Softube Console 1 Fader User Manual

CONSOLE 1
FADER
USER MANUAL
Supporting VST/VST3/AU/AAX Native
Rev. Oct 02, 2019
ii |
Softube User Manual
© 2007-2019. Softube Console 1 is a registered trademark of Softube AB, Sweden. Softube is a registered trademark of Softube AB, Sweden. All specications subject to change without notice. All Rights Reserved.
Other company and product names mentioned herein are trademarks of their respective companies. Men­tion of third-party products is for informational purposes only and constitutes neither an endorsement nor a recommendation. Softube assumes no responsibility with regard to the performance or use of these products.
Softube products are protected by patents SE526523 and SE525332, and related patents/patent ap­plications, including WO06054943, US11/667360, US2004 0258250, EP1492081, EP1815459, and JP2004 183976.
Your rights to the software are governed by the accompanying software license agreement (End User Li­cense Agreement).
Disclaimer
Every eort has been made to ensure that the information in this manual is accurate. However, there are a chance that we have made mistakes, and we hope that you understand that we are only humans. Please let us know about the mistake, and we’ll x it in the mix (or in the next version of this manual).
Support
On the Softube website (www.softube.com) you will nd answers to common questions (FAQ) and other topics that might interest you.
Support questions can be posted at http://www.softube.com, where we will help you as fast as we can!
Web: www.softube.com E-mail: info@softube.com Phone: +46 13 21 1623 (9 am – 5 pm CET)
CONSOLE 1 FADER USER’S GUIDE | III
Contents
1 Hello and welcome! 5
What can Console 1 Fader do? . . . . . . . . . . . . . 6
Where can Console 1 Fader be used? . . . . . . . . . . 6
2 Setting up 7
Installing Console 1 Fader,
the short version . . . . . . . . . . . . . . . . . . . 7
3 A quick start 8
Using Console 1 Fader in new project . . . . . . . . . . 8
Using Console 1 Fader in an existing project . . . . . . . 9
4 DAW Control 10
5 Working with Console 1 Fader 12
The small plugin window . . . . . . . . . . . . . . 12
The On-Screen Display (OSD) . . . . . . . . . . . . . 13
OSD with Console 1 Fader . . . . . . . . . . . . . . 13
OSD with Console 1 Fader and Console 1 . . . . . . . . 14
Automation . . . . . . . . . . . . . . . . . . . . 14
What is the best insert slot? . . . . . . . . . . . . . 15
iv |
6 Using Console 1 Fader with Console 1 16
7 The ner details: Every function carefully described 18
10 sliders, 53 buttons, and 1 knob . . . . . . . . . . 18
The faders . . . . . . . . . . . . . . . . . . . . . 19
The Track Selector buttons . . . . . . . . . . . . . . 19
The volume LEDs . . . . . . . . . . . . . . . . . . 20
Mute/Bypass . . . . . . . . . . . . . . . . . . . . 20
Solo/Phase . . . . . . . . . . . . . . . . . . . . . 20
Page . . . . . . . . . . . . . . . . . . . . . . . . 21
Display On/Auto . . . . . . . . . . . . . . . . . . 21
Display Mode . . . . . . . . . . . . . . . . . . . . 22
Load Drive . . . . . . . . . . . . . . . . . . . . . 22
Load Strip . . . . . . . . . . . . . . . . . . . . . 22
Settings . . . . . . . . . . . . . . . . . . . . . . 23
Fader Mode: Persistent versus Temporary . . . . . . . 25
Sends 1–3 . . . . . . . . . . . . . . . . . . . . . 25
Volume . . . . . . . . . . . . . . . . . . . . . . 26
Drive . . . . . . . . . . . . . . . . . . . . . . . . 26
Character. . . . . . . . . . . . . . . . . . . . . . 26
Input Gain . . . . . . . . . . . . . . . . . . . . . 27
Low Cut . . . . . . . . . . . . . . . . . . . . . . 27
High Cut . . . . . . . . . . . . . . . . . . . . . . 27
Layer Mode. . . . . . . . . . . . . . . . . . . . . 28
Assign track(s) to layer . . . . . . . . . . . . . . . . 28
Assignable controls 1–3 . . . . . . . . . . . . . . . 29
Solo/OK . . . . . . . . . . . . . . . . . . . . . . 29
Mute/Cancel . . . . . . . . . . . . . . . . . . . . 29
Pan/Select . . . . . . . . . . . . . . . . . . . . . 30
Width . . . . . . . . . . . . . . . . . . . . . . . 30
A word on Mid/side stereo . . . . . . . . . . . . . . 31
Shift . . . . . . . . . . . . . . . . . . . . . . . . 31
10 Cool ways to use Console 1 Fader 34
11 Troubleshooting 37
12 Useful information 38
Installation . . . . . . . . . . . . . . . . . . . . . 38
Support . . . . . . . . . . . . . . . . . . . . . . 39
System requirements . . . . . . . . . . . . . . . . 39
Firmware upgrades . . . . . . . . . . . . . . . . . 39
Block diagram . . . . . . . . . . . . . . . . . . . 40
Hardware specications . . . . . . . . . . . . . . . 41
Credits . . . . . . . . . . . . . . . . . . . . . . . 41
Legal . . . . . . . . . . . . . . . . . . . . . . . 41
13 SOFTUBE AB’S END USER LICENSE AGREEMENT (“EULA”).FOR
PLUG-INS AND OTHER SOFTWARE PRODUCTS (ver 2019-06) xlii
8 Using Console 1 Fader with Apollo Central 32
9 Using Console 1 Fader without the hardware 33
| 5
1
Hello and welcome!
Console 1 Fader is a set of physical, motorized faders for your digital audio workstation (DAW ).
Console 1 Fader lets your ngers do the delicate job of mixing the levels of your audio tracks. Plus pan, mute and solo, high/low cut, drive, aux sends, and more. In short, you get the benets of working with a physical mixer, without the price and size.
Console 1 Fader also integrates seamlessly with Softube Console 1, the hard­ware channel strip that comes fully loaded with EQ, compressor, gate, and more.
Welcome to a hands-on experience that marries our digital audio world to traditional, tactile qualities.
6 | HELLO AND WELCOME!
What can Console 1 Fader do?
You can use Console 1 Fader in a number of ways, some which may not seem quite obvious. In fact, Console 1 Fader performs practically every task of a mixing desk (aside from EQ, dynamics, and eects), including con­trolling several faders at one.
When you connect Console 1 Fader to your computer, you get these physical controls:
Solo and mute
High Cut and Low Cut lters
Aux sends 1–3
Softube's Drive and Character
DAW transport buttons
Layering of tracks
Pan/balance
Stereo width
Ah yes, you can control the volume too
Where can Console 1 Fader be used?
e Console 1 Fader soft- and hardware can be used as a channel insert in all 64-bit VST, AU, and AAX compatible digital audio workstations (DAW:s). Console 1 Fader has been qualied to work with the following DAW:s.
Mac OS:
Ableton Live
Bitwig
Cubase/Nuendo
Digital Performer
Logic Pro X
Pro Tools
Reaper
Studio One
Windows:
Ableton Live
On top of that, Console 1 Fader oers 100 mm motor­ized Alps faders and DAW Control (remote control of volume, pan, solo, mute, and aux).
Softube’s Drive technology
Softube started in 2003 by emulating distorting circuits, more specically tubes. We wanted to make the best emulations on the market, and by 2007 we felt we had enough knowledge to release our rst product. Ever since we’ve been fascinated with distortion of all types.
Hey, where did you think the company name came from?
Bitwig
Cubase/Nuendo
Digital Performer
Pro Tools
Reaper
Sonar/Cakewalk by BandLab
Studio One
is list of qualied DAW:s expands over time. If your DAW is not listed here, chances are Console 1 Fader will work perfectly in your environment, but we make no guarantees. It’s always a good idea to try a demo version rst.
| 7
Setting up
2
Installing Console 1 Fader, the short version
Connect Console 1 Fader to a USB port and hook up the power supply. Go to www.softube.com/my-account and log in or register an account. When asked, enter the activation code on the card included in the box (format: XXXX­XXXX-XXXX-XXXX). Download Softube Central, install and activate Console 1 Fader. Make sure the Console 1 On-Screen Display app is started. Go!
(ere’s a more detailed installation description
on page 38)
8 | A QUICK START
A quick start
3
Using Console 1 Fader in new project
Instantiate Console 1 Fader as an insert eect on as many audio tracks as you want. e plugin is called “Console 1” in the plugins list, since it shares software with Console 1. Your computer will automatically detect what Softube hardware items that are connected to your system, so the right plugin will always be loaded.
After instantiation, Console 1 Fader conrms its presence by moving the corresponding slider up.
As work progresses and you add more tracks to your project, add Console 1 Fader on those tracks too. If your track count exceeds 10, you can easily access the higher numbered tracks by pressing Page + on your console. Pressing Page – takes you back again.
At the bottom of the Console 1 Fader channels, there is a row of buttons, the Track Selectors. If you want to adjust Pan or Width, or choose a Layer, press the appropriate Track Selector button rst, or simply touch the fader of that track.
ere are numerous other functions available with Console 1 Fader. Read more about them in the detailed sections below.
Using Console 1 Fader as a volume control for an eects input or return can be a very good idea. Just imagine how eective dynamic reverbs and echoes can be in a song.
You can even instantiate Console 1 Fader on the master bus to create a really smooth fade-out. You should use the Solo Safe function found in the small plugin window, to make sure that the master bus is always open, even if you solo another track.
CONSOLE 1 FADER USER’S GUIDE | 9
Using Console 1 Fader in an existing project
You may want to add the luxury of ngertip control to a project that has already been started. Nothing could be simpler! Just instantiate Console 1 Fader as an insert eect on all audio mixer channels, preferably as the last eect. From now on, you’re able to tangibly control your mix.
10 | DAW CONTROL
4
DAW Control – Console 1 Fader becomes part of your DAW
Softube has worked closely with DAW manufacturers to integrate our soft- and hardware. is DAW Control allows you to control your DAW’s channel selection and name, volume and pan, solo and mute, and even aux sends, remotely from Console 1 and Console 1 Fader.
Software that supports DAW Control:
Cubase/Nuendo
Reaper
Sonar/Cakewalk by Bandlab
DAW Control
Studio One
Track Name and Track Number control is supported by the following DAW:s:
Ableton Live 8.4.1 and newer (AU only)
Cubase 8.0.5 and newer (VST3)
Digital Performer (AU only)
Nuendo 6.5 and newer (VST3)
Reaper 5.50 and newer (VST3)
Sonar/Cakewalk by Bandlab (VST3)
Studio One 2.6 and newer (VST3)
Please note, that Console 1 Fader integration only works with the correct plugin format (see above).
CONSOLE 1 FADER USER’S GUIDE | 11
Important note about DAW Control
In DAW Control mode, volume changes made in Con­sole 1 Fader directly aect the channel faders of your DAW. us, Console 1 Fader’s position in the insert rack is not important.
However, when you’re using Console 1 Fader in a non­DAW Control environment, Console 1 Fader runs in series with other insert eects. Consequently, in this mode it makes sense to place Console 1 Fader after your other eects.
You should keep this in mind when working. Some pl­ugins – like e.g. distortion, compressors et cetera – sound dierent when incoming audio gets softer or louder.
Example: Let’s say you have an electric guitar track, and that Console 1 Fader is not in DAW Control mode. e slot after Console 1 Fader may be an overdrive plugin. When you pull the Console 1 Fader slider down, the guitar will sound cleaner, because its input into the over­drive gets softer. is may not be what you want.
VST2 and VST3 – which is which?
Plugins come in various formats, and it’s important to be aware of the dierences.
In Studio One, the VST2, VST3 (and on Mac, AU) versions of plugins have dierent symbols. In the second image, the symbols preceding the formats mean VST3, VST2 and AU.
First, each DAW supports its own format(s), like AAX for Pro Tools, VST2/3 for Cubase, AU for Logic Pro X and so on.
In the case of VST2 and VST3, Console 1 Fader’s inte­grated DAW Control only works with VST3. In some DAW:s, it’s not always obvious which is which.
In Cubase, the VST2 plugins can be found in a folder with the manufacturer’s name. In the case of Console 1 Fader: Softube. e VST3 version of Console 1 Fader is found in a folder with the category name: Dynamics. e VST3 version also has a /// symbol after its name.
VST3 and VST2 in Cubase
VST3, VST2, and AU in Studio One
12 | WORKING WITH CONSOLE 1 FADER
Working with Console 1 Fader
5
The control panels
When you instantiate the Console 1 plugin on an audio track in your DAW (Digital Audio Workstation), you are greeted with a plugin window. is is a miniature, one-channel version of the real Console 1 Fader inter­face and shows many of the functions for one track.
When you press the Display On button on Console 1 Fader (the physical unit), the big interface appears. We call it the OSD, short for On-Screen Display. Every­thing you do on your physical console is reected here.
If you feel the OSD windows is too big, you can resize it by grabbing the sizing handle in the lower right corner.
If you have a second computer monitor, you may want to drag the OSD to the second screen. You can move the OSD by clicking and dragging anywhere in the OSD area.
The small plugin window
e Console 1 Fader plugin window, that pops up after you have initiated the plugin on a track, can be used for a number of things.
First of all, it provides an easy method for checking that everything is working as it should. Just move the slider to conrm that Console 1 Fader works correctly. By clicking the Softube logo, you can see what version you’re using.
Under Setup, dierent settings for Open GL (a standard for rendering graphics on your screen) can be found. ese may aect your CPU mileage or graphical issues with non-supported DAWs. If you don’t want full DAW integration, here’s where you can turn it o. e value display setting can also be found here.
While travelling, and if your Console 1 Fader unit is not available, you may use this small panel to make basic adjustments.
Plugin window if only Console 1 Fader is installed
e Manual button in the lower right corner opens this manual. Very handy!
Plugin window looks like this, if both Console 1 and Console 1 Fader are installed
CONSOLE 1 FADER USER’S GUIDE | 13
The On-Screen Display (OSD)
When you press the Console 1 Fader button Display On, your screen will be lled by a big, black mixer window, the OSD (On-Screen Display). All actions on Console 1 Fader will be reected here. is is where you get a graphical feedback of all your edits.
Please note, that the OSD does not react to any form of mouse action (except for resizing and moving the OSD). All slider movements, button pushing and knob twisting happen on the Console 1 Fader unit.
OSD with Console 1 Fader
e default OSD view is rather self-explanatory. e left side shows the input section of the selected channel with details about lters, phase, and gain. e right side presents the output stage of the same channel with info on drive, pan and volume.
e middle section shows the rst 10 channels, start­ing with the selected channel strip at the top and the volume and track name at the bottom.
Pressing the Display Mode button takes you through two further, much more screen-economic OSD displays. ey show only a few parameters. If your screen is lled with lots of information during your production process, these miniature displays may be all you need at certain work stages.
14 | WORKING WITH CONSOLE 1 FADER
OSD with Console 1 Fader and Console 1
If you are using both Console 1 Fader and Console 1, there are a few more Display Modes than described above.
e rst view shows 20 Console 1 Fader channels plus the input and output section of the selected channel.
Pressing Display Mode takes you to a second screen with Console 1 settings for Shape, EQ, and Compres- sor. All changes you perform on your Console 1 will be reected here.
Display Mode 3 and 4 are screen-economic miniature modes. Display Mode 5 is similar to mode 2, but also includes a frequency analyzer.
Automation
You have learnt to perform dynamic changes via a mouse or touchpad, but with Console 1 Fader you’re presented with the real deal – physical faders!
Automation with our hardware works just like when using a mouse, only better. And with Console 1 Fader, you can work with many sliders at once – try doing that with a mouse!
CONSOLE 1 FADER USER’S GUIDE | 15
What is the best insert slot?
When Console 1 Fader is used in DAW Control mode, it takes the place of the channel fader of your DAW. So no matter where in the insert eects slot you place Console 1 Fader, it will always aect the sound after it has passed through all the other plugins on that track.
But when Console 1 Fader is not used in DAW Con­trol mode, its position in the rack makes a dierence. Normally, Console 1 Fader works best as the last eect in the insert chain. But if your project has sounds that go through long echo or reverb eects, closing the fader will also kill the echo/reverb tail. at may not be what you want. In such a scenario, it would be better to place Console 1 Fader before the time-based eects.
Please also read the section about DAW control on page
10.
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