Sonifex RB-HD1, RB-HD2, RB-HD6, RB-DHD6, RB-MA1 User Handbook Manual

...

HANDBOOK

Redbox

User Handbook No 5

RB-HD1 Stereo Headphone Amplifier With VCA Volume Control RB-HD2 Dual Headphone Amplifier RB-HD6 6 Way Stereo Headphone Distribution Amplifier RB-DHD6 Digital 6 Way Headphone Distribution Amplifier RB-MA1 Single Microphone Amplifier RB-MA2 Dual Microphone Amplifiers RB-MA2G Dual Microphone Amplifier with Gain RB-DMA2 Dual Digital Microphone Amplifier RB-ML2 Stereo Microphone & Line Level Limiter RB-SL2 Twin Mono, Or Stereo, Limiter RB-SM1 Single Stereo To Mono Converter RB-SM2 Dual Stereo To Mono Converter RB-LC3 3 Way Light/Power Controller

Manufacturers of audio & video

products for radio & TV broadcasters

Redbox Handbook 5

For the latest Sonifex handbook information please visit the Sonifex website at www.sonifex.co.uk

Redbox User Handbook No 5

Stock Code: 30-343

Artwork: AW10835

Revision 3.01 September 2019

©Sonifex Ltd, 2019

Sonifex Ltd, 61, Station Road, Irthlingborough,

Northants, NN9 5QE, England.

Tel: +44 (0)1933 650 700

Fax: +44 (0)1933 650 726

Email: sales@sonifex.co.uk

Website: https://www.sonifex.co.uk

Information in this document is subject to change without notice and does not represent a

commitment on the part of the vendor. Sonifex Ltd shall not be liable for any loss or damage

whatsoever arising from the use of information or any error contained in this manual.

No part of this manual may be reproduced or transmitted in any form or by any means, electronic

or mechanical, including photocopying, recording, information storage and retrieval systems, for any

purpose other than the purchaser’s personal use, without the express written permission of Sonifex

Ltd. Unless otherwise noted, all names of companies, products and persons contained herein are

part of a completely fictitious adaptation and are designed solely to document the use of Sonifex

product. Made in the UK by

Contents

Product Warranty - 2 Year Extended ii

Sonifex Warranty & Liability Terms & Conditions ii

1. Definitions ii

2. Warranty ii

Unpacking Your Product iii Repairs & Returns iv

Conformity iv

Safety & Installation of Mains Operated Equipment iv

Voltage Setting Checks iv Fuse Rating iv Power Cable & Connection iv WEEE Directive v Atmosphere/Environment v

Fitting Redboxes v

1 RB-HD1 Stereo Headphone Amplifier With VCA Volume Control 1

Introduction 1

System Block Diagrams 1

Front Panel Connections and Controls 2

Rear Panel Connections and Operation 2

Technical Specifications RB-HD1 4

2 RB-HD2 Dual Headphone Amplifier 5

Introduction 5

System Block Diagrams 5

Front Panel Connections and Controls 6

Rear Panel Connections and Operation 6

Technical Specifications RB-HD2 7

3 RB-HD6 6 Way Stereo Headphone Distribution Amplifier 8

Introduction 8

System Block Diagram 9

Rear Panel Connections and Operation 10

Front Panel Connections and Controls 11

Technical Specifications RB-HD6 12

4 RB-DHD6 Digital 6 Way Headphone Distribution Amplifier 13

Introduction 13

System Block Diagram 13

Rear Panel Connections and Operation 14

Front Panel Indicators & Controls 14

Technical Specifications RB-DHD6 16

Contents

5 RB-MA1 Single Microphone Amplifier 17

Introduction 17

System Block Diagram 17

Rear Panel Connections and Operation 18 Technical Specifications RB-MA1 19

6 RB-MA2 Dual Microphone Amplifiers 20

Introduction 20

System Block Diagram 20

Rear Panel Connections and Operation 21 Technical Specifications RB-MA2 22

7 RB-MA2G Dual Microphone Amplifier with Gain 23

Introduction 23

System Block Diagram 24

Rear Panel Connections and Operation 24 Front Panel Controls 25 Technical Specifications RB-MA2G 26

8 RB-DMA2 Dual Digital Microphone Amplifier 27

Introduction 27

System Block Diagram 28

Front Panel Indicators & Controls 28 Rear Panel Connections and Operation 29

Rear Panel Controls 30

Technical Specifications RB-DMA2 32

9 RB-ML2 Stereo Microphone & Line Level Limiter 34

Introduction 34

System Block Diagram 35

Rear Panel Connections and Operation 35 Technical Specifications RB-ML2 37

10 RB-SL2 Twin Mono, Or Stereo, Limiter 38

Introduction 38

System Block Diagram 39

Rear Panel Connections and Operation 39 Technical Specifications RB-SL2 41

11 RB-SM1 Single Stereo To Mono Converter 42

Introduction 42

System Block Diagram 42

Rear Panel Connections and Operation 43 Technical Specifications RB-SM1 44

12 RB-SM2 Dual Stereo To Mono Converter 45

Introduction 45

System Block Diagram 45

Rear Panel Connections and Operation 46 Technical Specifications RB-SM1, RB-SM2 47

13 RB-LC3 3 Way Light/Power Controller 48

Introduction 48 System Block Diagram 49 Rear Panel Connections and Operation 49 Technical Specifications RB-LC3 54

Figures

Fig A: RB-RK1 Small Redbox Front Rack-mount Kit . v Fig B: RB-RK2 Small Redbox Rear Rack-mount Kit. vi Fig C: RB-RK3 Large Redbox Rear Rack-mount Kit. vi Fig 1-1: RB-HD1 Front Panel 1 Fig 1-2: RB-HD1 System Block Diagram 1 Fig 1-3: RB-HD1 Front Panel Controls 2 Fig 1-4: RB-HD1 Rear Panel 2 Fig 1-5: RB-HD1 Remote Connector 3 Fig 2-1: RB-HD2 Front Panel 5 Fig 2-2: RB-HD2 System Block Diagram 5 Fig 2-3: RB-HD2 Front Panel Controls 6 Fig 2-4: RB-HD2 Rear Panel 6 Fig 3-1: RB-HD6 Front Panel 8 Fig 3-2: RB-HD6 System Block Diagram 9 Fig 3-3: RB-HD6 Rear Panel 10 Fig 3-4: RB-HD6 Jumper Assignments 11 Fig 3-5: RB-HD6 Jumper Positions 11 Fig 3-6: RB-HD6 Front Panel Controls 11 Fig 3-7: RB-HD6 Master Level Control 11 Fig 4-1: RB-DHD6 Front Panel 13 Fig 4-2: RB-DHD6 System Block Diagram 13 Fig 4-3: RB-DHD6 Front Panel Controls 14 Fig 4-4: RB-DHD6 Rear Panel 14 Fig 4-5: RB-DHD6 Status Select Switches 15 Fig 5-1: RB-MA1 Front Panel 17 Fig 5-2: RB-MA1 System Block Diagram 17 Fig 5-3: RB-MA1 Rear Panel 18 Fig 5-4: Switch to Control LF Filter and Phantom Power 18 Fig 6-1: RB-MA2 Front Panel 20 Fig 6-2: RB-MA2 System Block Diagram Single Channel 20 Fig 6-3: RB-MA2 Rear Panel. 21

Fig 6-4: Switch to Control LF Filter and Phantom Power 21 Fig 7-1: RB-MA2G Front Panel 23 Fig 7-2: RB-MA2G System Block Diagram 24 Fig 7-3: RB-MA2G Rear Panel 24 Fig 7-4: Switch to Control LF Filter and Phantom Power 25 Fig 8-1: RB-DMA2 Front Panel 27 Fig 8-2: RB-DMA2 System Block Diagram 28 Fig 8-3: RB-DMA2 Front Panel 28 Fig 8-4: Jumpers to Disable Fine Gain Control 29 Fig 8-5: RB-DMA2 Rear Panel 29 Fig 8-6: RB-DMA2 Status Select Switches 30 Fig 8-7: RB-DMA2 Frequency and Sync Rotary Switch Selections 32 Fig 9-1: RB-ML2 Front Panel 34 Fig 9-2: RB-ML2 System Block Diagram 35 Fig 9-3: RB-ML2 Rear Panel 35 Fig 9-4: Switch to Control LF Filter and Phantom Power 36 Fig 10-1: RB-SL2 Front Panel 38 Fig 10-2: RB-SL2 System Block Diagram 39 Fig 10-3: RB-SL2 Rear Panel 39 Fig 11-1: RB-SM1 Front Panel 42 Fig 11-2: RB-SM1 System Block Diagram 42 Fig 11-3: RB-SM1 Rear Panel 43 Fig 12-1: RB-SM2 Front Panel 45 Fig 12-2: RB-SM2 System Block Diagram Single Channel 45 Fig 12-3: RB-SM2 Rear Panel 46 Fig 13-1: RB-LC3 Front Panel 48 Fig 13-2: RB-LC3 System Block Diagram 49 Fig 13-3: RB-LC3 Rear Panel 49 Fig 13-4: Output 1 Configuration Setting 51 Fig 13-5: Output 2 Configuration Settings 52 Fig 13-6: Output 3 Configuration Settings 53

Warranty Registration

As standard, Sonifex products are supplied with a 1 year back to base warranty.

If you register the product online, you can increase your product warranty to 2 years and we can also keep you informed of any product design improvements or modifications.

To register your product, please go online to www.sonifex.co.uk/register

Sonifex Limited y 61 Station Road y Irthlingborough y Northamptonshire y NN9 5QE y United Kingdom Tel: +44 (0)1933 650 700 y Fax: +44 (0)1933 650 726 y Email: technical.support@sonifex.co.uk y Internet: www.sonifex.co.uk

Product:

Serial No:

Warranty

Product Warranty - 2 Year Extended

As standard, Sonifex products are supplied with a 1 year back to base warranty. In order to register the date of purchase and so that we can keep you informed of any product design improvements or modifications, it is important to complete the warranty registration online. Additionally, if you register the product on the Sonifex website, you can increase your product warranty to 2 years. Go to the Sonifex website at: https://www.sonifex. co.uk/technical/register/index.asp to apply for your 2 year warranty.

Sonifex Warranty & Liability Terms & Conditions

1. Definitions

‘the Company’ means Sonifex Ltd and where relevant includes companies within the same group of companies as Sonifex Limited.

‘the Goods’ means the goods or any part thereof supplied by the Company and where relevant includes: work carried out by the Company on items supplied by the Purchaser; services supplied by the Company; and software supplied by the Company.

‘the Purchaser’ means the person or organisation who buys or has agreed to buy the Goods.

‘the Price’ means the Price of the Goods and any other charges incurred by the Company in the supply of the Goods.

‘the Warranty Term’ is the length of the product warranty which is usually 12 months from the date of despatch; except when the product has been registered at the Sonifex website when the Warranty Term is 24 months from the date of despatch.

‘the Contract’ means the quotation, these Conditions of Sale and any other document incorporated in a contract between the Company and the

Purchaser.

This is the entire Contract between the parties relating to the subject matter hereof and may not be changed or terminated except in writing in accordance with the provisions of this Contract. A reference to the consent, acknowledgement, authority or agreement of the Company means in writing and only by a director of the Company.

2. Warranty

a. The Company agrees to repair or (at its discretion) replace Goods

which are found to be defective (fair wear and tear excepted) and which are returned to the Company within the Warranty Term provided that each of the following are satisfied:

i. notification of any defect is given to the Company immediately

upon its becoming apparent to the Purchaser;

ii. the Goods have only been operated under normal operating

conditions and have only been subject to normal use (and in particular the Goods must have been correctly connected and must not have been subject to high voltage or to ionising radiation and must not have been used contrary to the Company’s technical recommendations);

iii. the Goods are returned to the Company’s premises at the

Purchaser’s expense;

iv. any Goods or parts of Goods replaced shall become the

property of the Company;

v. no work whatsoever (other than normal and proper

maintenance) has been carried out to the Goods or any part of the Goods without the Company’s prior written consent;

Warranty

vi. the defect has not arisen from a design made, furnished or

specified by the Purchaser;

vii. the Goods have been assembled or incorporated into other

goods only in accordance with any instructions issued by the Company;

viii. the defect has not arisen from a design modified by the

Purchaser;

ix. the defect has not arisen from an item manufactured by

a person other than the Company. In respect of any item manufactured by a person other than the Company, the Purchaser shall only be entitled to the benefit of any warranty or guarantee provided by such manufacturer to the Company.

b. In respect of computer software supplied by the Company the

Company does not warrant that the use of the software will be uninterrupted or error free.

c. The Company accepts liability:

(i) for death or personal injury to the extent that it results from the

negligence of the Company, its employees (whilst in the course of their employment) or its agents (in the course of the agency);

(ii) for any breach by the Company of any statutory undertaking as

to title, quiet possession and freedom from encumbrance.

d. Subject to conditions (a) and (c) from the time of despatch of

the Goods from the Company’s premises the Purchaser shall be responsible for any defect in the Goods or loss, damage, nuisance or interference whatsoever consequential economic or otherwise or wastage of material resulting from or caused by or to the Goods. In particular the Company shall not be liable for any loss of profits or other economic losses. The Company accordingly excludes all liability for the same.

e. At the request and expense of the Purchaser the Company will test

the Goods to ascertain performance levels and provide a report of the results of that test. The report will be accurate at the time of the test, to the best of the belief and knowledge of the Company, and the Company accepts no liability in respect of its accuracy beyond that set out in Condition (a).

f. Subject to Condition (e) no representation, condition, warranty or

other term, express or implied (by statute or otherwise) is given by the Company that the Goods are of any particular quality or standard or will enable the Purchaser to attain any particular performance or result, or will be suitable for any particular purpose or use under specific conditions or will provide any particular capacity, notwithstanding that the requirement for such performance, result or capacity or that such particular purpose or conditions may have been known (or ought to have been known) to the Company, its employees or agents.

g. (i) To the extent that the Company is held legally liable to the

Purchaser for any single breach of contract, tort, representation or other act or default, the Company’s liability for the same shall not exceed the price of the Goods.

(ii) The restriction of liability in Condition (g)(i) shall not apply to

any liability accepted by the Seller in Condition (c).

h. Where the Goods are sold under a consumer transaction (as defined

by the Consumer Transactions (Restrictions on Statements) Order

1976) the statutory rights of the Purchaser are not affected by these Conditions of Sale.

Unpacking Your Product

Each product is shipped in protective packaging and should be inspected for damage before use. If there is any transit damage take pictures of the product packaging and notify the carrier immediately with all the relevant

iii

CE Conformity

details of the shipment. Packing materials should be kept for inspection and also for if the product needs to be returned.

The product is shipped with the following equipment so please check to ensure that you have all of the items below. If anything is missing, please contact the supplier of your equipment immediately.

Item Quantity

Product unit 1

IEC mains lead fitted with moulded mains plug 1

Handbook and warranty card 1

If you require a different power lead, please let us know when ordering the product.

Repairs & Returns

Please contact Sonifex or your supplier if you have any problems with your Sonifex product. Email technical.support@sonifex.co.uk for the repair/ upgrade/returns procedure, or for support & questions regarding the product operation.

Conformity

The products in this manual comply with the essential requirements of the relevant European health, safety and environmental protection legislation.

The technical justification file for this product is available at Sonifex Ltd.

The declaration of conformity can be found at: https://www.sonifex.co.uk/declarations

Safety & Installation of Mains Operated Equipment

There are no user serviceable parts inside the equipment. If you should ever need to look inside the unit, always disconnect the mains supply before removing the equipment covers. The cover is connected to earth by means of the fixing screws. It is essential to maintain this earth/ ground connection to ensure a safe operating environment and provide electromagnetic shielding.

Voltage Setting Checks

Ensure that the machine operating voltage is correct for your mains power supply by checking the box in which your product was supplied. The voltage is shown on the box label. The available voltage settings are 115V, or 230V. Please note that all products are either switchable between 115V and 230V, or have a universal power supply.

Fuse Rating

The product is supplied with a single fuse in the live conducting path of the mains power input. For reasons of safety it is important that the correct rating and type of fuse is used. Incorrectly rated fuses could present a possible fire hazard, under equipment fault conditions. The active fuse is fitted on the outside rear panel of the unit.

Power Cable & Connection

An IEC power connector is supplied with the product which has a moulded plug attached.

The mains plug or IEC power connector is used as the disconnect device. The mains plug and IEC power connector shall remain readily operable to disconnect the apparatus in case of a fault or emergency.

The mains lead is automatically configured for the country that the product is being sent to, from one of:

Safety & Installation

Territory Voltage IEC Lead Type Image

UK & Middle East 230V UK 3 pin to IEC lead

Europe 230V

USA, Canada and South America

Australia & New Zealand

Connect the equipment in accordance with the connection details and before applying power to the unit, check that the machine has the correct operating voltage for your mains power supply.

This apparatus is of a class I construction. It must be connected to a mains socket outlet with a protective earthing connection.

Important note: If there is an earth/ground terminal on the rear panel of the product then it must be connected to Earth.

European Schuko round 2 pin to IEC lead

115V 3 flat pin to IEC lead

230V Australasian 3 flat pin to IEC lead

WEEE Directive

The Waste Electrical and Electronic Equipment (WEEE) Directive was agreed on 13 February 2003, along with the related Directive 2002/95/EC on Restrictions of the use of

certain Hazardous Substances in electrical and electronic equipment (RoHS). The Waste Electrical and Electronic Equipment Directive (WEEE) aims to minimise the impacts of electrical and electronic equipment on the environment during their life times and when they become waste. All products manufactured by Sonifex Ltd have the WEEE directive label placed on the case. Sonifex Ltd will be happy to give you information about local organisations that can reprocess the product when it reaches its “end of use”, or alternatively all products that have reached “end of use” can be returned to Sonifex and will be reprocessed correctly free of charge.

Atmosphere/Environment

This apparatus should be installed in an area that is not subject to excessive temperature variation (<0°C, >50°C), moisture, dust or vibration.

This apparatus shall not be exposed to dripping or splashing, and no objects filled with water, such as vases shall be placed on the apparatus.

Fitting Redboxes

Redboxes can be fixed to the underside of a desk, or other surfaces using 4.2mm holes in the sides and fixed with 2 x M4 screws or 2 x No. 6 countersink wood screws.

Fig A: RB-RK1 Small Redbox Front Rack-mount Kit .

Safety & Installation

They can also be rack-mounted, with either the front, or rear of the Redbox positioned at the front of the rack (Note: this product is front rack-mounted as standard):

Front Mounting Redboxes: For rack mounting smaller (28cm) units the optional RB-RK1 (Red) or RB-RK1B (Black) kit can be used (which include 4 off M6 panel fixing screws).

Rear Mounting a Redbox: For rear panel mounting you can use either the RB-RK2 (in this case), or RB-RK3, depending on the size of your Redbox.

Fig B: RB-RK2 Small Redbox Rear Rack-mount Kit.

Fig C: RB-RK3 Large Redbox Rear Rack-mount Kit.

Headphone Distribution Amplifiers - RB-HD1 1

1 RB-HD1 Stereo Headphone Amplifier With VCA Volume Control

Introduction

Fig 1-1: RB-HD1 Front Panel

The RB-HD1 is a 1U rack-mount stereo headphone amplifier for driving up to two pairs of professional stereo headphones from a single stereo or mono input. One headphone socket is on the front panel with one on the rear.

The main stereo input uses electronically balanced XLR-3 connectors on the rear panel, which can be wired un-balanced. The output volume for the headphones can be controlled either by a pot situated on the front panel or a VCA signal supplied externally via the remote connector.

System Block Diagrams

Left Input Audio XLR

Right Input Audio XLR

Push Switch

Audio Input Amplifier

Stereo/Mono Control Switch

A mono input can be mixed into the main headphone feed, for example, for mixing in talkback to the headphones. This has an input level control via a recessed adjustable potentiometer. The mono mix input can also be controlled remotely.

A stereo/mono switch is recessed on the rear panel to prevent accidental knocking. With mono selected, audio is sent to both left and right ear pieces. A LED power indicator on the front panel displays the power supply connection.

VCA

Audio Output

Amplifier

Local/Remote Control Switch

Stereo Jack Output

Input Mono Mix

Fig 1-2: RB-HD1 System Block Diagram

Gain

Remote Connector

Volume

1 Headphone Distribution Amplifiers - RB-HD1

Front Panel Connections and Controls

Stereo

Output

Fig 1-3: RB-HD1 Front Panel Controls

Stereo Outputs 1-2 (Mono Outputs1-2)

The outputs available on the front and rear panel through ¼” stereo

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professional headphones. Each output is individually buffered.

Volume Level Control

The volume level control sets the output level of the two stereo headphone sockets. The two headphone outputs have a maximum output of +11dBu.

Rear Panel Connections and Operation

Main

Stereo Inputs

Mono Mix

Input

Headphone

Remote

Connector

Volu me

Level

Control

Stereo/ Mono

Switch

Fig 1-4: RB-HD1 Rear Panel

Mono Mix Input

Gain Adjustment

Local/ Remote Control Switch

Headphone Distribution Amplifiers - RB-HD1 1

Main Stereo Inputs (Left and Right)

The XLR-3 input connectors can take balanced professional levels, or unbalanced by using the volume control to increase the input level, and by connecting the non-phase to the signal ground. The input can be configured as either a stereo input with two stereo outputs or a mono input with two mono paired outputs. The XLR 3 pin input has the following connections: Pin 1: Screen Pin 2: Phase Pin 3: Non-phase

Stereo Input Gain Adjustment

There are two preset controls on the rear panel that adjust the level of the master input signal to the outputs from -12dB to +20dB gain.

Stereo/Mono Operation

The mode of operation may be switched between a stereo distributed channel to 2 stereo channels, or a mono channel to two mono paired outputs (i.e. the same signal to both ear pieces) by using the push button, mounted on the rear panel to prevent accidental switching.

Mono Mix Input

The XLR-3 input connector can take balanced professional levels, or unbalanced by connecting the non-phase to the signal ground. This input is used for mixing with the main stereo input, which is controlled by the MIX_ EN pin (pin 8 on the remote connector) on the remote connector. While this signal is shorted to the ground pin (pin 9 on the remote connector) mixing is enabled and is only disabled once the signal from MIX_EN to pin 9 is open on the remote connector. The XLR 3 pin input has the following connections: Pin 1: Screen Pin 2: Phase Pin 3: Non-phase

Mono Mix Input Gain Adjustment

A rotary pre-set potentiometer can be used to adjust the gain of the mono mix input by 22dBu.

Local/Remote Control Operation

The level to the two outputs can be controlled in one of two ways, either locally, by the pot situated on the front panel or remotely, by a VCA signal supplied externally to the remote connector.

Remote Connector

The remote connector is a 9-pin D-type socket, which is situated on the rear panel. It has connections as shown below.

Pin No. Signal I/O Description

Pin 1 Pot wiper I Volume control signal Pin 2 Pot top O +5V Pin 3 N/C - No connection Pin 4 N/C - No connection Pin 5 N/C - No connection Pin 6 Pot bottom - Ground Pin 7 N/C - No connection Pin 8 MIX_EN I Make to pin 9 Pin 9 0V - Ground

Fig 1-5: RB-HD1 Remote Connector

1 Headphone Distribution Amplifiers - RB-HD1

Technical Specifications RB-HD1

Audio Specifications RB-HD1 & RB-HD2:

Maximum Input Level: +28dBu

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Input Gain Range: -12dB to +20dB (pre-set pots) (RB-HD2)

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Volume Control: -80dB to +11dB gain

Mono Mix Input Gain Range: 22dBu (RB-HD1)

Connections

Main Stereo Input: 2 x XLR 3 pin female (Balanced, can be wired unbalanced)

Mono Mix Input: 1 x XLR 3 pin female (Balanced, can be wired unbalanced)

Outputs: 2 x ¼” (6.35mm) A/B gauge 3-pole stereo jack sockets

Remote Control: 9-pin D-type socket

Mains Input: Filtered IEC, 110V-120V, or 220-240V switchable, fused, 9W maximum

Fuse Rating: Anti-surge fuse 100mA 20 x 5mm (230VAC) Anti-surge fuse 250mA 20 x 5mm (115VAC)

Equipment Type

RB-HD1: Stereo headphone amplifier

Physical Specifications

Dimensions (Raw): 48cm (W) x 10.8cm (D) x 4.2cm (H) (1U) 19” (W) x 4.3” (D) x 1.7” (H) (1U)

Dimensions (Boxed): 53cm (W) x 20.5cm (D) x 6cm 21” (W) x 8” (D) x 2.4”

Weight: Nett: 1.35kg Gross: 2.0kg Nett: 3lbs Gross: 4.4lbs

2 RB-HD2 Dual Headphone Amplifier

Introduction

Fig 2-1: RB-HD2 Front Panel

The RB-HD2 is a high performance 2-way stereo headphone distribution amplifier for driving up to 2 pairs of professional stereo headphones from a single stereo or mono input. A switch on the rear panel enables the distribution of a mono signal to all four outputs (i.e. both earpieces of a pair of stereo headphones) via the left channel input. The stereo/mono switch is located on the rear panel to prevent accidental knocking.

System Block Diagrams

Headphone Distribution Amplifiers - RB-HD2 2

The XLR-3 inputs are electronically balanced and can be wired unbalanced. There are two pre-set controls on the rear panel that adjust the level of the master input signal to the outputs.

Each output is on a ¼” stereo jack socket and is designed to drive 150mW into 32 ohm to 600 ohm stereo headphones. The outputs are individually buffered with their own front panel volume control. A LED power indicator on the front panel displays the power supply connection.

XLR

Master

Input

Stereo

Push

Switch

Stereo/Mono

Control Switch

Fig 2-2: RB-HD2 System Block Diagram

Audio Input

Amplifier

Audio Output

Amp

Audio Output

Amp

Volume

Stereo

Jack

Output

Stereo

Jack

Output

2 Headphone Distribution Amplifiers - RB-HD2

Front Panel Connections and Controls

Stereo

Output

Fig 2-3: RB-HD2 Front Panel Controls

Stereo Outputs 1-2 (Mono Outputs 1-2)

The outputs available on the front panel through ¼” stereo jack sockets

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headphones. Each output is individually buffered.

Channel Volume Controls

Each channel has its own volume control so that you have control of the signal volume to an individual output from the master input.

Volu me

Level Control

Stereo

Output

Rear Panel Connections and Operation

Main Stereo

Inputs

Stereo/

Mono Switch

Volu me

Level Control

Stereo Input Gain Adjustment

Fig 2-4: RB-HD2 Rear Panel

Headphone Distribution Amplifiers - RB-HD2 2

Main Stereo Inputs (Left and Right)

Stereo/Mono Operation

Technical Specifications RB-HD2

Audio Specifications RB-HD2:

Maximum Input Level: +28dBu

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Input Gain Range: -12dB to +20dB (pre-set pots) (RB-HD2)

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Volume Control: -80dB to +11dB gain

Mono Mix Input Gain Range: 22dBu (RB-HD1)

Connections

Main Stereo Input 2 x XLR 3 pin female (Balanced, can be wired unbalanced)

Outputs: 2 x ¼” (6.35mm) A/B gauge 3-pole stereo jack sockets

Mains Input: Filtered IEC, 110V-120V, or 220-240V, fused, switchable, 9W maximum

Fuse Rating: Anti-surge fuse 100mA 20 x 5mm (230VAC) Anti-surge fuse 250mA 20 x 5mm (115VAC)

Equipment Type

RB-HD2: Dual stereo headphone amplifier

Physical Specifications

Dimensions (Raw): 48cm (W) x 10.8cm (D) x 4.2cm (H) (1U) 19” (W) x 4.3” (D) x 1.7” (H) (1U)

Dimensions (Boxed): 53cm (W) x 20.5cm (D) x 6cm 21” (W) x 8” (D) x 2.4”

Weight: Nett: 1.35kg Gross: 2.0kg Nett: 3lbs Gross: 4.4lbs

3 Headphone Distribution Amplifiers - RB-HD6

3 RB-HD6 6 Way Stereo Headphone Distribution Amplifier

Introduction

Fig 3-1: RB-HD6 Front Panel

The RB-HD6 is a high performance 6-way stereo headphone distribution amplifier for driving up to 6 pairs of professional stereo headphones from a single stereo or mono input. A switch on the rear panel enables the distribution of a mono signal to all twelve outputs (i.e. both earpieces of a pair of stereo headphones) via the left channel input.

Alternatively, the RB-HD6 can be used as six separate stereo headphone amplifiers by using the override (insert-point, or break-jack) input associated with each outlet. A typical application might be to provide common headphone feeds for guests around a table in a radio studio, with a separately derived feed, perhaps including talkback, for the presenter. The over-ride inputs can also be configured as parallel outputs (to the front outputs) by altering jumper settings inside the unit.

The XLR-3 inputs are electronically balanced and can be wired unbalanced. There is a master control that adjusts the level of the master signal to all the outputs. This master control can be disabled by the use of internal

ũƵŵƉĞƌƐĂĐŚŽƵƚƉƵƚŝƐĚĞƐŝŐŶĞĚƚŽĚƌŝǀĞϭϱϬŵtŝŶƚŽϯϮɏƚŽϲϬϬɏƐƚĞƌĞŽ

headphones and is individually buffered with its own volume control.

The input level and output volume controls are all potentiometers on the front panel. The stereo/mono switch is recessed on the rear panel to prevent accidental knocking. A LED power indicator on the front panel displays the power supply connection.

System Block Diagram

Headphone Distribution Amplifiers - RB-HD6 3

Fig 3-2: RB-HD6 System Block Diagram

3 Headphone Distribution Amplifiers - RB-HD6

Rear Panel Connections and Operation

Stereo Inputs

Stereo/Mono Operation

Fig 3-3: RB-HD6 Rear Panel

Channel Insertion Inputs

Stereo Input (Left and Right)

The XLR-3 input connectors can take balanced professional levels, or unbalanced by using the front panel master control to increase the input level, and by connecting the non-phase to the signal ground. The input can be configured as either a stereo input with six stereo outputs or a mono input with six mono paired outputs. The XLR 3 pin input has the following connections: Pin 1: Screen Pin 2: Phase Pin 3: Non-phase

Stereo/Mono Operation

The mode of operation may be switched between a stereo distributed channel to 6 stereo channels, or a mono channel to six mono paired outputs (i.e. the same signal to both ear pieces), by the push button on the rear panel which is recessed to prevent accidental switching.

Channel Insertion Inputs/Parallel Outputs

Each channel has an unbalanced override/insertion input via a ¼” stereo audio jack socket on the rear panel, which overrides the master input.

Each connector can also be individually configured as a parallel output providing the same signal as the output on the front of the unit. To configure the jack connector as an output, you’ll need to alter some jumper settings inside the unit.

Removing the Equipment Covers

To get inside the RB-HD6, first ensure that it has been disconnected from the mains power and that the mains IEC lead to the unit has been removed. Observing anti-static precautions, undo the four cross-head screws on the back panel at the far left and far right of the panel (2 at each end). Also undo the small brass screws which hold the top and bottom panels to the rear panel. The rear panel should slide backwards out of the unit together with the main circuit board.

Configuring Insert Inputs/Parallel Outputs

On the main circuit board, you’ll see some jumpers (small black rectangles), the position of which will define whether a particular jack socket operates as an input or output. The drawings below show the different jumper settings available. Each input/output can be configured individually, so you could have three jacks set as inputs and three as outputs if needed.

Headphone Distribution Amplifiers - RB-HD6 3

Input/Output 1 2 3456

Left JP1 & 2 JP5 & 6 JP9 & 10 JP13 & 14 JP17 & 18 JP21 & 22

Jumpers to Alter

Right JP3 & 4 JP7 & 8 JP11 & 12 JP15 & 16 JP19 & 20 JP23 & 24

Fig 30-4: RB-HD6 Jumper Assignments

Fig 3-5: RB-HD6 Jumper Positions

Once you’ve set up the jumpers, slide the circuit board back into the Redbox housing using the slots along the inside edge of the metalwork as a guide. Replace the screws on the top, bottom and rear panels of the RB-HD6.

Important Note : The screws provide earthing protection to the chassis and grounding protection for CE approval – it is important that you reinsert all the screws provided.

Front Panel Connections and Controls

Stereo Outputs 1-6 (Mono Outputs 1-6)

The outputs available on the front panel through ¼” stereo jack sockets

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headphones. Each output is individually buffered.

Master Level Control

The master level control will set the maximum level of all channels and will need to be set high if an unbalanced consumer input level (-10dbu) is used. This level control can be disabled by setting jumpers within the unit. See page 10 for details on removing the equipment covers. The two jumpers JP25 and JP26 can be found near the volume potentiometer VR1 :

Jumper JP25 JP26 Enable Master Level Control On On Disable Master Level Control Off Off

Fig 3-7: RB-HD6 Master Level Control

Channel Volume Controls

Each channel has its own volume control so that you have control of the signal volume to an individual output whether it is from the master input or the override input.

Volume Controls Master Volume Control

Fig 3-6: RB-HD6 Front Panel Controls

Headphone Outputs

3 Headphone Distribution Amplifiers - RB-HD6

Technical Specifications RB-HD6

Audio Specifications

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Maximum Input Level: +28dBu

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Override Inputs: +3dBu for full volume at +18dB gain

Individual Volume Control:-60dB to +18dB gain

Master Volume Control: ±10dB gain

Connections

Main Stereo Inputs: 2 x XLR 3 pin female (Balanced, can be wired unbalanced

Insert Inputs & 6 x ¼” (6.35mm) A-gauge 3-pole stereo jack Parallel Outputs: sockets (unbalanced, jumper configured)

Outputs: 6 x ¼” (6.35mm) A-gauge 3-pole stereo jack sockets

Mains Input: Filtered IEC, 110V-120V, or 220-240V switchable, fused, 9W maximum

Fuse Rating: Anti-surge fuse 100mA 20 x 5mm (230VAC) Anti-surge fuse 250mA 20 x 5mm (115VAC)

Equipment Type

RB-HD6: 6 way stereo headphone distribution amplifier

Physical Specifications

Dimensions (Raw): 48cm (W) x 10.8cm (D) x 4.2cm (H) (1U) 19” (W) x 4.3” (D) x 1.7” (H) (1U)

Dimensions (Boxed): 53cm (W) x 20.5cm (D) x 6cm (H) 21” (W) x 8” (D) x 2.4” (H)

Weight: Nett: 1.35kg Gross: 2.0kg Nett: 3lbs Gross: 4.4lbs

Headphone Distribution Amplifiers - RB-DHD6 4

4 RB-DHD6 Digital 6 Way Headphone Distribution Amplifier

Introduction

Fig 4-1: RB-DHD6 Front Panel

The RB-DHD6 digital 6 way headphone distribution amplifier is a 1U rack-mount which receives a digital input signal, as either AES/EBU or S/PDIF and converts it to 6 individually buffered, jack-plug, headphone outputs, each with their own volume control.

Useful for connection to digital mixing desks, digital routers and matrices, the RB-DHD6 connects directly to an AES/EBU or S/PDIF output to provide

A button located on the rear panel is used to select either the AES/EBU, or S/PDIF, input and de-emphasis on the output can be controlled via dipswitch. If de-emphasis is selected, the RB-DHD6 will decode 50/15μs emphasis when indicated by certain channel status bits in the incoming digital audio data.

When operating, the front panel power LED flashes red and amber

whenever the unit is not synchronised to the incoming digital signal. the highest quality audio directly to the headphones. The input connectors consist of a single balanced XLR-3 for the AES/EBU input and a single unbalanced phono connector for the S/PDIF input.

System Block Diagram

AES/EBU Volume

Digital Input

S/PDIF

Fig 4-2: RB-DHD6 System Block Diagram

AES

Receiver

DAC

Output

Audio

Amp

Control

Stereo Jack Output

4 Headphone Distribution Amplifiers - RB-DHD6

Front Panel Indicators & Controls

Sync & Power LED

Fig 4-3: RB-DHD6 Front Panel Controls

Sync & Power Indicator

The LED on the front panel is normally red to indicate that power is present on the unit. However, it also has a secondary role to indicate the status of the digital inputs

Flashing between red and amber – indicates a loss of a valid digital input signal.

Headphone Outputs

Rear Panel Connections and Operation

Volu me Controls

Headphone Outputs

The headphone outputs on the front panel consist of six ¼” stereo

ũĂĐŬƐŽĐŬĞƚƐĚĞƐŝŐŶĞĚƚŽĚƌŝǀĞϭϱϬŵtŝŶƚŽϯϮɏƚŽϲϬϬɏƉƌŽĨĞƐƐŝŽŶĂů

headphones.

Volume Control

The headphone outputs each have their own volume control and have a maximum output level of +12dBu.

Status Select

Switches

Digital Input

Select

Fig 4-4: RB-DHD6 Rear Panel

AES/EBU Input S/PDIF Input

Headphone Distribution Amplifiers - RB-DHD6 4

AES/EBU Input

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following connections: Pin 1: Screen Pin 2: Phase Pin 3: Non-phase

The signals on this connector should meet the IEC 60968 specification

S/PDIF Input

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Status Select Switches

Status

1 On De-emphasis On

1 Off De-emphasis Off

2 Reserved

3 Reserved

4 Reserved

Fig 4-5: RB-DHD6 Status Select Switches

If de-emphasis is ‘on’ (switch 1) the RB-DHD6 will decode 50/15μs emphasis

when indicated by certain channel status bits in the incoming digital audio

data. When ‘off’, no de-emphasis is applied. The switch is ‘on’ when it is

down.

Digital Input Select Button

This button is used to switch the digital input between the AES/EBU XLR

connector (button out) and the S/PDIF phono connector (button in).

4 Headphone Distribution Amplifiers - RB-DHD6

Technical Specifications RB-DHD6

Audio Specification

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Sample Freq. Range: 30kHz – 100kHz

Dynamic Range: >100dB

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Max Output Level: +12dBu

Headphone Gain Range: -80dBu to +12dBu

Connections

Digital Inputs: 1 x AES/EBU XLR 3 pin female 1 x S/PDIF RCA phono

Headphone Outputs: 6 x ¼” (6.35mm) A/B gauge 3-pole stereo jack sockets

Mains Input: Filtered IEC, 110-120V, or 220-240V switchable, fused 10W max

Fuse Rating: Anti-surge fuse 100mA 20 x 5mm (230VAC) Anti-surge fuse 250mA 20 x 5mm (115VAC)

Operational Controls

Digital Input Select: AES/EBU or S/PDIF, via push-switch

De-emphasis: DIP switch

Equipment Type

RB-DHD6: Digital 6 way stereo headphone distribution amplifier

Physical Specifications

Dimensions (Raw): 48cm (W) x 10.8cm (D) x 4.2cm (H) (1U) 19” (W) x 4.3” (D) x 1.7” (H) (1U)

Dimensions (Boxed): 53cm (W) x 20.5cm (D) x 6cm (H) 21” (W) x 8” (D) x 2.4” (H)

Weight: Nett: 1.6kg Gross: 2.2kg Nett: 3.5lbs Gross: 4.8lbs

5 RB-MA1 Single Microphone Amplifier

Introduction

Fig 5-1: RB-MA1 Front Panel

Microphone Amplifiers & Limiters - RB-MA1 5

The RB-MA1 consists of an independent low-noise microphone preamplifier for converting microphone level signals to line level, or for driving long lines from microphones to mixing equipment.

All connections and controls are on the rear panel. The microphone input is XLR-3 type and is electronically balanced. The input gain can be adjusted individually by a recessed pre-set potentiometer.

System Block Diagram

Ultra low noise

high gain

amplifier

Balanced

Microphone

Input

Phantom

power

Fig 5-2: RB-MA1 System Block Diagram

48V

(48V)

Gain

Phantom supply on/off

The XLR-3 line output is electronically balanced and can be wired unbalanced by grounding the non-phase signal, allowing you to feed both balanced and unbalanced equipment.

For each channel there are independent switches to control a high pass filter (low frequency roll-off at 125Hz) and to provide phantom power at +48V to the connected microphone. An LED power indicator on the front panel displays the power supply connection.

L.F.

Filter

Professional

L.F. Filter in/out

balanced output

X 2

5 Microphone Amplifiers & Limiters - RB-MA1

Rear Panel Connections and Operation

Control

Mic Input LF Filter Output

Fig 5-3: RB-MA1 Rear Panel

Mic Inputs

The XLR 3 pin sockets used for the microphone are electronically balanced. They have the following connections: Pin 1: Screen Pin 2: Phase Pin 3: Non-phase

Input Gain

Recessed pre-set potentiometers allow for adjustment of the gain of the microphone inputs. This provides a gain range of 36dB to 75dB which enables the use of dynamic and powered microphones. Connect the mic input and adjust the gain until the line output is at the level that you need.

On On

2 3 4

On On

Fig 5-4: Switch to Control LF Filter and Phantom Power

Phantom PowerInput Gain

1 Channel 1 Low Frequency (LF) Filter

2 Channel 1 Phantom Power

3 Channel 2 Phantom Power

(only applies to MA2)

4 Channel 2 Low Frequency

Using Phantom Powered Microphones

For the input channel there are independent switches to provide phantom power at +48V to the connected microphones. With phantom power selected, a voltage of +48V is applied to pins 2 and 3 of the XLR connector to power the microphone, supplied through 6k8 resistors giving a current of 14mA. Phantom power is used when the switch is pointing towards the arrow.

Using the LF Filter

A switch also provides control for a high pass filter with low frequency roll off at 125Hz. The filter is in when the switch is in the down position (towards the arrow).

Output

The XLR 3 pin plug output connector is electronically balanced and can be wired unbalanced by grounding

the non-phase signal, allowing you to feed balanced and unbalanced equipment. It has the following connections: Pin 1: Screen Pin 2: Phase Pin 3: Non-phase

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maximum output level of +28dBu.

Technical Specifications RB-MA1

Microphone Amplifiers & Limiters - RB-MA1 5

Audio Specifications

Maximum Input Level: -10dBu

Maximum Output Level: +28dBu

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KƵƚƉƵƚ/ŵƉĞĚĂŶĐĞ фϱϬɏ

Low Frequency Roll-Off: 125Hz @ 6dB/octave

Gain Range: Adjustable 36dB to 75dB gain

E.I.N: 130dB

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Common Mode Rejection:>66dB typically

Phantom Power: 48V

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Connections

Input: 1 x XLR 3 pin female (Balanced)

Output: 1 x XLR 3 pin male (Balanced, can be unbalanced)

Mains Input: Filtered IEC, 110V-120V, or 220-240V switchable, fused, 6W maximum

Fuse Rating: Anti-surge fuse 100mA 20 x 5mm (230VAC) Anti-surge fuse 250mA 20 x 5mm (115VAC)

Equipment Type

RB-MA1: Single microphone amplifier

Physical Specifications

Dimensions (Raw): 28cm (W) x 10.8cm (D) x 4.2cm (H) (1U) 11” (W) x 4.3” (D) x 1.7” (H) (1U)

Dimensions (Boxed): 36cm (W) x 20.5cm (D) x 6cm (H)

14.2” (W) x 8” (D) x 2.4” (H)

Weight RB-MA1: Nett: 0.90kg Gross: 1.35kg Nett: 2lbs Gross: 3lbs

6 Microphone Amplifiers & Limiters - RB-MA2

6 RB-MA2 Dual Microphone Amplifiers

Introduction

Fig 6-1: RB-MA2 Front Panel

The RB-MA2 dual microphone amplifier consists of two low noise pre amplifiers for converting microphone level signals to line level, or for driving long lines from microphones to mixing equipment.

All connections and controls are on the rear panel. The microphone input is XLR-3 type and is electronically balanced. The input gain can be adjusted individually by a recessed pre-set potentiometer.

System Block Diagram

Ultra low noise

high gain

amplifier

Balanced

Microphone

Input

Phantom

power

Fig 6-2: RB-MA2 System Block Diagram

48V

(48V)

Gain

Phantom supply on/off

The XLR-3 line output is electronically balanced and can be wired unbalanced by grounding the non-phase signal, allowing you to feed both balanced and unbalanced equipment.

L.F.

Filter

Professional

L.F. Filter in/out

balanced output

X 2

Rear Panel Connections and Operation

Input Gain

Control

Phantom Power

Switch

Microphone Amplifiers & Limiters - RB-MA2 6

Mic Input

Fig 6-3: RB-MA2 Rear Panel.

LF Filters Stereo Outputs

Mic Inputs

The XLR 3 pin sockets used for the microphone are electronically balanced. They have the following connections: Pin 1: Screen Pin 2: Phase Pin 3: Non-phase

Input Gain

On On

1 Channel 1 Low Frequency (LF) Filter

2 Channel 1 Phantom Power

2 3 4

3 Channel 2 Phantom Power (only applies to MA2)

On On

Fig 6-4: Switch to Control LF Filter and Phantom Power

4 Channel 2 Low Frequency

Using Phantom Powered Microphones

Using the LF Filter

A switch also provides control for a high pass filter with low frequency roll off at 125Hz. The filter is in when the switch is in the down position (towards the arrow).

Output

The XLR 3 pin plug output connector is electronically balanced and can be wired unbalanced by grounding the non-phase signal, allowing you to feed balanced and unbalanced equipment. It has the following connections: Pin 1: Screen Pin 2: Phase Pin 3: Non-phase

dŚĞĐŽŶŶĞĐƚŽƌƉƌŽǀŝĚĞƐĂůŝŶĞůĞǀĞůŽƵƚƉƵƚǁŝƚŚĂŶŝŵƉĞĚĂŶĐĞŽĨфϱϬɏĂŶĚ

a maximum output level of +28dBu.

6 Microphone Amplifiers & Limiters - RB-MA2

Technical Specifications RB-MA2

Audio Specifications

Maximum Input Level: -10dBu

Maximum Output Level: +28dBu

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KƵƚƉƵƚ/ŵƉĞĚĂŶĐĞ фϱϬɏ

Low Frequency Roll-Off: 125Hz @ 6dB/octave

Gain Range: Adjustable 36dB to 75dB gain

E.I.N: 130dB

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Common Mode Rejection:>66dB typically

Phantom Power: 48V

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Connections

Input: 2 x XLR 3 pin female (Balanced)

Output: 2 x XLR 3 pin male (Balanced, can be unbalanced)

Mains Input: Filtered IEC, 110V-120V, or 220-240V switchable, fused, 6W maximum

Fuse Rating: Anti-surge fuse 100mA 20 x 5mm (230VAC) Anti-surge fuse 250mA 20 x 5mm (115VAC)

Equipment Type

RB-MA2: Dual microphone amplifier

Physical Specifications

Dimensions (Raw): 28cm (W) x 10.8cm (D) x 4.2cm (H) (1U) 11” (W) x 4.3” (D) x 1.7” (H) (1U)

Dimensions (Boxed): 36cm (W) x 20.5cm (D) x 6cm (H)

14.2” (W) x 8” (D) x 2.4” (H)

Weight RB-MA2: Nett: 1.00kg Gross: 1.45kg Nett: 2.2lbs Gross: 3.2lbs

Microphone Amplifiers & Limiters - RB-MA2G 7

7 RB-MA2G Dual Microphone Amplifier with Gain

Introduction

Mic 1

Control Knob

Mic 2

Control Knob

Power

LED

Fig 7-1: RB-MA2G Front Panel

The RB-MA2G consists of two independent low-noise microphone preamplifiers for converting microphone level signals to line level, or for driving long lines from microphones to mixing equipment.

All connections are on the rear panel. The microphone input is XLR-3 type and is electronically balanced. The input gains can be adjusted individually by recessed pre-set potentiometers.

Two front panel potentiometers give ±12dB level adjustment and a 12 segment LED meter shows the audio level for each channel.

LED Meter

The XLR-3 line output is electronically balanced and can be wired unbalanced by grounding the non-phase signal, allowing you to feed both balanced and unbalanced equipment.

7 Microphone Amplifiers & Limiters - RB-MA2G

System Block Diagram

Balanced Microphone Input 1

Phantom Power +48V

Balanced Microphone Input 2

Phantom Power On/Off

Ultra Low Noise High Gain Amplifier

Gain

(Pre-set)

Ultra Low Noise High Gain Amplifier

Gain

(Pre-set)

Fig 7-2: RB-MA2G System Block Diagram

Rear Panel Connections and Operation

Input Gain

Control

Mic Input

Phantom Power

Switch

LF Filters Stereo Outputs

L.F. Filter in/Out

-12dB +12dB Gain

Front Panel

Front Panel LED Level Meter

-12dB +12dB Gain

Front Panel

Professional Balanced

Output 1

Output 2

Fig 7-3: RB-MA2G Rear Panel

Microphone Amplifiers & Limiters - RB-MA2G 7

Mic Inputs

The XLR 3 pin sockets used for the microphone are electronically balanced. They have the following connections: Pin 1: Screen Pin 2: Phase Pin 3: Non-phase

Input Gain

Recessed pre-set potentiometers allow for adjustment of the gain of the microphone inputs. This provides a gain range of 24dB to 68dB which enables the use of dynamic and powered microphones. Connect the mic input and adjust the gain until the line output is at the level that you need.

Once the input gain is set to suit the microphone to be used, the front panel level adjustment can be used to trim the level up or down for quiet or loud microphone users.

On On

2 3 4

On On

Fig 7-4: Switch to Control LF Filter and Phantom Power

Using Phantom Powered Microphones

1 Channel 1 Low Frequency (LF) Filter

2 Channel 1 Phantom Power

3 Channel 2 Phantom Power

(only applies to MA2)

4 Channel 2 Low Frequency

Using the LF Filter

A switch also provides control for a high pass filter with low frequency roll off at 125Hz. The filter is in when the switch is in the down position (towards the arrow).

Analogue Line Level Outputs

The XLR 3 pin plug analogue line output connector is electronically balanced and can be wired unbalanced by grounding the non-phase signal, allowing you to feed balanced and unbalanced equipment. It has the following connections: Pin 1: Screen Pin 2: Phase Pin 3: Non-phase

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a maximum output level of +28dBu.

Front Panel Controls

Level Adjustment Potentiometers

Two front panel potentiometers provides ±12dB of level adjustment, useful for changing the audio gain for different users (i.e. less gain when a loud user is using the microphone, more gain when the user is quiet). In conjunction with the rear panel preset, this gives the RB-MA2G a 12dB to 80dB gain range.

Level Meter

A 12 segment LED meter is provided to indicate the output level of both channels. This is useful in helping to set the front panel level adjust for a specific microphone user. Professional audio levels should be at 0dBu with peaks at approximately +4dBu.

7 Microphone Amplifiers & Limiters - RB-MA2G

Technical Specifications RB-MA2G

Audio Specifications

Maximum Input Level: +4dBu

Maximum Output Level: +28dBu

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Low Frequency Roll-Off: 125Hz @ 6dB/octave

Gain Range: Adjustable 12dB to 80dB gain

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20kHz bandwidth

Common Mode Rejection: >66dB @ 1kHz

Phantom Power: 48V

Frequency Response: 20Hz to 20kHz +0/-0.2dB

Connections

Input: 2 x XLR 3 pin female (Balanced)

Output: 2 x XLR 3 pin male (Balanced, can be unbalanced)

Mains Input: Filtered IEC, 110V-120V, or 220-240V switchable, fused, 9W maximum

Fuse Rating: Anti-surge fuse 100mA 20 x 5mm (230VAC) Anti-surge fuse 250mA 20 x 5mm (115VAC)

Equipment Type

RB-MA2G: Dual microphone amplifier with gain

Physical Specifications

Dimensions (Raw): 48cm (W) x 10.8cm (D) x 4.2cm (H) (1U) 19” (W) x 4.3” (D) x 1.7” (H) (1U)

Dimensions (Boxed): 58.5cm (W) x 22.5cm (D) x 7cm (H) 23” (W) x 8.9” (D) x 2.8” (H)

Weight: Nett: 1.35kg Gross: 2.0kg Nett: 3.0lbs Gross: 4.4lbs

8 RB-DMA2 Dual Digital Microphone Amplifier

Introduction

Fig 8-1: RB-DMA2 Front Panel

Microphone Amplifiers & Limiters - RB-DMA2 8

The RB-DMA2 consists of two independent low-noise microphone pre-amplifiers for converting microphone level signals to digital AES/EBU, or S/PDIF, and analogue line level

outputs. The RB-DMA2 can be used as a front end for digital mixing desks or routers, which do not have microphone inputs. The analogue outputs can be used for routing to talkback systems.

The microphone inputs are XLR-3 type and are electronically balanced. The input gain for each input can be adjusted individually by coarse and fine gain controls on the front panel and each input has a level indicator. Additionally the fine gain control knob can be disabled by internal jumpers. A switch on the rear panel allows input 1 to be routed to both left and right digital outputs, or as input 1 to left output and input 2 to right output respectively.

For each channel there are independent switches to control a high pass filter (low frequency roll-off at 125Hz) and to provide phantom power at +48V to the connected microphones. It also has AES/EBU, S/PDIF and Word Clock sync inputs.

The unit operates in four modes:

Master Mode - In this mode the unit receives a microphone-input signal, which is digitised and formatted for digital serial transmission (IEC958). The

necessary clock signals are generated internally from an on board master clock at a selectable rate (32kHz, 44.1kHz, 48kHz, 64kHz, 88.2kHz or 96kHz).

Slave Mode - In this mode the unit automatically detects the presence of a digital audio sync signal, if present at the digital input or word clock input, and synchronises the digital output to it. If no sync is present, no output will be generated.

Auto Mode - Here the unit synchronises to the digital audio sync signal if present at the digital input and uses the internal master clock only if no sync input signal is detected. In this case, the internal master clock is used at the selected sample rate.

Auto Lock Mode - This operates like the auto mode except that if no syncinput signal is detected, it will use the internal master clock to sync to the sample rate which was last clocked to. When operating in sync modes, the front panel power LED flashes whenever the unit is not synchronised to the incoming digital signal, or when the unit is being calibrated. The unit should be calibrated once it has been powered up for more than 10 minutes.

For the digital output, there is a switch available to define the content of the channel status bits embedded within the digital audio stream. The channel status bits will be forced to Professional Mode for sample rates above 48kHz, as they are not supported by the Consumer Mode. For

8 Microphone Amplifiers & Limiters - RB-DMA2

sample rates of 32kHz, 44.1kHz and 48kHz, the status bits can be either set to Professional or Consumer Mode.

The bit depth of the digital output can be set to 16, 20 or 24 bits, with a psycho acoustic noise filter used to dither signals below 24 bit.

System Block Diagram

Balanced

Mic Inputs

Word Clock

AES/EBU

S/PDIF

Digital Sync Inputs

LF Filter

Digital

Sync Select

48V Phantom

Power

Gain Control

Fig 8-2: RB-DMA2 System Block Diagram

Front Panel Indicators & Controls

Sync & Power

Indicator

Fig 8-3: RB-DMA2 Front Panel

ADC

AES

Receiver

Recovered

Clock

Input Level

Indicators

XLR

Balanced

Line Outputs

AES

Transmitter

Master Clock

Generator

Digital

Send Select

Frequency

Select

Input Level

Adjustment

AES/EBU

S/PDIF

Microphone Amplifiers & Limiters - RB-DMA2 8

Sync & Power Indicator

The LED on the front panel is normally red to indicate that power is present on the unit. However, it also has a secondary role to indicate the status of the digital inputs: Fast flashing between red and amber indicates a loss of digital input signal, or that the unit is being calibrated.

Input Level Adjustment

Front panel potentiometers, coarse and fine, allow for adjustment of the gain of each microphone input. The recessed screw-head potentiometer coarse control provides a total gain range of 44dB, with the level knob fine control providing a ±12dB adjustment.

Connect the mic input and adjust the gain until the line output is at the level that you need. The wide gain range allows the use of both dynamic and powered microphones.

Rear Panel Connections and Operation

Mic Inputs Analogue Line Outputs

Disabling the Fine Gain Control Knob

Each fine control also has the ability to be disabled via a jumper (JP1 for MIC1 and JP2 for MIC2) situated on the PCB. When the jumper is fitted the control is enabled.

JP2

Fig 8-4: Jumpers to Disable Fine Gain Control

Input Level Indicators

For each input there is a tri-colour LED to give an indication of the level of the incoming mic signals. Green indicates -18dBFS, orange indicates

-12dBFS and red indicates -6dBFS.

S/PDIF

Sync Input

AES/EBU

Sync Input

Status Select

Switches

JP1

Phantom Power & LF Filter AES/EBU

Fig 8-5: RB-DMA2 Rear Panel

Output

Digital Sync & Output

Select Button

S/PDIF Output

Word Clock

Sync Input

Freq’ & Sync Mode Rotary Switch

8 Microphone Amplifiers & Limiters - RB-DMA2

RB-DMA2 Inputs

Mic Inputs

The XLR 3 pin sockets used for the microphone inputs are electronically balanced. They have the following connections: Pin 1: Screen Pin 2: Phase Pin 3: Non-phase

AES/EBU Sync Input

The digital AES/EBU synchronisation input XLR 3 pin socket has an

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the following connections: Pin 1: Screen Pin 2: Phase Pin 3: Non-phase

Word Clock Sync Input

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S/PDIF Sync Input

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RB-DMA2 Outputs

AES/EBU Output

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signals on this connector comply with the IEC 60968 specification. It has the following connections : Pin 1: Screen Pin 2: Phase Pin 3: Non-phase

S/PDIF Output

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Analogue Line Outputs

There is an analogue output on XLR 3 pin plug for each microphone input. The plug has the following connections: Pin 1: Screen Pin 2: Phase Pin 3: Non-phase

Rear Panel Controls

Status Select Switches

These swit

ches are used to determine the status or content of the digital output signals. The type of information encoded in the channel status bits of a digital audio signal can be professional or consumer and is determined by switch 1. However at frame rates higher than 48kHz, consumer mode is not available, so professional mode is used and this switch will be ignored.

The sample size for the analogue to digital conversion can be set to 24, 20 or 16 bits (switches 3 & 4). When the signal is truncated from 24 bits, a psycho-acoustic filter is applied to maintain optimum signal quality. These settings are summarised below and also on the top panel of the unit.

Status Bits

1 ON Professional 16 20 24

1 OFF Consumer 3 OFF ON ON

2 ON Dual Mono 4 OFF OFF ON

2 OFF Mono

Fig 8-6: RB-DMA2 Status Select Switches

Microphone Amplifiers & Limiters - RB-DMA2 8

Output Routing

This uses switch 2 of the STATUS dipswitch block. When switch 2 is “ON”, the audio signal from Mic input 1 is copied to both channels of the digital output signal (channel B = channel A) and Mic input 2 is ignored (Dual mono mode). When “OFF”, the Mic input 1 signal is on channel A only of the digital output signal and channel B contains the Mic input 2 signal (Mono mode).

Note: This does not affect the routing of the analogue outputs.

Phantom Power & LF Filter

For each channel there are independent switches to provide phantom power at +48V to the connected microphones. With phantom power selected, a voltage of +48V is applied to pins 2 and 3 of the XLR connector to power the microphone, supplied through 6k8 resistors giving a current of 14mA. Phantom power is used when the switches are towards the arrows.

The LF filter switches provide control for a high pass filter with low frequency roll off at 125Hz. The roll-off filters are switched “in” when the switches are in the down position (towards the arrows).

Digital Sync & Output Select Buttons

These buttons are used to switch the digital connection between the AES/ EBU XLR connector (button out) and the S/PDIF phono connector (button in) independently for the digital sync input and the digital output.

Note: There is no switch to select the Word Clock as a sync input. The unit automatically searches for a sync signal on the Word Clock, or the selected digital input, and automatically locks to a valid sync clock.

Frequency and Sync Mode Rotary Switch

This rotary switch is used to select the Synchronisation Mode and to select the frequency of the digital output when using the on-board clock generator. There are 4 modes of operation: - Master Mode, Auto Sync Mode, Auto Lock Sync Mode & Slave Mode.

• In Master Sync Mode, switch positions 0 – 5, the digital output sample rate is simply set by, and locked to, the internal on-board clock generator. No sync signal is used or required.

• In Auto Sync Mode, switch positions 6– B, the digital output sample rate follows the digital input. When the digital input signal is not present the output sample rate will be set by, and locked to, the internal on-board clock generator at a frequency determined by the switch position.

• In Auto-Lock Sync Mode, switch position C, No output will be generated until lock is achieved with a digital input signal. The digital output sample rate now follows the digital input. If the digital input signal is removed then the output sample rate will be set by, and locked to, the internal onboard clock generator at the closest frequency available to the previous digital input.

• In Slave Sync Mode, switch position D, the digital output sample rate follows the digital input. When the digital input signal is not present the digital output is turned off.

The following table, also printed on the top of the unit, summarises the above settings and shows the sample rate generated by the internal clock generator in master and auto sync modes.

8 Microphone Amplifiers & Limiters - RB-DMA2

Frequencies and Sync Modes

Rotary Switch

Number

0 Master 32

1 Master 44.1

2 Master 48

3 Master 64

4 Master 88.2

5 Master 96

6Auto32

7 Auto 44.1

8Auto48

9Auto64

A Auto 88.2

BAuto96

C Auto Lock -

D Slave -

F Calibration -

Fig 8-7: RB-DMA2 Frequency and Sync Rotary Switch Selections

Test/Calibration Mode

For optimum performance of the RB-DMA2, the unit should be calibrated when it has been powered up for approximately 10-15 minutes. The circuitry and chipsets contained in the unit will warm up during this time and the performance will deteriorate unless calibrated (the noise floor and

Mode Sample

Frequency

(kHz)

dynamic range will be 1-2dB lower than the best possible performance). The calibration cycle calibrates the gain and the zero reference of the A/D converter.

To calibrate the RB-DMA2, set the rotary FREQUENCIES AND SYNC MODES switch to position “F”. The power LED on the front panel will flash quickly for 2 – 3 seconds and will illuminate fully when the unit is calibrated. Once calibration is complete, reset the rotary switch to the position that you require.

Technical Specifications RB-DMA2

Connections

Analogue Mic Inputs: 2 x XLR 3 pin (balanced)

Analogue Line Outputs: 2 x XLR 3 pin (balanced)

Digital Sync Inputs: 1 x AES/EBU XLR 3 pin female 1 x S/PDIF RCA phono 1 x TTL BNC female (sync) 50 ohm impedance

Digital Outputs: 1 x AES/EBU XLR 3 pin plug 1 x S/PDIF RCA phono socket

Mains Input: Filtered IEC, 110-120V, or 220-240V switchable, fused 10W max

Fuse Rating: Anti-surge fuse 100mA 20 x 5mm (230VAC) Anti-surge fuse 250mA 20 x 5mm (115VAC)

Audio Specification

Min/Max Input Level: -63dBu / 5dBu to give FSD

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Gain Range: 68dB

Signal to Noise: 128dB EIN

Dynamic Range: >110dB

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Phantom Power: +48V

Low Frequency Roll-off: 125Hz @ 6dB/octave

Analogue Output Level: +18dBu Ref. FSD

Operational Controls & Indicators

Bit Depth: 16, 20 or 24 bits via DIP switch

Digital Output Select: AES/EBU or S/PDIF, via push switch

Sample Frequencies: 32kHz – 96kHz, via rotary switch

Sync Modes: Master, Slave, Auto, Auto-Lock via rotary switch

Digital Input Select: AES/EBU or S/PDIF, via push-switch

Channel Status Bits: Set to consumer or professional mode via DIP switch

Output Routing: Set dual mono output via dipswitch

Led Level: Green ind. -18dBFS, Orange ind. -12dBFS, Red ind. -6dBFS

Equipment Type

RB-DMA2: Dual digital microphone amplifier

Physical Specifications

Dimensions (Raw): 48cm (W) x 10.8cm (D) x 4.2cm (H) (1U) 19” (W) x 4.3” (D) x 1.7” (H) (1U)

Dimensions (Boxed): 53cm (W) x 20.5cm (D) x 6cm (H) 21” (W) x 8” (D) x 2.4” (H)

Weight: Nett: 1.6kg Gross: 2.2kg Nett: 3.5lbs Gross: 4.8lbs

Microphone Amplifiers & Limiters - RB-DMA2 8

9 Microphone Amplifiers & Limiters - RB-ML2

9 RB-ML2 Stereo Microphone & Line Level Limiter

Introduction

Fig 9-1: RB-ML2 Front Panel

The RB-ML2 is a stereo microphone and line level limiter. The unit is mainly used where assistance with level control is required, for protection of mixer inputs and to prevent distortion. The RB-ML2 is ideal for news-booths, and the input to PC work stations, it provides an economical level control solution.

The RB-ML2 has two electronically balanced XLR-3 inputs, which are routed to a line amplifier, or microphone amplifier, via a rear push-button. The microphone amplifiers have independent pre-set gain controls, and DIP switches for a high pass filter (low frequency roll-off at 125Hz) and phantom power to provide +48V to the connected microphones.

The outputs of these amplifiers are passed through a VCA limiter circuit that can operate jointly on the signals in stereo mode, or independently in dual mono mode. The rear panel mode switch changes the unit from dual mono to stereo.

The two XLR-3 electronically balanced outputs can be set to either line or mic output levels via a push button. This allows the RB-ML2 to be used in line with a line or mic input on a mixer, or similar equipment

System Block Diagram

Microphone Amplifiers & Limiters - RB-ML2 9

Mic/Line

Input 1

Mic/Line

Input 2

Mic

Phantom

Power

(48V)

Line

Mic

Phantom

Power

(48V)

Line

Fig 9-2: RB-ML2 System Block Diagram

Rear Panel Connections and Operation

Mic/Line

Input 1

Input 2

Select Switch

Mic/Line

Input 2

Option Switches

Output 1 Select Switch

Gain

Output 2 Select Switch

LF Filter

Limiter

Stage

Gain and

Limit

Control

Gain and

Limit

Control

Limiter

Stage

Gain

Mic/Line

Output

Mic/Line

Output

Mic 1

Input 1

Gain

Select Switch

Stereo/Dual Mono

Fig 9-3: RB-ML2 Rear Panel

Mic 2

Gain

Select Switch

Mic /Line

Output 1

Limit Gain

Limit Level

Mic /Line Output 2

9 Microphone Amplifiers & Limiters - RB-ML2

Mic / Line Inputs

The XLR 3 pin sockets used for the mic/line inputs are electronically balanced. They have the following connections: Pin 1: Screen Pin 2: Phase Pin 3: Non-phase

Mic Input Gain

Recessed pre-set potentiometers allow for adjustment of the gain of the microphone inputs. This provides a gain range of +22dB to +67dB which enables the use of dynamic and powered microphones. Connect the mic input and adjust the gain until the line output is at the level that you need.

On On

1 Channel 1 Low Frequency (LF) Filter

2 Channel 1 Phantom Power

2 3 4

3 Channel 2 Phantom Power

4 Channel 2 Low Frequency

On On

Fig 9-4: Switch to Control LF Filter and Phantom Power

Using Phantom Powered Microphones

For the mic input channel there are independent switches to provide phantom power at +48V to the connected microphones. With phantom power selected, a voltage of +48V is applied to pins 2 and 3 of the XLR connector to power the microphone, supplied through 6k8 resistors giving a current of 14mA. Phantom power is used when the switch is pointing towards the arrow. The phantom power only applies when the input is set to mic mode.

Using the LF Filter

A switch also provides control for a high pass filter with low frequency roll off at 125Hz. The filter is in when the switch is in the down position

(towards the arrow). The filter only applies when the input is set to mic mode.

Mic / Line Outputs

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-18dBu(mic) or +28 dBu(line).

Mic / Line Output Gain

The output gain is adjustable from -54dB to -24dB when mic is selected and adjustable between -8dB to +22dB for line, with reference to 0dBu line input. The gain is adjusted via two potentiometers on the rear panel of the unit, although it is pre-set in production.

Level Limiting

Stereo limiting operates by limiting both left and right outputs if either the left and right input needs to be limited. Dual mono limiting operates by limiting left and right signals individually.

The characteristics of the limiter can be set via level threshold pre-sets. For each channel there is an input gain and a threshold level control. With the limit threshold set to maximum, the input through to output can be normalised using the input potentiometers. Once the unit is acting as a buffer with gain/attenuation, the limit threshold level can be set, with the recovery adjusted for the application. The power LED indicates limiting by flashing.

Microphone Amplifiers & Limiters - RB-ML2 9

Mode Select Switch

The mode switch changes the unit from dual mono to stereo mode. In stereo mode, only the pre-sets for channel 1 (left) are active and they are applied to both channels. Stereo limiting operates by limiting both left and right outputs if either left or right input needs to be limited. Dual mono limiting operates by limiting left and right signals individually – you can use the RB-ML2 as two separate mono limiters.

Technical Specifications RB-ML2

Audio Specifications

Maximum Input Level: -6dBu (mic), +28dBu (line), electronically balanced

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Input Gain Range: Adjustable +22dB to +67dB gain (mic) Via 2 x pre-set potentiometers (L&R), 0dB gain

(line)

Maximum Output Level: -18dBu (mic), +28dBu (line), electronically balanced

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Output Gain Range: -8dB to +22 dB gain (line), ref 0dBu line input Gain via 2 x pre-set potentiometers

Limit Threshold: Adjustable -8dBu to +28dBu

Frequency Response: 20Hz to 20 kHz +/- 0.1dB (600 ohm load, ref 1kHz)

E.I.N: 130dB

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Common Mode Rejection (mic): >86dB typically

Common Mode Rejection (line): >66dB typically

Phantom Power: 48V

LF Filter: 125Hz@6dBs/octave

Connections

Analogue Input: 2 x XLR 3 pin female mic or line switchable (Balanced)(L &R)

Mic/Line Input Control: 2 x push-buttons for mic/line inputs

Analogue Outputs: 2 x XLR 3 pin male or line switchable (Balanced)(L&R)

Mic/Line Output Control: 2 x push-button for mic/line outputs

Phantom Power & LF Filter: 1x 4-way DIP switch

Mono/Stereo Mode Select: 1 x push button

Limit Level Threshold Set: 2 x pre-set potentiometers

Mains Input: Filtered IEC, 110V-120V, or 220-240V switchable, fused, 6W maximum

Fuse Rating: Anti-surge fuse 100mA 20 x 5mm (230VAC) Anti-surge fuse 250mA 20 x 5mm (115VAC

Equipment Type

RB-ML2: Stereo microphone & line level limiter

Physical Specifications

Dimensions (Raw): 28cm (W) x 10.8cm (D) x 4.2cm (H) (1U) 11” (W) x 4.3” (D) x 1.7” (H) (1U)

Dimensions (Boxed): 36cm (W) x 20.5cm (D) x 6cm (H)

14.2” (W) x 8” (D) x 2.4” (H)

Weight RB-ML2: Nett: 0.90kg Gross: 1.35kg Nett: 2lbs Gross: 3lbs

10 Microphone Amplifiers & Limiters - RB-SL2

10 RB-SL2 Twin Mono, Or Stereo, Limiter

Introduction

Fig 10-1: RB-SL2 Front Panel

The RB-SL2 is a stereo, or twin independent mono, VCA limiter for use in news-rooms and other locations where the correct level into recording equipment is required, but not necessarily under the control of an engineer, for example, for overload protection. It can also be used as an inexpensive main output limiter for low cost radio installations, RSL’s, hospital and student radio.

The XLR-3 electronically balanced inputs and outputs can be wired unbalanced to accept an output from domestic equipment. For each channel there is an input gain and a threshold level control.

A rear panel switch changes the unit from dual mono to stereo, when only the pre-sets for channel 1 (left) are active and apply to both channels. An LED power indicator on the front panel displays the power supply connection and also indicates limiting.

1) Steady “Amber” indicates that the unit is powered and not in limiting.

2) Flashing “Amber” “Red” indicates that input 1 left channel is in limit.

3) Flashing “Amber” “Green” indicates that input 2 right channel is in limit.

4) Flashing “Amber” on and off indicates that both inputs are in limit.

Please note that all four conditions are possible in “Dual Mono” mode but only conditions 1 and 4 are valid in “Stereo” mode.

System Block Diagram

Balanced

Professional

Input L

Select Stereo/Mono

Balanced

Professional

Input R

Fig 10-2: RB-SL2 System Block Diagram

Rear Panel Connections and Operation

Stereo

Outputs

Limiter

Stage

Gain and

Limit

Control

Gain and

Limit

Control

Limiter

Stage

Microphone Amplifiers & Limiters - RB-SL2 10

Balanced

Professional

Output L

Balanced

Professional

Output R

Stereo

Input

Fig 10-3: RB-SL2 Rear Panel

Stereo/Mono

Switch

Stereo

Input

10 Microphone Amplifiers & Limiters - RB-SL2

Outputs

The XLR 3 pin plug connectors are electronically balanced and can be wired unbalanced to accept an output from domestic equipment. They have the following connections: Pin 1: Screen Pin 2: Phase Pin 3: Non-phase

Inputs

The XLR 3 pin sockets are electronically balanced, and can be wired unbalanced to accept an output from domestic equipment. They have the following connections: Pin 1: Screen Pin 2: Phase Pin 3: Non-phase

Gain Control

Each channel has an input gain (GAIN) and a threshold level control (LIMIT LEVEL). Setting the limit level to maximum (fully anti-clockwise) enables the input through to output to be normalised using the input gain potentiometers. Once the unit is acting as a buffer with gain/attenuation, the limit level can be set, with the recovery adjusted for the application. Limiting is indicated by the power LED on the front panel. (see page 38).

Mode Switch

This switch changes the unit from dual mono to stereo mode. In stereo mode, only the pre-sets for channel 1 (left) are active and they are applied to both channels. Stereo limiting operates by limiting both left and right outputs if either left or right input needs to be limited. Dual mono limiting operates by limiting left and right signals individually – you can use the RBSL2 as two separate mono limiters.

Technical Specifications RB-SL2

Microphone Amplifiers & Limiters - RB-SL2 10

Audio Specifications

Maximum Input Level: +28dBu

Maximum Output Level: +28dBu

/ŶƉƵƚ/ŵƉĞĚĂŶĐĞ хϮϬŬёďƌŝĚŐŝŶŐ

KƵƚƉƵƚ/ŵƉĞĚĂŶĐĞ фϱϬё

Input Gain: Adjustable -8dBu to +18dBu gain

Limit Threshold: Adjustable -8dBu to +28dBu

&ƌĞƋƵĞŶĐǇZĞƐƉŽŶƐĞ ϮϬ,ǌƚŽϮϬŬ,ǌцϬϭĚ;ϲϬϬёůŽĂĚƌĞĨϭŬ,ǌͿ

Noise: -100dB unity gain, ref +8dBu

ŝƐƚŽƌƚŝŽŶ ϬϬϭйd,ΛϭŬ,ǌƌĞĨнϴĚƵŽƵƚƉƵƚ threshold set at +10dBu

Common Mode Rejection:>66dB typically

Connections

Inputs: 2 x XLR 3 pin female (Balanced, can be unbalanced)

Outputs: 2 x XLR 3 pin male (Balanced, can be unbalanced)

Mains Input: Filtered IEC, 110V-120V, or 220-240V switchable, fused, 6W maximum

Fuse Rating: Anti-surge fuse 100mA 20 x 5mm (230VAC) Anti-surge fuse 250mA 20 x 5mm (115VAC)

Equipment Type

RB-SL2: Twin mono, or stereo, limiter

Physical Specifications

Dimensions (Raw): 28cm (W) x 10.8cm (D) x 4.2cm (H) (1U) 11” (W) x 4.3” (D) x 1.7” (H) (1U)

Dimensions (Boxed): 36cm (W) x 20.5cm (D) x 6cm (H)

14.2” (W) x 8” (D) x 2.4” (H)

Weight: Nett: 1.0kg Gross: 1.45kg Nett: 2.2lbs Gross: 3.2lbs

11 Stereo to Mono Converters - RB-SM1

11 RB-SM1 Single Stereo To Mono Converter

Introduction

Fig 11-1: RB-SM1 Front Panel

The RB-SM1 consists of an independent converter that will produce a fully buffered and balanced mono line output from a stereo input.

All connections are on the rear panel. The XLR-3 inputs are electronically

ďĂůĂŶĐĞĚǁŝƚŚĂŶŝŵƉĞĚĂŶĐĞŽĨϮϬŬёďƌŝĚŐŝŶŐdŚĞƐĞĐĂŶďĞǁŝƌĞĚ

unbalanced to accept an output from domestic equipment.

The XLR-3 line output’s are electronically balanced with an output

ŝŵƉĞĚĂŶĐĞŽĨфϱϬёdŚĞŽƵƚƉƵƚƐĐĂŶďĞǁŝƌĞĚƵŶďĂůĂŶĐĞĚďǇŐƌŽƵŶĚŝŶŐ

System Block Diagram

Left

Professional

Balanced

Stereo Input

the non-phase signal, allowing you to feed both balanced and unbalanced equipment.

Output gain adjustment using a pre-set potentiometer for both converters allows a normalised mono output from domestic stereo equipment. The potentiometer is accessible through the rear panel. An LED power indicator on the front panel displays the power supply connection.

Summing Amplifier

X 2

Right

Fig 11-2: RB-SM1 System Block Diagram

Gain

Professional

Balanced

Mono Output

Rear Panel Connections and Operation

Stereo Inputs

Stereo to Mono Converters - RB-SM1 11

Output

Gain Control

Fig 11-3: RB-SM1 Rear Panel

Stereo Inputs

The input’s are a stereo pair consisting of two XLR 3 pin sockets

ĞůĞĐƚƌŽŶŝĐĂůůǇďĂůĂŶĐĞĚǁŝƚŚĂŶŝŵƉĞĚĂŶĐĞŽĨϮϬŬёďƌŝĚŐŝŶŐdŚĞǇĐĂŶďĞ

wired unbalanced to accept an output from domestic equipment. They have the following connections: Pin 1: Screen Pin 2: Phase Pin 3: Non-phase

Mono

Output

Mono Output

The XLR 3 pin mono output connectors are electronically balanced with an

ŽƵƚƉƵƚŝŵƉĞĚĂŶĐĞŽĨфϱϬёdŚĞǇĐĂŶďĞǁŝƌĞĚƵŶďĂůĂŶĐĞĚďǇŐƌŽƵŶĚŝŶŐ

the non-phase signal, enabling you to feed both balanced and unbalanced equipment. The output has the following connections: Pin 1: Screen Pin 2: Phase Pin 3: Non-phase

Output Gain

Output gain adjustment using a pre-set potentiometer for the converters allows a normalised mono output from domestic stereo equipment. The potentiometers are accessible through the rear panel and provide a gain range of 8dB loss to 18dB gain.

11 Stereo to Mono Converters - RB-SM1

Technical Specifications RB-SM1

Audio Specifications

Maximum Input Level: +28dBu

Maximum Output Level: +28dBu

/ŶƉƵƚ/ŵƉĞĚĂŶĐĞ хϮϬŬёďĂůĂŶĐĞĚďƌŝĚŐŝŶŐ

KƵƚƉƵƚ/ŵƉĞĚĂŶĐĞ фϱϬёďĂůĂŶĐĞĚ

&ƌĞƋƵĞŶĐǇZĞƐƉŽŶƐĞ ϮϬ,ǌƚŽϮϬŬ,ǌцϬϭĚ;ϲϬϬёůŽĂĚƌĞĨϭŬ,ǌͿ

Gain Range: Adjust 8dB loss to 18dB gain, ref 0dB input on L and R

Common Mode Rejection: >66dB typically

ŝƐƚŽƌƚŝŽŶ ϬϬϭйd,ΛϭŬ,ǌƌĞĨнϴĚƵŽƵƚƉƵƚ

Noise: -100dB unity gain, ref +8dBu output

Connections

Inputs: 2 x XLR 3 pin female (Balanced, can be unbalanced)

Output: 1 x XLR 3 pin male (Balanced, can be unbalanced)

Mains Input: Filtered IEC, 110V-120V, or 220-240V switchable, fused, 6W maximum

Fuse Rating: Anti-surge fuse 100mA 20 x 5mm (230VAC) Anti-surge fuse 250mA 20 x 5mm (115VAC)

Equipment Type

RB-SM1: Dual stereo to mono converter

Physical Specifications

Dimensions (Raw): 28cm (W) x 10.8cm (D) x 4.2cm (H) (1U) 11” (W) x 4.3” (D) x 1.7” (H) (1U)

Dimensions (Boxed): 36cm (W) x 20.5cm (D) x 6cm (H)

14.2” (W) x 8” (D) x 2.4” (H)

Weight: Nett: 1.00kg Gross: 1.45kg Nett: 2.2lbs Gross: 3.2lbs

12 RB-SM2 Dual Stereo To Mono Converter

Introduction

Fig 12-1: RB-SM2 Front Panel

The RB-SM1 consists of an independent converter that will produce a fully buffered and balanced mono line output from a stereo input. The RB-SM2 consists of two independent converters and will produce two fully buffered and balanced mono line outputs from two stereo inputs.

All connections are on the rear panel. The XLR-3 inputs are electronically

ďĂůĂŶĐĞĚǁŝƚŚĂŶŝŵƉĞĚĂŶĐĞŽĨϮϬŬёďƌŝĚŐŝŶŐdŚĞƐĞĐĂŶďĞǁŝƌĞĚ

unbalanced to accept an output from domestic equipment.

System Block Diagram

Left

Professional

Balanced

Stereo Input

The XLR-3 line output’s are electronically balanced with an output

ŝŵƉĞĚĂŶĐĞŽĨфϱϬёdŚĞŽƵƚƉƵƚƐĐĂŶďĞǁŝƌĞĚƵŶďĂůĂŶĐĞĚďǇŐƌŽƵŶĚŝŶŐ

the non-phase signal, allowing you to feed both balanced and unbalanced equipment.

Stereo to Mono Converters - RB-SM2 12

Summing

Amplifier

X 2

Right

Fig 12-2: RB-SM2 System Block Diagram

Gain

Professional

Balanced

Mono Output

12 Stereo to Mono Converters - RB-SM2

Rear Panel Connections and Operation

Stereo Inputs Stereo Inputs

Mono Output

Output Gain Control

Fig 12-3: RB-SM2 Rear Panel

Stereo Inputs 1 & 2

The input’s are a stereo pair consisting of two XLR 3 pin sockets

ĞůĞĐƚƌŽŶŝĐĂůůǇďĂůĂŶĐĞĚǁŝƚŚĂŶŝŵƉĞĚĂŶĐĞŽĨϮϬŬёďƌŝĚŐŝŶŐdŚĞǇĐĂŶďĞ

wired unbalanced to accept an output from domestic equipment. They have the following connections: Pin 1: Screen Pin 2: Phase Pin 3: Non-phase

Mono Output

Mono Output 1 & 2

The XLR 3 pin mono output connectors are electronically balanced with an

ŽƵƚƉƵƚŝŵƉĞĚĂŶĐĞŽĨфϱϬёdŚĞǇĐĂŶďĞǁŝƌĞĚƵŶďĂůĂŶĐĞĚďǇŐƌŽƵŶĚŝŶŐ

the non-phase signal, enabling you to feed both balanced and unbalanced equipment. The output has the following connections: Pin 1: Screen Pin 2: Phase Pin 3: Non-phase

Output Gain

Technical Specifications RB-SM2

Stereo to Mono Converters - RB-SM2 12

Audio Specifications

Maximum Input Level: +28dBu

Maximum Output Level: +28dBu

/ŶƉƵƚ/ŵƉĞĚĂŶĐĞ хϮϬŬёďĂůĂŶĐĞĚďƌŝĚŐŝŶŐ

KƵƚƉƵƚ/ŵƉĞĚĂŶĐĞ фϱϬёďĂůĂŶĐĞĚ

&ƌĞƋƵĞŶĐǇZĞƐƉŽŶƐĞ ϮϬ,ǌƚŽϮϬŬ,ǌцϬϭĚ;ϲϬϬёůŽĂĚƌĞĨϭŬ,ǌͿ

Gain Range: Adjust 8dB loss to 18dB gain, ref 0dB input on L and R

Common Mode Rejection: >66dB typically

ŝƐƚŽƌƚŝŽŶ ϬϬϭйd,ΛϭŬ,ǌƌĞĨнϴĚƵŽƵƚƉƵƚ

Noise: -100dB unity gain, ref +8dBu output

Connections

Inputs: 4 x XLR 3 pin female (Balanced, can be unbalanced)

Output: 2 x XLR 3 pin male (Balanced, can be unbalanced)

Mains Input: Filtered IEC, 110V-120V, or 220-240V switchable, fused, 6W maximum

Fuse Rating: Anti-surge fuse 100mA 20 x 5mm (230VAC) Anti-surge fuse 250mA 20 x 5mm (115VAC)

Equipment Type

RB-SM2: Single stereo to mono converter

Physical Specifications

Dimensions (Raw): 28cm (W) x 10.8cm (D) x 4.2cm (H) (1U) 11” (W) x 4.3” (D) x 1.7” (H) (1U)

Dimensions (Boxed): 36cm (W) x 20.5cm (D) x 6cm (H)

14.2” (W) x 8” (D) x 2.4” (H)

Weight: Nett: 1.05kg Gross: 1.50kg Nett: 2.3lbs Gross: 3.3lbs

13 Power Controllers - RB-LC3

13 RB-LC3 3 Way Light/Power Controller

Introduction

Fig 13-1: RB-LC3 Front Panel

The RB-LC3 is a triple output switching unit for controlling external mains indicators, primarily studio status lights for broadcasting applications, such as On-Air, Mic-Live and Rehearsal/Live lights. Each output can be individually controlled by one of three remote inputs (pulled high, or low), by a telephony input (when ringing, or off-hook or both), or a combination of two inputs (to control two outputs, e.g. for Rehearsal/Live situations). The type of control is set using a 12 way DIP switch (4 switches for each output allowing 16 different settings, 14 for control type selection and 2 for operating mode selection).

All connections are on the rear panel. The three IEC outputs are controlled by zero-cross point drivers. When an output is activated, the A.C. voltage level at that output will be equal to the mains input voltage used to power the unit.

External control of the switched mains outputs is via the 15 way D-type plug connector.

The telephone Line input and Handset output are via two RJ11-4 type connectors. The telephone connections are wired pin to pin from Line to Handset except when the remote Ring Mute control input is asserted. In this case the ring signal to the Handset is muted. The status of the telephone Line is continually monitored so that Handset ringing and offhook conditions can be indicated.

A pre-set potentiometer on the rear panel controls the flash rate of the output when the appropriate mode is selected. Neon indicators on each power socket show the status of the mains output.

An LED power indicator on the front panel displays the incoming power supply connection.

System Block Diagram

Mains

Input

Remotes

Settings

And

Control

Telephone

Line Input

Fig 13-2: RB-LC3 System Block Diagram

Rear Panel Connections and Operation

Remote External

Control Inputs

Configuration Switches

Zero

Cross-point

Switch

Zero

Cross-point

Switch

Zero

Cross-point

Switch

Status Detection

& Ring Mute

Power Controllers - RB-LC3 13

Mains

Output 1

Mains

Output 2

Mains

Output 3

Telephone

Handset Output

Telephone

Connections

Flash Rate Potentiometer

Fig 13-3: RB-LC3 Rear Panel

Switched Mains Output

13 Power Controllers - RB-LC3

Switched Mains Outputs

The 3 off IEC connectors provide the switched mains outputs. Each output is rated at 1A and is individually fused. A neon indicator shows when the output is live. The outputs are driven by zero cross-point drivers. When an output is activated, the A.C. voltage level at that output will be equal to the mains input voltage used to power the unit.

Telephone Connections

The telephone connections are wired pin to pin from Line to Handset except when the Ring Mute control input is asserted. In this case the ring signal to the Handset is muted. The status of the telephone Line is continually monitored so that Handset ringing and off-hook conditions can be indicated. (Please note that the ring mute function will only work on handsets that use pin 3 of a standard BT connector. This is often not connected on common phones that typically use tone dialling. Phones that support pulse dialling should have the connection and should therefore work with the RB-LC3).

Remote External Control Inputs

The 15 way D-type connector provides the control inputs that switch the three mains outputs and control the telephone handset ring mute. All inputs have both active high (+5V to +30V) and active low (0V) control. An output-on or “Tally” indication for each output is also provided on this connector in the form of three opencollector driven outputs capable of sinking 20mA each. The connections are as follows:

Pin 1: Remote 1 (Active High) Pin 2: Remote 1 (Active Low) Pin 3: Remote 2 (Active High) Pin 4: Remote 2 (Active Low) Pin 5: Remote 3 (Active High) Pin 6: Remote 3 (Active Low)

Pin 7: Ring Mute (Active High) Pin 8: Ring Mute (Active Low) Pin 9: Output 1 Tally (Open Collector) Pin 10: Output 2 Tally (Open Collector) Pin 11: Output 3 Tally (Open Collector) Pin 12: No Connection Pin 13: No Connection Pin 14: 0V Pin 15: 0V

Configuration Switches

The configuration switches are used to set the flash mode for each output separately. The selections allow the outputs to be controlled by a remote input, a telephone call, or a combination of remote inputs, say, for example to control 2 lights such as “Rehearsal” and “Live”, using the Settings in Figure 28-4 to 28-6.

Latching and Momentary Mode

The configuration switches are also used to select the operating mode, either latching or momentary, for each output. The operating mode is set when power is applied to the unit and the configuration switches are set to either Setting 15 or 16. The Output will flash once to indicate latching mode has been selected or twice to indicate momentary mode has been selected. The configuration switches can then be returned to the required Setting. In Latching Mode (Setting 15 selected on power up), the Output is On/Flashing only while the selected Remote Inputs remain asserted. In Momentary Mode (Setting 16 selected on power up), each separate assertion of the selected Remote Inputs changes the state of the Output. For example, using setting 4, the first assertion of Remote 1 switches Output 1 on. The second assertion of Remote 1 switches Output 1 off. The operating mode has no effect when using Settings No1-3.

The available settings for output 1, configured using switches Sw1 to Sw4, are detailed below:

Power Controllers - RB-LC3 13

Setting No Sw1 Sw2 Sw3 Sw4 Description

1 Off Off Off Off Flash Output 1 when telephone rings. Output 1 On when telephone is off-hook

2 On Off Off Off Output 1 On when telephone is off-hook

3 Off On Off Off Flash Output 1 when telephone rings

4 On On Off Off Output 1 On when Remote 1 asserted

5 Off Off On Off Output 1 On when Remote 2 asserted

6 On Off On Off Output 1 On when Remote 3 asserted

7 Off On On Off Flash Output 1 when Remote 1 asserted

8 On On On Off Flash Output 1 when Remote 2 asserted

9 Off Off Off On Flash Output 1 when Remote 3 asserted

10 On Off Off On Output 1 On when Remote 1 or Remote 2 asserted

11 Off On Off On Output 1 On when Remote 1 asserted and Remote 2 not asserted

12 On On Off On Output 1 On when Remote 1 not asserted and Remote 2 asserted

13 Off Off On On Output 1 On when Remote 1 asserted and Remote 2 asserted

14 On Off On On Reserved for future assignment

15 Off On On On Latching Mode selection for Output 1

16 On On On On Momentary Mode selection for Output 1

Fig 13-4: Output 1 Configuration Setting

13 Power Controllers - RB-LC3

The available settings for output 2, configured using switches Sw5 to Sw8, are detailed below:

Setting No Sw5 Sw6 Sw7 Sw8 Description

1 Off Off Off Off Flash Output 2 when telephone rings. Output 2 On when telephone is off-hook

2 On Off Off Off Output 2 On when telephone is off-hook

3 Off On Off Off Flash Output 2 when telephone rings

4 On On Off Off Output 2 On when Remote 1 asserted

5 Off Off On Off Output 2 On when Remote 2 asserted

6 On Off On Off Output 2 On when Remote 3 asserted

7 Off On On Off Flash Output 2 when Remote 1 asserted

8 On On On Off Flash Output 2 when Remote 2 asserted

9 Off Off Off On Flash Output 2 when Remote 3 asserted

10 On Off Off On Output 2 On when Remote 1 or Remote 2 asserted

11 Off On Off On Output 2 On when Remote 1 asserted and Remote 2 not asserted

12 On On Off On Output 2 On when Remote 1 not asserted and Remote 2 asserted

13 Off Off On On Output 2 On when Remote 1 asserted and Remote 2 asserted

14 On Off On On Reserved for future assignment

15 Off On On On Latching Mode selection for Output 2

16 On On On On Momentary Mode selection for Output 2

Fig 13-5: Output 2 Configuration Settings

Power Controllers - RB-LC3 13

The available settings for output 3, configured using switches Sw9 to Sw12, are detailed below:

Setting No Sw9 Sw10 Sw11 Sw12 Description

1 Off Off Off Off Flash Output 3 when telephone rings. Output 3 On when telephone is off-hook

2 On Off Off Off Output 3 On when telephone is off-hook

3 Off On Off Off Flash Output 3 when telephone rings

4 On On Off Off Output 3 On when Remote 1 asserted

5 Off Off On Off Output 3 On when Remote 2 asserted

6 On Off On Off Output 3 On when Remote 3 asserted

7 Off On On Off Flash Output 3 when Remote 1 asserted

8 On On On Off Flash Output 3 when Remote 2 asserted

9 Off Off Off On Flash Output 3 when Remote 3 asserted

10 On Off Off On Output 3 On when Remote 1 or Remote 2 asserted

11 Off On Off On Output 3 On when Remote 1 asserted and Remote 2 not asserted

12 On On Off On Output 3 On when Remote 1 not asserted and Remote 2 asserted

13 Off Off On On Output 3 On when Remote 1 asserted and Remote 2 asserted

14 On Off On On Reserved for future assignment

15 Off On On On Latching Mode selection for Output 3

16 On On On On Momentary Mode selection for Output 3

Fig 13-6: Output 3 Configuration Settings

Flash Rate Preset Potentiometer

This preset potentiometer sets the rate at which the mains output is switched on/off when one of the Flash Output settings is selected. The range of adjustment is from 0.5 seconds to 2 seconds.