after another when an IQ back is used on cameras such as the Phase One 645DF+/DF/AF, Mamiya 645DF/AFDIII or Hasselblad 555 ELD (DIG mode). The electronic communication with the body ensures that the IQ back is ready before allowing release of the next shot. However, users of other camera bodies that do not use the electronic interface from the IQ will have to wait for the ready beep signal before releasing the next shot.
Viewnder Masks
Cameras including the Mamiya RZ67 and Hasselblad V-series need a viewnder mask as the image area of these models is dierent to the image sensor size of the three IQ models. Go to page 92 to nd out more about the IQ sensors and go to page 155 for the full list of focusing Screens and viewnder masks.
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13.1 IQ Back and Phase One 645AF/DF/DF+ and Mamiya 645 AFD
The IQ back is fully integrated with the Phase One and Mamiya 645 camera series and functions as a part of the whole camera system. The IQ back communicates with the cameras through a fast internal electrical computer interface.
Find out more about the Phase One DF+ camera and IQ back from page 12.
13.2 Mounting IQ back on the Phase One 645 AF & Mamiya 645 AFD Series
Ensure that the camera mirror is up and the shutter is open when no digital back is attached. When attaching the IQ back to the camera body the shutter
will close and the mirror will come down.
1. Place the bottom of the IQ back in the locking mechanism.
2. Press the button (circled above left) with your thumb and lever the back into place.
3. Release the button to lock into position.
Failure to perform this procedure properly can cause an error with the camera body where the shutter will continuously open and close. If this occurs, remove the IQ back and follow steps 1 to 3 again.
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13.3 More Details: Phase One and Mamiya 645 Series Cameras
Power Management and Shutter Latency
The IQ CCD is put to sleep to reduce power consumption when it is not in use. The IQ needs to wake up before shooting and the timing of this wake up
signal is referred to as the Latency. The Phase One and Mamiya 645 camera body response time is independent of the shutter latency setting so it is therefore recommended to keep the latency on the Normal (default) setting, as this will ensure a longer battery life.
Studio Flash Sync on the Camera Body
A ash sync lead should be connected to the camera body when using the IQ back on Phase One 645AF or 645DF/DF+, Mamiya AFD or AFDII models.
Always use a ash cable and/or equipment that provides grounding for the ash.
Image Orientation
The CCD in the IQ back is positioned in a landscape orientation. However, the IQ back has an internal sensor that detects when it has been rotated. Thus, when the camera is rotated and an image is captured in portrait position the image will appear correctly oriented on the LCD and in the Capture One application.
Image (left) features the V-Grip Air. Phase One Part # 71507
133
Exposure Mode Dial
Mirror Up
When using mirror up with the Drive Dial in the M.UP position ensure that the Exposure Mode Dial and the focus mode are both in Manual mode (M).
It is not possible for the camera to measure light or focus when the mirror is up. Please consult the Mamiya 645 Instruction manual to learn how to use Mirror Up.
Shutter Release Button
Drive Dial
*Do not touch the mirror
Mirror*
Viewnder Masking
The image area of the Phase One and Mamiya 645 cameras is approximately 56x42 mm. Viewnder masking is not necessary for IQ280 and IQ260 models as their light sensitive CCD measures 53.9x40.4 mm.
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14.0 IQ Back for Mamiya RZ67
The IQ backs are compatible with the Mamiya RZ PRO II and PRO IID with the use of an adaptor plate.
The 645DF+ version of an IQ back can be used on a Mamiya RZ PRO IID with a Mamiya RZ PRO IID adaptor plate. (Phase One Part # 70994) The Hasselblad V version of an IQ back can be used on the older version Mamiya RZ PRO II with a Mamiya RZ Pro II adaptor. (Phase One Part# 70964)
N.B. It is possible to use a Hasselblad V version of an IQ back on the new Mamiya RZ67 PRO IID by getting the back mount plate modied with the following Mamiya service part number: Y22995-RZ.
14.1 Mounting IQ Back on the Mamiya RZ67
1. Place the bottom of the IQ back in the locking mechanism.
2. Press the button at the top of the back with your thumb and lever the back into place.
3. Release the button to lock into position.
N.B. It is important to ensure that the bottom part of the IQ back is attached correctly before the upper locking mechanism is pressed together.
Mounting the IQ Back Vertically
The CCD in the IQ back is positioned in a landscape orientation. However, it is possible to mount the IQ back in an upright orientation to capture images in a portrait format without having to rotate the camera. The IQ back has an internal sensor that detects when it has been rotated so images will appear correctly oriented on the LCD and in the Capture One application.
Mount the IQ back in the portrait position by lining up the adapter mount to the corresponding indentations on the left side of the back. Press the button (circled left) and lever the back into place. Release the button to lock into position.
135
14.2 Viewnder Masking
The image area of Mamiya RZ67 at 56x69.5 mm is larger than the size of the three IQ model’s sensors so it is necessary to insert a viewnder mask.
There are two dierent masks available for the Mamiya RZ67 according to which IQ is being used. (The size IQ280 and IQ260 models CCD is 53.9x40.4 mm while the IQ140’s CCD measures 43.9x32.9mm). Please check page 155 for the relevant viewnder mask.
1.
3.
2.
4.
Insert a Viewnder Mask
1. Remove the protection tape from the mask.
2. Dismount the prism/waist-level nder and remove the focus screen.
3. Place the viewnder mask in the bracket that holds the focusing screen.
4. Re-mount the viewnder focus screen.
5. Re-attach the prism/waist-level nder.
N.B. Please check the relevant Mamiya RZ67 manual regarding how to dismount the viewnder and remove the focus screen.
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14.3 More Details: Mamiya RZ67
Mode Selector
The mode selector on the trigger button should be turned to the white dot when used with the IQ back. The selector should be set to the orange dot to avoid draining the small battery when the IQ back is attached to the body and not in use.
Warning: Even if the IQ back is turned o, the battery will drain slowly if the orange dot is not selected
Shutter Latency Setting Mamiya RZ PRO II
An IQ back should be set to Normal Latency when it is used with a Mamiya RZ PRO II.
Shutter Latency Setting Mamiya RZ PRO IID
Select the special Mamiya RZPRO IID camera mode, which available in the Camera mode menu to ensure that the correct latency setting is used.
Studio Flash Sync on the RZ lens
A ash sync lead should be connected to the port on a lens when an IQ back is used on a Mamiya RZ67 PRO IID. On the older PRO II, use the ash sync connector on the Adapter plate. (The ash sync port on the IQ back is for use with Large format cameras where no digital interface is available).
Mirror Up
Mirror up operation is only recommended if using Mamiya’s own double cable release.
Double Exposure
Is is only possible to get a double exposure when a Hasselblad V mount plate is being used. Avoid a double exposure by waiting for a ready-beep from the IQ back before capturing another image.
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15.0 IQ Back for Hasselblad V Series
The Phase One IQ back can be mounted on a wide range of Hasselblad cameras including Hasselblad 555 ELD, 553 ELX, 501 CM and 503 CW.
15.1 Mounting the IQ Back on a Hasselblad V Series Camera
1. Place the bottom of the IQ back in the locking mechanism.
2. Press the button at the top of the back with your thumb and lever the back into place.
3. Release the button to lock into position.
N.B. It is important to ensure that the bottom part of the IQ back is attached correctly before the upper locking mechanism is pressed together.
Mounting the IQ Back Vertically
The CCD in the IQ back is positioned in a landscape orientation. However, it is possible to mount the IQ back in an upright orientation to capture images in a portrait format without having to rotate the camera. The IQ back has an internal sensor that detects when it has been rotated so images will appear correctly oriented on the LCD and in the Capture One application.
Mount the IQ back in the portrait position by lining up the adapter mount to the corresponding indentations on the left side of the back. Press the lock button (circled left) and lever the back into place. Release the button to lock into position.
Warning! DO NOT MOUNT WHILE IN S OR RS MODE
N.B. The Phase One IQ back should not be mounted while the camera is set to mirror up (S or RS modes). The camera should be set to AS, A or 0 mode. Also ensure that the lens is not jammed when connecting the ash sync cable to the Phase One IQ back.
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15.2 Mounting a Viewnder Mask on a Hasselblad V Series Camera
The image area of a Hasselblad V camera body at approx. 6x6cm is a dierent size to the three IQ model’s sensors so it is necessary to insert a viewnder mask.
1.
2.
There are two dierent masks available for according to which IQ is being used. The size IQ280 and IQ260 models CCD is 53.9x40.4 mm while the IQ140’s CCD measures 43.9x32.9mm. Please check page 155 for the relevant viewnder mask.
Hasselblad V series cameras
Insert a Viewnder Mask
1. Remove the protection tape from the mask.
2. Dismount the waist-level nder and remove the focus screen.
3. Place the viewnder mask in the bracket that holds the focusing screen.
4. Re-mount the viewnder focus screen.
5. Slide the waist-level nder back into place.
3.
4.
N.B. Please check the relevant Hasselblad camera manual instructions before removing the focus screen.
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15.3 More Details: Hasselblad V Series
Sync Cable
A sync cable is always connected from the lens to the small connector in the front plate on either the left or right side of the IQ back regardless of which Hasselblad V type camera used.
Flash Lead Connection
A ash cable is always connected to the F-connector on the IQ back with all Hasselblad V series cameras.
Mirror Up and Shutter Latency Setting
Set the Latency to Zero when shooting with a Hasselblad V, 903 CW and 905 CW.
Tethered Capture
Plug a FireWire 800 cable into the IQ back for tethered capture to a computer using Capture One Pro.
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15.4 Hasselblad 555 ELD
Ensure that the shutter release on the front of the Hasselblad 555 ELD is in the DIG position when using a Phase One IQ back.
If for any reason you have to use the 555ELD in Film position (E.g. If the DIG is not working) then set the IQ to Zero Latency.
Shutter Latency Setting
The IQ back can be used with both Normal and Zero latency with the Hasselblad 555 ELD.
An IQ back has a default Normal latency setting that helps to save battery life. But users may experience unwanted double exposures when using a two-shot release cable.
Motor Cable on Hasselblad 555 ELD A motor cable is not required when using an IQ back on a Hasselblad 555 ELD body.
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15.5 Hasselblad 553 ELX
When using the IQ back on some Hasselblad motorized bodies (i.e. Hasselblad ELX or Hasselblad ELM series), a motor cable is supplied to enable users to re the camera shutter from a computer using the Capture One Pro Capture button. (See circled button left).
Cable Connections
The cable is connected between the multi-connector on the IQ back and the DIN connector on the Hasselblad. Ensure that A or AS mode are not used.
WARNING! Please note that the Phase One IQ back should not be mounted while the camera is set to mirror up (S or RS modes). Make sure that the lens is not jammed or locked open on the “B” setting when connecting the ash sync cable to the Phase One IQ back.
Shutter Latency Setting
Set the latency setting to Normal on the IQ back while using a Hasselblad 553 ELX.
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15.6 Hasselblad 501 CM and 503 CW without Winder
The Phase One IQ back can also be used with mechanical Hasselblad cameras such as the 501 CM and 503 CW. These cameras are operated in single shot mode via the shutter release button or a standard cable release.
WARNING! Please note that the Phase One IQ back should not be mounted while the camera is set to mirror up. Also ensure that the lens is not jammed or locked open on the “B” setting when connecting the ash sync cable to the Phase One IQ back.
Shutter Latency Setting
Set the latency setting to Normal on the IQ back while using a mechanical Hasselblad. Set the latency setting to Zero whilst using the Mirror Up func­tion or if you need to rapidly press the shutter button. Precautions must be taken not to trigger the shutter too fast when using Normal latency. If any problems arise, it is recommended that users look at the green LED on the back while slowly pressing the mechanical trigger on the camera body. Us­ers can safely press the button all the way in the moment the LED ashes.
15.7 Hasselblad 503 CW with Winder CW
WARNING! Please note that the Phase One IQ back should not be mounted while the camera is set to mirror up. Make sure that the lens is not jammed or locked open on the “B” setting when connecting the ash sync cable to the Phase One IQ back.
Set the Shutter Latency to Zero when using a 503 CW winder with an IQ back.
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15.8 Cables shipped with IQ back for Hasselblad V
Classic and Value Added backs come with all the cables needed for the spe­cic camera platform. A Value Added back also comes with an additional 50300143 cable for use with large format and technical cameras.
Part# 50300145 Motor cable for Hasselblad ELX. (Used for host capture when the IQ back is used on a Hasselblad ELX body).
Part# 50300148 Sync cable short (For use with all Hasselblad medium format bodies)
Part# 50300143 Multi connector to Lens sync (for use with Large format - in two shot mode)
Part# 50300144 This cable is available as a separate purchase only. From multi connector to mini jack female (for use to adapt older Large format walk-up cables or older Kapture Group one shot adaptor cables to connect to the multiport).
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16.0 IQ Back for Hasselblad H Series
The Phase One IQ (H-mount) digital back is designed specically for Hasselblad H1 and H2 cameras.
16.1 Mounting the IQ back on the Hasselblad H1/H2
1. Ensure that the mirror is up and the shutter is open. (This is the default position when no cassette is attached to camera body).
2. Place the bottom of the IQ back in the locking mechanism.
3. Lever the back into place.
4. Do not let go of the back until you hear a clicking noise that signals the back is locked into position. The mirror will come down and shutter will close when IQ back is attached to the camera.
N.B. It is important to ensure that the bottom part of the IQ back is attached correctly before the upper locking mechanism is pressed together.
Removing the IQ back from the Hasselblad H1/H2
1. Rotate and press the silver button (illustrated left) to unlock the back. (Ensure that the back is supported in your hand before pressing this button).
2. Gently lever away the top of the back rst. Be careful with the contacts and protective glass on the back.
N.B. Your IQ back should always be protected by its plate when it is not attached to the camera.
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16.2 Viewnder Masking
The image area of the Hasselblad H1/H2 cameras is 56x41.5 mm. A viewnder mask is only needed for the smaller size of the IQ140 CCD that measures 44x33mm. Viewnder masking is not necessary for IQ280 and IQ260 models as their light sensitive CCD measures 53.9x40.4 mm.
Please check page 155 for the relevant viewnder mask.
1.
3. 4.
2.
Insert a Viewnder Mask
1. Remove the protection tape from the mask.
2. Dismount the prism/waist-level nder and remove the focus screen.
3. Place the viewnder mask in the bracket that holds the focusing screen.
4. Re-mount the viewnder focus screen.
5. Re-attach the prism/waist-level nder.
N.B. Please check the relevant Hasselblad H-series manual regarding how to dismount the viewnder and remove the focus screen.
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16.3 More Details: Hasselblad H Series
Camera Display
The Hasselblad H1/H2 incorporates a screen that displays information about the camera set-up. It shows the aperture value, AF mode, shutter speed etc.
The Hasselblad H1/H2 will also display some IQ back information on this screen. For example, error messages including ”Digital back storage media is full” will be displayed on the screen if the CompactFlash in the IQ back is full to capacity.
ISO Settings
The ISO value is also displayed on the H1/H2 camera screen. The ISO setting can be adjusted from the camera back or in Capture One software when shooting tethered.
Please consult page 61 of this manual for details on setting the ISO. Go to page 53 for more information about tethered shooting.
Auto Exposure
All the Hasselblad H1/H2 auto exposure modes are fully supported by the IQ back.
Please check the relevant Hasselblad H-series manual for more information on exposure modes.
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Viewnder Information
The viewnder information bar is located below the image area within the viewnder display. It displays the camera’s exposure mode and values etc. It also includes a counter with the number of captures remaining on the storage media. (See top bar circled left). ‘99’ is the maximum number displayed. ‘99’ will continue to be displayed if there are more than that remaining on a CompactFlash card. An ‘E’ indicates that the storage media is full. Users will have to delete some captures or replace the CompactFlash card before continuing. (See bottom bar circled left).
Double Exposure Protection
It is not possible to accidently double expose an image by capturing one image quickly after another when an IQ back is used on a Hasselblad H1/H2.
N.B. At the end of an exposure, image information has to be moved from the CCD to the processing system. During this short period of time the CCD must be protected from light exposure. The IQ back ensures that the CCD is safely cleared of information by disabling the Hasselblad camera’s shutter release during this procedure.
Image Orientation
The CCD in the IQ back is positioned in a landscape orientation. However, the IQ back has an internal sensor that detects when it has been rotated. Thus, when the camera is rotated and an image is captured in portrait position the image will appear correctly oriented on the LCD and in the Capture One application.
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Flash Lead Connection
A ash cable is always connected to the Hasselblad H1/H2 camera body.
The ash sync cable must not be connected to the camera back when used on a Hasselblad H1/H2. The ash sync connector on the IQ back is only intended for use with a Phase One FlexAdaptor or other large format adaptors.
16.4 Cables Shipped with IQ back for Hasselblad H
No cables are required to use the IQ back with a Hasselblad H1/H2.
A Value Added IQ back comes with an additional multi-connector to Lens sync cable (part# 50300143) for use with large format cameras in two shot mode.
Part# 50300144 This cable is available as a separate purchase only. From multi-connector to mini jack female (for use to adapt older Large format wake-up cables or older Kapture Group one shot adaptor cables to connect to the multiport).
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17.0 IQ Back for Contax 645
The Phase One IQ (Contax mount) digital back is designed specically for the Contax 645 camera. The IQ back communicates with the Contax 645 through a fast internal electrical computer interface and utilizes TTL phase dierence detection type auto focus system.
17.1 Mounting IQ Back on a Contax 645
1. Place the bottom of the IQ back in the locking mechanism.
2. Press the button at the top of the back with your thumb and lever the back into place.
3. Release the button to secure it into position.
4. Lock the IQ back into place by sliding the switch left towards the release button. (See switch circled below left).
N.B. It is important to ensure that the bottom part of the IQ back is attached correctly before the upper locking mechanism is pressed together.
Removing the IQ back from the Contax 645
1. Slide the locking switch to the right position.
2. Press the button (circled left) to unlock the back. (Ensure that the back is supported in your hand before pressing this button).
3. Gently lever away the top of the back rst. Be careful with the contacts and protective glass on the back.
N.B. Your IQ back should always be protected by its plate when it is not attached to the camera.
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17.2 Viewnder Masking
The image area of the Contax 645 camera is 56x41.5 mm. A viewnder mask is only needed for the smaller size of the IQ140 CCD that measures 44x33mm. Viewnder masking is not necessary for IQ280 and IQ260 models as their light sensitive CCD measures 53.9x40.4 mm.
Please check page 155 for the relevant viewnder mask.
1.
3.
2.
4.
Insert a Viewnder Mask
1. Remove the protection tape from the mask.
2. Dismount the prism/waist-level nder and remove the focus screen.
3. Place the viewnder mask in the bracket that holds the focusing screen.
4. Re-mount the viewnder focus screen.
5. Re-attach the prism/waist-level nder.
N.B. Please check the relevant Contax 645 manual regarding how to dismount the viewnder and remove the focus screen.
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17.3 More Details: Contax 645
Exposure Modes
The Contax 645 manual (M) and semi-auto exposure modes (Av, Tv) are fully supported by the IQ back. Please note that Bulb is only supported on Contax/ IQ back when used in conjunction with the Live View function. Go to Chapter 20 (from page 156) for more information about Live View.
Please check the relevant Contax 645 manual for more information on exposure modes.
Ensure that exposure times are limited between 1/4000 second and approx. 1 second to obtain the highest possible quality with an IQ back and Contax
645. Please note that it is not possible to expose images longer than 60 seconds with an IQ back.
ISO Settings
The Contax 645 exposure modes use the ISO value set in the IQ back. The ISO setting can be adjusted from the camera back or in Capture One software when shooting tethered.
Please consult page 61 of this manual for details on setting the ISO. Go to page 53 for more information about tethered shooting.
Double Exposure Protection
It is not possible to accidently double expose an image by capturing one image quickly after another when an IQ back is used on a Contax 645 e.g. when using the continuous drive mode.
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TTL ash
Using TTL ash with the Contax 645 camera and IQ back will result in a 2 f-stop overexposure. When using TTL ash, the exposure compensation on the ash unit must therefore be set to –2 f-stops. This overexposure happens because the CCD element reects light dierently than lm and this cannot be communicated to the Contax.
Image Orientation
The CCD in the IQ back is positioned in a landscape orientation. However, the IQ back has an internal sensor that detects when it has been rotated. Thus, when the camera is rotated and an image is captured in portrait position the image will appear correctly oriented on the LCD and in the Capture One application.
17.4 Flash Lead Connection
A ash cable is always connected to the Contax 645 camera body.
The ash sync cable must not be connected to the camera back when used on a Contax 645. The ash sync connector on the IQ back is only intended for use with a Phase One FlexAdaptor or other large format adaptors.
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17.5 Cables Shipped with IQ back for the Contax 645 (Value added only)
Part# 50300143 Multi-connector to Lens sync (for use with Large format - in two shot mode)
Part# 50300144 This cable is available as a separate purchase only. From multi-connector to mini jack female (for use to adapt older Large format wake-up cables or older Kapture Group one shot adaptor cables to connect to the multiport).
Part# 50300154 From multi-connector to mini jack on the Contax handgrip (used to enable Host Capture from Computer)
N.B. Operating the camera from the host computer The supplied release cable must be connected between the multiple-pin connector on the IQ back and the mini-jack connector placed at the bottom of the handgrip on the Contax camera house.
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18.0 IQ Back for View Cameras
The Phase One IQ back is compatible with most technical view cameras and large format cameras via camera interface adaptors. The IQ back supports most mechanical shutters and some electronic shutters from Horseman, Schneider and other manufacturers.
Phase One Sleeping Architecture
The Phase One Sleeping Architecture has been developed to help produce noise free exposures without the use of active cooling of the CCD. The sleeping architecture ensures minimum heat build up inside the back by putting all the unused circuits to sleep, and only powering the circuits that
are actually needed at any given time.
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18.1 Using the 2-shot Release
The IQ back can be used with mechanical shutters that can be red twice within four seconds. The rst release of the shutter activates the digital back; the second release is for the exposure. If the time limit of four seconds is exceeded, the camera gives a warning ‘beep’ followed by a ‘two shoot error’ warning that will be displayed on the LCD screen. There are several automatic or semi-automatic two shoot solutions available from third parties manufacturers to use with a mechanical shutter. Please ask your dealer for more information.
18.2 Using the 1-shot Release
The 1-shot release cable is created to simplify your studio workow.
1. Connect the ash exit (circled left) on the shutter and plug the opposite end to the multi-pin port on the IQ back. (Via Part# 50300144 From multi­connector to mini jack female)
2. Connect a ash sync lead to the port on the IQ back.
3. Close the shutter if necessary.
4. Push the button on the 1-shot release lead to ‘wake up’ the camera back . (circled left) and take the shot within a few seconds.
N.B. It is not possible to control the exposure or trigger the shutter from Capture One when using a fully manual camera. Only limited EXIF data is recorded when shooting with manual cameras. The IQ back will add a calculated approximate shutter speed but the aperture value will not be recorded.
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18.3 Phase One FlexAdaptor
The Phase One FlexAdaptor is available for use with most large format cameras.
The Phase One FlexAdaptor can automatically stitch two or three images together using the Stitch function in Photoshop.
Please see the reference manual that comes with the FlexAdaptor for more details.
18.4 Shutter Latency Settings for the FlexAdaptor and Other Technical Camera Adaptors
The Phase One FlexAdaptor and other technical camera adaptors for the IQ back can be used with both normal and zero shutter latency. Select the Normal latency setting if the IQ back is used on a camera with a 2-shot release. (See 18.1)
Please note: The Zero shutter latency setting will increase the power consumption of the IQ back, as it will be constantly prepared for exposure.
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19.0 List of Focusing Screens and Viewnder Masks
19.1 Full Frame Focusing Screens or with Engraved Masking
Part # 70756 Focusing Screen for Phase One 645 Camera (Standard Full Frame IQ280/IQ260) 70754 Focusing Screen IQ140 for Phase One 645 Camera 70757 Focusing Screen for Phase One 645 Camera SD402 (Checker Grid) 70758 Focusing Screen for Phase One 645 Camera SA402 (Microprism for non AF lenses)
19.2 Viewnder Masks
Part # 40101906 Viewnder Mask for Phase One IQ140 for Hasselblad H1/H2 40101903 Viewnder Mask for Phase One IQ140 for Phase One/ Mamiya 645 AFD 40101905 Viewnder Mask for Phase One IQ140 for Contax 645 40101901 Viewnder Mask for Phase One IQ140 for Hasselblad V 40101929 Viewnder Mask for Phase One IQ140 for Mamiya RZ 40102056 Viewnder Mask for Phase One IQ260/IQ280 for Mamiya RZ 0102044 Viewnder Mask for Phase One IQ260/IQ280 for Hasselblad V
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20.0 Live View
The Live View function is intended for use when a camera is mounted on a tripod and the subject is stationary.
Live View is ideal for use with technical view cameras in a studio environ­ment or for architectural photography, where photographers would ordi­narily have to rely on an external viewnder or a separate focusing glass / sliding adaptor.
The Live View function enables photographers to compose an image directly on the high resolution display of the IQ digital back. Focus can be checked by zooming into a subject on the screen by up to 400%.
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20.1 Starting Live View
1. Live View is accessed from the Context Menu (circled left) in the lower right corner.
The Context menu is always visible on the Home screen. Tap the lower right corner of the screen to reveal the icon if it is hidden in some of the Play mode displays.
2. Select the Live View (movie camera) icon from the context menu. (Circled left).
3. When Live View is activated ensure that a Live View white balance is applied. Tap the lower right corner of the screen to bring up the context menu and select the White Balance Picker (Circled left).
Go to page 158 for more information about Live View white balance.
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20.2 White Balance
1. After selecting the White Balance Picker, tap the screen to select a neutral area to calibrate the Live View.
2. If a precise white point is dicult to achieve in full screen view, slide a nger on the left side of the screen to zoom into to a part of the image that you want to use as white reference. Exit the White Balance mode by deselecting the picker in the context menu. Alternatively, press and hold the upper left physical button on the IQ back to return to the Home screen.
Go to page 159 to nd out more about the zoom function.
20.3 Quality and Brightness
1. Go to the context menu and select the Live View exposure controls icon (circled left).
2. Two sliders will appear at the bottom of the screen to help users adjust the live view to suit the ambient lighting conditions being used. The top slider is a speed vs. quality slider. Increase the quality by moving slide to the right or achieve a faster frame rate on the left. The lower slider controls the brightness of the Live View.
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20.4 Zoom
Zoom into the live view by sliding a nger up in the left side of the screen. Double tap on the image to bring up a 100% view. If a zoom is already ap­plied, double tap the screen to return to a full image view.
20.5 Grid
1. Go to the context menu and select the Grid icon (circled left) to apply a default grid. Press and hold the Grid icon to select one of a selection of other grid options to apply to the live view.
20.6 Auto Stop and Start
Live View will be paused if the screen is not touched for one minute. Touch the screen again to restart Live View.
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20.7 Accessories
Live View is easily overexposed in due to the high sensitivity of the IQ CCD sensor and its large size. It is sometimes necessary to take steps to prevent overexposure by either stopping down the aperture or by using a Neutral Density lters (ND lters ). ND lters are widely available, and it is even pos­sible to get variable ND lters, that can prove invaluable when working in changeable outdoor ambient light.
Recommended Suppliers
Schneider Optics: http://www.schneideroptics.com/lters/index.htm Lee Filters: http://www.leelters.com/camera/products/nder/ref:C475674681BB1B/ Sing Ray Vari ND: http://www.singh-ray.com/varind.html
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20.8 Live View Camera Support
The Phase One IQ back Live View function is supported on both medium and large format view cameras. Find out how to operate Live View from the following list of cameras:
View Cameras
1. Open the lens and select the desired aperture value.
2. Activate Live View on the IQ back.
Phase One 645AF/645DF/645DF+
1. Activate Live View on the IQ back.
2. Adjust the exposure time dial until the camera display states ‘time’.
3. Press the camera shutter button.
Hasselblad H1/ H2
1. Activate Live View on the IQ back.
2. Select the M (Manual) mode.
3. Select the desired aperture value.
4. Set the shutter to ‘T mode’ .
N.B. It is only possible to change the aperture when the camera body is idle/not exposing. Please exit the T-mode to change aperture.
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Hasselblad V
1. Activate Live View on the IQ back.
2. Select B (Bulb) mode.
Mamiya RZ67 Pro II/Pro IID
1. Activate Live View on the IQ back.
2. Select B (Bulb) mode.
N.B. It is only possible to change the aperture when the camera body is idle/not exposing. Please exit the Bulb mode to change aperture.
Contax 645
1. Activate Live View on the IQ back.
2. Select B (Bulb) mode.
3. Select the desired aperture value.
N.B. It is only possible to change the aperture when the camera body is idle/not exposing. Please exit the Bulb mode to change aperture.
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