This user guide provides detailed instructions for your Access VHF series wireless system. To get your system up and
running in minutes, see the Access VHF Series Quick Set Up Guide.
Your new Access VHF Series system is designed to give you both the freedom of a wireless system and world-famous
Shure sound quality . This manual covers both Single antenna and Diversity versions of the Access VHF Series systems:
the AXS31/58 handheld systems; the AXSGW bodypack systems; the AXSHW Headset systems; and the AXSLWD lavalier microphone system.
Wireless
System
AXS31 and AXS58
Hand-held systems for
singers.
Bodypack systems for elec-
tric and bass guitarists. Can
AXSGW
also be used with other elec-
Components
TransmitterAXH2 Handheld
MicrophoneSM58 or BG3.1––WH20 Headset
ReceiverAXR3 single antenna or AXR4N Diversity
Power SupplyPS20 (105–125 VAC, 60 Hz)
Supplied
Accessories
Transmitter
Carrying and storage case; Receiver feet; Hook and loop fastening strips; gain adjustment screwdriver
microphone stand adapter 1/4” to 1/4” guitar cables (2)
tric instruments
AXB1G Bodypack
Transmitter
RECEIVER FEATURES
6
8
5
8
6
1
2
3
4
AXR3AXR4N
7
1
2
AXSHW
Bodypack system for ap-
plications requiring hands-
free operation, such as aero-
bics or percussion
Microphone
UNBALANCE D
HIGH Z
5
.
.
.
.
.
.
.
.
.
3
4
.
BALANCED
AXSLWD
Bodypack system for public
speaking, theater, or busi-
ness presentations.
AXB1 Bodypack
Transmitter
WL93 omnidirectional
lavalier
7
SHURE BOTHERS INC.
EVANSTON IL 60202 USA
SQUELCH
DC INPUT
12–18 VDC
MIN MAX
9
1. Power On Indicator: Glows green when the receiver is
powered on.
2. RF Signal Indicator:
frequency) signals are received.
tor lights glows when RF is received by antenna A or B.
3. Audio Peak Indicator: Flashes red when the audio signal
received approaches overload clipping level.
4. Volume Control: Adjusts the output volume of the receiver.
Does not affect Transmitter Audio Peak indicator.
5. Telescoping Antenna(s): Receives signals from the trans-
mitter.
FIGURE 1. AXR3 AND AXR4N RECEIVER FEATURES
AXR3
: Glows yellow when RF (radio
AXR4N
: One of two indica-
6. Audio Output: Provides mic level signal for connection to
amplifiers or mixing consoles.
AXR4N
: 1/4 inch phone jack and male XLR connector.
AXR3
: 1/4 inch phone jack.
7. Squelch Control: This control is factory pre-set and normally requires no adjustment. See
ments
at the end of this guide.
Wireless System Adjust-
8. Power Input: Accepts power from supplied AC adapter.
9. Power Cable Retainer:
AXR4N
only. Secures the AC
adapter cable to the receiver.
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English
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TRANSMITTER FEATURES
3
4
5
6
1
2
10
7
8
9
11
9
AXB1/AXB1G
Bodypack
FIGURE 2. AXB1, AXB1G, AND AXB11 BODYPACK TRANSMITTER FEATURES
1. Battery Compartment. Holds one 9V alkaline battery.
2. Antenna. For best operation, the antenna
cally, and should not be coiled or bundled.
3. Belt Clip. Secures the transmitter to a belt, waistband or guitar strap.
4. Power On Indicator . Glows green when transmitter is powered on.
5. Power Switch. Recessed to prevent accidental turn-off.
6. Mute Switch. Slide to ON for normal operation. Slide to
MUTE to prevent sounds from being transmitted to the receiver
. Muting the transmitter does not turn off transmitter
power.
7. Low Battery Indicator. Glows red when one hour or less of
must
hang verti-
AXB1G
operating time remains and transmitter battery should be
changed.
8. Audio Gain Control. Provides audio level adjustment to ac-
commodate dif ferent sound sources (e.g., speaking or playing an instrument). A small screwdriver is supplied to make
adjustments.
9. Input Connector. AXB1: Tini Q-G
connector provides
connection to a variety of lavalier and headset microphone
cables and to the Shure WA302 instrument adapter cable.
AXB1G: Accepts a standard 1/4 inch or guitar cable plug.
10. Lavalier Microphone. WL93 omnidirectional condenser
microphone supplied with a mount that clips onto a tie, lapel,
or acoustic instrument.
11. Cables. AXB1G: 1/4 inch to 1/4 inch guitar cable for electric
guitar or other electric instruments.
5
6
1
2
3
4
FIGURE 3. AXH2 MICROPHONE-TRANSMITTER FEATURES
1. Power Switch. Recessed to prevent accidental turn-off.
2. Power On Indicator. Glows green when power is on.
3. Low Battery Indicator. Glows red when one hour or less of
operating time remains and battery should be changed.
4. Mute Switch. Slide to ON for normal operation. Slide to
MUTE to prevent sounds from being transmitted to the receiver.
Muting the transmitter does not turn off power
.
7
5. Audio Gain Control. Allows you to adjust the transmitter to
match the loudness of your vocals. A small screwdriver is
supplied to make adjustments.
6. 9V Alkaline Battery (shown installed). Provides power to
the microphone-transmitter.
7. Battery Cover. Unscrews for access to the 9V alkaline bat-
tery and gain control.
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SYSTEM SETUP
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English
BATTERY INSTALLATION
1. Slide the transmitter POWER ON/OFF switch to the OFF
position.
AXB1, AXB1G
2.
compartment cover, slide it back and flip it open, as shown
in Figure 4.
AXH2:
Unscrew the transmitter battery cover to expose the
battery terminals, as shown in Figure 3.
3. Insert a fresh 9V alkaline battery into the battery compartment ( A Du ra cel l M N 1604 i s recommended). A fresh 9V alkaline battery will typically provide 18 hours of performance
time. A fully charged 8.4V NiCad battery will provide about
2 hours of performance time.
IMPORT ANT: Carbon-zinc and zinc-chloride batteries will
not provide adequate power and are not recommended.
4. Replace the battery cover.
: Press down on the OPEN side of the battery
9 V
-
+
FIGURE 4. BATTERY INSTALLATION
BODYPACK TRANSMITTER SETUP
1. Attach the transmitter to your belt, guitar strap, or waistband
as shown in Figure 6. Depress the tab marked PRESS and
slip the belt or strap between the transmitter body and the
belt clip. For added stability, draw the strap or belt toward the
clip’s top wire, especially when using thin guitar straps.
AXB1/AXB1G
FIGURE 6. TRANSMITTER SETUP
2. Plug your guitar, headset microphone, or lavalier microphone into the transmitter.
RECEIVER SETUP
1. Plug one end o f the AC p ower a dapter i nt o t he D C INPUT c onnector on the back of the rece iver.
cable around the cable retai ner on the bottom of the r ecei ver.
See Figur e 7 . Plug t he o t her end int o a n A C p ow er s our ce ( use
PS20 for 105–125 VAC. The green POWER light on the receiver will glow.
AXR4N
: Loop the power
HEADSET ASSEMBLY
1. Refer to the tag attached to the headset for assembly instructions. After assembling the WH20, adjust the headband and place it on your head.
2. Position the microphone over the corner of your mouth,
about 1/2 inch away. See Figure 5.
3. To reduce pops and breath noise, place the supplied foam
windscreen over the microphone.
FIGURE 5. HEADSET MICROPHONE POSITION
12
FIGURE 7. AXR4N POWER CABLE RETAINER
2. Connect the receiver output. The Guitarist: plug a standard
guitar cable (two provided) into the receiver’s output connector. Plug the other end into a guitar amplifier, as shown
in Figure 8. AXSHW, AXS31, AXS58 or AXSLWD: Use a
cable with a 1/4 inch phone plug (
male XLR connector (
AXR4N
mic level input of a mixer or P A system, as shown in Figure
8.
3. Extend antenna(s).
AXR3
: The antenna should be fully extended and vertical, as shown in Figure 8.
tennas should be fully extended and angled away from each
other, at an angle of 45 degrees from vertical, as shown in
Figure 8.
AXR3, AXR4N
) or a fe-
) to connect the receiver to a
AXR4N
: The an-
3
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English
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T1G
AXR3
WIRELESS SYSTEM OPERATION
SHURE
45°
AXR4N
SHURE
45°
AXR3AXR4N
45°
SHURE
45°
FIGURE 8. WIRELESS SYSTEM OPERATION
ESTABLISHING A WIRELESS LINK
When powered on, your transmitter broadcasts an RF carrier
signal. When picked up by your receiver, this signal links your
wireless system together and allows wireless transfer of audio
signals from your microphone or instrument. The RF signal is
broadcast steadily, even when your transmitter is muted. The
yellow RF light (
AXR3
) and ANTENNA A/B lights (
AXR4N
) indi-
cate when this link is established.
T o test your wireless link, setup your transmitter and receiver as
described above. Turn on your transmitter while remaining
close enough to the receiver to see the yellow RF or ANTENNA
lights. The RF light (
(
AXR4N
) should illuminate.
AXR3
) or one of the ANTENNA lights
• If the RF or ANTENNA lights do not illuminate, see the
Troubleshooting section in this guide.
Turn your transmitter off. The RF or ANTENNA light should go
out.
• If the RF or ANTENNA lights do not go out after you turn off
your transmitter, your receiver is picking up an RF signal
from some other source. If you cannot identify and remove
this source (usually other digital or wireless electronic
equipment nearby), place your receiver in another location. If external RF sources cannot be avoided, you may
need a wireless system that operates on a di fferent carrier
frequency. Contact your Shure dealer.
OPERATING YOUR WIRELESS SYSTEM
1. Once you have established a wireless link, slide the transmitter MUTE switch to the ON position.
2. Sing, speak, or play your instrument at typical volume levels. (AXSGW systems: turn the volume control on your guitar or bass all the way up.) Normal operation is indicated by:
•
Steady glow of yellow RF light (AXR3) or ANTENNA light A
or B (AXR4N).
•
Flickering of the re d PEAK light (AXR3) or TRANSMITTER
AUDIO PEAK light (AXR4N) when loud sounds are transmitted
.
NOTE: If the red TRANSMITTER AUDIO PEAK light on the
receiver does not flicker occasionally, refer to the
System Adjustments
Section below.
3. When finished, slide the MUTE switch to MUTE. Then slide
the transmitter POWER switch to OFF. (Muting the transmitter first will help prevent audio thumps that may occur when
powering off the transmitter.)
Wireless
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Page 5
WIRELESS SYSTEM ADJUSTMENTS
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TRANSMITTER AUDIO GAIN ADJUSTMENT
AXSGW Systems: The audio gain control on the transmitter in
these systems is factory-preset at the minimum setting (full
counterclockwise) to reduce the risk of overload and distortion.
If the red TRANSMITTER AUDIO PEAK light on the receiver
does not
controls are turned all the way up, increase the transmitter gain
level. This will ensure the best signal-to-noise ratio for performance. See Figure 9.
AXSHW Systems: The audio gain control on the transmitter in
the headset systems is factory preset at the maximum setting
(full clockwise). This is because the microphone in the WH20 is
a low output, dynamic microphone. It may be necessary to reduce the transmitter gain until the red TRANSMITTER AUDIO
PEAK light flickers only when you speak or sing loudly. This will
ensure the best signal to noise ratio for performance. See Figure 9.
AXS31/AXS58/AXSL WD: The audio gain controls on the transmitters in these systems have been fac tory preset at the midrange position. Thi s will p rovide the best results in most applications. However, for singers or presenters with quiet voices, the
audio gain may n eed to be increased for better signal-to-noise ratio. Increase t he gain unt il t he r eceiver’ s TRANSM ITTER A UDI O
PEAK light f licker s when you s peak i n a l oud v oice. For those with
loud voices, the preset gain level may be too high, causing unwanted distortion. In this case, the PEAK indicator will glow continuously when you sing or speak in a loud voice and the gain
level should be reduced. See Figure 9.
flicker when the guitar is played loudly and its volume
RECEIVER VO LUME ADJUSTMENT
The volume control on the front panel of the AXR3 and AXR4N
receivers can be adjusted to make the wireless system output
level identical to that of a cabled guitar or bass or wired microphone. After making any necessary transmitter gain adjustments, adjust the receiver volume control until the output reaches the desired level. Rotate the volume control clockwise to
increase
output. Rotate it counterclockwise to
decrease
output.
RECEIVER SQUELCH ADJUSTMENT
The squelch control on the AXR3 and AXR4N receivers is
factory preset for optimum performance. No further adjust-
ment is nor m ally required. It is possible to adjust the squelch
control setting to emphasize either signal quality or system
range:
•
Turning the squelch control clockwise causes the receiver
to demand a higher quality signal (less noise before muting), but
•
Turning the squelch control counterclockwise allows a lower quality signal through (more noise before muting), but
creases
To return the receiver squelch control to the factory setting, rotate it to the mid-range position (so the slot is vertical).
decreases
operating range.
operating range.
in-
ABOUT THE SHURE NOISE SQUELCH SYSTEM
+
9 V
-
FIGURE 9. GAIN ADJUSTMENT
•
To Increase Gain:
wise with the supplied screwdriver until the red TRANSMITTER AUDIO PEAK light on the receiver flickers when
the guitar is played loudly, or when you sing or speak in a
loud voice.
•
T o Reduce G ain:
clockwise until the red TRANSMITTER AUDIO PEAK light
on the receiver flickers only when the guitar is played
loudly, or when you speak or sing in a loud voice.
•
To Return Audio Gain to the Factory Setting:
transmitter audio gain control counterclockwise as far as it
will go (AXSGW systems), clockwise as far as it will go
(AXSHW systems), or to mid position (AXS31, AXS58 and
AXSL WD Systems).
Rotate the transmitter gain control clock-
Rotat e t he t r ansmi tt er g ain c ont rol counter-
AXB1/AXB1G
AXH2
Rotate the
Conventional s quel ch ci rcui ts a nalyze R F s ignal s t r ength. Consequently, they cannot discrim inate between noise and desired signals. When a w i r eless s yst em i s u sed i n a n oi sy R F e nvi r onment ,
conventional circuits may “open” unexpectedly, sending loud
bursts o f n oi se t hr ough t he r eceiver w hen t he t r ansmit ter’ s s ignal is
weak or turned of f . U nl ike conventional wi r el ess systems, Shur e
T-Ser i es s yst ems u se a noise squelch circuit that analyzes
quality
instead of signal strength. A special detect or moni tors the
level of high frequency noise. When the transmitter signal is
strong, t he system’s noise level is low and the receiver sends audio through. When the transmitter signal is weak or absent, the
system’s noise level is high and the squelch circuit will mute the
receiver. This virtually eliminates the possibility of annoyi ng b urst s
of noise coming through your receiver.
signal
TIPS FOR ACHIEVING MAXIMUM PERFORMANCE
•
Make sure you can always see a receiver antenna from the
transmitter position.
•
Keep the distance between the transmitter and the receiver antennas short.
•
Avoid placing the receiver antennas near metal surfaces
and obstructions. They will reduce system performance.
•
To mount the receiver on a flat surface, attach the four
adhesive rubber feet or secure the receiver to the surface
with the supplied cloth fastening strips.
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English
No sound or faint
PROBLEM
No sound.
TROUBLESHOOTING
INDICATOR STATUS
= on= flickers on loud peaks
AXR4N RECEIVER
AXR3 RECEIVER
TRANSMITTER
POWER
POWER
POWER
POWER
POWER
ANTENNA
A
RF
ANTENNA
RF
ANTENNA
AUDIO
PEAK
BON
PEAK
TRANSMITTER
AUDIO
PEAKA
BON
PEAK
TRANSMITTER
AUDIO
TRANSMITTER
POWER
LOW BATT
POWER
LOW BATT
POWER
SOLUTIONS
• Slide transmitter POWER switch to ON.
• Make sure battery is inserted properly (+/– battery terminals must
match transmitter terminals).
• Insert fresh battery.
• Make sure AC adapter is securely plugged into electrical outlet
and into DC input connector on rear panel of receiver.
• Make sure AC electrical outlet works and supplies proper
voltage.
No sound or faint
sound.
Sound level from the
receiver is different
from that of a cabled
guitar or microphone.
Sound level is different
when you change
guitars.
Distortion increases
gradually.
POWER
POWER
POWER
POWER ANTENNAAUDIO
POWER
POWER
POWER
RF
ANTENNA
RF
RF
ANTENNA
A
RF
PEAK
TRANSMITTER
AUDIO
PEAKA
BON
PEAK
TRANSMITTER
PEAKA
BON
PEAK
TRANSMITTER
AUDIO
PEAK
BON
PEAK
PEAKA
BON
LOW BATT
POWER
LOW BATT
POWER
LOW BATT
POWER
LOW BATT
POWER
LOW BATT
• Slide transmitter MUTE switch to ON.
• Extend antenna(s).
from each other at a 45° angle from vertical;
antenna should remain vertical. See Figure 8.
AXR4N
receiver antennas should point away
AXR3
receiver
• Move receiver away from nearby metal objects.
• Remove obstructions and maintain line of sight between
transmitter and receiver.
• Move transmitter closer to receiver.
• Increase transmitter gain until T ransmitter Audio Peak light flashes
on loud peaks.
• Turn up receiver volume control as necessary.
• Turn up receiver volume control.
• Check cable connection between receiver and amplifier or mixer.
• Adjust transmitter gain as necessary.
• Adjust receiver volume as necessary.
• Adjust transmitter gain to compensate for differences between
guitar output levels.
• Replace transmitter battery.
Bursts of noise,
distortion, or other radio
signals interrupt
performance.
Momentary loss of
sound as transmitter is
moved around
performing area
(dropouts).
ANTENNA
A
RF
ANTENNA
A
RF
POWER
B
LOW BATT
POWER
• If noise occurs when transmitter is turned off, remove or turn off
nearby sources of RF (such as other wireless systems, CB radios,
etc.).
• Use a wireless system that operates on a different frequency.
• Reposition receiver and perform walk-through test. If audio
B
LOW BATT
dropouts persist, mark “dead” spots and avoid them during
performance.
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Page 7
SYSTEM AND COMPONENT SPECIFICATIONS
English
RF Carrier Frequency Range
169.445 to 240.000 MHz
Operating Range:100 m (328 ft.) under typical conditions
Audio Frequency Response: 50 to 15,000 Hz, 3 dB
Image Rejection: 75 dB typical
Spurious Rejection: 75 dB typical
System Distortion (ref. 15 kHz deviation, 1 kHz modula-
tion): 0.1% THD typical
Signal/Noise Ratio: 102 dB
Sensitivity: –1 10 dBm for 12 dB SINAD typical
Operating Temperature Range
–18° to 57° C (0° to 135° F) NOTE: Battery characteristics
may limit this range.
Battery Life: 18 hours with 9 V alkaline battery (Duracell
MN1604 recommended).
AXB1, AXB1G BODYPACK
TRANSMITTER SPECIFICATIONS
RF Output50 mW Typical
Input
Configuration
Connector Type1/4 Inch (AXB1G); 4-pin Tini Q-G
Actual Impedance 1 MΩ
Maximum
Recommended
Input Level*
Minimum
Recommended
Input Level**
Connector Pin
Assignments
(AXB1)
Connector Pin
Assignments
(AXB1G)
Dimensions64 mm H x 106 mm W x 24 mm D
Net Weight96.4g (3.4 oz.)
Power
Requirements
Nominal Current
Drain
* Gain Control at minimum
** Gain Control at maximum
Unbalanced
(AXB1)
+12 dBV
–80 dBV
Pin 1:Tied to Ground
Pin 2:Tied to +5 V
Pin 3:Tied to Audio
Pin 4:Tied to 20kΩ Resistor and Audio Ground
Sleeve: Tied to Ground
Tip: Tied to Audio
(2.52” H x 4.17” W x 0.95” D)
9 V alkaline battery (Duracell MN1604
recommended); 8 .4 V NiCd battery optional.
30 mA
AXH2 HAND-HELD TRANSMITTER SPECIFICATIONS
AXH2/58 (SM58)AXH2/31(BG3.1)
RF Output50 mW Typical (FCC); 20 mW Typical (ETSI)
Dimensions236 mm H x 51 mm D
Net Weight295g (10.4 oz.)266g (9.4 oz.)
Power Requirement9 V alkaline battery (Duracell MN1604 recom-
Nominal Current
Drain
(9.29” H x 2.01” D)
mended); 8.4 V NiCd battery optional.
30 mA30 mA
222 mm H x 51 mm D
(8.74” H x 2.01” D)
AXR3 AND AXR4N RECEIVER SPECIFICATIONS
AXR4NAXR3
Connector3-Pin XLR (Male) and
Maximum Output
Levels at 15 KHz
deviation
Nominal Output
Levels
Output ConfigurationActive BalancedUnbalanced
Actual Impedance 3.3 KΩ1 KΩ
Connector Pin
Assignments
Dimensions (AXR4N)41 mm H x 197 mm W x 138 mm D
Dimensions (AXR3) 35mm H x 152 mm W x 98 mm D
Net Weight (AXR4N)435 g (15.4 oz.)
Net Weight (AXR3)192 g (6.8 oz.)
Power Requirements12–18 VDC nominal, 200mA
Power Supply120 V or 230V AC adaptor with 2.1 mm female
AXB1G, AXB1:Accepted under FCC Parts 74 and 90. Certi-
fied by IC in Canada under TRC-78.
AXH2/31, A XH2/ 58: Type A ccepted u nder FCC Par ts 74 and 9 0.
Certified by IC in Canada under TRC-78. Conforms to
European Union directives, eligible to bear CE marking;
meets European Union Requirements. Type Approval: pr
I–ETS 300 422, BZT 17 TR 2019, and BAPT 122 R 1 . EMC
Immunity: pr ETS 300 445.
AXR3, AXR4N: Approved under the Declaration of Conformity
provision of FCC Part 15 ( AXR3) . Certified by IC in Canada
under RSS 123 (AXR4N). Conforms to European Union directives, eligible to bear CE marking; m ets European Union
Requirements. E M C I mm unit y: p r E TS 3 00 4 45. P ower supply meets Low Voltage Directive: 73/23/EEC.
Foam Windscreens (2) and Clothing Clip (WH20)RK318WS
Croakies
Croakies
Microphone and Boom Assembly (WH20)
∗Furnished in multiples of 4.
∗∗ Includes 2 tie bars and 2 windscreens.
For additional microphone service or parts information, please
contact Shure’s Service department at 1–800–516–2525 or
Shure’s website at www.shure.com. Outside the United States,
please contact your Authorized Shure Service Center.
Shure Incorporated (“Shure”) hereby warrants that these products will be free from defects in material and workmanship for a
period of two years from the date of purchase for all microphone
cartridge and housing assembly parts and, for a period of one
year from the date of purchase, all transmitter and receiver
parts. At its option, Shure will repair or replace the defective
product and promptly return it to you. You should retain proof of
purchase to validate the purchase date and return it with any
warranty claim. If you believe this product is defective within the
warranty period, carefully repack the unit, insure it, and return it
postpaid to:
Customers outside the U.S.A. should ship the product to the authorized Shure Distribution Center in their region.
Shure Incorporated
Attention: Service Department
222 Hartrey Avenue
Evanston, IL 60202-5730 U.S.A.
DECLARATION OF CONFORMITY
We of
Shure Incorporated
222 Hartrey Ave.
Evanston IL 60202–3696 U.S.A.
847–866–2200
declare under our sole responsibility that the following products,
were tested and found to comply with Part 15 of the FCC rules.
Operation is subject to the following two conditions: (1) this de-
vice may not cause harmful interference, and (2) this device
must accept any interference received, including interference
that may cause undesired operation.
Testing was completed by the following NVLAP or A2LA accredited laboratory:
ADDITIONAL INFORMATION FOR THIS SHURE
WIRELESS SYSTEM
This Shure wireless transmitter is accepted under FCC Part 74
and/or Part 90.
IMPORTANT: Licensing of Shure wireless microphone
equipment is the user’s responsibility, and licensability depends on the user’s classification and application, and on
the selected frequency. Shure urges the user to consult the
appropriate telecommunications authority before choosing and
ordering frequencies.
Changes or modifications not expressly approved by Shure
Inc. could void your authority to operate this equipment.
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