Soundstream Technologies SPL 15, SPL 160 User Manual

UNDSTREAM’
T
E C H N 0 L 0 G i E S
SOUNDSTREAM TECHNOLOGIES
120
Blue Ravine Road
tel 916.351 .I 288
Folsom l California
fax
916.351.0414
95630
USA
(REV A,
7/22/97)
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Subwoofers
OWNER’S MANUAL AND
INSTALLATION GUIDE
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SPL15 and SPL160 SUBWOOFER
CONGRATULATIONS! You have chosen a superior product for
reproducing high levels of "Sound Pressure Level" in the car. This precision component, when properly installed, is capable of amazing output performance. The SPL15 and SPL160 woofers are well-suited for sealed, vented, and sealed bandpass enclosures. They also work well in infinite baffle installations at one-half the power rating.
Should your woofer ever require service or replacement, recording the information below for your own records will help protect your investment.
Model Number:___________________________________________________________ Serial Number: ___________________________________________________________ Dealer’s Name: __________________________________________________________ Date of Purchase: ________________________________________________________ Installation Shop: _________________________________________________________ Installation Date: _________________________________________________________
DESIGN FEATURES
Long Excursion Design -- The SPL woofers use high performance components and the
New Ultra-Excursion Surround to achieve extra long excursion for high output and deep bass.
Heavy Cast Aluminum Basket on the SPL160 and Heavy Gauge Steel Basket on the
SPL15 provide extra rigidity and damping.
and home theater applications.
SUGGESTED ENCLOSURES (Continued)
Sealed Bandpass
Enclosure #56
Rear = 4.7 ft
Front = 3.5 ft3 @ 50 Hz (Four 4" x 7.5" ports) - Very high
output for Rock or Rap music.
3
sealed
Enclosure #57
Rear = 2.8 ft
Front = 2.3 ft3 @ 61 Hz (Three 4" x 5.25" ports)- Very high output with good
low frequency extension. Good for Rock or Rap music.
3
sealed
Enclosure #58
Rear = 1.5 ft
Front = 2.3 ft
Rap music.
3
sealed
3
@ 75Hz (Four 4" x 3.5" ports) - Super high output. Great for
Textured Blue Powder Coating ensures durability and lasting superb good looks.
Ultra-High power handling Voice Coil with Glass Polymide Former increases power
handling and performance. Aerospace grade adhesives and materials insure longevity and high performance.
Dual Voice Coil Inputs for increased flexibility in optimizing installations.
Computer Numerically Controlled (CNC) machined magnet plates and pole piece
precisely focus the magnet energy for optimum performance.
High Emissivity Coatings on pole and top plates improve power handling.
Double Magnet Structures for powerful, well-controlled output.
Vented Pole Piece for greater voice coil cooling.
Custom-designed High Strength Spider controls the long travel cone assembly.
Gold Plated 8 Gauge Terminals ensure consistently outstanding connectivity for cable
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SPECIAL DESIGN FEATURES!
Custom-designed Cast Frame Basket for deep excursion and precise
alignment of the voice coil.
Custom chrome top and back plates for show-quality installations in any
vehicle!
Nearly 2 1/2" peak-to-peak maximum excursion for producing awesome
sound levels with just a single woofer!
Infinite Baffle
Excellent performance for all types of music at moderate levels
Sealed
1.5 ft
2.0 ft
Vented
3.0 ft
4.0 ft
3
- Good linear response, excellent small enclosure.
Excellent for high SPL, multiple driver applications.
3
- Good response, excellent all around enclosure.
3
@ 27 Hz (Two 4" x 22" ports) - High output with good
low frequency extension. Good small enclosure.
3
@ 32 Hz (Three 4" x 16" ports) - High output with
excellent low frequency extension. Great for Rock music
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Preliminary
SPECIFICATIONS & THIELE/SMALL PARAMETERS
Frequency Response (Hz) Sensitivity (2.83v/1m) Impedance (nominal Z, ohms) Rated Program Power, Watts Fs (Hz) Qts Qms Qes Vas (ft3) Vas (liters) Vas (m3) Cms (um/N) DCR (ohms) Levc (mH) @ 1 KHz BL (Tesla m) Sd (in2) Sd (m2) Sd (cm2) X max; one way (linear mm) X max; one way (peak mm) Vd (linear cm3) Vd (peak cm3) Vd (linear m3) Vd (peak m3) Mms (grams) Magnet Assembly (oz) Magnet Weight (oz) Vf (volume of frame, in3) Coil length (mm)
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25-500 25-500
95 dB 96 dB
2 2
400 800
25 28
.33 .33
6.80 7.82 .35 .35
7.98 7.24
226 205
.226 .205
201 183
1.68 2.01
1.02 .67
12.4 13.3
131.0 131.0 .0845 .0845
845 845
7.0 10.0
22 22
592 845
1859 1859
0.000592 0.000845
0.001859 0.001859 206 173 238 345 104 157 320 385
27.9 28.6
SELECTING AN ENCLOSURE
VENTED
Sealed Bandpass (SBP)
There are several different enclosure designs for different applications. The SPL subwoofers work very well in all the following enclosure designs. It is up to you to select the specific enclosure that will work the best for your particular application.
Infinite Baffle
Infinite baffle is the simplest type of subwoofer installation. In this type of installation, the woofer(s) is mounted to a baffle which is then mounted to either the rear deck or back seat of the vehicle. The best results are achieved when the trunk area is virtually airtight and isolated from the passenger compartment.
Pros Cons
Excellent low frequency extension
Excellent transient response
Uses almost no trunk space
Sealed Enclosure
Sealed enclosures are relatively simple to build and install, as all that is required is an airtight box. The larger the sealed enclosure, the more the performance resembles that of an infinite baffle installation.
Pros Cons
Very good low frequency extension
Very good transient re­sponse
High power handling
Medium efficiency
Lower power handling
Low to medium efficiency
SUGGESTED ENCLOSURES (Continued)
Sealed Bandpass
Enclosure #54
Rear = 2.8 ft
Front = 2.2 ft
output with good low frequency extension. Good for Rock or Rap.
3
sealed
3
@ 55 Hz (Four 4" x 11.5" ports) - High
Enclosure #55
Rear = 1.3 ft
Front = 2.2 ft
for Rap music.
3
sealed
3
@ 77Hz (Four 4" x 3.25" ports) - Very high output. Great
Vented Enclosure
Vented enclosures use a sealed enclosure with a vent or port in the box
Good low frequency exten­sion down to the tuning fre­quency
High power handling down to the tuning frequency
Higher output than sealed enclosures
Pros Cons
Low power handling below the tuning fre­quency
Almost no output below the tuning fre­quency
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SEALED
9
Sealed (S)
Vented (V)
SEALED BANDPASS
SUGGESTED ENCLOSURES
Infinite Baffle
Excellent performance for all types of music at moderate levels
Sealed
1.5 ft
2.0 ft
Vented
3.25 ft
6.7 ft
3
- Good linear response, excellent small enclosure.
Excellent for high SPL, multiple driver applications.
3
- Good linear response, excellent all around
enclosure.
3
@ 27 Hz (Two 4" x 19.75" ports) - High output with
good low frequency extension. Good small enclosure.
3
@ 21 Hz (Two 4" x 15" ports) - High output with
excellent low frequency extension. Great for Rock music or home theater applications.
which is tuned to resonate at a specific frequency.
Sealed Bandpass Enclosure
Sealed bandpass enclosures enclose both sides of the woofer(s). An airtight enclosure is built around the front and back of
Pros Cons
High power handling within the operating frequencies
Very high output within the range of the oper­ating frequencies
Low power handling beyond the tuning frequency
Poor to moderate transient response
Poor low frequency extension
the woofer and one chamber is ported to
a specific frequency.
CALCULATING (NET) INTERNAL ENCLOSURE VOLUMES
When constructing any type of enclosure, you must be aware that the outside dimensions DO NOT represent the true (Net) volume inside. Such things as woofers, ports, thickness of enclosure material, dividing walls, and any internal bracing will reduce the total amount of the actual air space available. The following worksheet has been designed to provide you with the necessary steps to accurately calculate the absolute (Net) internal volume of any given enclosure.
Calculating Cylindrical Port Volume
1. Measure the outside diameter of the port and divide by 2 for the radius.
2. Square the radius and multiply by 3.14 (π) to arrive at outside port area.
3. Multiply the area by the length of the port inside the enclosure for the port volume.
length inside
enclosure
8
5
outside diameter
ENCLOSURE VOLUME FLOWCHART
M easure maximum possible dimensions
M ultiply wall thickness by 2
Subtract this fr om each dimension to arr ive at Gross Internal Dimensions
M ultiply LxWxD to arrive at
Gross Internal Volume
BUILDING THE ENCLOSURE
Determine the dimensions of your enclosure.
Be certain the box you have designed will fit into the location you have
chosen. Sometimes making a cardboard box with the same outside dimensions is helpful.
Use 3/4 inch thick Medium Density Fiberboard (MDF) or High Density
Particleboard. It is preferable to cut the wood with a table saw to ensure straight, even joints. If a table saw is not available, a circular saw is acceptable.
Use a “T” square to verify precise right angle gluing.
Use a high quality wood glue and air nails or wood screws to assemble the
enclosure. Elmer’s woodworker’s glue and Weldwood work well. To guarantee an airtight box, seal each inside joint with silicone sealant.
For Sealed Enclosures, stuff the chamber with 50-75% filling (approximately
1.5 pounds per cubic foot) of fiberglass insulation or Dacron.
Deduct Vf ( volume of the speaker frame)
Deduct Vf ( volume of the speaker frame)
from Gross Inter nal Volume
from Gross Inter nal Volume
Braces?
No Yes
Calculate brace volume and deduct
from Gross Inter nal Volume
You ar e at Net Internal Volume
in cubic inches ( in )
3
To conver t to LITERS:
Divide in by 61.03
To conver t to CUBIC FEET:
Divide in by 1728
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For Vented Enclosures, staple 1 inch thick fiberglass insulation or Dacron to
all walls of the enclosure except the baffle to which the woofer is mounted.
Use the supplied gasket to seal the woofer in the enclosure and eight(8)
wood screws or T-nuts and bolts. Progressively tighten each of the bolts or screws to prevent warping the woofer frame.
Use slide-on connectors to attach speaker wires. Do not solder wires to the
SUGGESTED ENCLOSURES
The following designs include a variety of enclosure sizes and types. Each design has two frequency response curves; one showing predicted “In-Car” response, and the other showing “Half-Space Anechoic” (out-of-car) frequency response. The performance difference between the two curves is a result of the natural acoustics of an “average” automotive environment. This “average” transfer function is only an approximation of what you may expect to see in your car. Every car is different. Each curve was generated using 2.0 Volts across both voice coils in parallel and measured at 1 meter. Also, each frequency response curve includes a 12 dB/octave low pass at 100 Hz. The response curves can help you visualize relative performance differences between designs. Read through the descriptions given for each enclosure and select the one that suits your needs.
Remember: all suggested enclosure volumes are Net, and DO NOT include woofer, port, and bracing displacement!
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