www.sonifex.co.ukwww.sonifex.co.uk
The Redbox Range of Products
Features
• All are equipped with IEC mains lead and instruction manual.
• In-house design and manufacture ensures high quality control standards.
• All units are 115V 60Hz or 230V 50Hz switchable, or universal and all have a
front panel LED power indicator.
• Manufactured within ISO9000 standards and guaranteed CE compliant.
• Housed in eye catching red anodised aluminium cases.
Redbox are a range of audio and video interfaces designed for use in critical
broadcast applications where the product needs to be powered 24 hours a day, 365
days a year. Manufactured to the highest standards in our UK offices, utilisation of
the finest components and critical quality control techniques ensure that your
Redboxes work every time, for years to come. They are “fit and forget” products - you
can set them up, fit them in your installation and then forget about them.
www.sonifex.co.uk
1
Redbox Introduction
www.sonifex.co.ukwww.sonifex.co.uk
RB-ADDA Combined A/D and D/A Converter
Uses:
• To connect an analogue line level
audio signal into a digital mixer.
• To connect a digital recorder to an
analogue mixer in both directions.
• To convert an analogue amplifier
signal to an S/PDIF or AES/EBU input
on a mixer.
The RB-ADDA A/D and D/A converter is a 1U rack-mount which produces an
AES/EBU or S/PDIF level digital audio output from a balanced XLR or unbalanced
phono stereo audio input. It also produces a stereo balanced XLR or unbalanced
phono output from an incoming AES/EBU or S/PDIF digital input signal.
www.sonifex.co.uk
2
Digital Audio Converters
www.sonifex.co.ukwww.sonifex.co.uk
Features:
• Front panel control.
• Operation up to 192kHz.
• AES/EBU & wordclock synchronising
inputs, so that the A/D and D/A
sections can operate independently.
The RB-ADDA2 A/D and D/A converter is a 1U rack-mount which produces an
AES/EBU, S/PDIF or TOSlink optical level digital audio output from a balanced XLR
or unbalanced phono stereo audio input. It also produces a stereo balanced XLR or
unbalanced phono output from an incoming AES/EBU, S/PDIF or TOSlink optical
digital input signal.
www.sonifex.co.uk
3
Digital Audio Converters
RB-ADDA2 Combined A/D & D/A Converter
www.sonifex.co.ukwww.sonifex.co.uk
RB-SC1 Sample Rate Converter
Features:
• Superb conversion quality.
• AES/EBU and S/PDIF inputs and
outputs.
• AES/EBU,S/PDIF and TTL wordclock
synchronizing inputs.
• Sample rates up to 24bit 96kHz.
Ideal for the transfer of digital audio between different digital equipment, the
RB-SC1 sample rate converter standardises the sample rate of a digital audio
signal to one of 32kHz, 44.1kHz, 48kHz or 96kHz, or to a synchronising input. Both
audio inputs and outputs have push-button switches to select either AES/EBU or
S/PDIF. The synchronising input can be selected from one of AES/EBU, S/PDIF or
TTL word clock.
www.sonifex.co.uk
4
Digital Audio Converters
www.sonifex.co.ukwww.sonifex.co.uk
RB-SC2 Dual Sample Rate Converter
Features:
• Supports sample frequencies up to
176.4kHz & 192kHz.
• Output sample rate set by internal
clock or external sync.
• Has 2 independent sample rate
converter circuits & can function as a
full bi-directional sample rate
converter.
The RB-SC2 sample rate converter is a 1U rack-mount which produces AES/EBU,
S/PDIF and TOSlink optical level digital audio outputs from a balanced AES/EBU,
S/PDIF and TOSlink optical level digital audio inputs. The sample rate of the outputs
can be set by an internal clock or from various external synchroniser sources.
www.sonifex.co.uk
5
Digital Audio Converters
www.sonifex.co.ukwww.sonifex.co.uk
RB-DAC1 Digital to Analogue Converter
Features:
• Superb quality and pristine audio
clarity with 24 bit, 96kHz operation.
• AES/EBU and S/PDIF digital inputs.
• Both balanced XLR and unbalanced
phono outputs.
• Front panel headphone output with
volume control.
Using 24 bit, 96kHz capable devices, the RB-DAC1 D/A Converter is a 1U rack-
mount which produces a stereo balanced XLR or unbalanced phono output from an
incoming AES/EBU or S/PDIF digital input signal. There is also a headphone output
with volume control for monitoring purposes.
www.sonifex.co.uk
6
Digital Audio Converters
www.sonifex.co.ukwww.sonifex.co.uk
RB-SP1 Digital Splitter and Combiner
Features:
• Can be used for interfacing stereo
and mono signals to digital mixing
desks, e.g. can split a digital stereo
signal into 2 digital mono signals.
• Can handle sample rates up to
96kHz and sample sizes of 16, 20
and 24 bit.
The RB-SP1 digital splitter & combiner is used to interface stereo and
mono AES/EBU & S/PDIF signals to digital mixing desks by splitting the left
and right signals of a stereo XLR to two separate XLR’s, and vice versa by
combining them.
www.sonifex.co.uk
7
Digital Audio Converters
www.sonifex.co.ukwww.sonifex.co.uk
RB-SYA Analogue Video Sync Board
for RB-SC2
Uses:
• Used to synchronise the outputs of
the RB-SC2 to a 48kHz sample rate.
• Used to synchronise the outputs of
the RB-TGHD(B & X).
The Analogue video sync board will accept a composite signal of NTSC (525), PAL
(625) & SECAM (625) signals covered by SMPTE-170-M (NTSC) and ITU-R BT.470-6
(PAL & SECAM.
www.sonifex.co.uk
8
Synchronisation Add-On Boards
www.sonifex.co.ukwww.sonifex.co.uk
RB-SYD Digital Video Sync Board
for RB-SC2
• Used to synchronise the outputs of
the RB-SC2 to a 48kHz sample rate.
• Used to synchronise the outputs of
the RB-TGHD(B & X).
The Digital video sync board will accept 270Mbps SD-SDI and HD-SDI signals
covered by SMPTE-259-M-C (SD) and SMPTE-292M (HD).
www.sonifex.co.uk
9
Synchronisation Add-On Boards
www.sonifex.co.ukwww.sonifex.co.uk
RB-SYE Sync Board
Uses:
• Used to synchronise the outputs of
the RB-TGHD(B & X).
The AES/EBU sync board will accept a digital audio input signal with a sample
frequency between 32kHz and 192 kHz. When using the RB-SYE sync board, the
Channel Status information that is encoded in the input data signal is copied to all
digital output channels.
www.sonifex.co.uk
10
Synchronisation Add-On Boards
www.sonifex.co.ukwww.sonifex.co.uk
RB-SYW Wordclock Sync Board for RB-TGHD
Uses:
• Used to synchronise the outputs of
the RB-TGHD(B & X).
The Wordclock sync board will accept a distributed clock running at the desired
sample frequency between 32 kHz and 192 kHz. The signal can be differential or
single ended TTL level
www.sonifex.co.uk
11
Synchronisation Add-On Boards
www.sonifex.co.ukwww.sonifex.co.uk
RB-DS2 Stereo Delay Synchroniser
& Time-Zone Delay
• Has both balanced analogue and
AES/EBU digital audio I/O.
• Up to 10.5 secs of delay (96kHz).
• Selectable in samples, fields, frames,
msec, metres.
• CF can provide multiple-hour delay.
The RB-DS2 is a stereo audio delay synchroniser used for resynchronising audio to
video following delay processes such as standards conversion, transmission delay,
logo insertion, video aspect ratio conversion and network delays. It can be used for
fixed installations to correct a permanent audio delay, or on an intermittent basis to
provide occasional correction, for example for live links. Acting as an A/D or D/A, the
sonic quality of the RB-DS2 is superb with silent switching. A CF card can provide
delays of many hours for time-zone delay applications.
www.sonifex.co.uk
12
Synchronisers, Delays & Silence Detectors
www.sonifex.co.ukwww.sonifex.co.uk
RB-PD2 Stereo Profanity Delay
• Up to 55 seconds of delay available
in user defined dump segments.
• Automatic delay creation ramp-up
and amp-down algorithms.
• Flashcard slot for dump playback
of jingles.
• Full remote and serial control.
The RB-PD2 is a stereo audio profanity delay used for live broadcast programs to
prevent unwanted or obscene material from being transmitted. It features an
automatic audio stretch algorithm that allows between 2 and 55 (*) seconds of delay
to be built up live whilst “on air”, whilst maintaining the correct pitch. The delay can
also be acquired whilst playing a pre-selected audio file on a Compact Flash™
memory card. When the program is complete, the audio stretch algorithm
seamlessly reduces the delay to zero.
www.sonifex.co.uk
13
Synchronisers, Delays & Silence Detectors
www.sonifex.co.ukwww.sonifex.co.uk
RB-DD4 4 Channel Digital Audio Delay
Features:
• AES/EBU, S/PDIF and TOSLink I/O.
• Programmable for different delay
durations, levels and switching
functions so that you can program
the unit for your specific application.
• Front panel & serial control.
The RB-DD4 4 channel digital audio delay allows you to delay 4 mono channels of
audio independently or together. Each channel delay is user selectable from
multiples of common video frame rates, or a user defined value set via the serial
interface. The unit is perfect for synchronizing audio to video which has been
delayed by processing latency.
www.sonifex.co.uk
14
Synchronisers, Delays & Silence Detectors
www.sonifex.co.ukwww.sonifex.co.uk
RB-SD1 Silence Detect Unit
Features:
• Configurable silence duration
& detection level.
• Automatic or manual resetting.
• GPI output to start local playback
equipment.
• Over 500 units sold worldwide.
The RB-SD1 silence detection unit is a 1U rack-mount device used to monitor an
unattended stereo studio feed and in the event of the signal going “quiet” after a
given period the unit will switch through an alternative stereo audio signal. This
signal could be a recorded message (e.g. “normal service will be resumed”, etc), a
feed from a CD player or minidisc machine, or an alternative recorded programme.
Controls are provided to start external equipment and to provide remote status
indication.
www.sonifex.co.uk
15
Synchronisers, Delays & Silence Detectors
www.sonifex.co.ukwww.sonifex.co.uk
RB-DSD1 Digital Silence Detection Unit
Features:
• AES/EBU, S/PDIF & TOSlink inputs
& outputs.
• Configurable silence duration
& detection level.
• Automatic or manual resetting.
• GPI output to start local playback
equipment.
The RB-DSD1 digital silence detection unit works in a similar way to the Sonifex
RB-SD1 analogue silence detection unit, but has AES/EBU, S/PDIF and TOSlink
inputs and outputs instead of analogue inputs and output respectively. Designed to
switch from one input to another in the event of loss of audio, the unit is ideal at
transmitter sites, or after the master output of a studio, to switch in another audio
source, or simultaneous broadcast, should a master source fail.
www.sonifex.co.uk
16
Synchronisers, Delays & Silence Detectors
www.sonifex.co.ukwww.sonifex.co.uk
RB-UL1 Single Stereo Unbalanced to
Balanced Converter
Features:
• Converts 2 x RCA unbalanced inputs
to 2 x XLR balanced outputs.
• Rack-mount available.
The RB-UL1 is a single stereo unit for interfacing domestic or semi-professional
unbalanced equipment, such as a CD player, to professional balanced line levels.
The two RCA unbalanced inputs have an impedance of 10kΩ and are routed to two
balanced XLR-3 outputs with an output impedance of <50Ω.
The output gain can be individually adjusted for left and right channels by using
pre-set potentiometers accessible through the rear panel.
www.sonifex.co.uk
17
Matching Converters
www.sonifex.co.ukwww.sonifex.co.uk
RB-UL2 Dual Stereo Unbalanced
to Balanced Converter
Features:
• Converts 4 x RCA unbalanced inputs
to 4 x XLR balanced outputs.
• Can be surface mounted and
optionally front or rear rackmounted.
The RB-UL2 is a dual stereo unit for interfacing domestic or semi-professional
unbalanced equipment to professional balanced line levels. All connections are on
the rear panel. Four RCA unbalanced inputs have an impedance of 10kΩ and are
routed to four balanced XLR-3 outputs with an output impedance of <50Ω.
The output gain can be individually adjusted for left and right channels by using
pre-set potentiometers accessible through the rear panel, allowing you to feed both
balanced and unbalanced equipment.
www.sonifex.co.uk
18
Matching Converters
www.sonifex.co.ukwww.sonifex.co.uk
RB-UL4 Quad Stereo Unbalanced
to Balanced Converter
Features:
• Converts 8 x RCA unbalanced inputs
to 8 x XLR balanced outputs.
• 1U rack unit can be surface
mounted.
• Ideal for balancing domestic outputs
for surround sound applications.
The RB-UL4 is a 1U rack-mount quad stereo unit for interfacing domestic or
semi-professional unbalanced equipment to professional balanced line levels.
All connections are on the rear panel. The eight RCA unbalanced inputs have an
impedance of 10kΩ and are routed to eight balanced XLR-3 outputs with an output
impedance of <50Ω.The output gain can be individually adjusted for left and right
channels by using pre-set potentiometers accessible through the rear panel.
www.sonifex.co.uk
19
Matching Converters
www.sonifex.co.ukwww.sonifex.co.uk
RB-LU4 Quad Stereo Balanced
to Unbalanced Converter
Features:
• Converts 8 x XLR balanced inputs to
8 x RCA unbalanced outputs.
• 1U rack unit can be surface
mounted.
The RB-LU4 is a 1U rack-mount quad stereo unit for interfacing professional
balanced line levels to domestic or semi-pro unbalanced equipment, e.g. for
connecting a pro satellite receiver to a consumer hi-fi system. All connections are on
the rear panel. The eight balanced XLR-3 inputs have an impedance of 20kΩ and are
routed to eight unbalanced RCA outputs with an output impedance of <50Ω.
www.sonifex.co.uk
20
Matching Converters
www.sonifex.co.ukwww.sonifex.co.uk
RB-BL2 Unbalanced to Balanced
Bi-Directional Converter
• For interfacing domestic, semi-pro,
unbalanced equipment to
professional balanced lines.
• Adjustable output gain for left &
right channels.
• IEC mains inlet - no wall warts.
The RB-BL2 is a bi-directional stereo unit for interfacing domestic or semi-pro
unbalanced equipment to professional balanced line levels, and vice-versa.
The two XLR-3 electronically balanced inputs have an impedance of 20kΩ bridging
and are routed to two unbalanced RCA (phono) outputs with an output impedance
of <50Ω.
www.sonifex.co.uk
21
Matching Converters
www.sonifex.co.ukwww.sonifex.co.uk
RB-BL4 Dual Stereo Bi-Directional
Matching Converter
• Operates like 2 x RB-BL2 in a 1U rack.
• For interfacing domestic, semi-pro,
unbalanced equipment to
professional balanced lines.
• Adjustable output gain for left &
right channels.
• IEC mains inlet - no wall warts.
The RB-BL4 is a dual bi-directional stereo unit for interfacing domestic or
semi-pro unbalanced equipment to professional balanced line levels, and vice versa.
The four XLR-3 electronically balanced inputs have an impedance of 20kΩ bridging
and are routed to four unbalanced RCA (phono) outputs with an output impedance
of <50Ω.
www.sonifex.co.uk
22
Matching Converters
www.sonifex.co.ukwww.sonifex.co.uk
RB-PA2 Dual Stereo RIAA Phono Amplifier
Features:
• Dual stereo record player amplifier.
• Clean RIAA response.
• Superbly transparent audio path.
• Adjustable output gain.
The RB-PA2 is a dual stereo RIAA equalised phono amplifier. This record player
preamp amplifies the small signal from your pick up cartridge (either moving
magnet or high output moving coil magnetic) and provides the necessary RIAA
equalisation required for vinyl records, to match it to a line input of your mixer, or
amplifier. It uses a clean RIAA response making it ideal for use with broadcast
turntables and DJ decks and where vinyl records are being archived to CD for high
quality transfers, or for converting albums to mp3.
www.sonifex.co.uk
23
Matching Converters
www.sonifex.co.ukwww.sonifex.co.uk
RB-LI2 Stereo Line Isolation Unit
Features:
• There is also a loop-through output,
so that the RB-LI2 can be inserted
into a line, forming a transformer
balanced distribution point.
• The isolated outputs can be
individually adjusted using pre-set
potentiometers, accessible through
the rear panel.
The RB-LI2 stereo line isolation unit is used to isolate audio signals from
inter-area ground hum loops, which could be caused by equipment being
powered by different mains power supplies, or different phases on the same
supply. The input and output are connected together through a transformer,
which has internal jumpers allowing the outputs to be balanced about ground.
www.sonifex.co.uk
24
Matching Converters
www.sonifex.co.ukwww.sonifex.co.uk
RB-PLI6 6 Way Mono Passive Line
Isolation Unit
Uses:
• This unit is useful where audio is
required to be driven over a relatively
long length of cable.
• By isolating the signal using
transformers, ground loop currents
which can be present in non-isolated
signals, are eradicated completely.
The RB-PLI6 passive line isolation unit is used to isolate audio signals from inter-area
ground hum loops, which could be caused by equipment being powered by
different mains power supplies or phases on the same supply. The input and output
are connected together through a transformer, and the unit has internal jumpers
allowing the inputs and/or outputs to be balanced about ground. The unit requires
no mains power for operation.
www.sonifex.co.uk
25
Matching Converters
www.sonifex.co.ukwww.sonifex.co.uk
RB-DA6 6 Way Stereo Distribution Amplifier
Features:
• 2 balanced mono XLR inputs.
• 12 balanced mono XLR outputs.
• Dual input gain controls on preset
pots.
• Run 1 in/12 out mono, or 1 in/6 out
stereo.
The RB-DA6 is a 1U rack-mount high performance 6 way stereo distribution
amplifier for splitting a source into a number of different outputs.
The RB-DA6 has 1 stereo input and 6 stereo outputs. It can also be configured so that
1 mono input can be distributed to 12 outputs by use of a switch which is recessed
on the front panel to prevent it being accidentally knocked.
www.sonifex.co.uk
26
Audio Distribution Amplifiers
www.sonifex.co.ukwww.sonifex.co.uk
RB-DA6G 6 Way Stereo Distribution Amplifier
With Output Gain Control
Features:
• 2 balanced mono XLR inputs.
• 12 balanced mono XLR outputs.
• Dual input gain controls on
preset pots.
• Run 1 in/12 out mono, or 1 in/6
out stereo.
• 12 x output gain controls.
The RB-DA6G is a 1U rack-mount high performance 6 way stereo distribution
amplifier for splitting a source into a number of different outputs. It is identical to
the RB-DA6 with the addition of individual output gain adjustment, instead of global
stereo gain adjustment.
www.sonifex.co.uk
27
Audio Distribution Amplifiers
www.sonifex.co.ukwww.sonifex.co.uk
RB-DA4x5 4 Input, 4 x 5 Output Distribution
Amplifier/Mixer
• 4 input, 20 output distribution amp.
• Audio presence LEDs for inputs &
outputs.
• Balanced I/O, can be wired
unbalanced.
• Can output a 1kHz test-tone to
check transmission lines.
The RB-DA4x5 is a 1U rack-mount combined distribution amplifier and mixer. It has
4 mono analogue audio inputs on female XLR and 4 groups of 5 outputs on 15 way
D-type connectors. Each output group has a five way front-panel DIP switch
assigned to it which is used to select the input(s) to send to the output group.
This enables each of the four inputs, or a 1kHz 0dBu tone, to be mixed to the
output group.
www.sonifex.co.uk
28
Audio Distribution Amplifiers
www.sonifex.co.ukwww.sonifex.co.uk
RB-DDA6A AES/EBU Digital Distribution
Amplifier
Features:
• 1 x AES/EBU input, 6 buffered
AES/EBU outputs.
• Sample rates from 30kHz–100kHz,
16-24 bits.
The RB-DDA6A digital distribution amplifier is used for distributing digital audio
data in AES/EBU format, repeating both the audio data and the status information of
the input whilst re-normalising to standard digital audio levels.It has a single XLR-3
female AES/EBU audio input which is distributed to 6 XLR-3 male AES/EBU outputs.
www.sonifex.co.uk
29
Audio Distribution Amplifiers
www.sonifex.co.ukwww.sonifex.co.uk
RB-DDA6S 6 Way Stereo S/PDIF Digital
Distribution Amplifier
Features:
• 1 x S/PDIF input, 6 buffered S/PDIF
outputs.
• Sample rates from 30kHz–100kHz,
16-24 bits.
The RB-DDA6S digital distribution amplifier is similar to the RB-DDA6A except that
it is used for distributing digital audio data in S/PDIF format. It has a single S/PDIF
audio input which is distributed to 6 x S/PDIF audio outputs at the same level and
condition as the input signal. It can accept input sample rates in the range of 30kHz 100kHz, and bit rates of 16, 20 and 24 bit.
www.sonifex.co.uk
30
Audio Distribution Amplifiers
www.sonifex.co.ukwww.sonifex.co.uk
RB-DDA6W 6 Way Word Clock Distribution
Amplifier
Features:
• 1 x BNC word clock input, 6 buffered
BNC word clock outputs.
The RB-DDA6W word clock distribution amplifier distributes a TTL word clock BNC
input signal to 6 TTL word clock BNC outputs re-conditioned. It is used to distribute
reference clocks for digital audio systems.
www.sonifex.co.uk
31
Audio Distribution Amplifiers
www.sonifex.co.ukwww.sonifex.co.uk
RB-HD1 Stereo Headphone Amplifier
• A mono input can be mixed into the
main headphone feed, for mixing in
talkback to the headphones.
• Both the headphone volume and
the mono mix input can be
controlled remotely.
The RB-HD1 is a 1U rack-mount stereo headphone amplifier for driving up to two
pairs of professional stereo headphones from a single stereo or mono input. One
headphone socket is on the front panel with one on the rear. The main stereo input
uses electronically balanced XLR-3 connectors on the rear panel, which can be wired
un-balanced. The output volume for the headphones can be controlled either by a
pot situated on the front panel or a VCA signal supplied externally via the remote
connector.
www.sonifex.co.uk
32
Headphone Distribution Amplifiers
www.sonifex.co.ukwww.sonifex.co.uk
RB-HD2 Dual Stereo Headphone Amplifier
• The XLR-3 inputs are electronically
balanced and can be wired
unbalanced.
• There are two pre-set controls on
the rear panel that adjust the level of
the master input signal to the
outputs.
The RB-HD2 is a high performance 2-way stereo headphone distribution amplifier
for driving up to 2 pairs of professional stereo headphones from a single stereo or
mono input. A switch on the rear panel enables the distribution of a mono signal to
all four outputs (i.e. both earpieces of a pair of stereo headphones) via the left
channel input. The stereo/mono switch is located on the rear panel to prevent
accidental knocking.
www.sonifex.co.uk
33
Headphone Distribution Amplifiers
www.sonifex.co.ukwww.sonifex.co.uk
RB-HD6 6 Way Headphone Distribution
Amplifier
• Master inputs on XLR.
• Master and individual volume controls.
• Rear panel sockets can be selected as
either outputs or inputs via ‘jumpers’.
• Rear panel unbalanced inputs allow
the unit to act as 6 separate
headphone amplifiers.
The RB-HD6 headphone distribution amplifier is a 1U rack-mount which distributes
stereo audio to up to 6 different sets of headphones, or can be used as 6
independent headphone amplifiers, each with their own input and volume control.
A typical application might be to provide common headphone feeds for guests in a
radio studio, with a separately derived feed, perhaps including talk-back, for the
presenter.
www.sonifex.co.uk
34
Headphone Distribution Amplifiers
www.sonifex.co.ukwww.sonifex.co.uk
RB-DHD6 Digital 6-Way Stereo Headphone
Distribution Amplifier
• Input connectors consist of a single
balanced XLR-3 for the AES/EBU input
and a single unbalanced phono
connector for the S/PDIF input.
• Rear panel input selection, either AES/EBU
or S/PDIF.
• De-emphasis selection, for the output.
The RB-DHD6 digital 6 way headphone distribution amplifier is a 1U rack-mount
which receives a digital input signal, as either AES/EBU or S/PDIF and converts it to 6
individually buffered, jack-plug, headphone outputs, each with their own volume
control. Useful for connection to digital mixing desks, digital routers and matrices,
the RB-DHD6 connects directly to an AES/EBU or S/PDIF output to provide the
highest quality audio directly to the headphones.
www.sonifex.co.uk
35
Headphone Distribution Amplifiers
www.sonifex.co.ukwww.sonifex.co.uk
RB-SS10 10 Way Stereo Analogue Source
Selector/Mixer
• 10 stereo inputs, 1 stereo output, all
balanced and can be wired
unbalanced.
• Left & right gain adjustment for each
input.
• Acts as a mixer or a source selector.
• Can route input remotes also.
The RB-SS10 10 way stereo analogue source selector/mixer is a 1U rack-mount
unit that produces a stereo analogue audio output from 10 selectable stereo
analogue sources. There are 10 illuminated front panel push-buttons, which select
and indicate the current channel selection. The selection and indication is available
through a remote connector on the rear panel and remote controls related to each
input can also be routed.
www.sonifex.co.uk
36
Mixers, Source Selectors & Switchers
www.sonifex.co.ukwww.sonifex.co.uk
RB-DSS10 10 Way Stereo Digital
Source Selector
Features:
• 10 x AES/EBU and 10 x S/PDIF stereo
inputs to
• 1 stereo AES/EBU or S/PDIF output.
• Switches remote inputs/outputs
with audio.
The RB-DSS10 digital source selector is a 1U rack-mount which produces an
AES/EBU and S/PDIF level digital audio output from 10 selectable AES/EBU or S/PDIF
digital input signals. There are 10 illuminated front panel push-buttons, which select
and indicate the current channel selection. The selection and indication is also
available through a remote connector on the rear panel. To stop accidental front
panel selection there is a remote input to inhibit the front panel buttons.
www.sonifex.co.uk
37
Mixers, Source Selectors & Switchers
www.sonifex.co.ukwww.sonifex.co.uk
RB-PMX4 10 Input, 4 Output Analogue
Preset Mixer
• 10 x balanced XLR inputs,
4 x balanced buffered XLR outputs.
• Mix any input to any output.
• 10 x recessed individual input gain
controls.
• Cover panel to protect settings.
The RB-PMX4 is a high performance 10 mono input to 4 mono output pre-set mixer.
Each of the four outputs has a 10 way DIP switch associated with it to select which of
the 10 inputs are routed to it. So, by altering the DIP switches, any of the input
sources can be mixed to any of the outputs. The DIP switches are enclosed by a
screw-on cover on the front panel so that the settings can not be accidentally
changed, for secure applications.
www.sonifex.co.uk
38
Mixers, Source Selectors & Switchers
www.sonifex.co.ukwww.sonifex.co.uk
RB-DMX4 4 x 4 Channel Digital Audio
Mixer/Router
• 4 x digital mono audio inputs &
outputs available as simultaneous
AES/EBU balanced XLRs, S/PDIF
unbalanced phonos or TOSlink
unbalanced optical outputs.
• Input & output gain control &
presence indications.
• Headphone amp and serial control.
The RB-DMX4 is a digital mixer capable of mixing or routing 4 mono input channels
into 4 mono outputs, or 2 stereo inputs into 2 stereo outputs. The inputs are sample
rate converted to allow sources of different sample rates to be mixed. The flexible
Mix Matrix allows for a wide variety of mixing options and creativity, using 4 blocks
of 4 way DIP switches to select which inputs are mixed or routed to which outputs.
www.sonifex.co.uk
39
Mixers, Source Selectors & Switchers
www.sonifex.co.ukwww.sonifex.co.uk
RB-SSML1 Mic/Line Source Selector
with Compressor/Limiter
• Ideal programme contribution unit
useful for news booths, voice-over
booths and remote studios.
• Stereo return inputs and headphone
outputs for monitoring and cue.
• Switchable mic/line input, phantom
power, high pass filter and level
metering.
The RB-SSML1 is a 1U rack-mountable source selector for compressing or limiting
an incoming microphone or stereo line signal and mixing this signal with a stereo
monitor input, which can then be metered and mixed to two headphone outputs.
The unit is mainly used in situations where level control is required, for example in
voiceover applications.
www.sonifex.co.uk
40
Mixers, Source Selectors & Switchers
www.sonifex.co.ukwww.sonifex.co.uk
RB-OA3 3 Studio On-Air Switcher
• Controls the offer/accept switching
for 3 studios.
• Switches 3 stereo bidirectional
channels, e.g. studio output, codec
clean-feeds, telco feeds.
• Has a stereo transformer mix input,
e.g. for playout system.
The RB-OA3 is a 1U rack-mount, unity gain on-air switcher, capable of switching
three stereo pairs between three studios. Each studio can control the transmission
path together with two peripheral paths for equipment such as a codec or hybrid
and there is also a “Last studio to offer” bus, allowing for seamless and continuous
broadcast from any multi-studio radio network. A “sustain” mode allows for a
sustaining system, such as a PC automation system, to control the broadcast.
Multiple RB-OA3 units can be connected together to switch more studios or more
stereo pairs.
www.sonifex.co.uk
41
Mixers, Source Selectors & Switchers
www.sonifex.co.ukwww.sonifex.co.uk
RB-OA3R Remote Switcher Panel for RB-OA3
Features:
• 4 buttons which are used to control
the functions.
• Each front panel push button is
illuminated by coloured LEDs and
controls the OFFER, ACCEPT, DELAY
and DUMP functions.
The RB-OA3 has been designed for installation in a central technical area with
cabling to custom panels, or selection switches, in each studio. If you don’t have any
custom switch panels available, you can use an RB-OA3R in each studio.
The RB-OA3R is a 1U rack mount switch unit for use in each studio that needs to be
connected to the STUDIO 1-3 CONTROL connectors on an RB-OA3. It takes it’s power
from the RB-OA3 unit so needs no power supply itself.
www.sonifex.co.uk
42
Mixers, Source Selectors & Switchers
www.sonifex.co.ukwww.sonifex.co.uk
RB-OA3C Expansion Unit Cable For RB-OA3
Features:
• 1 x Transmission output expansion
cable, 25 pin D-type male to 25 pin
D-type male, 30cm lead, wired pin
to pin.
• 1 x LSO expansion cable, 9 pin
D-type male to 9 pin D-type male,
30cm lead, wired pin to pin.
• 1 x RS232 expansion cable, RJ45 to
RJ45 standard wiring, 30cm lead.
• 1 x kit should be used for each
expansion RB-OA3 being used.
If you add another RB-OA3 to an existing unit to expand either the number of busses
or studios, you need additional cables to connect it which are contained in this kit:
www.sonifex.co.uk
43
Mixers, Source Selectors & Switchers
www.sonifex.co.ukwww.sonifex.co.uk
RB-MA1 Single Microphone Amplifier
Features:
• Microphone input is an XLR-3 type
and is electronically balanced.
• Can be wired unbalanced by
grounding the non-phase signal,
allowing you to feed both balanced
and unbalanced equipment.
The RB-MA1 consists of a low noise microphone pre-amplifier for converting mic
level signals to line level, or for driving long lines from microphones to mixing
equipment. The connections and controls are on the rear panel. The microphone
input is an XLR-3 type and is electronically balanced. The gain for the input can be
adjusted by a recessed pre-set potentiometer which allows for the use of both
dynamic and powered microphones.
www.sonifex.co.uk
44
Microphone Amplifiers & Limiters
www.sonifex.co.ukwww.sonifex.co.uk
RB-MA2 Dual Microphone Amplifier
• The XLR-3 line outputs are
electronically balanced and can
be wired unbalanced.
• For each channel there are
independent switches to control a
high pass filter (low frequency roll-off
at 125Hz) and to provide phantom
power at +48V to the connected
microphones.
The RB-MA2 consists of two independent low-noise microphone pre-amplifiers for
converting mic level signals to line level, or for driving long lines from microphones
to processing equipment. All connections and controls are on the rear panel. The
microphone inputs are XLR-3 type and are electronically balanced. The input gain for
each input can be adjusted individually by a recessed pre-set potentiometer which
allows for the use of both dynamic and powered microphones.
www.sonifex.co.uk
45
Microphone Amplifiers & Limiters
www.sonifex.co.ukwww.sonifex.co.uk
RB-DMA2 Dual Digital Microphone Amplifier
• The microphone inputs are XLR-3
type and are electronically balanced.
• The input gain for each input can be
adjusted individually by a volume
control on the front panel enabling
the use of dynamic and powered
microphones and each has a LED
level indicator.
The RB-DMA2 consists of two independent low-noise microphone pre-amplifiers for
converting microphone level signals to a digital AES/EBU or S/PDIF output.
Individual analogue balanced line level outputs are also produced for use, for
example, to feed talkback systems. The unit can either be used as two independent
microphone amplifiers, or one mic input can be copied to both channels of the
digital output.
www.sonifex.co.uk
46
Microphone Amplifiers & Limiters
www.sonifex.co.ukwww.sonifex.co.uk
RB-ML2 Stereo Microphone and Line
Level Limiter
• The RB-ML2 has two electronically
balanced XLR-3 inputs.
• The mic amps have independent
pre-set gain controls & DIP switches
for a high pass filter (LF roll-off at
125Hz) & +48V phantom power.
• Mic & line level inputs & outputs
enabling insertion before a mic
channel.
The RB-ML2 is a stereo microphone and line level limiter. The unit is mainly used
where assistance with level control is required, for protection of mixer inputs and to
prevent distortion. Ideal for news-booths, and the input to PC workstations, it
provides an economical level control solution.
www.sonifex.co.uk
47
Microphone Amplifiers & Limiters
www.sonifex.co.ukwww.sonifex.co.uk
RB-SL2 Twin Mono or Stereo, Limiter
• The XLR-3 electronically balanced
inputs and outputs can be wired
unbalanced to accept an output from
domestic equipment.
• For each channel there is an input
gain and a threshold level control.
• Dual mono limiting operates by
limiting left and right signals
individually, so you can use the
RB-SL2 as two separate mono limiters.
The RB-SL2 is a stereo, or twin independent mono, VCA limiter for use in news-
rooms and other locations where the correct level into recording equipment is
required, but not necessarily under the control of an engineer, for example, for
overload protection. It can also be used as an inexpensive main output limiter for
small scale radio stations, hospital radio and student radio.
www.sonifex.co.uk
48
Microphone Amplifiers & Limiters
www.sonifex.co.ukwww.sonifex.co.uk
RB-SM1 Single Stereo to Mono Converter
• The connections, which are on the
rear panel, are of an XLR-3 type. The
input is electronically balanced with
an impedance of 20kΩ bridging. This
can be wired unbalanced to accept
an output from domestic
equipment.
• Output gain adjustment using a pre-
set potentiometer for the converter
allows a normalised mono output
from domestic stereo equipment.
The RB-SM1 converts a stereo input to a fully buffered and balanced mono line
output, e.g. to supply cue in broadcast environments or to feed a mono PA system.
www.sonifex.co.uk
49
Stereo To Mono Converters
www.sonifex.co.ukwww.sonifex.co.uk
RB-SM2 Dual Stereo to Mono Converter
• The XLR-3 line outputs are
electronically balanced with an
output impedance of <50Ω.
• Output gain adjustment using
pre-set potentiometers for both
converters allows a normalised
mono output from domestic stereo
equipment.
The RB-SM2 is a dual version of the RB-SM1, consisting of two independent
converters which will produce two fully buffered and balanced mono line outputs
from two stereo inputs. All connections are on the rear panel. The XLR-3 inputs are
electronically balanced with an impedance of 20kΩ bridging. These can be wired
unbalanced to accept an output from domestic equipment.
www.sonifex.co.uk
50
Stereo To Mono Converters
www.sonifex.co.ukwww.sonifex.co.uk
RB-LC3 3 Way Light/Power Controller
• Control each output by: a remote
input (high or low), a telephony
input (ringing, or off-hook), or
combination of two inputs (e.g.
rehearsal/live).
• Light flash rate control.
• IEC light outputs with neon
indicators.
The RB-LC3 is a triple output switching unit for controlling external mains
indicators, primarily studio status lights for broadcasting applications, such as OnAir, Mic-Live and Rehearsal/Live lights. Each output can be individually controlled by
one of three remote inputs (pulled high, or low), by a telephony input (when ringing,
or off-hook, or both), or a combination of two inputs (to control two outputs, e.g. for
Rehearsal/Live situations). The type of control is set using the 12 way DIP switch (4
switches for each output, allowing 16 different settings).
www.sonifex.co.uk
51
Power Controllers
www.sonifex.co.ukwww.sonifex.co.uk
RB-MM1 Mix-Minus Generator
• Analogue audio inputs and outputs
are via Neutrik XLR connectors.
• The output level to the TBU can be
adjusted using a rear panel pre-set
potentiometer.
• To use the RB-MM1 unit with full-
band ISDN codecs, the band pass
filter can be switched out. For stereo
codecs, or conference calls, multiple
RB-MM1 units can be used.
The RB-MM1 is a unit for generating a suitable mix to send to a telephone hybrid or
codec. A stereo output is taken from a mixer, together with a post fader output from
the mono telephone fader on the mixer. The caller audio is removed from the station
output so that it can be sent to the telephone line via the hybrid.
www.sonifex.co.uk
52
Talkback & Communications
www.sonifex.co.ukwww.sonifex.co.uk
RB-MTV1 Contribution Voiceover Monitor
with Talkback
• Comprehensive headphone
monitoring of any connected signal.
• Two stereo inputs plus talkback I/O.
• Mic input with phantom power,
limiter, LF filter and wide gain
control.
The RB-MTV1 contribution voiceover monitor is a 1U rack-mount designed to be
used in voice-over booths, news booths, commentary locations, for continuity
announcements and for any other similar applications where voice needs to be
added to programme content and then monitored. Programme feeds, auxiliary
feeds and a talkback feed can be taken and monitored.
www.sonifex.co.uk
53
Talkback & Communications
www.sonifex.co.ukwww.sonifex.co.uk
RB-TGHDB Multi-Channel High Definition
Tone Generator
• Available tone sequences include
EBU R49, GLITS and BLITS stereo
line-up, EBU R49 and BLITS channel
identification & a standard phase
check on analogue & digital outputs.
• User-definable test sequences.
• GPIO and RS232 serial control.
The RB-TGHDB (BNC outputs) is an 8 channel audio tone generator that provides
line identification for multi-channel audio systems, including 5.1 and 7.1 surround
sound typically used in high definition television broadcasts. By using a range of
widely accepted industry standard tone sequences such as the EBU R49, GLITS and
BLITS tones, channel identification and associated levels can be determined easily.
Correct channel configuration in fold-down mixes can also be highlighted when a
broadcaster needs to mix several audio channels into a stereo feed.
www.sonifex.co.uk
54
Tone Generators
www.sonifex.co.ukwww.sonifex.co.uk
RB-TGHDX Multi-Channel High Definition
Tone Generator
• Available tone sequences include
EBU R49, GLITS and BLITS stereo
line-up, EBU R49 and BLITS channel
identification & a standard phase
check on analogue & digital outputs.
• User-definable test sequences.
• GPIO and RS232 serial control.
The RB-TGHD (XLR outputs) is an 8 channel audio tone generator that provides line
identification for multi-channel audio systems, including 5.1 and 7.1 surround sound
typically used in high definition television broadcasts. By using a range of widely
accepted industry standard tone sequences such as the EBU R49, GLITS and BLITS
tones, channel identification and associated levels can be determined easily. Correct
channel configuration in fold-down mixes can also be highlighted when a
broadcaster needs to mix several audio channels into a stereo feed.
www.sonifex.co.uk
55
Tone Generators
www.sonifex.co.ukwww.sonifex.co.uk
RB-VHDA8 3G HD SD-SDI 1 Input, 8 Output
Video Distribution Amplifier
• The full range of 3G, SD and HD
standards are supported by the unit
allowing PAL and NTSC signals up to
1080p 60Hz to be distributed.
• Each output is individually buffered
providing separately driven outputs
for greater reliability.
The RB-VHDA8 is a high performance, reliable eight way digital video distribution
amplifier for re-clocking and distributing a 3G, HD (high definition) or SD (standard
definition) SDI source to eight outputs. The unit provides automatic input detection,
re-clocking and cable equalisation of the input signal to 100/350 meters (HD/SD) of
coax cable.
www.sonifex.co.uk
56
Video Amplifiers
www.sonifex.co.ukwww.sonifex.co.uk
RB-VHDMA8 3G/HD/SD-SDI De-Embedder,
8 Channel Analogue Outputs
• Eight balanced and unbalanced
audio outputs.
• Two independently buffered SDI
outputs.
• Supports the full range of 3G, HD &
SD standards up to 1080p 60Hz.
• Front panel, serial and ethernet
control.
The RB-VHDMA8 is an 8-channel analogue de-embedder. The unit can selectively
de-embed up to 8 channels within any 2 audio groups contained within the video
stream, to any of the analogue outputs. After which, the video becomes two
independent streams, where the audio groups can be selectively deleted or passed
through and then re-clocked and sent to the SDI outputs.
www.sonifex.co.uk
57
Video Embedders & De-Embedders
www.sonifex.co.ukwww.sonifex.co.uk
RB-VHEMA8 3G/HD/SD-SDI Embedder,
8 Channel Analogue Inputs
• It has a triple rate SDI receiver with
automatic input rate detection
and equalisation along with two
re-clocked and individually buffered
SDI outputs.
• It supports the full range of 3G, SD
and HD standards from NTSC and
PAL up to 1080p 60Hz.
The RB-VHEMA8 is an 8-channel analogue embedder. The unit can selectively
embed up to 8 analogue channels onto either of the two output video streams
which are re-clocked and sent to the SDI outputs. It also has the capability to allow
audio groups to be deleted or passed through untouched on each of the two video
streams.
www.sonifex.co.uk
58
Video Embedders & De-Embedders
www.sonifex.co.ukwww.sonifex.co.uk
RB-VHCMA4 3G/HD/SD-SDI Embedder &
De-Embedder 4 Channel Analogue I/O
• Triple rate SDI receiver with automatic
input rate detection and equalisation
plus two re-clocked and individually
buffered SDI outputs.
• It supports the full range of 3G, SD
and HD standards from NTSC and PAL
up to 1080p 60Hz.
The RB-VHCMA4 is a 4-channel analogue de-embedder and a 4-channel analogue
embedder combined into a single 19-inch rack unit. The unit selectively de-embeds
up to 4 channels within any audio group contained within the video stream to any
of the analogue outputs. After which, the video becomes two independent streams,
where the audio groups can be selectively deleted or passed through. The unit then
embeds any of the 4 analogue input channels to available groups within each of the
two video streams, which are then re-clocked and sent to the SDI outputs.
www.sonifex.co.uk
59
Video Embedders & De-Embedders
www.sonifex.co.ukwww.sonifex.co.uk
RB-VHCMD16 3G/HD/SD-SDI Embedder &
De-Embedder 16 Channel Digital I/O
• The digital inputs and outputs can
be selected as AES or S/PDIF via
jumpers situated inside the unit.
• The balanced AES/EBU and
unbalanced S/PDIF I/O connections
are paralleled, allowing one type to
be used per input or output.
The RB-VHCMD16 is a 16-channel de-embedder and 16 channel embedder
combined into a single 19-inch rack unit. The unit selectively de-embeds any
channel within any audio group contained within the video stream to any of the
digital outputs. After which, the video becomes two independent streams, where
the audio groups can be selectively deleted or passed through. The unit then
embeds any of the digital input channels to available groups within each of the two
video streams, which are then re-clocked and sent to the SDI outputs.
www.sonifex.co.uk
60
Video Embedders & De-Embedders
www.sonifex.co.ukwww.sonifex.co.uk
Redbox Accessories
Rack Mounting :
There are 3 rackmount options: RB-RK1,
RB-RK2 & RB-RK3. For rack mounting
smaller (28cm) (11”) units the optional
RB-RK1 (Red) or RB-RK1B (Black) kit can
be used (which include 4 off M6 panel
fixing screws).
www.sonifex.co.uk
61
Redbox Accessories
Front Panel Kits for Redboxes:
A number of customers have asked for
non-rackable fronts for the RB-HD1,
RB-HD2, RB-ADDA, RB-UL4 and RB-LU4.
These are available without rack-ears as:
RB-FR1, RB-FR2 and RB-FR3.
www.sonifex.co.ukwww.sonifex.co.uk
Redbox Accessories
Synchronisation Add-On Boards:
There are 4 Synchronisation Add-On Boards for the Redbox range of products:
RB-SYA Analogue Video
Sync Add-On Board for RB-SC2
RB-SYD Digital Video
Sync Add-On Board for RB-SC2
RB-SYE Sync Board
RB-SYW Sync Board
www.sonifex.co.uk
62
Redbox Accessories
Loading...