Sequential Circuits Max User Manual

V
,*'
OPERATION
IVIANUAL
iiOUEfiiiAL
-1
v
SEQUENTIAL
Publications
Department
MAX
MIDI
VOICE
COMPUTER
EXPANDER/
PERIPHERAL
CM620A
August,
1984
OPERATION
By
Stanley
Jungleib
MANUAL
,
4'
i
Sequential Sequential
POSTBUS16
3640AAMijdrecht
Netherlands
02979-6211
TELEX:
12721
SQNTL
NL
3051
North
San
Jose,CA95134-2093
First
Street
U.S.
408/946-5240
TELEX:
4997150
SEQCIR
A.
MAX
MIDI
VOICE
COMPUTER
EXPANDER/
PERIPHERAL
OPERATION
by
Stanley
Manual
Issued:
No.
October, 1984
Software
©1984
by
SEQUENTIAL
All
rights
MANUAL
Jungleib
CM620A
Release:
CIRCUITS,
reserved.
PSIXO
0 0
INC.
CM620A
10/84
TableofContents
page
Preface
SET-UP
BASIC
SONG
INSTRUCTIONS
1.
Connect
2.
Connect
3.
Power
Set-Up
k.
Initial
5.
Master
PLAYING
1.
Play
2.
Select
3.
Tune
4.
Transpose
Sound
PLAYBACK
1.
Start
2.
Stop
3.
Play
*.
Display
5.
Adjust
6.
Adjust
7.
Change
8.
Transpose
9.
Erase
10.
On
Diagram
Tuning
the
Sounds
Names
Live
Speed
Volume
Track
Erase
Song
Audio
Power
Tune
Keyboard
Transformer
Chart
FUNCTIONS
withaSong
Track
Track
Sound
Sound
Number
k
4
k
*
4
5
5
5
6
6
6
6
6
7
8
8
8
8
8
9
9
10
10
11
11
MAKING
SONG
SONGS
1.
Maximum
2.
Erase
3.
Set
4.
Record
5.
Overdub
EXAMPLE
"MAXimum
TROUBLE?
GENERAL
DESCRIPTION
MAX
Memory
Demo
Recording
Songs
Speed
Basic
Track
Tracks
Blues"
Block
Diagram
Capacity
12
12
12
12
12 13
14
16
20
21
22
CM620A
10/84
This
manual
MAX.
capitals.
For
begins
quick
Explanatory
with
the
procedures
scanning,
control
information
Preface
needed
names
is
indented
areinbold
to set-up,
and
under
the
play,
instructions
instructions.
and
create
are
printed
songs
with
all
in
General
remarksonthe
21).
NOTE:
the
WARNING!
anything.
NOTE:
1.
CAUTION!Ifyou
NOTE:
and
For
all
MAX
MIDIGUIDE
Switch
See
figureonpage
CONNECT
For
best
adequate
The
MAX
back
interfacing
THE
power
panel.
functional
and
programming
(MG620).
SET-UP
power
AUDIO
are
fidelity,
ratings.
hasamonaural
offtoall
5.
OUTPUT.
usinganexternal
the
amplifier
(mono)
designofthe
MAX
information
INSTRUCTIONS
equipmentinuse
amplifier,
and
audio
switch
speakers
output
follow
the
(including
before
must
connectingordisconnecting
the
amplifier
haveafull
available
from
instructions
Computer
power
frequency
three
(see
page
Load),
off.
see
range
jacksonthe
2.
CONNECT
3.
SWITCH
The
Main/Headphone
most
instrument
Main/Headphone
both
sidesofthe
TheAandB"RCA/phono"
andR"auxiliary'1
POWER
Connect
Check
Plug
that
the
transformer
POWER
Switch
Switch
the
amplifier
TRANSFORMER.
the
transformer
the
MAX
transformer
requiresnogrounding.)
ON.
MAX
jack
drivesastandard
amplifiers.
jack.
headphones.
Since
this
jacks
or
"monitor"
Power
inputsofa
cabletothe
switchisoff.
intoapower
Power
poweron(if
switchtoOn.
used).
mono
But
you
can
plug
jackisa
tip-ring-sleeve
acceptastandard
component-type
PowerInjackonthe
outletofthe
phone
stereo
dual
cable
headphones
cable
stereo
correct
usedtoconnect
into
(TRS)
MAX.
type,itdrives
for
driving
amplifier.
voltage.
the
the
L
(The
(Later,
then
CM620A
when
switch
10/84
you
off
the
are
done
MAX.)
playing,topreventa"pop"
switch
*
off
amplifier
power
first,
NARNIN6!
Switch
(included)
SET-UP
power
offtoall
TRANSFORMER
Connect
to correct
U.87Japan:
11SV.
power
Europe:
DIAGRAM
equipmentinuse
source
230V.
before
connectingordisconnecting
TO
INSTRUMENT
AMP
anything
TO
HEADPHONES
4.
OBSERVE
When
INITIAL
you
TUNING.
apply
power,
numbers1through6appearinthe
the
synthesizer
the
MAX
and
When
indicates
is
initial
that
selected.
Song1and
voices
the
recorder
tuningisdone,00appearsinthe
the
MAXisreadytoplay,
Stop
are
5.IFDESIREDTOADJUST
OR
UPPER
CAUTION!Toprotect
while
NOTE;
Volume
playing,
Track
The
pitch
toanacoustic
Volume
will
change
piano,
speakers
For
and
gradually
best
signal-to-noise
lower
the
raiseitto
amplifier
SWITCHES.
the
are
will
also
lit.
MASTER
very
for
example.
(and
the
ratio
level.
LEDs
for
Sound
tuning.
This
This
not
operate
means
TUNE,
slowly.
ears!),
Use
first
desired
when
Tracks
Selection
takes
that
HOLD
this
about20seconds.
during
and
that
the
Record
"hidden
lower
level.
using
external
1-6
multi-track
lightinsequenceasthe
display.
tuning.
Sound
sound
This
Selection
number00(Full
recorderisready.
AND
PRESS
function11totune
Master
Volume
amplifiers,
indicates
You
can't
display.
THE
LOWER
the
all
the
way,
raise
that
play
This
Organ)
MAX
then,
Master
CM620A
10/8*
1.
PLAY
THE
KEYBOARD.
BASIC
PLAYING
2.
When
whichissound
sound.
As
indicate
the
keysatonce.Ifyou
computer
For
B.
normally
assignedtothe
computer
TO
SELECT
The
rangeofinstruments
Specialist,
SOUNDS
the
you
play
Thisiscalled
you
play
the
voice
voicestothe
assigns
example,
Notice
play
that
theCdisappears
operates
assigns
SOUNDS:
MAX
is
"ready-to-play,"
John
chartonthe
sounds
are
organized.
the
number
keys,
assignment.
most
the
earliest-used
the
ENTER
Bowen,
keyboard,
the
00.Atthis
homophonic
the
recently-played
play
voicestoonly
and
holdC,D,
(same-sounding)
Track
While
more
when
on a
"last-note
voice.Ifyou
same
voice.
TWO
DIGITS
with
and
effects.
with
some
MAX
control
A
complete
MAX.
LEDs
you
than
the
E, F,G,A. Listen
priority"
80
p^nel
should
point
all
show
play,
keys.
six
latest
you
play
strike
USING
permanent
Most
contributions
lists
list isonthe
now
six
track
mode.
which
the
computer
You
can
keysatthe
six
keys.
carefully
theB.In
system:
the
same
THE
SOUND
sounds.
were
createdbySCPs
from
the
general
next
produceanorgan
voices
voices
playamaximumofsix
same
other
each
SELECT
These
other
play
are
active.
continuously
time,
while
also
words,
new
note
key
repeatedly,
KEYPAD.
presentawide
SCI
categories
page.
sound,
this
same
These
assigns
then
the
played
the
pressing
MAX
the
Product
staff.
into
The
which
is
To
selectasound,
SELECT
enter
NOTE:Assound
by
an
external
does
not
respond.
see
the
MAX
3.
PRESS
Tune
After
This
numerical
the
next
"locations"
MIDI
For
MIDIGUIDE.
OCCASIONALLY.
you
have
occurs
instruments,
periodically
stabilize,
*.TOTRANSPOSE
Hold
Pressakey
Release
To
cancel
(This
so
MAX:
Transpose.
relativetoC.
Transpose.
the
affects
simply
keypad.
digit,
the
80-99
device),
more
information
played
because
are
affectedbytemperature
as
the
MAX
retiming
(MAX
transposition,
live
playing
enter
sound
when
forawhile,
MAX
won'tberequired
contains
warms-up.
is
and
the
corresponding
The
first
digit
switchestothe
are
normally
you
try
to
enteranumber
on
loading
you
analog
After15to20minutes
very
transposed
transpose
song
the
playback.)
two
appearsinthe
new
selection.
empty
may
(unless
these
sound
notice the
oscillators
changes.
often.
up
to
the
selected
keyboardtoC.
digits
from
locations
voices
which,
You
using
left
they
have
80-99
going
like
may
place.
been
by
outoftune.
ail
needtoretune
the
interval.)
the
SOUND
When
you
loaded
the
keypad
computer,
acoustic
oscillators
CM620A
10/S4
SOUND
NAMES
Organ
^^
OP""
00
-
01
-
02
-
03
-
04
-
05
-
06
-
07
-
08
-
09
-
Brass
10
-
11
-
12
-
13
-
14
-
15
-
16
-
17
-
18
-
19
-
Full
Organ
Percussive
Percussive
Organ
Light
High
Organ
Percussive
Fast
Leslie
Chorale
Chorale
Brass
Brass
Brass
Cornet
Brassy
Punchy
Organ
Organ
Flutes
Leslie
Flutes
Organ
Organ
Organ
I
II
with slow
with
vibrato
high
brass
Digi-horn
Concert
Concert
Brass
Brass
I
II
Tuba
I
II
III
I
II
attack
Bass/Percussion
-
40
41
42
43
44
45
46
47
48
49
String
-
String
-
Res-bass
-
Res-bass
-
Clav-bass
-
Synth-bass
-
Snare
-
Log
-
Bass
-
Syn-Tom
Synthesizer
-
50
51
52
53
54
55
56
57
58
59
Synth,
-
Loris
-
Pulse
-
Seraphim
-
Echo
-
Full
-
Razor
-
Poly
-
BezMod
-
Plucky
BassI.
Bass
I II
Drum
Drum
Drum
I
with
Width
I
Synth.
Sharp
Glide
II
resonance
Mod.
I
Strings/Woodwinds
20
-
Strings
21
-
Strings
22
-
Strings
23
-
Strings
24
-
String
25
-
Pennywhistle
26
-
Clarinet
27
-
Woodwind
28
-
Woodwind
29
-
Flute
Keyboards
30
-
Piano
31
-
Clavet
32
-
Harpsichord
33
-
Piano
34
-
Electric
35
-
Synth-clav
36
-
Synth-clav
37
-
Acoustic Piano-Part
38
-
Acoustic
39
-
Deep
I
II
III
IV
Swell
I
II
I
II
Piano
I
II
Piano-Part
Clav.
1
2*
Synthesizer
60
-
61
62
-
63
-
64
-
65
-
66
-
67
-
68
-
69
Special
70
-
71
-
72
-
-
73
74
-
75
-
76
-
77
-
-
78
79
-
II
Pleides
Zarene
Harp
Echo
II
High
3osef
Ariel
Power
Pack
Vocalings
Pulse
Miridium
Effects
Wind
Meow
Space
Percussive
Chirp
UFO
Square
Space
Alien
Alien
Width
Chimes
Dive
Chimes
Wind
Noise
Wave
Mod.
II
I
Spacey
II
♦For
use with
CM620A
//38
10/84
over
MIDI.
Computer
80-99
Load
(see
MAX
MIDIGUIDE)
SONG
PLAYBACK
FUNCTIONS
Before
explainedinthis
NOTE:
track
demonstration
the
available
instructions
1.TOSTART
2.TOSTOP
tryingtorecord
section.
The
MAX
volume,
MAX
is
when
does
while
songs
properly
power
below.
PLAYBACK:
a.
Stop
mustbelit.
b.
Press
Start.
PLAYBACK:
Songs
"loop."
in
plays,
2isnot
you
always
During
the
song.
all
Track
reallyasong,
can
start
songs,
not
remember
powerisoff.
are
automatically
connected
goes
SELECT
Select
The
selected
PRESS
repeat
playback,
For
example,
LEDs
and
on,wewill
Song1or
Stop.
continuously
those
Demo
are
lit.
butasound
the
other.Inother
familiarize
songs nor
But
every
created.
operating
DESIRED
song
starts
Track
yourself
any
time
You
correctly.
use
these
SONG THEN
Song
2.
playing-back.
until
stopped.
LEDs
Song1uses
Demo
Song
2 also
effects
words,toswitch
piece.)
with
song
the
playback
adjustments
suchasspeed
powerisswitched
can
play
"demo"
light
for
all
six
uses
You
songs,
these
Because
songs
PRESS
Each
tracks
tracks.
all
must
songstoshow
they
for
examplesinthe
Start.
repetitioniscalled
which
While
six
tracks.
stop
Stop
mustbelit.
on,
are
Demo
one
functions
or
two
short
that
are
always
a
recorded
Song
(Demo
song
Song
before
1
At
the
endofeach
3.
DURING
KEYBOARD
SONG
"LIVE,"
If
any
trackisnot
demo
track
songs
(see
PLAYBACK,IFANY
USING
use
page
4.TODISPLAYATRACK'S
loop,
THE
lit,
all
tracks,
11).
CURRENT
SWITCH.
If
you
have
just
switchedonthe
Did you
organ
(as
each
For
the
Track
notice
sound?
that
although
Thisisbecause
opposedtohomophonically).
track.
example,
sound
switch,
with
(Bass
Drum)
the
Song1lit,
display
is).
the
Track
SOUND
this
trackisavailable
you
LEDs
TRACKS
WHICHISCURRENTLY
can't
SOUND
MAX,
the
MAX
the
multi-track
Songs
which
Track1usesinDemo
press
Track1.48
returnsto00
blink.
ARE
NOT
for
live
play
along
NUMBER:
for
example,
displays
can
(or
00,
recorder
have
different
appears.
whatever
LIT,
YOU
CAN
PLAY
SELECTED.
accompaniment.
with
them
PRESS
the
neither
operates
until
THE
sound
demo
sound
Thisisthe
Song1.When
the current
Since
you
DESIRED
selectionis00.
song
multi-timbrally
selections
number
you
release
sound
THE
both
erase
a
Track
uses
this
for
of
the
selection
Press
have
CM620A
the
these
10/84
other
Track
sounds:
switches
and
you
8
learn
that
for
Demo
Song1the
tracks
Track
2
3
5
6
With
Song2selected,
in
Demo
Song
2:
Sound
Number
48
46
44
07
07
64
press
the
Sound
Name
Bass
Snare
Clav
Fast
Fast
High
Track
switchestodisplay
Drum
Drum
Bass
Leslie
Leslie
Josef
the
sound
assignments
Ifatrack
continuestoshow
unrecorded
number.
5.TOADJUST
a.
With
lower
is
b.Toraiseorlowerbyone
The
have
Speed
displayed.
song
switched
Track
1
2
3
4
5
6
has
not
tracks
PLAYBACK
the
desired
switches.
always
playsatthe
power
Sound
Number
77
79
79
78
70
52
been
(which
SPEED:
song
recorded,
the
current
are
selected
When
speed
off).
Sound
Name
Space
Alien
Alien
Alien
Wind
Pulse
available
USE
THE
(whether
you
press
increment,
Chimes
Wind
Wind
Width
when
sound
for
SPEED
either
II
Mod
you
selection.
live
playing)
SWITCHES.
startedorstopped),
Speed
tap
either
speedtowhichitwas
I
press
its
switch,
This
demonstrates
use the
hold
switch,aspeed
Speed
last
switch.
adjusted
the
display
that
current
the
value01-
sound
upper
(unless
you
or
61
For
example,
from
04.04is
gets
faster.Toreduce
Now
select
valueof06.
select
the
Demo
Song2and
6.TOADJUSTATRACK
OR
HOLDING
a.
b.
c.
volume
Track
d-
CM620A
EITHER
Start
playback.
Hold
oneofthe
Use
the
switch,
Volume
To
raise
10/84
Track
upper
or
the
switch,
or
lower
Song1.Press
initial
speed
speed, hold
adjust
VOLUME:
Volume
lit
Track
lower
MAX
the
by
one
HOLD
SWITCH.
switches.
Track
displays
MAX
volume
the
upper
valueofDemo
the
lower
its
Speed
Speed
speed.
DESIRED
Volume
a
displays
switches.
volume
value
the
track's
increment,
9
switch.
Song1.If
switch.
Notice
Track
thatithasaninitial
SWITCH
When
00-15.
sound
tap
the
Track
The
display
the
songisrunning,
WHILE
you
press
When
you
counts
TAPPING
either
release
number.
Volume
switches.
up
it
speed
track
the
e.
The
you
track
have
switched
always
plays
power
at
the
off).
volume
to
which
it
was
last
adjusted
(unless
During
example,
Volume
from
"muted."
hear
whenatrack
switch
(Each
adjusted,
Adjust
or
demphasize
SELECT
NEwfoCND^01^'5
a.
Select
b.
Press
they)
If
the
blinking.
playback
start
switch.
15.
When
Now
the
lead
and
the
song
has
song2is
the
volume
song.
the
blink,
Trade
too.
song
Ignore
you
can
adjust
Demo
it
stop
line.
appears
upper
any
Song
1.
Hold
The
volume
reaches
Demo
Keep
to
Track
independent
not
affected.)
of
the
of
the
of
00,
you
Song1and
this
in
be
off.
Volume
volumes.
other
tracks,
tracks
S°UND* SWITCH
Stop
or
Start
switch
is
playing,
this.
(You
can
for
the
when
the
will
learn
the
"mixture"
Track6(which
the
lead
line
drops
can
not
hear
start
it
again.
mind
asareminder
Now
raise
the
switch.
In
other
in
Demo
to
make many
*****
be
lit.
Switch
track
current
more
Record
(or
tracks)
loop
below
of
the
track
is
lit)
and
as
the
display
the
track
Track6is
to
volume
words,
Songs1or
variations
°N'
SELECT
on.
you
ends,
about
this
and
check
of
track6by
if
song1volumes
2.
You
of
one
It
blinks.
want
the
Record
indication.)
volumes.
the
it
lit,
but
the
track
can
song.
TRACK(S)'
to
change.
For
lower
counts
is
Track
down
said
to
be
you
do
not
volume
holding
its
are
emphasize
THEN
It
(or
LED
stops
c.
Enter
already
try
several
d.
Switch
e.
Start
Experiment
changes
a.
Start
b.
Hold
f•Select
(The
the
two
displayed).
sound
Record
playback.
(by
simply
the
song.
Transpose.
the
transpose
For
example,
pressing
selections.
off.
The
with
changing
pressing
transP°se
rangeisone
any
digits
While
for
the
Record
tracks
now
the
track's
the
interval
octave
pressing
B-flat
anyFtransposes
transposes
desired
is
on
have
sound
or
the
the
new
sounds
Track
switches).
by
pressing
above
the
upaminor
(even
Track
sound.
in
the
THEN
a
key
original
7th,
if
LEDs
two
demo
PRESS
in
relationship
key.)
upaperfect
andsoon.
the
sound
are
blinking,
songs.
A KEY
number
Verify
WHICHIS
to
Middle
fourth,
is
you
can
the
C.
while
d.
goes
C
CM620A
The
song
off).
(hold
Transpose
10/8*
plays
To
cancel
as
transposed,
the
transposition,
and
press
any
until
C).
you
simply
10
cancel
transpose
the
transposition
the
song
(or
back
to
power
Middle
9.TOERASEATRACK
SWITCH.
a.
Select
b.
The
c.
Press
d.
Press
stops.
song.
song
can
the
Erase
the
switch
be
FROMASONG:
running
switch.Itblinks.
for
or
the
track
SWITCH
stopped.
you
Erase
ON,
THEN
'
wanttoerase.Ifthe
PRESS
song
was
THE
Track
running,
it
CAUTION!
may
lose
MIDIGUIDE.
When
your
e.Toerase
For
example,
unrecorded
When
accidentally
When
10.
TO
ERASEASONG:
a.
Select
b.
Either
c.
Press
CAUTION!
When
Erase
songs.
Eraseison,besuretopress
you
erase
song
StoporStart
the
Erase
blinks,donot
For
more
another
tracktouse
eraseapart
track,
select
the
Demo
last
SWITCH
you
wanttoerase.
canbelit.
Erase
switch.Itblinks.
blinks,donot
press
informationonMIDI
repeat
any
from
step
Song1and
for
live
playing.
the
you
wantedtokeep.
trackofa
Erase
song,
ON,
THEN
press
any
SOUND
SOUND
b.
erase
correct
the
speedisnot
PRESS
SELECT
SELECT
coded
switches.
functions,
track6.You
Track
THE
switch,oryou
erased.
SONG
switches.
If
you
do,
see
the
now
have
SWITCH.
you
MAX
an
may
d.
Press
e.
Press
NOTE;Asdiscussed
erase
onlybemakinganoverdub
the
two
Erase
back!
Erase
speed
speedto33.
CM620A
10/8*
the
song
switch.
Start.
demo
both
both
settingof32.
Nothing
in
the
next
songs
over
demo
demo
songs.
songs
before
plays,
proving
section,
you
can
the
demo
Switch
again.
Unlike
Now
erasingasong's
that
every
time
create
songs.
power
off,
press
11
the
songiserased.
you
switch
your
own
songs.
then
back
the
lower
last
Speed
track,
power
on,
you
Otherwise
on.
The
demo
switch.
erasingasong
This
must
first
you
will
songs
displays
are
sets
the
a
MAKING
SONGS
Having
NOTE:
is
more
any
disconnect
MAX
1.
RECORD
covered
Remember
erased.
Therefore
information,
song
into
on keeps
THE
MAX
MODE
You
erasing
the
that
see
which
it,
andb)trust
the
songsinmemory.
STORESAMAXIMUMOF500
SWITCHES
can
create
the
playback
you
you've
other
2.TORECORDANEW
Because
to
the
Whenever
volumes
sound.
the
demo
specifically
previous
page.)
you
are
settothe
For
more
functions,wenow
whenever
may
the
MIDIGUIDE.)
ypu
switch
wanttouseanexternal
It
turntorecording
power
off,
maybea
putalotofwork.Ifyoua)trust
your
power
OFF
AUTOMATICALLY.
more
SONG:
erase
spacebyerasing
song
entirely.
FIRST
songs
are
them
before
eraseasong,
valueofthe
information
sourcetoremain
This
costs
about
NOTES.
undesired
ERASE
created
the
on
sound
CURRENT
each
time
you
can
makeasong.
speedisinitially
voice
volume
parameters,
all
MIDI
good
two
cents
WHEN
SONG.
you
setto33
see
and
overdubbing.
song
informationinthe
device
ideatoat least
someonetonot
uninterrupted,
tracksineither
for
song
storage.
audio-record
accidentally
leaving
per
day.
CAPACITYISREACHED,
song,orby
switch
power
(For
on,
instructions,
(medium).
parameterofthe
the
MIDIGUIDE.)
MAX
your
you
have
(All
track
selected
(For
see
3.IFDESIRED,
If
have
you the
*.TORECORD
The
song
ADJUST
you
leave
enough
know
speedtoabout10or
BASIC
basic
length.
foundations
a.
Select
b.
Select
c.
Switch
d.
One
for
the
e.Ifyou
and
sound
Record
track
basic
decidetonot
SPEED
the
recording
speed
that
you
TRACK:
trackortracks
Therefore
ofasong,
erase
desired
on.Itblinks.
can
only
track,
CONTROL.
speed
control
are
rangetoallow
goingtowanttosignificantly
20.
Then
are
you
usually
butofcourse
Song1or
for
this
play
one
switchonadditional
record,
setto33
you
will
the
first
use
the
you
Song
2.
first
trackortracks.
Track1blinks.
noteata
(the
the
have
recordedina
basic
can
record
time.Ifyou need
Track
you
can
switch
Record
"default"
songtoplay
value),
really
increase
ample
rangetospeed
song.
tracks
for
the
anything
more
switches
(2,3,etc.).
off
now.
you
may
quickly.Soif
the
speed,
preset
things
They
determine
rhythmicorbass
you
want.
than
one
voice
not
up.
the
f.Tobegin
But
CM620A
actual
10/84
recording,
recording
press
has
not
Start.
Record
yet
started.
12
lights
solidly,
indicating
record
mode.
g.
Play
first
note
the
notes
you
for
play.
the
basic
track(s).
Recording
starts
automatically
with
the
i.Tostop
1.
or,
NOTE:Ifthe
loop little
5.TOOVERDUB
You
can
beginning,
Method
1
a.
b.
c.Ifdesired,
d.
playing
e.
2.
in
correct
practice
overdub
whenitis
Select
Adjust
Select
liveonthe
Switch
recording,
Press
Press
endingofthe
to
TRACKS:
either
stopped
and
start
playback
adjust
the
sound
Record
in
time
Record,
Stop.
time.
get
while
switching
The
tracks
To
correct,
used
the
(Method
song.
speedtodesired
volumesoftrack(s)
desired
keyboard.)
on.Itblinks.
with
the
desired
it
off.
do
not
playback.
song
was
not
erase
to
endingasong
soneisin
2):
for
playback
rate.
this
overdub.
ending,
The
track(s)
(If
recorded
the
track
at
the
(Method
which
are
(You
either:
play
back,
desired,
correctly,
and
correct
press
the
re-record.
time.)
1),orexactly
playing
can
back.
try
various
Start.)
song
will
not
(It
may
take
from
sounds
the
by
a
f.
Note:
current
keyboardisignored.
g.
exactlyatthe
h.
i.
overdubbed
j.Tooverdub
Method
2
a.
b.
c.
d.
Switchondesired
Record
loop.
While
When
Play
Select
Switch
Switchontrackstobe
this
the
Hold
key(s)
and
During
Record
startofthe
loop
overdubbed
tracks
more
the
song.
Record
for
overdub
these
this
blinks,
ends,
Record
play
back
tracks,
on.
downbeat
tracks.
Track
part
switches
first
loop,
hold
keys
song.
lights
through
with
the
repeat
recorded.
from
note(s)
now
while
(if
Record
for
any
and
recording
the
current
others.
step
any).
blink,
b.
but
blinks,
notes
begins
loop.
only
anything
which
you
when
When
until
the
endofthe
playedonthe
wanttorecord
you
play.
the
loop
ends,
the
e.
Press
Note
recorded.
follows.)
CM620A
thatispossibletooverdub
(For
10/84
Start.
more
practical
notesona track
information
on
overdubbing,
13
which
you
have
see
already
the
example
already
which
This
section
demonstrate
We
choosea12-bar
this
form.
shows
the
SONG
howtomulti-track
various
bluesinF,
techniques
becauseawide
recordacomplete
used—whether
EXAMPLE
song,
you
wanttoworkonBachorrock.
cross-section
"MAXimum
of
players
Blues,"
are
familiar
to
with
Before
voiceata
NOTE:
MAX
1.
attemptingtorecord
For
MIDIGUIDE.
DECIDE
As
soundatany
the
you
We
2.
ESTIMATE
time
(see
page
16).
instructions
THE
BASIC
you
know
interaction
play
it.
choose
the
Track
Track
Track Track
Track
Track
THE
NUMBEROFNOTES.
on
synchronous
ARRANGEMENT
from
reading
time.
Yetitis
between
following
1
2
3 4
5
6
42
07
07 07
60
11
the
song,
the
besttorecord
the
characteristics
sounds:
you
may
wanttopractice
MIDI
AND
playback
operation
SOUNDS.
instructions,
using
of
Res-bass
Fast
Fast Fast
Pleides
Brass
I
Leslie
Leslie Leslie
II
with
the
the
sound
the
partsatleast
the
Drumtraks,
you
can
changeatrack's
desired
and
sound,
the
exact
one
see
the
because
way
of
that
3.
ERASE
4.
SET
Youdonot
you
haveinmind
find
four
notes,
-weil
record
We
under
SONG.
are
blinks.
2isempty,
SPEEDTO15.
Of
courseamain
slower,
changeasthereiswith
To
increase
initial
the
value
needanexact
won't
notes
per
bar,
makingatotalof93
the
limit
under
This
speed
track
goingtouse
means
press
error-free
the
value.
from33to
Sforasa
song2.With
"Warning."
Start—nothing
benefitofusing
speed,
maximum
For
15.
count,
exceed
just
500
notes.
enough
foratotalof48.
(48+45).
and
with
Track5has
enough
second
Stop
Press
then
audio
tape).
playback
this
example,
Song2.Erase
happens.
the
recorderisthat
raise
the
speed
speedofthe
press
information
to
Lookingattrack1of
Tracks
extra
song
lit,
the
2, 3,
30.
This
for
anything
press
Song2.Switch
turns
for
playback
song,
lower
and4each
makes
off.Toverify
you
can
(without
recorditwithalow
Speed
switchtodecrease
tell
you
that
the
score,
have
123
total
you
may
Erase
that
recordata
any
what
we
fifteen
notes-
want
to
on.
It
song
much
pitch-
CM620A
10/84
14
5.
TUNE
UP.
6.
SELECT
7.
SWITCH
8.
START
9.
PRESS
Don't
This
Record
Record
Especially
atasteady
but
synchronize
Record
forgettopress
SOUND
bass
Record
YOUR
42.
soundisused
ON.
and
Track1both
back
off at
METRONOME.
when
rate.
unless
Start.
you
the
goes
solid.
laying
If
remember
other
Tune
occasionally.
for
recording the
blink.
this
point.
downabass
you
vary
the
exactly
trackstoit.
basic
If
you
decide
line
such
timing
what
of
this
you've
trackontrack
to
not
record,
as
this
track
part,
done
it
it
may
may
it
be
1.
you
can
switch
is
important
sound
nice
impossible
to
play
by
itself
to
later
10.
PLAY
11.
PRESS
LOOP.
THE
THE
BASS
Because
higher
on
to
than
placing
press
Record
BASS
Recording
accurately.
after
(which
others
track,
records
articulation,
too
counting
becomes
During
playback
do
if
legato,
LINE.
this
sound
written.
the
notes
the
Record
EXACTLY
LINE
PLAYS
the
ending
Itiseasytodo
1,
2,
the
you
not.
This
you
press
the
last
key
you
have
either.
is
very
Recording
directly
switch.
3,4for
first
may
results
two
played.Toensure
to
low,
on
ON
WHAT
BACK.
is
very
but
may
measure
beat
of
hear
from
keys
at
be
careful
you
should
starts
each
with
beat.
WILL
important
takealittle
12,
measure
that
some
playing
the
same
to
play
the
When
BE
THE
press
1).
notes
two
keys
time,
that
play
very
to
it
on
the
keyboard
first
note
you
play.
you
get
to
measure
FIRST
makingaloop
practice.
Record
have
at
however
each
cleanly--not
BEAT
All
you
on
beat1of
an
initial
once.
When
briefly,
note
receives
staccato,
OF
that
havetodo
"pluck,"
recording
the
one
octave
Concentrate
10.
prepare
c—c—
THE
NEXT
repeats
is,
measure
13
while
one
MAX
its
only
proper
but
not
CM620A
10/8*
15
n
2
8
o
00
Blues—Any
F7«9
Tempo
Improviseonblues
scale:
Bb13
MAXIMUM
F7«9
BLUES
F7#9
Bb13
Bb7
ty
Stanley
2/.
1/_
[♦Player/Sound
Number]
CM620A
10/84
17
O
E
12.IFTHE
RECORD.
The
track.Itis
right.
If
you
speedisinitialized
BASIC
only
TRACKISNOT
waytocorrectanendingisto
worthittobepatient
erase
just
track1,the
to
speed
33.
CORRECT,
erase
and
take
the
remains
setto15.
ERASE
THE
the
track
timetoget the
Butifyou
TRACK,
then
re-record
basic
erase
THEN
track
the
song,
RE-
the
just
13.IFTHE
OVERDUBBING
To
There
We
BASIC
TRACK
makeaclean
are
will
record
and4fromastop
14.
JUST
15.
SWITCH
AFTER
At
this
THE
point
Track2ON.ITBLINKS,
After
current to recorded. Butifyou
automatically
(This
activate
the
you
loop.
record.Ifyou
autocorrect
Record.Onfollowing
start of
TRACK
2).
two
waystodo
track2with
(Method
LOOP
the
songisin
press
Track2,Record
The
recorder
recorded
downbeat
the
song.)
IS
CORRECT,
opening,
you
this;
the
2).
STARTS,
SWITCH
playback.
TOO.
plays
hit
the
keyboard
playorhold
exactlyonthe
recording
SELECT
should
either
song
record
with
the
running
Record
continuestoblink
through
any
loops,besuretoplay
the
while
is
the
keysatthe
first
only
possible
SOUND
overdubs
song
running,orwithitstopped.
(Method
ON.
only
looptogive
LEDs
endofthis
beatonthe
on the
NUMBER
with
start-correction.
1),
then
record
through
you
are
new
overdub
the
timetoget
blinking,
loop,
recording
first
loop
notes
07
(FOR
tracks
3
endofthe
ready
nothing
they
after
just
is
are
loop.
you
after
16.
WHILE
IS
AN
STARTS.
17.
WHEN
AUTOMATICALLY.
18.IFTRACK2IS
19.
WHEN
CM620A
RecordISBLINKING,
"A").
WHEN
PLAY
THE
THE
THROUGHTOTHE
END
NOT
You
can
play
being
This
recorded.
TRACK2IS
makesiteasiertohear
10/84
HOLD
BEGINNING
(OF
THE
BASIC
CORRECT,
the
keyboard
RECORDED,
THE
OPENING
OF
THE
SONG
END.
TRACK)
ERASEITAND
now,
LOWER
the
bass
using
voices
ITS
VOLUMETOA
line
when
18
NOTE
COMES
APPEARS,
FOR
AROUND,
TRACK2PLAYS-BACK
RE-RECORD.
(tracks)
overdubbing
3-6,
TRACK2(WHICH
RECORDING
without
VALUEOF8.
tracks3and
anything
4.
20.
STOP
THE
SONG.
The
advantageofrecording
simultaneously
create
one
trackata
PREPARETORECORD
you
can
add
time.
more
rhythmic
than
TRACKS3AND
one
trackata
nuances
which
4.
timeisthatbypiaying
maybemore
difficult
to
21.
THE
22.
SWITCH
23.
SWITCH
Note
exactly
no
they
you
(because
If
best
record
same
If
Tracks1and2light
that
since
which
effectonthe
may
exchange
makeanerrorinone
you
this
pointisunclear
apply
SOUND
you
Record
TRACKS3AND4ON.
your
notesonone
loop.Ifnecessary,
SELECTIONISSTILL
wishtochange
tracks1and2were
notes
bass
can't
always
own
ON.
each
parts,
keyboard
track
the
because
recordedondifferent
track
line.
now,
you
sound,
plays.Ifyou
But
when
dependingonexactly
part,
you
predict
withalittle
technique.
"in
sync"
can
07.
they
two
may
which
with
later
change
you
candoit
have
already
havetoerase
track
another
erase
tracks
are
how
records
more
The
practice
best
trackisto play
the
track's
now.
been
track2,for
recordedatthe
you
play
both
which
waytomake
example,
the
tracks
note.)
you
will
sound.
recorded.
loops,
you
know
this
has
same
time,
keyboard.Soif
and
start
over
learn
how
sure
that
you
them
allinthe
to
They
blink
2*.
HOLD
THE
OPENING
Although
recording
you
starts
Recording
beat,
without
25.
PRESS
Start.
THROUGHTOTHE
26.
FOR
ABOUT
27.
SELECT
Again,
8.
when
BETTER
SOUND
because
from
your
they
are
NOTES
play
the
when
FOR
keyboard,
you
press
stopinthis
needingtolistentothe
RECORDING
END.
the
endofthe
BALANCE,
NUMBER
ADJUST
60,
readytorecord.
TRACKS3(E-FLAT)
nothingisheard.
Start.
way
starts
all
opening
entire
STARTS
song
IMMEDIATELY.
occurs,
all
recorded
VOLUMESOFTRACKS3AND*DOWN
FOR
TRACK
5.
and4(G-SHARP).
Butbeprepared,
notes
song
tracks
exactlyonthe
loop.
PLAY
play
PARTS3AND
back.
because
first
*
TO
28.
RECORD
STOPPED
CM620A
10/84
THE
METHOD.
MELODY
FOR
TRACK5,USING
19
EITHER
THE
RUNNING
OR
29.
AFTER
30.
WITH
TO
TRY),
RECORDING,
You
can
turnitall
melody.
THE
SONG
AND
PLAY
ADJUST
the
way
PLAYING,
ALONG
SELECT
LIVE
VOLUMEOFTRACK
down,togive
SOUND11(OR
WITH
THE
youaversionofthe
SONG.
5.
ANYTHING
song
ELSE
without
YOU
the
WANT
Or,ofcourse,
include
harmonic
31.IFDESIRED,
Now
32.
FOR
PRACTICE,
Erase
Change
Try
insteadofthe
Record
Power
If
the
MAXisreceiving
MAXisnot
plugginginother
fusetocheck.
percussion,analternate
density.
TRANSPOSE THE
you
can
the
song
the
sounds
recording
your
switched
equipment.
you can
haveablues
TRY
THE
anddoit
for
tracks2,3,
held
chords.
own
harmonies
record
SONG,
versioninany
FOLLOWING:
all
again.
any
track.
and4allatonce—inserting
and
TROUBLE?
power,itdisplays
on,orpowerisnot
Examine
track6,too.
bass
line,analternate
key.
melodies
sound
reaching
the
transformer
Possibilities
over
the
numbers.Ifno
the
unit.
rhythm
bass
line.
LEDs
Check
cable
for
for
this
track
melody,oreven
and
syncopation
are
lit,
either
the
power
damage.
source
Thereisno
might
more
the
by
Audio
If
the
Sound
turned
connecting
cable
input
Control
If
error.Ifnecessary, moments,
If
with
suchasanother
the
keyboardorcontrols
the
recorder
enabled.Ifthe
speedof00.Todisable
press
the
If
the
keyboard
31.
This
(For
more
CM620A
Selection
up.
Check
stereo
one
known
display
that
track
headphones
to
be
synthesizer
back
on.
reset
Note
does
not
MIDI
the
that
work,
clock
MIDI
lower
enables
10/8*
Speed
does
information,
switch.
not
play
"local
control"
see the
lights
volumes
directlytothe
good.
"lock
this
has
clock
and
butnosoundisheard,
are
not
set
too
output.
Check
or
tape
up,"
computerbyswitching
erases
check
been
(and
you
if
it
has
your
amplifier
deck.
check
any
that
enabled,
want
somehow
that
song
information
the
MIDI
pressing
restore
to
the
try
to
been
you
save
MIDIGUIDE.)
20
check
low.
Try
substituting
by
are
power
clock
either
internal
songs,
turned
that
Test
the
tryingahigh-level
not
makinganoperational
off,
then,
in
memory.
has
not
Speed
clock),
press
off.
Master
Volume
is
synthbysimply
the
audio
output
audio
afterafew
accidentally
switch
hold
Record
Erase
then
been
displays
a
and
enter
A
compact,
only
by a
diagram
voices,
audio
The
output,tosee
audio
homophonic
MAX's (or
noise)
which
three frequency,
be
oscillator
from
(FM).
A
memory.
contours
inverted.)
the
Frequency
voice
words,
ROM).
sounds
SCI
Model
over
MIDIGUIDE.)
sound
MIDI.
selection
affordable
synthesizer
(next
and
page)
MIDI.
output
synthesizers,
voices
as
can
the
principal
the
attack-decay-su
filter
frequency,
oscillator
has
These
the
instrumental
You
which
610
cutoff
A
triangle-
glide
two
operateonthe
can't
change
can
be
Six-Traktodevelop
(For
The
command.
GENERAL
musical
in
shows
Using
comes
how
this
the
from
which
haveadifferent
sound
timbre,
stain-release
frequency,
or
pulse
triangle
("portamento")
typesofinputs.
sound.
these
loaded
more
MAX
information
sounds
tool,
the
combination
the
main
withamulti-track
sub-sections:
asabasis
sub-sections
the
work
six
independent
program
sound.
source.
and
an
The
amplifier
(ADSR)
and
amplifier
square-wave
width,orfilter
outputtothe
and
First
synthesizer
The
parameter
sounds.
from
an
canbeselected
But
external
custom
on
DESCRIPTION
MAX
contains
functions
tape
keyboard,
for
discussion,
together.
each
voice
Each
voice
oscillator
which
envelope
gain.
low
frequency
frequency.Asecond
filter
voice
are
voicestodefine
frequency,
volume
the
memory
the
RAM
MIDI
device.
sound
programming
programs,
either
we
trace
synthesizer
with
the
hasamulti-waveform
drivesaresonant
contours
generators:
(The
polarityofthe
oscillator
for
are
programmable.
sound
parameters
the
contains
area
of
For
then
sounds,
with
until
now
provided
recorder.
recorder,
backwards
voices.Incontrast
same
sound,
The
sound
memory,
from
each
block
of
oscillator
low-pass
the
dynamics.
for
first
(LFO)
modulation
frequency
track's
80
permanent
memory
example,
send
please
the
keypadorbyaMIDI
can
from
timbre—in
accepts
you
can
themtothe
see
filter
There
oscillator
two
modulate
route
modulation
the
runs
sound
other
sounds
up
to
use
MAX
the
MAX
the
to
the
are
can
(in
20
the
The
second
what
keyboard,
cannot
using
noise
pitch
When
same
But
recorder
sound
the
and
Lastly,
synthesizerorexternal
Both
the
switch
MIDI
recorder.
example,
offers
or
disc,
display
Model
the
MAX
type
of
input
to
play.Avoice
the
recorder,
playing
the
MAX
(homophonic
know
which
recorder
its
own
allows
distortion
the
voices
sound
power
SCI's
increased
song
transposition,
and
editing
400
Drumtraks),
song
keystrokes
can
voice.Soeach
overdubbing
by
can
RAM
off.
To
The
MAX
Model
recorder
functions.
to
the
and
record
"mixing-down"
also
sequencer.
and
save
64
it
drum
toavoice
can
MIDI.
keyboard
mode).
you
are
be
played
"live,"
Live
intend
whatever
track
and
play
notes
the
song
songs
can
send
Sequencer
storage
and
alternate
canbeoverdubbed
editing
and
coming
memory
permanently,
live
for
(upto4000
Finally,
sendsaMIDI
song
(or
pattern).
the
notes.
by
the
multi-timbres
for
which
you
play
without
"bouncing"
notes,
the
keyboard
if
you
clock
Notes
notes
six
voices
timbres.
on
re-recording,
in
from
are
volatile—they
you
recorded
Commodore
notes),
modes,
useaMIDI
to
the
tell
the
coming
are
each
are
not
possible
the
keyboard
withadifferent
audio
can
tape
MIDI,
which
"dump"
notes, or
64
sound
program
as
well
rhythm
MAX
recorder,
voice
from
when
to
three
programmed
sources:
because
asaseparate
sound.
splicing,
tracks.
lose
sounds
and
or
accumulating
may
be
from
memory
them
to
out
associated
storageoncassette
as
forthcoming
unit
(such
which
when
the
to
as
synchronizes
play
and
the
with
the
the
MAX
track
The
another
you
external
MIDI.
For
software
music
the
SCI
For
more
see
the
MAX
CM620A
information
MIDIGUIDE.
10/84
on
the
synthesizer
voice
parameters
21
and
MIDI
applications,
please
MAX
CM620A
BLOCK
10/84
DIAGRAM
22
Loading...