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INPUT CHANNEL SECTION----------------------------------------------------------------------
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MASTER SECTION----------------------------------------------------------------------------------
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POWER SECTION------------------------------------------------------------------------------------
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INSTALLATION----------------------------------------------------------------------------------------
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CONNECTIONS----------------------------------------------------------------------------------------
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APPENDIX-----------------------------------------------------------------------------------------------
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BLOCK DIAGRAM-------------------------------------------------------------------------------------
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Ultra low noise 5 Channel Mic / Line Mixer
1 Mono Input Channels with silver plated XLRs and balanced Line Inputs
2 Stereo Input Channels with balanced TRS Jacks
Balanced Inputs for highest signal integrity
Ultra-musical 2-band EQ on all channels
1 Aux Send per channel for external effects and monitoring
Highly accurate 4 segment Bargraph Meters
Rugged design Power Supply ensures superior signal integrity
SAFETY INSTRUCTIONS
CAUTION:
To reduce the risk of electrical shock, do not remove the cover
(or back). No user serviceable parts inside; refer servicing to qualified
personnel.
WARNING:
To reduce the risk of fire or electrical shock, do not expose this
appliance to rain or moisture.
This symbol, wherever it appears, alerts you to the presence of
uninsulated dangerous voltage inside the enclosure - voltage
that may be sufficient to constitute a risk of shock.
This symbol, wherever it appears, alerts you to important
operating and maintenance instructions in the accompanying
literature. Read the manual.
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A. IN PUT CHANNEL SECTION
1. XLR Microphone Jacks
These jacks accept typical 3-pin XLR inputs for
balanced and unbalanced signals. They can be used in
conjunction with microphones- such as professional
condenser, dynamic or ribbon microphones - with
standard XLR male connectors, and feature low
noise preamplifiers, serving for crystal clear sound
replication.
2. LINE INPUT
This input accepts typical 1/4” TRS or TS inputs,for
balanced or unbalanced signals. There are various numbers
of these inputs depending which mixer you are using. They
can be used in conjunction with various line level devices,
such as keyboards, drum machines, electric guitars, and a
variety of other electric instruments.
3. GAIN
This controls the sensitivity of the input signal of
the The Line/Microphone input. The gain should be
adjusted to a level that allows the maximum use of
the audio, while still maintaining the quality of the feed. This can be acretucomplished by adjusting a level input that will allow the peak indicator
occasionally illuminate.Adjusts input sensitivity from -60dB to -16dB in the
out position, and -34dB to +10dB is pushed.
4. HIGH
This control is used to give shelving boost or cut of +15 dB to high
frequency (12 kHz) sounds. This will adjust the amount of treble included in
the audio of the channel, adding strength and crispness to sounds such as
guitars, cymbals, and synthesizers.
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