Soundcraft 124, 124fx USER GUIDE

USER GUIDE
Soundcraft Notepad User Guide
1
soundcraft@harman.com
This equipment complies with the EMC Directive 2004/108/EC and LVD 2006/95/EC
IMPORTANT
Please read this manual carefully before using
your mixer for the rst time.
© Harman International Industries Ltd. 2009 All rights reserved Parts of the design of this product may be protected by worldwide patents. Part No. BD10.534000 Issue 0809
Soundcraft is a trading division of Harman International Industries Ltd. Informa­tion in this manual is subject to change without notice and does not represent a commitment on the part of the vendor. Soundcraft shall not be liable for any loss or damage whatsoever arising from the use of information or any error contained in this manual.
No part of this manual may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, electrical, mechanical, optical, chemical, including photocopying and recording, for any purpose without the express written permission of Soundcraft.
Harman International Industries Limited Cranborne House Cranborne Road POTTERS BAR Hertfordshire EN6 3JN UK
2
Tel: +44 (0)1707 665000 Fax: +44 (0)1707 660742 http://www.soundcraft.com
Soundcraft Notepad User Guide
Contents
IMPORTANT SAFETY INSTRUCTIONS 4 SAFETY SYMBOL GUIDE 5 INTRODUCTION 8 THE 60-SECOND GUIDE 10 WIRING UP 12 BLOCK DIAGRAMS 16 MONO INPUT CHANNELS 18 STEREO INPUT CHANNELS 20 MASTER SECTION 22 FX PROCESSOR OVERVIEW 24 FX OPERATION 25 REVERBS 25 DELAYS 26 MODULATED EFFECTS 26 EFFECTS DATA CHART 27 USING YOUR NOTEPAD 124/124FX CONSOLE 28 MARK-UP SHEETS 30 DIMENSIONS 32 APPLICATIONS 33 TYPICAL CONNECTING LEADS 34 TYPICAL SPECIFICATIONS 36 WARRANTY 37 GLOSSARY 38
Soundcraft Notepad User Guide
3
IMPORTANT SAFETY INSTRUCTIONS
Read these instructions.
Keep these instructions.
Heed all warnings.
Follow all instructions.
Do not use this apparatus near water.
Clean only with a dry cloth.
Do not block any ventilation openings. Install in accordance with the manufacturer’s instructions.
Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus
(including ampliers) that produce heat.
Do not defeat the safety purpose of a polarised or grounding type plug. A polarised plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If
the provided plug does not t into your outlet, consult an electrician for replacement of the
obsolete outlet
Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles and the point where they exit from the apparatus.
Only use attachments/accessories specied by the manufacturer.
Use only with the cart, stand, tripod, bracket or table specied by the manufacturer, or sold
with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.
Unplug this apparatus during lightning storms or when unused for long periods of time.
NOTE: This equipment has been tested and found to comply with the limits for a Class A digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instruction manual, may cause harmful interference to radio communications. Operation of this equipment in a residential area is likely to cause harmful interference in which case the user will be required to correct the interference at his own expense.
This Class A digital apparatus meets the requirements of the Canadian Interference-Causing Equipment Regulations. Cet appareil numérique de la Classe A respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
4
Soundcraft Notepad User Guide
For your own safety and to avoid invalidation of the warranty please read this
section carefully.
SAFETY SYMBOL GUIDE
For your own safety and to avoid invalidation of the warranty all text marked with these symbols should be read carefully.
WARNINGS
The lightning ash with arrowhead symbol, is intended to
alert the user to the presence of un-insulated ‘dangerous
voltage’ within the product’s enclosure that may be of suf-
cient magnitude to constitute a risk of electric shock to
persons.
CAUTIONS
The exclamation point within an equilateral triangle is in-
tended to alert the user to the presence of important operat-
ing and maintenance (servicing) instructions in the literature
accompanying the appliance.
NOTES
Contain important information and useful tips on the opera-
tion of your equipment.
HEADPHONES SAFETY WARNING
Contain important information and useful tips on headphone
outputs and monitoring levels.
Recommended Headphone Impedance >= 32 Ohms.
Soundcraft Notepad User Guide
5
Refer all servicing to qualied service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.
Note: It is recommended that all maintenance and service on the product should be carried out by Soundcraft or its authorised agents. Soundcraft cannot accept any liability whatsoever for any loss or damage caused by service, maintenance or repair by unauthorised personnel.
WARNING: To reduce the risk of re or electric shock, do not expose this apparatus to rain or moisture.
Do not expose the apparatus to dripping or splashing and do not
place objects lled with liquids, such as vases, on the apparatus.
No naked ame sources, such as lighted candles, should be placed on the apparatus.
Batteries (battery pack or batteries installed) should not be exposed to excessive heat such as sunshine, re or the like.
Ventilation should not be impeded by covering the ventilation openings with items such as newspapers, table cloths, curtains etc.
The Soundcraft Notepad mixer must only be connected through the
AC power adapter supplied, which must have one of the following
part numbers:
Notepad AC Adaptor UK C089.202100 Notepad AC Adaptor EU C089.202101 Notepad AC Adaptor US C089.202102 Notepad AC Adaptor JP C089.202103 Notepad AC Adaptor AZ C089.202104
The mains supply disconnect device is the mains plug. It must remain accessible so as to be readily operable when the apparatus is in use.
6
Soundcraft Notepad User Guide
If any part of the mains cord set is damaged, the complete cord set should be replaced. The following information is for reference only.
The wires in the mains lead are coloured in accordance with the following code:
Earth (Ground): Green and Yellow (US - Green/Yellow) Neutral: Blue (US - White) Live (Hot): Brown (US - Black)
As the colours of the wires in the mains lead may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows:
The wire which is coloured Green and Yellow must be connected to the terminal in the plug which is marked with the letter E or by the earth symbol.
The wire which is coloured Blue must be connected to the terminal in the plug which is marked with the letter N
The wire which is coloured Brown must be connected to the terminal in the plug which is marked with the letter L
Ensure that these colour codes are followed carefully in the event of the plug being changed.
This unit is capable of operating over a range of mains voltages as marked on power supply unit.
Soundcraft Notepad User Guide
7
INTRODUCTION
Thank you for purchasing a Soundcraft Notepad mixer. The Notepad range is a compact mixing solution, bringing you all the features and performance that you expect from a Soundcraft product, at an extraordinarily low price.
The packaging in which your Notepad arrived forms part of the product and should be retained for future use.
Owning a Soundcraft console brings you the expertise and support of one of the industry’s leading manufacturers, and the results of over 3 decades of supporting some of the biggest names in the business. Our knowledge has been attained through working in close contact with leading professionals and institutes to bring you products designed to get the best possible results from your mixing.
Built to the highest standards using quality components and surface mount technology, the Notepad is designed to be as easy to use as possible. We have
spent years researching the most efcient methods of control for two key reasons:
1) Engineers, musicians, writers and programmers all need to have very few interruptions to the creative process; our products have been designed to be almost transparent, allowing this process to breathe.
2) Whether performing or recording, time is a very expensive and rare commod­ity. Our products have a user interface which is recognised by millions to be the
industry standard because of its efciency.
The sonic qualities of our products are exemplary - some of the same circuits which are used on our most expensive consoles used on International tours are employed in the Notepad, bringing you the great Soundcraft quality in a small format console without compromise.
You will also be glad to know you have a one year warranty with your product from the date of purchase. The Notepad has been designed using the latest high-end software based engineering packages. Every console from Soundcraft has been proven to stand up to all the stress and rigours of modern day mixing environ­ments.
The entire Notepad is manufactured using some of the most advanced techniques in the world, from high density surface mount PCB technology, to computer aided test equipment able to measure signals well outside the range of normal hearing.
8
Soundcraft Notepad User Guide
ADVICE FOR THOSE WHO PUSH THE BOUNDARIES
Although your new console will not output any sound until you feed it signals, it has the capability to produce sounds which when monitored through an amplier or headphones can damage hearing over time.
Please take care when working with your audio - if you are manipulating controls which you don’t understand (which we all do when we are learning), make sure your monitors are turned down. Remember that your ears are the most important tool of your trade, look after them, and they will look after you. Most importantly - don’t be afraid
to experiment to nd out how each parameter affects the sound - this will extend your
creativity and help you to get the best from your mixer and the most respect from your artists and audience.
Soundcraft Notepad User Guide
9
THE 60-SECOND GUIDE (NOTEPAD 124FX shown)
To get you working as fast as possible, this manual begins with a 60-second guide. Here you can nd quick
information on any feature of the console.
1
2
3
5
6 7
u
7
8
9
y
i
0
q
r a o
g
s
e
d
f
p
8
9
4
t
1 MIC INPUT (XLR) Connect Microphones here. If you are using a condenser mic, ensure phantom
power is supplied by pressing the switch at the top of the master section.
WARNING: Do Not apply Phantom Power before connecting a microphone.
2 LINE INPUT (¼” Jack) Connect Line level sources here, e.g. Synth, Drum Machine, DI etc. 3 GAIN CONTROL Adjust this to increase or decrease the level of the incoming signal. 4 PEAK LED This is used to indicate that the signal is close to distorting (clipping) on a specic
channel.
5 EQ STAGE Adjust these controls to change the signal tone (the character of the signal). 6 HPF The high-pass lter reduces the level of bass frequencies only. Use this in live PA
situations to reduce stage rumble or ‘popping’ from mics.
7 FX SEND /AUX SEND Adjust this control to change the level of the signal to the FX processor (Notepad
124FX) or an artist’s monitors (headphones/in-ear/stage monitors, Notepad 124).
8 PAN or BAL CONTROL Use the PAN control to position the signal within the stereo eld. On Stereo inputs,
BAL adjusts the balance of the stereo signal within the mix.
9 INPUT CHANNEL FADER This is used to control the level fed to the Mix Bus outputs. 10 +4/-10 SWITCH Used to set the input sensitivity of the stereo input channels. 11 MIX OUTPUTS (¼” Jack) Connect these to your analogue recording device, or to your amplication system. 12 MASTER FADER This fader controls the overall level of the mix outputs.
w
10
Soundcraft Notepad User Guide
13 MAIN METERS These show the level of the mix outputs. This signal is replaced by the FX or 2-Track
return signals depending upon the settings of the 2-Track and FX switches.
14 MONITOR OUTPUTS These are used to feed your monitoring system. This can be directly connected to (¼” Jack) powered monitors, or indirectly via an amplier to standard monitors. 15 MONITOR/PHONES CONTROL This controls the level of the signal sent to your monitoring system and signal sent
to the headphones jack socket.
16 HEADPHONES (¼” Jack) Plug your headphones into this socket. Recommended headphones impedance is
32 ohms or greater.
17 FX SEND/AUX OUTPUT This output can be used to send the channel signal to an artist’s monitors (¼” Jack) (headphones/in-ear/stage monitors). or external FX processor). 18 STEREO INPUTS (¼” Jack) These inputs can be used to connect line level stereo inputs from keyboards, sound
modules, samplers, computer based audio cards etc.
19 2-TRACK INPUTS 20 2-TRACK CONTROLS Use these to control the 2 Track signal. The TO MON switch sends the signal to the
21 RECORD OUTPUTS You can connect these to the inputs of your recording device. (RCA Phono) 22 PHANTOM POWER Press this to switch the phantom power (48V) on for condenser microphones.
WARNING: Do Not apply Phantom Power before connecting a
(RCA Phono)
You can connect the playback from your recording device or CD/MP3 player here.
monitor outputs and phones, whilst the TO MAIN switch sends it to the main mix.
microphone.
Notepad 124FX only
23 FX TO MAIN The rotary control regulates the signal level being fed from the FX processor to the
MAIN MIX L and R outputs.
24 FX TO MON The FX TO MON switch routes the post-FX signal to the monitor/headphones outputs.
25 FX PROCESSOR See the information starting on page 24.
Notepad 124 only
26 AUX SEND The rotary control regulates the signal level being
27 AUX TO MON The AUX TO MON switch routes the AUX signal to the
h
fed from the AUX bus to the AUX OUTPUT socket (and MON output when selected).
Monitor/Headphone outputs.
j
Soundcraft Notepad User Guide
11
WIRING UP
Mic Input
The MIC input accepts XLR-type connectors and is designed to suit a wide range of BALANCED or UNBALANCED low-level signals, whether from delicate vocals requiring the best low-noise performance, or drum kits needing maximum headroom. Professional dynamic, condenser or ribbon mics are best because these will be LOW IMPEDANCE. While you can use low-cost HIGH IMPEDANCE mics, you do not get the same degree of immunity to interference on the microphone cable and as a result the level of background noise may be higher. If you turn the PHANTOM POWER on, the socket provides a suitable powering voltage for professional condenser mics. We recommend you check out the range of microphones available from AKG, at www.akg.com
DO NOT use UNBALANCED sources with the phantom power
switched on. The voltage on pins 2 & 3 of the XLR connector may cause serious damage. BALANCED dynamic mics may normally be
used with phantom power switched on (contact your microphone
manufacturer for guidance)
The input level is set using the input GAIN knob. The LINE input offers the same gain range as the MIC input, but at a higher input impedance, and is 15dB less sensitive. This is suitable for most line level sources.
12
WARNING !
Start with the input GAIN knob turned fully anticlockwise
when plugging high level sources into the LINE input to avoid overloading the input channel or giving you a very loud surprise!
Line Input
Accepts 3-pole 6.35mm (1/4”) jacks, or 2-pole mono jacks which will automatically ground the ‘cold’ input. Use this input for sources other than mics, such as keyboards, drum machines, synths, tape machines or DI boxes. The input is BALANCED for low noise and immunity from interference, but you can use UNBALANCED sources by wiring up the jacks as shown, although you should then keep cable lengths as short as possible to minimise interference pick-up on the cable. Note that the ring must be grounded if the source is unbalanced. Set the input level using the GAIN knob, starting with the knob turned fully anticlockwise. Unplug any MIC connection when using the LINE input.
Stereo Inputs
These accept 3-pole 6.35mm (1/4”) jacks, or 2-pole mono jacks which will automatically ground the ‘cold’ input. Use these inputs for sources such as keyboards, drum machines, synths, tape machines or as returns from processing units. The input is BALANCED for low noise and immunity from interference, but you can use UNBALANCED sources by wiring up the jacks as shown, although you should keep cable lengths as short as possible to minimise interference pick-up on the cable, but the ring must be grounded if the source is unbalanced. Mono sources can be fed to both paths by plugging into the Left jack only.
Soundcraft Notepad User Guide
Loading...
+ 28 hidden pages