Sony SRW5100/2, SRW5500/2, SRW5800/2, SRW-5100, SRW-5500 Brochure

...

Download

Page 1

SRW-5800/SRW-5500/SRW-5000

HD Digital Videocassette Recorder

SRW-5100

HD Digital Videocassette Player

HDCAM-SR VTR Family Brochure

Page 2

CineAlta

– Liberating Movie

Makers

CineAlta™ a name that proudly symbolizes the bond between cinematography and digital high-definition (HD) imaging. It distinguishes a family of products and systems from Sony that offers new levels of creativity in the production, postproduction, and exchange of motion pictures. It also brings together the quality and universality of 24-frame cinematography with the real-time capabilities, efficiency, and flexibility of digital high-definition technology. And it stimulates the convergence of motion picture film and digital high-definition production on a global basis.

CineAlta products, delivering cinemaquality pictures at selectable frame rates, are simplifying international program exchange by minimizing the need for standards conversion. They are also opening up entirely new possibilities for international co-production. Movie making has been liberated by the creative empowerment of the cinematographer. It is facilitated by real-time HD image evaluation on-set, instant replay of full-color high-resolution digital “takes”, real-time image optimization while shooting, a 50-minute shooting load, and, most importantly, by the significant cost benefits associated with this digital medium.

CineAlta products provide a seamless bridge between 24-frame film originals and a final 24p digital master, giving each frame of film a one-to-one correspondence with progressive HD frames. The CineAlta environment readily interfaces with the computer graphics world, liberating postproduction. And the final liberation is achieved through the direct color conversion of progressive 24p masters to film, and to a host of other international digital HDTV and SDTV distribution formats.

SRW-5800

Today’s Environment

Today, content is distributed in diverse formats and via diverse channels such as D-Cinema, cell phones, and international content syndication. In this environment, it is critical that the content owner produces and stores valuable content at the highest possible quality levels in order to guard against multi-compression artifacts and to prolong content longevity. It is also important to store prime content on optimum media. Video tapes remain the most cost-effective and extremely reliable digital storage medium. The HDCAM-SR™ VTR - at the pinnacle of Sony’s digital HD VTR lineup - meets all of these vital criteria, and is a highly popular and powerful choice for today and tomorrow.

Digital Cinema Innovation

The epoch-making launch of Sony’s HDW-F900 CineAlta camcorder introduced a new and innovative way to produce movies using 24-frame-based video. Today, many films are produced digitally using this method. Premium digital cinema cameras including the Arriflex D21, the Panavision Genesis, and Sony’s F35/F23 cameras all record on the HDCAM-SR portable VTR. 3D live action content such as features and concerts are also recorded onto HDCAM-SR recorders with 3D camera rigs based on Sony’s camera technology, which has made the current trend of 3D D-cinema expansion possible. The combination of RGB imaging and the operational convenience of real-time recording and playback has empowered cinematographers and directors to create images that could not be achieved with traditional technologies.

HDCAM-SR VTRs – Solid

Page 3

For Broadcasters

Over 7,000 HDCAM-SR VTR units are in use worldwide. Key factors in this widespread adoption are visually lossless compression (4:2:2) and 12-channel audio recording. Also, despite extremely high bit-rate HDCAM-SR recording, these decks are exceptionally robust, and as equally ruggedized as other 1/2-inch VTRs from Sony such as the proven BETACAM™ and Digital BETACAM™ Series. In fact, a host of stations now go on-air directly from the HDCAM-SR deck. In nonlinear-based environments, the HDCAM-SR deck plays a vital role, enabling double-speed material transfer via a dual-link HD-SDI interface or a 3G-SDI interface, as well as transfer of materials in industrystandard MXF via the Gigabit Ethernet interface. The HDCAM-SR VTR combines historically-reliable tape media and file-based material handling on an openstandard format, making it ideal for bridging base-band and file-based environments.

Future Productions

Right now, 3D is the hottest trend in the production market. HDCAM-SR VTRs enable Dual Stream recording on a single tape, and even realize this feature in highquality 4:4:4 recording*

. As third-party NLE support for Dual Stream mode expands, 3D production with the HDCAM-SR VTR is heading for new heights now and in the future. Looking ahead, Sony has for many years held the vision of providing a total 1080 50p/60p production tool set, comprising everything from camera and switcher to VTR and display. With the latest remarkable developments in consumer display technology, the general public can now watch 1080 50p/60p progressive imagery in the living room. Due to limitations in aerial transmission bandwidth, it’s likely that 1080-interlaced and 720-progressive transmission standards will co-exist in the foreseeable future. With this in mind, Sony is giving on-going support to 1080 50p/60p-based production as the ideal production solution for premium content such as sports, concerts, and documentaries.

SRW-5000

SRW-5500

SRW-5100

For ODS (Other Digital Stuff: alternative content to feature movies) - and in particular the recently discussed large-venue screening issues, including digital cinema - HDCAM-SR products offer key capabilities such as extreme image quality and 12-channel audio. Last but not least, 4K/2K digital projection has been making in-roads into premium theaters. In the future, 4K/2K content production is likely to grow very rapidly. However, right now, 4K/2K Digital Intermediate (DI) is an engineering challenge for postproduction facilities that are struggling to secure processing power, network bandwidth, and storage space. HDCAM-SR VTRs provide the solution with outstanding capabilities such as 4K/2K uncompressed data recording onto tape, and the conversion of 4K/2K image file recording to HD video recording. Furthermore, as to 2K contents, it is possible to play back and record in real time. These capabilities serve to significantly lower the barriers to handling 4K/2K image files.

In conclusion, future cinema and TV production needs will be well served by choosing the HDCAM-SR VTR.

*1: Requires a future upgrade planned to be available in the first half of 2011.

Choice for Today and Tomorrow

Page 4

HDCAM-SR Format Recording

Creating Visually Lossless Images: The MPEG-4 SStP Simple Studio Profile

Yet another industry first from Sony is an integrated video encoding/decoding chipset that conforms to MPEG-4 SStP Simple Studio Profile (ISO/IEC 14496-2). The Studio Profile was created to specifically address the requirements of high-resolution image-production applications. It is free from GOP (Group Of Pictures) structures, and is scalable in its pixel count (SDTV, HDTV, film-resolution data), bit depth (10- or 12-bit), and color resolution (component or RGB). In order to achieve maximum compression efficiency, the HDCAM-SR format uses intra-frame compression for progressive images and intra-field compression for interlaced images. Special attention has been paid to multi-generation dubbing performance and, in common with industry-standard Digital BETACAM VTRs, the SRW-5800/5500/5000 is capable of consistent dubbing without using a separate interface for a native stream. This is only possible thanks to the high performance of the MPEG-4 SStP Simple Studio Profile, which offers reproduction of visually lossless images.

Features and Benefits

1080 60P

1080 60i

BT 601

64k 2M 30M 300M

MPEG-2 MPEG-4SP

MPEG-4

Low bit rate

Bit Rate

Resolution

HD-SDI

Gen-lock

SRW-5800 with HKSR-5803HQ

HDC-1500R with HKC-T1500

1080 Recording and Playback

The SRW-5800/5500/5000/5100*1 can record and play back full HD images with exceptionally high picture quality using 1080 x 1920 active pixels, as specified by the ITU Common Image Format (CIF). The entire range of both interlaced and progressive frame rates is available, from 50i/60i and 24p/25p through to 50p/60p*

, covering high-end HDTV production applications, and commercial and cinema productions. The SRW-5800/5500/5000/ 5100*

can also record and play back top-quality 4:2:2 Y/Cb/Cr component or full-bandwidth 4:4:4 (RGB) 10-bit recordings, both with very mild compression. The SRW-5800/5500/5000/5100*

offers up to 12 channels of 24-bit audio at 48 kHz or 96 kHz*

, to meet the needs of the most demanding audio recording tasks in digital-content mastering. Each channel is independently editable. HDCAM-SR VTRs are the optimal VTR for any moviemaking task - from acquisition and editing to telecine transfers and digital mastering.

*1: The SRW-5100 is playback only. *2: The 1080/50p or 60p mode is available on the SRW-5800/5100. *3: With the SRW-5800/5100 only. 96 kHz audio sampling is up to six channels for

440 Mbps mode and up to 12 channels for 880 Mbps mode.

4:2:2/1080/60p and 50p Mode

The 4:2:2/1080/60p and 50p recording mode is highly compatible with computer graphics, games, and other progressive-based programs such as demonstration reels for flatpanel displays. Events with a lot of fast-moving images, such as a sports match, are well suited to the 4:2:2/1080/60p and 50p mode. Also, when converting material originated in 1080/60p or 50p format to 720p format, this mode offers exceptional picture performance due to the original high resolution of 1920 x 1080. Another benefit of using the 4:2:2/1080/60p and 50p recording mode is that it enables image creation with extremely highquality slow-motion effects when a tape recorded in these modes is played back in 23.98p, 24p, 25p, or 30p mode.

3D Stereoscopic (Dual Stream) Mode

Dual Stream mode provides the SRW-5800 with the capability to record the images of two cameras simultaneously with in-sync audio and time code in both 422 and 444 mode, making it possible for users to shoot two different scenes simultaneously or achieve 3D stereo shooting. The materials shot in Dual Stream mode with the SRW-1 HD Portable Digital Video Recorder can be played back with the SRW-5800/5100. The SRW-5500/5000 can play back either channel A or channel B of the Dual Stream recording.

Two-camera Operation (3D Application)

Page 5

Dual-link 3G-SDI*

Dual-link HD-SDI 3G-SDI

NLE/Server Systems

HDCAM-SR 440 Mbps

2x Transfer

Double-Speed Playback/Recording @ 880 Mbps

*1: The SRW-5100 is playback only. *2: Planned to be available in the ﬁrst half of 2011.

SRW-5800 or SRW-5100*

SRW-5800

Double-speed Material Transfer and Recording (SRW-5800/5100*1 only)

The SRW-5800/5100 allows single-stream video material, 12-channel audio, time code, and VANC metadata to be transferred to another SRW-5800, and to servers and nonlinear editing systems at twice normal speed using a dual-link 3G-SDI, dual-link HD-SDI, or 3G-SDI interface. This is achieved by playing back tapes at 880 Mbps - double the recorded 440 Mbps speed. This capability can greatly reduce the time required for material ingest.

*1: The SRW-5100 is playback only.

Double-speed Transfer and Recording

3G-SDI Interface (SRW-5800/5100 only)

The SRW-5800/5100*1 comes equipped with 3G-SDI (2.97 Gbps) interfaces, which allow users to transfer 4:2:2/1080p or 4:4:4/1080i materials via a single SDI connection, for less complexity in system configuration. Users can select either dual-link HD-SDI, or 3G-SDI via the menu. Furthermore, dual-link 3G-SDI is also supported for transferring 4:4:4 signals in double-speed mode and 3D stereoscopic mode.

*1: The SRW-5100 provides outputs only.

HDCAM Format*1 Recording (SRW-5500 only)

In addition to the HDCAM-SR format, the SRW-5500 enables HDCAM™ recording and playback in all frame rates specified by the HDCAM format, including 1080/23.98, 24, 25, 29.97, 30PsF, and 1080/50, 59.94, 60i. It supports the full editing capability of HDCAM format recordings, including independent editing of the four audio channels. This HDCAM recording capability offers a cost-effective yet high-quality alternative, operating in the full quality of the industry-standard Common Image Format (CIF).

*1: The HDCAM format does not support 720p recording and RGB 4:4:4/1080

recording.

4:4:4 High Quality (HQ) Mode

The 4:4:4 High Quality (HQ) mode enables 880 Mbps 1080/4:4:4 RGB recording with a milder compression ratio of 2:1. This is ideal when highest possible image quality is the top priority.

720p Recording and Playback

In standard configuration, the SRW-5800/5500/5000/5100*1 can record and play back in 4:2:2 720/59.94p or 720/50p formats. These formats can be used for DTV programming and transmission applications. As with 1080 format, users still have up to 12 channels of independently editable 24-bit audio available when operating in 720p format. In addition, 720p/1080i and 720p/480i or 576i bidirectional format conversion can be accomplished in these VTRs.

*1: The SRW-5100 is playback only.

2K Real-time Recording and Playback

The SRW-5800/5100 can record and play back in 2K (2048 x 1080, 2048 x 1556) mode via 3G-SDI or HD-SDI dual-link, with 12-channel audio, which allows high-quality 2K content to be handled in real time. The playback signal can be downsized*

to HD or SD, which

enables users to view the material using conventional monitors.

*1: Requires the optional HKSR-5001 board.

Transfer Speed

Signal Frame Rate

Transfer Speed

Interface Transferable

Signals

1080/4:2:2 30/29.97/25/24/23.98PsF

60/59.94/50i

x 2 dual-link

HD-SDI, 3G-SDI

Video, Audio, Time code, VANC

1080/4:4:4 SQ 30/29.97/25/24/23.98PsF

60/59.94/50i

x 2*

dual-link 3G-SDI

720/4:2:2 59.94/50p x 2 dual-link

HD-SDI, 3G-SDI

*1: Planned to be “x 2” in the first half of 2011. Until then “x 1”.

Supported Signal Format

System Format Recording

Mode

SRW-5000 SRW-5500

SRW-5800 SRW-5100*

Signal Format Frame Rate

1980 x 1080 4:2:2

60/59.94/50p

Double-data-rate (880 Mbps)

–

30/29.97/25/24/23.98PsF 60/59.94/50i

Standard (440 Mbps)

Dual Stream: 30/29.97/25/24/23.98PsF 60/59.94/50i

Double-data-rate (880 Mbps)

–

4:4:4 HQ

30/29.97/25/24/23.98PsF 60/59.94/50i

Double-data-rate (880 Mbps)

–

4:4:4 SQ

30/29.97/25/24/23.98PsF 60/59.94/50i

Standard (440 Mbps)

Dual Stream*

30/29.97/25/24/23.98PsF 60/59.94/50i

Double-data-rate (880 Mbps)

–

1280 x 720 4:2:2

59.94/50p

Standard (440 Mbps)

Dual Stream: 59.94/50p

Double-data-rate (880 Mbps)

–

2048 x 1080 4:4:4 HQ

23.98/24/25PsF

Double-data-rate (880 Mbps)

–

2048 x 1556*34:4:4 HQ

23.98/24/25PsF

Double-data-rate (880 Mbps)

–

*1: SRW-5100 is playback only. *2: SRW-5800 requires optional HKSR-5803HQ board. SRW-5100 requires optional

HKSR-5103 board.

*3: Planned to be available in the first half of 2011.

2K Recording Playback Format

Resolution Color Bit rate System Audio Format Interface

2048 x 1080 XYZ 12 bit

4:4:4 HQ

880 Mbps 23.98/24/25PsF 12 channel,

48 kHz or 96 kHz

3G-SDI or dual-link HD-SDI (DC-SDI: SMPTE 372M/428)

RGB 10 bit 4:4:4 HQ

880 Mbps 23.98/24/25PsF 12 channel,

48 kHz or 96 kHz

3G-SDI or dual-link HD-SDI

2048 x 1556*

RGB 10 bit 4:4:4 HQ

880 Mbps 23.98/24/25PsF 12 channel,

48 kHz or 96 kHz

3G-SDI or dual-link HD-SDI

*1: Planned to be available in the first half of 2011

Page 6

Internal Format Conversion

The SRW-5800/5500/5000/5100 is equipped with an internal down converter that provides SDTV outputs from 1080 and 720 recordings. By adding optional plug-in boards, users can give the SRW-5800/5500/5000/5100 extended format-conversion capabilities such as 2-3 pull-down, conversion from 1080 to 720 and vice versa, and 4:2:2 to 4:4:4 and vice versa. For further details, please refer to the format conversion chart on page 10.

Legacy Playback

Not only is the SRW-5800/5500/5000/5100 an affordable VTR for use in digital cinematography and high-end HD production, it also provides a smooth migration path for organizations with legacy systems by retaining current acquisition tools and archives in action. The SRW-5800/5500/5000/5100 can play back HDCAM and Digital BETACAM*

tapes, making it an ideal and costeffective solution for facilities involved in demanding high-end film and HD work.

*1: Please refer to the Supported Formats table.

Long Recording Time on a Single Cassette*

Utilizing the technologically advanced HDCAM-SR format’s highdensity recording capability and compression technology, the SRW-5800/5500/5000 is capable of recording up to 155 minutes at 1080/24PsF and up to 124 minutes at 1080/59.94i or 720/59.94p on a single L-sized cassette. S-sized cassettes can also be used, offering up to 50 minutes of recorded material at 1080/24PsF and up to 40 minutes at 1080/59.94i or 720/59.94p.

*1: When the SRW-5500 records in HDCAM format, it provides the same recording

times as in HDCAM-SR format.

Easy Maintenance

Drum maintenance is always a concern for VTR users. So, just like the majority of VTRs from Sony, the SRW-5800/5500/5000/5100 drum assembly has been designed with an auto-adjustment function that simplifies and reduces maintenance time.

User-friendly Controls

The front control panel of the SRW-5800/5500/5000/5100 is extremely user friendly, with a design and functionality inherited from the widely used HDW-F500. In addition, the control panel has a large 6.4-inch*

type LCD display that provides comprehensive information, including color thumbnails for quick location of parameters, which is used in combination with eight menu buttons placed along the side of the display.

*1: Viewable area measured diagonally.

Supported Formats

Recording Format Playback Format

(Standard)

Playback Format (Option)

SRW-5000 HDCAM-SR HDCAM-SR

HDCAM

Digital BETACAM (HKSR-5002)

SRW-5500 HDCAM-SR

HDCAM

SRW-5800 HDCAM-SR HDCAM-SR HDCAM

Digital BETACAM (HKSR-5802)

SRW-5100 —

SRW-1 HDCAM-SR HDCAM-SR —

Page 7

HDCAM-SR VTR Lineup

Recording Format

Playback Format

RGB SQ (440 Mbps)

RGB HQ (880 Mbps)

4:2:2/1080/60p and 50p

Double-speed Material Transfer and Recording

2K Real-time Recording and Playback

3D Stereoscopic (Dual Stream) mode

Network File Transfer

SRW-5000 SRW-5500 SRW-5800 SRW-5100

No No

Yes

playback only

Yes

with HKSR-5803HQ

with HKSR-5802

Yes

with HKSR-5103

playback only

standard

with HKSR-5002

Yes

with HKSR-5804

HDMI Output

i.LINK (HDV) Output

Yes

with HKSR-5105

Features and Benefits

Page 8

Noiseless Picture Playback

The SRW-5500/5000 comes with a Dynamic Tracking™ playback capability that provides high-quality pictures in a range of -1 to +2 times normal playback speed during the playback of HDCAM-SR tapes, while the SRW-5800/5100 provides -0.5 to +1 with Non Tracking.

Noiseless Picture Playback Capability

Digital Jog Sound

In Jog mode, all 12 audio digital channels of the HDCAM-SR format or all four channels of the HDCAM format can be reproduced with a responsiveness and sound quality reminiscent of analog audio. This feature is essential to quickly and precisely establish an editing point while monitoring digital audio signals that remain synchronized with the pictures.

Dynamic Motion Control (DMC) Playback*

The SRW-5500/5000 also provides a DMC playback capability, memorizing tape-speed trajectory over the dynamic trackingspeed range (-1 to +2 times normal speed).

*1: The SRW-5800/5100 does not support this capability for HDCAM-SR format.

Pre-read Editing*

The SRW-5500/5000 is equipped with advanced playback heads that allow pre-read editing, enabling functions such as titling and voice-over with a single VTR.

*1: The SRW-5800/5100 does not support this capability.

Confidence Playback*

Separate dedicated playback heads immediately follow the recording heads so that actual audio and video recorded to tape can be monitored while recording. Confidence playback can be used to verify the quality of a recording without interrupting production.

*1: The SRW-5100 does not support this capability.

Program Play Function with Audio Pitch Correction*

The SRW-5500/5000 has a Program Play function*2 that allows video recordings to be played back at up to ±5% normal speed, with appropriate audio pitch correction. These VTRs also perform audio pitch correction at up to ±5% when playing back tapes recorded at a frequency different to the one set for system playback in the VTR*

*1: The SRW-5800/5100 does not support this capability. *2: The Program Play function requires the optional HKSR-5001 board, and is

available when the VTR is set to 4:2:2/1080/59.94i or 4:2:2/720/59.94p mode.

*3: Available only when the difference of these frequencies is within 5%

(23.98 frames <—–—> 24 frames, 23.98/24 frames <—–—> 25 frames, or

29.97 frames <—–—> 30 frames).

Operational Features

Frame-accurate Insert/Assemble Editing

The SRW-5800/5500/5000/5100*1 is capable of insert or assemble editing with frame accuracy. Each video and audio channel is independently editable, and users can execute precise editing on HDCAM-SR or HDCAM*

tapes in machine-to-

machine or A/B roll configurations.

*1: The SRW-5100 is playback only. *2: SRW-5500 only

High-Speed Color Picture Search

The SRW-5800/5500/5000/5100 provides recognizable color pictures in Shuttle mode at speeds of up to 42 times normal playback for the HDCAM-SR format*

, and at speeds of up to 50 times normal playback for the HDCAM and Digital BETACAM formats.

*1: When recorded in double-data-rate mode, the speed is 1/2.

SRW-5500/5000 SRW-5800/5100

HDCAM-SR -1 to +2 (DT) -0.5 to +1 (NT)

HDCAM -1 to +2 (DT)

Digital BETACAM -1 to +3 (DT)

DT : Dynamic Tracking NT : Non Tracking

Page 9

HDCAM-SR Off-speed Playback Capability

Playback of Tapes Recorded by SRW-1

The SRW-5800/5500/5000/5100 VTR is capable of playing back tapes recorded by the SRW-1 recorder in the following unique modes:

• 3D Stereoscopic (Dual Stream) mode: The SRW-5800/5100 can play back material shot by the SRW-1 in Dual Stream mode. The SRW-5500/5000 can play back either channel A or channel B of the Dual Stream 4:2:2 recording. Users can select the stream to be played back via the menu.

• 1080/4:2:2/60p mode: The SRW-5800/5500/5000/5100 can play back a 1080/60p tape in 24p, 25p, and 30p mode, producing the desired slow-motion effect in playback at normal speeds. It is also possible to play 60p recordings in normal speed by playing back every other frame, so only 30 frames in total are played back. The SRW-5800/5100 can also play back in 1080/60p mode, offering smooth pictures for playing back fastmoving scenes.

• Select FPS mode: The SRW-5800/5500/5000/5100 can play back a tape recorded with the Select FPS function at 24p, 25p, and 30p mode, both in 4:2:2 and 4:4:4, producing the desired slow- and fast-motion effect in playback at normal speeds.

Storage of Setup/System Menus in VTR Memory Banks

The SRW-5800/5500/5000/5100 VTR allows operators to effectively manage its menus using VTR memory banks. Up to eight groups of parameters in the System Menu and Setup Menu can be individually saved in the VTR’s internal memory as a bank memory. The setup parameters can also be saved onto Memory Stick™ media, enabling these groups of parameters to be copied onto other SRW-5800/5500/5000/5100 VTRs for quick and consistent setup of multiple VTRs*

. The operator can select a

suitable name for each bank memory.

*1: This capability is not fully supported when exchanging data between

different models.

Ethernet-based Bank Memory Selection

An Ethernet interface is provided on the SRW-5800/5500/5000/ 5100 VTR, enabling operators to remotely set up VTRs using a standard web browser on a PC. The VTR automatically generates SRW.html files that indicate the bank settings currently saved on the VTR. By accessing the VTR via an Ethernet interface, operators can see the parameters in each of the listed bank memories, and select a bank they want to use.

Audio Output Channel Selection

The SRW-5800/5500/5000/5100 is equipped with a unique internal audio-output router, which enables flexible audio-output channel routing without the use of an external audio-routing device. Any channel from the 12*

available on HDCAM-SR tape can be assigned to the embedded HD-SDI (Ch 1-12) and SDI (Ch 1-8) audio-output channels. This feature provides the flexibility needed when recording audio to different tape formats.

*1: Four channels on HDCAM/Digital BETACAM tape.

Dual-sync Operation

A unique feature of the SRW-5800/5500/5000/5100 allows users to seamlessly integrate the VTR into a 59.94 editing environment. In doing so, users can directly perform insert editing – from a

23.98PsF master tape to either a 1080/59.94i or a 525/59.94i recording – without having to first dub the master to 59.94 format. This is achieved by supplying dual reference signals, one to lock the servo of the SRW-5800/5500/5000/5100 to a 23.98-Hz signal and one to lock the playout circuitry to a 59.94-Hz reference signal.

Off-speed Playback Capability

In order to play back material at different speeds for applications such as slow-motion or fast-motion, the SRW-5800/5500/5000/ 5100 is equipped with a built-in off-speed playback capability.

4:2:2 mode

System Setting

Playback Tape

HD-SDI OUTPUT

1080 720

23.98PsF

24PsF 25PsF

50i

29.97PsF

59.94i

30PsF

60i

50P 59.94P 60P 50P 59.94P

1080 4:2:2

10bit

23.98PsF

––

24PsF

––

25PsF

50i

––

29.97PsF

59.94i

––

30PsF

60i

––

50p

––

59.94p

––

60p

––

720

50p

––––––––

59.94p

––––––––

4:4:4 mode

System Setting

Playback Tape

HD-SDI OUTPUT

1920 x 1080 2048 x 1080

4:4:4 RGB 10bit 4:4:4 XYZ 12bit 4:4:4 RGB 10bit

23.98PsF

24PsF 25PsF

50i

29.97PsF

59.94i

30PsF

60i

23.98PsF

24PsF 25PsF

23.98PsF

24PsF 25PsF

1920

1080

4:4:4

RGB

10bit

23.98PsF

––––––

24PsF

––––––

25PsF

50i

––––––

29.97PsF

59.94i

––––––

30PsF

60i

––––––

2048

1080

4:4:4

XYZ

12bit

23.98PsF

––––– –––

24PsF

––––– ––-

25PsF

- - ––– –––

4:4:4

RGB

10bit

23.98PsF

––––––––

24PsF

––––––––

25PsF

––––––––

: Normal playback : 0.1% offspeed playback : Video and Audio off-speed playback : Video off-speed playback

: Video off-spped playback with (23.98/24/25/29.97/30 PsF recorded tape only) RGB 4:4:4 HQ mode and RGB 4:4:4 SQ mode are incompatible. SRW-5500/5000 does not support RGB 4:4:4 HQ mode.

Page 10

Internal Format Conversion Capability

REC/PLAYBACK Tape Format HD-SDI OUT SD-SDI OUT HD-SDI Format Conv. Out *

HDCAM-SR 2048 x 1080

/4:4:4 XYZ HQ

23.98PsF 2048 x 1080 /4:4:4 XYZ

23.98PsF – 2048x1080/4:4:4(RGB)/23.98PsF 1920 x 1080/4:4:4(RGB)/23.98PsF 1920 x 1080/4:2:2/23.98PsF

525/59.94i*

1920 x 1080/4:2:2/59.94i 1920 x 1080/4:2:2/59.94p

24PsF 24PsF – 2048x1080/4:4:4(RGB)/24PsF

1920 x 1080/4:4:4(RGB)/24PsF 1920 x 1080/4:2:2/24PsF 1920 x 1080/4:2:2/60i 1920 x 1080/4:2:2/60p

25PsF 25PsF – 2048x1080/4:4:4(RGB)/25PsF

1920 x 1080/4:4:4(RGB)/25PsF

625/50i*

1920 x 1080/4:2:2/25PsF 1920 x 1080/4:2:2/50p

2048 x 1080 /4:4:4 RGB HQ

23.98PsF 2048 x 1080 /4:4:4 RGB

23.98PsF – 1920 x 1080/4:4:4/23.98PsF 1920 x 1080/4:2:2/23.98PsF

525/59.94i*

1920 x 1080/4:2:2/59.94i 1920 x 1080/4:2:2/59.94p

24PsF 24PsF – 1920 x 1080/4:4:4/24PsF

1920 x 1080/4:2:2/24PsF 1920 x 1080/4:2:2/60i 1920 x 1080/4:2:2/60p

25PsF 25PsF – 1920 x 1080/4:4:4/25PsF

625/50i*

1920 x 1080/4:2:2/25PsF 1920 x 1080/4:2:2/50p

1920 x 1080/4:4:4 SQ HQ*

23.98PsF 1920 x 1080/4:4:4 23.98PsF – 1920 x 1080/4:2:2/23.98PsF 525/59.94i*

1920 x 1080/4:2:2/59.94i 1920 x 1080/4:2:2/59.94p*

1280 x 720/4:2:2/59.94p

24PsF 24PsF – 1920 x 1080/4:2:2/24PsF

1920 x 1080/4:2:2/60i 1920 x 1080/4:2:2/60p*

25PsF 25PsF 625/50i*

1920 x 1080/4:2:2/25PsF 1920 x 1080/4:2:2/50p*

1280 x 720/4:2:2/50p

29.97PsF 29.97PsF 525/59.94i*

1920 x 1080/4:2:2/29.97PsF 1920 x 1080/4:2:2/59.94p*

1280 x 720/4:2:2/59.94p

30PsF 30PsF – 1920 x 1080/4:2:2/30PsF

1920 x 1080/4:2:2/60p*

50i 50i 625/50i*

1920 x 1080/4:2:2/50i 1280 x 720/4:2:2/50p

59.94i 59.94i 525/59.94i*

1920 x 1080/4:2:2/59.94i 1280 x 720/4:2:2/59.94p

60i 60i – 1920 x 1080/4:2:2/60i

1920 x 1080/4:2:2*

50p 1920 x 1080/4:2:2 50p 625/50i*

1920 x 1080/4:2:2/50i 1280 x 720/4:2:2/50p*

59.94p 59.94p 525/59.94i*

1920 x 1080/4:2:2/59.94i 1280 x 720/4:2:2/59.94p*

60p 60p – 1920 x 1080/4:2:2/60i

1280 x 720/4:2:2 50p 1280 x 720/4:2:2 50p 625/50i 1920 x 1080/4:2:2/50i

1920 x 1080/4:2:2/50p*

59.94p 59.94p 525/59.94i 1920 x 1080/4:2:2/59.94i

1920 x 1080/4:2:2/59.94p*

HDCAM-SR or HDCAM

1920 x 1080/4:2:2 23.98PsF 1920 x 1080/4:2:2 23.98PsF – 1920 x 1080/4:2:2/23.98PsF

525/59.94i*

1920 x 1080/4:2:2/59.94i 1920 x 1080/4:2:2/59.94p*

1280 x 720/4:2:2/59.94p

24PsF 24PsF – 1920 x 1080/4:2:2/60i

1920 x 1080/4:2:2/60P*

1920 x 1080/4:4:4/24PsF

25PsF 25PsF 625/50i 1280 x 720/4:2:2/50p

1920 x 1080/4:2:2/50p*

1920 x 1080/4:4:4/25PsF

29.97PsF 29.97PsF 525/59.94i 1280 x 720/4:2:2/59.94p

1920 x 1080/4:2:2/59.94p*

1920 x 1080/4:4:4/29.97PsF

30PsF 30PsF – 1920 x 1080/4:2:2/60p*

1920 x 1080/4:4:4/30PsF

50i 50i 625/50i 1280 x 720/4:2:2/50p

1920 x 1080/4:4:4/50i

59.94i 59.94i 525/59.94i 1280 x 720/4:2:2/59.94p

1920 x 1080/4:4:4/59.94i

60i 60i – 1920 x 1080/4:4:4/60i

Digital BETACAM*

625 50i 1920 x 1080/4:2:2 50i 625/50i 1280 x 720/4:2:2/50p

1920 x 1080/4:4:4/50i

1280 x 720/4:2:2 50p 1920 x 1080/4:2:2/50i

525 59.94i 1920 x 1080/4:2:2 59.94i 525/59.94i 1280 x 720/4:2:2/59.94p

1920 x 1080/4:4:4/59.94i

1280 x 720/4:2:2 59.94p 1920 x 1080/4:2:2/59.94i

*1: Requires optional HKSR-5001 board. *2: SRW-5800 and SRW-5100 only. The SRW-5800 requires optional HKSR-5803HQ board. The SRW-5100 requires optional HKSR-5103 board. *3: SRW-5800 and SRW-5100 only. *4: Requires optional HKSR-5002 board for SRW-5500/5000 or HKSR-5802 board for SRW-5800/5100.

Page 11

HDMI

Projector

SRW-5100 with HKSR-5105

HDV device

i.LINK

HDV Stream Out

NLE

SRW-5100 with HKSR-5105

HDMI Output

The SRW-5100 can output materials in 4:4:4/1080i*1 and 4:2:2/1080p*

,1080i, or 720p formats via its HDMI*2 port. This allows users to instantly view the HDCAM-SR contents in their native signal format on a wide range of displays such as televisions and projectors. This capability enables the SRW-5100 player to be used at exhibitions and conferences for simple viewings, screenings, and presentations.

*1: Requires the optional HKSR-5103 board. *2: Requires the optional HKSR-5105 board.

SRW-5100: HKSR-5105 HDMI Output

HDV1080i Output

The SRW-5100 can output a 25 Mbps HDV1080i stream (MPEG-2 TS) to HDV products or HDV-based nonlinear editors via its i.LINK™ port*

. It supports 59.94i/50i output, and 23.98PsF materials are output as 1080/59.94i signals via 2-3 pull-down conversion. 1080p and 720p materials can also be output as 1080i signals. This capability is useful for offline editing.

*1: Requires the optional HKSR-5105 board. i.LINK is a Sony trademark used only to

designate that a product is equipped with an IEEE1394 connector. Not all products with an i.LINK connector may communicate with each other. Please refer to the documentation that comes with any device having an i.LINK connector for information on compatibility, operating conditions, and proper connection. .

SRW-5100: HKSR-5105 i.LINK Output

Operational Features

HKSR-5105 Format Conversion Capability

PLAYBACK Tape Format HDV Output HDMI Output

HDCAM-SR 1080/4:4:4*

(SQ/HQ)

23.98PsF 1080/4:2:2/59.94i 1080/4:4:4/23.98PsF

1080/4:2:2/59.94i

24PsF – 1080/4:4:4/24PsF

1080/4:2:2/60i

25PsF 1080/4:2:2/50i 1080/4:4:4/25PsF

1080/4:2:2/50i

29.97PsF 1080/4:2:2/59.94i 1080/4:4:4/29.97PsF

1080/4:2:2/59.94i

30PsF – 1080/4:4:4/30PsF

1080/4:2:2/60i

50i 1080/4:2:2/50i 1080/4:4:4/50i

1080/4:2:2/50i

59.94i 1080/4:2:2/59.94i 1080/4:4:4/59.94i

1080/4:2:2/59.94i

60i – 1080/4:4:4/60i

1080/4:2:2/60i

1080/4:2:2*

50p 1080/4:2:2/50i 1080/4:2:2/50p

59.94p 1080/4:2:2/59.94i 1080/4:2:2/59.94p

60p – 1080/4:2:2/60p

1080/4:2:2/60i

720/4:2:2 50p 1080/4:2:2/50i 720/4:2:2/50p

1080/4:2:2/50i

59.94p 1080/4:2:2/59.94i 720/4:2:2/59.94p

1080/4:2:2/59.94i

HDCAM-SR or HDCAM*

1080/4:2:2*223.98PsF 1080/4:2:2/59.94i 1080/4:2:2/23.98PsF

1080/4:2:2/59.94i

24PsF – 1080/4:2:2/24PsF

1080/4:2:2/60i

25PsF 1080/4:2:2/50i 1080/4:2:2/25PsF

1080/4:2:2/50i

29.97PsF 1080/4:2:2/59.94i 1080/4:2:2/29.97PsF

1080/4:2:2/59.94i

30PsF – 1080/4:2:2/30PsF

1080/4:2:2/60i

50i 1080/4:2:2/50i 1080/4:2:2/50i

59.94i 1080/4:2:2/59.94i 1080/4:2:2/59.94i

60i – 1080/4:2:2/60i

LETTER BOX mode

HD to SD, 16:9 HD picture down-converted to SD and output is presented in Letter-box on a 4:3 monitor.

SD to HD, 4:3 SD picture is cropped and presented as a 16:9 picture.

SQUEEZE mode

HD to SD, 16:9 HD picture is down-converted and

output as a 4:3 SD picture.

SD to HD, 4:3 SD picture is up-converted, then output as a 16:9 HD picture.

HD to SD, edges of a 16:9 HD picture are cropped in the down-converted 4:3 SD picture.

SD to HD, 4:3 SD picture up-converted as a 16:9 HD picture, however the sides are cropped.

EDGE CROP mode

Selectable Picture Modes

Three modes of operation – SQUEEZE, LETTER BOX, and EDGE CROP – are available to provide the correct presentation for each application type.

The HKSR-5105 does not support output of 2K (2048 x 1080, 2048 x 1556) mode. *1: Requires optional HKSR-5103 Advanced Processor Board. *2: Requires optional HKSR-5802 Digital BETACAM and HDCAM Processor Board.

Page 12

SRW-5500 Rear Panel

SRW-5000 Rear Panel

Versatile Interfaces

The SRW-5800/5500/5000/5100 features a wide range of interfaces including:

• 3G-SDI/HD-SDI I/O

• HD-SDI (format conversion) out (with HKSR-5001)

• SD-SDI out

• SD composite out

• AES/EBU digital audio I/O

• Analog audio out (one to four channel): SRW-5500/5000 only

• Analog audio monitor out

• Analog monitor out (cue)

• Analog audio in (cue): for SRW-5500 only

• Ethernet port

• RS-422 9-pin and 50-pin control interfaces

• Video control

• HDMI output: SRW-5100 only (with HKSR-5105)

• i.LINK output: SRW-5100 only (with HKSR-5105)

Page 13

Operational Features

SRW-5800 Rear Panel

SRW-5100 Rear Panel

HKSR-5001

Format Converter Outputs Connectors are Pre-installed

HKSR-5804

AUX Inputs AUX Outputs Gigabit Ethernet

HKSR-5105

HDMI Output i.LINK (HDV) Output

Page 14

SRW-5800 & HKSR-5804 Opportunities in DI Workﬂow

•Instant DPX File Ingest From SR Tape

•Tape Archiving of DPX File

•DPX Material Exchange Between Productions

F35/F23 with SRW-1/SRPC-1

SRW-9000

Postproduction VFX House

Postproduction

Dual-link HD-SDI

SRW-5800 with HKSR-5804

HD Monitoring (e.g. BVM Series)

Film Scanner

Gigabit Ethernet

Central Storage System

Dust Busting System

Compositing System

Color Grading System

DPXDPX

DPX

SRW-5800 Network Capability

Networked System

The SRW-5800 provides a highly advanced network capability with the addition of the optional HKSR-5804 board that introduces a new network-based workflow to the DI (Digital Intermediate) and BC (Broadcast) domain, along with higher levels of efficiency.

This capability comprises a variety of unique and powerful functions, such as DPX file conversion to and from the HDCAM-SR HD video format, 2K/4K uncompressed data recording, and MXF file conversion from HDCAM-SR and HDCAM tapes. Gigabit Ethernet (GbE) is supported on the SRW-5800, allowing fast transfer of even large files.

To connect the SRW-5800 with a server or NLE over a GbE network, no special driver software or application is required, and major operating systems including Microsoft Windows, Linux, and Macintosh are supported. Users can simply utilize a normal Internet browser for control.

File Import/Export

The SRW-5800 in this configuration can create DPX/Cineon/TIFF files while playing back an HDCAM-SR tape, and can directly transfer these files to PCs, workstations, or servers on the network. Conversely, DPX files from a networked device can be recorded to the SRW-5800 in HDCAM-SR video format. Moreover, it can transfer materials recorded on HDCAM-SR or HDCAM tapes to a networked device in MXF format. These capabilities eliminate the need for external video-to-file conversion tools.

SRW-5800 with HKSR-5804

SRW-9000F35/F23 with SRW-1

HDW-F900R

Native

Transcode

Gigabit Ethernet

SRW-5800 & HKSR-5804 MXF Transfer

Page 15

SRW-5800 with HKSR-5804 SRW-5800 with HKSR-5804

DPX DPX

AUX Output

AUX Input

Copy

Data Cloning

HKSR-5804 Supported MXF Formats

MXF Viewer Application

The HKSR-5804 comes with an application that allows users to browse MXF files on their PC platform.

An Efficient Ingest/Import Workflow Using Tele-File EDL

The HDCAM-SR tape has a nonvolatile type memory - named Tele-File - which can record metadata such as camera REC START/STOP information. The HKSR-5804 can create standard EDL files from the metadata, providing users efficient editing capabilities, including automatic-batch-partial ingest/import of materials.

Data Cloning via AUX Interface

The HKSR-5804 provides the SRW-5800 with a data material dubbing*

capability via its AUX interface, offering users a high-

speed and reliable loss-less recording capability.

*1: Data recording only. It does not support dubbing of HDCAM-SR video.

Data Cloning

4K/2K to HD Resizing

The SRW-5800 recorder allows 4K/2K files transferred from other devices to be resized to 1920 x 1080 and recorded in HDCAM-SR format.

4K/2K Uncompressed DPX Data Recording

The SRW-5800 can also record 4K/2K DPX files as uncompressed data onto an HDCAM-SR tape. It can record DPX data of flexible image size on the tape, from HD up to maximum 4K full-aperture (4096 x 3112) size. This enables the SRW-5800 to be used in a variety of DI operations, such as backup recording of film scanning or exporting for local archiving. And these tapes are suitable interchange media between DI facilities. While ingesting data files from the tapes, users can monitor the 4K/2K images on an HD display through an HD-SDI/dual-link HD-SDI/3G-SDI interface, thanks to the resizing function.

Web-based VTR Control and Content Management Application

The SRW-5800’s file-transfer operations can be intuitively performed on commonly used web browsers. The control GUI offers the following functions:

• NFS/CIFS mounting

• VTR controls

• File import/export controls

• Proxy image display

• Resizing from 4K/2K to HD

• Bit assignment

• 1D LUT (e.g. S-Log)

• Batch import by EDL

• Import/Export log management

A Choice of Data Formats - DPX/Cineon/TIFF and MXF

The HKSR-5804 provides a variety of image data file formats including DPX and Cineon for cinema productions and the widely used TIFF format. In addition, the HKSR-5804 supports the industry-standard MXF, allowing materials to be handled with great flexibility in an IT-based environment.

HKSR-5804 GUI

Tape Format MXF

Format Compression System

Max.

Bit Rate

(bps)

Resolution Codec

Operational

Pattern

HDCAM-SR

1080/4:2:2

23.98/24/25/

29.97 PsF, 50/59.94i

440 1080/4:2:2

MPEG-4 Simple

Studio Profile

OP-1a,

SMPTE 381M

220*

1080/4:2:2

1080/4:4:4*

23.98/24/25/

29.97 PsF, 50/59.94i

440 1080/4:4:4

HDCAM 1080/3:1:1

23.98/24/25/

29.97 PsF, 50/59.94i

220 1080/4:2:2

*1: Planned to be available in the first half of 2011.

HKSR-5804 Supported Formats

File Formats Image Specification

DPX RGB/YCbCr, 8 bit/10 bit/16 bit

Cineon RGB, 8 bit/10 bit/16 bit

TIFF RGB, 8 bit/16 bit

Page 16

Features

• Full-bandwidth RGB 4:4:4 recording – double-data-rate recording (optional)

• 4:2:2 1080 50p/60p recording (optional)

• Dockable with the F35/F23*

camera

• Supports SR Motion: Select FPS - variable frame rate image recording – from 1 fps to 60 fps*

in both 4:2:2 and 4:4:4 modes (optional)

• 720p recording and playback

• 12 channels of 24-bit audio

• 3D Stereoscopic (Dual Stream) mode

• 1D LUT support for monitor output with User Gamma (customizable gamma) by CvpFileEditor V4.2

• ASC CDL workflow support by CvpFileEditor V4.2

– Look management: applying ASC CDL setting pre-determined at postproduction to monitor LUT on the set – On-set grading: allows color grading on the set and uses the setting later at postproduction

• Highly compact and portable design

• Single optical connection with the F35/F23 (optional)

• Optional boards

– HKSR-101 Optical Interface Board – HKSR-102 Picture Cache Board – HKSR-103 RGB 60p Processor Board

*1: When the SRW-1 is docked with the F35/F23 camera, the SRPC-1 is not connected. *2: Up to 30 fps in 4:4:4 mode without the optional HKSR-103.

HDCAM-SR Family

SRW-1/SRPC-1

The SRW-1 HD Portable Digital Video Recorder with the SRPC-1 HD Video Processor is the one recorder in the HDCAM-SR lineup created specifically to support digital production. A major characteristic of the SRW-1 is its highly portable size, yet it has stunning recording capabilities: 1080 50p/60p, SR Motion™, and RGB 4:4:4 recording. This VTR is designed to be dockable on the F35 and F23 Digital Cinema Camera, establishing a cable-free and portable full-bandwidth 4:4:4 capturing system.

SRW-1 with SRPC-1

F35 with SRW-1F23 with SRW-1

Features

• Full-bandwidth RGB 4:4:4 HD digital image capturing

• Dockable with the SRW-1

• Supports SR Motion: Select FPS – variable frame rate image capturing – from 1 fps to 60 fps in both 4:2:2 and 4:4:4 modes*

• State-of-the-art imagers. Progressive 1920 x 1080 full HD resolutions

F35: One Super 35-mm sized CCD F23: Three 2/3-inch type CCDs

• Lens mount system

F35: PL mount, a standard for film cameras, providing a

broad range of film lenses

F23: Special B4 mount (using ruggedized and temperature-

stable material to minimize back-focusing problems): a standard for 2/3-inch lenses

The F35/F23 are Sony’s inspiring digital cinematography cameras that provide impressive image quality with an intuitive operation familiar to film camera users. Both cameras can be docked directly onto the SRW-1 recorder, establishing a highly compact, lightweight, and cable-free camera for a high level of mobility in shooting. The F35 uses one Super 35-mm sized CCD and utilizes the PL lens mount system, while the F23 uses three 2/3-inch type CCDs with the B4 (special made for F23) mount.

F35/F23 Digital Cinematography Cameras

• Compact and lightweight F35/F23: 5 kg (11 lb) without a viewfinder

• 14-bit A/D converter

• ASC CDL workflow support by CvpFileEditor V4.2

– Look management: applying ASC CDL setting pre-determined

at postproduction to monitor LUT on the set

– On-set grading: allows color grading on the set and uses the

setting later at postproduction

• Direct lens metadata capture support for Cooke Optics /i series

lenses

• Compatible with Arri film camera accessories

*1: Up to 50 fps with the F35.

Page 17

SRW-9000 HDCAM-SR Camcorder

The SRW-9000 is the industry-first “one-piece” HDCAM-SR camcorder that integrates camera and VTR into one unit. In standard configuration, the SRW-9000 is capable of top-quality 4:2:2 Y/Cb/Cr 10-bit recording at 1080/23.98p, 24p, 25p, and

29.97p, and 1080/50i and 59.94i. In addition, the SRW-9000 can record 1080/50p and 59.94p signals, and 4:2:2 720/50p and

59.94p*

signals, which can be used for DTV programming and transmission applications. For users who require further creative performance, a variety of option cards can be added, allowing users to benefit from full-bandwidth 1080 RGB 4:4:4 capturing, SR Motion variable frame rate capturing and recording, S-Log Gamma, and additional signal inputs and outputs.

*1: Requires a software upgrade planned to be available in the second half of

2010.

Features

• Three 2/3-inch type 1920 x 1080 Progressive CCD

• Supports SR Motion: Select FPS – variable frame rate image

capturing – from 1 fps to 60 fps (optional)

• RGB 4:4:4 capturing and recording (optional)

• S-Log Gamma (optional)

• Supported formats:

– 1080/23.98p, 24p, 25p, 29.97p, 50p, 59.94p – 1080/50i, 59.94i – 720/50p and 59.94p (future software upgrade)

• Optional accessories

– HKSR-9001 HD-SDI Expansion Board – Dual-link HD-SDI interface

and 12-channel audio interface – HKSR-9002 Picture Cache Board – Select FPS (1 fps to 60 fps) – HKSR-9003 RGB 4:4:4 Processor Board – RGB 4:4:4 recording

and S-Log Gamma – HKSR-9004 Filter Servo Unit - filter control via control panel – AP-1 Assistant Panel

SRW-9000

Page 18

BCT-6HD/12HD/22HD/40HD BCT-34HDL/64HDL/94HDL/ 124HDL

HDCAM Cassette Tapes

Optional Accessories

HKSR-5001

Format-Converter Board

RM-280

Editing Controller

HKSR-5103

Advanced Processor Board

BCT-6SR/33SR/40SR BCT-64SRL/94SRL/124SRL

HDCAM-SR Video Cassette Tapes

BVM Series PVM Series

LCD Video Monitor

HKSR-5105

HDMI/i.LINK (HDV) Output Board

BCT-HD12CL

Video Head Cleaning Cassette

HKSR-5803HQ

Advanced HQ Processor Board

RMM-110

Rack-Mount Kit

HKSR-5002

Digital BETACAM Processor Board

HKDV-900,

HD Digital Video Controller

HKSR-5804

File Transfer Processor Board

Optional Boards

Common Options

HKSR-5802

Digital BETACAM and HDCAM Processor Board

SRW-5000 SRW-5500 SRW-5800 SRW-5100

HKSR-5001

●●●●

HKSR-5002

●●

HKSR-5802

●●

HKSR-5803HQ

●

HKSR-5804

●

HKSR-5103

●

HKSR-5105

●

Page 19

Specifications

SRW-5000 SRW-5500 SRW-5800 SRW-5100

General

Power requirements 100 to 240 V AC (±10%, 50/60 Hz)

Power consumption 320 W (with all option boards installed) 380 W (with all option boards installed)

Operating temperature +5 °C to +40 °C (+41 °F to +104 °F)

Storage temperature -20 °C to +60 °C (-4 °F to +140 °F)

Humidity 25% to 80% (relative humidity)

Mass 30 kg (66 lb 2 oz)

Dimensions (W x H x D)

(excluding protrusion)

427 x 218 x 544 mm (16 7/8 x 8 5/8 x 21 1/2 inches)

Tape speed HDCAM-SR: 94.1 mm/s (24 Hz)

HDCAM: 77.4 mm/s (24 Hz)

Digital BETACAM: 96.7 mm/s

Recording/

Playback

time

HDCAM-SR Recording & Playback: 155 min. with BCT-124SRL cassette (24 Hz) Recording & Playback: 155 min.

with BCT-124SRL cassette

(24 Hz)*

Playback: 155 min. with

BCT-124SRL cassette (24 Hz)*

HDCAM Playback: 155 min. with

BCT-124HDL cassette (24 Hz)

Recording & Playback: 155 min.

with BCT-124HDL cassette (24 Hz)

Playback: 155 min. with BCT-124HDL cassette (24 Hz)

Digital BETACAM

Playback: 124 min. with BCT-D124L cassette

Fast forward/rewind time Approx. 4 min. with BCT-124SRL cassette

speed range

Shuttle mode

HDCAM-SR: -50 to +50 times normal speed (24 Hz)

HDCAM: -60 to +60 times normal speed (24 Hz)

Digital BETACAM: -50 to +50 times normal speed

Variable mode

HDCAM-SR: -1 to +2 times normal speed HDCAM-SR: -0.5 to +1 times normal speed

HDCAM: -1 to +2 times normal speed

Digital BETACAM: -1 to +3 times normal speed

Jog mode HDCAM-SR: -2 to +2 times normal speed

HDCAM: -2 to +2 times normal speed

Digital BETACAM: -3 to +3 times normal speed

Noiseless

picture

playback

HDCAM-SR -1 to +2 times normal speed (Dynamic Tracking Range) -0.5 to +1 times normal speed (Non Tracking Range)

HDCAM -1 to +2 times normal speed (Dynamic Tracking Range)

Digital BETACAM

-1 to +3 times normal speed (Dynamic Tracking Range)

Servo lock time 1.0 sec or less (from standby on)

Load/unload time 7 sec or less

Video Performance

Sampling frequency Y: 74.25 MHz, Cb/Cr: 37.125 MHz, G/B/R: 74.25 MHz

Quantization 10 bits/sample

Compression MPEG-4 SStP Simple Studio Profile

Channel coding S-NRZ

Error correction Reed-Solomon code

Error concealment Adaptive three-dimensional

Digital Audio Performance

Sampling frequency 48 kHz: up to 12 channel 48 kHz: up to 12 channel

96 kHz: up to 6 channel (440 Mbps) , up to 12 channel (880 Mbps)

Quantization 24 bits

Wow & flutter Below measurable level

Headroom 20/18/16/15/12/9 dB selectable

Analog Audio Output Performance

Quantization 24 bits

Frequency response 20 Hz to 20 kHz, +0.5 dB/-1.0 dB (0 dB at 1 kHz)

Dynamic range More than 100 dB

Distortion Less than 0.05% (at 1 kHz)

Crosstalk Less than -80 dB (at 1 kHz)

*1: 1/2 when double-data-rate recording/playback (880 Mbps). *2: Planned to be available in the first half of 2011.

Page 20

Reproduction in whole or in part without written permission is prohibited.

Features and specifications are subject to change without notice.

The values for mass and dimension are approximate.

23.98p, 24p, 25p, 29.97p, and 30p are used as generic names in

this literature for the industry standard 23.98PsF, 24PsF, 25PsF, 29.97PsF,

and 30PsF (Progressive Segmented Frames), respectively.

“SONY”, “make.believe”, “3D world Created by Sony”, “CineAlta”, “HDCAM-SR”,

“HDCAM”, “BETACAM”, “Digital BETACAM”, “Dynamic Tracking”,

“Memory Stick”, and “SR Motion” are trademarks of Sony Corporation.

All other trademarks are property of their respective owners.

MK10030V6OHB10MAR

Distributed by

The SRW-5800, SRW-5500, SRW-5000, and SRW-5100 are produced at Sony EMCS Corporation Kosai Tec, which has received ISO14001 the Environmental Management System certification.

SRW-5000 SRW-5500 SRW-5800 SRW-5100

Inputs/Outputs

HD-SDI input A: BNC (x2) (including loop through),

SMPTE 292M/SMPTE 372M/BTA S-004/ITU-R.BT 709

B: BNC (x2) (including loop through),

SMPTE 292M/SMPTE 372M/BTA S-004/ITU-R.BT 709

A: BNC (x2) (including loop through),

SMPTE 292M/SMPTE 372M/ SMPTE 424M/BTA S-004/ITU-R.BT 709

B: BNC (x2) (including loop through),

SMPTE 292M/SMPTE 372M/ SMPTE 424M*2/BTA S-004/ITU-R.BT 709

–

Reference input 1: BNC (x2) (including loop through), HD Tri-level sync (0.6 Vp-p/75 Ω/negative) or SD blackburst/composite sync (NTSC: 0.286 Vp-p, PAL: 0.3 Vp-p/75 Ω/negative)

2: (Option: HKSR-5001), BNC (x2) (including loop through), HD Tri-level sync (0.6 Vp-p/75 Ω/negative) or

SD blackburst/composite sync (NTSC: 0.286 Vp-p, PAL: 0.3 Vp-p/75 Ω/negative)

Digital audio input (AES/EBU)

BNC (x6), 12 ch (2 ch each, 1/2 ch, 3/4 ch, 5/6 ch, 7/8 ch, 9/10 ch, 11/12 ch), AES-3id-1995 –

Analog audio input (Cue) – XLR 3-pin (female) (x1),

HDCAM recording only

––

Time code input XLR 3-pin (female) (x1), 0.5 to 18 Vp-p/10 kΩ/balanced – AUX input – – (Option: HKSR-5804):

A: BNC (x1), SMPTE 292M/SMPTE 372M/

ARIB S004B

B: BNC (x1), SMPTE 292M/SMPTE 372M/

ARIB S004B

–

HD-SDI output A: BNC (x3),

1 & 2: SMPTE 292M/SMPTE 372M/BTA S004/ITU-R.BT 709

3: character on/off, SMPTE 292M/SMPTE 372M/BTA S004/ITU-R.BT 709 B: BNC (x3), 1 & 2: SMPTE 292M/SMPTE 372M/BTA S004/ITU-R.BT 709

3: character on/off, SMPTE 292M/SMPTE 372M/BTA S004/ITU-R.BT 709

A: BNC (x3),

1 & 2: SMPTE 292M/SMPTE 372M/ SMPTE 424M/BTA S004/ITU-R.BT 709 3: character on/off, SMPTE 292M/ SMPTE 372M/SMPTE 424M/BTA S004/ ITU-R.BT 709

B: BNC (x3),

1 & 2: SMPTE 292M/SMPTE 372M/ SMPTE 424M*

/BTA S004/ITU-R.BT 709 3: character on/off, SMPTE 292M/ SMPTE 372M/SMPTE 424M*2/BTA S004/ITU-R.BT 709

A: BNC (x3),

1 & 2: SMPTE 292M/SMPTE 372M/ SMPTE 424M/BTA S004/ITU-R.BT 709 3: character on/off, SMPTE 292M/ SMPTE 372M/SMPTE 424M/BTA S004/ ITU-R.BT 709

B: BNC (x3),

1 & 2: SMPTE 292M/SMPTE 372M/ SMPTE 424M*2/BTA S004/ITU-R.BT 709 3: character on/off, SMPTE 292M/ SMPTE 372M/SMPTE 424M*2/BTA S004/ITU-R.BT 709

Format converter output (Option: HKSR-5001):

A: BNC (x2), character on/off, SMPTE 292M/SMPTE 372M/BTA S-004/ITU-R.BT 709 B: BNC (x2), character on/off, SMPTE 292M/SMPTE 372M/BTA S-004/ITU-R.BT 709

(Option: HKSR-5001):

A: BNC (x2), character on/off, SMPTE 292M/SMPTE 372M/

SMPTE 424M/BTA S-004/ITU-R.BT 709

B: BNC (x2), character on/off, SMPTE 292M/SMPTE 372M/BTA S-004/ITU-R.BT 709

SD-SDI output BNC (x3),

1& 2: SMPTE 259M

3: character on/off, SMPTE 259M

Analog composite output BNC (x1), 1.0 Vp-p/75 Ω/negative SMPTE 170M, character on/off or 0.286 Vp-p/75 Ω/negative blackburst Reference output 1125 Sync: BNC (x2), Tri Level sync 0.6 Vp-p/75 Ω/negative Digital audio output (AES/EBU)

BNC (x6), 12 ch (2 ch each, 1/2 ch, 3/4 ch, 5/6 ch, 7/8 ch, 9/10 ch, 11/12 ch), AES-3id-1995

Analog audio output XLR 3-pin (male) (x4), +4 dBm, 600 Ω, Lo-z, balanced – Analog audio output (Cue) XLR 3-pin (male) (x1), +4 dBm, 600 Ω, Lo-Z, balanced, HDCAM/Digital BETACAM playback only. Analog audio monitor XLR 3-pin (x2), L/R, +4 dBm, 600 Ω, Lo-Z, balanced Time code output XLR 3-pin (male) (x1), 2.2 Vp-p, Lo-Z, balanced Headphone output JM-60 stereo phone jack (x1), -∞ to 12 dBu, 8 Ω, unbalanced AUX output – (Option: HKSR-5804):

A: BNC (x1), SMPTE 292M/SMPTE 372M/

ARIB S004B/SMPTE 424M

B: BNC (x1), SMPTE 292M/SMPTE 372M/

ARIB S004B

–

i.LINK – (Option: HKSR-5105):

IEEE1394 6-pin (x1), HDV1080i output

HDMI – (Option: HKSR-5105): (x1), output Remote (9P) input D-sub 9-pin (female) (x1), RS-422A Remote (9P) input/output D-sub 9-pin (female) (x1), RS-422A Video control D-sub 9-pin (female) (x1), EIA RS-423 Parallel remote D-sub 50-pin (female) (x1) Ethernet RJ-45 (x1), 10Base-T: IEEE802.3 RJ-45 (x1), 10Base-T: IEEE802.3

(Option: HKSR-5804): RJ-45 (x1),

1000Base-T: IEEE802.3ab

RJ-45 (x1),

100Base-TX: IEEE802.3u

10Base-T: IEEE802.3

RS-232C D-sub 9-pin (male) (x1), factory use – USB (x1), factory use –

Supplied Accessories

Operation manual (1), installation manual (1)

*1: 1/2 when double-data-rate recording/playback (880 Mbps). *2: Planned to be available in the first half of 2011.

Specifications