USER'S MANUAL
High quality compact mixing console with
FX processor and USB soundcard
NEOMIX-402UFX
NEOMIX-802UFX
The symbol is used to indicate that some hazardous live terminals are involved within this apparatus, even
under the normal operating conditions, which may be sufficient to constitute the risk of electric shock or
death.
The symbol is used in the service documentation to indicate that specific component shall be replaced
only by the component specified in that documentation for safety reasons.
Protective grounding terminal
Alternating current/voltage
Hazardous live terminal
ON: Denotes the apparatus is turned on
OFF: Denotes the apparatus is turned off.
WARNING: Describes precautions that should be observed to prevent the danger of injury or death to the operator.
CAUTION: Describes precautions that should be observed to prevent danger of the apparatus.
IMPORTANT SAFETY INSTRUCTIONS
·Read these instructions.
·Keep these instructions.
·Heed all warning.
·Follow all instructions.
Water & Moisture·
The apparatus should be protected from moisture and
rain, can not used near water, for example: near bathtub, kitchen sink or a swimming pool, etc.
·Heat
The apparatus should be located away from the heat
source such as radiators, stoves or other appliances
that produce heat.
·Ventilation
Do not block areas of ventilation opening. Failure to
do could result in fire. Always install accordance with
the manufacturer's instructions.
·Object and Liquid Entry
Objects do not fall into and liquids are not spilled into
the inside of the apparatus for safety.
·Power Cord and Plug
Protect the power cord from being walked on or pinched
particularly at plugs, convenience receptacles, and the
point where they exit from the apparatus.
Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades
with one wider than the other. A grounding type plug
has two blades and a third grounding prong. The wide
blade or the third prong is provided for your safety.
If the provided plug does not fit into your outlet, refer to
electrician for replacement.
CAUTION
RIS K OF ELEC TRIC SH OCK
DO NO T OPEN
IMPORTANT SAFETY SYMBOLS
·Power Supply
The apparatus should be connected to the power supply
only of the type as marked on the apparatus or described
in the manual. Failure to do could result in damage to the
product and possibly the user.
Unplug this apparatus during lightning storms or when
unused for long periods of time.
·Fuse
To prevent the risk of fire and damaging the unit, please
use only of the recommended fuse type as described in
the manual. Before replacing the fuse, make sure the unit
turned off and disconnected from the AC outlet.
·Electrical Connection
Improper electrical wiring may invalidate the product warranty.
·Cleaning
Clean only with a dry cloth. Do not use any solvents such
as benzol or alcohol.
·Servicing
Do not implement any servicing other than those means
described in the manual. Refer all servicing to qualified
service personnel only.
·Only use accessories/attachments or parts recommended
by the manufacturer.
·Warning
Please remember the high sound pressure do not only
temporarily damage your sense of hearing, but can also
cause permanent damage. Be careful to select a suitable
volume.
TABLE OF CONTENTS
1.INTRODUCTION.......................................................................................4
1.1 Ge ne ral mix in g conso le f uncti on s.... .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... ..4
1.2 The us er’s man ual.. .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... .. 4
1.3 Be fo re you ge t st arted .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... ....... .. ..... .. .... 4
1.3. 1 Sh ipmen t ... .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... .. ..... .. ..... .. ..... .. .... 4
1.3. 2 In itial o pe ratio n. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... .. ..... .. ..... . 4
2.CONTROL ELEMENTS AND CONNECTORS ............................................. 4
2.1 Mo no c hanne ls ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... ....... .. ..... .. ..... .. ..5
2.1. 1 Mi croph on e and lin e in put.. .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. .....5
2.1. 2 Eq ualiz er. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... ....... .. ..... .. ..... .. . 5
2.1. 3 Aux s ends. .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... .. ..... .. ..... .. ..... 5
2.1. 4 Ro uting s wi tch, so le a nd chan ne l fader. .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. . 6
2.2 St er eo chan ne ls... .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... .. ..... .. ..... .. .. 6
2.2. 1 Ch annel i np uts.. .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... ....... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... .. ..... .. ... . 6
2.2. 2 Eq ualiz er s tereo c ha nnels .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ...... 6
2.2. 3 Aux s ends st er eo chan ne ls... .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. .. 6
2.2. 4 Rout in g switc h, s ole and c ha nnel fa de r..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... ....... .. ..... .. ..... .. ..... .. ..... .. ..... .. .... 6
2.3 Co nn ector p an el and ma in s ectio n .... .. ..... .. ..... .. ..... .. ..... .. ....... ....... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ......6
2.3. 1 Aux s ends 1 an d 2 .... .. ..... .. ..... .. ..... .. ..... .. ....... ....... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... .. ..... .. .....6
2.3. 2 Aux s end con ne ctors 1 a nd 2 ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. .....7
2.3. 3 St ereo au x re turn co nn ector s. ..... .. ..... .. ..... .. ..... .. ..... .. ....... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ...7
2.3. 4 St ereo au x re turn. .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... ....... .. ..... .. . .7
2.3. 5 Tape i np ut / tape o ut put.. .. ..... .. ..... .. ....... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... ....... .. ..... .. ..... .. ..... .7
2.3. 6 Le vel met re a nd moni to ring. .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... ....... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ... 8
2.3. 7 Alt 3 -4 and ma in m ix fade r.. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. .......8
2.4 Re ar v iew of 12 04 FX/12 04 ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... ....... ..9
2.4. 1 Ma in mix ou tp uts, Alt 3 -4 o utput s an d room ou tp uts.. .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... .. ..... .. ..... .. ..... .. ..... .. ....9
2.4. 2 Vol tage su pp ly, phanto m po wer and f us e.... .. ..... .. ..... .. ....... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. . 9
3.DIGITAL EFFECTS PROCESSOR........................................................... . 9
4.INSTALLATION.......................................................................................10
4.1 Ra ck m ounti ng ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... .. ..... .. ..... .. ..... .. 10
4.2. 1 Aud io conn ec tions .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... ....... 10
4.2 Ca bl e conne ct ions. .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... ....... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ..... .. ....... .. ..... .. ..... .1 0
5.SPECIFICATIONS..................................................................................11
1
NEOMIX-402UFX / NEOMIX-802UFX
1.INTRODUCTION
Congratulations! In purchasing the NEOMIX you have acquired a mixer whose small size belies its incredible versatility and
audio performance.
The microphone channels feature h ig h- en d Mic Prea mp s
that c om pa re well with co st ly outboard p re am ps in t er ms of
sound qu al it y and dynamics and boa st the foll ow in g features.
＊ 130dB dynamic range for an incredible amount of headroom
＊
cry stal-cl ea r repro du ction of over th e finest nu ances
A bandwidt h ranging from below 10 Hz to over 200 kHz fo r
＊
gu ara nte es ab s ol u ti o n nat ura l and t r an s par ent s ign al
re pro duc tio n
Th e ext rem ely l ow- nio se and dis tor tio n-f ree cir cui try
＊
micr ophon e with up t o 60 dB g ai n and + 48 v olt p ha nto m
powe r suppl y
They a re p erfec tly mat ched to e very co nceiv able
＊
of your. 24-bit/192 kHz HD recorder to the full. Thereby
maintaining optimal audio quality
They enable you to use the greatly extended dynamic range
The eq ual izers u sed f or th e Se ries ar e are renown ed
thro ug hou t the world for thei rincredibly wa rm and mu si cal
soun d cha rac ter. Even w ith e xtr eme g ain s et tin gs th ese
eq ualiz ers e nsu re o uts tan ding au dio qual ity.
NE OM IX
Addition ally, your Serie s mixing consoles has an
effects processor with 24-bit A/D and D/A conv erters included,
which gives you 100 presets prod ucing fi rst-clas s reverb ,
delay and modulatio n effects plus numer ous multi-effects
in excellent audio quality.
NEOMIX
The Series mixing consoles are equipped with a stateof-the-art switched-mode power supply ( SMPS ). Unlike con-
ventional circuitry an SMPS provides an optimum supply current
regardless of the input voltage. And thanks to its considerably
higher efficiency a switched-mode power supply uses less energy
than conventional power supplies.
NEOMIX
The USB interface supplied with the unit is a perfect match for
the NEOMIX Series and serves as a powerful recording interface
to you PC or MAC. It supports the digital transmission of signals
on up to four channel with max 48 kHz and extremely low latency.
When wired to the CD/TAPE INPUT and OUTPUT connectors, t he interface transfers the stereo mix from the console directly to a
computer. Both the recording signals and the playback signal from the
computer can be monitored at the same time.
I n this way, you can use several recording runs to produce complete
multi-track recordings.
USB/ Au dio int er face
Muti l- effec ts p roces so r
EQ sec ti on
ment of mixing console technology. With the new microphone
preamps including phantom power as an option. Balanced line
input and a powerful effects section. The mixing consoles in the
NEOMIX Series are optimally equipped for live and studio applications. Owing to state-of-the-art circuitry your console
produces a warm analog sound that is unrivalled. With the
addition of the latest digital technology these base-in-class
consoles combine the advantages of both analog and digital
technology.
The NEOMIX Series represents a milestone in the develop
2
1.1 gener al mi xing console fu nct ions
A mixin g co nsole f ul fils th re e main fu nc tions :
＊Sign al p roc es sing: P re ampli ficat io n, leve l adjus tm ent,
mixi ng of effec ts . Frequ en cy eq ua lizat io n.
＊
for effe cts proce ss ing and monitor mi x, distribut io n to one
or several recording tr acks, pow er amp(s) , control room
and 2-track outputs.
Sig na l distrib ut ion: Su mm ing of si gn als to th e aux sen ds
＊
positionin g of the indi vi du al si gna ls in the ste re o fiel d, leve l
control of the total mix to ma tc h the recordi ng devic es /
crossover/ po we r am pl ifier(s). Al l oth er mixe r fun ct ions can
be included in this main f un ct io n.
Mix: Setting the v ol um e le ve l, frequency dist ri bu ti on and
The mixing consoles is optimized for these tasks enabling you
to easily keep track of the signal path.
1.2 The use r’s ma nual
The user’s manual is designed to give you both an overview of
the controls, as well as detailed information on how to use them.
In order to help you understand the links between the controls,
we have arranged them in groups according to their function.
1.3. 1 Sh ipmen t
1.3 Befor e you g et started
Your mixing console was carefully packed in the factory to
guarantee safe transport. Nevertheless, we recommend that
you careful examine the packing and its contents for any signs
of physical damage. Which may have occurred during transit.
If the uni t is da maged, pleas e do NO T retur n it to us,
but notify your dealer and the s hipping company
imm ediatel y, otherw ise cla ims for damage or
rep lacemen t may not be granted.
1.3. 2 In itial o pe ratio n
Be sure that there is enough space around the unit for cooling
purposes and to avoid over-heating please do not place your
mixing console on high-temperature devices such as radiators
or power amps. The console is connected to the mains via the
supplied cable. The console meets the required safety standards.
Blown fuses must only be replaced by fuses of the same type and
rating.
Please note that all unit must be properly grounded.
For your own safety, you should never remove any
ground connectors from elect rical devices or power
cables, or render them inoperative.
We should like to draw your attention to the fact that
extreme volumes may damage your hearing and/or
your headphones or loudspeak ers. Turn the MAIN
MIX faders and phones control in the main section
fully down before you switch on the unit. Always be
careful to set the appropriate volume.
Please sure th at o nl y qu al if ied people instal l an d
operate the mixi ng console. Dur ing ins ta llation and
operatio n, t he u se r mu st h av e sufficient elec tr ic al
contact to ear th , otherw ise elect rostatic disch ar ge s
might affect t he o pe ra ti on of th e unit.
2.CONTROL ELEMENTS AND
CONNECTORS
This chapte r describes the various control elements of you r
mixing console. All con trols, sw itches and connectors will be
discussed in detail.
NEOMIX-402UFX / NEOMIX-802UFX
Ea ch mo no in put c han nel o ffe rs a ba lan ced m icr oph one
in put v ia th e XLR c onn ect or an d a ls o f ea t ur es sw i tc hab le
+4 8 V pha nto m pow er su ppl y fo r con den ser m icr oph one s.
Th e mic p rea mps p rov ide u ndi sto rte d and n ois ed- fre e gai n
as i s typ ica lly k now n onl y fro m cos tly o u tb oar d p re amp s.
Each mono inp ut also features a balance d line input on a
1/4＂c onnector . Unbalanc ed devices (mono ja cks) can als o
be connected to these inputs.
3
Please mute your play back system before you active
the phantom power supply to prevent switch-on thump
being directed to your loudspeakers.
LINE IN
MIC
pl ea se r em emb er tha t y ou c an onl y u se eit her th e
mi cr oph one or th e l ine input of a c han nel at an y
on e time. You ca n nev er us e both si mul tan eo usl y!
The mono channels of the mixing consoles have a high-slope
LOW CUT filter for eliminating unwanted, low-frequenty signal
components (75 Hz, 18 dB/octave).
LOW CU T
TRIM
Use the TRIM control to adjust the input gain. This control
should always be turned fully counterclockwise whenever you
connect or disco nnect a signal source to one of the inputs.
All mono input channels include a 3-band equalizer. All bands
provide boost or cut of up to 15 dB. In the central position, the
equalizer is inactive.
2.1. 3 Aux send s
The circuitry of the EQs is based on the technology
used in the bast-known top-of-the-line consoles and providing
a warm sound without any unwanted side effects. The result are
extremely musical equalizes which, unlike simple equalizers,
cause no side effects such as phase shifting or bandwidth
_
limi ta tion, e ve n with ex tr eme gai n se tting s of + 15 dB.
The upper (HI) and the lower band (LO) are shelving filters
that increase or decrease all frequencies above or below their
cut-off frequency. The cut-off frequencies of the upper and
lower band are 12 kHz and 80 Hz respectively. The mid band is
configured as a peak filter with a centre frequency of 2.5kHz
Aux sends take signals via a control from one or more channels
and sum these signals to a so-called bus. This bus signal is sent
to an aux send connector and then routed, for example, to an active
monitor speaker or an external effects device. The return from an
external effect device can then be brought back into the console
via th e au x retur n co nnect or s.
For situations which require effects processing, the aux sends are
usually switched post-fader so that the effects volume in a channel
corresponds to the position of the channel fader. if this were not the
channel would remain audible even when the fader is turned to zero.
When setting up a monitor mix, the aux sends are generally switched
to pre-fader, i.e. they operate independently of the position of the
chan ne l fader.
Both aux sends are mono, are sourced after the equalizer and
offer up to +15dB gain.
2.1 Mono channels
2.1. 1 Mi croph on e and lin e in puts
Fig. 2 .1 : Conne ct ors and c on trols o f mi c/lin e in puts
Fig. 2 .2 : Panor am a and rou ti ng cont ro ls
Fig. 2 .3 : The AU X SE ND cont ro ls in the c ha nnel st ri ps
If yo u p r e ss the MU T E /ALT 3- 4 s w i tch , a u x s e nd 1
is mu t ed, pro v ided th a t i t i s s w itc h e d p ost - fade r.
Ho w ever, thi s d o e s n ot aff e c t t he aux se n d 2
Aux send 1 can be switched pre-fader and is thus particularly
suitable for setting up monitor mixes.
AUX 1 (M ON )
PRE
Wh e n the PR E s wit ch is pr e sse d, aux s e nd 1 is so u rce d
pr e-f a der.
The aux send labeled FX is for sending to effects devices and
is thus set up to be post-fader.
Aux 2 (F X)
If you wish to use th e inte rnal effects pr ocessor, the
STEREO AUX RETURN 2 connectors should not be is
use.
You can also connect an external effects processor to
aux send 2, however the internal effects module will be
muted.
2.1. 2 Eq ualiz er
NEOMIX-402UFX / NEOMIX-802UFX
MI C
LOW CU T
75Hz
18 dB/ Oct
LI N E I N
BAL
OR
UNB AL
1
TR I M
dB/d Bu
+1 0 -4 0 +1 0
+6 0
HIG H
12 kHz
EQ
MID
2.5 kHz
LOW
80 Hz
0
-15 +15
0
-15 +15
0
-15 +15
PR E
2
AU X1
FX
POS T
PRE
+1 5
-
8
0
+1 5
-
8
0
Each stereo channel has two balanced line level input on
1/4＂connectors for left and right channels. If only the connector
marked ＂ L ＂ is used, the channel operates in mono. Stereo
channels are designed to handle typical line level signals.
Both i np ut can al so b e used wi th u nbala nc ed jack s.
The equalizer of the stereo channel is, of course, stereo. The
filter characteristics and crossover frequencies are the same as
those of the mono channels. A stereo equalizer is always preferable
to mono equalizers if frequency correction of a stereo signal is
needed. There is often a discrepancy between the settings of the
left and the right channels when using separate equalizers.
In principle, the aux sends of the stereo channels function in
just the same way as those of the mono channels. As aux send
paths are always mono, the signal on a stereo channel is first
summed to mono before it reaches it reaches the aux bus.
2.2. 3 Aux send s st ereo ch an nels
2.2. 2 Eq ualiz er s tereo c ha nnels
LEVE L
2.2. 4 ro uting s wi tch, so lo a nd chan ne l fader
The func tion of the BAL(ANCE ) control c orrespond s to the
PAN contr ol in the mono cha nn els.
The balance control determines the relative proportion between
the left and right input signals before both signals are routed to the
main stereo mix bus.
The M UT E/ ALT 3-4 switch, the MUTE-LED, the CLP -L ED,
the SOLO switch and the channe l fa de r fu nc ti on i n th e sa me
way as the mono channels.
2.3 Conne cto r panel and main se cti on
Whereas it was useful to trace the signal flow from top to
bottom it order to gain an understanding of the channel strips,
we now look at the mixing console from left to right. The signals
are, so to speaker, collected from the same point on each of the
channel strips and then routed to the main section all together.
For level matching, the stereo inputs feature a LEVEL switch
which selects between +4 dBu and -10 dBV. At -10 dBV (homerecording level), the input is more sensitive than at +4 dBu
(stu di o level ).
BAL
4
The PAN control determines the position of the channel signal
within the stereo image. This control features a constant-power
characteristic, which means the signal is always maintained at a
constant level, irrespective o position in the stereo panorama.
You can use the MUTE/ALT 3-4 switch t o driver the channel
from the main mix bus to the Alt 3-4 bus. This mutes the channel
from the main mix.
The MUTE LED indicates that the relevant channel is diverted
to the submix (Alt 3-4 bus).
MUTE /A LT 3- 4
MUTE -L ED
CLIP -L ED
The CLIP LED lights up when the input signal is driver too high.
In this case , turn down the TRIM control and, if necessary, check
the setting of the channel EQ.
PAN
2.1. 4 Ro uting s wi tch, so lo a nd chan ne l fader
A channel signal is routed to aux send bus 1 if the Aux 1 control
is turned up on the corresponding channel.
The AUX SEND control MON acts as master control for aux
send 1 and determines th e level of the summed signal
AUX SE ND 1 ( MON)
Similarly, the FX control (AUX SEND 2) determines the level
for aux send 2.
AUX SE ND 2 ( FX)
SOLO
The channel fader determines the level of the channel signal in
the main mix (or submix).
The SOLO switch is used to route the c hannelsignal to the
solo bus (Solo In Place) or to the PFL bus (Pre Fader Listen).
This enables you to monitor a channel signal without affecting
the main output signal. The signal you hear is s ourced either
before (PFL, mon o) or after (solo, stereo) both the pan control
and the channel fader (see chapter 2.3.6 “Level meters and
moni to ring” ).
2.2 Ste reo chann els
2.2. 1 Ch annel i np uts
Fig. 2 .5 : Stere o ch annel i np uts, LE VE L sw itch
and US B/ LINE sw it ch
Fig. 2 .4 : Panor am a and rou ti ng cont ro ls
2.3. 1 Aux send s 1 an d 2
Fig. 2 .6 : AUX SE ND c ontro l s of t he main s ec tion
USB/ LI NE swit ch
Switch pop-up, for line input. Press the switch, for USB input.
NEOMIX-402UFX / NEOMIX-802UFX
1
PA N
1
MU T E
AL T 3- 4
dB
10
MUT E
CLI P
0
10
15
20
25
30
40
60
8
SOL O
L R
MO NO
BAL
OR
UNB AL
L
R
+4
-10
LEV EL
LI NE I N 9/ 1 0
LIN E
USB
1
2
FX
AU X S E ND S
SOL O
SOL O
+1 5
-
8
0
+1 5
-
8
0
2-TR AC K INPUT
2-TR AC K OUTPU T
These connectors are wired in parallel with MAIN OUT and
carry the main mix signal (unbalanced).Connect the 2-TRACK
OUTPUT to the inputs of your recording device. The final output
level can be adjusted via the high-precision MAIN MIX fader.
If y o u con nec t a c omp r ess or or a no ise ga te af t er
th e 2 -t r ack o u tp u t, th e f ade rs wil l pro b ab l y not be
ab le to cr eat e a s ati s fac tor y f ade -ou t e ffe ct.
T he 2-TR AC K INPUT RCA co nn ec to rs are provided fo r
connecting a 2 t ra ck m ac hi ne (e.g. DAT recorder). They can
also b e u se d as stereo line in pu t. Alternatively, t he outp ut
si g n al of a se con d mi xer ca n also be conn e c ted.
If you connect a h i fi amplifier with a s ou rc e se le ct io n sw it ch
to t he 2-TRACK INPUT, you can e as il y switch between
additional sources (e .g . Ca ss et te r ec or de r, CD player, etc.).
You can us e th e SOLO sw it ch to sep ar ately m on itor th e
aux se nd s via the C ON TROL ROO M/PHO NE S outpu ts and
chec k th ese wit h th e level m et res.
SOLO
If you want to monitor the signal of ju st one AUX
bus , none of th e other SOLO SWITCHES sh ould be
pre ssed and the MODE switch must be in the SOL O
pos ition (not presse d down) .
AUX SE ND 1
AUX SE ND 2
STER EO AU X RETUR N 1
5
If you use aux send 1 pre-fader, you would usually connect
the AUX SEND 1connector to monitors via a power amp (or an
active monitor system). If you use aux send 1 post-fader,proceed
as des cr ibed un de r aux sen d 2.
The AUX SEND 2 connector outputs the signal you picked up
from the individual channels using the FX control. You can connect
this to the input of an effects mix is created, the processed signal
can then be routed from the effects device output back into the
STER EO AU X RETUR N co nnect or s.
The
return path for the effects mix generated using the post-fader aux send.
This is where you connect the output signal of the external effects device.
If only the connector is used, the AUX RETURN automatically operates
STEREO AUX RETURN 1 connectors generally serve as the
in mono.
If you wish to u se t h e i n t erna l eff e c t s p r o c esso r,
no conn e c t o rs s h ould be p lugg e d in t o S T E R E O
AU X RET U R N 2 .
In thi s instan ce, the FX contr ol of the channe l being
used as an effects re turn should be turned full y
counterclockwise, o therwise feedback probl ems
could occur!
STEREO AUX RETURN 1 is a stereo control which determines
is used as effects return, you can add the effects signal to any
STER EO AUX RET UR N 1
In this instance, the eff ects device sh ould be se t at
100% effect.
STER EO AUX RET UR N MON
Moni to r mix wit h ef fect
You can now use the STEREO AUX RETURN MON control to
adjust the level of the effects signal routed to the monitor mix.
The STEREO AUX RETURN 2 control determines the level of
signals fed into the AUX RETURN 2 connectors which are routed
to the main mix.
STER EO AUX RET UR N 2 (FX)
MAIN M IX /ALT 3-4
The MAIN MIX/ALT 3-4 switch routes the signal connected to
STEREO AUX RETURN 2 to either main mix (not pressed) or
“dry” ch an nel sig na l .
Th e ST E R EO AU X R E T URN MON con t r o l h as a sp e cial
fu n c tion : it c a n b e use d to a d d a n eff e c t t o a m o n itor mix.
Fo r ex a m ple:
In this instance, the effect device should be set up as follows:
AUX SEND 2 is connected to the L/Mono input of your effects
device, while its outputs are connected to STEREO AUX RETURN
1. Connect the amplifier of your monitor system to AUX SEND 1.
The AUX SEND 1 master control determines the volume of the
moni to r mix.
subm ix ( Alt 3-4 , pr essed ).
STER EO AUX RET UR N 2
You can also use the s e c o n necto r s a s a d d i tion al
li n e i n p u ts.
The STEREO AUX RETURN 2 connectors serve as the return
path for the effects mix generated using the FX control. If these
connectors already function as additional inputs, you can route
the effects signal back into the console via a different channel,
with the added benefit that the channel EQ can be used to adjust
the frequency of the effects signal.
2.3. 2 Aux send c on necto rs 1 a nd 2
2.3. 3 St ereo au x re turn co nn ector s
Fig. 2 .8 : Stere o au x retur n co nnect or s
Fig. 2 .7 : Aux se nd c onnec to rs
2.3. 4 St ereo au x re turn
Fig. 2 .9 : Stere o au x retur n co ntrol s
2.3. 5 Tap e in put/t ap e outpu t
Fig. 2 .1 0: 2-tr ac k conne ct ors
1
2
FX
AU X S E N DS
NEOMIX-402UFX / NEOMIX-802UFX
LE FT/ MO NO RI GH T
1
2
RE TU RN SSTE R EO AU X
IN
OUT
2- TR ACK I N/ OU T
L
R
L
R
1
2
1
ST E RE O AU X R ET U RN S
MAI N MIX
ALT 3 -4
TO AU X
SEN D 1
FX
-
8
0
+
8
-
8
0
+
8
-
8
0
+
8
10
0
10
15
20
25
30
8
10
0
10
15
20
25
30
40
60
8
10
0
10
15
20
25
30
40
60
8
10
0
10
15
20
25
30
40
60
8
The TRACK switch routed, the signal from the TRACK IN
connectors to the level metre, the CONTROL ROOM OUT
outputs and the PHONES connector----this is a simple way
to check recorded signals via monitor speakers or headphones.
Simi l a r ly, t h e ALT 3- 4 sw i t c h r o utes the sig n a l f r o m t h e
Al t 3- 4 bu s to the sam e pa t h f o r m o n i tori n g p u r p oses .
The MAIN MIX switch sends the main mix signal to the abovementioned outputs and to the level metre.
ALT 3-4
MAIN M IX
Use this control to set control room output level and headphone
volume respectively.
PHON ES /CTRL (RO OM )
When t he 2 -TRAC K TO MAIN sw it ch is dep re ssed, t he 2 trac k in put is ro ut ed to the m ai n thus se rv es as an additional
inpu t fo r tape ma ch ines. You c an a lso con ne ct MIDI f ur ther
proc es sing. At t he s ame tim e, t his swi tc h disab le s the mai n
mix to t ap e outpu t li nk.
2-TR AC K TO M AIN
POWE R
The blue POWER LED indicates that the device is switched
on.
6
2-TR AC K
PFL
SOLO
Also a rul e, so lo si gnals are monit ored via the co ntrol room
output and hea dphon es connector and are dis playe d by the
level meters. If a also switch is press ed, the signa ls f rom the
tape input, Alt 3-4 and mai n mi x ar e bl ocked fro m th e co ntrol
room outputs, the headphone connector and the level meter.
+48V
LEVE L ME TE R
The hi g h - pro c i s ion lev e l m e t er a ccur a t ely disp l a ys t he
ap p r opri a t e s i gnal lev e l .
When recording to a digital device, the recorder’s peak metre
should mot exceed 0 dB. This is because, unlike analog recordings,
slightly excessive levels can create unpleasant digital distortion.
LEVE L SE TT ING
The red “ +48V” LED lights when the phantom power supply
is switch on. The phantom power supply is necessary for condenser
microphones and is activated using the switch on the rear of the
device.
syst em s tabil iz ation .
Please do not connect microphones to the mixer
(or the stagebox/wellbox) while the ph ant om power
supply is switched on. Conn ect microphones before
you switch on the power supply. In addi tio n, the
monitor/PA loudspeakers, should be mu ted before
you activate the phantom power supply. After
switching on, wa it approx. One minute to allow for
Whe n recording to an a nalog device, t he VU meters of the
recordi ng machine shou ld reach appr ox . +3 dB with lowfrequ en cy signals (e.g. Kick d rum). Du e to their inertia VU
meter s tend to d is play t oo low a si gnals le ve l at frequenci es
above 1 kHz. This i s why , fo r example, a Hi-Hat should o nl y
be driven as far as -1 0d B. Sna re drums should b e driven to
appr ox . 0 dB.
To activate the PFL function, depress the MODE switch. The
PFL function should, as a rule, be used for gain setting purposes.
The signal is sourced pre-fader and assigned to the mono PFL
bus. In the “ PFL” setting, only the left side of the peak meter
operates. Drive the individual channels to the 0 dB mark of the
VU met er.
When the MODE switch is not depressed, the stereo solo bus
is activate. Solo is short for “Solo In Place”. This is the customary
method for listening to an individual signal or to a group of signals.
As soon as a solo switch is pressed, all channels in the control
room (and headphones) that have not been selected are muted
thereby retaining stereo panning. The solo bus can carry the
output signals of the channel pan controls, the aux sends and
the stereo line inputs. The solo bus is, as a rule, switched post-
fade r.
MODE
The MODE switch determines whether the channels' SOLO
switch operates as PFL (Pre Fader Listen) or as solo (Solo In
Place).
The PAN control in the channel strip offers a constant
power characteristic. This means that the signal is
always at a constant level, irrespective of its position
in the stereo panorama. If the PAN control is moved
fully left or right from center, the level increases by 4
dB in that channel. This signal is not louder. For this
reason, with the solo function activated (Solo In Place),
audio signals from the channels with PAN controls that
have not be moved fully to the left or right are displayed
at a low er v olume t ha t in the PF L fu nc tion.
2.3.6 L evel mete r and monit oring
Fig. 2 .11 : Co ntrol r oo m/pho ne s secti on , level m et er
Th e p e ak metr e s o f y our NE O M IX dis p l ay the le v el
vi r tual l y in d epe n d ent o f fr e que n cy. A r ecor d ing
le v el of 0dB is rec o mme n d ed for al l s i g nal ty p es.
MAIN S OL O
The MAIN SOLO LED lights up as soon as a chann el or aux
send solo switch is pre ssed. The MODE switch also has to be
set at “solo”.
The PFL LED indicates that the peak metre is set to PFL mode.
PFL
PHON ES
You can connect headphone to this TRS connector. The
signal on the PHONES connection is sourced from the control
1/4＂
room o ut put.
PH O NE S
3 4 L R
Fig. 2 .1 2: PHON ES c onnec to r
2.3.7 Al t 3-4 and main mix fa der
Fig. 2 .1 3: Alt 3-4 and m ain m ix fader
NEOMIX-402UFX / NEOMIX-802UFX
CLI P
10
5
2
0
2
5
20
MOD E
SOL O (NORMA L)
PFL ( LEVEL S ET)
MAI N SOLO PF L
MAI N MIX
ALT 3 -4
2-T RACK
PHO N ES /C TR L R
SO UR CE
2TK T O MAIN MI X
POW ER +48 V
+1 5
-
8
AL T 3- 4 MA IN M I X
Use the high-precision quality faders to control the output level
of the Alt 3-4 subgroup and main mix.
MAIN O UT PUTS
The MAIN o ut puts ca rr y the MAI N MI X signa l an d are on
bala nc ed XLR co nn ector s wi th a nomi na l level o f +4 dBu.
7
ALT 3-4 OUTPUTS
The ALT 3-4 output are unbalanced and carry the signals of
the channels that you have assigned to this group using the
MUTE switch. This can be used to route a subgroup to a further
mixing console for example, or it could be used as a recording
output working in tandem with the main output. This means you
could record to four tracks simultaneously. The icing on the
cake, so to speak, is that you could connect Y-cables to these
four outputs and then connect your 8-track recorder in such a
way that you have 2 x 4 tracks. (E.g. Channel 1 feeds track 1and
track 2, etc.). In the first recording pass, you record on track 1,
3.5 an d 7 an d in the se co nd pass , on t racks 2 , 4, 6 a nd 8.
CONT RO L RO OM OUTP UT
The control room output is normally connected to the monitor
system in the control room and provides the stereo mix or, when
required, the solo signal.
SERI AL N UM BER
Please note the importan t inf ormation on the serial number
given in chapter 1.3. 3.
FUSE H OL DER
The con sole is conne ct to the mains vi a the cable supp lied
which meets the req uired safety standard s. blown fuse s must
only be rep laced by fuse s of the same type and rat ing.
The mains connection is via a cable with IEC mains connector.
An appropriate mains cable is supplied with equipment.
IEC MA IN S RECEP TAC LE
POWE R
Use the POWER sw itch to po wer up the mixing the consol e.
PHAN TO M
The PHANTOM switch activates the phantom power supply
for the XLR connectors of the mono channels which is required
to operate condenser microphones. The red +48 VLED lights up
when phantom power is on. As a rule, dynamic microphones
can still be used with phantom power switched on, provided
that they are wired in a balanced configuration. In case of doubt,
cont ac t the mic ro phone m an ufact ur er!
After the phantom power supply has been switched
on, do not connect microphones to the mixer (or the
stagebox/wallbox). Connect the on. In addition, the
monitor/PA loudspeakers should be muted before
activating the phantom power supply. After switching
on, wait approx. One minute to allow the system to
Stab il ize.
Ca u t i o n! You m u st ne v e r u se un b a l ance d X L R
co n n e c tors (P I N 1a n d 3 conn e c t ed) on th e MI C
in p u t c o n n ecto r s if you wan t to use the phant o m
powe r su pply.
2.4 Rear vi ew of N EOMIX-4 02UFX / NEO MIX-802 UFX
2.4. 1 ma in mix ou tp uts, Alt 3 -4 outp ut s and
cont ro l room ou tp uts
Fig. 2 .1 4 Main mi x ou tputs , Alt 3-4 ou tp uts and
cont ro l room ou tp uts
2.4. 2 Vol ta ge supp ly, pha nt om powe r an d fuse
Fig. 2 .1 5: Vol ta ge supp ly a nd fuse
Fig. 2 .1 6: USB
NEOMIX-402UFX / NEOMIX-802UFX
PIN 2 = HOT / PIN 3 = COLD
MAIN OUTPUTS
R L
ALT 3-4 OUTPUTS
4
3
CONTROL ROOM OUT
R L
DIGITAL
OPT IC
DIG ITAL
INP UT
COA XIAL CO AXI AL
DIG ITAL
OUT PUT
100 - 240 V ~ 50/60 Hz 40W
FUSE: T1.6 AH 250V
POWER
ON
PHANTOM
ON
USB/DIGITAL INTERFACES
NEOMIX 402UFX/802UFX offer the maximum flexibility for your recording purpose. You can connect your NEOMIX mixer with a PC or MAC
via the USB soundcard or with other equipment via optical/coaxial
digital inputs.
USB I/O INTERFACE
Connect your PC or MAC, no specific driver is needed and your computer will automatically recognize the NEOMIX USB interface. Please note
your NEOMIX will be assinged to windows/MAC peripheral as "USB
headphone" and "USB microphone" or similar.
You can use the Audacity software included in the package or any other
recording software. Make sure to configure properly the software input
and outputs with the above mentioned USB headphone/USB microphone. Please refer to software manual for detailed configuration
instruction.
The overall mixer signal can be recorded by your software with all the
channels togheter in addition to any eventual track played on the computer. The Software output to channel 5/6 and control the Volume/
Equalization for monitoring purpose.
Eventually you can also hear the software playback and any eventual
channel signal on the mixer channel or aux in to the main mix, for
example if you intend to play live a guitar or to sing with a microphone
along with a backing track on your PC.
DIGITAL CONNECTIONS
With the coaxial or optical input, you can connect any external digital
source (for instance DVD players) and record them directly in your
computer. The input can be selected between coaxial and digital, both
connection at the same time are not allowed. Please note that you won't
hear the digital input signal in the main MIX while recording, but your
software does and you can later play it back after recorded.
Important: to record digital interface you also need to connect with
a software with the USB interface
NEOMIX 402UFX/802UFX also provide a digital output which may be
useful to connect other equipment, such as digital recorders. Please
note that in this case only the digital input signal is routed to the digital
output, not the main mix.
8
4.1 Ra ck m ounti ng
Before you can attach the rack mount wings to the mixing
console, you need to remove the screws holding the left and
right side panels. Use these screws to fasten the two wings
onto the console, being careful to note that each wing fits a
specific side. With the rack mount wing installed. You can mount
the mixing console in a commercially available 19＂rack. Be sure
to allow for proper air flow around the unit, and do not place the
mixing console close to radiators or power amps. So as to avoid
overheating.
4.INSTALLATION
The pack in g of your mixing con so le contai ns two 19 ra ck
mount wings wh ic h can be in stalled on the side pa nels of the
conso le .
＂
On l y use the screw s hol d i n g t h e m i x i n g c o n s ole
si d e pan e l s t o fas t e n t h e 19＂ r a ck m o unts.
The foot switch connects the two poles momentarily
strain relief clamp
sleeve
tip
sleeve
tip
ground shield signal
For unbalanced use pin 1 and pin 3 have to be bridged
Fig. 4 .3 : 1/4＂ TS conne ct or
Fig. 4 .2 : XLR con ne ction s
Unbalanced use of
1/4＂T RS connector
Balanced use with XLR connectors
1=groud / shie ld
2=hot (+ve)
3=cold (-ve )
1
2
3
1
2
3
Input
Output
LEVE L
You can sel ect the eff ect prese t by turning the PROGRAM
control. Th e dis play flash es th e number of the current preset.
To recall th e selected prese t, p ress the bu tton; the flashing
stops. You can also r ecall the selected pr eset with the foot
switch.
PROG RA M
On th e followi ng page, yo u will fi nd an ill ustration
showi ng how to connect yo ur foot swi tch corre ct ly.
The LED level mater on the effects module should display a
sufficiently high level. Take care to ensure that the clip LED only
lights up at peak levels. If it is lit constantly, you are overloading
the effects processor and this could cause unpleasant distortion.
The FX control (AUX SEND 2) determines the level that reaches
the effe ct s modul e.
NEOMIX-402UFX / NEOMIX-802UFX
You will need a larger number of cable for the various
connections to and from the console. The illustrations below
show. The wing of these cables. Be sure to use only high-grade
cable.
Please use commercial RCA cables to wire the 2-track inputs
and outputs.
You can, of course, also connect unbalanced devices to the
balanced input/outputs. Use either mono plugs, or ensure that
ring and sleeve are bridged inside the stereo plug (or pins 1 & 3
in the case of XLR connectors).
Caution! You must never use unbalanced XLR
connectors (pin 1 and 3 connected) on the MIC inputs
if you in tend to use the phantom power supply.
4.2 Ca bl e conne ct ions
4.2. 1 Audio co nn ectio ns
Fig. 4 .1 : 1/4＂ TS co nn ector f or f oot swi tc h
The foot switch connects the two poles momentarily
1/4＂ TS c on necto r fo r use wit h fo ot swit ch
strain relief clamp
sleeve
tip
sleeve
tip
pole 1/ground pole 2
24-B IT M ULTI-EFF EC TS PROC ES SOR
These effect presets are designed to be added to dry signals.
If you move the FX TO MAIN control, you mix the channel signal
(dry) and the effect signal.
This also goes for mixing effects signals with the monitor mix.
The main difference is that the mix radio is adjusted using the
FX TO MON control. Of course, a signal has to be fed into the
effects processor via the FX control in the channel strip for both
applications.
Here you can find a list of all presets stored in the multi-effects
processor. This built-in effects module produces high-grade
standard effects such as reverb, chorus, flanger, delay and
various combination effects. The integrated effects module has
the advantage of requiring no wiring. This way, the danger of
creating ground loops or uneven signal level is eliminated at the
outs et , compl et ely sim pl ifyin g th e handi ng .
3.DIGITAL EFFECTS PROCESSOR
Fig. 3 .1 : Digit al e ffect s mo dule
CLIP
-
3
-
6
-
10
-
15
-
20
24-BIT DU AL ENGI NE DSP
LEVE L
24-BIT A/ D & D/A CON VERTE R
PHO NE S
FX
FO OTS W
2 4 - BI T MU LT I- FX P RO C ES SO R
00 SMALL HALL
03 MI D HALL
06 BIG H ALL
09 CHU RCH
10 SMA LL ROOM
13 MI D ROOM
16 BIG R OOM
19 CHA PEL
20 PL ATE
27 S PRING
30 GATE D REV
36 REVERSE
40 EAR LY REFL
44 AMB IENCE
48 STADI UM
49 AM BIENC E FX
50 D ELAY
59 E CHO
60 CH ORUS
66 FL ANGER
70 P HASER
74 P ITCH SH IFT
80 CHORUS & REVE RB
82 F LANGER & R EVERB
84 PH ASER & RE VERB
86 PI TCH & REV ERB
88 DE LAY & REVERB
90 DE LAY & GATED
91 D ELAY & REVER SE
92 D ELAY & CHORUS
94 DE LAY & FLANGE R
96 DE LAY & PHASE R
98 DE LAY & PITCH
PRO GR AM
(P USH )
Mono inputs
Microphone inputs
Type XLR, electronically balanced,
discrete input circuit
Mic E.I.N. (20 Hz - 20 kHz)
@ 0 Ω source resistance
@ 50 Ω source resistance
@ 150 Ω source resistance
-134 dB / 135.7 dB A-weighted
-131 dB / 133.3 dB A-weighted
-129 dB / 130.5 dB A-weighted
Frequency response
<10 Hz -150 kHz (-1 dB),
<10 Hz -200 kHz (-3 dB)
Gain range
+10 to +60 dB
Max. Input level
+12 dBu @ +10 dB gain
Impedance
approx. 2.6 k balancedΩ
110 dB / 112 dB A-weighted
Signal-to noise ratio
(0 dBu In @ +22 dB gain)
Distortion (THD+ N) 0.005% / 0.004% A-weighted
9
5.SPECIFICATIONS
Line input
Type
Impedance
Gain range
Max. Input level
1/4＂ TRS connector,
electronically balanced
approx. 20 banlanced Ω
10 k unbanlanced Ω
-10 to +40 dB
30 dBu
1
Fade-out attenuation
(Crosstalk attenuation)
Main fader closed
Channel muted
Channel fader closed
90 dB
89.5 dB
89 dB
Meas ur ing con di tions :
1: 1kHz rel.to 0 dBu; 20 Hz - 20 kHz, line input; main output; unity gain.
2: 20Hz - 20kHz; measured at main output. Channels 1 - 4 unity gain: EQ flat; all
channels on main mix; channels 1/3 as far left as possible, channels 2/4 as far
right as possible. Reference = +6 dBu.
We are constantly striving to manintain the highest professional standards. As a result
of these efforts, modifications may be made from time to existing products without prior
notice. Specifications and appearance may differ from those listed or illustrated.
Frequency response
Microphone input to main out
<10 Hz - 90 kHz
<10 Hz - 160 kHz
+0 dB / -1 dB
+0 dB / -3 dB
Stereo inputs
Type
1/4＂ TRS connector,
Impedance
Max. Input level
electronically balanced
approx. 20 k Ω
+22 dBu
EQ mono channels
Low
Mid
High
80 Hz / 15 dB
2.5 kHz / 15 dB
12 kHz / 15 dB
EQ stereo channels
Low
Mid
High
80 Hz / 15 dB
2.5 kHz / 15 dB
12 kHz / 15 dB
Aux sends
Type
Impedance
Max.output level
1/4＂T S connector, unbalanced
approx. 20 k Ω
+22 dBu
Main outputs
Type
Impedance
Max.output level
XLR electronically balanced
approx. 240 bal./ 120 unbal. Ω Ω
+28 dBu
Stereo aux return
1/4＂ TRS connector,
Type
electronically balanced
approx. 20 k bal. /10 k unbal. Ω Ω
+22 dBu
Impedance
Max.input level
Control room outputs
Type
Impedance
Max.output level
1/4＂TS connector, unbal.
approx. 120 Ω
+22 dBu
Headphones output
Type
Max.output level
1/4＂TRS connector, unbalanced
+19 dBu / 150 (+25 dBu)Ω
2
Main mix system data
Noise
Main mix @ -∞,
Channel fader -∞
Main mix @ 0 dB,
Channel fader -∞
Main mix @ 0 dB,
Channel fader @ 0 dB
-105 dB / -108 dB A-weighted
-95 dB / -97 dB A-weighted
-82.5 dB / -85 dB A-weighted
Power supply
Mains voltage
Power consumption
Fuse
100 -240 V~, 50/60 Hz
40 W
Mains connection
Standard IEC receptacle
100 -240 V~, T 1.6 A H 250V
Physical Dimension
NEOMIX-402UFX
Dimensions (H x W x D) 90mm x 275mm x 330 mm
2.1kg
weight (net)
NEOMIX-802UFX
Dimensions (H x W x D)
90mm x 380mm x 330 mm
2.5kgweight (net)
NEOMIX-402UFX / NEOMIX-802UFX
DSP
Converter
40 kHz
Sampling rate
24 bit
64/1 28 t imes ov er sampl in g
For connection of balanced and unbalanced plus,
rig and sleeve have to be bridged at the stereo plug
Fig. 4 .4 : 1/4＂ T RS conn ector
Head ph ones co nn ectio n
with 1 /4＂ TR S co nnect or
strain relief clamp
sleeve
tip
sleeve
tip
ground shield
left signal
Fig. 4 .5 : 1/4＂ T RS conn ector for h eadphon es
ring
right signal
ring
strain relief clamp
sleeve
tip
sleeve
tip
ground shield
hot (+ ve)
ring
cold (- ve)
ring
Balanced use of
1/4＂T RS connector
WARNING
PLEASE READ CAREFULLY-EU and EEA (Norway, Iceland and Liechtenstein) only
This symbol indicates that this product is not to be disposed of with your household waste, according to the WEEE
Directive ( 2202/96/EC) and your national law.
This product should be handed over to a designated collection point, e.g., on an authorized one-for-one basis when
you buy a new similar product or to an authorized collection site for recycling waste electrical and electronic
equipment (WEEE).
Improper handling of this type of waste could have a possible negative impact on the environment and human health
due to potentially hazardous substances that are generally associated with EEE. At the same time, your cooperation
in the correct disposal of this product will contribute to the effective usage of natural resources.
For more information about where you can drop off your waste equipment for recycling, please contact your local city
office, waste authority, approved WEEE scheme or your household waste disposal service.
This product is imported in EU by
FRENEXPORT SPA – Via Enzo Ferrari, 10 - 62017 Porto Recanati - Italy
SOUNDSATION is a registered trademark of
FRENEXPORT SPA – Via Enzo Ferrari, 10 - 62017 Porto Recanati - Italy
WARRANTY AND SERVICE
All SOUNDSATION products feature a limited two-year warranty. This two-year warranty is specific to the date of
purchase as shown on your purchase receipt.
The following cases/components are not covered from the above warranty:
-Any accessories supplied with the product
-Improper use
-Fault due to wear and tear
-Any modification of the product effected by the user or a third party
SOUNDSATION shall satisfy the warranty obligations by remedying any material or manufacturing faults free of
charge at SOUNDSATION's discretion either by repair or by exchanging individual parts or the entire appliance. Any
defective parts removed from a product during the course of a warranty claim shall become the property of
SOUNDSATION
While under warranty period, defective products may be returned to your local SOUNDSATION dealer together with
original proof of purchase. To avoid any damages in transit, please use the original packaging if available.
Alternatively you can send the product to SOUNDSATION SERVICE CENTER – Via Enzo Ferrari, 10 – 62017 Porto
Recanati - Italy . In order to send a product to service center you need an RMA number. Shipping charges have to be
covered by the owner of the product.
For further information please visit www.soundsationmusic.com
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