You are about to discover the wonderful pleasure of sewing with your new
Sty/ist"^ Zig-Zag Sewing Machine by SINGER. We know you are eager to
get started on a sewing project... but we urge you to become familiar with
this book before you begin. It is designed to help you get the benefit of all
the capabilities of your machine. Especially, we recommend that you keep
the following points in mind :
choose the correct needle and thread for your fabric—if either is the
da'
wrong size or type, you may encounter broken or knotted thread, or
faulty stitching. The Fabric, Thread, and Needle Table on page 10 will
help you make a perfect choice.
sew with a bent or blunt needle. If the needle is damaged—or
improperly inserted in the machine—it can cause skipped
stitches. See page 8 for instructions.
follow the instructions on page 14 for threading the machine.
forget to place the thread properly when you Insert a wound
bobbin. Page 13 tells you how to do this perfectly.
become familiar with the instructions for regulating stitch length
djy
ddnnt'
Above all, (/o enjoy sewing I
(page 17), presser-foot pressure (page 18), and thread tension
(page 18). Take advantage of the capability of your sewing machine !
allow lint and thread ends to accumulate in the bobbin case
area—they can cause jamming or excessive noise. Clean
your machine regularly, as instructed on page 52.
remember that expert, dependable SINGER* service is always
available. If your sewing machine should require maintenance or
repair, be sure to call your Singer Sewing Center or Authorized Singer
Dealer. You will find the number listed under SINGER COMPANY in
your telephone book.
1. Bobbîiîi-V¥indIer Tension Disc regulates thread tension for bobbin winding,
2. Pressure Dial regulates presser-foot pressure on fabric. Has eight numbered settings
and a special setting for darning.
3. Take-up Lever controls flow of needle thread.
4c Presser-Foot Lifter, at back of machine, allows you to raise and lower presser
foot. High-lift position allows easy placement of bulky fabrics.
8c Thread Cutter is built into presser bar for safety and convenience.
6, Needle Ciamp holds single and twin needles and is designed to eliminate the
possibility of inserting needle backwards.
7. Presser Foot holds fabric against feed. The feet snap off for quick removal.
8c Needle Plat® lifts out for easy removal. Guidelines on right and left sides extend to
slide plate to help you keep seams straight.
9c Feed moves fabric under the presser foot.
^¡n and Felt. Pin holds thread spools of various sizes. Felt helps thread
unvv/ind smoothly.
Bobbin-WSoder Switch and Bobbin
quickly and easily.
12c Hand positions take-up lever and needle. Ai’ways turn it towards you.
13c fiexi-Stitch Dial sets the machine for Flexi-Stitch pattern sewing and varies the
balance oi Ffexi-Stitch patterns in order to obtain desired pattern appearance.
Did! must be set on 0 {off) position when not in use.
14c Sewing Light illuminates the sewing area.
Holder let you fill the bobbin vin’th thread
15c Needle-Thread Tension Dial lets you select just the right tension for your stitch,
thread, and fabric. The numbers eliminate guesswork in duplicating settings.
Slide Plate opens for easy removal and replacement of the bobbin, and raises and
iov\/ersthe pin that holds the needle plate in place.
Page 6
PRINCIPAL PARTS (Continued)
17. Pattern Selector lets you select plain zig-zag ( § ) or blindstitch ( i ) zig-zag
patterns; also ric-rac ( ^ ) or slant overedge ( ^ ) f/ex/-5f/rc/i patterns.
18. Stitch Width Selector controls the width of zig-zag stitching and positions needle
for straight stitching. Use 5 setting for straight stitching.
19. Weedle-Position Selector places needle in either left center or right stitching
position. Use center position for straight stitching.
20. Stitch Control Dial allows for a variety of stitch lengths, including FINE for zig-zag
satin stitching. Has special setting F!exi-Stitch pattern sewing.
21. Reverse-Stitch Push Bution lets you reverse stitching direction.
17 Pattern Selector
Page 7
Hand Wheel Knob engages hand
wheel to sewing mechanism. Loosen
knob for bobbin winding.
Transparent Bobbin shows thread
supply ... is easily removed for
bobbin winding.
Power and Light Switch turns on
the power and the sewing
simultaneously.
Electrical Conneciioris and
Speed Controller are designed for
convenience and safety.
23 Transparent ,
Bobbin .
/
See instructions for connecting machine
and operating machine and controller on
page 9.
Page 8
The accessories that come with your StyUst sewing machine will help you to
sew with ease and comfort. They are simple to use and place a variety of
sewing effects at your fingertips. Additional accessories, lisied on page 58,
are available for purchase at your Singer Sewing Center.
General Purpose General Purpose
Foot Needle Plate
E FOOT
Ai\SD I^EEDLE PLATE
The general purpose foot and the genera!
purpose needle plate are in place on the
machine. Use them for all utility sewing,
with either straight or zig-zag stitching.
The zipper foot is used to place stiiching
close to a raised edge. It can be fitted to
the presser-fooi shank for use on either
right or left side of the needle. Use it for:
The blindstitch hem guide is used v/ith the
general purpose foot to position the hem
fold for blindstitch hemming (page 44).
To attach, simply loosen presser-fooi
screw and slip guide between screw and
presser-foot shank. Position guide so that
it clears both slide plate and presser-foot
toe. Tighten screw.
Page 9
FEEO^COVER WEEDLE PLATE
The feed-cover needle plate is used in
place of the general purpose needle plate
when fabric feeding is not desired. Use
it for button sewing (page 31) and freemotion darning (page 51).
CHAWOiWG WEEDLE PLATE
® Raise presser foot. (You do not need
to remove the foot.)
Needle Plate
Positioning Pin
Turn hand wheel toward you
needle is in its highest position.
Open slide plate with downward finger
pressure. Draw plate toward you, open
ing it aH the way to raise the needle
plate locking pin and unlock the needle
plate.
Place thumb under needle plate and
draw plate to the right to remove.
Insert new needle plate under locking
pin and over positioning pin.
Close slide plate to lower locking pin
and secure the needle plate.
PRESSER FEET
The presser feet that are supplied with
your machine snap on and off a common
shank. To change the foot:
until
® Raise presser-foot lifter and turn hand
wheel toward you to raise needle to its
highest position.
® Press toe of presser foot upward (as
far as it will go) and then snap down
to remove the foot.
ilVIPORTANT: Your SINGER sewing
machine has been designed to obtain
best results with SINGER needles. You
should follow the recómmendations in
this instruction book on the needle pack
age for correct style and size of needle for
different types and weights of fabrics.
CHAWGING THE NEEDLE
The needle clamp is designed so that the
needle can only be inserted with the flat
side of the needle to the back. To change
the needle:
1. Raise needle bar to its highest position,
loosen needle-clamp screw, and re
move needle.
2. Insert new needle in clamp, with the
flat side of the needle to the back; push
it up as far as it will go.
3. Tighten needle-clamp screw.
BOBBINS
Transparent, drop-in bobbin, # 172336,
shows thread supply at a glance.
8
Page 11
GETTING READY TO SEW
steps
Before plugging in your machine, be sure
that the voltage and number of cycles
indicated on the plate under the hand
wheel conform to your electrical power
supply.
Push the machine plug into the receptacle
at the right end of the machine bed. Then
connect the power-line plug to your
electrical outlet.
OPERÄTIWG MACHIWE AMD
To turns on both machine and sewing
light, press power and light switch to ON
position (red bar on switch vi/ill be visible).
'To turn off machine and light, press
switch at red bar to OFF position.
When leaving the machine
unattended or before changing needies,
presser feet and needle plates, turn off
the power and light switch and dis
connect the power-line plug from the
electrical supply socket.
This eliminates the possibility of oper
ating the machine by accidentally press
ing the speed controller.
To run the machine, press the speed
controller. The harder you press, the faster
the machine will sew.
To stop the machine from sewing,
remove pressure from speed controller.
ow
OFF
Power and Light Switch
Speed Controller
Page 12
The needle and thread you choose selection. Refer to it before siariing
will depend upon the fabric being a sewing project. Be sure to use the
stitched. The table below is a same size and type of thread in both
practical guide to needle and thread needle and bobbin.
FABRIC, THREAD AND NEEDLE TABLE
Needles
Fabric
Thread
Type
Size
DELICATE — tulle, chiffon.
fine lace, organzaand cotton thread
LIGHTWEIGHT —batiste.50 mercerized cotton
organdy, jersey, voile, taffeta.
crepe, chiffon, velvet, plastic film
MEDIUM WEIGHT —gingham.
percale, piqué, linen, chintz.
faille, satin, fine corduroy, velvet,
suitings, deep-pile fabrics,
vinyl
ALL WEIGHTS — decorative
straight stitch topstitching
in woven fabrics
KNIT, WOVEN STRETCH"A” nylon
and ELASTIC FABRICS —
polyester doubleknit, spandex.
nylon tricot, ciré tricot, jersey,
panné velvet
LEATHER — suede, kidskin.50 mercerized cotton
capeskin, lambskin, linedPolyester thread
leathers
LIGHT and MEDIUM
WEIGHTS — decorative
twin-needle stitching
in woven fabrics
10
“D” siikf
(Buttonhole twist) .
50 mercerized cotton
“A" silk
Cotton-wrapped
polyester
"A” silk
Cotton-wrapped
polyester
50 mercerized cotton
fUse with 50 mercerized cotton or "’A" silk in bobblOo
STYLE
2020
(15x1)
STYLE
2045
Bail-Point
(Yellow Band)
STYLE
2032
(15 X 2)
STYLE
2028
(twin)
16
or
18
14
11
14
16
14
Page 13
Like all sewing machines thaï produce
what is called a "lockstitch", your Stylist
sewing machine sews with two threads.
The upper thread comes from the spool
and is threaded through the eye of the
needle. The lower thread comes from the
bobbin, the small transparent spool that
you wind using the machine. It is best
to wind the bobbin before threading the
needle.
E BOBBIN THREAD
Winding the Bobbin
® Raise the presser foot and turn the
hand wheel toward you until needle is
at its highest position.
® Loosen the hand wheel knob by turn
ing it toward you with the right hand
while holding the hand wheel with the
left hand.
® Open slide plate to make bobbin
accessible.
® Lift out bobbin and close slide plate to
make sure needle plate Is secure while
winding.
Loosening Hand Wheel Knob
Removing Bobbin
11
Page 14
THE BOBBIN THREAD (Continued)
Bobbin Winder Switch
Tightening Hand Wheel Knob
Place thread spool on spool pin over
felt. Lead thread around bobbin winder
tension disc and through small hole in
bobbin (from the inside).
Place bobbin on holder and turn bobbin
winder switch to WIND,
Hold thread as shown and start the
machine, winding at moderate speed.
Cut off thread end when winding is
well under way.
When required amount of thread has
been wound (winding will stop by
itself when bobbin is full), stop the
machine and cut connecting thread.
Turn bobbin winder switch to SEW
and remove bobbin from holder.
12
Tighten hand v\/heel knob.
Page 15
THREADING THE BOBBIN CASE
Open slide plate. Hold bobbin so that
thread unwinds in direction shown,
and put bobbin in bobbin case.
2. Pull thread into notch, draw it under
tension spring and back into slot.
3. Draw about three inches of thread
/
:rr2"K...
Page 16
THE WEEDLETHREAD
14
Threading the Needle
1, Turn hand wheel toward you to raise
needle to its highest position and raise
presserfootto release the tension discs.
2. Place spool of thread on spool pin
over felt and lead thread through all
threading points shown.
<t Thread take-up lever from back to
front, guiding thread down over top
of lever and then up into eyelet.
® Thread needle from front to back,
drawing about three inches of thread
through eye of needle.
Page 17
RAiSiÍ\lG THE BOBBiW THREAD
Mow thaï you have wound the bobbin and
threaded the needle, you will need to
raise the bobbin thread through the needle
hole in the needle plate.
1. Hold needle thread lightly with left
hand and turn hand wheel slowly
toward you so that needle enters hole
in needle plate.
Continue turning hand wheel and
holding needle thread until needle
rises. Tighten your hold on the needle
thread and bring up bobbin thread in a
loop.
3. Open the loop with your fingers.
4. Place both needle and bobbin threads
under presser foot, and draw to back
To sew perfectly on a wide variety of
fabrics, adjust stitch length, pressure and
thread tension as instructed on the
following pages.
For in formation on straight stretch stitch-
turn to page 26.
Page 19
ADJUSTING STITCH LENGTH
The stitch length dial regulates the length
of stitches. The numbers on the dial ex
press stitch length in stitches per inch;
the higher the number, the shorter the
stitch. Generally, shorter stitches are best
for lightweight fabric; longer ones for
heavy fabric. The FINE area is used for the
adjustment of zig-zag satin stitching.
Setting the Selector
@ Turn dial so that the stitch length
desired is positioned under the V
symbol on the control panel.
® To shorten the stitch length, turn the
dial clockwise to a higher number.
® To lengthen the stitch, turn the dial
counterclockwise to a lower number.
Stitch Length Dial
For reverse stitching, press the reverse-
stitch push button (located in the center
of the dial) in as far as it will go and hold
in place (the button can be pushed in
while the machine is sewing). Release
pressure on the push button to return to
forward stitching.
{For detailed instructions on adjusting
the stitch length for zig-zag satin stitching,
see page 25.)
Reverse Stitching
Page 20
STRAIGHT STITCHING (Continued)
Pressure Dial
i
Numbered settings on pressure dial will
assist you in obtaining correct pressure
for fabric you are using. Setting 4 is an
ail purpose setting for sewing a wide
variety of fabrics of different weights and
textures. Settings above and below
setting 4 are also provided. When you
need extra control, regulate the setting
to heavier or lighter pressure to suit fabric
being sewn.
REGyLATII\IG THREAD TEi\ISiOi\i
Correct tension is important because too
much or too little will weaken your seams
or cause your fabric to pucker. Make a
test sample with fabric and thread you
plan to use and examine it. A perfect stitch
will have needle and bobbin threads
locked between two layers of fabric with
no loops on top or bottom and no puckers.
The tension dial regulates the degree of
tension on your needle thread. Set it
according to the type of thread and fabric
you use. The numbers on the dial eliminate
guesswork in duplicating settings.
Correct
Adjusting Thread Tension
18
If the stitches in your test sample look
loose, increase needle-thread tension. If
the fabric puckers, decrease tension.
® To increase tension, turn dial to higher
number.
® To decrease tension, turn dial to lower
number.
Page 21
sewma a seam
Pin basting is a time-saver and can be
used when you sew easy-io-handle
fabric. Use fine pins and place them
® On top of the fabric (never on the
underside in contact wnth the feed).
® At right angles to the stitching line.
® Just nipping into the fabric at the
stitching fine (never extending under
both sides of the presser foot).
ITARTiWG A SEAIVI
r>1i
ill
Set stitch length dial, for desired
number of stitches per inch.
2. With presser foot up, align fabric with
appropriate seam guideline on needle
plate (as described on the following
page). Position needle in fabric about
i inch from the back edge.
3. Lower presser foot. Backstitch to the
edge of the fabric for reinforcement by
pushing in the reverse-stitch push
button located in the center of the
stitch length dial. Hold the button
until the stitches reach the edge of the
fabric and then release for forward
stitching.
Page 22
STRAIGHT STITCHING (Continued)
.3/8"
.1/2"
■3/4"
5/8"
As you siiicfl, use one of the numbered
fines on the needle plate as a guide for
keeping the seams straight. Numbers
indicate distance, in eighths of an inch,
from the needle. If you want a f-inch
seam, for example, keep the right-hand
edge of your fabric on the number 5
guideline.
TORWIWG SQOAPaE CORil\lEBS
To turn a square corner f inch from the
Tabric edge, you need not measure or mark
the seam. Simply use the crosslines on the
slide plate.
20
Line up your fabric with right or left
guideline 5 on the needle plate. Stitch
seam, slewing speed as you approach
corner.
Stop stitching. With the needle down,
when the bottom edge of the fabric
reaches the cornering crosslines on
the slide plate.
Raise presser foot and turn fabric on
needle, bringing bottom edge of fabric
in line with guideline 5.
Lower the presser foot and stitch in new
direction.
Page 23
GUiOlWiG AWiD SUPPOB.Tir\lG
Most fabrics need only to be guided in
front of the presser foot. Some fabrics,
however, require support while being
stitched. Filmy sheers, panne velvet, and
tricots, for example, need to be held taut
in front and back'of the presser foot while
being sewn.
For information on sewing knit and
stretch fabrics with zig-zag stitching,
refer to page 35.
1, Stitch to the fabric edge.
2, Push in reverse-stitch push button and
backstitch 4 inch to reinforce the end
of the seam.
Gyiding Fabric
3. Raise presser foot and remove fabric
by drawing it to the back and left.
4. Cut threads on thread cutter at rear of
presser bar.
Supporting Fabric
21
Page 24
ZIG-ZAG STITCHING
The zig-zag stitches built into your sewing machine include basic zig-zag
patterns and F/exi-Stitch patterns. Basic zig-zag patterns and their selector
settings are shown below; information on Flexl-Stitch patterns starts on
page 26. You will find instructions for both decorative and practical uses of
these patterns in the section called "Sewing the Professional Way"
beginning on page 35.
BASIC ZIG-ZAG PATTERNS
Plain Zig-Zag Stitch. Used for buttonholes, button sewing, bar tacks and
appliqué.
Blindstitch. Indispensable for finishing hems and seam edges and for zipper
insertion.
TO SEW A ZIG-ZAG STITCH
Turn Ffexi-Stitch dial to off setting 0.
FlexFStitch Dial Off
For Zig-Zag Stitching
Set pattern selector for stitch desired.
Adjust stitch length, stitch placement,
stitch width and needle-thread tension
as instructed on the following pages.
SETTING PATTERN SELECTOR
Set the stitch width on \ before moving
pattern selector dial.
The pattern selector, located above the
stitch width selector on the front of the
To produce a zig-zag stitch pattern, move
the stitch width selector from straight
stitch setting i to any zig-zag setting to
the right. StitcH width is increased as the
selector is moved to the right.
ADJUSTING STITCH
PLACEMENT
Most of your basic zig-zag stitching will
be done in center ( ) needle position.
Left ( ) and right ( J ) settings are
used for special stitch placement, as in
buttonhole sewing, button sewing, and
twin-needlework.
Adjusting Stitch Width
Twin-Needle
Work Decorative
Buttonhole Sewing Stitching
Button Sewing at Narrow
Most used Widths
Setting for
Single Needie
Work
Adjusting Stitch Placement
ADJUSTING NEEDLE-THREAD
Zig-Zag stitching requires less needlethread tension than straight stitching.
Make a test sample with the fabric and
thread you plan to use so that you can
adjust the tension properly. The stitches
should lie flat against the fabric without
causing the fabric to pucker.
If the stitches are not flat and the fabric is
puckered, reduce needle-thread tension
by turning the dial to a lower number.
-V ^ :
Correct
Adjusting P^eedie-Thread Tension
23
Page 26
ZIG-ZAG STITCHING (Continued)
ADJUSTING PRESSURE AND CHOOSING
ACCESSORIES
ADJUSTIiVJG STITCH LEWGTH
Any stitch length setting from 6 to 25 will
give you an open zJg-zag stitch of the
basic zig-zag stitch pattern you select.
The lower the number, the more open, or
farther apart, your stitches will be. The
FINE stitch area, betv\/een 0 and 25 on the
dial, is used for adjusting zig-zag satin
stitching (see next page for specific in
structions).
When using the plain zig-zag or blindsiitch
patterns, be sure the Fiexi-Stitch dial is in
off position 0.
Turn to page 18 under "Straight Stitching" for instructions on
adjusting pressure.
For information on choosing accessories, refer to pages 6 and 7
and to detailed instructions for sewing with zig-zag stitch patterns
included in the section called "Sewing the Professional Way" that
starts on page 35.
General Purpose
Foot
General Purpose
Needle Plate
Zipper Foot
24
Special Purpose
Page 27
1
General Purpose Needle Plate
Special Purpose Foot
Pressure: 2 or 3
1. Turn stitch length selector dial to 25
(the beginning of FINE area).
2. Run machine at a slow speed.
3. Gradually turn the stitch length dial
clockwise until stitches are closely
spaced and form a smooth surface.
Adjostiog Thread Teosiori
Satin stitching requires less tension than
straight stitching or open zig-zag stitch
ing. Furthermore, the wider the stitch, the
fighter the tension on the thread musí be.
Notice the stitching on your sample. If the
fabric is puckered, lower the needlethread tension by turning the tension dial,
to a lower number.
Adjusting Thread Tension
2K
Page 28
With your Siy/ist sewiiig machine you can sew three Flex/Stitch patterns.
Instructions for both decorative and practical uses of these patterns begin
on page 35.
FLEXi-STiTCH PATTER MS
Ric-Rac Stitch. An open, reinforced zig-zag stitch for heavy-duty stretch
sewing and decorative work.
Slant Overedge Stitch. Lets you seam and overedge in one operation.
Straight Stretch Stitch. A triple straight stitch, indispensable for seam
ing knit, stretch, and elasticized fabric.
For Slant Overedge Stitch
® Move pattern selector to
For Straight Stretch Stitch
(at Stitch Width \ )
Setting Pattern Selector
For Straight Stretch Stitch
® Any pattern selector setting at stitch
width 1 .
Page 29
Before moving needle position and stitch
width selectors make sure needle is above
fabric.
To produce a Flexi-Stitch pattern, the
stitch width selector must be moved from
the straight-stitch setting j , to a setting
from I to j . Stitch
Width Is increased
as the selector is moved to the right.
Adjusting Width of Design
ADJUSTING STITCH PLACEMENT
flexFStitch patterns can be sewn In either
L (left), X (center) or J (right)
needle positions. Center needle position
X is recommended.
ADJUSTING NEEDLE-THREAD
Make a test sample with the fabric, thread,
and presser foot you plan to use so that
you can adjust tension to suit the stitch
pattern you have chosen.
Special'
Stitch
Placement
Only
Most Used
Setting
Adjusting Stitch Placement
Incorrect
■\
Special
Stitch
Placement
Only
For your test sample, set the tension dial
on 3 or 4. Notice the stitching; if the
fabric puckers, decrease tension by turn
ing the dial to a lower number. Sew at
moderatespeed.
Correct
Adjusting Needle-Thread Tension
27
Page 30
FLEXi-SmCH PATTERNS (Continued)
Red Bar
incorrect
-^Г-ГГ^ГП^ГТТШ
Correct
SETTiPJG STITCH LE^JGTHi DIAL
When you use a Flexi-Stitch paiiern,
stitch length is controlled with a single
setting of the stitch length dial.
To set turn dial until red bar cia is cen
tered under the V symbol on the control
panel.
Stitching cannot be reversed
when the Fiexi-Stitch dial is on red
Fiexi-Stitch pattern setting.
AfDJlJSTii\lG STITCH BALAI^ICE
You may need to adjust the Flexi-Stitch
dial when using a Flexi-St/tch pattern in
order to achieve the correct pattern
appearance. Before you move the Fiexl-St/tch dial from its neutral position (red
bar f] cerstered under V)/ make a test
sample. If adjustment is required, stitch
slowly and move the dial as you s^ew„
Turn Dia! to Right to Bring
Stitches Together
Incorrect
Correct
77/77777777777 II II Г
Turn Dial to Left to
Separate Stitches
Adjusting Stitch Balance
® Turn the dial to the right to bring
stitches of the pattern together.
® Turn the dial to the left to separate
stitches of the pattern.
ADJUSTiWG PRESSURE AND
Turn to page 18 under "Straight Stitching"
for instructions on adjusting pressure.
For information on choosing accessories
refer to detailed instructions for sewing
with f/exASf/Yc/? patterns included in the
section called "Sewing the Professional
Way", which starts on page 35.
28
Page 31
TWIN-NEEDLE STITCHING
By using a twin needle, you can produce
two parallel, closely spaced, decorative
lines of stitching simultaneously. You
can use either one or two colors of thread,
and you can choose either a straight“
stitch, zig-zag stitch, or blindstitch setting.
Straight Stitching
Flexi-Stitch Dial: O (Off)
Pattern Selector: Any setting
Needle Position : Jss or oniy
Stitch Vi/idth : »
Stitch Length : Optional
General-Purpose Needle Plate
General-Purpose Foot
Flexi-Stitch Dial Off
Straight Stitching
Fiexi-Stitch Dial Off
Fiexi-Stitch Dial: O (Off)
Pattern Selector: J (for plain zig-zag)
or j (blindstitch)
Needle Position : only
Stitch Width : See illustrations at right
Stitch Length : Optional
General-Purpose Needle Plate
General-Purpose Foot (Open Stitching)
Special-Purpose Foot (Satin Stitching)
Zig-Zag Stitching
29
Page 32
TWIN NEEDLE STITCHING (Continued)
Use SINGER*^' Twin Needle Style# 2028 (size 14)
iWSERTiWG THE TWiW WEEDLE
Before inserting the twin needle, make
sure that the needle position selector is
set at L stitch width
does not exceed the settings shown on
page 29.
To insert the twin needle, simply raise
needle to highest point and loosen the
needle-clamp screw. Remove single
needle and insert the twin needle in its
place. Tighten needle-clamp screw
securely.
threading for twin-needle stitching
For best results, use No. 50 mercerized cotton thread.
Thread the machine in the same manner as for single-needle stitching
except :
1. Be sure that threads are separated by center tension disc as they pass
around tension assembly.
2. Carry only one thread through the last guide before the needle.
Fiat buttons can be sewn on quickly and
easily using the plain zig-zag stitch. The
space between the holes in the button
determines stitch width settings. For
buttons with standard hole spacing, use
settings I and | as shown. For buttgns
with unusual hole spacing, use setting \
and increase or decrease the width { g )
as necessary.
1. Attach feed-cover needle plate (see
page 7), and turn Flexi-StHch dial to 0.
2. Set stitch width at j and needle
position at L (left). Position button
under foot and lower needle into
center of left hole by turning hand
wheel toward you. Lower foot. Turn
hand wheel toward you until needle
rises out of button and is just above the
foot.
3. Set stitch width at medium-wide zig
zag ( I ) setting. Check stitch width
by turning hand wheel slowly toward
you; the needle should enter the right
hole of the button. Take six or more
zig-zag stitches to attach button. End
on leftside.
4. To fasten stitching, return to stitch
width i and take three or four stitches.
s
Replace feed-cover needle plate with the
general-purpose needle plate when work
is completed.
NOTE: For best results, and when using
buttons less than one Inch In diameter,
the button sewing foot is recommended
(see page 58).
31
Page 34
Horizontal Placement
on Crosswise Grain
Vertical Placement on
Lengthwise Grain
Accurate guideiines are essential to keep
buttonholes a uniform distance from the
faced edge of the garment, evenly spaced,
and on the grain of the fabric. For center
closures, place guidelines as follows :
1. Mark the center line of the garment as
indicated on your pattern. This guide
line can be hand basted and should
follow a lengthwise fabric thread.
2, Mark a position guideline for each
buttonhole.
® Horizontal button holes are placed
to extend 4 ^-nch beyond the center-
line basting of the garment. Hori
zontal guidelines for the buttonholes
should follow a crossvi/lse thread
of the fabric and, if basted, be
longer than the finished length of
the buttonhole. Determine the length
of the buttonhole (as described
below) and mark ends of each
buttonhole verticayy.
Button
Opening
Length of
Button
Opening
Buttonhole
Length Guide
Markings
Button
Opening
Buttonhole
Stitching
@ Vertical buttonholes are placed so
that the center-Hine basting of the
garment is in iha center of the
buttonholes. Determine buitonhoie
length and mark ends of each but
tonhole horszonially across the cen
ter line and use the cenier-line
basting as a buttonhole guide ’when
stitching.
BOTTONHOLE LENGTH
First, decide how long the button opening
must be. Then, add^V ^nch to the measure
ment for each bar tack (the closing
stitches at each end of the buttonhole).
To find the length of the button opening,
cut a slit in a scrap of fabric the diameter
of the button you intend to use. Increase
length of opening until button slips
through easily.
32
Page 35
STITCH WIDTH
Two stitch width settings are required for rnaking buttonholes: one for side
stitching and one for the bar tack. Two possible combinations are illustrated.
Selector Setting
for Bar Tack
Selector Setting
for Side Stitching
Selector Setting
for Side Stitching
Procedyre
Set flexI-Stitch dial at 0 and set siiich
length in FINE area of stitch length dial.
Attach special purpose foot.
Set the pattern selector at g , needle
position selector at , and stitch width
selector at the width desired for the side
stiichifig. Place work under needle, align
ing center marking of buttonhole with
center slot In the special purpose foot.
Selector Setting
for Bar Tack
Side Stitciimg
Position needle in fabric at point
Lower foot and siiich to end of marking.
Leave needle in fabric at point B. Raise
foot and pivot work on needle. Lower
foot. Take one stitch without changing
width setting, bringing work to point C.
Adjust stitch width selector for bar tacks
and take at least six stitches. Stop at point
33
Page 36
BUTTONHOLES (Continued)
Side Stitching
Readjust stitch width selector for side
stitching. Complete work to point E.
Leave needle in fabric.
i I I I
s §
Final Bar Tack
Adjust stitch width selector for bar tacks,
and take at least six stitches ending at
point F.
Fastening Stitch
To secure stitching, move selector to j
and take three stitches. Remove work,
draw threads to underside, fasten, and
trim. Cut opening for button with sharp
scissors.
34
F®
Page 37
SEWING THE PROFESSIONAL WAY
When you sew stretch fabric, doubleknit, tricot and jersey, choose one of
the stitch patterns that sew stretch into the seam. A variety of different
stitches are available so you can choose just the right one for your fabric and
sewing job. The table below will help you make the right selection.
Remember to use a bail-point needle (Style# 2045) in the machine and
increase presser bar pressure when you attach elastic or sew a synthetic
knit or stretch fabric.
When you use the straight stretch
stitch to seam knit stretch, and
elasticized fabric, s-t-r-e-t-c-h and
strength are built in as the seam is
being sevA/n. Because it is equally
useful for closed or press-open
seam construction and will not break
thread under stress, the straight
stretch stitch is also good for seams
that receive an unusual amount of strain
when worn. For example : crotch seaming,
sleeve insertion, and construction seams
in sportswear and bathing suits.
1. Make a test sample to determine
thread tension and stitch balance.
Be sure to insert a bali-point (yellow
band) needle in machine if you are
stitching a synthetic knit fabric, and
increase presser-bar pressure if neces
sary.
2. Stitch and guide fabric as you do for
plain seams stitched with the regular
straight stitch, letting the machine
make the back-and-forth stitches that
give s-t-r-e-t-c-h to the seam, if
fabric has an unusual amount of
elasticity, it should be stitched under
tension as instructed under "Guiding
and Supporting Fabric" (see below).
Press seam as when using the regular
straight stitch.
GOIDiWG AMD ,
FABRIC
Most fabrics of stretch or knit construction
need only to be guided in front of the
presser foot when you use one of the
stretch stitches. Simply increase presser
bar pressure and let the machine move
the fabric to make the stitches that give
S'-i-r-e~t-c-h to the seam,.
Applying Genife Tension
36
Some fabrics, however, require support
while being stitched.
similar synthetic knits, apply gentle
tension by holding fabric taut in front
and back of the presser foot as you sew.
Page 39
ATTAC
IG ELASTIC
Elastic will remain streichabie when it is
attached with the plain zig-zag stitch.
The flexible joining produced by this
stitch allows elastic banding to be
stitched under, over, or between fabric
layers, making it pariicuiarly useful in the
construction of lingerie and swimsuits,,
inch seam allowance is adequate. Method
#2 (mock overedging) is most appro
priate for bulky knits and fabrics that have
a tendency to curl or fray and should be
used where a wider seam allowance is
needed. Make a test sample to help you
decide which method is best for your
fabric and garment. Be sure to duplicate
the cut of the garment seam in your test.
Remember to use a ball-point (yellow
band). Style 2045, Size 14 needle in
your machine if you are sewing a syn
thetic knit.
fVlock Overedging
37
Page 40
SEWING KNIT AND STRETCH FABRIC (Continued)
A ladder seam made with bisndstiiching is
both functional and decorative. Particu
larly appropriate for knit and stretch
fabrics, the blindstitch provides stretch
able, decorative construction seams, and
edge finishes for necklines, pockets and
collars in sportswear and swimwear.
® Flexi-Stitch Dial: O (Off)
® Pattern Selector: ^ (blindstitch)
® Needle Position : i
® Stitch Width ; 5 (maximum)
® Stitch Length : 10 to 15
® Thread Tension : Lighter than normal
® General-Purpose Needle Plate and Foot
After stitching, open seam by pulling
fabric back on opposite sides of seam to
produce ladder effect. Press seam allow
ances of construction seams to one side.
Seam allowances of enclosed seams are
Opening Seam to form
Ladder Effect
pressed together in the usual way after
seam has been opened.
LADDER SEAMS
Applying
Facing Finish
"inished Hem Edge
38
FINISHES FOR HEMS AND
FACINGS
Hems and facing edges in knit and stretch
fabrics will be less apt to press through
and mark when given a flat edge finish.
Edge finishing with the plain zig-zag
stitch or blindstitch eliminates the bulk of
turned-in edges and retains fabric flexi-
Seam edges support the garment and
should be given a durable finish If the
fabric is likely to ravel. There are two
methods of finishing seams in such fabrics:
trimming seam edge or overedging.
Make a test sample first to determine
which method best suits your fabric.
Page 42
Across the Point
t be
® Topstltching holds seams and garment
decorative note.
@ Reinforce button and buttonhole areas
are
sharp points on
one or tv\/o
s.
Ily
a
e.
® bt
bew seams or
3 tairiv
by holding fabric slightly taut at front and
ong stitch (8-1«
ed OUI I.
use an enclosed
Stitch ciré knits wii
a medium-length stitch (12
it stiîcnes i
(as well as bound but
are tabric.
'•b he Even Feed foot described on page 58 is designed to aid in sewing this fabric.
4Ü
an i
Page 43
Pin, rather than baste, seams. Place
pins at close intervals at right angles
to the seam line. Pins with colored
heads are easy to see and remove.
Sew in direction of nap.
Stitch with a fairly long machine stitch
(8 to 10 straight stitches per inch) and
use polyester/cotion thread in a size
14 or 16 Style # 2020 needle.
As seam is stitched, smooth pile away
from seam allowance with a darning
needle or upholstery pin.
After stitching seams with a f“inch
seam allowance, use small hand
scissors to shear pile from entire seam
allowance to reduce bulk.
Stitch J-inch pre-shrunk tape into
neckline and shoulder seams for sta-*
biiity and reinforcement or stitch with
the straight stretch stitch.
Leather and leather-look fabrics com
plement fur fabrics; use them for bound
buttonholes and easy button loops.
Coat hems are less bulky if they are
narrow and finished with a 3-inch
fabric facing or grosgrain ribbon.
Slash through the center fold of darts
and finger-press open, or stitch with a
narrow zig-zag stitch and trim away
excess fabric after stitching.
Deep-Piie Fabrics
VELVET ШВ VELVETEEW^
® Use a light-pressure dial setting to prevent crushing pile.
# fVlark and baste with silk thread.
® Use a Style # 2020, size 11 needle, and a fine thread for seaming. “A''
sUk or nylon thread is recommended for velvet.
Always stitch in the direction of the nap.
® For unpuckered seams, pin or hand baste together and then stitch under
fight tension (see page 18). Extra-long, straight seams may be machine
basted with a long, wide zig-zag stitch.
® To sew paoné velvet use a ball-poini needle and a shorier-ihan-normal
stitch length (12 to 15 straight stitches per inch).
Even Feed foot described on page 58 is designed to aid in sewing this fabric.
Page 44
ZIPPERS
At the notions counter in your Singer
Sewing Center, you will find many dif
ferent kinds of Zippers, one of which will
be just right for whatever you want to sew.
The zipper package wifi contain easy-tofollow instructions for inserting the zipper.
And, with the zipper foot, you will find it
easy to form an even line of stitching dose
to the zipper.
The corded seam is a professional treat
ment for slipcovers, children's clothes,
blouses, and lingerie. To make a corded
seam, make the welting first (or buy it
ready-made at a notions counter), then
stitch it into the seam. For both steps, use
the zipper foot to place the stitching close
Blindstiiching, used instead of straight
stitching for the final step in zipper
insertion, gives a fine finish that is almost
invisible. Indispensable for knits, napped
and sheers.
1. Allow for a J-inch seam allowance in
the zipper area when you cut garment.
2. Insert zipper in the usual way up to the
final step; then, turn garment right
side out and spread fiat with zipper
faceup.
Final Step of Blindstitch
Zipper insertion
3. Work from the right side and pin
zipper tape into position.
4. Baste a guideline for blindstitching
alongside zipper, about f-inch from
garment seam. Make sure basting
stitches go through all fabric layers and
zipper tape. Remove pins.
5. Adjust zipper foot to right side of
needle.
6. Turn garment wrong side out. Piace
lower end of zipper tape over feed and
turn front section of garment back to
line of basting, creating a soft fold to
the left of the needle.
7. Set stitch width selector and position
work so that the straight stitches will
go through the seam allowance and
zipper tape, and the sideward stitches
catch a few threads of the fold.
8. Lower zipper foot and stitch slowly.
After stitching, remove basting and
press lightly.
Completed Blindstitch
Zipper insertion
43
Page 46
CONSTRUCTION DETAILS (Continued)
Creating Soft Fold
BLIWDSTITOH hlEMS
Flexi-Stitch Dial: O (Off)
Pattern Selector: (blindstitch)
Needle Position: J or^
Stitch Width : I to ^
Stitch Length: 10-20
General-Purpose Needle Plate and Foot
Blindstitch Hem Guide
Blindstitching provides a durable hem
finish that can be used on a variety of
light and medium weight fabrics, ft is best
suited to straight hems. Taped, bound,
turned, or unfinished hem edges can be
blindstitched with equal ease. Blindstitching takes a little practice, however,
so make a test sample first.
Blindstitching Hem
Biindstitcii Hem Completed
1. Attach blindstitch hem guide as inInstructed on page 6.
2. Mark, turn, and press hem in the usual
way. (You may want to baste the
turned hem to hold it in place. If so,
be sure to place the basting at least
i inch from hem edge.)
3. With the work wrong side up, turn the
hem under, creating a soft fold about
i inch from hem edge. Press lightly.
4. Position the hem under the foot with
the soft fold resting against wall of
guide. Make sure flange of guide is
between the soft fold and top of hem.
5. Lower the presser foot and stitch so
that the straight stitches fall on the
hem edge and the sideward stitches
pierce the soft fold. While stitching,
guide hem edge in a straight line and
feed the soft fold evenly against the
wall of the hem guide.
44
Page 47
practicai, simple way to accent the
3f a dress or coat is to place one
or more rows of stitching along collars,
lapels, facing edges, pockets, seams, etc.
For a tailored look, use lines of regular
straight stitching; sew them with button^
hole twist for added emphasis. For decora-“
tlve interest, use a zig-zag or FlexhStltch
pattern. To add firmness to hems and
seams in knit and stretch garments, top-
stitch with the straight stretch stitch. The
seam guide (see page 58) will help you
place stitching accurately.
Flexi-Stitch Dial: O (Off)
Pattern Selector: § (plain zig-zag)
Needle Position: ¿
Stitch Width: ^ (maximum)
Stitch Length: 25 or to suit fabric
General-Purpose Needle Plate and Foot
Topstitching
with Plain Zig-Zag Stitch
Steps in Making a Dart in interfacing
Step
With zig-zag stitching, interfacings can
be shaped without bulk.
1. Cut out the dart allowance on the
stitching line.
2. Bring raw edges together and pin or
baste in place over a muslin stay.
3. Stitch, backstitching at both ends of
dart for reinforcement.
Step 2
Page 48
APPLIQUÉ
Appliqué adds beauty and interest to clothing and household linens. You
can create your own design, trace a simple outline from a coloring book, or
use a motif cut from a printed fabric. Fabrics of like or different texture
combine equally well.
A closely spaced zig-zag stitch is most commonly used in appliqué work,
but other stitch patterns may also be used effectively. Although you may vary
stitch width to accommodate fabric weave or texture, never allow the
stitch to be too wide.
When appliquéing, make a test sample to help you decide which of the
following methods is more appropriate for your fabric and design.
On soft, fine fabrics such as tricot voile
and crepe, shell edging makes an attractive
finish for narrow hems or bias folds in
blouses, slips and petticoats.
Make a test on a sample of your fabric to
find the right thread tension, stitch length,
and stitch width.
1. Place folded hem (basted, if necessary)
or bias fold under presser foot with
hem or fold to the left.
2. Stitch slowly, guiding fabric so that the
sideward stitches are made over the
folded edge.
Shell Edging with
the Biindstitch
47
Page 50
IVlEWDiNG
The plain zig-zag pattern is just as
useful for mending as it is for creative
sewing. It forms a flexible bond for re
pairing tears and stretch garments.
2. Place underlay on the wrong side of
tear for reinforcement. (It is best not
to baste or pin the underlay since you
will be bringing the edges of tear
together in the next step.)
3. Stitch on the right side, bringing the
edges of the tear together.
4. Shorten stitch length at ends and
corners to give extra strength.
5. Trim underlay.
Bar Tacks
Bar tacks, to reinforce points of strain,
are made with the plain zig-zag stitch at
satin stitch length. Use them at pocket
corners, to attach garters, secure shoulder
straps, belt loops and zipper openings.
48
Page 51
[Repairing Stretch Garments
Flexi-Stitch Dial: O (Off)
Pattern Selector: | (plain zig-zag)
Needle Position: 1
Stitch Width: I to ^
Stitch Length ; 25 or to suit fabric
General-Purpose Needle Plate and Foot
Seams and hems in stretch and elasticized
garments retain their elasticity when
stitched with the plain zig-zag stitch.
This stitch is particularly effective when
used in topstitch applications (as shown)
or to overedge. Make a test sample to
check selector settings.
Stretch Garment Repair
Seams
Breaks in press-open seams can be re
paired quickly and easily when you use the
straight stretch stitch. This stitch is idea!
for knit and stretch fabrics, and particu
larly useful for repairing or strengthening
curved seams, or seams that will receive
strain v\/hen worn.
1. Make a test sample to check selector
settings,
2. Remove loose thread along the break
and press seam edges together.
3. Re-stitch along original seamline,
guiding seam under presser foot with
out stretching fabric, letting the ma
chine move the fabric to make the
back-and-forth stitches that give
s-t-r-e-t-c-h' to the seam. Overlap
stitching one inch at each end. Press
seam open.
Seam Repair
49
Page 52
KEEPING UP APPEARANCES (continued)
DARWING
Worn or torn spots on children's clothes,
knits, and household linens can be darned
effortlessly and quickly with little practice.
You may choose to darn either with or
without an embroidery hoop. When
greater control is needed, an embroidery
hoop is usually best.
Darning without Embroidery Hoop
Flexi-Stitch Dial: O (Off)
Pattern Selector: Any setting
Needle Position : X
Stitch Width : :
Stitch Length : 12
General-Purpose Needle Plate and Foot
Pressure: D
Darning Without
Embroidery Hoop
1. If area to be darned is open, baste an
underlay in place.
2. Place area to be darned under presser
foot; lower presser foot and start
stitching, alternately drawing fabric
toward you and pulling it
gently away
from you.
3. Continue this forward and backward
motion as you fill the area with parallel
lines of stitching. For additional
cover needle plate. Instructions for
changing the needle plate are given on
page 7.
1. Trim ragged edges from area to be
darned.
2. Center worn section in embroidery
hoop,
3. Position work under needle over feedcover plate and lower presser bar to
engage tension.
4. Hold needle thread loosely with left
hand, turn hand wheel over and draw
bobbin thread up through fabric. Hold
both thread ends and lower needle
into fabric.
5. Outline area to be darned with running
stitches for reinforcement.
6. Stitch across opening, moving hoop
under needle at a slight angle from
lower left to upper right. Keep lines of
stitching closely spaced and even in
length.
7. When opening is filled, cover area with
crosswise lines of stitching.
This method of controlling fabric move
ment with an embroidery hoop may be
used to do embroidering and monogramming.
Darning With Embroidery Hoop
51
Page 54
Your machine will serve you perfectly for many years If you take a few
moments of your time to keep it dean. How often you will need to clean the
machine will depend on how often you use it.
CAUTION : Before cieaiiiog your machirie^ disconnect
If your machine is a portable, remove the
carrying case base as instructed below.
® To remove, tilt machine back and re
move retaining nut B, being careful not
to lose felt washer, and remove cover
from underside of machine.
® To replace, position cover over bottom
of machine and replace felt washer and
retaining nut Tighten retaining nut
with a screwdriver.
case,
from electrical
REMOVING AND REPLACING
CARRYING CASE BASE
® Turn machine so that back is toward
you. Tilt machine back and loosen and
remove the retaining nut B from the
center.
® Set machine upright and lift up and out
of base.
® Replace machine in base, after bottom
cover has been attached.
® Turn machine so that back is toward
you; tilt back and replace retaining nut.
Tighten retaining nut with a screw
driver.
REMOVING AND REPLACING
FACE PLATE
® Loosen and remove screw D and re
move face plate by sliding it downward.
® Replace face plate by sliding top edge
of plate under edge of arm top cover.
O
O
® Align screw hole in plate with screw
hole in machine and replace and
tighten thumb screw D.
53
Page 56
CARING FOR YOUR MACHINE (Continued)
REfVlOViNG AND REPLACING
BOBBIN CASE
Raise presser foot.
Turn hand wheel toward you until
needle is in its highest position.
Open slide plate with downward finger
pressure. Draw plate toward you,
opening it all the way to raise the
needle plate locking pin.
Rennove needle plate.
Remove bobbin.
(O Bobbin Case
Holder
To remove bobbin case“
Bobbin Case
Removing Bobbin Case
Turn bobbin case holder to back as far as
it will go. Lift out bobbin case.
To replace bobbin case:
Guide the forked end under the feed and
then draw the bobbin case under the
position plate as illustrated. Turn bobbin
case holder all the way forward to lock
bobbin case in position. After locking the
bobbin case in position, check that the
bobbin case does not bind but has slight
rotational movement.
® Replace bobbin in bobbin case,
® Replace needle plate.
® Close slide plate to lower needle plate
locking pin and secure needle plate.
54
Page 57
This machine is designed to use a 15 watt
maximum light bulb.
THE LIGHT BULB
Disconnect power-line plug from elec
trica! supply.
With thumb and forefinger lower the light
bracket. Do not attempt to unscrew bulb.
Press it up into socket and at same time
turn bulb over in direction shov/i/n to
unlock bulb pin.
tine Byiib
Press new bulb into socket, with bulb pin
entering slot of socket, and turn it over in
direction shown to lock bulb in position.
Release bracket, and entire assembly will
snap back into recess.
Unlocks
This machine
is designed to
use a 1 5 watt
maximum light
bulb
THE SLIDE PLAT!
You Will not have any occasion to remove
the slide plate. However, if si should
accidentally become disengaged from
the machine, it is easily replaced.
® Raise presser foot and needle.
® Place slide plate sn sisdeway with the
front edge close to, but not covering,
the retaining spring (as shown in illusirailon).
® With a screwdriver, lift each end of the
spring into each of the side grooves on
the underside of the slide plate.
® Draw the plate gently toward you and
fully engage the spring.
® Close slide plate.
Raise Presser Foot
and Needle
Page 58
lí ^
BEIViOVING ¡ViACHiWE
FeOM CABINET
ilVlPORTANT:
€> Do not aítempí ío remove hinges from
cabinet as this may result in damage to
the wood of the cabinet.
® Pull cabinet away from wall to avoid
damage to wall or machine.
i» Remove machine power-Hne plug from
electrical outlet.
To Reroove iViachioe From Cabinet“
1. Tilt machine back until it rests on
hinges. Remove machine plug from
receptacle.
NOTE: On models equipped with
spring-assist plate (see inset Step 1),
remove screw which fastens clip to
machine. Remove electrical cord from
clip, then replace clip and screw (to
avoid loss of these items).
2. Loosen set screws that hold machine
on hinge pins by turning them counter
clockwise.
3. Lift machine straight up and off pins.
For ease of removal, stand behind
cabinet when lifting machine.
To Replace Machine in Cabinet:
Reverse the procedure used for removing
rubber band around both pins, making
sure the elastic band is over the
shoulder of each hinge as illustrated.
® Be sure set screws are firmly tightened
against hinge pins before lowering
machine into sewing position or into
storage position.
56
NOTE: On Models equipped with
spring-assist plate, lead electrical cord
into recess at bottom of plate; fit clip
on cord and fasten to machine, as
shown in inset. Step 1.
Page 59
lElVIEIVlBEB TO
Turn on power and light switch.
Turn hand wheel toward you to position needle and take-up ¡ever.
Raise needle above fabric before nnaking adjustments to stitch width,
needle position and pattern selector.
Use red selector settings for FlexJ-Stitch pattern sewing.
Start and finish sewing with the take-up lever in its highest position»
Adjust stitch length, pressure, and thead tension to suit your fabric.
Test-stitch on a fabric sample before starting a sewing job.
Replace bent or burred needles.
Lower presser foot before setting pressure dial.
Tighten hand wheel knob and move bobbin winder switch to OFF after
winding a bobbin.
Remove feed-cover needle plate after button sewing and after darning
with an embroidery hoop.
Sew at a moderate speed when using a Flexl-Stitch pattern.
F THREAD BREAKS, MAKE SURE
Machine is correctly threaded.
Bobbin case is correctly inserted and threaded.
Bobbin case area is free of lint and loose thread ends.
Needle is straight and securely tightened in clamp.
Thread is suitable for size of needle.
Thread is even and free of knots.
Needle-thread tension is light enough.
Needle-plate needle hole and presser foot are undamaged.
Bobbin and bobbin case are undamaged.
Enjoy Sewing!
If you have any questions, please write to;
Department of Sewing Education
The Singer Company
321 First Street, Elizabeth, NJ. 07207
57
Page 60
FASHION AIDS
The Fashion Aids shown below are designed to increase the versaîiliîy of
your sewing machine. They are pari of the complete selection of accessories
that is available at your local Singer Sewing Center.
Even Feed Foot Wo. 507806 is an in
Professional'^Buttonholer Wo. 102878
sews six kinds of buttonholes, plus eyelets,
in a wide variety of fabrics.
valuable aid for sewing hard-to-feed
vinyls and fake fur, pile, stretch, bonded
and iaminaied fabrics.
lo. 86742 offers a simple, effect- Binder Foot Wo. 81245 is used to apply
ive way to make gathered and pleated ready-made bias tape or unfolded bias
ruffles. Used for straight stitching only. binding to an unfinished fabric edge.
Button Foot Wo.161613
holds any two-hole or
four-hole button securely
for stitching.
Hemmer Foot Wo.
161671 is used for turning
and stitching narrow hems
in one operation.
We recommend that for future reference you record the Serial
Number of your Sewing Machine in the space provided.
Refer to illustration
at right for location
of Serial Number on
your machine.
Serial No.
Here, there, everywhere... SINGER
Form K8751 (179)
rPart Mr. 11K9«R.nrm
*A Trademark of THE SINGER COMPANY
Printed in Great Britain
Page 64
With the home sewer’s needs comfortable and ample work
in mind, Singer combines ex- space. Shown here are just a
pert craftsmanship with imag- few of the contemporary and
inative design in sewing traditional styles available,
cabinets that provide both
Beautiful carving and handsome
hardware enhance the Mediter
ranean look of the Monaco.
Basketwork design adds a hand
crafted mellowness to the trim,
modern lines of the Greenbrier.
Chairs and benches in coordinated wood tones are also available.
Sleek lines and rich walnut ve
neers make the Pacesetter an
elegant addition to any room.
The warmth of Early American de
sign distinguishes the mapletoned Saratoga cabinet.
*A Trademark of THE SINGER COMPANY
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