Samsung EV-NX300ZBSVUS, EV-NX300ZBSTUS, NX300, EV-NX300ZBQUUS User Manual

Page 1
USER MANUAL
ENG This user manual includes detailed usage instructions for your camera. Please read this manual thoroughly.
Page 2

Copyright information

Microsoft Windows and the Windows logo are registered trademarks of the Microsoft Corporation.
Mac and Apple App Store are registered trademarks of the Apple Corporation.
Google Play Store is a registered trademark of Google, Inc.
Adobe, the Adobe logo, Photoshop and Lightroom are either registered trademarks or trademarks of Adobe Systems Incorporated in the United States and/or other countries.
microSD™, microSDHC™, and microSDXC™ are registered trademarks of the SD Association.
HDMI, the HDMI logo, and the term “High Denition Multimedia Interface” are trademarks or registered trademarks of HDMI Licensing LLC.
Wi-Fi®, the Wi-Fi CERTIFIED logo, and the Wi-Fi logo are registered trademarks of the Wi-Fi Alliance.
Trademarks and trade names used in this manual are the property of their respective owners.
Camera specications or contents of this manual may be changed without prior notice due to upgrade of camera functions.
You are not allowed to reuse or distribute any part of this manual without prior permission.
We recommend using your camera within the country where you purchase it.
Use this camera responsibly and adhere to all laws and regulations concerning its use.
PlanetFirst represents Samsung Electronics' commitment to sustainable development and social responsibility through eco-driven business and management activities.
1
Page 3

Health and safety information

Always comply with the following precautions and usage tips to avoid dangerous situations and ensure peak performance of your camera.
Warning—situations that could cause injury to yourself
or others
Do not disassemble or attempt to repair your camera.
This may result in electric shock or damage to the camera.
Do not use your camera near ammable or explosive gases and liquids.
This may cause a re or explosion.
Do not insert ammable materials into the camera or store these materials near the camera.
This may cause a re or electric shock.
Do not handle your camera with wet hands.
This may result in electric shock.
Prevent damage to subjects’ eyesight.
Do not use the ash in close proximity (closer than 1 m/3 ft) to people or animals. If you use the ash too close to your subject’s eyes, this can cause temporary or permanent eyesight damage.
Keep your camera away from small children and pets.
Keep your camera and all accessories out of the reach of small children and animals. Small parts may cause choking or serious injury if swallowed. Moving parts and accessories may present physical dangers as well.
Do not expose the camera to direct sunlight or high temperatures for an extended period of time.
Prolonged exposure to sunlight or extreme temperatures can cause permanent damage to your camera’s internal components.
Avoid covering the camera or charger with blankets or clothes.
The camera may overheat, which may distort the camera or cause a re.
Do not handle the power supply cord or go near the charger during a thunderstorm.
This may result in electric shock.
2
Page 4
Health and safety information
If liquid or foreign objects enter your camera, immediately disconnect all power sources, such as the battery or charger, and then contact a Samsung service center.
Comply with any regulations that restrict the use of a camera in a certain area.
Avoid interference with other electronic devices.
Turn o the camera when in an aircraft. Your camera can cause interference with aircraft equipment. Follow all airline regulations and turn o your camera when directed by airline personnel.
Turn o the camera near medical equipment. Your camera can interfere with medical equipment in hospitals or health care facilities. Follow all regulations, posted warnings, and directions from medical personnel.
Avoid interference with pacemakers.
Maintain the distance between this camera and all pacemakers to avoid potential interference, as recommended by the manufacturer and research groups. If you have any reason to suspect that your camera is interfering with a pacemaker or other medical device, turn o the camera immediately and contact the manufacturer of the pacemaker or medical device for guidance.
Caution—situations that could cause damage to your
camera or other equipment
Remove the batteries from your camera when storing it for an extended period of time.
Installed batteries may leak or corrode over time and cause serious damage to your camera.
Use only authentic, manufacturer-recommended, Lithium-ion replacement batteries. Do not damage or heat the battery.
Inauthentic, damaged, or heated batteries may cause a re or personal injury.
Use only Samsung-approved batteries, chargers, cables and accessories.
Using unauthorized batteries, chargers, cables or accessories can cause batteries to explode, damage your camera, or cause injury.
Samsung is not responsible for damage or injuries caused by unapproved batteries, chargers, cables or accessories.
Use the battery only for its intended purpose.
Misusing the battery may cause a re or electric shock.
3
Page 5
Health and safety information
Do not touch the ash while it res.
The ash is very hot when red and may burn your skin.
When you use the AC charger, turn o the camera before you disconnect the power to the AC charger.
Failing to do so may result in re or electric shock.
Disconnect the charger from the wall socket when not in use.
Failing to do so may result in re or electric shock.
Do not use a damaged power supply cord, plug, or loose outlet when you charge batteries.
This may cause a re or electric shock.
Do not allow the AC charger to come in contact with the +/­terminals on the battery.
This may cause a re or electric shock.
Do not drop or subject the camera to strong impacts.
Doing so may damage the screen or external or internal components.
Exercise caution when you connect cables and install batteries and memory cards.
If you force the connectors, improperly connect cables, or improperly install batteries and memory cards, you can damage ports, connectors, and accessories.
Keep cards with magnetic strips away from the camera case.
Information stored on the card may be damaged or erased.
Never use a damaged battery, or memory card.
This may result in electric shock or camera malfunction or cause a re.
Do not place the camera in or near magnetic elds.
Doing so may cause the camera to malfunction.
Do not use the camera if the screen is damaged.
If the glass or acrylic parts are broken, visit a Samsung service center to have the camera repaired.
4
Page 6
Health and safety information
Check that the camera is operating properly before use.
The manufacturer takes no responsibility for any loss of les or damage that may result from camera malfunction or improper use.
You must plug the small end of the USB cable into your camera.
If the cable is reversed, it may damage your les. The manufacturer is not responsible for any loss of data.
Do not expose the lens to direct sunlight.
This may discolor the image sensor or cause it to malfunction.
If the camera overheats, remove the battery and allow it to cool down.
Prolonged usage of the camera may overheat the battery and raise the internal temperature of the camera. If the camera stops operating, remove the battery and allow it to cool down.
High internal temperatures may result in noise in your photos. This is normal and does not aect your camera’s overall performance.
Avoid interference with other electronic devices.
Your camera emits radio frequency (RF) signals that may interfere with unshielded or improperly shielded electronic equipment, such as pacemakers, hearing aids, medical devices, and other electronic devices in homes or vehicles. Consult the manufacturers of your electronic devices to solve any interference problems you experience. To prevent unwanted interference, use only Samsung-approved devices or accessories.
Use your camera in the normal position.
Avoid contact with your camera’s internal antenna.
Data transference and your responsibilities
Data transferred via WLAN could be leaked, so avoid transferring sensitive data in public areas or on open networks.
The camera manufacturer is not liable for any data transfers that infringe on copyrights, trademarks, intellectual property laws, or public decency ordinances.
5
Page 7

Indications used in this manual

Icons used in this manual

Icon Function
Additional information
Safety warnings and precautions
[ ]
( )
Camera buttons. For example, [Shutter] represents the shutter button.
Page number of related information
The order of options or menus you must select to perform a step; for example: Select 1
select 1, and then Quality).
Annotation
*
Quality (represents

Mode indications

Mode Indication
Smart Auto
Program
Aperture Priority
Shutter Priority
Manual
Lens Priority
Smart
Wi-Fi
t P A S M i s B
6
Page 8

Contents

Tips
Concepts in Photography
Shooting postures....................................................................................... 13
Holding the camera ..................................................................................................... 13
Standing photography ............................................................................................... 13
Crouching photography ............................................................................................ 14
Using the display ..........................................................................................................14
Low-angle shot .............................................................................................................. 15
High-angle shot ............................................................................................................. 15
Aperture ........................................................................................................ 16
Aperture value and the depth of eld .................................................................. 17
Shutter speed ............................................................................................... 18
ISO sensitivity .............................................................................................. 19
How the aperture setting, shutter speed, and ISO sensitivity
control exposure ......................................................................................... 20
Correlation between focal length, angle, and perspective ................ 21
Depth of eld ............................................................................................... 22
What controls out-of-focus eects? ....................................................................... 22
Optical preview .............................................................................................................24
Composition ................................................................................................. 24
Rule of Thirds .................................................................................................................. 24
Photos with two subjects ..........................................................................................25
Flash ............................................................................................................... 26
Flash guide number ..................................................................................................... 26
Bounce Photography .................................................................................................. 27
Chapter 1
My Camera
Getting started ............................................................................................ 29
Unpacking.................................................................................................................... 29
Camera layout .............................................................................................. 30
Using the DIRECT LINK button ................................................................................ 32
Inserting the battery and memory card ................................................. 33
Removing the battery and memory card ........................................................... 33
Using the memory card adapter ............................................................................. 33
Charging the battery and turning on your camera .............................. 34
Charging the battery................................................................................................ 34
Turning on your camera ......................................................................................... 34
Performing the initial setup ...................................................................... 35
Selecting functions (options) ................................................................... 36
Selecting with buttons ............................................................................................ 36
Selecting by touch .................................................................................................... 36
Using m .............................................................................................................. 37
E.g. Selecting the photo size in P mode ............................................................. 37
Using the Smart panel ............................................................................................. 38
E.g. Adjust the exposure value in P mode ......................................................... 38
7
Page 9
Contents
Display icons ................................................................................................ 40
In Shooting mode ..................................................................................................... 40
Capturing photos ........................................................................................................ 40
Recording videos ......................................................................................................... 41
About the level gauge ............................................................................................... 41
In Playback mode ...................................................................................................... 42
Viewing photos ............................................................................................................ 42
Playing videos ............................................................................................................... 42
Changing the information displayed ................................................................. 43
Lenses ............................................................................................................ 44
Lens layout ................................................................................................................... 44
Locking or unlocking the lens ................................................................................. 45
Lens markings ............................................................................................................ 47
Accessories ................................................................................................... 48
External ash layout ................................................................................................. 48
Connecting the external ash ................................................................................. 49
GPS module layout (optional) .............................................................................. 51
Attaching the GPS module .................................................................................... 51
Shooting modes .......................................................................................... 53
t Smart Auto mode ..................................................................................... 53
P Program mode ....................................................................................................... 55
Program Shift ................................................................................................................ 56
Minimum shutter speed ............................................................................................ 56
A Aperture Priority mode ..................................................................................... 57
S Shutter Priority mode.......................................................................................... 58
M Manual mode ....................................................................................................... 59
Framing mode .............................................................................................................. 59
Using the Bulb function ............................................................................................ 60
i Lens Priority mode ............................................................................................. 60
Using E ............................................................................................................. 60
Using i-Function in P/A/S/M modes ................................................................ 61
Using Z .............................................................................................................. 63
s Smart mode ........................................................................................................ 64
Using the Best Face mode ........................................................................................ 65
Capturing panoramic photos .................................................................................. 66
Recording a video ..................................................................................................... 68
3D mode ....................................................................................................................... 69
Available functions by shooting mode ............................................................. 71
8
Page 10
Contents
Chapter 2
Shooting Functions
Size and Resolution .................................................................................... 73
Photo size ..................................................................................................................... 73
Quality ........................................................................................................................... 74
ISO sensitivity .............................................................................................. 75
White Balance .............................................................................................. 76
Customizing preset White Balance options ....................................................... 77
Picture Wizard (photo styles) .................................................................... 79
AF mode ........................................................................................................ 80
Single AF ....................................................................................................................... 81
Continuous AF ............................................................................................................ 81
Manual focus ............................................................................................................... 82
AF area ........................................................................................................... 83
Selection AF ................................................................................................................ 83
Multi AF ......................................................................................................................... 84
Face detection AF ...................................................................................................... 84
Self-Portrait AF ........................................................................................................... 85
Touch AF ........................................................................................................ 86
Touch AF ....................................................................................................................... 86
AF Point ......................................................................................................................... 86
Tracking AF .................................................................................................................. 86
One touch shot .......................................................................................................... 87
Focus assist ................................................................................................... 88
MF Assist ....................................................................................................................... 88
Focus Peaking ............................................................................................................. 88
Optical Image Stabilization (OIS) ............................................................. 89
Drive (shooting method) ........................................................................... 90
Single ............................................................................................................................. 90
Continuous .................................................................................................................. 90
Burst ............................................................................................................................... 91
Timer .............................................................................................................................. 91
Auto Exposure Bracketing (AE Bracket) ............................................................. 92
White Balance Bracketing (WB Bracket) ............................................................ 92
Picture Wizard Bracketing (P Wiz Bracket) ........................................................ 93
Bracketing setting ..................................................................................................... 93
Flash ............................................................................................................... 94
Reducing the red-eye eect .................................................................................. 95
Adjusting the ash intensity ................................................................................. 95
Metering ........................................................................................................ 97
Multi ............................................................................................................................... 97
Spot ................................................................................................................................ 98
Center-weighted ....................................................................................................... 98
Measuring the exposure value of the focus area ........................................... 99
Dynamic Range ......................................................................................... 100
Smart Filter ................................................................................................. 101
Exposure compensation .......................................................................... 102
Exposure lock ............................................................................................. 103
Video functions ......................................................................................... 104
Movie size.................................................................................................................. 104
Movie quality ........................................................................................................... 104
Multi Motion ............................................................................................................ 105
Fader ........................................................................................................................... 105
Voice ............................................................................................................................ 106
Wind cut .................................................................................................................... 106
Mic Level .................................................................................................................... 106
9
Page 11
Contents
Chapter 3
Playback/Editing
Searching and managing les ................................................................ 108
Viewing photos ....................................................................................................... 108
Viewing image thumbnails ................................................................................. 108
Viewing les by category .................................................................................... 109
Viewing les as a folder ........................................................................................ 109
Protecting les ........................................................................................................ 110
Lock/Unlock all les .................................................................................................. 110
Deleting les ............................................................................................................ 111
Deleting a single le ................................................................................................. 111
Deleting multiple les .............................................................................................. 111
Deleting all les .......................................................................................................... 112
Viewing photos .......................................................................................... 113
Enlarging a photo .................................................................................................. 113
Viewing a slide show ............................................................................................. 113
Auto rotating ........................................................................................................... 114
Creating a print order (DPOF) ............................................................................ 114
Playing videos ............................................................................................ 115
Trimming a video during playback .................................................................. 115
Capturing an image during playback ............................................................. 116
Editing photos ........................................................................................... 117
Cropping a photo ................................................................................................... 117
Rotating a photo .................................................................................................... 118
Resizing photos....................................................................................................... 118
Adjusting your photos .......................................................................................... 119
Retouching faces .................................................................................................... 120
Reducing red-eye ................................................................................................... 120
Applying Smart Filter eects .............................................................................. 121
Chapter 4
Wireless network
Connecting to a WLAN and conguring network settings ............... 123
Connecting to a WLAN ......................................................................................... 123
Setting network options ......................................................................................... 124
Manually setting the IP address ........................................................................... 124
Using the login browser....................................................................................... 125
Network connection tips ..................................................................................... 126
Entering text ............................................................................................................ 127
Saving les to a smart phone automatically ....................................... 128
Sending photos or videos to a smart phone ....................................... 129
Using a smart phone as a remote shutter release .............................. 131
Using Auto Backup to send photos or videos ..................................... 133
Installing the program for Auto Backup on your PC.................................. 133
Sending photos or videos to a PC .................................................................... 133
Sending photos or videos via email ...................................................... 135
Changing email settings ...................................................................................... 135
Storing your information ........................................................................................ 135
Setting an email password ..................................................................................... 136
Changing the email password .............................................................................. 137
Sending photos or videos via email ................................................................ 137
Using photo or video sharing websites ................................................ 139
Accessing a website .............................................................................................. 139
Uploading photos or videos............................................................................... 140
Using AllShare Play to send les ............................................................ 141
Uploading photos to online storage ............................................................... 141
Viewing photos or videos on devices that support AllShare Play ........ 142
Sending photos using Wi-Fi Direct ........................................................ 144
10
Page 12
Contents
Chapter 5
Camera settings menu
User settings ............................................................................................... 146
ISO Customizing ..................................................................................................... 146
ISO Step ......................................................................................................................... 146
Auto ISO Range .......................................................................................................... 146
Noise Reduction ..................................................................................................... 146
Bracket Set ................................................................................................................ 147
DMF (Direct Manual Focus) ................................................................................ 147
Color space ............................................................................................................... 148
Distortion Correct .................................................................................................. 149
Touch Operation ..................................................................................................... 149
iFn Customizing ...................................................................................................... 149
User Display .............................................................................................................. 149
Key Mapping ............................................................................................................ 150
Grid Line .................................................................................................................... 151
AF Lamp ..................................................................................................................... 151
Setting ......................................................................................................... 152
Chapter 6
Connecting to external devices
Viewing les on an HDTV or 3D TV ........................................................ 158
Viewing les on an HDTV .................................................................................... 158
Viewing les on a 3D TV ....................................................................................... 159
Transferring les to your computer ....................................................... 160
Transferring les to your Windows OS computer ....................................... 160
Connecting the camera as a removable disk ................................................... 160
Disconnecting the camera (for Windows XP) .................................................. 161
Transferring les to your Mac OS ...................................................................... 161
Using programs on a PC........................................................................... 163
Installing programs from the provided CD ................................................... 163
Available programs when using i-Launcher .................................................... 163
Using i-Launcher .................................................................................................... 163
Requirements for Windows OS ............................................................................. 163
Requirements for Mac OS ....................................................................................... 164
Opening i-Launcher .................................................................................................. 164
Using Multimedia Viewer ........................................................................................ 165
Downloading the rmware .................................................................................... 166
Downloading the PC Auto Backup program ................................................... 166
Installing Adobe Photoshop Lightroom ........................................................ 167
Using Adobe Photoshop Lightroom ............................................................... 167
11
Page 13
Contents
Chapter 7
Appendix
Error messages .......................................................................................... 169
Maintaining the camera........................................................................... 170
Cleaning the camera ............................................................................................. 170
Camera lens and display ......................................................................................... 170
Image sensor ............................................................................................................... 170
Camera body ............................................................................................................... 170
Using or storing the camera ............................................................................... 171
Inappropriate places to use or store the camera ........................................... 171
Using on beaches or shores ................................................................................... 171
Storing for extended period of time ................................................................... 171
Using the camera with caution in humid environments ............................ 172
Other cautions ............................................................................................................ 172
About memory card .............................................................................................. 173
Supported memory card ........................................................................................ 173
Memory card capacity ............................................................................................. 174
Cautions when using memory cards .................................................................. 176
About the battery .................................................................................................. 177
Battery specications ............................................................................................... 177
Battery life .................................................................................................................... 178
Low battery message ............................................................................................... 178
Notes about using the battery .............................................................................. 178
Cautions about using the battery ........................................................................ 179
Notes about charging the battery ....................................................................... 179
Notes about charging with a computer connected...................................... 180
Handle and dispose of batteries and chargers with care ............................ 180
Before contacting a service center ........................................................ 181
Camera specications .............................................................................. 184
Glossary ....................................................................................................... 189
Optional accessories ................................................................................. 195
Index ............................................................................................................ 197
FCC notice ................................................................................................... 200
12
Page 14

Concepts in Photography

Shooting postures

A correct posture for stabilizing the camera is necessary for taking a good photo. Even if you hold a camera correctly, the wrong posture can cause the camera to shake. Stand up straight and remain still to maintain a steady base for your camera. When shooting with a slow shutter speed, hold your breath to minimize body movement.
Holding the camera
Hold the camera with your right hand and place you right index nger on the shutter button. Place your left hand under the lens for support.
Standing photography
Compose your shot; stand up straight with your feet shoulder-length apart, and keep your elbows pointed down.
13
Page 15
Concepts in Photography
Crouching photography
Compose your shot, crouch with one knee touching the ground, and keep a straight posture.
Using the display
To take photos at high or low angles, tilt the display up or down. You can tilt the display up to 90° upwards (
Keep the display closed ( ) when the camera is not in use.
Tilt the display only within the angle allowed. Failing to do so may
damage your camera.
) or 45° downwards ( ).
14
Page 16
Concepts in Photography
Low-angle shot
A low-angle shot is a shot from a camera positioned below your eyeline, looking up the subject.
High-angle shot
A high-angle shot is a shot from a camera positioned above your eyeline, looking down on the subject.
15
Page 17
Concepts in Photography

Aperture

The aperture, a hole that controls the amount of light that enters the camera, is one of the three factors that determine the exposure. The aperture housing contains thin, metal plates that open and close to let light through the aperture and into the camera. The size of the aperture is closely related to the brightness of a photo: the larger the aperture, the brighter the photo; the smaller the aperture, the darker the photo.
Aperture sizes
Minimum aperture Medium aperture Maximum aperture
The size of the aperture is represented by a value known as an “F-number.” The f-number represents the focal length divided by the diameter of the lens. For example, if a lens with a 50 mm focal length has an f-number of F2, the diameter of the aperture is 25 mm. (50 mm/25 mm=F2) The smaller the f-number, the greater the size of the aperture.
The opening in the aperture is described as the Exposure Value (EV). Increasing the Exposure Value (+1 EV) means the amount of light doubles. Decreasing the Exposure Value (-1 EV) means the amount of light halves. You can also use the exposure compensation feature to ne-tune the amount of light by subdividing exposure values into 1/2, 1/3 EV, and so on.
+1 EV
F1.4 F2 F2.8 F4 F5.6 F8
-1 EV
Exposure Value Steps
Darker photo
(aperture opened slightly)
Brighter photo
(aperture opened wide)
16
Page 18
Concepts in Photography
Aperture value and the depth of eld
You can blur or sharpen the background of a photo by controlling the aperture. It is closely related to the depth of eld (DOF), which can be expressed as small or large.
A photo with a large DOF A photo with a small DOF
The aperture housing contains several blades. These blades move together and control the amount of light passing through the center of the aperture. The number of blades also aects the shape of light when shooting night scenes. If an aperture has an even number of blades, light divides into an equal number of sections. If the number of blades is odd, the number of sections is double the number of blades.
For example, an aperture with 8 blades divides light into 8 sections and an aperture with 7 blades into 14 sections.
7 blades 8 blades
17
Page 19
Concepts in Photography

Shutter speed

Shutter speed refers to the amount of time it takes to open and close the shutter, and it is an important factor in the brightness of a photo, as it controls the amount of light which passes through the aperture before it reaches the image sensor.
Usually, the shutter speed is manually adjustable. The measurement of the shutter speed is known as the “Exposure Value” (EV), which is marked in intervals of 1 s, 1/2 s, 1/4 s, 1/8 s, 1/15 s, 1/1000 s, 1/2000 s, and so on.
+1 EV
Exposure
-1 EV
Therefore, the faster the shutter speed, the less light will be let in. Likewise, the slower the shutter speed, the more light will be let in.
As the photos below illustrate, a slow shutter speed allows more time to let light in, so the photo becomes brighter. On the other hand, a fast shutter speed allows less time to let light in and the photo becomes darker and more easily freezes subjects in motion.
0.8 s 0.004 s
1s 1/2 s 1/4 s 1/8 s 1/15 s 1/30 s
Shutter Speed
18
Page 20
Concepts in Photography

ISO sensitivity

The exposure of an image is determined by the sensitivity of the camera. This sensitivity is based on international lm standards, known as ISO standards. On digital cameras, this sensitivity rating is used to represent the sensitivity of the digital mechanism that captures the image.
ISO sensitivity doubles as the number doubles. For example, an ISO 200 setting is capable of capturing images at twice the speed of an ISO 100 setting. However, higher ISO settings can result in “noise”—small specks, spots, and other phenomena in a photo that give the shot a noisy or dirty appearance. As a general rule, it is best to use a low ISO setting to prevent noise in your photos, unless you are shooting in darkened environments or at night.
Because a low ISO sensitivity means the camera will be less sensitive to light, you need more light to have an optimal exposure. When using a low ISO sensitivity, open the aperture more or reduce the shutter speed to allow more light to enter the camera. For example, on a sunny day when light is abundant, a low ISO sensitivity does not require a slow shutter speed. However, in a dark place or at night, a low ISO sensitivity will result in a blurry photo. Therefore, it is recommended to increase the ISO sensitivity by a moderate amount.
A photo captured with a tripod and high
ISO sensitivity
A blurred photo with a low ISO sensitivity
Changes in the quality and brightness according to ISO sensitivity
19
Page 21
Concepts in Photography

How the aperture setting, shutter speed, and ISO sensitivity control exposure

The aperture setting, shutter speed, and ISO sensitivity are closely interconnected in photography. The aperture setting controls the opening that regulates the light that enters the camera, while the shutter speed determines the length of time that light is allowed to enter. ISO sensitivity determines the speed at which the lm reacts to light. Together, these three aspects are described as the triangle of exposure.
A change in shutter speed, aperture value, or ISO sensitivity can be oset by adjustments to the others to maintain the amount of light. The results, however, change according to the settings. For example, shutter speed is useful in expressing movement, aperture can control the depth of eld, and ISO sensitivity can control the graininess of a photo.
Settings Results
Wide aperture
Aperture value
= more light Narrow aperture
= less light
Shutter speed
ISO sensitivity
Settings Results
Fast speed = less light
Slow speed = more light
Fast = still Slow = blurry
High sensitivity = more sensitive to light
Low sensitivity = less sensitive to light
High = more grainy Low = less grainy
Wide = small depth of eld Narrow = large depth of eld
20
Page 22
Concepts in Photography

Correlation between focal length, angle, and perspective

Focal length, which is measured in millimeters, is the distance between the middle of the lens to its focal point. It aects the angle and perspective of captured images. A short focal length translates into a wide angle, which allows you to capture a wide shot. A long focal length translates into a narrow angle, which allows you to capture telephoto shots.
Short focal length
wide-angle lens
wide shot
wide angle
Long focal length
telephoto lens
telephoto shot
narrow angle
Look at these photos below and compare the changes.
18 mm angle 55 mm angle 200 mm angle
Normally, a lens with a wide angle is suitable for shooting landscapes and a lens with a narrow angle is recommended for shooting sports events or portraits.
21
Page 23
Concepts in Photography
Depth of eld
Portraits or still-life photos mostly acclaimed by people are the ones on which the background is out of focus so the subject looks pronounced. Depending on the focused areas, a photo can be blurred or sharpened. This is called ‘a low DOF’ or ‘a high DOF’.
The depth of eld is the focused area around the subject. Therefore, a small DOF signies that the focused area is narrow and a large DOF means the focused area is wide.
A photo with a small DOF, which stresses the subject and makes the rest of it blurred, can be obtained by using a telescope lens or selecting a low aperture value. Conversely, a photo with a large DOF which shows all the elements on the photo sharply focused can be achieved by using a wide angle lens or selecting a high aperture value.
What controls out-of-focus eects?
DOF depends on aperture value
The wider the aperture is (namely the lower the aperture value), the lower the DOF becomes. Under the condition where the other values including shutter speed and ISO sensitivity are equal, a low aperture value leads to a photo with a low DOF.
55 mm F5.7 55 mm F22
Small Depth of Field Large Depth of Field
22
Page 24
Concepts in Photography
DOF depends on focal length
The longer the focal length is, the lower the DOF gets. A telescope lens with a longer focal length than a telescope lens with a short focal length is better to capture a photo of a low DOF.
A photo captured with a 18 mm
telescope lens
A photo captured with a 100 mm telescope
lens
DOF depends on the distance between the subject and the camera
The shorter the distance between the subject and the camera is, the lower the DOF gets. Therefore, taking a photo close to a subject can result in a photo of low DOF.
A photo captured with a 100 mm telescope lens
A photo captured close to the subject
23
Page 25
Concepts in Photography
Optical preview
You can press the Custom button to view the optical preview before capturing a photo. The camera adjusts the aperture to the predened settings and shows the results on the screen. Set the Custom button to Optical preview. (p. 150)

Composition

It is fun to capture a photo of the beauty of world with a camera. No matter how the world is beautiful, however, a poor composition cannot capture the beauty of it.
When it comes to composition, it is very important to prioritize subjects.
Composition in photography means arranging objects in a photo. Usually, abiding by the rule of thirds leads to a good composition.
Rule of Thirds
To use the rule of thirds, divide the image into a 3x3 pattern of equal rectangles.
To compose photos that best emphasize the subject, make sure the subject is located at one of the corners of the center rectangle.
24
Page 26
Concepts in Photography
Using the rule of thirds will create photos with stable and compelling compositions. Below are a few examples.
Photos with two subjects
If your subject is in one corner of the photo, it creates an unbalanced composition. You can stabilize the photo by capturing a second subject in the opposite corner to balance the weight of the photo.
Subject 2
Subject 1
Unstable Stable
Subject 1
When taking landscape photos, centering the horizon will create an unbalanced eect. Give more weight to the photo by moving the horizon up or down.
Subject 1
Subject 2
Subject 1
Subject 2
Subject 2
Unstable Stable
25
Page 27
Concepts in Photography

Flash

Light is one of the most important components in photography. It’s not easy, however, to have an enough amount of light anytime and anywhere. Making use of a ash allows you to optimize light settings and create a variety of eects.
Flash, also known as strobe or speed light, helps to create adequate exposure in low-light conditions. It is also useful in light-abundant situations. For example, ash can be used in compensating the exposure of a subject’s shadow or capturing clearly both the subject and the background in backlit conditions.
Before correction After correction
Flash guide number
The model number of a ash refers to the ash’s power, and the maximum amount of light created is represented by a value known as a “guide number.” The bigger the guide number, the more light is emitted from the ash. The guide number is achieved by multiplying the distance from the ash to the subject and the aperture value when the ISO sensitivity is set to 100.
Guide number = Flash to Subject Distance X Aperture value
Aperture value = Guide number / Flash to Subject Distance
Flash to Subject Distance = Guide number / Aperture value
Therefore, if you know the guide number of a ash, you can estimate an optimum ash to subject distance when setting the ash manually. For example, if a ash has a guide number of GN 20 and is 4 meters away from the subject, the optimal aperture value is F5.0.
26
Page 28
Concepts in Photography
Bounce Photography
Bounce photography refers to the method of bouncing light o of the ceiling or walls so that the light spreads evenly over the subject. Normally, photos captured with ash may appear unnatural and cast shadows. Subjects in photos captured with bounce photography cast no shadows and look smooth due to evenly spread light.
27
Page 29

Chapter 1

My Camera

Learn about your camera’s layout, display icons, lens, optional accessories,
and basic functions.
Page 30
My Camera

Getting started

Unpacking
Check your product box for the following items.
Camera
(including the body cap and hot-shoe
cover)
Software CD-ROM
(User manual included)
The illustrations may dier from your actual items.
You can purchase optional accessories at a retailer or a Samsung service center. Samsung is not responsible for any problems caused by using unauthorized accessories. For information about accessories, refer to page 195.
AC adapter/USB cable Rechargeable battery External ash
Adobe Photoshop Lightroom DVD-ROM Quick Start Guide Strap
29
Page 31
My Camera

Camera layout

16 15
14
13
7
8
9
10
No. Name
Mode dial
t: Smart Auto mode (p. 53)
P: Program mode (p. 55)
A: Aperture Priority mode (p. 57)
S: Shutter Priority mode (p. 58)
1
M: Manual mode (p. 59)
i: Lens Priority mode (p. 60)
s: Smart mode (p. 64)
B: Wi-Fi (p. 122)
Jog dial
In the Menu screen: Move to a
desired menu item.
In the Smart panel: Adjust a selected
option.
In Shooting mode: Adjust shutter
2
3
speed or aperture value in some shooting modes or change the size of a focus area.
In Playback mode: View thumbnails,
enlarge or reduce a photo, or open or close a folder of continuous or burst shots in Playback mode.
DIRECT LINK button: Start a preset Wi-Fi function. (p. 32)
1
2
3
4
5
6
4
7
12
11
No. Name
Microphone
4
Hot-shoe cover
5
Hot-shoe
6
Eyelet for camera strap
7
Image sensor
8
Internal antenna/NFC tag
* Avoid contact with the internal
9
antenna while using the wireless network.
Speaker
10
Lens release button
11
Lens mount
12
Lens mount index
13
AF-assist light/Timer lamp
14
Power switch
15
Shutter button
16
30
Page 32
My Camera > Camera layout
No. Name
Video recording button
1
Start recording a video.
EV adjust button (p. 102)
1 2
3 4
5
9
8
7
6
Press and hold the button, and then scroll the jog dial to adjust the exposure value.
2
In M mode, the aperture value will be adjusted.
Fn button
Access the Smart panel and ne-tune
3
some settings.
o button
In the Menu screen: Save the selected
4
5
options.
In Shooting mode: Allow you to select
a focus area manually in some shooting modes.
Navigation button
In Shooting mode
- D: View camera settings and
change options.
- I: Select an ISO value.
- C: Select a drive option.
- F: Select an AF mode.
In other situations
Move up, down, left, right, respectively.
No. Name
Delete/Custom button
In Shooting mode: Perform the
6
7
8
9
assigned function. (p. 150)
In Playback mode: Delete les.
Playback button
Enter Playback mode.
Status lamp
Indicate the status of the camera.
Blinking: When saving a photo,
shooting a video, sending data to a computer, connecting to WLAN, or sending a photo.
Steady: When there is no data transfer,
when data transfer to a computer is complete, or charging the battery.
MENU button
Access options or menus.
31
Page 33
My Camera > Camera layout
5
4
3
No. Name
USB and shutter release port
Connect the camera to a computer or shutter release. Use a shutter release cable with a tripod
1
to minimize camera movement.
HDMI port
2
1 2
Battery chamber/Memory card cover
3
Insert a memory card and battery.
Display
To take photos at high or low angles, tilt the display up or down. (p. 14)
4
Touch the screen to select a menu or an option. (p. 36)
Tripod mount
5
Using the DIRECT LINK button
You can turn on the Wi-Fi feature conveniently by pressing [DIRECT LINK]. Press [DIRECT LINK] again to return to the previous mode.
Setting the DIRECT LINK button
You can select a Wi-Fi function to launch when you press [DIRECT LINK]. (p. 150)
To set a DIRECT LINK option,
In Shooting mode, press [m] → 5Key Mapping → DIRECT LINK an option.
32
Page 34
My Camera

Inserting the battery and memory card

Learn how to insert the battery and an optional memory card into the camera.
Insert a memory card with the gold­colored contacts facing down.
Memory card
Insert the battery with the Samsung logo facing up.
Removing the battery and memory card
Slide the lock up to release the battery.
Battery lock
Rechargeable battery
Push the card gently until it disengages from the camera, and then pull it out of the slot.
Memory card
Using the memory card adapter
To use micro memory cards with this product, a PC, or a memory card reader, insert the card into an adapter.
Rechargeable battery
While the status lamp of the camera is blinking, do not remove the memory card or battery. Doing so may damage the data stored on the memory card or your camera.
33
Page 35
My Camera

Charging the battery and turning on your camera

Charging the battery
Before you use the camera for the rst time, you must charge the battery. Plug the small end of the USB cable into your camera, and then plug the other end of the USB cable into the AC adapter.
Status lamp
Red light on: Charging
Red light o: Fully charged
Red light blinking: Error
Turning on your camera
Set the Power switch to ON.
To turn your camera o, set the Power switch to OFF.
The initial setup screen appears when you turn on the camera for the rst time. (p. 35)
Use only the AC adapter and USB cable supplied with your camera. If you use another AC adapter, the camera battery may not charge or work properly.
You can charge the battery with the USB cable only when the camera is turned o.
34
Page 36
My Camera

Performing the initial setup

When you turn on your camera for the rst time, the initial setup screen appears. The language is preset for the country or region where the camera is sold. You can change the language as desired. You can also select an item by touching it on the screen.
Press [I] to select Time Zone, and then press [F] or [o].
1
Press [D/I] to select a time zone, and then press [o].
2
Time Zone
[GMT +00:00] London
[GMT -01:00] Cape Verde
[GMT -02:00] Mid-Atlantic
[GMT -03:00] Buenos Aires, Sao Paulo
[GMT -03:30] Newfoundland
Back Set
Press [I] to select Date & Time, and then press [F] or [o].
3
Date & Time
Year Month Day Hr Min DST
Press [C/F] to select an item (Year/Month/Day/Hr/Min/
4
DST).
Press [D/I] to set the option, and then press [o].
5
Press [I] to select Date Type, and then press [F] or [o].
6
Press [D/I] to select a date type, and then press [o].
7
Press [I] to select Time Type, and then press [F] or [o].
8
Press [D/I] to select a time type, and then press [o].
9
Press [m] to nish the initial setup.
10
Back
The screen may dier depending on the language selected.
Set
35
Page 37
My Camera

Selecting functions (options)

Selecting with buttons
Scroll the jog dial or press [D/I/C/F] to move, and then press [o] to select an option.
Selecting by touch
Do not use sharp objects, such as pens or pencils, to touch the screen. You can damage the screen.
Touching: Touch an icon to select a menu or an option.
MobileLink Remote
SNS & Cloud
Viewnder
AllShare
Play
Dragging: Touch and hold an area on the screen, and then drag your nger.
AutoShare
Photo Size
Auto
Backup
Email
Quality
ISO
White Balance
Back
Select
36
Page 38
My Camera > Selecting functions (options)
Flicking: Gently ick your nger across the screen.
The touch screen may not recognize your inputs if you touch multiple items at the same time.
When you touch or drag the screen, discolorations may occur. This is not a malfunction, but a characteristic of the touch screen. Touch or drag lightly to minimize the discolorations.
The touch screen may not work properly if you use the camera in extremely humid environments.
The touch screen may not work properly if you apply screen protection lm or other accessories to the screen.
Depending on the viewing angle, the screen may appear dim. Adjust the brightness or viewing angle to improve the resolution.
Using m
Press [m] or touch on the screen, and then change shooting options or settings.
E.g. Selecting the photo size in P mode
Rotate the mode dial to P.
1
Press [m] or touch .
2
Press [C] → [D/I] to move to 1, and then press [o].
3
You can also touch 1 on the screen.
Scroll the jog dial or press [D/I] to move to Photo Size,
4
and then press [o].
You can also drag the option list, and then touch an option.
AutoShare
Photo Size
Quality
ISO
White Balance
Back Select
37
Page 39
My Camera > Selecting functions (options)
Scroll the jog dial or press [D/I] to move to an option,
5
and then press [o].
You can also drag the option list, and then touch an option.
Press [m] or touch Back to go back to the previous menu.
Using the Smart panel
Press [f] or touch on the screen to access some functions such as Exposure, ISO, and White Balance.
AutoShare
Photo Size
Quality
ISO
White Balance
Back Set
Press [m] or touch Back to switch to Shooting mode.
6
5472x3648 (3:2)
3888x2592 (3:2)
2976x1984 (3:2)
1728x1152 (3:2)
5472x3080 (16:9)
E.g. Adjust the exposure value in P mode
Rotate the mode dial to P.
1
Press [f] or touch .
2
38
Page 40
My Camera > Selecting functions (options)
Press [D/I/C/F] to move to EV, and then press [o].
3
You can directly select an option by scrolling the jog dial without having to press [o].
You can also select an option by touching it.
EV : 0.0
You can adjust some options by dragging them.
Back
Adjust
Scroll the jog dial or press [C/F] to adjust the exposure
4
value, and then press [o].
You can also drag the dial on the screen, and then select Set to adjust the option.
EV : 0.0
Back
Set
39
Page 41
My Camera

Display icons

In Shooting mode
Capturing photos
London
1. Shooting information
Icon Description
Shooting mode
Current date
Current time
GPS activated*
London
Location information*
Memory card not inserted**
Auto exposure lock (p. 103)
Available number of photos
: Fully charged
: Partially charged
(Red): Empty (recharge
the battery)
Icon Description
Auto focus frame
Spot metering area
1
2
3
* These icons appear when you attach an optional GPS
module.
** Photos that were captured without inserting a memory
card cannot be transferred to a memory card or a computer.
Camera shake
Manual focus scale
Level gauge (p. 41)
Histogram (p. 150)
Focus
Shutter speed
Aperture value
Exposure adjustment value
ISO sensitivity (p. 75)
2. Shooting options
Icon Description
Photo size
Drive mode
Flash (p. 94)
Flash intensity adjustment
Metering (p. 97)
Icon Description
AF mode (p. 80)
Focus area
Face detection
White Balance (p. 76)
White Balance micro adjustment
Optical Image Stabilization (OIS) (p. 89)
Z on Z ratio
RAW le
Dynamic Range (p. 100)
3. Shooting options (Touch)
Icon Description
Change Smart mode***
AutoShare
Touch AF options
Shooting options
Smart panel
*** This icon appears only when you select Smart mode.
The icons displayed will change according to the mode you select or the options you set.
40
Page 42
My Camera > Display icons
Recording videos
1. Shooting information
Icon Description
Shooting mode
Current recording time/Available recording time
: Fully charged
: Partially charged
(Red): Empty (recharge the
battery)
Shutter speed
2. Shooting options
1
Icon Description
2
Video size
AF mode (p. 80)
Metering (p. 97)
White Balance (p. 76)
Optical Image Stabilization (OIS) (p. 89)
White Balance micro adjustment
Fader (p. 105)
Multi Motion (p. 105)
Voice recording o (p. 106)
The icons displayed will change according to the mode you select or the options you set.
About the level gauge
The level gauge helps you align the camera with the horizontal and vertical lines on the display. If the level gauge is not level, calibrate the level gauge using the Horizontal Calibration function. (p. 152)
Vertical
Horizontal
Level Unlevel
You cannot use the level gauge when you shoot in portrait orientation.
Aperture value
Exposure value
ISO sensitivity (p. 75)
41
Page 43
My Camera > Display icons
In Playback mode
Viewing photos
Mode
F No
Shutter
ISO
Metering
Flash
Focal Length
White Balance
EV
Photo Size
Date
Icon Description
Continuously captured le
Current le/The total number of les
Folder number - File number
File with location information
London
m
Location information
RAW le
Protected le
Print information added to le (p. 114)
3D le
Playback/Editing menu (Touch)
Editing photos (Touch)
Trimming a video (Touch)
Viewing image thumbnails (Touch)
London
Information
London
No. Description
Captured photo
1
RGB histogram (p. 150)
2
Shooting mode, Metering, Flash, White Balance, Aperture value, Shutter
3
speed, ISO, Focal length, Exposure value, Photo size, Date, Location information
1
Playing videos
2
3
Stop Capture
Icon Description
Playback speed
Multi Motion
Current playback time
Video length
View previous le/Scan backward. (Each time you touch the scan
/
backward icon, you change the scan speed in this order: 2X, 4X, 8X.)
Pause or resume playback.
/
View next le/Scan forward. (Each time you touch the scan forward
/
icon, you change the scan speed in this order: 2X, 4X, 8X.)
Adjust the volume or mute the sound.
42
Page 44
My Camera > Display icons
Changing the information displayed
Press [D] repeatedly to change the display type.
Mode Display type
Basic shooting information (Shooting mode, Shutter
speed, Aperture value, Exposure value, ISO sensitivity, etc.)
Basic shooting information + Shooting option buttons
(MENU, Fn, AutoShare, Touch AF) + Level gauge
Shooting
Basic shooting information + Shooting option buttons +
Current shooting options information (Photo size, Drive mode, Flash, Metering, AF mode, etc.)
Basic shooting information + Shooting option buttons +
Current shooting options information + Histogram + Date and time
Playback
Basic information
Display all information about the current le.
Display all information about the current le including
RGB histogram.
43
Page 45
My Camera

Lenses

You can purchase optional lenses made exclusively for your NX series camera.
Learn about the functions of each lens and select one that suits your needs and preferences.
Lens layout
SAMSUNG 18-55 mm F3.5-5.6 OIS III lens (example)
8
1
2
3
4
5
No. Description
Lens mount index
1
Zoom ring
2
Focus ring (p. 88)
3
Lens hood mount index
4
Lens
5
i-Function button (p. 60)
6
AF/MF switch (p. 80)
7
Lens contacts
8
When not using the lens, attach the lens cap and lens mount cover to protect the lens from dust and scratches.
67
44
Page 46
My Camera > Lenses
SAMSUNG 20-50 mm F3.5-5.6 ED II lens (example)
1
2
6
3
5
4
No. Description
Lens mount index
1
Zoom lock switch
2
Lens
3
Focus ring (p. 88)
4
Locking or unlocking the lens
7
To lock the lens, pull and hold the zoom lock switch away from the camera body and rotate the zoom ring as shown in the illustration.
i-Function button (p. 60)
5
Zoom ring
6
Lens contacts
7
45
Page 47
My Camera > Lenses
To unlock the lens, rotate the zoom ring as shown in the illustation until you hear the click.
You cannot capture a photo when the lens is locked.
SAMSUNG 16 mm F2.4 lens (example)
1 2
3
4
No. Description
i-Function button (p. 60)
1
Lens mount index
2
Focus ring (p. 88)
3
Lens
4
Lens contacts
5
5
46
Page 48
My Camera > Lenses
Lens markings
Find out what the numbers on the lens signify.
SAMSUNG 18-200 mm F3.5-6.3 ED OIS lens (example)
1
2345
No. Description
Aperture value
A range of supported aperture values. For example, 1:3.5–6.3 means
1
the maximum aperture value range from 3.5 to 6.3.
Focal length
The distance from the middle of the lens to its focal point (in millimeters). This gure is expressed in a range: minimum focal length
2
to maximum focal length of the lens. Longer focal lengths result in narrower angles of view and the subject
is magnied. Shorter focal lengths result in wider angles of view.
ED
ED stands for Extra-low Dispersion. Extra-low dispersion glass is
3
eective in minimizing chromatic aberration (a distortion that occurs when a lens fails to focus all colors to the same convergence point).
OIS (p. 89)
Optical Image Stabilization. Lenses with this feature can detect
4
camera shake and eectively cancel out the movement inside the camera.
Ø
The lens diameter. When you attach a lter to the lens, make sure that
5
the diameters of the lens and the lter are the same.
47
Page 49
My Camera

Accessories

You can use accessories including external ash and GPS module that can help you capture better and more convenient photos.
For more information about optional accessories, refer to the manual for each accessory.
The illustrations may dier from the actual items.
You can purchase Samsung-approved accessories at a retailer or a Samsung service center. Samsung is not responsible for damage caused by using another manufacturer's accessories.
External ash layout
SEF8A (example)
1
2
3
No. Description
Bulb
1
Hot-shoe fastening dial
2
Hot-shoe connection
3
48
Page 50
My Camera > Accessories
Connecting the external ash
Remove the hot-shoe cover from the camera.
1
Mount the ash by sliding it into the hot-shoe.
2
Lock the ash into place by turning the hot-shoe fastening dial
3
clockwise.
Lift up the ash for use.
4
49
Page 51
My Camera > Accessories
You can capture a photo with a ash that is not fully charged, but it is recommended to use a fully charged ash.
Refer to the optional accessories page for available external ashes. (p. 195)
The available options may dier depending on the shooting mode.
There is an interval between two bursts of the ash. Do not move until the ash res a second time.
SEF8A may not be compatible with other NX series cameras.
For more details about optional ashes, refer to the user manual for the ash.
Use only Samsung-approved ashes. Using incompatible ashes may damage your camera.
SEF220A (example) (optional)
1
2 3
4
No. Description
Display icons
1
READY lamp/Test button
2
MODE button
3
Flash release button
4
POWER button
5
Battery cover
6
Bulb
7
7
8
6 5
9
TELE/WIDE mode switch
8
Hot-shoe connection
9
50
Page 52
My Camera > Accessories
GPS module layout (optional)
1
2
3
4
5
No. Description
Status lamp
1
POWER button
2
Hot-shoe fastening dial
3
Hot-shoe connection
4
Battery cover
5
Attaching the GPS module
Remove the hot-shoe cover from the camera.
1
Mount the GPS module by sliding it into the hot-shoe.
2
51
Page 53
My Camera > Accessories
Lock the GPS module into place by turning the hot-shoe
3
fastening dial towards LOCK.
Press the power button of the GPS module.
4
52
Page 54
My Camera

Shooting modes

Two simple shooting modes—Smart Auto and Smart mode—help you capture photos with numerous automatic settings. Additional modes allow for greater customization of settings.
Icon Description
t
P
A
S
M
i
s
B
Smart Auto mode (p. 53)
Program mode (p. 55)
Aperture Priority mode (p. 57)
Shutter Priority mode (p. 58)
Manual mode (p. 59)
Lens Priority mode (p. 60)
Smart mode (p. 64)
Wi-Fi features (p. 122)
t Smart Auto mode
In Smart Auto mode, the camera recognizes surrounding conditions and automatically adjusts factors that contribute to exposure, including shutter speed, aperture value, metering, White Balance, and exposure compensation. As the camera controls most of the functions, some shooting functions are limited. This mode is useful for capturing quick snapshots with the least amount of adjustment.
53
Page 55
My Camera > Shooting modes
Rotate the mode dial to t.
1
Align your subject in the frame.
2
Icon Description
Portraits at night
Landscapes with backlighting
Half-press [Shutter] to focus.
3
The camera selects a scene. An appropriate scene icon appears at the screen.
Recognizable scenes
Icon Description
Landscapes
Scenes with bright white backgrounds
Landscapes at night
Portraits with backlighting
Portraits
Close-up photos of objects
Close-up photos of text
Sunsets
Indoors, dark
Partially lit
Close-up with spot lighting
Portraits with spot lighting
Blue skies
Forested areas typically consist of green-colored subjects
Close-up photos of colorful subjects
Camera is stabilized on a tripod and the subject is not moving for a certain period of time. (when shooting in the dark)
Actively moving subjects
Fireworks (when using a tripod)
Press [Shutter] to capture the photo.
4
54
Page 56
My Camera > Shooting modes
The camera may detect dierent scenes, even the same subjects, depending on external factors such as camera shake, lighting, and distance to the subject.
If the camera does not recognize an appropriate scene mode, it uses the default settings for the Smart Auto mode.
Even if it detects a face, the camera may not select a portrait mode depending on the subject's position or lighting.
Even if you use a tripod, the camera may not detect the tripod mode ( ) if the subject is moving.
The camera consumes more battery power, because it changes settings often to select appropriate scenes.
P Program mode
The camera automatically adjusts shutter speed and aperture value so that an optimal exposure value can be achieved.
This mode is useful when you want to capture shots of constant exposure while being able to adjust other settings.
Rotate the mode dial to P.
1
Set the desired options.
2
Half-press [Shutter] to focus, and then press [Shutter] to
3
capture the photo.
55
Page 57
My Camera > Shooting modes
Program Shift
Program Shift function lets you adjust the shutter speed and aperture value while the camera maintains the same exposure. When you scroll the jog dial to the left, the shutter speed decreases and the aperture value increases. When you scroll the jog dial to the right, the shutter speed increases and the aperture value decreases.
Minimum shutter speed
Set the shutter speed not to be slower than the selected speed. However, if an optimal exposure value cannot be achieved because the ISO sensitivity reached the maximum ISO value that is set by Auto ISO Range, shutter speed may be slower than the selected minimum shutter speed.
To set the minimum shutter speed,
This feature is available only when the ISO sensitivity is set to Auto.
This feature is available only in Program or Aperture priority mode.
In Shooting mode, press [m] → 1Minimum Shutter Speed
an option.
56
Page 58
My Camera > Shooting modes
A Aperture Priority mode
Rotate the mode dial to A.
1
In Aperture Priority mode, the camera automatically calculates shutter speed according to the aperture value you choose.
You can adjust the depth of eld (DOF) by changing the aperture value. This mode is useful for taking portraits, owers, or landscape shots.
Large Depth of Field Small Depth of Field
Scroll the jog dial to adjust the aperture value.
2
You can also adjust the aperture value by pressing [f], moving to the aperture value, and then scrolling the jog dial or dragging the screen.
Set the desired options.
3
Half-press [Shutter] to focus, and then press [Shutter] to
4
capture the photo.
In low-light settings, you may need to increase the ISO sensitivity to prevent blurred photos.
To set the minimum shutter speed, in Shooting mode, press [m] → 1
Minimum Shutter Speed → an option.
57
Page 59
My Camera > Shooting modes
S Shutter Priority mode
Rotate the mode dial to S.
1
In Shutter Priority mode, the camera automatically adjusts the aperture value according to the shutter speed you choose. This mode is useful for capturing photos of fast-moving subjects or for creating tracer eects in a photo.
For example, set the shutter speed to over 1/500 s to freeze the subject. To make the subject appear blurred set the shutter speed to below 1/30 s.
Slow shutter speed Fast shutter speed
Scroll the jog dial to adjust the shutter speed.
2
You can also adjust the shutter speed by pressing [f], moving to the shutter speed, and then scrolling the jog dial or dragging the screen.
Set the desired options.
3
Half-press [Shutter] to focus, and then press [Shutter] to
4
capture the photo.
In order to compensate for the reduced amount of light allowed by fast shutter speeds, open the aperture and let in more light. If your photos are still too dark, increase the ISO value.
58
Page 60
My Camera > Shooting modes
M Manual mode
Manual mode lets you adjust the shutter speed and aperture value manually. In this mode, you can fully control the exposure of your photos.
This mode is useful in controlled shooting environments, such as a studio, or when it is necessary to ne-tune camera settings. The Manual mode is also recommended for shooting night scenes or reworks.
Rotate the mode dial to M.
1
Scroll the jog dial to adjust the shutter speed.
2
Press and hold [W], and then rotate the mode dial to adjust
3
the aperture value.
You can also adjust the shutter speed or the aperture value by pressing [f], moving to the shutter speed or the aperture value, and then scrolling the jog dial or dragging the screen.
Set the desired options.
4
Framing mode
When you adjust the aperture value or shutter speed, the exposure changes according to the settings, so the display may darken. With this function on, the brightness of the display is constant regardless of the settings, so you can better frame your shot.
To use Framing Mode,
In Shooting mode, press [m] → 1Framing Mode
an option.
Half-press [Shutter] to focus, and then press [Shutter] to
5
capture the photo.
59
Page 61
My Camera > Shooting modes
Using the Bulb function
Use the Bulb function to shoot night scenes or the night sky. While you are pressing [Shutter], the shutter is left open so you can create moving light eects.
To use a bulb,
If you set a high ISO value or open the shutter for a long time, image noise may increase.
Drive options, ash, and One touch shot cannot be used with the Bulb function.
The Bulb function is available only in Manual mode. Use a tripod and shutter release to prevent your camera from shaking. The longer you open the shutter, the longer it takes to save a photo. Do not
turn the camera o while the camera saves a photo. If you use this function for a long time, use a fully charged battery.
Completely scroll the jog dial to the left to Bulb → Press and hold [Shutter] for the desired time.
i Lens Priority mode
Using E
You can adjust the depth of eld to blur or sharpen the background.
Rotate the mode dial to i.
1
Press [i-Function] on the lens to select E.
2
You can also press [i-Function], and then press [C/F] or drag the screen to select E.
60
Page 62
My Camera > Shooting modes
Adjust the focus ring to select a value.
3
You can also scroll the jog dial to adjust the value.
You can also drag the slider or touch +/- to adjust the value.
Defocus Sharpen
E
Half-press [Shutter] to focus, and then press [Shutter] to
4
capture the photo.
As you sharpen photos, the aperture value Increases and the shutter speed reduces. In dark places, photos may be blurry.
This function is not available when you set 3D Auto Mode in 3D mode.
Using i-Function in P/A/S/M modes
When you use the i-Function button on an i-Function lens, you can manually select and adjust shutter speed, aperture value, exposure value, ISO sensitivity, and White Balance on the lens.
Rotate the mode dial to P, A, S, or M.
1
Press [i-Function] on the lens to select a setting.
2
You can also press [i-Function], and then press [C/F] or drag the screen to select a setting.
61
Page 63
My Camera > Shooting modes
Adjust the focus ring to select an option.
3
You can also scroll the jog dial or drag the screen to select an option.
Half-press [Shutter] to focus, and then press [Shutter] to
4
capture the photo.
Available options
Shooting mode PASM3D
Aperture
Shutter Speed
EV
ISO
White Balance
Z
To select items to appear when you press [i-Function] on the lens in Shooting mode, press [m]
This function is not available when you set 3D Auto Mode in 3D mode.
-O-O-
--OO-
OOO-O
OOOO -
OOOOO
OOOO -
5iFn Customizing → an item.
62
Page 64
My Camera > Shooting modes
Using Z
The Z allows you to zoom in on a subject with less degradation of photo quality than the Digital zoom. However, the photo resolution may change compared to when you zoom in by rotating the zoom ring.
Rotate the mode dial to P, A, S, M, or i.
1
Press [i-Function] on the lens to select Z.
2
You can also press [i-Function], and then press [C/F] or drag the screen to select Z.
Adjust the focus ring to select a zoom ratio.
3
You can also scroll the jog dial or drag the screen to select an option.
Photo resolution varies according to the zoom ratio if you use the Z.
3:2 16:9 1:1
x1.2
x1.4
4560X3040 (13.9M) 4560X2568 (11.7M) 3040X3040 (9.2M)
3888X2592 (10.1M) 3888X2184 (8.5M) 2592X2592 (6.7M)
Half-press [Shutter] to focus, and then press [Shutter] to
4
capture the photo.
Z is not available when you capture burst shots.
Z is not available when you capture photos in the RAW le format.
Z is deactivated when you record videos by pressing the video recording button.
This function is not available when you set 3D Auto Mode in 3D mode.
x1.7
x2
These gures are based on the maximum resolution at each image ratio.
3264X2176 (7.1M) 3264X1840 (6.0M) 2176X2176 (4.7M)
2736X1824 (5.0M) 2736X1536 (4.2M) 1824X1824 (3.3M)
63
Page 65
My Camera > Shooting modes
s Smart mode
In Smart mode, you can capture photos with options that are preset for a specic scene.
Rotate the mode dial to s.
1
Select a scene.
2
To select a shooting mode when the mode dial is set to s, press [f] or touch
Set
Option Description
Beauty Face
Best Face
, and then select a desired mode.
Smart : Beauty Face
Capture a portrait with options to hide facial imperfections.
Capture multiple photos and replace faces to create the best possible image.
Option Description
Macro
Action Freeze
Rich Tones
Panorama
Waterfall
Silhouette
Sunset
Night
Fireworks
Light Trace
Creative Shot
Half-press [Shutter] to focus, and then press [Shutter] to
3
Capture small or close-up subjects.
Capture subjects moving at high speed.
Capture a photo with vibrant colors.
Capture a wide panoramic scene in a single photo.
Capture scenes with waterfalls.
Capture subjects as dark shapes against a light background.
Capture scenes at sunset, with natural-looking reds and yellows.
Capture multiple photos in low light conditions without a ash. The camera combines them to create a single image that is brighter and has less blurring.
Capture scenes with reworks.
Capture scenes with the light trailing in low-light conditions.
Capture photos with eects applied automatically.
capture.
Landscape
Capture still-life scenes and landscapes.
64
Page 66
My Camera > Shooting modes
Using the Best Face mode
In Best Face mode, you can capture multiple photos and replace faces to create the best possible image. Use this mode to select the best image for each individual when capturing group photos.
Rotate the mode dial to s, and then select Best Face.
1
Align your subject in the frame, and then half-press [Shutter]
2
to focus.
Press [Shutter] to capture the photo.
3
The camera captures 5 photos consecutively.
The rst photo is set as the background image.
The camera automatically detects faces after shooting.
Touch a face to replace.
4
Touch the best image from the 5 faces that were captured.
5
Repeat steps 4 and 5 to replace the rest faces of the photo.
The icon will appear on the image that the camera recommends.
Touch to save the photo.
6
Use a tripod to prevent your camera from shaking.
The resolution is set to 5.9M or smaller.
65
Page 67
My Camera > Shooting modes
Capturing panoramic photos
Capture a 2D or 3D panoramic photo. Captured 3D panoramic photos can be viewed only on a 3D TV or 3D monitor.
Rotate the mode dial to s, and then select Panorama.
1
Press [m] → 1PanoramaLive Panorama or 3D.
2
Press [m] to return to Shooting mode.
3
Press and hold [Shutter] to start shooting.
4
With [Shutter] pressed, slowly move the camera in the
5
direction you selected.
In 3D Panorama mode, you can capture a scene only in horizontal directions.
An arrow toward the direction of motion is displayed, and the entire shooting image is displayed in the preview box.
When the scenes are aligned, the camera captures the next photo automatically.
When you are nished, release [Shutter].
6
The camera will automatically save the shots into one photo.
If you release [Shutter] while shooting, the panoramic shooting stops and photos that have been captured are saved.
66
Page 68
My Camera > Shooting modes
The resolution varies depending on the panoramic photo you captured.
In Panorama mode, some shooting options are not available.
The camera may stop shooting due to the shooting composition or the subject's movement.
In Panorama mode, your camera may not capture the entire last scene if you stop moving the camera to improve the photo quality. To capture the entire scene, move your camera slightly beyond the point where you want the scene to end.
In 3D Panorama mode, your camera may not capture the very beginning or end of a scene due to the nature of the 3D eect. To capture the entire scene, move slightly beyond the beginning and end points you want to capture.
Photos captured with the 3D function are saved in JPEG (2D) and MPO (3D) formats. On your camera's display, you can view only JPEG les.
To view 3D les, connect your camera to a 3D TV or 3D monitor with an optional HDMI cable. While viewing, wear proper 3D glasses.
Capturing photos in 3D Panorama mode may result in a less pronounced 3D eect than those captured with a 3D lens. To increase the 3D eect, attach the optional 3D lens and use 3D mode. (p. 69)
For best results when capturing panoramic photos, avoid the following:
-
moving the camera too quickly or too slowly
-
moving the camera too little to capture the next image
-
moving the camera at irregular speeds
-
shaking the camera
-
shooting in dark places
-
capturing moving subjects nearby
-
shooting conditions where the brightness or color of light is changing
Photos taken are automatically saved, and shooting is stopped under the following conditions:
-
if you change the shooting direction while shooting
-
if you move the camera too rapidly
-
if you don't move the camera
67
Page 69
My Camera > Shooting modes
Recording a video
In Shooting mode, you can record Full HD videos (1920X1080) by pressing
(Video recording). The camera lets you record a video up to 29 minutes and 59 seconds in length at 60, 30, 24, or 15 fps, and saves the les in MP4 (H.264) format. 60 fps is available only with 1920X1080 and 1280X720 and 24 fps is available only with 1920X810. 15 fps is available only with some Smart Filter options. The sound is recorded via the camera's microphone.
Rotate the mode dial to t, P, A, S, M, i, or s.
1
This feature may not work in some modes.
Set the desired options.
2
Press (Video recording) to start recording.
3
Press (Video recording) again to stop.
4
You can set the exposure by adjusting the aperture value and shutter speed for the mode you selected. When you use a lens that does not have an AF/MF switch while recording a video, press [F] to deactivate or activate the AF function. When you use the lens that has an AF/MF switch, the AF function works according to the switch’s setting.
Select Fader to fade in or out a scene. You can also select Voice, Wind Cut, or other options to set recording options. (p. 106)
H.264 (MPEG-4 part10/AVC) is the latest video coding format established in 2003 collaboratively by ISO-IEC and ITU-T. Since this format uses a high compression rate, more data can be saved in less memory space.
If you have the image stabilizer option on when shooting a movie, the camera may record the image stabilizer sound.
The zoom sound or other lens sounds may be recorded if you adjust the lens while recording a video.
When using an optional video lens, the autofocus noise is not recorded.
If you remove the camera lens while recording a movie, the recording will be interrupted. Do not change the lens while recording.
If you attach an external microphone while recording a movie, sound will not be recorded through the external microphone. (The previous settings are maintained.) If you remove the external microphone while recording a movie, sound will not be recorded. Turn o the camera before attaching or removing the external microphone.
68
Page 70
My Camera > Shooting modes
If you change the shooting angle of the camera suddenly while shooting a movie, the camera may not be able to record images accurately. Use a tripod to minimize camera shake.
The camera supports only the Multi AF function when recording a video. You cannot use any other focus area setting functions, such as Face Detection AF.
When the size of a movie le exceeds 4 GB, the camera automatically stops recording even if the maximum recording time (29 minutes and 59 seconds) has not been reached.
If you use a slow writing memory card, the recording of your movie can be interrupted because the card cannot process data at the rate the video is being shot. If this occurs, replace the card with a faster memory card or reduce the video size (for example, from 1280X720 to 640X480).
When formatting a memory card, always format using the camera. If you format on another camera or a PC, you can lose les on the card or cause a change in the capacity of the card.
When you press the video recording button, Z turns o.
While recording a video in the same ISO sensitivity, the screen may be darker than taking a photo. Adjust the ISO sensitivity.
When you record a video in P, A, or S mode, ISO is automatically set to Auto.
3D mode
You can capture 3D photos or videos with an optional 3D lens.
SAMSUNG 45 mm F1.8 [T6] 2D/3D lens (example)
Set the 2D/3D switch on the lens to 3D, and then capture a photo or video
1.5-5 m away from the subject.
69
Page 71
My Camera > Shooting modes
3D mode is always on, regardless of the mode dial of the camera, except B.
To use auto 3D options that enable the camera to set shooting options automatically depending on shooting conditions in 3D mode, press [m]
To change the 3D recording option, press [m] → 63D REC Mode
Icon Description
13D Auto ModeOn.
a desired option.
* Default
Side by Side*: Displays two images next to each other.
Frame Packing: Displays the images for the left and right eye
alternately in frames.
Available shooting options dier compared to other shooting modes.
You can select either 4.1M (2688X1512) or 2.1M (1920X1080) photo size.
The video resolution is set to 1920X1080.
Videos recorded in 3D may be dark or playback may be jittery.
Shooting in low temperatures may result in color distortion in images and may consume more battery power.
You may not be able to shoot properly in conditions below 8.5 LV/900 lux. For best results, capture photos in places with sucient light.
When you photograph objects that contain polarizing material, such as a display, sunglasses, or a polarizing lter, or use the polarizing material with your lens, the images may appear dark or the 3D eect may not be applied properly.
Use a tripod to prevent your camera from shaking.
If you rotate or tilt the camera vertically while shooting, the 3D eect may not be applied properly. Capture images with the camera in the normal position.
If you shoot in uorescent lighting or capture images displayed by projectors or TVs, the images may appear black due to the icker eect.
In 3D mode, the Enlarge x8 option of MF Assist may not be available.
The camera's display shows 3D videos only in 2D.
Photos captured with the 3D function are saved in JPEG (2D) and MPO (3D) formats. On your camera's display, you can view only JPEG les.
To view 3D les, connect your camera to a 3D TV or 3D monitor with an optional HDMI cable. While viewing, wear proper 3D glasses.
You cannot use the ash in 3D mode.
70
Page 72
My Camera > Shooting modes
Available functions by shooting mode
For details about shooting functions, see Chapter 2. Press a shortcut for each function.
Function Available in Shortcut
Photo Size (p. 73)
Quality (p. 74)
ISO (p. 75)
White Balance (p. 76)
Picture Wizard (p. 79)
Smart Filter (p. 101)
AF Mode (p. 80)
AF Area (p. 83)
Touch AF (p. 86)
MF Assist (p. 88)
Focus Peaking (p. 88)
P/A/S/M/i/s*/t/3D*-
P/A/S/M/i/s*-
P/A/S/Mf/I
P/A/S/Mf
P/A/S/Mf
P/A/S/Mf
P/A/S/M/i*/s*/3D* f
P/A/S/M/i*/s* f/F
P/A/S/M/i/s*/t/3D*-
P/A/S/M/i/s/t/3D*-
P/A/S/M/i/s/t -
Function Available in Shortcut
Framing Mode (p. 59)
OIS (Anti-Shake) (p. 89)
Drive (Continuous/ Burst/Timer/ Bracketing) (p. 90)
Metering (p. 97)
Dynamic Range (p. 100)
Flash (p. 94)
Exposure compensation (p. 102)
Exposure lock (p. 103)
* Some functions are limited in these modes.
P/A/S/M -
P/A/S/M/i/s*/t*-
P/A/S/M/i*/s*/t*/3D* f/C
P/A/S/Mf
P/A/S/M -
P*/A*/S*/M*/i*/s*/t* f
P/A/Sf/W
P/A/S -
Link AE to AF Point (p. 99)
P/A/S/M -
71
Page 73

Chapter 2

Shooting Functions

Learn about the functions you can set in Shooting mode.
You can enjoy more customized photos and videos by using the shooting functions.
Page 74
Shooting Functions
Sh
ooting FunctionsShooting Functions

Size and Resolution

Photo size
As you increase the resolution, your photo or video will include more pixels, so it can be printed on larger paper or displayed on a larger screen. When you use a high resolution, the le size will also increase. Select a low resolution for photos that will be displayed in a digital picture frame or uploaded to the web.
To set the size,
In Shooting mode, press [m] → 1Photo Size → an option.
Icon Size Recommended for
5472x3648 (3:2) Printing on A1 paper.
3888x2592 (3:2) Printing on A2 paper.
2976x1984 (3:2) Printing on A3 paper.
1728x1152 (3:2) Printing on A5 paper.
5472x3080 (16:9)
3712x2088 (16:9)
2944x1656 (16:9)
1920x1080 (16:9)
3648x3648 (1:1) Printing a square photo on A1 paper.
2640x2640 (1:1) Printing a square photo on A3 paper.
2000x2000 (1:1) Printing a square photo on A4 paper.
1024x1024 (1:1) Printing a square photo on A5 paper.
Printing on A1 paper or viewing on an HDTV.
Printing on A3 paper or viewing on an HDTV.
Printing on A4 paper or viewing on an HDTV.
Printing on A5 paper or viewing on an HDTV.
Available options may dier depending on shooting conditions.
7373
Page 75
Shooting Functions > Size and Resolution
Quality
The camera saves photos in either the JPEG or RAW format.
Photos captured by a camera are often transformed to the JPEG format and stored in the memory according to the settings of the camera at the time of shooting. RAW les are not transformed to the JPEG format and are stored in the memory without any changes.
RAW les have the le extension “SRW”. To adjust and calibrate exposures, White Balances, tones, contrasts, and colors of the RAW les, or to convert them into JPEG or TIFF format, use the Adobe Photoshop Lightroom program found on the supplied DVD-ROM.
Ensure you have enough space on the memory card to save photos in the RAW format.
To set the quality,
Icon Format Description
JPEG
In Shooting mode, press [m] → 1Quality → an option.
Super Fine:
Compressed for the best quality.
Recommended for printing in large size.
Icon Format Description
Normal:
JPEG
RAW
RAW+JPEG
RAW+JPEG
RAW+JPEG
Available options may dier depending on shooting conditions.
Compressed for normal quality.
Recommended for printing in small size or
uploading to the web.
RAW:
Save a photo without data loss.
Recommended for editing after shooting.
RAW + S.Fine: Save a photo in both the JPEG (S.Fine quality) and RAW format.
RAW + Fine: Save a photo in both the JPEG (Fine quality) and RAW format.
RAW + Normal: Save a photo in both the JPEG (Normal quality) and RAW format.
JPEG
Fine:
Compressed for better quality.
Recommended for printing in normal size.
74
Page 76
Shooting Functions
Sh
ooting FunctionsShooting Functions

ISO sensitivity

The ISO sensitivity value represents the sensitivity of camera to light.
The larger the ISO value, the more sensitive the camera is to light. Consequently, by selecting a higher ISO sensitivity value, you can capture photos in dim or dark places at faster shutter speeds. However, this may increase electronic noise and result in a grainy photo.
To set ISO sensitivity,
In Shooting mode, press [I] → an option.
Examples
ISO 100 ISO 400
ISO 800 ISO 3200
You can also set the option by pressing [m] → 1ISO → an option in Shooting mode.
Increase the ISO value in places where ash use is prohibited. You can capture a clear photo by setting a high ISO value without having to secure more light.
Use the Noise Reduction function in order to reduce the visual noise that can appear on photos of a high ISO value. (p. 146)
Available options may dier depending on the shooting conditions.
7575
Page 77
Shooting Functions
Sh
ooting FunctionsShooting Functions

White Balance

White Balance represents the light source that inuences on the color of a photo.
The color of a photo depends on the type and quality of the light source. If you want the color of your photo to be realistic, select an appropriate lighting condition to calibrate the White Balance, such as Auto WB, Daylight, Cloudy, Tungsten, or adjust color temperature manually.
You can also adjust color for the preset light sources so that the colors of the photo match the actual scene under mixed lighting conditions.
To set the White Balance,
Icon Description
Auto WB: Use automatic settings depending on the lighting conditions.
Daylight: Select when taking outdoor photos on a sunny day. This option results in photos closest to the natural colors of the scene.
Cloudy: Select when taking outdoor photos on a cloudy day or in shadows. Photos captured on cloudy days tend to be more bluish than on sunny days. This option osets that eect.
In Shooting mode, press [m] → 1White Balance → an option.
Icon Description
Fluorescent White: Select when shooting under a daylight uorescent lamp. Especially for white uorescent light with a color temperature of about 4,200K.
Fluorescent NW: Select when shooting under a daylight uorescent lamp. Especially for white uorescent light of very white hues with a temperature of about 5,000K.
Fluorescent Daylight: Select when shooting under a daylight uorescent lamp. Especially for white uorescent light of slightly bluish hue with a temperature of about 6,500K.
Tungsten: Select when taking indoor photos under incandescent bulbs or halogen lamps. Incandescent tungsten bulbs tend to have a reddish hue. This option osets that eect.
Flash WB: Select when using a ash.
Custom Set: Use your pre-dened settings. You can manually set
the White Balance by pressing [D], and then shooting a white sheet of paper. Fill the spot metering circle with the paper and set the White Balance.
7676
Page 78
Shooting Functions > White Balance
Icon Description
Color Temperature: Manually adjust the color temperature of the light source. Color temperature is a measurement in degrees Kelvin that indicates the specic type of light source. As the color temperature increases, the color distribution becomes cooler. Alternatively, as the color temperature decreases, the color distribution becomes warmer. Press [D], and then adjust the color temperature.
Clear sky
Fluorescent H
Cloudy Daylight
Fluorescent L
Halogen lamp
Tungsten
Candle light
Customizing preset White Balance options
You can also customize preset White Balance options.
To customize preset options,
White Balance : Daylight
Back
You can also touch an area on the screen.
In Shooting mode, press [m] → 1White Balance
an option → [D] → scroll the jog dial, or press
[D/I/C/F].
Set Reset
Available options may dier depending on shooting conditions.
77
Page 79
Shooting Functions > White Balance
Examples
Auto WB Daylight
Fluorescent Daylight Tungsten
78
Page 80
Shooting Functions
Sh
ooting FunctionsShooting Functions

Picture Wizard (photo styles)

Picture Wizard lets you apply dierent photo styles to your photo to create various looks and emotional moods. You can also create and save your own photo styles by adjusting color, saturation, sharpness, and contrast for each style.
There is no rule for which style is suitable in which conditions. Experiment with dierent styles and nd your own settings.
To set a photo style,
Examples
In Shooting mode, press [m] → 1Picture Wizard
an option.
Cool Calm Classic
You can also adjust the value of the preset style settings. Select a Picture Wizard option, press [D], and then adjust color, saturation, sharpness, or contrast.
To customize your own picture wizard, select , , or , and then adjust the color, saturation, sharpness, and contrast.
Picture Wizard options cannot be set with Smart Filter options at the same time.
Standard Vivid Portrait
Landscape Forest Retro
7979
Page 81
Shooting Functions
Sh
ooting FunctionsShooting Functions

AF mode

Learn how to adjust the camera’s focus according to the subjects.
You can select a focusing mode appropriate to the subject among Single Auto Focus, Continuous Auto Focus, and Manual Focus. The AF function is activated when you press [Shutter] halfway. In the MF mode, you have to rotate the focus ring on the lens to focus manually.
In most cases, you can have a focus by selecting Single AF. Fast moving subjects or subjects of a color similar to the background are dicult to focus. Select an appropriate focusing mode for such instances.
If your lens has an AF/MF switch, you must set the switch according to the selected mode. Set the switch to AF when you select Single AF or Continuous AF. Set the switch to MF when you select Manual Focus.
To set the auto focus mode,
You can also set the option by pressing [m] → 1AF Mode → an option in Shooting mode.
The available options may dier depending on the lens in use.
In Shooting mode, press [F] → an option.
When your lens has no AF/MF switch, press [F] to select a desired AF mode.
8080
Page 82
Shooting Functions > AF mode
Single AF
Single AF is appropriate for shooting a still subject. When you press [Shutter] halfway, the focus xes in the focus area. The area turns green when the focus is achieved.
Continuous AF
While you are pressing [Shutter] halfway, the camera continues to automatic focusing. Once the focus area is xed on the subject, the subject is always in focus even when moving. This mode is recommended for shooting a person on a bicycle, a running dog, or a car racing scene.
81
Page 83
Shooting Functions > AF mode
Manual focus
You can manually focus on a subject by rotating the focus ring on the lens. The MF Assist function lets you easily achieve a focus. While you are rotating the focus ring, the focus area is magnied. When you use the Focus Peaking function, the color you selected appears on the focused subject. This mode is recommended for shooting an object similar in color to the background, a night scene, or reworks.
If you use this function, you cannot set Touch AF, AF Area, and Link AE to AF Point options.
82
Page 84
Shooting Functions
Sh
ooting FunctionsShooting Functions

AF area

The AF area function changes the positions of the focus area.
Generally, cameras focus on the nearest subject. When there are a lot of subjects, however, unwanted subjects can be in focus. In order to prevent unwanted subjects from being in focus, change the focus area so that a desired subject is in focus. You can get a clearer and sharper photo by selecting an appropriate focus area.
To set the auto focus area,
Available options may dier depending on shooting conditions.
When the AF/MF switch is set to MF, you cannot change the AF area from the shooting menu.
When you use the Face Detection AF option, the camera focuses on the area with the white frame automatically.
Depending on the Picture Wizard options, Face Detection may not be eective.
When you set manual focus, Face Detection may not be available.
Face Detection may not be eective when:
-
-
-
-
-
-
the subject is far from the camera it is too bright or too dark the subject is not facing the camera the subject is wearing sunglasses or a mask the subject’s facial expression changes drastically the subject is backlit or the lighting conditions are unstable
In Shooting mode, press [m] → 1 → AF Area → an option.
Selection AF
You can set the focus on an area you want. Apply an out-of-focus eect to make the subject more distinguishable.
The focus on the photo below was repositioned and resized so that it ts the subject’s face.
To resize or move the focus area, in Shooting mode, press [o]. Use the navigation button to move the focus area. Scroll the jog dial to resize the focus area.
8383
Page 85
Shooting Functions > AF area
Multi AF
The camera displays a green rectangle in places where focus is set correctly. The photo is divided into two or more areas, and the camera obtains focus points of each area. It is recommended for scenery photos.
When you press [Shutter] halfway, the camera displays the focus areas as shown in the photo below.
Face detection AF
The camera focuses on human faces preferentially. Faces of up to 10 people can be detected. This setting is recommended for shooting a group of people.
When you press [Shutter] halfway, the camera focuses on faces as shown in the photo below. In cases of shooting a group of people, the camera displays the focus on the nearest person’s face in white and the rest of the people’s faces in gray.
84
Page 86
Shooting Functions > AF area
Self-Portrait AF
It can be dicult to check whether your face is in focus when you are taking a self-portrait. When this function is on, the beep from the camera gets faster when your face is located at the center of the composition.
85
Page 87
Shooting Functions
Sh
ooting FunctionsShooting Functions

Touch AF

Select or focus on a focal area that you touch on the screen. Additionally, focus on the subject and capture a photo by touching on the screen.
To set Touch AF,
Available options may dier depending on the shooting conditions.
In Shooting mode, press [m] → 1 → Touch AF → an option.
Touch AF
Touch AF allows you to select and focus on the focus area that you touch on the screen.
Tracking AF
Tracking AF allows you to track and automatically focus on your subject, even when the subject is moving or when you change the shooting composition.
White frame: Your camera is tracking the subject.
Green frame: Your subject is in focus when you half-press [Shutter].
Red frame: Your camera failed to focus.
AF Point
The focal area will correspond to the area you touch on the screen and the focus will not be achieved.
8686
Page 88
Shooting Functions > Touch AF
If you do not select a focus area, the Auto Focus function does not work.
Tracking a subject may fail when:
-
the subject is too small
-
the subject moves excessively
-
the subject is backlit or you are shooting in a dark place
-
colors or patterns on the subject and the background are the same
-
the subject includes horizontal patterns, such as blinds
-
the camera shakes excessively
When tracking fails, the feature will be reset.
If the camera fails to track the subject, the focus area will be reset.
If the camera fails to focus, the focus frame will change to red and the focus will be reset.
One touch shot
You can capture a photo with the touch of your nger. As you touch on a subject, the camera focuses on the subject automatically and captures a photo.
87
Page 89
Shooting Functions
Sh
ooting FunctionsShooting Functions

Focus assist

In the manual focus mode, you have to rotate the focus ring on the lens to focus. When you use the MF Assist function or the Focus Peaking function, you can achieve a clearer focus. This function is only available on a lens that supports manual focus.
MF Assist
In the manual focus mode, you can enlarge the scene and easily adjust the focus while rotating the focus ring.
To set the manual focus assist,
Option Description
O
In Shooting mode, press [m] → 1MF Assist → an option.
* Default
Do not use the MF Assist function.
The focus area is magnied by 5 times when you rotate the focus ring.
* Default
Option Description
The focus area is magnied by 8 times when you rotate the focus ring.
Enlarge x8
Focus Peaking
In the manul focus mode, the color you selected appears on the focused subject to help you focus while rotating the focus ring.
To set Focus Peaking options,
In Shooting mode, press [m] → 1Focus Peaking → an option.
Enlarge x5*
Option Description
Level
Color
Set a sensitivity for detecting the focused subject. (O, High, Normal*, Low)
Set a color to appear on the focused subject. (White*, Red, Green)
* Default
8888
Page 90
Shooting Functions
Sh
ooting FunctionsShooting Functions

Optical Image Stabilization (OIS)

Use the Optical Image Stabilization (OIS) function to minimize camera shake. OIS may not be available with some lenses.
Camera shake tends to occur in dark places or when shooting indoors. In such cases, the camera uses slower shutter speeds in order to increase the amount of light taken in, which can result in a blurry photo. You can prevent this situation by using the OIS function.
If your lens has an OIS switch, you have set the switch to ON to use the OIS function.
Without OIS correction With OIS correction
To set OIS options,
Icon Description
O: The OIS function is o. (This option may not be available with some lenses.)
Mode 1*: The OIS function is applied only when you press [Shutter] in full or half.
Mode 2: The OIS function is on.
In Shooting mode, press [m] → 1 → OIS (Anti-Shake)
an option.
* Default
OIS may not function properly when:
-
you move your camera to follow a moving subject
-
there is too much camera shake
-
the shutter speed is slow (for example, when you select Night in s mode)
-
the battery is low
-
you capture a close-up shot
If you use the OIS function with a tripod, your images may be blurred by the vibration of the OIS sensor. Deactivate the OIS function when you use a tripod.
If the camera is hit or dropped, the display will be blurry. If this occurs, turn o the camera, and then turn it on again.
Use the OIS function only when needed because the function consumes more battery power.
To set an OIS option on the menu, set the OIS switch on your lens to ON.
This option may not be available with some lenses.
O may not be available with some lenses.
8989
Page 91
Shooting Functions
Sh
ooting FunctionsShooting Functions

Drive (shooting method)

You can set the shooting method such as Continuous, Burst, Timer and so on.
Select Single to capture one photo at a time. Select Continuous or Burst to shoot fast moving subjects. Select AE Bracket, WB Bracket, or P Wiz Bracket to adjust exposure, White Balance, or apply Picture Wizard eects. You can also select Timer to capture a photo of yourself.
To set the shooting method,
You can also set the option by pressing [m] → 1Drive → an option in Shooting mode.
Available options may dier depending on shooting conditions.
In Shooting mode, press [C] → an option.
Single
Capture one photo whenever you press [Shutter]. Recommended for general conditions.
Continuous
Continuously capture photos while you are pressing [Shutter]. You can capture up to 5 photos (Continuous Normal) or 8.6 photos (Continuous High) per second.
If you select Continuous High, the noise reduction function is not available.
9090
Page 92
Shooting Functions > Drive (shooting method)
Burst
Consecutively capture up to 10 shots per second (3 seconds), 15 shots per second (2 seconds), or 30 shots per second (1 second) when you press [Shutter] once. It is recommended for shooting the rapid motion of fast moving subjects such as racing cars.
To set the number of shots, in Shooting mode, press [C] → Burst, and then press [D].
The photo size is set to 5M.
It may take longer to save a photo.
You cannot use the ash with this option.
Shutter speed must be faster than 1/30 second.
Photos captured with this option may be slightly enlarged when saving.
You cannot set an ISO option higher than ISO 3200.
This option cannot be used with the RAW le format and is not available when the photo quality is set to RAW.
Timer
Capture a photo with a delay of 2 to 30 seconds. The delay is adjustable in increments of 1 second.
To set the delay, in Shooting mode, press [C] → Timer, and then press [D].
91
Page 93
Shooting Functions > Drive (shooting method)
Auto Exposure Bracketing (AE Bracket)
When you press [Shutter], the camera captures 3 consecutive photos: the original, one a step darker, and one a step lighter. Use a tripod to prevent blurry photos as the camera captures three photos continuously. You can adjust the settings in Bracket Set menu.
Exposure -2
Original
Exposure +2
White Balance Bracketing (WB Bracket)
When you press [Shutter], the camera captures 3 consecutive photos: the original and two more with dierent White Balance settings. The original photo is captured when you press [Shutter]. The other two are automatically adjusted according to the White Balance you have set. You can adjust the settings in Bracket Set menu.
WB-2
Original
This option cannot be used with the RAW le format and is not available when the photo quality is set to RAW.
WB+2
92
Page 94
Shooting Functions > Drive (shooting method)
Picture Wizard Bracketing (P Wiz Bracket)
When you press [Shutter], the camera captures three consecutive photos, each with a dierent Picture Wizard setting. The camera captures a photo and applies the three Picture Wizard options you have set to the image captured. You can select three dierent settings in Bracket Set menu.
Vivid
Standard
This option cannot be used with the RAW le format and is not available when the photo quality is set to RAW.
Retro
Bracketing setting
You can set up the options for AE Bracket, WB Bracket, and P Wiz Bracket. (p. 147)
To set a bracketing option,
In Shooting mode, press [m] → 5Bracket Set → an option.
93
Page 95
Shooting Functions
Sh
ooting FunctionsShooting Functions

Flash

In order to capture a realistic photo of a subject, the amount of light should be constant. When the light source varies, you can use a ash and supply a constant amount of light. Select appropriate settings according to a light source and a subject.
To set ash options,
Icon Description
O: Do not use the ash.
Smart Flash: The camera automatically adjusts the brightness
of the ash according to the amount of light in the surrounding environment.
Auto: The ash automatically res in dark places.
Auto Red-eye: The ash automatically res and reduces red-eyes.
Fill in: The ash res whenever you capture a photo. (Brightness is
automatically adjusted.)
Fill-in Red: The ash res whenever you capture a photo and reduces red-eyes.
In Shooting mode, press [m] → 1Flash an option.
Icon Description
1st Curtain: The ash res immediately after the shutter opens. The camera captures a photo of a subject earlier in an action sequence clearly.
2nd Curtain: The ash res just before the shutter closes. The camera captures a photo of a subject later in an action sequence clearly.
The available options may dier depending on shooting conditions.
There is an interval between two bursts of the ash. Do not move until the ash res a second time.
If you select O, the ash does not re even when an external ash is attached.
Use only Samsung-approved ashes. Using incompatible ashes may damage your camera.
Ball moving direction
Ball moving direction
9494
Page 96
Shooting Functions > Flash
Reducing the red-eye eect
If the ash res when you capture a photo of a person in the dark, a red glow may appear in the eyes. To reduce the red-eye eect, select Auto Red-eye or Fill-in Red.
Without red-eye reduction With red-eye reduction
If the subject is too far from the camera or moves when the rst ash res, red­eyes may not be reduced.
Adjusting the ash intensity
When the ash is on, adjust the ash intensity +/-2 levels.
To set the ash intensity,
Back
In Shooting mode, press [f] → Flash → an option → [D]
scroll the jog dial or press [C/F] to adjust the ash
intensity.
Flash : 0.0
Set
95
Page 97
Shooting Functions > Flash
You can also drag the slider or touch +/- to adjust the intensity.
Adjusting the flash intensity may not be eective when:
-
the subject is too close to the camera
-
you set a high ISO sensitivity
-
the exposure value is too big or too small
In some shooting modes, you cannot use this function.
If you attach an intensity-adjustable external ash to the camera, the intensity settings of the ash will be applied.
If the subject is too close when you use the ash, some light may be blocked, resulting in a dark photo. Ensure that the subject is within the recommended range, which varies by lens.
When a lens hood is attached, the light from the ash can be blocked by the hood. Remove the hood to use the ash.
96
Page 98
Shooting Functions
Sh
ooting FunctionsShooting Functions

Metering

The metering mode refers to the way in which a camera measures the quantity of light.
The camera measures the amount of light in a scene, and in many of its modes, uses the measurement to adjust various settings. For example, if a subject looks darker than its actual color, the camera captures an overexposed photo of it. If a subject looks lighter than its actual color, the camera captures an underexposed photo of it.
The brightness and overall mood of the photo can also be aected by how the camera measures the amount of light. Select an appropriate setting for a shooting condition.
To set a metering option,
In Shooting mode, press [m] → 1Metering → an option.
Multi
The Multi mode calculates the amount of light in multiple areas. When light is sucient or insucient, the camera adjusts the exposure by averaging the overall brightness of the scene. This mode is suitable for general photos.
9797
Page 99
Shooting Functions > Metering
Spot
The Spot mode calculates the amount of light in the center. When you capture a photo in conditions where there is a strong backlight behind a subject, the camera adjusts the exposure so as to shoot a subject correctly. For example, when you select the Multi mode in a strong backlight condition, the camera calculates that the overall amount of light is abundant, which results in a darker photo. The Spot mode can prevent this situation as it calculates the amount of light in a designated area.
Center-weighted
The Center-weighted mode calculates a broader area than the Spot mode does. It sums up the amount of light in the center portion of the shot (60–80 %) and that of the rest of the shot (20–40 %). It is recommended for situations where there is a slight dierence in brightness between a subject and a background or an area of the subject is large compared to the overall composition of the photo.
The subject is in bright color while the background is dark. The Spot mode is recommended for a situation like this where a huge dierence in the exposure exists between a subject and a background.
98
Page 100
Shooting Functions > Metering
Measuring the exposure value of the focus area
When this function is turned on, the camera automatically sets an optimal exposure by calculating the brightness of the focus area. This function is only available when you select Spot metering or Multi metering, and Selection AF.
To set this function,
In Shooting mode, press [m] → 1Link AE to AF Point
an option.
99
Loading...