Sony FCB-EX11DP, FCB-EX11D User Manual

A-CXD-100-11(1)

Color Camera Module

Technical Manual

FCB-EX11D/EX11DP

 2008 Sony Corporation

Features ..................................................................... 3

Precautions ................................................................ 4

Locations of Controls ............................................... 5

Basic Functions ......................................................... 6

Overview of Functions ................................................ 6

Eclipse ...................................................................... 19

Spectral Sensitivity Characteristics .......................... 19

Vibration Specifications ............................................ 19

Initial Settings, Custom Preset and Backup ............. 20

Mode Condition ........................................................ 22

Command List ......................................................... 25

VISCA/RS-232C Commands ................................... 25

FCB Camera Commands ......................................... 31

Specifications .......................................................... 47

• The EX-view HADTM CCD features 380,000 (NTSC) or 440,000 (PAL) effective picture elements and high-sensitivity shooting.

•10× optical zoom (120× with digital zoom).

• Supporting external synchronization (V-Lock).

• Images with a high resolution can be obtained using a newly developed DSP for improved picture quality.

• VISCA is a communications protocol, which enables the camera to be controlled remotely from a host computer/controller.

• Six memory locations are provided to temporally save and recall up to six sets of camera settings.

• Enhanced privacy zone masking (max. 24 blocks)

•A mosaic masking function has been added to the privacy zone masking function.

•A title composed of up to 11 lines can be set for displaying on the screen. 20 characters can be used on one line.

• E-FLIP function

• Alarm function with adjustable detection zones

• Adjustable AE response speed

Overview

Features

With consideration given environmental protection, this module is designed to operate with low power consumption and also incorporates lead-free and halogen-free circuit boards.

Overview

Precautions

Software

Use of the demonstration software developed by Sony Corporation or use of the software with customer developed application software may damage hardware, the application program or the camera. Sony Corporation is not liable for any damages under these conditions.

Operation

Start the camera control software on your computer after you turn on the camera and the image is displayed.

Operation and storage locations

Do not shoot images that are extremely bright (e.g., light sources, the sun, etc.) for long periods of time. Do not use or store the camera in the following extreme conditions:

• Extremely hot or cold places (operating temperature 0 ˚C to +50 ˚C (32 ˚F to 122 ˚F))

• Close to generators of powerful electromagnetic radiation such as radio or TV transmitters

• Where it is subject to fluorescent light reflections

• Where it is subject to unstable (flickering, etc.) lighting conditions

• Where it is subject to strong vibration

• Where it is subject to radiation from laser beams

In case of abnormal operation, contact your authorized Sony dealer or the store where you purchased the product.

Phenomena specific to CCD image sensors

The following phenomena that may appear in images are specific to CCD (Charge Coupled Device) image sensors. They do not indicate malfunctions.

White flecks

Although the CCD image sensors are produced with high-precision technologies, fine white flecks may be generated on the screen in rare cases, caused by cosmic rays, etc. This is related to the principle of CCD image sensors and is not a malfunction.

The white flecks especially tend to be seen in the following cases:

• when operating at a high environmental temperature.

• when you have raised the master gain (sensitivity).

• when operating in Slow-Shutter mode.

Vertical smear

When an extremely bright object, such as a strong spotlight or flashlight, is being shot, vertical tails may be produced on the screen, or the image may be distorted.

Vertical tails shown on the

Monitor screen

image.

Care of the unit

Remove dust or dirt on the surface of the lens with a blower (commercially available).

Other

Do not apply excessive voltage. (Use only the specified voltage.) Otherwise, you may get an electric shock or a fire may occur.

Bright object (e.g. strong spotlight, strong reflected light, flashlight, the sun)

Aliasing

When fine patterns, stripes, or lines are shot, they may appear jagged or flicker.

Locations of Controls

Front

Back Bottom

Left side

1 Lens 2 CN401 jack 3 CN402 jack

4 Tripod screw hole

When a tripod is used, please use

5.5 mm ( to the camera. Also, please be sure to attach the tripod securely.

/32 in.) screw to attach it

Basic Functions

Overview of Functions

VISCA commands are the basis of camera control.

Timing Chart

As VISCA Command processing can only be carried out one time in a Vertical cycle, it takes the maximum 1V cycle time for an ACK/Completion to be returned. If the Command ACK/Completion communication time can be cut shorter than the1V cycle time, then every 1V cycle can receive a Command.

General Commands

Within

In general

• Power On/Off

Powers the camera on and off. When the power is off, the camera is able to accept only the lowest level of VISCA Commands; the display and other features are turned off.

• I/F clear

Clears the Command buffer of the FCB camera. Clearing the buffer can also be carried out from the control application software when the power is on.

• Address set

VISCA is a protocol, which normally can support a daisy chain of up to seven attached devices. In this case, if addresses from 1 to 7 are assigned to each of 7 devices, you can control seven cameras with the same personal computer. However, the FCB camera does not support connection of cameras in a daisy chain. Therefore, whenever a camera is connected for the first time, be sure to use the address set to confirm the address.

• ID Write

Sets the camera ID.

Query Commands

Within

16 Byte

• Mute

Blanks the screen and sends out a synchronizing signal.

• Lens Initialize

Initializes the zoom and focus of the lens. Even when power is already on, it initializes the zoom and the focus.

• Comp Scan

A pixel blemish-masking feature, which can be made to reevaluate overall CCD pixel blemishes and mask severely flawed pixels automatically upon receiving the COMP SCAN command. This feature helps to mask the flaws found in CCD imagers, even after the camera has been powered on for some time.

Basic Functions

Zoom

The FCB camera employs a 10× optical zoom lens combined with a digital zoom function; this camera allows you to zoom up to 120×.

• Optical 10×, f = 4.2 to 42 mm (F 1.8 to F 2.9)

The horizontal angle of view is approximately 46.0 degrees (wide end) to 4.6 degrees (tele end). Digital Zoom enlarges the center of the subject by expanding each image in both the vertical and horizontal directions. When 120× zoom is used, the number of effective picture elements in each direction reduces to

You can activate the zoom in the following way.

• Using a VISCA Command

• The Zoom Mode supports a Combined Mode and a Separate Mode.

/12 and the overall resolution deteriorates.

Using Standard Mode Using Variable Mode

There are eight levels of zoom speed.

Direct Mode

Setting the zoom position enables quick movement to the designated position.

Digital Zoom ON/OFF

In these standard and variable Speed Modes, it is necessary to send Stop Command to stop the zoom operation.

Combined Mode

This is the previously existing zoom method. After the optical zoom has reached its maximum level, the camera switches to Digital Zoom Mode.

Separate Mode

In this mode, Optical Zoom and Digital Zoom can be operated separately. You can use digital zoom magnification at any time from within any level of optical magnification.

Focus

Focus has the following modes, all of which can be set using VISCA Commands.

• Auto Focus Mode

The Auto Focus (AF) function automatically adjusts the focus position to maximise the high frequency content of the picture in a center measurement area, taking into consideration the high luminance and strong contrast components. The minimum focus distance is 200 mm at the optical wide end and 1000 mm at the optical tele end, and is independent of the digital zoom.

- Normal AF Mode

This is the normal mode for AF operations.

- Interval AF Mode

The mode used for AF movements carried out at particular intervals. The time intervals for AF movements and for the timing of the stops can be set in one-second increments using the Set Time Command. The initial value for both is set to five seconds.

- Zoom Trigger Mode

When the zoom is changed with the TELE or the WIDE buttons, the pre-set value (initially set at 5 seconds) becomes that for AF Mode. Then, it stops.

AF sensitivity can be set to either Normal or LOW.

- Normal

Reaches the highest focus speed quickly. Use this when shooting a subject that moves frequently. Usually, this is the most appropriate mode.

- LOW

Improves the stability of the focus. When the lighting level is low, the AF function does not take effect, even though the brightness varies, contributing to a stable image.

• Manual Focus Mode

Manual Focus has both a Standard Speed Mode and a Variable Speed Mode. Standard Speed Mode focuses at a fixed rate of speed. Variable Speed Mode has eight speed levels that can be set using a VISCA Command.

In these standard and variable Speed Modes, it is necessary to send Stop Command to stop the zoom operation.

• One Push Trigger Mode

When a Trigger Command is sent, the lens moves to adjust the focus for the subject. The focus lens then holds that position until the next Trigger Command is input.

• Infinity Mode

The lens is forcibly moved to a position suitable for an unlimited distance.

• Near Limit Mode

Can be set in a range from 1000 (∞) to C000 (10 mm).

Basic Functions

White Balance

White Balance has the following modes, all of which can be set using VISCA Commands.

• Auto White Balance

This mode computes the white balance value output using color information from the entire screen. It outputs the proper value using the color temperature radiating from a black subject based on a range of values from 3000 to 7500K. This mode is the factory setting.

• ATW

Auto Tracing White balance (2000 to 10000K)

• Indoor

3200K Base Mode

• Outdoor

5800K Base Mode

• One Push WB

The One Push White Balance mode is a fixed white balance mode that may be automatically readjusted only at the request of the user (One Push Trigger), assuming that a white subject, in correct lighting conditions, and occupying more than 1/2 of the image, is submitted to the camera. One Push White Balance data is lost when the power is turned off. If the power is turned off, reset One Push White Balance.

• Manual WB

Manual control of R and B gain, 256 steps each.

Automatic Exposure Mode

The variety of AE functions, which allow video signal to output the optimum image for subjects from low light condition, to high light conditions, is available.

• Full Auto

Auto Iris and Gain, Fixed Shutter Speed (NTSC: 1/60 sec., PAL: 1/50 sec.)

• Shutter Priority

Variable Shutter Speed, Auto Iris and Gain (1/1 to 1/10,000 sec., 16 high-speed shtter speeds plus 6 low-speed shutter speeds)

1)Flicker can be eliminated by setting shutter to

t1/100s for NTSC models used in countries with a 50 Hz

power supply frequency

t1/120s for PAL models used in countries with a 60 Hz

power supply frequency

• Iris Priority

Variable Iris (F1.8 to Close, 18 steps), Auto Gain and Shutter speed

• Manual

Variable Shutter speed, Iris and Gain

• Bright

Variable Iris and Gain (Close to F1.8, 17 steps at 0 dB: F1.8, 15 steps from 0 to 28 dB)

AE – Shutter priority

The shutter speed can be set freely by the user to a total of 22 steps – 16 high speeds and 6 low speeds. When the slow shutter is set, the speed can be

/15s, 1/8s, 1/4s, 1/2s, 1/1s. The picture output is read at a

/30s,

normal rate from the memory. The memory is updated at a low rate from the CCD. AF capability is low. In high speed mode, the shutter speed can be set up to 1/10,000s. The iris and gain are set automatically, according to the brightness of the subject.

Data NTSC (s) PAL (s)

15 1/10000 1/10000 14 1/6000 1/6000 13 1/4000 1/3500 12 1/3000 1/2500 11 1/2000 1/1750 10 1/1500 1/1250 0F 1/1000 1/1000

0E 1/725 1/600 0D 1/500 1/425 0C 1/350 1/300 0B 1/250 1/215 0A 1/180 1/150

09 1/125 1/120

08 1/100 1/100

07 1/90 1/75

06 1/60 1/50

05 1/30 1/25

04 1/15 1/12

03 1/8 1/6

02 1/4 1/3

01 1/2 1/2

00 1/1 1/1

AE – Iris priority

The iris can be set freely by the user to 18 steps between F1.8 and Close. The gain and shutter speed are set automatically, according to the brightness of the subject.

Data

11 F1.8 08 F8.0

10 F2.0 07 F9.6

0F F2.4 06 F11

0E F2.8 05 F14

0D F3.4 04 F16

0C F4.0 03 F19

0B F4.8 02 F22

0A F5.6 01 F28

09 F6.8 00 CLOSE

Setting value

Data

Setting value

Basic Functions

AE – Manual

The shutter speed (22 steps), iris (18 steps) and gain (16 steps) can be set freely by the user.

AE – Bright

The bright control function adjusts both gain and iris using an internal algorithm, according to a brightness level freely set by the user. Exposure is controlled by gain when dark, and by iris when bright. As both gain and iris are fixed, this mode is used when exposing at a fixed camera sensitivity. When switching from Full Auto or Shutter Priority Mode to Bright Mode, the current status will be retained for a short period of time. Only when the AE mode is set to “Full Auto” or “Shutter Priority,” can you switch it to “Bright.”

Gain

AGC

IRIS

MAX

OPEN

Gain curve

MIN

IRIS curve

When switching from the Shutter Priority mode to the Bright mode, the shutter speed set in the Shutter Priority mode is maintained.

Spot Exposure Mode

In Full Auto AE, the level for the entire screen is computed and the optimum Auto Iris and Gain levels are determined. In Spot AE, a particular section of the subject can be designated, and then that portion of the image can be weighted and a value computed so that Iris and Gain can be optimized to obtain an image. For example, in an image with a lot of movement and with varying levels of brightness, portions without much change can be designated as such a “spot,” and changes to the screen can be minimized in that area. As shown in the diagram below, a range of 16 blocks vertically and 16 blocks horizontally can be designated. In the case where the center is designated (shown in black), the level is computed along with a weighted value for the surrounding block (shaded), including the specified portions; and then the Gain and Iris are set. The value of the designated portions and the surrounding areas should be calculated as 100%, the rest should be set to 20%. The range of the Spot AE frame is fixed to 5 blocks vertically and 4 blocks horizontally.

Dark Bright

Controlled by gain

Bright limit which controllable for this unit

Data Iris Gain Data Iris Gain

1F F1.8 28 dB 0F F2.4 0 dB

1E F1.8 26 dB 0E F2.8 0 dB 1D F1.8 24 dB 0D F3.4 0 dB 1C F1.8 22 dB 0C F4.0 0 dB 1B F1.8 20 dB 0B F4.8 0 dB 1A F1.8 18 dB 0A F5.6 0 dB

19 F1.8 16 dB 09 F6.8 0 dB

18 F1.8 14 dB 08 F8.0 0 dB

17 F1.8 12 dB 07 F9.6 0 dB

16 F1.8 10 dB 06 F11 0 dB

15 F1.8 8 dB 05 F14 0 dB

14 F1.8 6 dB 04 F16 0 dB

13 F1.8 4 dB 03 F19 0 dB

12 F1.8 2 dB 02 F22 0 dB

11 F1.8 0 dB 01 F28 0 dB

10 F2.0 0 dB 00 CLOSE 0 dB

Controlled by IRIS

Ver tical 16

Horizontal 16

123456789ABCDEF

0 1 2 3 4 5 6 7 8 9 A B C D E F

(8,8)

Basic Functions

Exposure Compensation

Exposure compensation is a function which offsets the internal reference brightness level used in the AE mode, by steps of 1.5 dB.

Data Step

0E 7 10.5 dB 0D 6 9 dB 0C 5 7.5 dB 0B 4 6 dB 0A 3 4.5 dB 09 2 3 dB 08 1 1.5 dB 07 0 0 dB 06 –1 –1.5 dB 05 –2 –3 dB 04 –3 –4.5 dB 03 –4 –6 dB 02 –5 –7.5 dB 01 –6 –9 dB 00 –7 –10.5 dB

Setting value

Aperture Control

Aperture control is a function which adjusts the enhancement of the edges of objects in the picture. There are 16 levels of adjustment, starting from “no enhancement.” When shooting text, this control may help by making them sharper.

Back Light Compensation

When the background of the subject is too bright, or when the subject is too dark due to shooting in the AE mode, back light compensation will make the subject appear clearer.

Slow shutter – Auto/Manual

When set to “Auto,” ensures that the slow shutter is set automatically when the brightness drops. Effective only when the AE mode is set to “Full Auto.” Set to “Slow Shutter Manual” at shipment.

Slow AE (Automatic Exposure)

The slow AE Response (automatic exposure) function allows you to reduce the exposure response speed. Usually the camera is set up so that the optimum exposure can be obtained automatically within about 1 second. However, using the slow AE response function allows you to lengthen the automatic exposure response speed from the factory setup speed (01 (hex) up to 32 times (20 (hex)). For example, with the normal setting (about 1 second), if the headlights of a car are caught by the camera, the camera automatically adjusts the exposure so that it can shoot a high-intensity subject (in this case, the headlights). As a result, images around the headlights, that is, the rest of the subject, except the headlights, becomes relatively dark, and poorly distinguished. However, using the slow AE function means the AE response speed will be slower, and response time will be longer. As a result, even if the camera catches a high-intensity subject (e.g., the headlights) for a moment, you can still easily distinguish the portions of the image surrounding the headlights.

Camera ID

The ID can be set up to 65,536 (0000 to FFFF). As this will be memorized in the nonvolatile memory inside, data will be saved regardless of whether it has been backed up.

Effect

It consists of the following functions.

• Neg. Art: Negative/Positive Reversal

• Black White: Monochrome Image

Others

E-FLIP

This function turns the video output from the camera upside down.

Mirror image

This function reverses the video output from the camera horizontally.

High Resolution Mode (Default)

A newly developed DSP function enables the filtering of signals. This allows the camera to provide images with a high resolution (530 TV lines). When this function is set to OFF, the camera outputs images which are equivalent to 470 TV lines.

Freeze

This function captures an image in the field memory of the camera so that this image can be output continuously.

Because communication inside the camera is based on V cycle, the captured image is always the one 3V to 4Vs after the sending of a Command. Thus, you can not specify a time period after sending EVEN, ODD or a Command.

Basic Functions

Memory (Position preset)

Using the position preset function, 6 sets of camera shooting conditions can be stored and recalled. This function allows you to achieve the desired status instantly, even without adjusting the following items each time.

• Zoom Position

• Digital Zoom On/Off

• Focus Auto/Manual

• Focus Position

• AE Mode

• Shutter control parameters

• Bright Control

• Iris control parameters

• Gain control parameters

• Exposure Compensation On/Off

• Exposure Level

• Backlight Compensation On/Off

• Slow Shutter Auto/Manual

• Slow AE Response speed

• White Balance Mode

• R/B Gain

• Aperture

Custom Preset

As with the positon preset function, the camera shooting conditions can be stored and recalled. The settings are recalled when the power is turned on.

For setting items, see the “Initial Settings, Custom Preset and Backup” section on page 20.

User Memory Area

A user area of 16 bytes allows you to write data, such as an ID for each customer, data for each system, and so on, freely.

Note

Rewriting of memory is not unlimited. Be careful to avoid using the memory area for such as unnecessary tasks as rewriting the contents of the memory for every operation.

Privacy Zone Settings

For details, see page 13.

Motion detection

For details, see page 17.

Title Display

• You can set a title composed of up to 11 lines. One line can contain up to 20 characters.

• You can set display on/off, the horizontal position of the first character, blinking state and color for each line.

• The camera gives priority to lines of a title when the camera status is displayed on the relevant line. On the lines where a title is not set, the camera status is displayed.

Line Number 00 to 0A H-position 00 to 17

Blink

Color 03 Red

00 01 02 03 04 05 06 07

AB CDEF G H

08 09 0a 0b 0c 0d 0e 0f

IJKLMNOP

10 11 12 13 14 15 16 17

QR STUVWX

18 19 1a 1b 1c 1d 1e 1f

YZ& ? ! 1 2

20 21 22 23 24 25 26 27

34 5678 9 0

28 29 2a 2b 2c 2d 2e 2f

ÀÈ Ì ÒÙÁÉ Í

30 31 32 33 34 35 36 37

ÓÚ ÂÊÔÆŒÃ

38 39 3a 3b 3c 3d 3e 3f

ÕÑ ÇßÄ Ï Ö Ü

40 41 42 43 44 45 46 47

Å$

48 49 4a 4b 4c 4d 4e 4f

ø“ : ‘ . , / -

¥DM£ ¿ ¡

00: Does not blink

01: Blinks 00 White 01 Yellow 02 Violet

04 Cyan 05 Green 06 Blue

Synchronization methods

Internal and external synchronization are available; VISCA Commands allow you to switch between them.

• Internal synchronization

An internal vibrator inside the camera generates a synchronizing signal as a basic oscillator. NTSC=28.636363 MHz PAL=17.7344 MHz

• External synchronization (V-Lock Synchronization

When a TTL level V-Lock pulse is input, the camera synchronizes to the input signal (V-Lock synchronization). The frequency of the input signal synchronizes to within ±1Hz of the external synchronization. Also, 360 degree phase adjustment is possible due to the phase adjustment of the V-Lock signal.

Because V-Lock synchronization is a simple synchronization method, color signals like a VBS “Genlock” signal cannot be synchronized.

1)In V-Lock synchronization, the camera makes a V-Lock pulse (VL-PULSE) which synchronizes to the commercial power supply and uses it as the external synchronization input signal of the camera, using the fact that the V cycle (59.97 Hz vertical synchronization signal) and the frequency of the commercial power supply (60 Hz). The synchronous signal of the camera will automatically sychronizes to the VL-PULSE in the camera.

)

Basic Functions

Privacy Zone Masking Function

Privacy Zone masking protects private objects and areas such as house windows, entrances, and exits which are within the camera’s range of vision but not subject to surveillance. Privacy zone masking can be masked on the monitor to protect privacy.

Timing chart

8x 01 .. .. FF

(Mask Setting Command)

Features

• Mask can be set on up to 24 places according to Pan/ Tilt positions.

• Mask can be displayed on 8 places per screen simultaneously.

• Privacy Zones are displayed according to priority in alphabetical order.

• Individual on/off zone masking settings.

• Two colors from among 29 colors including mosaic can be individually set for each of 24 privacy zones.

• Interlocking control with zooming.

• Interlocking control with Pan/Tilt.

• Non-interlocking control with Pan/Tilt.

Setting command is reflected at this timing.

Privacy Zone Setting Command List

Command Set Command Command Packet Comments

CAM_PrivacyZone

SetMask

Display

SetMaskColor

SetPanTiltAngle

SetPTZMask

Non_InterlockMask

GridOn

GridOff

CenterLineOn

8x 01 04 76 mm nn 0r 0r 0s 0s FF

8x 01 04 77 pp pp pp pp FF

8x 01 04 78 pp pp pp pp qq rr FF

8x 01 04 79 0p 0p 0p 0q 0q 0q FF

8x 01 04 7B mm 0p 0p 0p 0q 0q 0q 0r 0r 0r 0r FF

8x 01 04 6F mm 0p 0p 0q 0q 0r 0r 0s 0s FF

8x 01 04 7C 02 FF

8x 01 04 7C 03 FF

8x 01 04 7C 04 FF

Setting Mask (Size) See “mm: Mask setting list”, “nn: Setting”, and “pp: x, qq:y, rr: w, ss: h” in “Parameters” on page 15.

Setting Mask Display On/Off See “pp pp pp pp: Mask bit” in “Parameters” on page 15. pp pp pp pp: Mask setting (0: OFF, 1: ON)

Setting Color of Mask See “pp pp pp pp: Mask bit” and “qq, rr: Color code” in “Parameters” on page 15. qq: Color setting when setting the Mask bit to 0 rr: Color setting when setting the Mask bit to 1

Setting Pan/Tilt Angle See “Setting pan/tilt angle” in “Parameters” on page 15. ppp: Pan, qqq: Tilt

Setting the direct position of PTZ See “mm: Mask setting list” and “Setting pan/ tilt angle” in “Parameters” on page 15. ppp: Pan , qqq: Tilt , rrrr: Zoom

Setting non-interlocking the mask to pan/tilt See “mm: Mask setting list” and “pp:x, qq:y, rr:w, ss:h” in “Parameters” on page 15.

Setting Grid Display On/Off

Setting the center line On

Basic Functions

Privacy Zone Inquiry Command List

Inquiry Command Command Packet Inquiry Packet Comments

CAM_Privacy DisplayInq

CAM_PrivacyPan TiltInq

CAM_Privacy PTZInq

CAM_Privacy MonitorInq

8x 09 04 77 FF y0 50 pp pp pp pp FF

8x 09 04 79 FF y0 50 0p 0p 0p 0q 0q 0q FF

8x 09 04 7B mm FF y0 50 0p 0p 0p 0q 0q 0q 0r 0r

8x 09 04 6F FF

0r 0r FF

y0 50 pp pp pp pp FF

Inquiry about the status of Setting Mask Display On/Off See “pp pp pp pp: Mask bit” in “Parameters” on page 15. 1:On, 0:Off

Inquiry about the pan/tilt position currently set See “Setting pan/tilt angle” in “Parameters” on page 15. ppp: Pan, qqq: Tilt

Inquiry about pan/tilt/zoom position at the mm Mask setting See “mm: Mask setting list” and “Setting pan/ tilt angle” in “Parameters” on page 15. ppp: Pan, qqq: Tilt, rrrr: Zoom

Inquiry about the mask currently displayed See “pp pp pp pp: Mask bit” in “Parameters” on page 15.

Parameters

Basic Functions

mm: Mask setting list

Mask Name mm (Hex)

Mask_A 00h Mask_B 01h Mask_C 02h Mask_D 03h Mask_E 04h Mask_F 05h Mask_G 06h Mask_H 07h Mask_I 08h Mask_J 09h Mask_K 0Ah Mask_L 0Bh

Note

The priority order of the mask display is in the sequence from A (highest) to X (lowest). When you set the parameters of masks non-sequentially, it is recommended that you set the mask whose priority order is higher, first.

Mask Name mm (Hex)

Mask_M 0Ch Mask_N 0Dh Mask_O 0Eh Mask_P 0Fh Mask_Q 10h Mask_R 11h Mask_S 12h Mask_T 13h Mask_U 14h Mask_V 15h Mask_W 16h Mask_X 17h

nn:Setting

nn Setting

00 Resetting the zone size (the value of w,h)

for the existing mask.

01 Setting newly the zone size (the value of

w,h).

pp: x, qq: y, rr: w, ss: h

160

3Ch

mask

120

B0h

C4h

Effective display area

(x,y)

50h

pp pp pp pp: Mask bit

pp pp pp pp bit 76543210765432107654321076543210 Mask - - X W V U T S --RQPONM--LKJIHG--FEDCBA

The “-” must be “0”.

qq, rr: Color code

Mask (Color) Code (qq, rr) Semi-transparency (qq, rr) Black 00h 10h Gray1 01h 11h Gray2 02h 12h Gray3 03h 13h Gray4 04h 14h Gray5 05h 15h Gray6 06h 16h White 07h 17h Red 08h 18h Green 09h 19h Blue 0Ah 1Ah Cyan 0Bh 1Bh Yellow 0Ch 1Ch Magenta 0Dh 1Dh Mosaic 7Fh –

Setting pan/tilt angle

Angle/Parameter of Angle (ppp, qqq)

090-180 -90 180

Set the angle resolution to 360 (degree)/4096 (1000h).

400h800h C00h

800h

+ 34 hidden pages

Sony FCB-EX11DP, FCB-EX11D User Manual

Table of Contents

Features

Precautions

Locations of Controls

Basic Functions

Overview of Functions