The Shure Model SR112B and SR116B Speaker Systems are compact, rugged, heavy-duty, two-way units.
They are designed for use with Shure Model
similar high-power amplifiers in studio monitor, night
club or other applications requiring a small, wide range
speaker system. When properly installed and connected,
SR112B and SR116B will provide outstanding per-
the
formance in critical applications due to their wide frequency response, low distortion, and smooth dispersion
characteristics. The Speakers have a nominal impedance
of 8 ohms and are designed to operate with amplifiers
capable of delivering up to 100 watts to an 8-ohm load.
They can be used either direct-coupled or with a constant-voltage 25-volt line, or 70-volt line using a Shure
A1 02A Transformer.
Quality sound reproduction is achieved through the use
of two 8-inch heavy-duty speakers and a high-frequency
driver coupled to a 120" radial horn. The front-ported
bass reflex design of the enclosure provides
cy enhancement. A built-in series-type passive crossover
network provides 6 dB per octave
frequency speakers and 18 dB per octave rolloff for the
high-frequency driver. A four-position attenuator switch
allows high-frequency level adjustments of -4, -2,
and
+2
dB.
The SR112B (see Figure 1) is a weather-resistant unit,
and is designed for permanent installation either indoors
or in a protected outdoor environment such as under the
roof of an open pavilion. Adhesives used in the
are moisture-resistant, and trim and fastening hardware
have a high corrosion resistance.
SR116B is a portable unit (see Figure 2), and is de-
The
signed for temporary installation either indoors or in a
rolloff for the low-
SR105 or
low-frequen-
SR112B
MODEL SR116B SPEAKER SYSTEM
FIGURE
protected outdoor environment. The SR116B is supplied
with a 15m (50 ft), 18-gauge, rubber-jacketed connecting
cable with locking phone plugs, and a black vinyl grille
cover. The corners of the
protectors. A retractile handle and balanced design
contribute to ease of transporting.
and covered in black, scuff-resistant, textured vinyl. The
attractive black sculptured fabric grille is rugged, cleanable, and replaceable if damaged. The radial horn and
baffle board assembly is ruggedly constructed of
resistant thermoplastic resin. Molded feet protect surfaces and permit stacking.
their own feet, or in a tilted position using an appropriate
support. The Shure
Wall Mount Swivel Bracket provide for tilting on a horizontal surface or wall or ceiling mounting. A slip-on
protective cover (Model
units are constructed of 15.9 mm
Both
SR112B and SR116B may be operated vertically on
The
A112A Tilt Bracket and the A112D
A112C) is also available.
2
SR116B are equipped with steel
(5h
in.) wood,
SPECIFICATIONS
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. . .
.
.
.
. .
Power Rating
0
Power Load for
Constant-Voltage
Operation
Impedance
Frequency Response . .45
Crossover Frequency
In planning a sound system using the SR112B or SR116B
Speaker System, carefully observe the horizontal (120")
and vertical (90") sound distribution of the units. Maximum coverage for source-oriented installations is generally obtained with Speakers on each side of the sound
source and as far forward as possible, with each Speaker
tilted slightly either downward (for wall- or
mounted units) or upward (for floor-standing units). The
angle of tilt (assuming a single Speaker to either side of
the sound source) should be such that an imaginary line
from the center axis of the Speaker runs to the back row
of the audience area. The Shure
Figure 6) provides complete freedom in the vertical
direction and the
provides up to
A112D Wall Mount Swivel Bracket
50" downward tilt and a horizontal pivot
angle of 60 degrees in both directions (see Figure 7). For
"clustered" installations covering a wide area, each
Speaker should be positioned so that its angle of cover-
age overlaps with that of the Speaker next to it as their
sound output enters the audience area.
A112A Tilt Bracket (see
ceiling-
SRl12B SPEAKER IN A112A
BRACKET
TILT
FIGURE
6
SRl12B SPEAKER IN A112D WALL
MOUNT SWIVEL BRACKET
FIGURE 7
When used for distributed-speaker system, the Speakers are generally mounted at equidistant intervals
throughout the area to be covered. Wall- or ceilingmounting is usually employed, although free-standing
Speakers raised above head level may be used quite
satisfactorily.
Of the remaining common sound installation problems,
acoustic feedback can usually be dealt with by judicious
Speakerlmicrophone placement, and/or the use of equalization or feedback filters in the sound system. Background noise or acoustically "dead" conditions generally
require a greater volume level to maintain the proper
acoustic level. However, it must be remembered that ex-
cessive volume may be intolerable to that part of the
audience nearest the Speakers. In this case, or where
the architectural design leaves audience areas not
reached by the main Speakers, the use of secondary or
auxiliary speaker systems should be considered. If these
are used, the consideration of delay must also be faced.
Direct Amplifier Connection
The Speakers are designed to be used with power am-
plifiers having the following maximum output capabilities:
Continuous Power To:
Voltage 16 Ohms 8 Ohms 4 Ohms
28
Vrms 50 Watts 100 Watts 200 Watts
(48V peak)
However, sine-wave signals delivering 100 watts to a
Speaker should be avoided in that they present a much
greater average power than does program material. Con-
sequently, when setting up or adjusting a sound system
with these Speakers, avoid the use of high-level, continuous-type test signals.
25-Volt Line Operation
The Speakers may be operated from a 25-volt line without the need for an accessory transformer. Note that
when connected to a constant-voltage, 25-volt line, the
Speaker will draw 78 watts.
70-Volt Line Operation
For operation from a 70-volt line, a transformer such as
the Shure Model A102A provides power taps of 50, 25,
12.5 and 6 watts.
Speaker Wiring
Determine the approximate distance from amplifier to
Speaker and
refer to Figure 8 to find the proper wire
gauge for direct output operation. Recommended cables
for the sizes listed are:
To avoid the frequency losses, poor coverage, dead
zones, etc., resulting from improper speaker phasing in
multiple Speaker installations, all Speakers must be wired
in proper polarity. The cables listed above are
colorcoded to insure that identical connections are used.
Note that even common 18-gauge lamp cord (zip cord")
is phased-coded with ribs along the outer jacket of one
conductor.
When using the 15m (50 foot), heavy-duty cable sup-
plied with the
SRl16B Speaker, connect the right-angle
plug to a Speaker phone jack and twist the cable down-
ward behind the locking bar to prevent accidental dis-
connection. The other phone jack may be used for
additional, parallel-connected Speakers.
When wiring the Speakers, consideration should be
given to positioning of the cables. While most local
electrical codes do not require locating speaker cables
in conduits or raceways, make sure that cable is placed
away from hazardous traffic areas.
AMPLIFIER-TO-SPEAKER DISTANCE (FEET)
AMPLIFIER-TO-SPEAKER DISTANCE IMETERSl
200 400
50 100 150
RECOMMENDED WIRE GAUGE
FIGURE
8
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