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modification to this manual or the information
contained herein at any time without notice.
The software described herein may also be governed
by the terms of a separate user license agreement.
• Anycast Station is registered trademark of Sony
Corporation.
• The terms HDMI and HDMI High-Definition
Multimedia Interface, and the HDMI Logo are
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4
Table of Contents
Important Notes
Copyrights
Using this unit for video and/or audio switching, or
distribution over the Internet or otherwise may in some
cases require the permission of the copyright holder of the
video or audio.
To protect copyright, observe the following points
carefully when using this unit.
Points to Check Before Using
Devices
• When streaming valuable data, be sure to check the
device connections beforehand, or carry out a streaming
test, to make sure that the system is operating normally.
• Verify that movie files can be played on the unit
beforehand.
• Sony will not be liable for any data that fails to be
recorded onto the internal storage during use of the
unit’s recording function.
• When connecting a recording device to this and
recording video or audio, carefully observe laws
relating to copyright.
• Without the permission of the copyright holder, the
showing or distribution of video or audio material of
which the copyright is held by a third party, and
permitting of access to a private group or to the public
is prohibited by law.
• Even with the right to show or distribute, the act of
using this unit to edit original content with wipes or
dissolves, for example, may be prohibited by law.
• With a software upgrade or functional extension, with
the object of protecting copyright, the specifications for
the video and audio signals that can be input may be
changed without notice.
• Under copyright law, you may not use recorded video
or audio other than for your personal enjoyment without
the permission of the copyright holder. Note that at live
performances, shows and exhibitions, even for your
personal entertainment shooting may be restricted.
Note on Faulty Pixels on the LCD
Panel
Installation
Install the unit on a flat, level surface.
There are ventilation holes on both sides of the unit. To
ensure adequate air flow, there must be a space of at
least 30 cm (11
30 cm
7
(11
/8inches)
or more
7
/8inches) on each side of the unit.
30 cm
7
(11
/8inches)
or more
Note on Images Used in this Manual
The images used in this manual are created to aid in
explaining operations. The actual images that are
displayed or output during operations may differ.
The LCD panel fitted to this unit is manufactured with
high precision technology, giving a functioning pixel
ratio of at least 99.99%. Thus a very small proportion of
pixels maybe “stuck”, either always off (black), always
on (red, green, or blue), or flashing. In addition, over a
long period of use, because of the physical characteristics
of the liquid crystal display, such “stuck” pixels may
appear spontaneously. These problems are not a
malfunction. Note that any such problems have no effect
on recorded data.
Important Notes
5
Overview
Overview
Features
The AWS-750 Live Content Producer is an all-in-one
audiovisual production system equipped with video
switching, camera control, audio mixing, and live Internet
distribution functions. Video switching and audio mixing
can be performed via simple operations.
Designed with user-friendliness in mind, the unit is
equipped with two touchscreen displays, allowing you to
monitor and switch source materials in the main screen
while mixing audio and configuring settings in the sub
screen, for example.
Main screen
Perform video switching operations.
Background video
Logo 1
Title 1
Logo 2
Overlay video 1
Title 2
Overlay video 2
Composites can include up to two of each type of overlay
(i.e., titles, logos, and overlay videos) at one time.
Variety of video inputs
The unit supports six video lines of input (HD/SD-SDI,
composite, RGB, HDMI), allowing operations that utilize
HD/SD video and PC signals at the same time, and
production of a variety of video composites with high
visual impact.
Sub screen
Perform audio mixing and setting configurations.
Video switching
Composites of up to seven sources
You can overlay up to six images onto a background
video, including logos, titles, and separate picture-inpicture (PinP) videos (i.e., overlay videos).
Video previewing
You can preview the video that will be used as the next
program output in the [NEXT] viewer.
[PGM] viewer
Displays the current program output video.
[NEXT] viewer
Displays the next program
output video.
Saving video composites as scenes
You can save video composites as scenes that can be
recalled whenever necessary.
Title creation
This unit includes a Titler function for creating titles via
simple operations.
You can use the Titler to create titles that can be
immediately inserted into videos or edited whenever
necessary.
6
Features
Recording to internal storage
You can record video composites and mixed down audio
to the unit’s internal storage. The recorded files can be
edited using various nonlinear editors.
Two-channel output (AUX)
In addition to PGM, another video output (AUX) is
available on this unit.
You can use this feature when you want to output two
different videos using two projectors, or when you want
to output a video without the titles and logos of the PGM
output.
Audio mixing
You can mix up to five channels audio inputs.
Each channel is equipped with various functions, such as
a fader, input trim, filter, equalizer, limiter, compressor,
and pan (balance), allowing you to adjust the audio
quality and levels for each channel individually.
Remote camera control
You can perform pan, tilt, zoom, and other remote
controls for VISCA-compatible cameras. In addition,
pan, tilt, zoom, and other conditions can be saved as
presets that can be recalled whenever necessary.
Streaming transmission
Video composites and mixed down audio can be encoded
on the unit and streamed live using an external server, or
recorded to the unit’s internal storage as a VOD (video on
demand) file.
Overview
Features
7
System Configuration and Operation Flow
A system configuration example and the settings required for the configuration are described here.
Overview
Use in Various Events
Large screen
Microphone
Microphone
AUX
Streaming transmission
PGM
Microphone
Microphone
Camera
Preparation settings
• Video input/output settings (page 86)
• Audio input/output settings (page 87)
• Creating titles (page 42, 72)
• Preparing logos (page 42, 78)
• Creating and saving scenes (page 59)
• Assigning video inputs (page 37, 86)
• Streaming settings (page 68)
• AUX settings (page 61)
Projector
Camera
Computer used
for presentation
PA system/Speaker
AWS-750
r
Inserting titles and logos (page 42)
r
Mixing audio (page 29)
r
Switching AUX sources (page 62)
r
Operation flow
Displaying camera images (page 26)
r
Streaming transmission (page 68)
8
System Configuration and Operation Flow
Using the picture-in-picture effect (recalling scenes)
(page 52, 59)
Use in Lectures and Seminars
Overview
Remote camera
Camera
Large screen
Microphone
Projector
Computer used
for presentation
PGM
Blu-ray disc /
DVD
Computer used for
displaying materials
Preparation settings
• Recording settings (page 67)
• Remote camera settings (page 82)
• Camera angle settings (page 45)
Operation flow
Displaying images from the projector
r
Recording (page 67)
r
Displaying camera images (page 26)
r
Nonlinear
editing device
AWS-750
Controlling remote cameras (page 45)
r
Mixing audio (page 29)
r
Switching to picture-in-picture (page 52)
r
Exporting recorded material (page 80)
System Configuration and Operation Flow
9
Parts Identification
Overview
Front
7
The unit’s displays are touchscreens. For details on
operations, see “Using the Touchscreens” (page 19).
a Main display
Displays the main screen used for performing video
switching operations.
For details on basic operations, see “Main Screen”
(page 31).
b Power indicator
Lights green when the unit is turned on.
c L button
Performs operations, such as source switching.
The function of this button is identical to that of the
[Take] button in the main screen.
d Internal speakers (L/R)
Outputs audio (L/R) for the monitor.
6
4
When headphones are connected to the
HEADPHONES jack, output from the internal
speakers is disabled.
e Sub display
Displays the sub screen used for adjustments,
settings, and other operations.
For details on basic operations, see “Sub Screen”
(page 35).
f R button
Performs operations, such as source switching.
The function of this button is identical to that of the
[Take] button in the main screen.
g Access indicator
Blinks orange when the internal storage is being
accessed.
10
Parts Identification
Left
Overview
a Ventilation holes
Do not block the ventilation holes. Doing so may
cause internal overheating, resulting in fire or damage
to the unit.
When moving the unit after use, allow the unit to cool
down sufficiently beforehand.
b 1 (power) switch
Turns the unit on or off (page 23).
To turn off the unit, you can hold the switch for at
least 4 seconds to force shutdown. If you force
shutdown, the unit’s settings data may not be saved in
some cases.
c HEADPHONES jack (standard stereo phone)
Outputs audio for the monitor.
You can adjust the output level with [Monitor Level]
in the [Audio Mixer] screen (page 30).
d Release lever
Unlocks the main display from its closed state.
For details, see “Opening and Closing the Main
Display” (page 16).
e Panel cover
Protects the main display.
Parts Identification
11
Overview
2
Right
3
6
a USB ports ×4
Connect USB storage devices, keyboards, and other
external devices here.
The SuperSpeed USB (USB3.0) is supported.
USB cameras and other USB devices not mentioned
in this document are not supported.
Note
Each of the USB ports can supply a current of up to
900 mA. However, be sure to keep the total current of
the four ports within 6 W (5 V 1200 mA). Operation
may become unstable and the unit may not start up if
6 W is exceeded. Unusual amounts of heat may also
be generated in such cases.
54
1
2
For details, see “Opening and Closing the Main
Display” (page 16).
d LAN 1 connector (RJ-45 modular jack)
Connect this to a network when you want to perform
streaming transmissions, for example.
e LAN 2 connector (RJ-45 modular jack)
Intended for future expansion.
f Reserve connector
Used for manufacturing purposes.
This cannot be used.
For details on using an external keyboard for video
switching, see “Using External Devices for Video
Switching and Other Operations” (page 71).
b Ventilation holes
Do not block the ventilation holes. Doing so may
cause internal overheating, resulting in fire or damage
to the unit.
When moving the unit after use, allow the unit to cool
down sufficiently beforehand.
c Release lever
Unlocks the main display from its closed state.
12
Parts Identification
Rear
Cable clamp
1 AUDIO INPUT
block
2 AUDIO OUTPUT
block
a DC IN 19.5V (DC power input) connector
Connect the supplied AC adapter here.
Be sure to use the nearby cable clamp to prevent the
cable from disconnecting.
The AC adapter does not include an AC power cord.
For details on the AC power cord, see “Optional
accessories” (page 95).
4 VIDEO OUTPUT
block
Cable clampCable clamp
3 VIDEO INPUT
block
h Ventilation holes
Do not block the ventilation holes. Doing so may
cause internal overheating, resulting in fire or damage
to the unit.
1 AUDIO INPUT block
Overview
b VISCA connector (RS-422, 5-pin)
When you want to control a VISCA-compatible
camera from this unit, connect the VISCA cable here
(page 82).
For details on pin assignments on the connector, see
“VISCA connector” (page 100).
c GPI connector
Intended for future expansion.
d REF OUT (reference signal output) connector
(BNC type)
Outputs black burst (BB) signals.
e (ground) connector
Connect the system grounding conductor here.
f Panel cover attachment points
Attach the hooks of the panel cover here (page 16).
g Anti-theft wire slot
When you want to attach a commercially available
anti-theft wire to the unit, attach it to this slot
(3 × 7 mm (
1
/8in. ×9/32 in.)).
a LINE IN connectors 5 and 6 (pin jacks)
Input analog audio signals from audio devices.
b MIC/LINE IN connectors 1, 2, 3, and 4 (balanced
XLR 3-pin / TRS combo)
Input analog audio signals from microphones and
audio devices.
c +48V switches
Use these when microphones that support external
power supplies are connected to MIC/LINE IN
connectors 1 to 4. When set to ON, the indicators
light and +48V power is supplied from the unit.
Power is only supplied to the XLR connector contact
points and not to the TRS contact points.
Use an insulated pointed object when setting a switch
to the ON or OFF position.
Parts Identification
13
Note
Tip
Always set these switches to OFF when you are not
using microphones that supports external power
supplies.
Overview
2 AUDIO OUTPUT block
AUDIO OUTPUT
PGMMIX
RL
RL
a PGM (PGM audio output) connectors L and R
(balanced TRS)
Outputs program audio that was mixed down on this
unit.
b MIX (MIX audio output) connectors L and R (pin
jacks)
Outputs mixdown audio other than the program
audio.
3 VIDEO INPUT block
HDMI connector 2 and RGB connector 2 cannot be
used simultaneously. Select one or the other for use.
b COMPOSITE (composite video input) connector
1 (pin jack)
Inputs analog video signals.
HD/SD SDI (SDI input) connector 1 (BNC type)
Inputs HD/SD-SDI signals.
Tip
COMPOSITE connector 1 and HD/SD SDI
connector 1 cannot be used simultaneously. Select
one or the other for use.
c HDMI (HDMI input) connector 4 (Type A)
Inputs HDMI signals.
Note
Use a Sony HDMI cable.
Recommended cable example: HIGH SPEED HDMI
CABLE DLC-HE20XF (6.6 feet)
Tip
For details on supported signal formats, see “Supported
Input Formats” (page 97).
a HDMI (HDMI input) connector 2 (Type A)
Inputs HDMI signals.
Note
Use a Sony HDMI cable.
Recommended cable example: HIGH SPEED HDMI
CABLE DLC-HE20XF (6.6 feet)
Tip
Copyright protected (HDCP) signals cannot be input.
RGB (RGB video input) connector 2 (mini D-sub
15-pin)
Inputs RGB signals.
Copyright protected (HDCP) signals cannot be input.
RGB (RGB video input) connector 4 (mini D-sub
15-pin)
Inputs RGB signals.
Tip
HDMI connector 4 and RGB connector 4 cannot be
used simultaneously. Select one or the other for use.
d HD/SD SDI (SDI input) connectors 5 and 6 (BNC
type)
Inputs HD/SD-SDI signals.
e COMPOSITE (composite video input) connector
3 (pin jack)
Inputs analog video signals.
HD/SD SDI (SDI input) connector 3 (BNC type)
Inputs HD/SD-SDI signals.
Tip
COMPOSITE connector 3 and HD/SD SDI
connector 3 cannot be used simultaneously. Select
one or the other for use.
14
Parts Identification
4 VIDEO OUTPUT block
For details on supported signal formats, see “Supported
Output Formats” (page 98).
a HD/SD SDI (SDI output) connectors (PGM only)
(BNC type) × 2
Outputs the finished video processed on this unit (i.e.,
program video) as HD/SD-SDI signals.
b RGB (RGB output) connector (PGM/AUX) (mini
D-sub 15-pin)
The following video is output as RGB signals based
on whether PGM or AUX is selected.
PGM: PGM video
AUX: AUX video
For details on selecting PGM or AUX, see “[Video
Setup] Screen” (page 86).
• Video
PGM: PGM video
AUX: AUX video
• Audio
PGM: PGM audio
AUX: MIX audio
For details on selecting PGM or AUX, see “[Video
Setup] Screen” (page 86).
Overview
c HDMI (HDMI output) connector (Type A)
The following video and audio are output as HDMI
signals based on whether PGM or AUX is selected.
• Video
PGM: PGM video
AUX: AUX video
• Audio
PGM: PGM audio
AUX: MIX audio
For details on selecting PGM or AUX, see “[Video
Setup] Screen” (page 86).
Note
Use a Sony HDMI cable.
Recommended cable example: HIGH SPEED HDMI
CABLE DLC-HE20XF (6.6 feet)
d HD SDI (SDI output) connector (PGM/AUX)
(BNC type)
The following video and audio are output as HD SDI
signals based on whether PGM or AUX is selected.
Parts Identification
15
Opening and Closing the
Main Display
Overview
Opening the Main Display
1
Lift the front portion of the panel cover to unlock it.
2
Open the panel cover.
4
Lift the areas near the release levers, and slide the
main display in the direction of the arrow.
The magnet locks will lock the display into place.
Note
Initially, the panel cover may be stiff and may flip
back to its original position.
3
Pull the release levers on the left and right sides in the
direction of the arrows.
Release lever
Release lever
Magnet locks
Magnet lock (one each on left
and right side)
Tip
The panel cover includes mounting hooks.
You can attach and detach the hooks to the rear of the
unit to attach or remove the cover.
Hooks
The left and right locks will release.
16
Opening and Closing the Main Display
Closing the Main Display
1
Hold the sides of the main display as illustrated, and
pull the display in the direction of the arrow.
The magnet locks will release.
2
Slide the main display to the position illustrated, and
push the display in the direction of the arrows to lock
it into place.
Applying the Anti-Glare
Films
Overview
Anti-glare films are supplied with this unit to protect the
touchscreen displays.
Apply the anti-glare films in a dust-free environment to
prevent dust from sticking to the films due to static
electricity. In addition, apply the films in a well-lit
environment so that you can see if air bubbles form.
Notes
• The anti-glare films cannot be reapplied once they are
applied. Apply the anti-glare films with great care.
• Any dust left on the touchscreen surface will result in
air bubbles.
Make sure that the four hooks (two each on the right
and left sides) are secure and that the main display
does not open.
3
Close the panel cover.
4
Push in the direction of the arrows to lock the panel
cover onto the main display.
Items to prepare
• Screen-cleaning solution
• Cleaning cloth (non-woven)
• Vinyl tape (3 cm (1
3
/16in.) or more in width)
Applying the film to the main display
1
If the protective sheet from the factory is still
attached, remove it.
2
Use the screen-cleaning solution and cleaning cloth
to clean the main display and remove any
fingerprints, dust, or smudges.
Be sure to also remove any leftover adhesive from the
protective sheet from the factory that you removed.
3
Place the anti-glare film for the touchscreen on the
main display with its glossy side facing down.
Glossy side facing
down.
Applying the Anti-Glare Films
17
Overview
Placement
Center the film so that the surrounding uncovered
edges of the display are even.
Anti-glare film
Wipe in a single direction from right to left.
Verify that all specks of dust have been removed from
the surface of the main display.
6
Place the anti-glare film back on the main display.
Leave about 1 mm (1/16in.) of
space evenly around the edges.
Note
If you place the film all the way to the edge of either
side, the film may shift as you are applying it to the
display, resulting in misalignment.
4
Use vinyl tape to affix the anti-glare film to the right
side of the display.
First apply the tape to the top surface.
7
Peel off a portion of the backing sheet from the antiglare film on the side with the vinyl tape (i.e., the
inside), and use the cleaning cloth to slowly smooth
out any air bubbles, starting from the center of the
right side.
Apply the film while gradually peeling the backing
sheet.
5
Flip the anti-glare film over, and use the screencleaning solution and cleaning cloth to wipe off any
dust.
18
Applying the Anti-Glare Films
Fold the tape to affix it to the side.
If air bubbles or leftover dust occur
• Remove the anti-glare film up to the location of the
air bubble or leftover dust, and remove the air or
dust as you reapply the film. In such cases, do not
remove the entire film. You will not be able to
reapply the film if you do so.
• If specks of dust are attached to the adhesive
surface of the anti-glare film, use the adhesive
surface of vinyl tape to remove them.
8
When the anti-glare film is fully applied, firmly rub
the edges of the film.
9
Verify that there are no air bubbles or leftover dust,
and remove the vinyl tape.
10
Use the screen-cleaning solution and cleaning cloth
to wipe the anti-glare film.
Applying the film to the sub display
Apply the anti-glare film to the sub display using the
procedure used for the main display.
Using the Touchscreens
You can perform touchscreen gestures on the main
display and sub display with your fingers in place of
keyboard and mouse operations.
This section describes how to perform basic touchscreen
operations.
Overview
Place the anti-glare film on the sub display as follows.
Placement
Align the film with the front edges.
Leave about 1 mm (1/16in.) of space
around the three front edges.
Tip
Operation errors may occur on the touchscreens if the unit
is in close proximity to transceivers or other devices that
emit high interference. Keep sufficient distance between
the unit and such devices to prevent errors.
Tap
Lightly tap on a position on the screen. This performs the
same operation as clicking on a mouse.
Use this gesture to perform operations, such as making
and confirming selections.
Double-tap
Lightly tap a position on the screen twice. This performs
the same operation as double-clicking on a mouse.
Using the Touchscreens
19
Tap and hold
Hold your finger in place for at least 1 second after
tapping.
Use this gesture to perform operations, such as displaying
context menus and viewing filenames that end in “…” in
Overview
their entirety.
Drag
Slide your finger while holding it on the screen. This
performs the same operation as dragging on a mouse.
Use this gesture to perform operations, such as scrolling
through lists and moving sliders.
Flick
Slide your finger quickly and release.
Use this gesture to perform operations, such as scrolling
quickly through lists.
20
Using the Touchscreens
Getting Started
Operation Flow
This chapter describes the procedures for using the unit
for the first time, including the connection of various
devices, video switching, and audio adjustment.
Perform the steps in this chapter and begin switching
video to get started.
Step 1Connecting Devices (page 22)
r
Step 2Turning the Unit On (page 23)
r
Step 3Initial Settings (page 24)
• Video Signal Format Settings
• Date and Time Settings
• Adjusting the Display Brightness
• Channel fader assignments
NameSignal name Input (L)Input (R)
Fader 1MIC1MIC/LINE1MIC/LINE1
Fader 2MIC2MIC/LINE2MIC/LINE2
Fader 3MIC3MIC/LINE3MIC/LINE3
Fader 4MIC4MIC/LINE4MIC/LINE4
Fader 5Used for audio embedded in SDI or HDMI
signals or in videos played back in the Media
Player (i.e., embedded audio).
For details on changing the settings, see “Settings”
(page 82).
Getting Started
r
Step 4Video Switching (page 26)
r
Step 5Audio Mixing (page 29)
For details on operating the touchscreen, see “Using the
Touchscreens” (page 19).
Default conditions of the unit
• Video input
[Input] list
display
IN11SDI
IN22HDMI
IN33SDI
IN44HDMI
IN55SDI
IN66SDI
BlackBlack signal generated
Color BarsColor bar signal generated
Connector
number
Input signal
internally by the unit
internally by the unit
• System format
1080 60i
Operation Flow
21
Step 1: Connecting Devices
Connect the various devices to the rear of the unit.
If you have already connected the devices, proceed to “Step 2: Turning the Unit On” (page 23).
Getting Started
Connection example
Condenser microphones
AC adapter
Remote camera (page 82)
Projector
1)
Computer
Camera with HD SDI output
Headphones
Blu-ray disc player, etc.
PA system
Recorder with HD SDI
input, etc.
2)
Camera with HD SDI output
Camera with HD SDI output
1) When using 48 V condenser microphones (supporting external power supply), set the +48V switches on the rear panel to the ON
positions.
2) Copyright protected (HDCP) signals cannot be input.
22
Step 1: Connecting Devices
Step 2: Turning the Unit
On
Note
This unit is designed to be used with the main display
in its upright position. Do not perform operations
with the main display closed.
Turning the unit on
1
Connect the DC output plug of the supplied AC
adapter to the DC IN 19.5V connector on the rear of
the unit, and connect the AC adapter to a power
supply.
2
Open the display on the unit.
For details, see “Opening and Closing the Main
Display” (page 16).
3
Press the 1 switch on the left side of the unit.
When power is supplied, the power indicator on the
front left side of the unit lights green, and the unit
starts up.
Turning the unit off
Press the 1 switch on the left side of the unit.
A confirmation message appears.
The current conditions are saved before the unit shuts
down and turns off. (The power indicator will turn off.)
Note
If you want to turn the unit on again after turning it off,
wait at least 5 seconds before pressing the power switch
again.
Getting Started
Lights
The startup screen appears.
When startup is complete, the main screen and sub
screen appear, and you can perform operations.
Main screen
If video is being input from cameras or
other devices, the video will appear
immediately.
Step 2: Turning the Unit On
23
Step 3: System Settings
Specify the video signal format that will be handled by
the unit and the date and time. If necessary, you can also
adjust the brightness of the display.
If you have already configured these settings, proceed to
“Step 4: Video Switching” (page 26).
Getting Started
3
Tap [System Format] in the menu to the left.
Video Signal Format Settings
Specify the video signal format handled by the unit (i.e.,
system format) when necessary.
The default setting is [1080 60i].
Tip
The [60i] setting is actually equivalent to “59.94i.”
Configuration is performed in the sub screen.
1
Tap at the top right of the sub screen.
The [System Setup] screen appears.
2
Tap [Video].
The [System Format] screen appears.
4
Select the system format in the [System Format]
drop-down list.
A confirmation message for restarting the unit
appears.
5
Tap [Shutdown].
The unit shuts down.
6
Press the 1 switch on the left side of the unit to turn
on the unit.
The [Video Setup] screen appears.
24
Step 3: System Settings
Changes to the system format will be applied after the
unit restarts.
Date and Time Settings
Configure the unit’s internal clock.
This setting is used for the following.
• Clock display in the main screen
• File creation and file update date and time
• System timecode
1
Tap the tab to display the [System Setup] screen,
and then tap [Date/Time].
The [Date/Time] screen appears.
2
Select the time zone.
1 Select the area in the [Area] drop-down list.
drag the values up or down, or tap [+] or [–] to
display the values.
Getting Started
The date and time specified will be applied to the
clock in the main screen after you restart the unit.
Clock display
Adjusting the Display Brightness
You can adjust the backlight of the displays.
The [Region] setting changes according to the
selected area.
2 Select the region in the [Region] drop-down list.
3
Specify the current date and time.
1 Tap the [Date/Time] field.
In the [System Setup] screen, drag the [LCD Backlight]
sliders to adjust the brightness.
Use the [Main] slider to adjust the main screen and the
[Sub] slider to adjust the sub screen.
The configuration dialog box appears.
2 Specify the month, day, year, hour, minute, and
second in order, and then tap [Set].
The values highlighted in blue indicate the
currently selected values.
If the values you want to specify are not displayed,
Step 3: System Settings
25
3
Tap the [Take] button.
Step 4: Video Switching
This section describes how to select an input source in the
[Input] list and switch the program output video via
simple operation.
Video switching is performed in the main screen.
Getting Started
Switching after Viewing a Preview
Video
You can switch to the next video that you want to use for
program output while viewing it as a preview video.
The next program output video appears in the [NEXT]
viewer.
1
Tap [Input] to display the [Input] list.
The video currently being used for program output
appears in the [PGM] viewer.
Under initial conditions, a black signal is output.
[Take] button
The video in the [NEXT] viewer appears in the
[PGM] viewer and is output as the PGM output.
Program video
[Input] list
Displays videos being input to the unit
(i.e., input sources).
2
In the [Input] list, select the input source you want to
use for the program output.
The selected input source appears in the [NEXT]
viewer as the next video that will be used for program
output.
Tip
Pressing the L or R button at the left or right of the sub
display performs the same operation as tapping the
[Take] button.
4
Repeat steps 2 to 3 to switch from one video to the
next.
1 Select.
2 Tap.
26
Step 4: Video Switching
The next program output video appears in the
[NEXT] viewer.
Videos switch from one to the next.
1
Tap anywhere inside the [PGM] viewer to enter direct
mode.
Tap inside.
Direct mode is enabled, and the [NEXT] viewer
display dims. In direct mode, “Direct Mode” appears
in the [NEXT] viewer.
Getting Started
Tip
Under default conditions, tapping the [Take] button
dissolves one video into the next using the “mix”
transition method during switching. To instantly
switch to the next video without a transition effect,
use the [Cut] button.
[Cut] button
For details on selecting transition methods other than
mix, see “Using Transition Effects” (page 28).
Switching the PGM Directly (Direct
Take)
Dims during direct mode.
2
In the [Input] list, select the input source you want to
use for the program output.
When you select the input source, the program video
switches using the currently configured transition.
3
Repeat step 2 to switch from one video to the next.
For details on selecting other transition methods, see
“Using Transition Effects” (page 28).
You can also switch the program video directly, without
previewing videos in the [NEXT] viewer. This operation
is referred to as a “direct take.”
Direct takes are performed in direct mode.
Exiting direct mode
Tap anywhere inside the [PGM] viewer again.
When you exit direct mode, the [NEXT] viewer brightens
again.
Step 4: Video Switching
27
Tip
Direct mode can also be used for switching operations
outside of the [Input] list.
Using Transition Effects
You can select from the following transitions for video
switching on this unit.
Getting Started
Cut
Switch from A to B instantly without transition effects.
A
Mix
Dissolve from one video into the next.
Wipe
Wipe the next output video over the program video.
B
2
In the [Option] menu, tap the area on the right side of
the [Transition] button.
Tap this area.
The [Transition] list appears.
3
Select the transition method you want to use, and then
tap .
You can select from four different directions for
wipes.
2 Return to the
[Option] menu.
1 Select the transition
method.
1
In the [Input] list, select the input source you want to
use for the next program output.
The selected video appears in the [NEXT] viewer.
The [Transition] list closes, and the [Option] menu
appears again.
4
If you want to change the transition rate, select a
transition rate in the [Transition Rate] drop-down list.
28
Step 4: Video Switching
The default transition rate is 1.0 second.
Tip
If you selected [Cut] in step 3, switching will be
instantaneous regardless of whether you changed the
transition rate.
5
Tap the [Take] button to execute the transition.
Step 5: Audio Mixing
You can mix the audio being input to the unit and mix it
down to stereo program audio.
Audio operations are performed in the sub screen.
This section describes how to adjust the audio for each
microphone and mix multiple audio channels.
1
Adjust the audio for each microphone.
Adjustments are made separately for each
microphone.
Move the sliders while verifying the audio output and
audio level meter.
2 Drag the sliders for the enabled channel
faders to adjust the audio levels.
Audio level meter
Getting Started
The program video switches using the selected
transition.
For details on changing the values for the [Transition
Rate] options, see “[Transition Rate]” (page 89).
1 Tap the channel fader
buttons to which
microphones are assigned
to enable them.
Tips
The monitored audio
switches with each tap.
• You can operate four channel faders at the same
time.
• Channel 5 is reserved for the audio embedded in the
SDI or HDMI video played back in the Media
Player (embedded audio).
For details, see “Adjusting the Embedded Audio of
Input Sources” (page 65).
• If sound is barely audible even at the maximum
channel fader level, change the MIC/LINE input
level to [Low (-44dB)] in the [Audio Setup] screen.
You can also adjust this in [Input Trim] (page 65)
of the [Access] screen.
For details on configuration, see “[Input Channel
Assign]” (page 87).
Step 5: Audio Mixing
29
Viewing the audio level meter
Adjusting the audio level for monitoring
Drag the [Monitor Level] slider to adjust the output level
Over-level indicator
Lights red at the 0 dB
level.
Lights green up to
Getting Started
the current level.
of the HEADPHONES jack and internal speakers within
a range of 0 to 255.
[Monitor Level] adjustment
For details on further operations and adjustments, see
“Performing Detailed Audio Adjustments” (page 63).
The bottom “–∞” level
is always lit green.
Afterward
2
Drag the slider for the PGM OUT fader to adjust the
program output level.
PGM OUT fader
Checking each audio input
You can check the audio of each channel via the
HEADPHONES jack or the internal speakers using the
respective [PFL] buttons (pre-fader listen).
Tap and hold a [PFL] button to monitor only the audio
from that channel while the button is held. The audio will
be monitored until you release the button.
Proceed to “Basic Operations” (page 31) to gain a better
understanding of this unit’s functions and how to master
their operation.
Tip
The program output, AUX output, and MIX output are
not affected during pre-fader listen.
[PFL] buttons
In addition, the audio level meter switches to PFL mode
(the button display switches to [PFL]) while the [PFL]
button is held down, allowing you to check the levels of
the audio input.
30
Step 5: Audio Mixing
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