Sony HDW-2000 series, HDW-1800 series, J-H1, HDW-S280, J-H3 User Manual

HDW-2000 Series
HDW-1800 Series
HDW-S280
J-H1 & J-H3

Digital Recorders and Players

www.sonybiz.net/hdcam

TM

A WORLDWIDE STANDARD
FOR DIGITAL PRODUCTION

High Definition equals better-looking television
pictures – for the benefit of programme makers,
broadcasters, advertisers and viewers.

Guarantee a Premium for your Pictures

As consumers demand a higher quality viewing experience, Sony HDCAM
ensures that your High Definition programmes stand out from the crowd.
Offering true 1080-line resolution and crystal clear digital sound, HDCAM
offers breathtaking clarity and is the perfect complement for any project
where a prestige look is required. A natural partner for documentaries,
natural history and live production as well as mainstream entertainment,
HDCAM is firmly established as the preferred format for quality-conscious
media professionals everywhere.

HDCAM builds upon more than 25 years of Sony heritage in 1/2-inch tape
technology - the overwhelming choice of thousands of users who have
standardised on Sony 1/2-inch formats for their operations. HDW-2000
Series HDCAM VTRs and players offer the same intuitive control layout,
ergonomics and workflow that are familiar to Digital Betacam and
MPEG IMX users. Selected models are playback-compatible with your
Betacam SP, Betacam SX, MPEG IMX and Digital Betacam tape libraries,
so there’s no need to forfeit the value of your Standard Definition assets
as you migrate smoothly to High Definition. And Sony have added two
new HDCAM VTRs to the line-up – the HDW-1800 and HDW-D1800. These
two new models offer an even more affordable entry to the world of
HDCAM and join the HDW-2000 Series to ensure that the Sony HDCAM
line-up is stronger and more versatile than ever.

Operational Flexibility and Superb Value

HDCAM broadens your creative and commercial options with a choice
of shooting modes to suit the demands of any project. Switch between
interlace and progressive at a choice of frame rates to suit your creative
preferences and distribution requirements. Equally, the benefits of
HDCAM are not limited to productions destined for transmission and
distribution in HD today. It's easy to down-convert HDCAM pictures to
Standard Definition for post production and distribution – as proven by
European prime-time television schedules that are already packed with
HDCAM-originated programming.

Keeping costs down while providing an exceptional quality original
recording for future distribution opportunities, HDCAM ensures your
content commands a premium today and tomorrow. With HDCAM there’s
no need to compromise your personal vision – and with HDCAM VTRs
starting at Digital Betacam prices, it’s accessible to anyone who’s
passionate about making great-looking programmes.

Contents

HDW-2000 Series Digital Video Recorders
and Player p.4

HDW-1800 Series Digital Video Recorders p.10

HDW-S280 Portable Digital Video Recorder p.14

J-H1/J-H3 Compact Digital Video Players p.18

Specifications p.20

Stunning High Definition Pictures

The HDW-2000 Series records High Definition component digital pictures using state-of­the-art HDCAM video compression. A video data rate of 140 Mb/s ensures superb picture quality.
A 1/2-inch tape transport derived from Betacam and Digital Betacam technology provides a robust
and reliable design.

A Smooth Path to High Definition

The HDW-2000 Series guarantees the smoothest path to the world of HD. With a choice of four
models within the line-up, it’s easy to choose the best combination of cost and performance for your
facility. The low-cost HDW-2000 records and replays HDCAM. The top of the range HDW-M2000P
adds compatible replay of Betacam, Betacam SP, Betacam SX, MPEG IMX and Digital Betacam
tapes and, with over 280 million Sony 1/2-inch cassettes sold to date, offers unprecedented replay
capability.

CLASS-LEADING
PERFORMANCE
BUILT ON
PROVEN
TECHNOLOGY

TM

4

HDW-2000 Series Digital Video Recorders and Player

HDCAM Track Layout

HDW-2000 Series Line-up

Recording Format Playback Format

HDW-2000 HD Digital Video Cassette Recorder HDCAM HDCAM

HDW-M2000P HD Digital Video Cassette Recorder HDCAM HDCAM, Digital Betacam, MPEG IMX,

Betacam SX, Betacam SP, Betacam

HDW-D2000 HD Digital Video Cassette Recorder HDCAM HDCAM, Digital Betacam, MPEG IMX

HDW-M2100P HD Digital Video Cassette Player — HDCAM, Digital Betacam, MPEG IMX,

Betacam SX, Betacam SP, Betacam

Drum Head Allocation

Built-in Up* and Down-converters

In addition to compatible replay of Standard Definition cassettes, the HDW-2000 Series features
built-in up and down-converters as standard. Existing Standard Definition recordings can be up­converted to HD, while HDCAM material can be down-converted to SD for post production,
transmission, or delivery via DVD. The “Super-sampled” images down-converted from HDCAM
are visibly superior to those shot in Standard Definition, with higher horizontal and vertical MTF
and reduced scanning aliasing.

* The HDW-2000 replays HDCAM tapes only. HD to SD down-conversion is provided, but SD to HD up-conversion is not.

Conventional 480/576-line Digital VTRMulti-burst Chart ”Super-sampled“ HDCAM Down-converted signals

Head Position

Direction of Tape travel

Reference Edge

TIME CODE

CONTROL

CUE

Reference Point

Direction of

Head Motion

L

K

J

M

P

1

P2

N

x2

A

WHU

BCD

GY

TS

EFZ

x1

x6

x5

x4

x3

R

5

Switchable Between Interlace and
Progressive Operation including
24PsF

HDCAM VTRs and players are ideal for facilities
producing and distributing programmes interna­tionally. Each model can be switched between
1080/50i, 1080/59.94i, 1080/25PsF and
1080/29.97PsF frame rates*1. Compatible replay
of 576/50i and 480/59.94i is also provided by
each deck*1.

To meet the increasing need for 24P programme
creation, 1080/23.98PsF and 1080/24PsF
recording and playback is now available on all
HDW-2000 Series recorders. Conversion of

23.98PsF/24PsF recordings to a 25PsF output
is also provided with time code conversion
performed by the VTR*

2

.

Finally, a 720/59.94P signal down-converted
from 1080/59.94i or 1080/29.97PsF can be
output from the VTR or player*

2

.

*1 The frame rate of the source tape cannot be converted at

the output between 1080/59.94i and 1080/50i or between
480/59.94i and 576/50i. Playback of a 576-line analogue
Betacam tape on the HDW-M2000/M2100 (NTSC model),
and playback of a 480-line analogue Betacam tape on the
HDW-M2000P/M2100P (PAL model) is for monitoring
purposes only.

*2 Requires audio pitch correction. Down-conversion and/or

“pull-down” of tapes played back at 23.98PsF or 24PsF
frame rates is not provided.

Long Recording Time
on a Single Cassette

The combination of HDCAM compression and
high-density recording onto 1/2-inch tape yields
a maximum recording time onto a small cassette
of 40 minutes at 1080/59.94i, 48 minutes at
1080/50i and 50 minutes at 1080/24PsF.

Up to 124 minutes at 1080/59.94i, 149 minutes
at 1080/50i and 155 minutes at 1080/24PsF
can be recorded onto a large cassette – ideal for
feature films, dramas and football games running
to extra time and penalties.

Digital Audio and
Dolby®* Recording

The HDCAM format records four channels (two
AES/EBU stereo pairs) of non-compressed digi­tal audio (20 bit at 48 kHz). The HDW-2000
Series recorders can also record non-audio data
streams within the audio recording area by pack­aging the data within an AES/EBU wrapper.
Dolby-E and Dolby AC-3 (non audio) data
streams can be input to the VTR and recorded
onto the audio tracks.

* Dolby and the double-D symbol are trademarks of Dolby

Laboratories Inc.

Compact Design and Low Power
Consumption

The HDW-2000 Series is based upon a compact
4RU-size* design and weighs only 23 kg (50 lb
11 oz). It also has low power consumption of
220 W. This makes the VTRs and player ideal for
studio use and also in OB vehicles, where space
is often limited.

*4 RU size = 427 x 174 x 540 mm (16 7/8 x 6 7/8 x 21 1/2 inches)

Easy Integration into your Facility

The HDW-2000 Series features a wide range of
interfaces including:

■ HD SDI I/O*

■ SDI output (D1 component)

■ SDTI I/O* (optional - requires HKDW-102

SDTI Interface Board)

■ Analogue Component output

■ Analogue Composite output (NTSC/PAL)

■ Digital Audio I/O*(AES/EBU)

■ Analogue Audio I/O*

■ Audio Monitor output (2-ch analogue)

*The HDW-M2100P player provides outputs only.

HDW-M2000P Rear Panel

HDW-2000 Series Digital Video Recorders

6

User-friendly Control Panel

Operators with experience of Betacam, Betacam SX, MPEG IMX or Digital Betacam will be instantly
familiar with the operational controls of HDCAM VTRs and players. The layout of the tape transport
and editing controls has been refined over generations of Sony 1/2-inch VTRs. The control panel has
a multi-function display for quick access and easy control of the major operational functions.
Dedicated rotary controls and meter displays are included for each of the four audio channels.
An optional HKDW-101 control panel can be used in addition to the supplied control panel to
operate the VTR remotely.

Easy Maintenance

Most of the circuitry of the HDW-2000 Series is arranged on plug-in boards to allow quick and easy
maintenance. The drum assembly has been designed to achieve simple, low cost maintenance by
adopting an upper drum mechanism and an auto adjustment function. This significantly reduces the
time required for periodic drum replacement.

HKDW-101 Control Panel with BKMW-102 Case

7

1080/1035 Line Conversion

Bi-directional vertical filtering between the
two active line standards (1080 and 1035)
and enhanced quality of variable speed
Dynamic Tracking playback is included as
standard.

Shot Marks

HDW-2000 Series VTRs can scan tapes with
Shot Marks and automatically detect their
positions. After scanning, a list of Shot Marks
is displayed on the video monitor, allowing
rapid cueing to the required material.

Selectable Aspect Ratio

Squeeze, Letterbox and Edge Crop adjust­ments are provided for control of picture
aspect ratio when converting from SD to HD
and vice versa.

SD to HD, 4:3 SD picture is up-converted, then output
as a 16:9 HD picture.

SQUEEZE mode

HDCAM Camcorder Menu

HDW-2000 Series Time Code List

HDCAM Camcorder

FAMILIAR

OPERATION

Frame Accurate Editing

Insert and assemble editing with frame accu­racy is provided with each channel of video
and audio being independently editable.

High Speed Colour Picture
Search

Recognisable colour pictures in shuttle mode,
at speeds up to ±50 times normal playback,
guarantee quick access to the required
material on tape.

Dynamic Tracking™Playback

Dynamic Tracking heads provide high quality
slow motion pictures from -1 to +2 times nor­mal playback speed from HDCAM and
Betacam SX tapes. The slow motion range
from Betacam, Betacam SP, MPEG IMX and
Digital Betacam cassettes is -1 to +3.

Digital Jog Sound

The HDW-2000 Series replays four channels
of digital audio in Jog mode (eight when
replaying MPEG IMX tapes). Jog response is
both fast and accurate for exact location of
edit points. The monitored audio also remains
precisely in sync with video.

Audio Crossfade

Digital Audio Crossfade provides smooth
audio transitions at audio insert edit points.
Previously recorded audio signals are read in
advance using pre-read heads and then re­recorded onto the same track after being
mixed with the input audio signal. The cross­fade duration can be selected from a range of
values.

Dynamic Motion Control (DMC)
Playback

The HDW-2000 Series features DMC play­back, memorising the tape speed trajectory
over the DT speed range (-1 to +2 times
normal speed).

Pre-read Editing

Pre-read editing became an instant hit
when it first appeared on Digital VTRs over
15 years ago. HDW-2000 Series recorders
are equipped with advanced playback heads
to enable pre-read editing. Captions can be
added using a single VTR, A/B-roll editing
can be performed with two VTRs and audio
crossfades can be added for smooth audio
transitions.

HD to SD, 16:9 HD picture is down-converted and
output as a 4:3 SD picture.

SD to HD, 4:3 SD picture is cropped and presented
as a 16:9 picture.

LETTERBOX mode

HD to SD, 16:9 HD picture down-converted to SD
and output is presented in Letterbox on a 4:3 monitor.

SD to HD, 4:3 SD picture up-converted as a 16:9 HD
picture, however the sides are cropped.

EDGE CROP mode

HD to SD, edges of a 16:9 HD picture are cropped in
the down-converted 4:3 SD picture.

HDW-2000 Series Digital Video Recorders

8

Metadata Handling

Metadata is user-defined data indicating
when, where, or by whom material was
created. The Unique Material IDentifier
(UMID) has been standardised by the Society
of Motion Picture and Television Engineers
(SMPTE)* and is a globally unique identifier
used for the identification of picture/audio
material and data.

HDW-2000 Series VTRs provide the facility
to generate and record UMID data on tape
during dubbing, editing and up and down­conversion. Recorded UMIDs can sub­sequently be used in editing, archiving and
distribution, to increase production efficiency
throughout the programme production chain.

The HDW-2000 Series VTRs can record up to
255 bytes x 3 packets of metadata per field,
which can be transferred to other devices via
HD-SDI or SDTI.

* The UMID standard is SMPTE-330M

Unrivalled Heritage in Advanced
Metal Tape Technology

Sony HDCAM tape has been developed
to offer optimum record and playback
performance across the full range of HDCAM
recorders and players.

Building on an unrivalled heritage for Metal
Tape design, including two Emmy

®

Awards
(Metal Broadcasting Tape Technology in
1990 and Digital Betacam Metal Tape
Technology in 1995), HDCAM tapes provide
high density recording and a duration of up
to 155* minutes.

* When recording at 24PsF or 23.98PsF onto a large cassette.

RCC-5G

9-pin Remote Cable

BCT-HD12CL

Cleaning Cassette

BZNW-7000 Series MMStation

™

Remote Monitoring and Maintenance Software

MLB-1M-100 Memory Label

(for Tele-File system)

BCT-6HD/12HD/22HD/32HD/
40HD/34HDL /64HDL/94HDL/
124HDL

HDCAM Tape Cassette

RM-280

Editing Controller

BKMW-102

Remote Control Unit

BKMW-103

Control Panel Extension Kit
(Cable length = 10m)

HKDW-101

Control Panel

RMM-131

Rack Mount Kit

HKDW-102

SDTI Interface Board

OPTIONAL ACCESSORIES

FOR HDW-2000 SERIES DIGITAL VIDEO RECORDERS

9

The HDW-1800 and HDW-D1800 offer a combination of operational
features and cost designed to make HDCAM appeal to an even wider
audience. Packing the same HDCAM picture and sound quality as the
HDW-2000 Series, the feature set of the two new VTRs has been
optimised to offer a lower cost entry to the world of HDCAM.

Both models offer HDCAM recording and playback at 1080/50i,
1080/59.94i, 1080/23.98PsF, 1080/24PsF, 1080/25PsF and 1080/29.97PsF
with compatible MPEG IMX and Digital Betacam replay also built into
the HDW-D1800.

An optional i.LINK input board can be installed into each model allowing
HDV material to be input directly from an HVR series HDV camcorder or
VTR. An optional 1080 to 720 format converter can also be fitted to
convert 1080/50i recordings to 720/50P for output from the VTR.

A simplified control panel is provided, with a built-in LCD monitor for
on-the-spot picture confirmation and access to operational set-up
menus. Frame accurate assemble, insert and pre-read editing is via 9-pin
RS-422A control on the rear panel.

AN EVEN MORE
AFFORDABLE
ENTRY TO
THE WORLD
OF HDCAM

10

HDW-1800 Series Digital Video Recorders

11

Stunning High Definition Pictures

The HDW-1800 Series records High Definition component digital pictures using state-of-the-art
HDCAM video compression. A video data rate of 140 Mb/s ensures superb picture quality.
A 1/2-inch tape transport derived from Betacam and Digital Betacam technology provides a robust
and reliable design.

Switchable Between Interlace and Progressive Operation including 24PsF

HDW-1800 series VTRs are ideal for facilities producing and distributing programmes internationally.
Each model can be switched between 1080/50i, 1080/59.94i, 1080/25PsF and 1080/29.97PsF
frame rates*1. Compatible replay of MPEG IMX and Digital Betacam at 576/50i and 480/59.94i is
also provided by the HDW-D1800*1. To meet the increasing need for 24P programme creation,
1080/23.98PsF and 1080/24PsF recording and playback is provided by both models.

*1 The frame rate of the source tape cannot be converted at the output between 1080/59.94i and 1080/50i or between 480/59.94i and

576/50i.

Up and Down-conversion Capabilities with Selectable Picture Modes

The HDW-D1800 and HDW-1800 recorders can output 525/59.94i and 625/50i signals in SD-SDI
or analogue composite from HDCAM playback. The HDW-D1800 can also output 1080i signals in
HD-SDI from SD legacy playback. Squeeze, letterbox and edge cropping can be applied to the up
or down-converted outputs.

A Smooth Path to High Definition

The HDW-D1800 provides compatible replay of MPEG IMX and Digital Betacam tapes, and with over
120,000 MPEG IMX and Digital Betacam camcorders and VTRs in use worldwide, offers
unprecedented replay capability.

720P Conversion and 2-3 Pull-down

When fitted with an optional HKDW-104 board, the HDW-D1800 and HDW-1800 can convert 1080i
material from tape to 720P for output. 2-3 pulldown is also added, enabling 23.98PsF and 24PsF*
material to be output as 720/59.94i

* For 24PsF material, 2-3 pull-down output is available only when it is played back at the system frequency of 23.98 Hz. (In this case,

its playback speed is reduced by 0.1%.)

HDV 1080i Stream Recording

The new HDW-D1800 and HDW-1800 recorders are equipped with a powerful

HDV 1080i stream recording capability. With the addition of the HKDW-105

board, the HDW-D1800 and HDW-1800 recorders can accept an HDV 1080i
compatible stream via i.LINK. This is ideal for users who want to shoot in HDV format and post in
HDCAM.

FEATURES

SD to HD, 4:3 SD picture is up-converted, then output
as a 16:9 HD picture.

SQUEEZE mode

HD to SD, 16:9 HD picture is down-converted and
output as a 4:3 SD picture.

SD to HD, 4:3 SD picture is cropped and presented
as a 16:9 picture.

LETTERBOX mode

HD to SD, 16:9 HD picture down-converted to SD
and output is presented in Letterbox on a 4:3 monitor.

SD to HD, 4:3 SD picture up-converted as a 16:9 HD
picture, however the sides are cropped.

EDGE CROP mode

HD to SD, edges of a 16:9 HD picture are cropped in
the down-converted 4:3 SD picture.

1080/59.94i, 1080/29.97PsF, 1080/23.98PsF, 525*

1080/50i, 1080/25PsF, 625*

*Conversion from SD material is available on the HDW-D1800 only.

720/59.94P

720/50P

Converted 720P Output

Search Functions
– Jog and Shuttle Mode

The HDW-D1800 and HDW-1800 recorders
deliver recognisable colour pictures in shuttle
mode at speeds of up to 50 times normal
playback. Jog operation is also possible,
at -1 to +2 times normal speed. High quality jog
audio provides a responsiveness familiar to
Digital Betacam users.

4.3-inch Colour LCD Screen

The control panels are simple and easy to use.
They are equipped with a 4.3-inch (viewable
area, measured diagonally) 16:9 colour LCD
screen, allowing users to view playback
material and VTR setup menus. It is also
possible to monitor output signals via
2-3 pull-down when converted to 720P.

Frame Accurate Editing

Insert and assemble editing with frame
accuracy is provided on the HDW-D1800 and
HDW-1800. Each video and audio channel can
be edited independently.

Digital Audio Crossfade

Digital Audio Crossfade ensures smooth
audio transitions at audio insert edit points.
Previously-recorded audio signals are read
in advance using pre-read heads and then
re-recorded onto the same track after being
mixed with the input signal. The crossfade
duration can be selected from a range of values.

Video Monitor View System Status View

HDW-D1800 (top)
and HDW-1800
Rear Panels

HDW-1800 Series Digital Video Recorders

12

Dynamic Motion Control (DMC)
Playback

The HDW-D1800 and HDW-1800 recorders
also provide DMC playback capability, which
memorises the tape speed trajectory over the
DT (Dynamic Tracking) speed range.

Pre-read Editing

Pre-read editing became an instant hit when it
first appeared on Digital VTRs over 15 years
ago. HDW-1800 Series recorders are equipped
with advanced playback heads to enable
pre-read editing. Captions can be added using
a single VTR, A/B-roll editing can be performed
with two VTRs and audio crossfades can be
added for smooth audio transitions.

Easy Integration into your Facility

The HDW-D1800 and HDW-1800 are equipped
with the following interfaces:

■ HD-SDI input and output

■ SD-SDI output

■ Analogue composite output

■ Digital audio input and output

■ Analogue audio input and output

■ Timecode input and output

■ Reference input

■ RS-422 9-pin remote interface

■ Analogue audio monitor output

■ Video control interface

■ Remote parallel 50-pin interface

■ RS-232C remote interface

Easy Setup Using “Memory
Stick” Media

Users can store and recall VTR setup
parameters onto optional Memory Stick

™

media, enabling quick and consistent setup
of multiple VTRs.

Metadata Recording

The HDW-D1800 and HDW-1800 can record
metadata including UMID (Unique Material
IDentifier) and shot marks, which are used
for quick cue-up to scenes of interest.
This metadata capability improves overall
efficiency across the production process.

Unrivalled Heritage in Advanced
Metal Tape Technology

Sony HDCAM tape has been developed
to offer optimum record and playback
performance across the full range of HDCAM
recorders and players.

Building on an unrivalled heritage for Metal
Tape design, including two Emmy

®

Awards
(Metal Broadcasting Tape Technology in
1990 and Digital Betacam Metal Tape
Technology in 1995), HDCAM tapes provide
high density recording and a duration of up
to 155* minutes.

* When recording at 24PsF or 23.98PsF onto a large cassette.

13

BCT-HD12CL

Cleaning Cassette

RM-280

Editing Controller*

1

HKDV-900

HD Digital Video Controller*

2

RMM-131

Rack Mount Kit

BCT-124HDL/64HDL/22HD

HDCAM Tape Cassette

*1 Supplied with a 9-pin to 4-pin remote cable (2 metres) for connection to the HDW-D1800/HDW-1800.

For longer cable runs, a 10-metre cable is available as an option (1-832-104-11.)

*2 To connect the HKDV-900 with the HDW-D1800/1800 VTR, the optional video controller cable,

RCC-1505H/1510H/1530H is required.

RCC-5G

9-pin Remote Cable

HKDW-104

Pull-down/720P Board

HKDW-105

i.LINK (HDV) Input Board

OPTIONAL ACCESSORIES

FOR HDW-1800 SERIES DIGITAL VIDEO RECORDERS

HDW-1800 HDW-2000 HDW-D1800 HDW-D2000

HDCAM record and replay ✔✔ ✔ ✔
MPEG IMX and Digital Betacam replay ✔✔
LCD display on front panel ✔✔
Editing controls on front panel ✔✔
Editing via RS-422A (9-pin) ✔✔ ✔ ✔
SDTI-CP (option) ✔✔
SD component output ✔✔
4 channels of analogue input/output 2 channels ✔ 2 channels ✔
Cue channel input/output ✔✔
i.LINK input (option) ✔✔
HD-SDI input monitor connector ✔✔
1080/50i to 720/50P output converter (option) ✔✔
15-pin connector for video control ✔✔
Control panel EXT operation ✔✔
Tele-File Reader/writer ✔✔
3:2 pulldown (option) ✔✔
Dual reference input for 3:2 pull-down ✔✔

The HDW-1800 and HDW-D1800 incorporate many of the operational features of
the HDW-2000 Series. The following table shows the main operational differences.

HDCAM is firmly established as the format of choice for high quality
programming - from drama, commercials and natural history to documen­taries, sport and mainstream entertainment. Since the launch of HDCAM,
Sony has developed a line-up of camcorders and VTRs which are now in
use by the most discerning professionals around the world.

To strengthen this line-up further, Sony added a compact recorder to the
HDCAM range. The HDW-S280 is the first HDCAM VTR to offer CineAlta
recording in a compact half-rack 3U chassis. Packed with features, the
HDW-S280 is switchable between interlace and progressive mode with
selectable frame rates, including 50i, 25PsF and 24PsF. Compatible
replay of Betacam SX, Betacam SP and Betacam tapes and built-in
up and down-conversion is also included as standard.

Despite its small size, the front panel of the HDW-S280 houses a 3.5-inch*
16:9 colour LCD display for on-the-spot picture monitoring and configu­ration of VTR operational menus. AC, DC or battery operation completes
an impressive list of features.

The HDW-S280 recorder is ideal in operations where space is at
a premium and it has already been put to great use by production
companies, outside broadcasters and aerial shooting specialists around
the world.

* Viewable area, measured diagonally

HDCAM
OPERATION IN
THE REMOTEST
OF LOCATIONS

TM

HDW-S280 Portable Digital Video Recorder

14

Superb High Definition Pictures

The HDW-S280 records High Definition com­ponent digital pictures onto small HDCAM
cassettes using state-of-the-art HDCAM
video compression. A video data rate of
140 Mb/s ensures superb picture quality.
A 1/2-inch tape transport derived from
Betacam and Digital Betacam technology
provides a robust and reliable design.

Powerful Legacy Playback

Betacam SP and Betacam SX camcorders are
in widespread use around the world for pro­grammes such as ENG, documentaries and
mainstream entertainment. The HDW-S280
can replay Betacam, Betacam SP and
Betacam SX cassettes, providing a smooth
migration to the world of High Definition.

Switchable Between Interlace
and Progressive Operation
including 24PsF

The HDW-S280 is ideal for facilities producing
and distributing programmes internationally.
This compact model can operate in 1080/50i,
1080/59.94i, 1080/25PsF, 1080/29.97PsF and
CineAlta 1080/23.98PsF* and 1080/24PsF*
modes*. This versatile choice of rates makes
the HDW-S280 ideal for the full range of main­stream and prestige productions

* The HDW-S280 does not offer a 3-2 pull-down capability.

1080/24PsF and 1080/23.98PsF recordings cannot, there­fore, be converted to 1080/59.94i and 1080/50i output by
the HDW-S280.

Built-in Up and Down-converters
with Selectable Picture Modes

The HDW-S280 can output 480/59.94i and
576/50i signals via SD-SDI or analogue
composite when replaying HDCAM material*.
This is ideal where Standard Definition post
production or distribution is required. The
HDW-S280 can also output 1080i signals via
HD-SDI when replaying SD legacy tapes.
Squeeze, Letterbox and Edge Crop adjust­ments are provided for control of picture
aspect ratio when converting from SD to HD
and vice versa.

* 1080/24PsF and 1080/23.98PsF playback cannot

be converted to 480/59.94i and 576/50i output.

MAIN FEATURES

OPERATIONAL FEATURES

SD to HD, 4:3 SD picture is up-converted, then output
as a 16:9 HD picture.

SQUEEZE mode

HD to SD, 16:9 HD picture is down-converted and
output as a 4:3 SD picture.

SD to HD, 4:3 SD picture is cropped and presented
as a 16:9 picture.

LETTERBOX mode

HD to SD, 16:9 HD picture down-converted to SD
and output is presented in Letterbox on a 4:3 monitor.

SD to HD, 4:3 SD picture up-converted as a 16:9 HD
picture, however the sides are cropped.

EDGE CROP mode

HD to SD, edges of a 16:9 HD picture are cropped in
the down-converted 4:3 SD picture.

Compact and Portable Design

The HDW-S280 recorder has been designed for use wherever space is limited. Outside broadcast
trucks, cars and helicopters are just some of the locations where you will find HDW-S280 recorders
in use. Measuring only 3U high and half-rack width, with a weight of just 6.0 kg (13 lb 4 oz), the
HDW-S280 is the smallest VTR in the HDCAM line-up. A carrying handle and a tilt stand further
enhance its suitability for use on location.

User-friendly Control Panel Design

Technical performance counts for little if a VTR is not easy to operate. Although the control panel
of the HDW-S280 is extremely compact, it is very easy to use, providing logical access to each
operational control. A Jog/Shuttle dial is provided for quick and precise picture searching.
A 3.5-inch* 16:9 colour LCD display, allows viewing of material and VTR setup without the use of an
external video monitor – a feature especially useful for field operations. At the push of a button,
the LCD display can be switched between video monitoring with superimposed time code and audio
level meters, or system status/menu control mode. Dedicated audio control knobs are also located
on the front panel.

* Viewable area measured diagonally.

System Status View

Front Panel (Video Monitor View)

15

AC/DC or Battery-powered
Operation

The HDW-S280 recorder can operate on AC,
DC and battery* power, greatly increasing its
flexibility for field productions. The recorder
also achieves low power consumption,
enabling up to 80 minutes of operating time
using the optional BP-GL95 battery.

* To use with a battery, the optional BKP-L551 battery adaptor

is required.

Backspace and Assemble
Editing

The HDW-S280 provides two types of editing
capability. Automatic backspace editing with
instant-start allows sequential recording,
without picture interference at transition
points. Assemble editing – including two­machine editing – is also supported*.

* Frame accuracy is ±1 frame.

Sequential Recording Function

The record duration onto a small cassette is
up to 50 minutes at 24PsF, 48 minutes at 50i
and 40 minutes at 59.94i. Should a longer
record time be required, two decks can be
connected to record sequentially without a
break in the recording. Two minutes from the
end of the first tape, the second deck starts
recording and the tape in the first deck can
then be changed. An unlimited record time
can be achieved.

Search Functions –
Jog and Shuttle Modes

The HDW-S280 recorder delivers recognis­able colour pictures in shuttle mode at
speeds of up to ±10 times normal playback.
Jog operation is also supported, at up to ±1
time normal playback speed.

Easy Integration into
your Facility

Although compact in design, the HDW-S280
supports the following interfaces:

■ HD-SDI input and output

■ SD SDI output

■ Analogue composite output

■ Analogue audio input and output

■ Analogue audio monitor output

■ Reference input

■ Time code input and output

■ RS-422 9-pin remote interface

Easy Setup Using Memory
Stick™Media

Operators can store and recall VTR setup
parameters onto optional Memory Stick
media, enabling quick and consistent setup
of multiple VTRs.

Metadata Recording

The HDW-S280 can record metadata includ­ing UMID (Unique Material IDentifier) and shot
marks, which are used for quick cue-up to
scenes of interest. This metadata capability
improves overall efficiency across the
production process.

HDW-S280 with BP-GL95 battery

Jog and Shuttle

Easy Setup Using Memory Stick

™

Media

Rear Panel

HDW-S280 Digital Video Recorder

16

HDW-S280

* Assemble editing only. Frame accuracy is ±1 frame.

HDW-S280

HDW-S280

Non-linear Editor

HDW-S280 RM-280

9-pin

Remote

9-pin Remote

9-pin Remote

9-pin
Remote

HDW-2000 Series
HDW-1800 Series

OUT HD-SDI IN

IN HD-SDI OUT

HD-SDI

BKP-L551

Battery Adaptor

BP-GL95/GL65

Lithium-ion Battery Pack

BC-M150

Battery Charger

BC-L70

Battery Charger

BC-L500

Battery Charger

BP-L60/80S

Lithium-ion Battery Pack

RCC-5G

9-pin Remote Cable

BCT-6HD/12HD/
22HD/32HD/40HD

HDCAM Tape Cassette

RM-280

Editing Controller

BCT-HD12CL

Cleaning Cassette

SYSTEM CONFIGURATIONS

OPTIONAL ACCESSORIES

TRANSMISSION ACQUISITION

HDC-1500 HDW-S280

OUT HD-SDI IN

HDW-S280

SD-SDI OUT

HD-SDI OUT

SD Composite OUT

Audio Line OUT

Satellite Link

Microwave Link

TRANSMISSION ACQUISITION

TWO-MACHINE EDITING EDITING WITH RM-280 EDITING CONTROLLER

NON-LINEAR EDITING

17

Unrivalled Heritage in Advanced Metal Tape
Technology

Sony HDCAM tape has been developed to offer optimum record and
playback performance across the full range of HDCAM recorders and
players.

Building on an unrivalled heritage for Metal Tape design, including
two Emmy

®

Awards (Metal Broadcasting Tape Technology in 1990 and
Digital Betacam Metal Tape Technology in 1995), HDCAM tapes
provide high density recording and a duration of up to 155* minutes.

* When recording at 24PsF or 23.98PsF onto a large cassette.

Compact Design

Sharing the same chassis design as the J Series compact players for Standard Definition, the
J-H1 and J-H3 retain a compact and lightweight design. Equivalent in size to a typical desktop PC,
they can be located on the desks of producers, journalists and editors. The J-H1 and J-H3 players
measure 307 x 100 x 397 mm (12 1⁄8 x 4 x 15 3⁄4 inches) and weigh just 7.5 kg (16 lb 9 oz). They can
be used horizontally or placed upright with the supplied vertical stand, for operation where space is
limited.

Replay of Both Small and Large Cassettes

Despite their very compact design, the J-H1 and J-H3 can play back both large and small size cassettes.

HDCAM Replay at Multiple Frame Rates

The J-H1 and J-H3 can replay HDCAM cassettes recorded in 1080/50i, 1080/59.94i, 1080/25PsF and
1080/29.97PsF. The J-H3 adds 1080/23.98PsF and 1080/24PsF replay, making it ideal for the full range
of mainstream and prestige TV programming, commercials and feature film applications.

HDCAM
PLAYBACK
ON YOUR DESK

With HDCAM camcorders and studio VTRs now in widespread use around
the world, it was inevitable that producers, editors and others involved
in programme production would demand cost-effective HDCAM players
for viewing, logging and feeding of HDCAM material into non-linear edit
systems. The J-H Series compact players have been designed to meet
this requirement. Sharing the same design philosophy and physical
dimensions of the J Series Standard Definition compact players, both
the J-H1 and J-H3 are affordable, compact and lightweight. While the
J-H1 provides HDCAM playback at 1080/59.94i, 1080/50i, 1080/25PsF
and 1080/29.97PsF, the J-H3 is equipped with a number of additional
features to support 24P production and is the ideal partner to the CineAlta
line-up.

FEATURES

J-H1/J-H3 Compact Digital Video Players

18

Flexible Audio Outputs

Both the J-H1 and J-H3 provide two channels
of analogue audio output, available from either
the XLR or phono connectors located on the
rear panel. A headphone socket is also pro­vided on the front panel. The audio channels
to be output from the analogue outputs and
headphone socket can be selected from
Ch 1/2, Ch 3/4 and the Cue track. Audio is
automatically muted for off-speed playback
and non-data playback.

Additional J-H3 Features –
Extending Applications in Post
Production

The J-H3 offers additional features specifically
designed to improve its suitability for post
production. These include:

■ Reference input (HD/SD switchable)

■ RS-422A

■ Time code output

■ Pull down function to convert 1080/23.98PsF

to 1080/59.94i and 525/59.94i

Comprehensive Interfacing for
Signal Output and Monitoring

HD and SDI Outputs

For Connection to High Grade Monitors

The J-H1 and J-H3 are equipped with an ana­logue Y/Pb/Pr component output (BNC x 3)
for connection to an HD picture monitor. The
J-H3 also offers HD-SDI and SD-SDI outputs
for high quality monitoring and feeding to SD
and HD non-linear editors. AES/EBU audio
and non-audio data are embedded in the dig­ital outputs.

Built-in Down-converter

For Connection to Standard Definition
Monitors

Both the J-H1 and J-H3 have a built-in down­converter, offering NTSC or PAL composite
video output from the BNC and RCA output
connectors. HDCAM-originated content can
be down-converted for viewing on a Standard
Definition monitor or for subsequent post pro­duction in the SD domain.

RGB Computer Display Interface

For Connection to Computer Displays

The J-H1 and J-H3 are equipped with an RGB
computer display interface to output HDCAM­originated content at XGA resolution. The
pixel count of an XGA display is 1024 x 768,
so the HDCAM image is “letterboxed” to
1024 x 577 pixels. Alternatively, the players
can be connected to an XGA-capable data
projector for review of material or for formal
presentations.

i.LINK* Interface

“Single-Cable” Transmission of Video, Audio
and Time Code

An optional HKJ-101 i.LINK interface board
can be installed into the J-H1 and J-H3. This
can feed down-converted HDCAM material as
25 Mb/s DV data, with audio and time code,
via a single i.LINK interface cable.

This DV-output can be connected to a
DVCAM deck for dubbing of HDCAM material
to DVCAM tape**. It also allows a direct
connection to DV-based non-linear editors for
low-cost off-line editing.

100

161

321.5

307

397

100

Small tape

Large tape

SD Composite Video Output
HD Component Video Output
HD and SD SDI Output
RGB Computer Display Interface

Selectable Display Devices

Monitors

Computer

Display

Can be used

vertically

Projectors

Monitors

Viewing

Simple Dubbing

Dimensions

Small tape

Large tape

HDCAM

Digital Betacam

or MPEG IMX

DVCAM

HDCAM Deck

DVCAM Deck

Digital Betacam or

MPEG IMX Deck

HD-SDI

or SDI Connection

or i.Link Connection

i.LINK

9-pin simple
remote

J-H3 only

J-H1/3

NLE

NLE

HD-SDI or SDI

or i.LINK

Source Feeding to NLE

* i.LINK is a trademark of Sony used only to designate that a
product contains an IEEE1394 connection. The i.LINK connection
may vary depending on the software applications, operating sys­tem and specific device. It is possible that some products with an

i.LINK connection may not communicate with others. Please refer
to the documentation that comes with an i.LINK-equipped device
for information on compatibility, operating conditions and proper
connection.

** Assemble or Insert editing functions cannot be used.

19

HDW-2000 Series and HDW-1800 Series

GENERAL

Power requirements 100 to 240 V, 50/60 Hz
Power consumption 220 W 150 W
Operating temperature +5 to +40 °C (41to 104 °F)
Storage temperature -20 to +60 °C (-4 to +140 °F)
Humidity 25 to 90% 20 to 90%
Mass 23 kg (50 lb 11 oz) 22 kg (48 lb 8 oz)
Dimensions (W x H x D) 427 x 174 x 544 mm (16 7/8 x 6 7/8 x 21 1/2 inches)
Tape speed HDCAM 96.7 mm/s (59.94i, 29.97PsF), 80.6 mm/s (50i, 25PsF), 77.4 mm/s (24PsF, 23.98PsF)

Digital Betacam — 96.7 mm/s
MPEG IMX — 64.5 mm/s (525/59.94), 53.8 mm (625/50)
Betacam SX — 59.6 mm/s —

Betacam/Betacam SP — 118.6 mm/s (525/59.94), 101.5 mm/s (625/50) —
HDCAM record/playback time 124 minutes (59.94i, 29.97PsF, with BCT-124HDL cassette)
(HDW-M2100P is replay only) 149 minutes (50i, 25PsF, with BCT-124HDL cassette)

155 minutes (24PsF,23.98PsF, with BCT-124HDL cassette)

40 minutes (59.94i, 29.97PsF, with BCT-40HD cassette)

48 minutes (50i, 25PsF, with BCT-40HD cassette)

50 minutes (24PsF,23.98PsF, with BCT-40HD cassette)
Fast forward/rewind time Approx. 3 minutes (with BCT-124HDL cassette)
Search speed range SHUTTLE MODE HDCAM Still to ±50 times normal speed playback (59.94i, 29.97PsF),

Still to ±58 times normal speed playback (50i, 25PsF),

Still to ±60 times normal speed playback (24PsF,23.98PsF)
Digital Betacam — Still to ±50 times normal speed playback
MPEG IMX — Still to ±78 times normal speed playback
Betacam SX — Still to ±78 times normal speed playback —
Betacam/Betacam SP — Still to ±35 times normal speed playback (525/59.94) —

Still to ±42 times normal speed playback (625/50)

VARIABLE MODE HDCAM -1 to +2 times normal speed playback

Digital Betacam — -1 to +3 times normal speed playback
MPEG IMX — -1 to +3 times normal speed playback
Betacam SX — -1 to +2 times normal speed playback —
Betacam/Betacam SP — -1 to +3 times normal speed playback —

JOG MODE Still to ±1 times normal speed playback
Servo lock time 0.6 s or less (59.94i, 29.97PsF, from standby on), 0.7 s or less (50i,25PsF, 24PsF, 23.98PsF, from standby on)
Load/unload time 6 s or less (both L and S cassettes)

INPUT/OUTPUT

HD-SDI input BNC x 1 (SMPTE 292M), Serial Digital (1.485 Gb/s) —
SDTI input (with optional HKDW-102 installed) BNC x 1 (SMPTE305M), 270 Mb/s —
Reference video input BNC x 2 (with a loop-through), Tri-level sync, 0.6 Vp-p, 75 Ω, sync negative or Black Burst or Composite, 0.3 Vp-p, 75 Ω, sync negative

Digital audio input (CH 1/2, CH 3/4) BNC x 2, AES/EBU —
Analogue audio input (CH 1/2/3/4/Cue) XLR-3-pin type, female, x 5

Low off: -60 dBu, high impedance, balanced
High off: +4 dBu, high impedance, balanced

—

High on: -4 dBm, 600 Ω termination, balanced
Time code input XLR-3-pin type, female, x 1 (0.5 to 18 Vp-p,10 kΩ,balanced)
i.LINK(HDV 1080i) input (option: HKDW-105) — IEEE1394, 6-pin x 1
HD-SDI output BNC x 3 (SMPTE 292M including one character out), Serial Digital (1.485 Gb/s)
SD-SDI output BNC x 3 (SMPTE 259M including one character out),

Serial Digital (270 Mb/s)
SDTI output (with optional HKDW-102 installed) BNC x 2 (SMPTE 305M), 270 Mb/s —
SDI output BNC x 3 (SMPTE 259M including one character out), Serial Digital (270 Mb/s)
Analogue composite output BNC x 3 (RS-170A, including one character out, one WFM out)

Y: 1.0 Vp-p, sync negative, R-Y/B-Y: 0.7 Vp-p, 75 Ω
Analogue component output BNC x 3, for one set, 1.0 V p-p, 75 Ω,sync negative —
Digital audio output BNC x 2, AES/EBU BNC x 4, AES/EBU

(CH 1/2, CH 3/4) (CH 1/2, CH 3/4, CH 5/6, CH 7/8)
Analogue audio output (CH 1/2/3/4) XLR-3-pin type, x 5, male, +4 dBm (600 Ω load), low impedance, balanced
Time code output XLR-3-pin type, male, x 1 (2.2 Vp-p,lo w impedance, balanced)
Monitor output L/R XLR-3-pin type, male, x 2 (+4 dBm at 600 Ω load, low impedance, balanced)
Headphones JM-60 Stereo phone jack (-∞ to -12 dBu at 8 Ω load, unbalanced)
Remote1 In D-sub 9-pin, Sony 9-pin remote interface
Remote1 Out D-sub 9-pin, Sony 9-pin remote interface
RS-232C D-sub 9-pin
Remote2 Parallel I/O D-sub 50-pin
Video control D-sub 9-pin, D-sub 15-pin D-sub 9-pin
Control panel D-sub 15-pin —
Others “Memory Stick”™slot, PCMCIA slot

PROCESSOR ADJUSTMENT RANGE

Video level ±3 dB/∞ to +3 dB, selectable
Chroma level ±3 dB/∞ to +3 dB, selectable
Set up/black level ±30 IRE
Chroma phase/hue ±30°
System sync phase ±15 µs
System SC phase ±200 ns
Y/C delay — ±100 ns

DIGITAL VIDEO PERFORMANCE

Sampling frequency Y: 74.25 MHz, R-Y/B-Y: 37.125 MHz
Quantisation 10 bit/sample (compression: 8 bit/sample)
Compression Coefficient recording system
Channel coding S-I-NRZI PR-IV
Error correction Reed-Solomon code

ANALOGUE COMPONENT OUTPUT PERFORMANCE

Bandwidth Y: 0 to 5.75 MHz +0.5 dB/-2.0 dB, R-Y/B-Y: 0 to 2.75 MHz +0.5 dB/-2.0 dB —
S/N ratio 56 dB or more —
K Factor (2T Pulse) 1% or less —

ANALOGUE COMPOSITE OUTPUT PERFORMANCE

Bandwidth 0 to 5.75 MHz +0.5 dB/-3.0 dB
S/N ratio 53 dB or more
Differential gain 2% or less
Differential phase 2° or less
Y/C delay 20 ns or less
K Factor (2T Pulse) 1% or less
Output SCH phase Based upon RS-170A/CCIR R.624-3

DIGITAL AUDIO PERFORMANCE

Sampling frequency 48 kHz (Synchronised with video)
Quantisation 20 bit/sample
Wow & flutter Below measurable level
Headrooms 20 dB (or 18 dB selectable)
Emphasis (ON/OFF selectable in REC mode) T1=50 µs, T2=15 µs (on/off selectable in recording mode)

ANALOGUE AUDIO OUTPUT PERFORMANCE

A/D quantisation 20 bit/sample
D/A quantisation 20 bit/sample
Frequency response 20 Hz to 20 kHz +0.5 dB/-1.0 dB (0 dB at 1 kHz)
Dynamic range More than 95 dB (at 1 kHz, emphasis ON)
Distortion Less than 0.05% (at 1 kHz, emphasis ON, reference level)
Crosstalk Less than -80 dB (at 1 kHz, between any two channels)

CUE TRACK

Sampling frequency 100 Hz to 12 kHz ±3 dB —
S/N ratio More than 45 dB (at 3% distortion level) —
Distortion Less than 2% (T.H.D. at 1 kHz, reference level) —
Wow & flutter Less than 0.2% —
Erase ratio More than 60 dB —

SUPPLIED ACCESSORIES

Operation manual (1), Installation manual (1)

HDW-2000 HDW-M2000P HDW-M2100P

HDW-D1800

Specifications

20

“Memory

BNC x 2,

XLR-3-pin type,

Low off: -60 dBu, high

High off: +4 dBu, high

High on: -4 dBm, 600 Ω

XLR-3-pin type, x 2, male, +4 dBm

100 to 240 V, 50/60 Hz

150 W 220 W

+5 to +40 °C (41to 104 °F)

-20 to +60 °C (-4 to +140 °F)

20 to 90% 25 to 90%

22 kg (48 lb 8 oz) 23 kg (50 lb 11 oz)

427 x 174 x 544 mm (16 7/8 x 6 7/8 x 21 1/2 inches)

96.7 mm/s (59.94i, 29.97PsF), 80.6 mm/s (50i, 25PsF),77.4 mm/s (24PsF, 23.98PsF)
— 96.7 mm/s
— 64.5 mm/s (525/59.94), 53.8 mm (625/50)

—
—

124 minutes (59.94i, 29.97PsF, with BCT-124HDL cassette)

149 minutes (50i, 25PsF, with BCT-124HDL cassette)

155 minutes (24PsF,23.98PsF, with BCT-124HDL cassette)

40 minutes (59.94i, 29.97PsF, with BCT-40HD cassette)

48 minutes (50i, 25PsF, with BCT-40HD cassette)

50 minutes (24PsF,23.98PsF, with BCT-40HD cassette)

Approx. 3 minutes (with BCT-124HDL cassette)

Still to ±50 times normal speed playback (59.94i, 29.97PsF),

Still to ±58 times normal speed playback (50i, 25PsF),

Still to ±60 times normal speed playback (24PsF,23.98PsF)
— Still to ±50 times normal speed playback
— Still to ±78 times normal speed playback

—
—

-1 to +2 times normal speed playback
— -1 to +3 times normal speed playback
— -1 to +3 times normal speed playback

—
—

Still to ±1 times normal speed playback

0.6 s or less (59.94i, 29.97PsF, from standby on), 0.7 s or less (50i, 25PsF, 24PsF, 23.98PsF, from standby on)
6 s or less (both L and S cassettes)

BNC x 1 (SMPTE 292M), Serial Digital (1.485 Gb/s)

— BNC x 1 (SMPTE305M), 270 Mb/s

BNC x 2 (with a loop-through), Tri-level sync, 0.6 Vp-p, 75 Ω, sync negative or Black Burst or Composite, 0.3 Vp-p, 75 Ω, sync negative

BNC x 2, AES/EBU

XLR-3-pin type, female, x 5
Low off: -60 dBu, high impedance, balanced
High off: +4 dBu, high impedance, balanced

High on: -4 dBm, 600 Ω termination, balanced

XLR-3-pin type, female, x 1 (0.5 to 18 Vp-p,10 kΩ,balanced)

IEEE1394, 6-pin x1 —

BNC x 3 (SMPTE 292M including one character out), Serial Digital (1.485 Gb/s)

BNC x 3 (SMPTE 259M including one character out),

Serial Digital (270 Mb/s)

— BNC x 2 (SMPTE 305M), 270 Mb/s

BNC x 3 (SMPTE 259M including one character out), Serial Digital (270 Mb/s)

BNC x 3 (RS-170A, including one character out, one WFM out)

Y: 1.0 Vp-p, sync negative, R-Y/B-Y: 0.7 Vp-p, 75 Ω

— BNC x 3, for one set, 1.0 V p-p,75 Ω,sync nega tive

BNC x 2, AES/EBU BNC x 4, AES/EBU

(CH 1/2, CH 3/4) (CH 1/2, CH 3/4, CH 5/6, CH 7/8)

XLR-3-pin type, x 5, male, +4 dBm (600 Ω load), low impedance, balanced

XLR-3-pin type, male, x 1 (2.2 Vp-p,lo w impedance, balanced)

XLR-3-pin type, male, x 2 (+4 dBm at 600 Ω load, low impedance, balanced)

JM-60 Stereo phone jack (-∞ to -12 dBu at 8 Ω load, unbalanced)

D-sub 9-pin, Sony 9-pin remote interface
D-sub 9-pin, Sony 9-pin remote interface

D-sub 9-pin

D-sub 50-pin

D-sub 9-pin D-sub 9-pin, D-sub 15-pin

— D-sub 15-pin

“Memory Stick”™slot, PCMCIA slot

±3 dB/∞ to +3 dB, selectable
±3 dB/∞ to +3 dB, selectable

±30 IRE

±30°

±15 µs

±200 ns

—

Y: 74.25 MHz, R-Y/B-Y: 37.125 MHz

10 bit/sample (compression: 8 bit/sample)

Coefficient recording system

S-I-NRZI PR-IV

Reed-Solomon code

— Y: 0 to 5.75 MHz +0.5 dB/-2.0 dB, R-Y/B-Y: 0 to 2.75 MHz +0.5 dB/-2.0 dB
— 56 dB or more
— 1% or less

0 to 5.75 MHz +0.5 dB/-3.0 dB

53 dB or more

2% or less

2° or less

20 ns or less

1% or less

Based upon RS-170A/CCIR R.624-3

48 kHz (Synchronised with video)

20 bit/sample

Below measurable level

20 dB (or 18 dB selectable)

T1=50 µs, T2=15 µs (on/off selectable in recording mode)

20 bit/sample
20 bit/sample

20 Hz to 20 kHz +0.5 dB/-1.0 dB (0 dB at 1 kHz)

More than 95 dB (at 1 kHz, emphasis ON)

Less than 0.05% (at 1 kHz, emphasis ON, reference level)

Less than -80 dB (at 1 kHz, between any two channels)

— 100 Hz to 12 kHz ±3 dB
— More than 45 dB (at 3% distortion level)
— Less than 2% (T.H.D.a t 1 kHz, reference level)
— Less than 0.2%
— More than 60 dB

Operation manual (1), Installation manual (1)

HDW-D2000HDW-1800

Digital Betacam playback

HDW-M2000P, HDW-M2100P,

HDW-D2000, HDW-D1800

HDW-2000
HDW-1800

HDW-M2000P, HDW-M2100P,

HDW-D2000, HDW-D1800

HDW-M2000P, HDW-M2100P

HDW-M2000P, HDW-M2100P

HDW-2000
HDW-1800

VIDEO PERFORMANCE

Bandwidth Y 0 to 5.75 MHz +0.5 dB/-0.5 dB

—

R-Y/B-Y 0 to 2.75 MHz +0.5 dB/-0.5 dB

S/N ratio 62 dB or more

—

K factor 1% or more

—

DIGITAL AUDIO (CH 1 TO CH 4)

Frequency response (0 dB at 1 kHz) 20 Hz to 20 kHz +0.5 dB/-1.0 dB

—

Dynamic range 95 dB (at 1 kHz, emphasis ON)

—

Distortion (T.H.D. at 1 kHz, reference level) 0.05% rms (emphasis ON)

—

Wow & flutter Below measurable level

—

ANALOGUE AUDIO (CUE TRACK)

Frequency response (0 dB at 1 kHz) 100 Hz to 12 kHz +3 dB/-3 dB

—

S/N ratio (at 3% distortion level) 45 dB (at 1 kHz)

—

Distortion (T.H.D. at 1 kHz, reference level) 2% or less

—

Wow & flutter Less than 0.2% (DIN 45508 weighted)

—

MPEG IMX playback

VIDEO PERFORMANCE

Bandwidth Y 0 to 5.75 MHz +0.5 dB/-2.0 dB

R-Y/B-Y 0 to 2.75 MHz +0.5 dB/-2.0 dB

—

S/N ratio 56 dB or more

—

K factor (2T pulse) 1% or more

—

AUDIO PERFORMANCE

Frequency response (0 dB at 1 kHz) 20 Hz to 20 kHz +0.5 dB/-1.0 dB

—

Dynamic range 90 dB or more (at 1 kHz, emphasis ON,

—

16 bits/48 kHz)

Distortion

0.05% or less (at 1 kHz, emphasis ON,
—

reference level (+4 dBm))

Betacam SX playback

VIDEO PERFORMANCE

Bandwidth Y 0 to 5.5 MHz +0.5 dB/-3.0 dB

R-Y/B-Y 0 to 2.0 MHz +0.5 dB/-3.0 dB
S/N ratio 56 dB or more
K factor 1% or less

AUDIO PERFORMANCE

Frequency response (0 dB at 1 kHz) 20 Hz to 20 kHz +0.5 dB/-1.0 dB (0 dB at 1 kHz)
Dynamic range 90 dB or more (at 1 kHz, emphasis ON)
Distortion

0.05% or less (at 1 kHz, emphasis ON, reference level (+4 dBm))

Analogue Betacam SX playback

METAL TAPE OXIDE TAPE

VIDEO PERFORMANCE

Bandwidth Y 30 Hz to 4.5 MHz +0.5 dB/-4.0 dB 30 Hz to 4.1 MHz +0.5 dB/-6.0 dB

R-Y/B-Y 30 Hz to 1.5 MHz +0.5 dB/-3.0 dB 30 Hz to 1.5 MHz +0.5 dB/-3.0 dB

S/N ratio Y 51 dB or more 48 dB or more

R-Y/B-Y 48 dB or more 45 dB or more
K-Factor (2T Pulse) 2% or less 3% or less
LF non-linearity Y 3% or less

R-Y/B-Y 4% or less
Y/C delay 20 ns or less

VIDEO PERFORMANCE

LNG

Frequency response

50 Hz to15 kHz +1.5 dB/-3.0
S/N ratio 72 dB or more 50 dB or more (Dolby NR off)
T.H.D. 1% or less 2% or less
Wow & Flutter 0.1% rms or less

AFM*

Frequency response

20 Hz to 20 kHz +0.5 dB/-2.0 dB
S/N ratio 85 dB or more
T.H.D. 0.5% or less

21

Stick”™slot

AES/EBU

female, x 2
impedance, balanced
impedance, balanced

termination, balanced

(600 Ω load), low impedance, balanced

HDW-S280

GENERAL

Power requirements 100 to 240 V,50/60 Hz
Power consumption 80 W (AC operation), 60 W (DC operation)
Operating temperature +5 to +40 °C (41 to 104 °F)
Storage temperature -20 to +60 °C (-4 to +140 °F)
Humidity 25 to 80%
Mass 6 kg (13 lb 4 oz)
Dimensions (W x H x D) 210 x 132 x 425 mm (8 3⁄8 x 5 1⁄4 x 16 3⁄4 inches)
Tape speed HDCAM 96.7 mm/s (59.94i, 29.97PsF), 80.6 mm/s (50i, 25PsF), 77.4 mm/s (24PsF, 23.98PsF)

Betacam SX 59.6 mm/s
Betacam/Betacam SP 118.6 mm/s (59.94i), 101.5 mm (50i)

HDCAM Record/playback time 40 minutes (59.94i, 29.97PsF, with BCT-40HD cassette)

48 minutes (50i, 25PsF, with BCT-40HD cassette)

50 minutes (24PsF,23.98PsF, with BCT-40HD cassette)
Fast forward/rewind time Approx. 4 minutes (fast-forward),3 minutes (rewind)
Search speed range Shuttle mode Still to ±10 times normal speed playback

Jog mode Still to ±1 time normal speed playback
Servo lock time 1.0 s or less
Load/unload time 7 s or less

INPUT/OUTPUT

HD-SDI input BNC x 1 (SMPTE 292M), Serial Digital (1.485 Gb/s)
Reference video input BNC x 2 (with a loop-through), Tri-level sync, 0.6 Vp-p, 75 Ω , sync negative or Black Burst or Composite, 0.3 Vp-p, 75 Ω , sync negative
Analogue audio input (CH 1/2) XLR-3-pin type, female x 2, +4/0/-3/-20/-60 dBu selectable, high impedance, balanced
Timecode input BNC x1 (0.5 to 18 Vp-p, 10 kΩ, balanced)
HD-SDI output BNC x 2 (SMPTE 292M), Serial Digital (1.485 Gb/s)
SD-SDI output BNC x 2 (SMPTE 259M including one character out), Serial Digital (270 Mb/s)
Analogue composite output BNC x 2 (RS-170A, including one character out) Y: 1.0 Vp-p, sync negative, R-Y/B-Y: 0.7 Vp-p, 75 Ω
Analogue audio output (CH 1/2) XLR-3-pin type, male x 2, +4 dBm (600 Ω load), low impedance, balanced
Timecode output BNC x1 (1.0 Vp-p, unbalanced)
Audio monitor output L/R XLR-3-pin type, male x 2, +4 dBm (600 Ω load), low impedance, balanced
Headphones JM-60 Stereo phone jack (-∞ to -12 dBu a t 8 Ω load, unbalanced)
Remote (RS-422) D-sub 9-pin, Sony 9-pin remote interface
Video control D-sub 9-pin
DC output Round shape 4-pin, female x 1, for RM-280 or BVR-3 controller
Others “Memory Stick” slot

PROCESSOR ADJUSTMENT RANGE

Video level ±3 dB/∞ to +3 dB, selectable
Chroma level ±3 dB/∞ to +3 dB, selectable
Set up/black level ±210 mV
Chroma phase/hue ±30º
System sync phase ±15 µs
System SC phase ±200 ns
Y/C delay ±100 ns

DIGITAL VIDEO PERFORMANCE

Sampling frequency Y: 74.25 MHz, R-Y/B-Y: 37.125 MHz
Quantisation 10 bit/sample (compression: 8 bit/sample)
Compression Coefficient recording system
Channel coding S-I-NRZI PR-IV
Error correction Reed-Solomon code

ANALOGUE COMPOSITE OUTPUT PERFORMANCE

Bandwidth Y: 0 to 5.75 MHz +0.5 dB/-2.0 dB, R-Y/B-Y:0 to 2.75 MHz +0.5 dB/-2.0 dB
S/N ratio 53 dB or more
Differential gain 2% or less
Differential phase 2% or less
Y/C delay 20 ns or less
K Factor (2T Pulse) 1% or less
Output SCH phase Based upon RS-170A/CCIR R.624-3

DIGITAL AUDIO PERFORMANCE

Sampling frequency 48 kHz (Synchronised with video)
Quantisation 20 bit/sample
Wow & flutter Below measurable level
Headrooms 20/18/16/12 dB selectable
Emphasis (ON/OFF selectable in REC mode) T1=50 µs, T2=15 µs (on/off selectable in recording mode)

ANALOGUE AUDIO OUTPUT PERFORMANCE

A/D quantisation 20 bit/sample
D/A quantisation 20 bit/sample
Frequency response 20 Hz to 20 kHz +0.5 dB/-1.0 dB (0 dB at 1 kHz)
Dynamic range More than 90 dB (at 1 kHz, emphasis ON)
Distortion Less than 0.08% (at 1 kHz, emphasis ON, reference level)
Crosstalk Less than -80 dB (at 1 kHz, between any two channels)

CUE TRACK

Frequency response 100 Hz to 10 kHz ±3 dB
S/N ratio More than 45 dB (at 3% distortion level)
Distortion Less than 2% (T.H.D. at 1 kHz, reference level)
Wow & flutter Less than 0.2%
Erase ratio More than 60 dB

SUPPLIED ACCESSORIES

Operation manual (1), Installation manual (1), Connector cap (1)

BETACAM SX PLAYBACK
VIDEO PERFORMANCE

Bandwidth Y NTSC: 0 to 4.5 MHz +0.5 dB/-3.0 dB

PAL: 0 to 5.5 MHz +0.5 dB/-3.0 dB

R-Y/B-Y 0 to 2.0 MHz +0.5 dB/-3.0 dB
S/N ratio 56 dB or more
K factor (2T pulse) 1% or less

AUDIO PERFOMANCE

Frequency response 20 Hz to 20 kHz +0.5 dB/-1.0 dB (0 dB at 1 kHz)
Dynamic range 88 dB or more (at 1 kHz, emphasis ON)
Distortion 0.08% or less (at 1 kHz, emphasis ON, reference level (+4 dBm))

ANALOGUE BETACAM (NTSC) PLAYBACK METAL TAPE OXIDE TAPE
VIDEO PERFORMANCE

Bandwidth Y 30 Hz to 4.5 MHz +0.5 dB/-4.0 dB 30 Hz to 4.1 MHz +0.5 dB/-6.0 dB

R-Y/B-Y 30 Hz to 1.5 MHz +0.5 dB/-3.0 dB 30 Hz to 1.5 MHz +0.5 dB/-3.0 dB
S/N ratio Y 51 dB or more 48 dB or more

R-Y/B-Y 48 dB or more 45 dB or more
K-Factor (2T Pulse) 2% or less 3.5% or less
LF non-linearity Y 3% or less 3% or less

R-Y/B-Y 4% or less 4% or less

Y/C delay 20 ns or less 20 ns or less

AUDIO PERFORMANCE

LNG Frequency response 50 Hz to15 kHz +1.5 dB/-3.0 dB 50 Hz to15 kHz ±3.0 dB

S/N ratio 72 dB or more 50 dB or more (Dolby NR off)

T.H.D. 1.5% or less 2% or less

Wow & flutter 0.2% or less 0.2% or less

ANALOGUE BETACAM (PAL) PLAYBACK METAL TAPE OXIDE TAPE
VIDEO PERFORMANCE

Bandwidth Y 25 Hz to 4.5 MHz +0.5 dB/-4.0 dB 25 Hz to 4.1 MHz +0.5 dB/-6.0 dB

R-Y/B-Y 25 Hz to 1.5 MHz +0.5 dB/-3.0 dB 25 Hz to 1.5 MHz +0.5 dB/-3.0 dB
S/N ratio Y 48 dB or more 46 dB or more

R-Y/B-Y 48 dB or more 45 dB or more
K-Factor (2T Pulse) 2.5% or less 4% or less
LF non-linearity Y 3% or less 3% or less

R-Y/B-Y 4% or less 4% or less

Y/C delay 20 ns or less 20 ns or less

AUDIO PERFORMANCE

LNG Frequency response 50 Hz to 15 kHz +1.5 dB/-3.0 dB 50 Hz to15 kHz 3.0 dB

S/N ratio 68 dB or more 62 dB or more (Dolby NR off)

T.H.D. 1.5% or less 2% or less

Wow & flutter 0.2% or less 0.2% or less

22

Specifications

J-H1/J-H3

J-H1 J-H3

GENERAL

Power requirements AC 100 V to 240 V 50/60 Hz
Power consumption 50 W 60 W
Operating temperature +5 °C to +40 °C (+41 °F to +104 °F)
Storage temperature -20 °C to +60 °C (-4 °F to +140 °F)
Humidity 25 % to 80 % (relative humidity)
Mass 7.5 kg (16 lb 9 oz)
Dimensions (W x H x D) 307 x 100 x 397 mm (12 1⁄8 x 4 x 15 3⁄4 inches)
Tape speed HDCAM 96.7 mm/s (29.97 Hz), 80.7 mm/s (25 Hz) 96.7 mm/s (29.97 80.7 mm/s (25 Hz) 77.4 mm/s (24 Hz)
Playback time 124 min (29.97 Hz, with BCT-124HDL) 124 min (29.97 Hz, with BCT-124HDL)

149 min (25 Hz, with BCT-124HDL) 149 min (25 Hz,with BCT-124HDL)

155 min (24 Hz, with BCT-124HDL)
Fast forward / Rewind time Approx. 6 min with BCT-124HD
Search speed Shuttle mode Still to ± 21 times normal speed playback

Jog mode Still to ±1 time normal speed playback
Servo lock time 1 sec or less (from standby on)
Load/unload time 7 sec or less –

INPUT/OUTPUT

Digital HD video – BNC x 1, SMPTE-292M
Digital SD Video – BNC x 1, SMPTE-259M
Analogue HD video BNC (x 3) Y: 0.7 vp-p, Pb/Pr: ±0.7vp-p 75 Ω

EIAJ RC-5237 connector, EIAJ CP-4120 standard
Analogue SD video BNC (x 1), Pin jack (x 1), 1.0 Vp-p, 75 Ω
Computer display D-sub 15 pin, XGA (1024 x 768 dots), RGB, 0.7 V
i.LINK (Optional) IEEE1394
Timecode – BNC x 1, SMPTE 12M
Audio monitoring Pin jack (x 2): -10 dBu at 47 kΩ load, unbalanced

XLR (male x 2) +4 dBm, 600 Ω load, low impedance, balanced
Headphone JM-60 stereo phone jack, -∞ to -12 dBu at 8 Ω, unbalanced
RS-232C D-sub 9 pin male (x 1)
RS-422 – D-sub 9 pin female (x 1), Sony 9-pin remote interface
Wireless remote BIRCS
EXT SYNC BNC x 2

HD ANALOGUE RESPONSE

Output level Y: 700 mV (±5 %) , Pb/Pr:700 mV (±5 %) ,Sync signal: 300 mV (±5 %)
Bandwidth Y: 0 to 20 MHz + 1.0 dB / -3.0 dB , Pb/Pr: 0 to 7 MHz +1.0 dB / -3.0 dB
S/N ratio 56 dB or more
Output impedance Y, Pb, Pr: 75 Ω (±5 %)
Y/C Delay Y, Pb, Pr:±15 nsec or less

XGA ANALOGUE RESPONSE

Output level R: 700 mV (±5 %), G: 700 mV (±5 %),B: 700 mV (±5 %)
Resolution XGA
Refresh/rate 60 Hz
H-Frequency 48.4 kHz

SD COMPOSITE RESPONSE

Output level Y: 59.94i: 714 mV (±5 %), 50i: 700 mV (±5 %)

Sync: 59.94i: 286 mV (±5 %), 50i:300 mV (± 5%)

Burst: 59.94i: 286 mV (±5 %), 50i:300 mV (±5 %)
Bandwidth 0.5 to 5.75 MHz + 0.5 dB/-3.0 dB
S/N ratio 56 dB or more
Y/C delay 20 nsec or less
K Factor (2T Pulse) 1.0 % or less

ANALOGUE AUDIO RESPONSE

Output level XLR: +4±0.5 dBm, -20 dBFS, 600 Ω terminated

PIN: +10±0.5 dBu, -20 dBFS, 47 kΩ terminated
Frequency response 20 Hz to 20 kHz + 1.0 dB/-1.5 dB
Dynamic range More than 85 dB (at 1 kHz, emphasis ON)
Distortion Less than 0.1 % (at 1 kHz/-20 dBFS, emphasis ON)
Wow & flutter Below measurable level

CUE AUDIO RESPONSE

Sampling frequency 100 Hz to 10 kHz ±3.0 dB
S/N ratio More than 43.5 dB (3 % distortion level )
Distortion Less than 2 % (T.H.D. at 1kHz, reference level )
Wow & flutter Less than 0.18 %

SUPPLIED ACCESSORIES

Operation manual (CD-ROM), Quick operation guide, Vertical stand (x 2),Infra-red remote controller

SSeerrvviicceess ffrroomm SSoonnyy:: wwoorrkkiinngg wwiitthh yyoouu,, wwoorrkkiinngg ffoorr yyoouu..

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