A good vacuum cleaner is like a good sewing machine. You use it day in, day out. It works hard. You expect years of dependable service.
You already know we make great sewing machines. But did you know we also make great vacuum cleaners? And we've been making them for over 46 years, with the same pride that goes into every Singer product.
For carpets, there's our Golden Powermaster * upright Model U-69; it has our twinfan suction system that distributes suction power evenly over the entire nozzle. (Fact: Only Singer makes a two fan system.) Plus one of the largest disposable
dust bags in the industry. The high performance vibrator brush (approx. 4000 rpm) first shakes dirt free, then sweeps, then air-washes your carpet—that's triple action cleaning power!
Stulist.
SINGER
INGER
sewing machine
For floors and above-the-floor jobs, we have powerful canister cleaners . like our Golden Glide * canister Model C-17... which offers a two stage motor with 3.3 peak horsepower! Plus a pair of 'pop-up' indicators. One tells you when your bag should be changed; the other (an exclusive to Singer) lets you know if you've accidentally clogged your cleaner with socks, matchbooks, etc. . . That's fail-safe cleaning! Plus an air-power control console that lets you adjust the suction power to 6 different cleaning jobs . including carpets. The C-17 has a separate motor-driven powerhead (for carpet cleaning) which adjusts to 4 different carpet pile heights!
And, there are other upright and canister models to choose from. Come in and see them today.
SINGER The first name in sewing, the last word in cleaning.
* A Trademark of THE SINGER COMPANY
You are about to discover the wonderful pleasure of sewing with your new Stylist* Zig-Zag Sewing Machine by SINGER. We know you are eager to get started on a sewing project... but we urge you to become familiar with this book before you begin. It is designed to help you get the benefit of all the capabilities of your machine. Especially, we recommend that you keep the following points in mind :
Copyright C 1978 THE SIN
Above all, do enjoy sewing !
Getting to Know Your SINGER* Sewing Machine Principal Parts—And What They Do Accessories—And When to Use Them Accessories | 2 2 6 |
---|---|
Getting Ready to Sew Preliminary Steps Choosing Needle and Thread Threading Your Sewing Machine |
10
10 11 |
Straight Stitching Adjusting Selectors Sewing a Seam |
17
18 21 |
Zig-Zag Stitching
Basic Zig-Zag Patterns Flexi-Stitch * Patterns |
25
25 29 |
Twin-Needle Stitching
Preparation Threading the Needle |
32
32 33 |
Buttons and Buttonholes |
34
34 35 |
Sewing the Professional Way Sewing Knit and Stretch Fabrics Hints on Sewing Special Fabrics Construction Details Decorative Touches Tubular Bed Sewing Keeping Up Appearances |
38
38 44 51 53 57 |
Caring For Your Machine
Cleaning the Machine Removing Bobbin Case, Face Plate and Bulb Performance Checklist |
61
61 62 64 |
Special Accessories for Special Jobs | 66 |
Your Personal Measurement Chart | 69 |
Index | 70 |
To be distributed freely. If you paid for this, you were ripped off by another site. | 1 |
Scanned by www.jenorton.com |
The accessories that come with your Stylist sewing machine are designed to help you do many kinds of sewing easily and perfectly. Additional accessories, listed on page 66 at the back of this instruction book, are available for purchase at your local Singer Sewing Center.
Straight-Stitch Needle Plate
Feed-Cover Needle Plate
The general-purpose foot and the generalpurpose needle plate are in place on the machine. Ideal for all utility sewing, these fittings can be used for either straight or zig-zag stitching. Always use them together when alternating between straight and zig-zag stitching.
he straight-stitch toot and the straight titch needle plate are used when your abric or sewing procedure requires close ontrol.
Especially useful for:
The feed-cover needle plate replaces the general-purpose needle plate (or straight stitch needle plate) when fabric feeding is not desired. Use it for button sewing (page 34) and free-motion darning (page 60).
The special-purpose foot is used with the general-purpose needle plate for all kinds of decorative zig-zag stitching. Use it for:
The buttonhole foot is used with the general-purpose needle plate to make four-step, bar-tack buttonholes in fabrics of light and medium weight. For instructions, see page 36.
The zipper foot is used to place stitching close to a raised edge. Thus, it is as useful for corded seams and tubular cording as it is for zipper insertion (page 46). It can be fitted to either the right or the left side of the needle and may be used with the straight-stitch or general-purpose needle plate.
The blindstitch hem guide is used with the general-purpose foot to position the hem fold for blindstitch hemming (page 48). To attach, simply loosen presser-foot screw and slip guide between screw and presser-foot shank. Position guide so that it clears both slide plate and presser-foot toe. Tighten screw.
Blindstitch Hem Guide
ACCESSORIES (Continued)
Changing Presser Foot
Changing Needle Plate
The presser feet that are supplied with your machine snap on and off a common shank. To change the foot:
To remove the complete foot (with shank), as for free-motion darning or embroidery, see page 60, loosen the presser-foot screw and remove shank and foot together.
Transparent, drop-in bobbin, # 172336, shows thread supply at a glance.
IMPORTANT: Your SINGER sewing machine has been designed to obtain best results with SINGER needles. You should follow the recommendations in this instruction book and on the needle package for correct style and size of needle for different types and weights of fabrics.
The needle clamp is designed so that the needle can only be inserted with the flat side of the needle to the back. To change the needle:
The spool holders hold spools of various sizes in position on the horizontal spool pin. Because the spool does not turn, thread unwinds without tug or drag.
The secondary detachable spool pin is used for twin-needle stitching.
CONNECTING THE MACHINE Before plugging in your machine, be sure indicated on the plate under the hand
preliminary steps
electrical outlet.
10
To turn on both machine and sewing light, press power and light switch to
CAUTION: We recommend that you turn off the power and light switch before
To run the machine, press the speed controller. The harder you press, the
To stop the machine from sewing,
The needle and thread you choose will depend upon the fabric being
FABRIC | THREAD | NEEDLES | |
---|---|---|---|
Туре | Size | ||
DELICATE—tulle, chiffon, fine lace, organza |
Fine polyester, nylon,
and cotton thread |
STYLE
2020 (15x1) |
9 |
LIGHTWEIGHT—batiste,
organdy, jersey, voile, taffeta, crepe, chiffon, velvet, plastic film |
50 mercerized cotton
"A" silk Polyester thread Cotton-wrapped polyester |
STYLE
2020 (15x1) |
11 |
MEDIUM WEIGHT—gingham,
percale, pique, linen, chintz, faille, satin, fine corduroy, velvet, suitings, deep-pile fabrics, vinyl |
50 mercerized cotton
60 cotton ''A'' silk Polyester thread Cotton-wrapped polyester |
STYLE
2020 (15x1) |
14 |
MEDIUM HEAVY—gabardine,
tweed, sailcloth, denim, coatings, drapery fabrics, vinyl, deep-pile fabrics |
Heavy-duty
mercerized cotton 40 to 60 cotton Polyester thread |
STYLE
2020 (15x1) |
16 |
HEAVY—overcoatings,
denim, upholstery fabrics, canvas |
Heavy-duty
mercerized cotton 24 to 40 cotton Polyester thread |
STYLE
2020 (15x1) |
18 |
ALL WEIGHTS—decorative
straight stitch topstitching in woven fabrics |
″D" silk†
(Buttonhole twist) |
STYLE
2020 (15x1) |
16
or 18 |
KNIT, WOVEN, STRETCH
and ELASTIC FABRICS— polyester doubleknit, spandex, nylon, tricot, ciré tricot, jersey, panné velvet |
"A" nylon
50 mercerized cotton "A" silk Cotton-wrapped polyester |
STYLE
2045 Ball-Point (Yellow Band) |
14 |
LEATHER—suede, kidskin,
capeskin, lambskin, lined leathers |
50 mercerized cotton
Polyester thread "A" silk Cotton-wrapped polyester |
STYLE
2032 (15x2) |
11
14 16 |
LIGHT and MEDIUM
WEIGHTS—decorative twin-needle stitching in woven fabrics |
50 mercerized cotton |
STYLE
2025 (twin) |
14 |
† Use with 50 mercerized cotton or "A" silk in bobbin.
Like all sewing machines that produce what is called a "lockstitch", your Stylist sewing machine sews with two threads. The upper thread comes from the spool and is threaded through the eye of the needle. The lower thread comes from the
Press spool holder firmly against spool.
thread unwinds in direction shown, and put bobbin in bobbin case.
3. Draw about three inches of thread
4. Close slide plate allowing thread to
15
Now that you have wound the bobbin and threaded the needle, you will need to raise in the needle plate.
3. Open the loop with your fingers.
Best results will be obtained if you use the straight-stitch foot and needle plate.
To sew perfectly on a wide variety of following pages.
For information on straight stretch stitch-
STRAIGHT STITCHING (Continued)
The stitch length selector controls the length of stitches. The numbers around the edge of the selector dial express stitch length in stitches per inch; the higher the number, the shorter the stitch. Generally, shorter stitches are best for lightweight fabric; longer ones for heavy fabric. The FINE area is used for the adjustment of ziq-zaq satin stitching.
For reverse stitching, press the reversestitch push button (located in the center of the dial) in as far as it will go and hold in place (the button can be pushed in while the machine is sewing). Release pressure on the push button to return to forward stitching
Stitch Length Dial
(For detailed instructions on adjusting the stitch length for zig-zag satin stitching, see page 28.)
The pressure dial regulates the pressure that the presser foot exerts on the fabric. Correct pressure is important because it enables the fabric to feed smoothly and evenly, without being marred. The NORM (normal) setting is an all-purpose setting that can be used for sewing a wide variety of fabrics of different weights and textures. Intermediate notched settings, above and below NORM (normal), are also provided. When you need extra control, regulate the setting for heavier or lighter pressure to suit the fabric being sewn.
When darning without an embroidery hoop, set the dial at the lowest setting, # .See page 59 for instructions.
Lower the presser foot before setting pressure.
STRAIGHT STITCHING (Continued)
Correct tension is important because too much or too little will weaken your seams or cause your fabric to pucker. Make a test sample with the fabric and thread you plan to use and examine it. A perfect stitch will have the needle and bobbin threads locked between the two layers of fabric with no loops on top or bottom and no puckers.
The tension dial regulates the degree of tension on your needle thread. Set it according to the type of thread and fabric you use. The numbers on the dial eliminate guesswork in duplicating settings.
If the stitches in your test sample look loose, increase needle-thread tension. If the fabric puckers, decrease tension.
1. Set stitch length selector for desired number of stitches per inch.
2. With presser foot up, align fabric with appropriate seam guideline on needle plate (as described below). Position needle in fabric about 1/2 inch (1.2 cm) from the back edge.
8. Lower presser foot. Backstitch to the edge of the fabric for reinforcement by pushing in the reverse-stitch push button located in the center of the stitch length selector dial. Hold the button until the stitches reach almost the edge of the fabric and then release for forward stitching.
As you stitch, use one of the numbered lines on the needle plate as a guide for keeping the seams straight. Numbers indicate distance, in eighths of an inch from the needle. If you want a 5/8 inch (1.5 cm) seam, for example, keep the right-hand edge of your fabric on the number 5 guideline.
20
STRAIGHT STITCHING (Continued)
Pivoting at Corn
To turn a square corner 5/8 inch (1.5 cm) from the fabric edge, you need not measure or mark the seam. Simply use the crosslines on the slide plate.
Most fabrics need only to be guided in front of the presser foot. Some fabrics, however, require support while being stitched. Filmy sheers, panné velvet, and tricots, for example, need to be held taut in front and back of the presser foot while being sewn.
For information on sewing knit and stretch fabrics with zig-zag stitching, refer to page 38.
CAUTION : Do not pull the fabric while you are stitching as this may deflect the needle causing it to break.
Guiding Fabric
Pin basting is a time-saver and can be used when you sew easy-to-handle fabric. Use fine pins and place them:
23
STRAIGHT STITCHING (Continued)
Stitch to the fabric edge. Backstitch 1/2 inch (1 cm) to reinforce the end of the seam by pushing in the reverse-stitch push button and then releasing.
TO REMOVE WORK
3. Cut threads on thread cutter at rear of presser bar.
24
The zig-zag stitches built in to your sewing machine include basic zig-zag patterns and Flexi-Stitch patterns. Basic zig-zag patterns and their selector settings are shown below; information on Flexi-Stitch patterns starts on page 29. You will find instructions for both decorative and practical uses of these patterns in the section called "Sewing the Professional Way" beginning on page 38.
ZIG-ZAG STITCHING (Continued)
Adjusting Needle-Thread Tension
Before moving selector, make sure stitch length dial is OFF buttonhole settings and needle is above fabric
To produce a zig-zag stitch pattern, move the stitch width selector dial from the straight-stitch setting ! to any zig-zag setting to the right. Stitch width is increased as the dial is moved to the right.
ADJUSTING STITCH PLACEMENT
Before moving selector, make sure stitch length dial is OFF buttonhole settings
Most of your basic zig-zag stitching will be done in center ( ) needle position. Left ( ) and right ( ) settings are used for special stitch placement, as in
Any stitch length setting from 6 to 25 will give you an open zig-zag stitch of the basic zig-zag stitch pattern you select. The lower the number, the more open, or farther apart, your stitches will be. The FINE stitch area, between 0 and 25 on the dial is used for adjusting zig-zag satin stitching (see next page for specific instructions).
Stitch Length Dial
Turn to page 19 under "Straight Stitching" for instructions on adjusting pressure.
For information on choosing accessories refer to pages 6 and 7 and to detailed instructions for sewing with zig-zag stitch patterns included in the section called "Sewing the Professional Way" that starts on page 38.
Special-Purpos Foot
26
Basic zig-zag stitching requires less needle-thread tension than straight stitching. Make a test sample with the fabric and thread you plan to use so that you can adjust the tension properly. The stitches should lie flat against the fabric without causing the fabric to pucker.
If the stitches are not flat and the fabric is puckered, lower the needle-thread tension by turning the dial to a lower number.
ZIG-ZAG STITCHING (Continued)
Adjusting Stitch Length
satin stitching
Satin stitching, a series of closely spaced zig-zag stitches that form a smooth, satinlike surface, is useful for both practical and decorative work.
for appliqué or bar tacks, for example, make a test sample first so that you can adjust the stitch length and thread tension properly. Soft fabric may require a backing to ensure firm satin stitching. Crisp lawn or organdy is suitable for this purpose.
Satin stitching requires less tension than straight stitching or open zig-zag stitching. Furthermore, the wider the stitch, the lighter the tension on the thread must be. Notice the stitching on your sample. If the fabric is puckered, lower the needlethread tension by turning the tension dial to a lower number.
With your Stylist sewing machine you can sew four Flexi-Stitch patterns. Instructions for both decorative and practical uses of these patterns begin on page 38.
moving the stitch pattern selector. For ric-rac stitch
• Move pattern selector to
FLEXI-STITCH PATTERNS (Continued)
Adjusting Width of Design
Adjusting Stitch Placement
30
To produce a Flexi-Stitch pattern, the stitch width selector must be moved from the straight-stitch setting to a setting from to S. Stitch width is increased as the dial is moved to the right. On setting all width is removed from Flexi-Stitch patterns and the straight
ADJUSTING STITCH PLACEMENT
ADJUSTING NEEDLE-THREAD
Some Flexi-Stitch patterns require more
Before moving needle position and stitch
When you use a Flexi-Stitch pattern, stitch length is controlled with a single setting of the stitch length dial. No further adjustment should be made.
To set, turn dial until red bar ■ is centered under the arrowhead ▼ on the control panel.
NOTE: Stitching cannot be reversed when the Flexi-Stitch pattern dial is on red Flexi-Stitch setting.
You may need to adjust the Flexi-Stitch pattern dial when using a Flexi-Stitch pattern in order to achieve the correct pattern appearance. Before you move the Flexi-Stitch pattern dial from its neutral position (red bar ■ centered under ▼), make a test sample. If adjustment is required, stitch slowly and move the control dial as you sew.
Turn to page 19 under "Straight Stitching" for instructions on adjusting pressure. For information on choosing accessories refer to detailed instructions for sewing with Flexi-Stitch patterns included in the section called "Sewing the Professional Way", which starts on page 38.
Stitch Length Dial
Turn Dial to Left to Separate Stitches
Adjusting Stitch Balance
By using a twin needle, you can produce
Straight Stitching
Twin-needle stitching can also be pro-duced using a Flexi-Stitch pattern. Select
Use SINGER* twin needle, Style 2025 (size 14).
Before inserting the twin needle, make
To insert the twin needle, simply raise
For best results, use No. 50 mercerized or synthetic thread. Thread the
Flat buttons can be sewn on quickly and easily using the plain zig-zag stitch pattern. The space between the holes in the button determines stitch width settings. For buttons with standard hole spacing, use settings i and as shown. For buttons with unusual hole spacing, use setting i and increase or decrease the width ( $ ) as necessary.
Attach feed-cover needle plate (see page 8), and turn Flexi-Stitch pattern dial to O .
Replace feed-cover needle plate with the general-purpose needle plate when work is completed.
NOTE: For best results, and when using buttons less than one inch (2.5 cm) in diameter, the Button Sewing Foot is recommended (see page 66).
Accurate guidelines are essential to keep buttonholes a uniform distance from faced edge of garment, evenly spaced, and on grain of fabric. For center closures, place guidelines as follows:
First, decide how long button opening must be. Then, add 1/16 inch (2 mm) to measurement for each bar tack (closing stitches at each end of buttonhole). To find length of button opening, cut a slit in a scrap of fabric the diameter of button you intend to use. Increase length of opening until button slips through easily.
Lengthwise Grain
As you turn the dial for each step, your
Always make a test buttonhole on a
Turn buttonhole dial clockwise to step 1
Raise needle above fabric by turning hand
Raise the needle above the fabric.
Raise the needle above the fabric.
buttonhole twice. When stitching the
When you sew stretch fabric, doubleknit, tricot and jersey, choose one of the stitch patterns that sew stretch into the seam. A wide variety of different stitches are available so you can choose just the right one for your fabric and sewing job. The table below will help you make the right selection.
Remember to use a SINGER ball-point needle (Style # 2045) on the machine when you attach elastic or sew a knit or stretch fabric.
Stitch | Where to Use | |
---|---|---|
Straight Stretch Stitch |
Plain seams that s-t-r-e-t-c-h (press-open or
closed construction) — Crotch seaming — Sleeve and gusset insertion — Flexible topstitching — Swim and ski suit construction — Attaching patch pockets — Repairing and reinforcing seams. |
|
ξ | Multi-Stitch Zig-Zag | Attaching elastic and stretch lace — Lingerie and swimsuit construction — Girdle seams — Seam finishes — Casings and waistband finishes. |
WWWWW | Plain Zig-Zag Stitch |
All-purpose stretch sewing — Lingerie seams —
Attaching stay tapes — Seam finishing — Edge finishing — Attaching stretch lace. |
* | Ric-Rac Stitch |
Heavy-duty, all-purpose stretch sewing —
Reversible topstitch applications. |
VV | Blindstitch |
Flexible blindstitch hemming — Overcast seam
finishing — Shell hems in lingerie — Ladder seams — Blindstitch zipper insertion. |
衮 | Feather Stitch |
Swimsuit seams — Attaching stretch lace —
Lingerie and girdle seams. |
111 | Slant Overedge Stitch | Overedge seams that stretch in sportswear, knitwear, slacks, and bathing suits. |
When you use the straight stretch stitch to seam knit, stretch, and elasticized fabric, s-t-r-e-t-c-h and strength are built in as the seam is being sewn. Because it is equally useful for closed or press-open seam construction and will not break thread under stress, the straight stretch stitch is also good for seams that receive an unusual amount of strain when worn. For example: crotch seaming, sleeve insertion, and construction seams in sportswear and bathing suits.
1. Make a test sample to determine thread tension and stitch balance.
Most fabrics of stretch or knit construction need only to be guided in front of the presser foot when you use one of the stretch stitches. Simply increase presser bar pressure and let the machine move the fabric to make the stitches that give s - t - r - e - t - c - h to the seam. Some fabrics, however, require
support while being stitched.
For nyton tricot, cire, panné velvet and similar synthetic knits, apply gent/e tension by holding fabric taut in front and back of the presser foot as you sew.
Be sure to insert a ball-point (yellow band) needle in machine if you are stitching a synthetic knit fabric, and increase presser bar pressure if necessary.
Stitch and guide fabric as you do for plain seams stitched with the regular straight stitch. letting the machine make the backand-forth stitches that give s-t-r-e-t-c-h to the seam. If
fabric has an unusual amount of elasticity, it should be stitched under tension as instructed below under "Guiding and Supporting Fabric."
3. Press seam as when using the regular straight stitch.
CAUTION: Do not pull the fabric while you are stitching as this may deflect the needle causing it to break.
SEWING KNIT AND STRETCH FABRIC (Continued)
Elastic will remain stretchable when it is
After stitching, open seam by pulling seam has been opened.
To make seams in lingerie durable and
Method # 2
For a narrow seam:
seam allowance.
For a 5/8 inch (1.5 cm) seam:
• Trim away excess fabric close to stitching to produce a narrow seam edge.
• Straight-stitch seamline on wrong side
Place a line of medium-width, open
stitching. (Stitch width medium
SEWING KNIT AND STRETCH FABRICS (Continued)
Method # 2 — Mock Overedging
Seams in knit and stretch fabric can be joined and finished in one operation with the slant overedge stretch stitch. Two different methods may be used. Method # 1 (overedging) is recommended for firm fabrics in garments where a 1/4 inch (6 mm) seam allowance is adequate. Method # 2 (mock overedging) is most appropriate for bulky knits and fabrics that have a tendency to curl or fray and should be used where a wider seam allowance is needed. Make a test sample to help you decide which method is best for your fabric and garment. Be sure to duplicate the cut of the garment seam in your test.
Remember to use a ball-point (yellow band), Style 2045, Size 14 needle in your machine if you are sewing a sýnthetic knir
When it is not practical to overedge a seam because of the construction of the garment or the fabric, a mock overedge finish can be applied. This finish is appropriate for bulky knits, fine tricots, and fabrics that curl or frav.
Make a test sample before beginning garment construction to test machine adjustments. Be sure to duplicate the cut of the garment seam in your test, and use a ball-
point (yellow band) needle if you are sewing a synthetic knit fabric.
Hem and facing edges in knit and stretch fabrics will be less apt to press through and mark when given a flat edge finish. Edge finishing with the multi-stitch zig-zag or blindstitch, eliminates the bulk of turned-in edges and retains fabric flexibility.
Finished Facing
†The Even Feed Foot described on page 66 is designed to aid in sewing this fabric.
The Even Feed Foot described on page 66 is designed to aid in sewing this fabri-
45
At the notions counter in your Singer Sewing Center, you will find many different kinds of zippers, one of which will be just right for whatever you want to sew. The zipper package will contain easy-tofollow instructions for inserting the zipper. And, with the zipper foot, you will find it easy to form an even line of stitching close to the zipper.
When the zipper is to the right of the needle:
(The zipper foot is snapped onto shank as instructed on page 8.)
The corded seam is a professional treatment for slipcovers, children's clothes, blouses, and lingerie. To make a corded seam, make the welting first (or buy it ready-made at a notions counter), then stitch it into the seam. For both steps, use the zipper foot to place the stitching close to the cord.
Blindstitching, used instead of straight stitching for the final step in zipper insertion, gives a fine finish that is almost invisible. Ideal for knits, napped fabrics, and sheers.
Making Welting for a
Blindstitching provides a durable hem
A practical, simple way to accent the foot and sew them with buttonhole twist for added emphasis. For decorative for added emphasis, for decorative interest, use a decorative zig-zag or Flexi-Stitch pattern. To add firmness to hems and seams in knit and stretch
CONSTRUCTION DETAILS (Continued)
50
Flexi-Stitch Pattern Dial:
Seam edges support the garment and should be given a durable finish if the fabric is likely to ravel.
Appliqué adds beauty and interest to clothing and household linens. You can create your own design, trace a simple outline from a coloring book, or use a motif cut from a printed fabric. Fabrics of like or different texture combine equally well.
A closely spaced zig-zag stitch is most commonly used in appliqué work, but decorative stitch patterns may also be used effectively. Although you may vary stitch width to accomodate fabric weave or texture, never allow the stitch to be too wide.
When appliqueing, make a test sample to help you decide which of the following methods is most appropriate for your fabric and design.
Method 1 Trimming after Stitching
51
SHELL EDGING
On soft, fine fabrics such as tricot, voile
The art of joining two pieces of fabric with
Patchwork for quilts and wearing apparel,
The tubular bed simplifies fabric handparticularly useful are illustrated. To sewing, press the extension table
TUBULAR BED SEWING (Continued)
Use the tubular bed of your machine when you make hats, bags and dolls' clothes. You will find it a real advantage for seaming small circular areas, and in the placement of decorative top stitching.
Attaching a cuff to a gathered sleeve or accenting it with decorative top stitching is greatly simplified when you use the tubular bed. The fabric flows smoothly around the bed giving you full visibility and control of the seam line.
TUBULAR BED SEWING (Continued)
Badges, emblems and insignia of all sizes and shapes can be quickly attached to shirts and uniforms when the tubular bed is used. Slip the sleeve or other hard-to-reach area over the tubular bed and secure emblem with zig-zag sewing.
Many zig-zag and Flexi-Stitch patterns are just as useful for mending as they are for creative sewing. A few of the ways in which you will find them useful are shown on this and following pages. You will enjoy discovering others for yourself.
Bar tacks, to reinforce points of strain, are made with the plain zig-zag stitch at satin stitch length. Use them at pocket corners, to attach garters, secure shoulder straps, belt loops and zipper openings.
Bar-Tacked Beit Loops
KEEPING UP APPEARANCES (Continued)
Stretch Garment Repair
• Flexi-Stitch Pattern Dial: Red
Seams in stretch garments and lingerie retain their elasticity when stitched with the feather stitch. This Flexi-Stitch pattern builds s-t-r-e-t-c-h into the seam as it is being sewn and is equally suitable when used to topstitch (as shown) or to overedge. Make a test sample to check dial settings.
Breaks in press-open seams can be repaired quickly and easily when you use the straight stretch stitch. This flexible stitch is ideal for knit and stretch fabrics and particularly useful for repairing or strengthening curved seams or seams that will receive strain when being worn.
Worn or torn spots on children's clothes, knits, and household linens can be darned effortlessly and quickly with little practice. You may choose to darn either with or without an embroidery hoop. When greater control is needed, an embroidery hoop is usually best.
Darning without Embroidery Hoop
Darning with Embroidery Hoop
60
Remove presser foot with shank (by removing the screw which fastens the shank to the presser bar). Attach feedcover needle plate. Instructions for changing the needle plate are given on page 8.
This method of controlling fabric movement with an embroidery hoop may be used to do embroidering and monogramming.
Your machine will serve you perfectly for many years if you take a few moments of your time to keep it clean. How often you will need to clean the machine will depend on how often you use it.
CAUTION: Before cleaning your machine, disconnect power-line plug from electrical supply.
Remove lint or fluff from exposed parts. With a soft cloth, clean:
Remove face plate as instructed on page 62 and clean area behind it with a lint brush†.
Remove needle plate as instructed on page 8 and, using a brush, clean the rotating hook area under the needle plate and slide plate.
NOTE: Your machine requires no oiling under normal conditions. Your SINGEF representative, or Approved Dealer wil examine the permanently lubricated parts whenever your sewing machine requires servicing.
A lint brush designed for this purpose is available for separate purchase at your local Singer Sewing Center.
CARING FOR YOUR MACHINE (Continued)
CAUTION: Before removing bobbin case, face plate and light bulb, disconnect powerline plug from electrical supply.
To remove bobbin case, turn bobbin case holder to back as far as it will go. Lift out bobbin case.
To replace bobbin case, guide the forked end under the feed and then draw the bobbin case under the position plate as illustrated. Turn holder all the way forward to lock bobbin case in position. After locking bobbin case in position, check that bobbin case is not jammed, but has slight rotational movement
Replace needle plate.
Fully close slide plate to lower the needle plate locking pin and secure the needle plate.
Loosen and remove screw and remove face plate by sliding it downward.
This machine is designed to use a 15 watt max mum light bulb.
CAUTION: Before removing bulb, disconnect power-line plug from electrical supply.
With thumb and forefinger lower the light bracket. Do not attempt to unscrew bulb. Press it up into socket and at same time turn bulb over in direction shown to unlock bulb pin.
Press new bulb into socket, with bulb pin entering slot of socket, and turn it over in direction shown to lock bulb in position. Push bracket back into recess.
You will not have any occasion to remove the slide plate. However, if it should accidentally become disengaged from the machine, it is easily replaced.
Should sewing difficulty be encountered, review the sections of this instruction book that explain the sewing operation you are performing. If the problem still exists, the following hints will help you correct it.
If you have any questions, please write to:
Consumer Affairs Department The Singer Company 321 First Street, Elizabeth, N.J. 07207
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SPECIAL ACCESSORIES FOR SPECIAL JOBS (Continued)
Leather-Sewing Needle, Style # 2032 is used for stitching leathers and suedes.
SINGER Oil, available in tube or one-application capsules, is especially prepared for leaving a fine film of lubricant on the precision bearing surfaces of your machine. It ensures freedom of parts movement and protects metal parts from excessive wear.
Lint Brush, with its nylon bristles, is an essential tool for cleaning the thread handling areas which can accumulate lint and fluff.
SINGER Sewing Book ... a complete guide to sewing, with new ideas and new techniques for fashion sewing and home decorating. It has over 1500 color illustrations dramatizing every step of the instructions, and twenty-four pages of exciting color photographs.
Deluxe Monogrammer No. 171278. With the deluxe monogrammer you will have the pleasure of stitching initials 1-1/2 inches high to create monograms that are ideal for adding a personal touch to table linens, towels and wearing apparel. An attractive flower motif can also be made.
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This chart will enable you to keep a record of your measurements. Have someone assist you in taking the measurements carefully with an accurate tape measure. The illustrations below show where the tape measure should be placed when taking each measurement.
Inches (cm)
Pag | |
---|---|
Accessories | |
Appliqué | 5 |
Blindstitch Hem Guide | 7,4 |
Blindstitch Hems | 4 |
Bobbin | 5, |
Winding | 1. |
Bobbin Case | |
Removing and Replacing | 6 |
Threading | 1. |
Buttonhole Foot | 7, 3 |
Buttonholes | 3 |
Stitch Density Balance | 3 |
Buttons | 3. |
Checklist | 6 |
Cleaning the Machine | 6 |
Darning | 5 |
Darts in Interfacing | 4 |
Elastic, Attaching | 4 |
Electrical Connections | 5.10 |
Speed Controller | 5.10 |
Embroidering | 6 |
Fabric, Thread and Needle Table | 1 |
Face Plate | |
Removing and Replacing | 62 |
Fagoting | 53 |
Fashion Aids | 6 |
Feed-Cover Needle Plate | 34, 60 |
Feed | |
Finishes for Hems and Facings | 4: |
Flexi-Stitch Pattern Dial | 29, 3 |
Flexi-Stitch Patterns | 29 |
Adjusting Stitch Balance | 3 |
Free-Motion Stitching | 60 |
General Purpose Foot | 6 |
Guiding and Supporting Fabric | 23, 39 |
Hand Wheel | 1 |
Hand Wheel Disc | 5 |
Hems, Blindstitch | 48 |
Knit Fabrics, Sewing | 38 |
Light Bulb | 63 |
Lubrication | 61 |
Mending | 57 |
Needle | 9 |
Changing | 9 |
Threading | 15 |
Twin Needle | 33 |
Needle Clamp | 3, 9 |
Needle Position Dial | 26, 30 |
Needle Plate | 3, 6 |
Changing | 8 |
Patchwork Quilting | 52 |
Personal Measurement Chart | 69 |
Pin Basting | 22 |
P | age | |
---|---|---|
Power and Light Sy | witch 5, | 10 |
Presser Foot | 7,8 | |
Changing | 8 | |
Presser Foot Lifter | 3 | |
Pressure Adjustme | nt 3, | 19 |
Principal Parts | 1.0 | 2 |
Reverse-Stitch Pus | sh Button4, 18, | 21 |
Satin Stitching | .28 | |
Seams, Sewing | 21 | |
Corded | 46 | |
Curved | 23 | |
Finishes | 50 | |
Ladder | 40 | |
Lingerie | 41 | |
Overeagea | 42 | |
Plain Stretch | 39 | |
Shell Edging | 52 | |
Slide Plate | 63 | |
Snap-in Thread Gu | Ide | 3 |
Special Fabrics, Se | wing | 44 |
Special Purpose Fo | 101 | 11 |
Spool Pip | 12 | |
Spool Fill | 9 | |
Stitch Density Bala | nce | 07 |
(Buttonnoles) | 4 40 00 | 31 |
Stitch Length Dial | 4, 18, 28, | 31 |
Straight Stitch Foot | 4, 17, 20, | 17 |
Straight Stitching | u | 17 |
Adjusting Select | ors | 18 |
Stretch Fabrics Sev | wing | 38 |
Take up Lover | in the second se | 2 |
Take-up Lever | .+ | 1 |
For Straight Stite | bing | 20 |
For Zig-Zag Stite | shing 26.28 | 30 |
Thread | , ming | 11 |
Throad Cuttor | 3 | |
Threading the Mac | hine 12 | 33 |
Top Stitching | 1110 | 49 |
Tubular Bed Sewin | a | 53 |
Twin-Needle Stitch | ning | 32 |
Winding the Bobbi | n | 12 |
Zig-Zag Stitching | 25 | |
Basic Zig-Zag Pa | atterns | 25 |
Needle Position | 26. | 30 |
Satin Stitching | 20, | 28 |
Selecting Stitch | Pattern | 25 |
Stitch Length | 27. 28. | 31 |
Stitch Width | 30 | |
Zipper Foot | 7, | 46 |
Zippers | 46 |