Sound Performance Lab 9737 User Manual

Manual
Digital Tape Saturation Processor
Machine Head
Model 9737
SOUND PERFORMANCE LAB
by Hermann Gier Version 1.3 – 1/1999
Limitations of Liability: In no event will SPL be liable for any damages, including loss of data, lost profits, cost of cover or other special, incidental, consequential or indirect damages arising from the use of the unit, however caused and on any theory of liabi­lity. This limitation will apply even if SPL or an authorized dealer has been advised of the possibility of such damage.
SPL electronics GmbH
P.O. Box 12 27
D- 41368 Niederkruechten, Germany
Phone: +49 - 21 63 / 9 83 40
Fax: +49 - 21 63 / 98 34 20
eMail: info@spl-electronics.com
www.spl-electronics.com
©
1999 SPL electronics GmbH. All Rights Reserved.
MACHINE HEAD
MODEL 9737
Manual
3
Machine Head
© SPL electronics GmbH, Stand 10/97
Contents
Dear customer,
Thank you for the confidence you have shown towards SPL electronics GmbH by purchasing the SPL MACHINE HEAD. You have decided to use a tool of high performance which sets you in the position to have faster success and a better sound quality in your music productions, pre-masterings and masterings.
As a typical SPL unit the M
ACHINE HEAD combines exemplary
specifications and high manufacturing standard with excellent sound quality to provide you a precious component for studio and mastering purposes. Please read this manual carefully to ensure you have all the information you need to use the M
ACHINE HEAD.
We wish you every success with the M
ACHINE HEAD.
Your SOUND PERFORMANCE LAB-Team
I would like to start with my thanks to all our staff, who created what is to be described here. Special thanks go to Kai Lukas from Lukas & Hartmann Soundart, Jörg Houpert and Klaus-Peter Webersinke from Spectral Design as well as Harald Obenland from Octum electronics. The importance of their exceptional qualification and talents cannot be overesti­mated.
Our products are often tested and compared in many publica­tions and by our customers themselfs and constantly valued with best results. I would like to pass on this broad appreciation to those, who deserve it – my excellent colleagues.
Hermann Gier
Foreword
Thanks
Foreword 3 Thanks 3 Introduction 4 Operation Safety 5 Connections 6
Installing Updates 6 Quick Start 7 Analogue Tape Recording Signal Flow 7 Control Elements 8
A
CTIVE 8
I
NPUT GAIN 8
D
RIVE 8
HF-A
DJUST 9
O
UTPUT GAIN 10
H
IGH TAPE SPEED 10
LC-
DISPLAY 10
LED
CHAINS 10
P
RESETS 11
I
NFO (HARDWARE DIALOGUE)11
Specifications 15 Warranty 16
4
Machine Head
Machine Head
Machine Head
© SPL electronics GmbH, Stand 11/96
The MACHINE HEAD is a creative sound and dynamics processor
within SPL´s Digital-Red series.
Concept: The algorithm used by MACHINE HEAD computes authentic tape saturation effects, hitherto unavailable in the digital domain.
The subjective sonic effects are an increase in loudness and a better penetration of the mix at identical peak level. The sound becomes warmer and more powerful, and the process elimi­nates the harshness usually associated with digital recordings.
M
ACHINE HEAD is designed for mastering applications. Mixes
gain more power, punch and warmth. It is also suited to process single instruments, like electronic or acoustic guitars and basses, drums, loops and samples, as well as complete stereo mixes.
The algorithm used by M
ACHINE HEAD precisely reproduces the
analogue tape saturation effect, including hysteresis effects, the harmonic characteristic and both linear and non-lineare trans­mission-characteristic (other than level) that occur when recor­ding to analogue tape.
The level behaviour and high frequency damping is repro­duced in a modified manner. To achieve the best possible signal to noise ratio, an auto gain cell has been implemented into the algorithm in order to create a processing range for saturation effects for full scale input signals and to deliver full scale output signals afterwords. The intensity of high frequency damping varies from one tape to another, and is therefore fully adju­stable one the M
ACHINE HEAD. It is now also possible to make
use of extreme saturation effects without high frequency damping at all.
In fact M
ACHINE HEAd provides all the benefits of analogue
recording without any of the shortfalls – M
ACHINE HEAD does
not reproduce cross-talk, pre or post echoes, noise floor (field noise, modulation noise) and motor speed fluctuation characte­ristics of analogue tape machines!
Operation: M
ACHINE HEAD is operated with four controls and
one switch function:
INPUT GAIN: Controls the input level of the digital data
stream
D
RIVE: Controls the drive or recording level of the
“virtual analogue tape machine”
HF-ADJUST: Controls the intensity of high frequency boost or
damping
OUTPUT GAIN:Controls the output level of the digital data
stream
HIGH TAPE SPEED: Switches from normal tape speed (15ips) to
high tape speed (30ips).
Introduction
Creating authentic tape saturation effects.
The sound becomes warmer and more powerful, elimina­ting the harshness of digital recordings.
Precise reproduction of:
- tape saturation effect
- hysteresis effect
- harmonic characteristic
- linear and non linear trans­mission characteristic
Modified reproduction of:
- level behaviour
- high frequency damping
Not reproduced are:
- cross-talk
- pre or post echos
- noise floor
- motor speed fluctuation
Easy and intuitive operation
5
Machine Head
Operation Safety
Indicators and meters:
M
ACHINE HEAD is equipped with PPM displays for input and
output levels. The first LED of each input and output meter is a signal (S
IG.) LED which illuminates when a compatible digital
data stream is present at the inputs. The LEDs are a first indi­cator to check the data stream. If the LEDs do not illuminate the data stream is interrupted or invalid.
The top LEDs of each input and output meter indicate if a digital clip has occured at the inputs or due to processing within M
ACHINE HEAD. Clipping that is already present at the inputs will
also be shown on the O
UTPUT PPM chains.
The D
RIVE LED chains display the drive or recording level that
is sent to the virtual tape. The values shown range from -10 dB to +21 dB.
The philosophy behind the digital audio processors is that they are designed to be operated like analogue units; there is only one I
NFO menu but no multi-function controls. The LCD
readout simply shows the current encoder positions and the preset number. The encoders are built without clicks or detents, so they feel like analogue pots. Our DSP platform uses two Motorola 56002 DSPs running at 66MHz. This enormous computational power guarantees real-time operation where sophisticated DSP algorithms will not be restricted by resource limitations. The general concept is that each digital processor should fulfill only one task, in the most effective way possible, and with a minimum of controls and switches. As much as possible should be automated to promote user-friendly opera­tion – the external controls access only the sonically relevant parameters.
The housing of the M
ACHINE HEAD has the standard 19"- EIA
format and occupies 1U (44.45 mm) in your rack. When instal­ling the unit in a 19"-rack, the rear side of the unit needs some support, especially in a touring case.
The M
ACHINE HEAD should not be installed near units which
produce strong magnetic fields or extreme heat. Do not install the M
ACHINE HEAD directly above or below power amplifiers.
Check that the voltage details quoted on the back panel are the same as your local mains electricity supply. Use a minus (-) screwdriver to set the voltage selector to the voltage for the area in which the unit will be used.
Never cover up the ventilation slots on the top of the unit. If, during operation, the sound is interrupted or indicators no longer illuminate, or if abnormal odor or smoke is detected, or if liquids are spilled on the unit, immediately disconnect the power cord plug and contact your dealer.
Only clean your M
ACHINE HEAD with a soft, lint-free cloth.
SIGNAL-LEDs to verify data stream
Clip-LEDs
Input and Output PPM metering
DRIVE-LED displays recording level
The DSP Platform: Enormous computational power guaranteeing real­time operation
„Analogue“ control feeling
User-friendly programmed software
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