Slate FOX Reference Manual

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Hello
The FOX Concept
After starting my pro audio business in 2006, I quickly fell victim to an unexpected new role amongst my peers: Audio Gear Psychologist. I would constantly get calls from fellow engineers who were in the market for audio gear, and one of the most common questions I would get was about mic preamp purchasing. “Do I get the Neve, the API, or the Millennia?” would be a common question. No one ever liked my answer which was, “Get all of them; they are all amazing preamps and you’ll appreciate having a versatile sonic palette for your microphones and sources.”
This was good advice. Companies like Neve, API, Millennia, and other hi-fi brands have been making great mic preamps for years, and I’ve used them and loved them in countless sessions. So when I sat down with Studio Electronics, and the Slate Pro Audio engineering team to discuss our mic pre, my first thought was to make a mic preamp that could offer several sonic characteristics in one box; similar to having a rack of various mic pres.
Our first idea was to use one main mic pre circuit with filters and some various component and circuit manipulations to change the sound. This worked. Kind of…
Overall, it still sounded like the same preamp with some filters. It didn’t provide the real experience of having several preamp sounds in one box.
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We went back to the drawing board and realized the thing we needed to do was to employ more than one unique preamp circuit in each channel. This design concept led to two amazing preamp circuits called VINTAGE and MODERN.
VINTAGE is our take on the classic British Discrete Class A design. It is thick, rich, warm, and sounds great on just about everything. MODERN, is a new design based on ultra hi-fi solid state components that provide a sound that is very precise, clean, and detailed. The preamp adeptly catches the stick attack of a snare drum or the crispness of a vocal.
Now we had our two circuits, excellent, but could we expand on this concept? Yes, indeed. We came up with a rather ingenious idea; combining the VINTAGE and the MODERN circuits to create new sounds. With that, COMBO mode was born. In COMBO mode, the input of one of the preamp circuit is combined with the output of the other preamp circuit. So VINTAGE/COMBO means the input is the VINTAGE circuit, and the output is the MODERN circuit. With MODERN/COMBO, the input is the MODERN circuit and the output is the VINTAGE circuit. Now the FOX had four great sounding mic preamps in ONE box!
This allows you, the audio engineer, to benefit from ultimate versatility and precision during recording. You can switch the different mic pre circuits while monitoring your source live, so that you can optimize the best sound for that particular source. Listen to that guitar track in the VINTAGE circuit... Now hear how it sounds in the MODERN... Then try MODERN/COMBO.. Nope-that’s not it… Now VINTAGE/COMBO… and BAM! That works!
On behalf of the Slate Pro Audio team, I hope you make inspiring music with the FOX dual mic preamplifier. Feel free to send me some audio clips or just say “hey” by emailing me at slate@stevenslate.com
Thanks, and Happy Recording!
Steven Slate
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TABLE OF CONTENTS
PAGE 5 FEATURES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
PAGE 6 WARRANTY INFORMATION . . . . . . . . . . . . . . . . . . . . . . . . .
PAGE 8 SAFETY INFORMATION . . . . . . . . . . . . . . . . . . . . . . . . . . . .
PAGE 10 RACK MOUNT INSTRUCTIONS . . . . . . . . . . . . . . . . . . . . . .
PAGE 11 OPERATING COUNTROLS . . . . . . . . . . . . . . . . . . . . . . . . . .
PAGE 12 REAR PANEL, MAIN VOLTAGE ADJUSTMENT . . . . . . . . . . . . .
PAGE 13 TECHNICAL DATA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
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