Shure SM17 User Guide

MODEL SM17
INSTRUMENT DYNAMIC MICROPHONE
The Shure Model SM17 is a miniature dynamic microphone designed specifically for use with acoustic stringed instruments and other acoustic musical in­struments. The SM17 has an omnidirectional pickup pattern and a frequency response well suited for instru­ment use. The microphone is supplied with an attached 3m (10 ft) cable, shock mount, clip, expansion mount, additional bushings (for the expansion mount), cloth mounting adapter, and two cable clips
Model SM17 Features:
Excellent frequency response for acoustic instru­ment use. Will not overload or distort at high sound levels Small and lightweight for unobtrusive, virtually un­seen operation
Smooth exterior and recessed grille screen minimize accidental rubbing noise
Rugged aluminum case construction Extremely flexible lightweight cable Three mounting options -expansion mount for string hole mounting, cloth mounting adapter for
string mounting, or clip for sound hole or other edge mounting
INSTALLATION
VIOLINS, VIOLAS AND CELLOS
To mount the SM17 on a violin, viola or cello, re­move the shock mount from the clip and slide it on the expansion mount blade. Unscrew the knurled nut on the expansion mount (see Figure 1) until tension is removed
from the rubber bushing below the nut. Insert the screw head and bushing end of the expansion mount in one of the string holes of the tailpiece. [Note that a total of three different bushing sizes-4, 4.37 and 6 mm (0.16,
0.17 and 0.24 in.) diameter- are supplied. If the 4 mm bushing installed on the expansion mount is too small, unscrew the knurled nut and replace the bushing with one of a larger diameter.] Swivel the expansion mount to the approximate desired position and tighten the knurl­ed nut to expand the rubber bushing in the string hole. Snap the microphone into the shock mount (see Figure
2). Note that the microphone can be swiveled in the shock mount after installation.
The SM17 can also be mounted on a violin, viola or cello using the cloth mounting adapter by pulling the “loop” strip away from the “hook” strip. Fasten the adapter (with the elastic microphone band upward) around the instrument strings between the bridge and tailpiece by pressing the “loop” and “hook” strips together. Insert the SM17 in the elastic band with the microphone grille toward the bridge (see Figure 3).
To hold the microphone cable in place, remove the paper backing from the supplied cable clips, affix the clips to a suitable flat surface, and insert the cable in the clip slot.
VIOLIN MOUNTING-EXPANSION MOUNT
FIGURE 2
SUPPLIED ACCESSORIES
FIGURE 1
222 HARTREY AVENUE, EVANSTON, ILLINOIS 60202-3696 U.S.A. l TELEPHONE: (312) 866-2200 l CABLE: SHUREMlCRO
Copyright 1985, Shure Brothers Inc. 27A2196 (EH)
VIOLIN MOUNTING-CLOTH MOUNTING ADAPTER
FIGURE 3
Printed in U.S.A.
ACOUSTIC GUITARS AND OTHER INSTRUMENTS
To mount the SM17 on an acoustic guitar (or similar instrument with a wide sound hole), insert the clip blade (see Figure 1) in the slots of the shock mount. Squeeze the clip to open it, and affix the clip to the edge of the guitar sound hole (below the strings). NOTE: teeth are cushioned to avoid marring the instrument finish. Snap the SM17 into the shock mount and swivel the microphone to the desired position (see Figure 4). Note that the microphone can be positioned on the top surface of the guitar as shown, or placed within the guitar body. Make sure the location of the microphone does not interfere with playing. The cable clips can be used to fasten the microphone cable along any flat sur­face.
The clip
SPECIFICATIONS
Type
Dynamic
Frequency Response
50 to 15,000 Hz (see Figure 5)
TYPICAL FREQUENCY RESPONSE
FIGURE 5
Polar Pattern
Omnidirectional
Impedance
Microphone rating impedance is 150 ohms (200 ohms actual) for connection to microphone inputs rated at 19 to 300 ohms
Output Level (at 1,000 Hz)
Open Circuit Voltage. . . . . . . . -84.5 dB (.06 mV)
(0 dB = 1 volt per microbar)
Power Level . . . . . . . . . . . . . . . . . -63.5 dB
(0 dB = 1 milliwatt per 10 microbars)
GUITAR MOUNTING
FIGURE 4
The SM17 can also be used with a number of other musical instruments. For instance, the clip can be affixed to the bell of a saxophone, trumpet or trombone. Other uses depend on the availability of edges or sur­faces to which the clip can be fastened. In addition, the SM17 can be used (without mounting accessories) to pick up amplified instruments by suspending the
microphone in front of the instrument amp speaker.
CONNECTOR
The SM17 is supplied with a professional 3-pin audio connector designed to mate with Cannon XL series, Switchcraft A3 (Q.G.) series or equivalent connectors.
Note that the supplied connector has a special strain relief to accommodate the very small diameter cable.
IMPEDANCE
The SM17 is supplied wired for low-impedance
microphone inputs (rated at 19 to 300 ohms). The low­impedance, balanced line operation is desirable where long cable lengths are required or conditions where
severe hum pickup may exist. To connect to high im-
pedance (¼ in. phone jack) instrument amplifier or
microphone inputs, connect the SM17 cable connector to the low-impedance side of a Shure Line Matching Transformer and plug the high-impedance side (¼ in.
phone plug) into the input.
Phasing
Positive pressure on diaphragm produces positive voltage on pin 2 of microphone connector
Hum Pickup
35.3 dB equivalent SPL in a 1 millioersted field
Cable
Non-detachable, 3m (10 ft), two-conductor, shielded, plastic-covered
Connector
Professional three-pin audio connector designed to mate with Cannon XL series, Switchcraft A3 (Q.G.) series or equivalent connectors
Case
Aluminum with gray enamel finish
Dimensions
See Figure 6
OVERALL DIMENSIONS
FIGURE 6
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