Dual-channel microphone and instrument preamplifier
Manual GoldMike MK2
Version 1.2 – 12/2005
Designer: Ruben Tilgner
This user's guide contains a description of the product. It in
no way represents a guarantee of particular characteristics
or results of use. The information in this document has been
carefully compiled and verified and, unless otherwise stated
or agreed upon, correctly describes the product at the time of
packaging with this document.
Sound Performance Lab (SPL) continuously strives to improve
its products and reserves the right to modif y the product
described in this manual at any time without prior notice. This
document is the property of SPL and may not be copied or reproduced in any manner, in par t or fully, without prior authorization
by SPL.
The GoldMike MK2 is the result of all our experience and
knowledge from its successful predecessor and represents an
improved, more flexible and, more modern version.
We have added technologies that have already proven to
provide superior tonal results in other SPL products. For
example, the instrument input is designed around a class A
impedance converter which premiered in the SPL GainStation
preamp.
A signif icant contribution to the success of the predecessor was
the hybrid preamplifier concept. It combines transistor and tube
preamplifier stages and specif ically utilizes their technological
and sonic advantages: The eff iciency and low noise of a discrete
transistor stage is enriched with musical coloration of a tube
stage.
The transistor stage is composed of single transistors in a class
A design. The circuitry is fully discrete, and each transistor is
completely optimized for its specific task. You will not find any
IC ’s i n thi s pr eamp lif ie r s tag e b ecau se t he y ca nnot be o ptim ize d
for this specific application to the degree we aimed for. This all
new discrete class A transistor stage is a genuine innovation in
the entire preamplifier market at this price level.
The degree of tube pre-amplification is no longer the fixed +6
dB value of its predecessor. The GoldMike MK2 spor ts the selection of three different tube pre-amplifications: +6 dB remains
the standard complemented by +12 dB and +18 dB. This allows
creative variety with the tube saturation and limiting effects.
We have also added an extra set ting to the popular Fl air circuitry
to give more flexibility to the presence improvement.
Because the GoldMike MK2 is a dual channel preamplifier,
its channel separation is of fundamental importance for the
stereo image. Therefore the print-board layout is symmetrically mirrored around the power supply in the center from
channel 1 to channel 2. This results in an identical signal flow to
supporting a naturally balanced stereo image. Additionally the
print-board provides extra-large ground areas maximizing the
shielding against crosstalk and interference.
4
GoldMike MK2
Before You Begin
IMPORTANT: Before you operate your GoldMike MK2, first
check carefully whether the local voltage setting corresponds
to the switch setting on the rear panel!
If not, and the voltage is in one way or another, incorrect, you
will either experience an immediate fuse burn through (if the
setting is lower than the supplied power) or, if the power is
110-120 V at a 220-240 V input switch setting, the GoldMike MK2
will simply not function correctly.
Moreover, make sure you remove the power plug from your
GoldMike MK2 before changing this switch setting!
Always turn volume down or mute your speakers when
connecting or repatching audio cables to avoid damage to your
speakers and ears.
It makes good sense to think about where you place your MTC
before connecting it. It should be positioned so that you can
easily reach it, but there are other considerations. Try not to
place it near heat sources or in direct sunlight, and avoid exposure to excessive vibrations, dust, heat, cold or moisture. It
should also be kept away from transformers, motors, power
amplifiers and digital processors. In addition, please:
220 – 240 V~50 Hz
110 – 120 V~60 Hz
VOLTAGE
VOLTAGE
• Do not open the case. You may risk ver y dangerous electric
shock and damage to your equipment.
• Leave repairs and maintenance to a qualified service technician. Should foreign objects fall inside the case, contact your
authorized dealer or support person.
• To avoid electric shock or fire hazards, do not expose your unit
to rain or moisture.
• In case of lightning, unplug the unit. Always unplug the cable
by pulling on the plug only; never pull on the cable.
• Never force a switch or knob.
• Use a soft, lint-free cloth to clean the case, if necessary
together with an acid-free cleaning oil. Avoid any cleaning
agents as they may damage the surfaces of the unit.
* For signals with impedances lower than 1kOhms, i. e. D/A converters, synths, samplers.
Instruments with impedances above 1kOhms are to be connected to the instrument input on the front (see input descriptions on pages 8 and 9).
LINE IN 2
MIC INPUT 2
6
GoldMike MK2
General Advices
Again, while the GoldMike MK2’s housing is EMV-proof and
protects against HF-interference, placement of the unit is very
important since it amplifies microphone signals as well as other
unwanted signals. Before connecting the GoldMike MK2 or any
other equipment turn off all power.
IMPORTANT: Adjust the voltage setting on the back so that it
corresponds with your local power conditions.
The following graph shows the correct wiring for connecting
unbalanced signals to the balanced XLR connectors:
Rear Panel/Connections
Output
220 – 240 V~50 Hz
110 – 120 V~60 Hz
VOLTAGE
VOLTAGE
balanced
1
2
3
unbalanced
1
2
3
1=GND
2=cold (+)
3=hot (-)
The Line Input connector is designed for unbalanced signals
only.
The TRS output connectors (see “Outputs“ on page 9) can be
operated both with balanced and unbalanced wiring. Simply
use a mono 1/4" plug for unbalanced operation.
GoldMike MK2
7
Rear Panel/Connections
MIC INPUT 1
Mono Jack:
Unbal. 0dB
LINE IN 1
MIC INPUT 1
Mic Input 1/2
Dynamic, condenser or tube microphones can be connected to
the Mic inputs. The 48 V switch provides the phantom power
necessary for some microphones (see also „Control Elements/
Phantom“ on page 11).
Alternatively the GoldMike MK2 can be equipped with optionally available transformer inputs from Lundahl (see “Lundahl
Transformers“ on page 22).
LINE IN 1
Line In 1/2
The unbalanced Line Inputs are dedicated to high-impedance, high-level signals such as A/D converters, synthesizers
or samplers with an impedance of less than 1 kOhm. Signals
with an impedance of above 1 kOhm, e. g. instruments like
E bass, acoustic guitars with pickups or Fender Rhodes must be
connected to the Instrument Input on the front panel.
The max. input level of the Line Inputs is +23 dB.
IMPORTANT: The Line Input is deactivated as long as an instrument is plugged into Instrument Input jack on the front. We
recommend connecting the Line Input to a patchbay if sources
need to be changed regularly.
INSERT 1
TRS Jacks: Balanced +4dB
Use Mono Jacks for Unbal. Operation
RETURN
SEND
INSERT 1
Inserts 1/2
The balanced TRS Insert connectors (Send and Return) are
used to integrate further units (EQs, Compressors, Limiters,
Effects ...) into the signal path of the GoldMike MK2. The Send
connector is placed behind the tube stage and can also be
used as direct out (without output level control). The Return
connector is located in front of Limiter and Output control which
allows to control the output level, e. g. for precise drive level of
following A/D converters.
8
GoldMike MK2
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