Shure SM15 User Guide

MODEL SM15
UNIDIRECTIONAL HEAD-WORN CONDENSER MICROPHONE
MODEL SM15
UNIDIRECTIONAL HEAD-WORN CONDENSER MICROPHONE
The SM15’s smooth, natural voice frequency response makes it ideal for drummers, keyboard art­ists and other musicians requiring a vocal microphone with all the qualities of a hand-held unit-the SM15 can be used under noisy conditions without loss or masking of voice signals.
A small, lightweight, rugged and reliable unit, the SM15 has provisions for mounting to a supplied head­band with cushioned arms. The dual steel headband holds securely without causing discomfort for active microphone users. A pivot housing permits the micro­phone boom to be moved 20° in any direction, and the distance between the microphone and pivot can be changed by up to 89 mm (3-1/2 in.).
The SM15’s amplifier is constructed of high-impact ARMO-DUR®, making it compact, lightweight, and extremely rugged. It can easily be clipped to a belt or waistband, or slipped into a pocket. It is powered by a readily available 9-volt battery or by phantom power from an external source providing 5-52 Vdc (such as a Shure PS1A power supply or M267 or M268 micro­phone mixer). The amplifier incorporates extensive RF and hum shielding to reduce the effects of electro­magnetic and electrostatic interference. Connections between the microphone and amplifier are made through a miniature 3-pin connector.
The SM15 is supplied with a windscreen to protect against wind noise and explosive breath sounds, and a foam-lined carrying/storage case.
Features
Close-talk operation and unidirectional polar pat­tern for effective noise reduction
High sound pressure level capacity
Smooth, natural frequency response, tailored for
voice
Low distortion and wide dynamic range characteris­tics under various load impedances
Wide-range phantom powering accepts all commonly used voltages; can also be battery-powered
Acoustically isolated for maximum feedback freedom
Locking adjustment knob permits 20° boom pivot
in any direction. Boom mounts on either side of headband
Boom length adjustment through 89 mm (3-1/2 in.)
Dual headband design plus serrated arms minimize
accidental movement
Lightweight design prevents user fatigue
No interference with eyeglasses
Ruggedly constructed of stainless steel, aluminum
and high-impact thermoplastic
Usable over wide range of temperature and humid­ity conditions
Amplifier assembly can be pocketed, strapped to body, or clipped to belt or waistband
ASSEMBLY
Assemble the SM15 for use as follows:
1. Twist the lower headband arms 90° so they are
perpendicular to the headband. As supplied, the retaining clip is positioned for left side operation as shown in Figure 1. For right side usage (see photo), remove the retaining clip and attach it to the other (unused) hole in the headband arm so the screw is at the top.
2. Snap the microphone pivot housing into the retaining
clip with the pivot adjustment knob upward and the microphone toward the front. Loosen the pivot adjust­ment knob, position the boom so that the micro­phone is near where the side of the mouth will be, and tighten the pivot adjustment knob.
3. Place the assembled microphone on the user’s head
and pull the headband arms downward until they rest against the head just over the ears.
4. Loosen the pivot adjustment knob and position the
microphone as close as possible to the corner of the mouth. IMPORTANT: For optimum close-talking operation, the microphone should be less than 25mm (1 in.) from the corner of the mouth. Be sure to position the microphone at the corner (not the cen­ter) of the mouth to eliminate explosive breath sounds (“pop”). Tighten the adjustment knob.
222 HARTREY AVE., EVANSTON, IL 60202-3696 U.S.A. PHONE (312) 866-2200 TELEX: 4330191 FAX (312) 866-2279
Copyright 1987. Shure Brothers Inc. Printed in U.S.A. 27A2371 (GB) U.S. Patent 4,039,765
5. Connect the SM15 microphone cable to the ampli­fier assembly.
6. Insert a fresh 9-volt battery in the amplifier battery compartment (see Batteries section) and connect the amplifier 3-pin XLR connector to the mixer input connector, or phantom-power the SM15 by con­necting the amplifier (without battery) to a micro­phone powersupply providing 5 to 52 Vdc phantom voltage. This can be a separate phantom power supply, or a mixer or amplifier with provisions for phantom powering (see Phantom Powering section).
7. Place the amplifier assembly in the desired position (see Amplifier Mounting section).
Polar Pattern
Cardioid (unidirectional) response–uniform with frequency, symmetrical about axis (see Figure 3)
TYPICAL POLAR PATTERNS
FIGURE 3
Output Impedance
Rated at 150 ohms (95 ohms actual) Recommended minimum load impedance: 800 ohms (may be used with loads as low as 150 ohms with reduced clipping level)
SM15 POSITIONED FOR LEFT SIDE OPERATION
FIGURE 1
SPECIFICATIONS
Type
Condenser (electret bias)
Frequency Response (at 76 mm–3 in.)
50 to 15,000 Hz (see Figure 2)
Output Level (close-talked at 1,000 Hz)
Open Circuit Voltage
–40.5 dB (0.9 mV) at 610 mm (24 in.) –39 dB (1.1 mV) at 10 mm (0.39 in.)
(0 dB = 1 volt per 100 microbars)
Clipping Level (at 1,000 Hz)
800-ohm Load................. –13 dB (0.22V)
150-ohm Load................ –27 dB (0.045V)
Total Harmonic Distortion
Less than 1% (138 dB SPL at 1,000 Hz into 800-ohm
load)
Maximum SPL
141 dB with 800-ohm load
130 dB with 150-ohm load
Hum Pickup
Less than or equal to 0 dB equivalent SPL in a 1
millioersted field (60 Hz)
Output Noise (equivalent sound pressure levels; meas­ured with true rms voltmeter)
32 dB typical, A-weighted
38 dB typical, weighted per DIN 45 405
Dynamic Range
109 dB (maximum SPL to A-weighted noise level)
TYPICAL FREQUENCY RESPONSE
FIGURE 2
Signal-to-Noise Ratio
62 dB (IEC 651) at 94 dB SPL
Phasing
Positive pressure on diaphragm produces positive
voltage on pin 2 relative to pin 3
Power
Battery: 9 Vdc (type 1604A, alkaline recommended);
0.33 mA current drain; approximately 1600 hours
continuous use with fresh battery
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