The instr uctions on thi s page will help you get your system up and running
in minutes. For more detail ed inst ructi ons, read the section of this manual
that applies to your system.
RECEIVER SETUP
1. Plug the ac power adapter into a wall socket or other electrical outlet.
2. Connect the power cable to the receiver DC INPUT connector . The green POWER
light on the receiver will come on.
3. If you are using the Guitarist, connect the receiver output to a guitar amplifier
using any standard guitar cable (two supplied). If you are using the Vocal Artist
or Presenter, connect the receiver output to an audio mixer using an audio
cable.
4. Fully extend the telescoping antenna(s) as far as they will go. The antenna on the
T3 receiver should be vertical. The antennas on the T4 diversity receiver should
point away from each other at a 45° angle from vertical.
TRANSMITTER SETUP
1. Open the transmitt er battery compartment and install a 9V alkaline battery (one supplied). Make sure the “+” and “–” battery terminals match the “+” and “–” terminals
on the transmitter .
2. If you are using the Guitarist, plug any standard guitar cable (two supplied) into
your guitar output connector and into the transmitter. Then turn the volume control on your guitar pickup all the way up. If you are using the Vocal Artist or Presenter, no further transmitter setup is required.
OPERATING THE SYSTEM
1. Slide the transmitter POWER switch to the ON position. The green POWER light on
the transmitter will glow , as will the yellow RF light (T3 receiver) or the DIVERSITY
A/B lights (T4 receiver).
2. Slide the transmitter MUTE/ON switch (on the T1 Guitarist or Presenter) or the
MIC ON/OFF switch (on the T2 Vocal Artist) to the ON position.
3. Play your guitar, or talk or sing into the microphone. The red PEAK light (T3 receiver)
or the AUDIO PEAK light (T4 receiver) should flicker when loud sounds are transmitted. If the red PEAK or AUDIO PEAK lights do not flicker when loud sounds are
transmitted, the transmitt er gain may need to be increased. Refer to the
Audio Gain Adjustment
important for the Guitarist system, since guitar outputs can vary widely.
4. Adjust the receiver VOLUME control until the receiver output level matches the
level of your guitar or microphone through a cable. The factory setting is in the full
clockwise position.
procedure for your system. NOTE: This step is particularly
YOU ARE NOW READY TO PERFORM!
IMPORT ANT:
variety of problems.
through” test on the wireless system in the performing area.
Every
wireless performance is a unique situation, and can present a
Never
attempt a performance without first conducting a “walk-
If you encounter a
problem, refer to the Troubleshooting table.
T ransmi tte r
1
ENGLISH
THANK YOU FOR CHOOSING SHURE
Congratulations!
class. Your Shure wireless system is engineered to provide a clean, lownoise sound comparable to other systems costing much more. Built in the
tradition of reliability that has made Shure a symbol of American quality for
more than half a century , this wireless system should provide you with excellent sound for years.
T o get the most out of your T Series wireless system, please read the applicable section in this Guide before you attempt to use the system. If you
have any questions that are not answered in this booklet, please contact
Shure Customer Service at (847) 866-2553, Monday through Friday , from
8:00 am to 4:30 pm, Central Standard Time.
INTRODUCTION
Y our new T Series system is designed to give you the best of both sound reinforcement worlds: the freedom of a wireless system, and the world-famous Shure sound
quality. This manual covers both Standard and Diversity versions of each of the
T Series systems: the Guitarist, the Vocal Artist, and the Presenter.
SYSTEM TYPES
The Guitarist
and other electric instruments. The Guitarist systems are designed for guitarists who
want the freedom of going wireless, but insist on the highest quality sound and reliability .
The Vocal Artist
or BG 3.1 dynamic microphone with a built-in transmitter. The Vocal Artist systems
are designed for singers and other performers who prefer the sound of Shure microphones and the freedom of wireless performance.
The Presenter
as lectures and business presentations; it features an omnidirectional Shure WL93
micro-miniature lavalier microphone. The Presenter systems are designed for public
speakers who prefer an inconspicuous, “hands-free” lavalier microphone.
– Body-Pack system designed for use with electric guitars, basses,
– Body-Pack system designed for public speaking applications such
You have purchased the finest wireless system in its
– Hand-Held system designed for singers; includes a Shure SM58
Component
TransmitterT1G Body–PackT2 Microphone–
Microphone—SM58 or Beta
ReceiverT3 Standard or T4G
Power SupplyPS20 (105–125 Vac, 60 Hz) or PS20E (220 Vac, 50 Hz)
CablesTwo guitar–to–
Battery9–volt alkaline
Supplied
Accessories
The GuitaristThe Vocal ArtistThe Presenter
T1 Body–Pack
T3 Standard or T4V
Diversity
Vinyl transmitter bag
Receiver feet
Receiver VELCRO
mounting strips
Diversity
transmitter
Vinyl transmitter bag
Receiver feet
Receiver VELCRO
mounting strips
Transmitter
Green
3.1WL93 subminiature
T3 Standard or T4V
Diversity
——
Vinyl transmitter bag
Microphone stand
adapter
2
lavalier
ENGLISH
3
4
5
6
1
2
11
7
8
9
12
10
FIGURE 1
T1 BODY–PACK TRANSMITTER FEATURES (FIGURE 1)
1. Battery Compartment.Holds one 9V alkaline battery. Hinged cover opens to
provide access the battery. Typical battery life is 18 hours.
2. Antenna. A flexible wire antenna is permanently attached to the bottom of the T1
transmitter .
be coiled or bundled.
3. Belt Clip. Secures the transmitter to a belt, waistband or guitar strap.
4. Power On Indicator. This green light glows when the POWER ON/OFF switch
is turned on. It serves as a reminder to turn the transmitter off when it is not in use.
5. Power On/Off Switch. Turns the transmitter on and of f. It is recessed to prevent
accidental turn off.
6. Audio On/Mute Switch. Mutes the transmitter to prevent unwanted sounds from
being picked up by the receiver
7. Low Battery Indicator . When this red light is glowing, you have one hour or less
of useful operating time; change the battery at your first opportunity .
8. Audio Gain Control. Provides audio level adjustment to accommodate different
sound sources (e.g., speaking or playing an instrument). The factory setting is at
mid–point. A small screwdriver is supplied to make adjustments.
9. Microphone Input Connector (T1 only).Tini “Q-G” Connector provides connection to a variety of lavalier and headset microphone cables, and the Shure
WA302 instrument adapter cable.
10. Guitar Input Connector (T1G only). Accepts one end of any standard guitar
cable. Plugone end of a guitar cable (two are included) into your guitar, then plug
the other end into this connector.
11. Lavalier Microphone (T1 only). Condenser lavalier microphone supplied with
a mount that clips onto a tie, lapel, or acoustic instrument.
12. Guitar Cable (T1G only): Plugs into electric guitar and other electrical instruments.
For best operation, the antenna must hang vertically, and should not
without
turning the transmitter off.
3
ENGLISH
1
2
3
4
8
7
6
5
9
10
FIGURE 2
T11 BODY-PACK TRANSMITTER FEATURES (FIGURE 2)
1. Antenna. A flexible wire antenna is permanently attached to the bottom of the T11
body-pack transmitter.
should not
be coiled or bundled.
2. Battery Compartment. Holds one 9V alkaline battery. Hinged cover opens to
provide access the battery. Typical battery life is 18 hours.
3. Audio Gain Control. Provides audio level adjustment to accommodate various
sound sources (e.g., speaking or playing an instrument). The factory setting is at
mid–point. A small screwdriver is supplied to make adjustments.
4. Belt Clip. Secures the transmitter to a belt, waistband or guitar strap. Press the
tab marked PRESS and slip the belt or strap between the transmitter body and
the belt clip.
5. Input Connector. T ini “Q-G” connector that provides connection with a variety of
lavalier and headset microphone cables, and the Shure WA302 instrument
adapter cable.
6. Mic On/Mute Switch. Mutes the transmitter to prevent unwanted sounds from being picked up by the receiver
7. Power/Battery Fuel Gauge. The green light indicates the unit is on and there is
more than one hour of battery life remaining. The red light indicates less than one
hour of battery life remains.
8. Power On/Off Switch. Turns transmitter power on and off.
9. Lavalier Microphone (WL93 shown): Condenser lavalier microphone supplied
with a mount that clips onto a tie, lapel, or acoustic instrument.
10. WA302 Instrument Adapter: Plugs into electric guitar and other electrical instruments.
For best operation, the antenna must hang vertically, and
without
turning the transmitter off.
4
ENGLISH
5
6
1
2
3
4
7
FIGURE 3
T2 MICROPHONE-TRANSMITTER FEATURES (FIGURE 3)
1. Power On/Off Switch. Turns the transmitter on and of f. It is recessed to prevent
it from being accidentally turned off.
2. Power On Indicator. Green light glows when the POWER ON/OFF switch is
turned on to remind you to turn the transmitter off when it is not in use.
3. Low Battery Indicator. Red light glows when you have one hour or less of useful
operating time; when this light glows, change the battery at your first opportunity.
4. Microphone On/Off Switch. Lets you turn the microphone audio on and off
(mute the microphone), avoiding the “thump” noise that can occur when turning
the transmitter on and off.
5. Audio Gain Control. Allows you to match the level of your vocals with the transmitter for better performance.
6. 9V Alkaline Battery (shown installed). Provides power to the microphonetransmitter. Typical battery life is 18 hours.
7. Battery Cover . Unscrews for access to the 9V alkaline battery and gain control.
5
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