UL, ULC, CSFM Listed; FM Approved; Addressable Fire Detection and Control
MEA (NYC) Acceptance* Emergency Voice/Alarm Communications Equipment
Features
Emergency voice/alarm communications provide:
Alarm/evacuation signal generation with multiple
built-in tones
Standard or customized digital message storage and
message generation
Automatic or manual operation
Mass Notification operation
Multiple channels are available:
Analog audio systems provide dual channel operation
Digital audio systems provide up to eight channels over
a single wire pair
Communications features:
Up to five supervised remote microphone inputs
Spoken voice coding from the digital message player
Multiple digitally recorded human voice messages
Spoken WALKTEST system testing
Separate evacuation, drill, and optional “All Clear”
voice messages and tones
Ready-to-talk microphone indicator on front panel audio
control module
Local panel speaker for tone/message broadcast
verification
MINIPLEX Voice Transponders are available for
distributed audio
Amplifiers are available with analog or digital input:
Flex-35 (35 W) and Flex-50 (50 W) amplifiers provide a
dual channel design with configurable operation modes
100 W primary and backup, single channel amplifiers
include a built-in power supply
Amplifiers are available for 25 VRMS or 70.7 VRMS
output with on-board, power-l imited NACs (only one
voltage choice per system)
Built-in Temporal Pattern horn tone provides default
backup signal operation
Optional modules provide power-limited NAC expansion,
convert Class B NACs to Class A operation, and provide
Constant Supervision Operation for Non-Alarm Audio
(NAA) applications (NAA requires additional hardware,
and software revision 11.08 or higher )
Firefighter telephone systems:
Master telephone can simultaneously talk with up to 6
remote telephones and can be connected as an audio
input for broadcast messages
Ring signal on remote firefighter telephone indicates that
a call request is initiated and a hold signal indicates that
a connected line has been deselected
Telephone circuits are supervised for open and short
circuits, too many telephones connected, and the master
telephone is supervised for cord integrity
Degraded mode allows remote telephones to remain
connected to each other in the event of a communications
loss
S4100-0034-12 3/2012
Emergency Operating Instructions
Fire Control Panels
A B C
D E F G H I
ZONE1SIG2AUX
3
J K L M N O P Q R
FB4IO5IDNet
6
AC Power
ALARMS
SYSTEM WARNINGS
S T U V W X Y Z /
Fire AlarmPriority 2 Alarm
Supervisory Trouble Alarm Silenced
P7A8L
9
'SP' ( ) , 0 :
Fire Alarm
Priority 2
Supv
Trouble
Alarm
System
NET ADDR
Ack
Ack
Ack
Ack
Silence
Reset
DEL
0
On
Arm
Off
Disarm
More
Info
Lamp
Auto
Test
Previous
Menu
Next
Alarm or Warning Condition
System indicator flashing. Tone On. Press Alarm Silence.
How to Acknowledge / View Events
Press ACK located under flashing indicator.
Repeat operation until al l events are acknowledged.
Local tone will silence.
How to Silence Building Signals
How to Reset System
Press System Reset.
Press Ack to silence tone device.
Enter C/Exit
On
On
Off
Off
Auto
Auto
On
On
Off
Off
Auto
Auto
On
On
Off
Off
Auto
Auto
On
On
Off
Off
Auto
Auto
Event
Time
Enable
Disable
4100ES Fire Alarm Control Panel with
Voice and Firefighter Telephone Options
Listed to:
UL Std. 864, Fire Detection and Control (UOJZ), and
Smoke Control Service (UUKL)
UL Std. 2017, Process Management Equipment (QVAX)
UL Std. 1076, Proprietary Alarm Units-Burglar (APOU)
UL Std. 1730, Smoke Detector Monitor (UULH)
ULC Std. S527-99
Description
4100ES Audio Systems provide voice communication,
alarm tones, and/or digitally prerecorded voice messages to
alert occupants of fire or other emergency situations.
Evacuation signaling may be automatically generated via
alarm initiated event programs or by firefighting personnel
using the operator controls.
4100U Series Products Note. The audio system
modules and features listed in this data sheet are both
compatible with, and listed for use with 4100U series fire
alarm control panels. Contact your local Simplex
®
product
supplier for details.
* See page 5 for product that is listed as UL or ULC and additional product listing details.
This product has been approved by the California State Fire Marshal (CSFM) pursuant to
Section 13144.1 of the California Health and Safety Code. See CSFM Listing
7165-0026:251 for allowable values and/or conditions concerning material presented in this
document. It is subject to re-examination, revision, and possible cancellation. Accepted for
use – City of New York Department of Buildings – MEA35-93E. Additional listings may be
applicable; contact your local Simplex product supplier for the latest status. Listings and
approvals under Simplex Time Recorder Co. are the property of Tyco Fire Protection
Products.
Audio Controller Module Description
The Audio Controller Module provides digitized alarm
tones and digitally recorded voice messages and message
construction, and manages both microphone inputs and other
auxiliary inputs connected to the optional Auxiliary Audio
Input Module. Tones and voice messages are digitally
recorded and stored in the audio control module’s message
memory.
Two versions are available:
Analogand Digital. Systems
must be either analog or digital, not intermixed. One audio
control module controls the entire audio system.
Common audio control board features:
On-board digital message memory provides up to
2 minutes at normal or 1 minute at high resolution
Connects to optional 4-input audio input modules (two
maximum) for a total of up to 6 microphones and 11
distinct audio inputs
Memory expansion is available to provide up to
8 minutes or 32 minutes at normal resolution
(4 minutes or 16 minutes at high resolution)
Connections for a Master Microphone and one
Remote Microphone, compatible with standard or
noise-canceling microphones
Master telephone to audio interface connection uses the
audio bay’s Power Distribution Interface Module (PDI)
Local panel speaker output with on-board volume control
On-board download port for message loading
The microphone ready-to-talk LED is located on the
front panel audio control module (see p. 4) and
requires connection to a 64 LED/64 switch controller
Audio risers, either digital or analog, may be directly
connected to 31 remote nodes; for applications requiring
audio risers to more than 31 remote nodes, alternate
connection methods are available, contact your Simplex
product representative for details
Analog Audio Controller Modules
Analog audio control modules are for systems that
require one or two simultaneous channels of audio
information per the following feature summary.
Built-in 10 VRMS riser output eliminates the need for
separate riser amplifiers available as Class B or Class A
Messages can play on one or both risers simultaneously,
with the same or a different message
Analog audio controllers are for connection to analog
input audio amplifiers and audio risers only
On-board status LEDs assist with setup and
troubleshooting
Digital Audio Controller Modules
Digital audio control modules are for systems that
require more than two simultaneous channels of audio
information per the following feature summary.
Up to 8 channels of information at normal resolution are
available (4 channels at high resolution) on one twisted
wire pair
Primary 1 Digital Audio Riser (DAR) output can be either
wired Style 4 or Style 7; Primary 2 DAR is an identical,
separate output for Style 4 connections, typically to local
MINIPLEX voice transponders
Digital audio controllers are for connection to digital
input audio amplifiers and digital audio risers only
2 S4100-0034-12 3/2012
Audio Tone List
The Temporal Patternisavailable for compatible tones
(1/2 sec on, 1/2 sec off, 1/2 sec on, 1/2 sec off, 1/2 sec on,
1-1/2 sec off) to indicate evacuation. The following is a
list of the standard audio tones.
Horn, continuous 500 Hz tone, primarily used for coded
systems or general temporal pattern signaling
Chime, a digitally recorded mechanical chime tone,
normally used free-running or for coded operation
Bell, a digitally recorded mechanical bell sound,
normally used free-running, for coded systems, or
general temporal pattern signaling
Fast Whoop, a quickly ascending tone
Slow Whoop, a slowly ascending tone
High/Low, with high frequency of 750 Hz for 100 ms and
low frequency of 500 Hz for 400 ms
Beep, 500 Hz tone of 0.7 s on, 0.7 s off
Stutter, 500 Hz tone with on and off times of 100 ms
Wail, ascends, then descends between 600 to 940 Hz
GSA Tone, continuous 2000 Hz tone
Audio Controller Message Description
Zone Coded Signaling is available using tones or
spoken numbers. Spoken coded messages can be used in
place of conventional pulse tone coding to eliminate
counting and interpretation of the zone coded location.
For example, a fire alarm zone such as First Floor East,
Smoke Detector Room 23 will be Code 1123.
The Audio Controller has the ability to precede spoken
codes with phrases and alert tones. As an alternative, the
previous example could have been preceded with a chime
tone. The word “code” could be replaced wit h the ph rase
“Doctor Firestone, please dial...”.
Preprogrammed Special Messages can be ordered.
Up to 32 minutes of special phrases and messages are
available to meet specific applications. The standard
Evacuation Message is: “Attention... Attention...
Attention...An emergency has been reported.... All
occupants walk to the nearest stairway exit and walk
down to your assigned re-entry floor or main lobby... Do
not use the elevator... Walk to the nearest stairway.... Do
not use the elevator.... Walk to the nearest stairway.”
Custom Message Ordering is summarized below:
Model Description
Select when Custom Messages are required,
4100-8804
4100-0822
4100-0823
4100-0824
choose message types from below as required
(minimum quantity of one)
Custom Messages from Tape
Custom Messages from
Transcript; NOTE: Send
transcript in advance to
Applications Engineering to
verify phrase quantity
Custom Messages from
Archive
Order (1)
4100-082x for
each (2) complete
messages without
spliced phrases;
or
for each (50)
spliced phrases
Audio Amplifiers General Description
4100ES audio amplifiers are available as dual channel
models rated for 35 W (Flex-35) or 50 W (Flex-50) and as
single channel 100 W models with on-board NACs
(notification appliance circuits) for convenient field
wiring. Common features are summarized as follows:
Analog input amplifier models are for single or dual
channel system operation
Digital input amplifier models are for multi-channel
system operation providing up to eight channels over a
single twisted wire pair
Amplifiers are power-limited with models available
providing 25 VRMS, or 70.7 VRMS output
When Non-Alarm Audio (NAA) applications (such as
for background music, paging, or for Mass Notification)
are required, optional Constant Supervision modules
provide continued speaker zone supervision during the
page or while background music is playing; due to the
NAA supervision requirements, amplifiers used for
paging or playing background music are derated to 70%
of alarm output rating (24.5 W, 35 W, and 70 W)
Linear power output stages are traditional Class B
designs for low distortion and low EMI
An on-board 500 Hz temporal pattern horn tone on each
amplifier provides a default backup tone
Supervision actively monitors amplifier gain in real
time, comparing output level to input level
On-board test switches can be activated to test and
observe amplifier backup
On-board overcurrent protection protects against
overloads and short circuits
Each amplifier communicates to the host CPU and
allows voltage and current values to be accessed from
the fire alarm control panel operator interface
Flex-35 and Flex-50 Amplifiers, General
Flex-35 and Flex-50 amplifiers are a self-backup
dual channel design that provides a total of 35 W or
50 W of audio power with the following common feature
summary:
Self-backup feature allows NACs connected to a disabled
amplifier channel to be routed to the remaining channel
with the full 35 W or 50 W providing the single channel
as selected by the fire alarm control panel programming;
external backup amplifiers are not required
Three standard on-board audio NACs are each rated for
2 A maximum and are capable of being routed to either
desired amplifier channel
Compatible power supplies include the: Expansion
Power Supply (XPS), Remote Power Supply (RPS),
or System Power Supply (SPS); power supplies with
single amplifiers can provide power for other compatible
applications within their rated output
Digital models of the Flex-35 and Flex-50 have a digital
decoder module that selects one or two of the input
channels as desired
Selectable reduced output levels of -12 dB or -6 dB are
available for non-emergency audio output, s el ect abl e per
channel
Flex-35 Amplifiers
Each Flex-35 channel is capable of up to 35 W output
with a total of 35 W
Channels can be divided as 0 W and 35 W; 17.5 W and
17.5 W; 10 W and 25 W; or any combination that totals
35 W or less
Flex-50 Amplifiers
Each Flex-50 channel is capable of up to 50 W output
with a total output of 50 W
Channels can be divided as 0 W and 50 W; 25 W and
25 W; 10 W and 40 W; or any combination that totals
50 W or less
Dual Flex-35 or Flex-50 Connections
Two Flex-35 amplifiers, or two Flex-50 amplifiers can
connect to a single Expansion Power Supply (XPS) in
the same audio expansion bay (amplifiers must be the
same model number); XPS output is dedicated to
amplifier power
Mounting for dual Flex-35 or Flex-50 amplifiers is
Blocks A & B for amplifier 1, Blocks C & D for the
XPS, blocks E & F are not used, and Blocks G & H are
for amplifier 2 (see page 7 for mounting reference)
100 W Audio Amplifiers
100 W amplifiers provide single channel operation per
the following feature summary:
Six standard on-board Class B audio NACs are each
rated for 2 A maximum
100 W amplifiers include a built-in power supply and
use system battery backup
Amplifier and power supply size requires four
continuous blocks of expansion bay size
A single 100W primary amplifier or both a primary and
a backup amplifier can be located on a single expansion
bay (refer to page 7 for bay loading)
Redundant (backup) amplifiers interconnect directly to
minimize wiring connections and their power is routed
through the NACs of the primary amplifier
Redundant amplifier operation can be configured as
one-for-one or one-for-many depending on specific
requirements
Digital models of these amplifiers have a digital decoder
module that selects the desired input channel per system
requirements
Selectable reduced output levels of -12 dB or -6 dB are
available for non-emergency audio output
Audio NAC Expansion Modules
For applications requiring additional NACs, modules are
available for on-board expansion and further expansion
is available with the chassis mounted 4100-5116
Expansion Signal Module
100 W Amplifiers support optional m odul es that convert
the six audio NACs to Class A or to increase the Class B
audio NACs to twelve
NOTE: Adding NAC expansion modules does not
increase amplifier power beyond the stated ratings
3 S4100-0034-12 3/2012
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