Samson SAXML610, SAXML910, XML610, XML910, XML410 User Manual
Important Safety Information
AVIS
RISQUE DE CHOC ÉLECTRONIQUE -
NE PAS OUVRIR
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT
REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
This lightning ash with arrowhead symbol within an equilateral triangle is
intended to alert the user to the presence of non-insulated “dangerous voltage” within the product’s enclosure that may be of sucient magnitude to
constitute a risk of electric shock.
The exclamation point within an equilateral triangle is intended to alert the
user to the presence of important operating and maintenance instructions
in the literature accompanying the appliance.
If you want to dispose this product, do not mix it with general household waste. There is a
separate collection system for used electronic products in accordance with legislation that
requires proper treatment, recovery and recycling.
Private household in the 25 member states of the EU, in Switzerland and Norway may return their used
electronic products free of charge to designated collection facilities or to a retailer (if you purchase a similar
new one).
For Countries not mentioned above, please contact your local authorities for a correct method of disposal.
By doing so you will ensure that your disposed product undergoes the necessary treatment, recovery and
recycling and thus prevent potential negative effects on the environment and human health.
Important Safety Information
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. This apparatus shall not be exposed to dripping or splashing liquid and no object lled with liquid, such as a vase,
should be placed on the apparatus.
6. Clean only with a dry cloth.
7. Do not block any of the ventilation openings. Install in accordance with the manufacturer's instructions.
8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatuses (including ampliers) that produce heat.
9. Only use attachments/accessories specied by the manufacturer.
10. Unplug this apparatus during lightning storms or when not in use for long periods of time.
11. Do not override the intended purpose of the polarized or grounding-type plug. A polarized plug has two blades, with
one wider than the other. A grounding-type plug has two blades and a third grounding prong. The wide blade, or
third prong, is provided for your safety. If the provided plug does not t your outlet, consult an electrician to replace
the obsolete outlet.
12. Protect the power cord from being walked on or pinched, particularly at the prongs, convenience receptacles, the
point where they exit from the apparatus.
13. Use only with the cart stand, tripod bracket, or table specied by the manufacture, or sold with the
apparatus. When a cart is used, utilize caution when moving the cart/apparatus combination to
avoid injury from tip-over.
14. Refer all servicing to qualied service personnel. Servicing is required if the apparatus has been
damaged in any way, such as power-supply cord or plug breakage, damage due to liquid or objects
falling onto the apparatus, exposure to rain or moisture, or if the apparatus does not operate normally, or has been
dropped.
15. POWER ON/OFF SWITCH: For products with a power switch, the power switch DOES NOT break the connection from
the mains.
16. MAINS DISCONNECT: The plug should remain readily operable. For rack-mount or installation where plug is not accessible, an all-pole mains switch with a contact separation of at least 3mm in each pole shall be incorporated into
the electrical installation of the rack or building.
17. FOR UNITS EQUIPPED WITH EXTERNALLY ACCESSIBLE FUSE RECEPTACLE: Replace fuse with same type and rating
only.
18. MULTIPLE-INPUT VOLTAGE: This equipment may require the use of a dierent line cord, attachment plug, or both,
depending on the available power source at installation. Connect this equipment only to the power source indicated
on the equipment rear panel. To reduce the risk of re or electric shock, refer servicing to qualied service personnel
or equivalent.
Table of Contents
Introduction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
XML Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Controls and Functions Input Channel Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Controls and Functions 24-Bit Digital Effects Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Controls and Functions Main Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Controls and Functions External Input Jacks (AUX IN and CD/TAPE IN) . . . . . . . . . . . . . . . . . 12
Controls and Functions External Output Jacks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Controls and Functions Power Amp Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Speaker Outputs - XML610 & XML910 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Speaker Outputs - XML410 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
XML Series Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Speaker Connection - XML610 & XML910 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Speaker Connection - XML410 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Basic Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Using the Internal Digital Eects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Creating a Monitor Mix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Using an External Eect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
CD/TAPE IN • REC OUT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
XML System Setups . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
XML610 & XML910 Specications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
XML410 Specications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
XML610 & XML910 Block Diagram. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
XML410 Block Diagram. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Copyright 2010, Samson Technologies Corp.
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Samson Technologies Corp.
45 Gilpin Avenue
Hauppauge, New York 11788-8816
Phone: 1-800-3-SAMSON (1-800-372-6766)
Fax: 631-784-2201
www.samsontech.com
Introduction
Thank you for purchasing the Samson XML410, XML610, or XML910 powered mixer.
The XML410 and XML610/910 are six- and twelve-channel, 400, 600 and 900 Watt powered mixers
with built-in, 24-bit Digital Signal Processor (DSP) effects. The XML series of mixers will give you clean,
clear sound reproduction thanks to the high quality, low noise microphone preamps, super clean mix
bus, on-board 7-band graphic equalizers and the high output/low distortion power amplifier. For studio quality processing, you can add one of the 100 dazzling digital effects (including Delays, Chorus
and lush Reverbs) to your voice or instruments. The mixer’s ingenious Kickback enclosure allows you
to tilt the unit back to see and operate the controls with ease. The unit is easy to transport with its
compact size and sure-grip handle. The super-tough construction ensures reliable sound from venue
to venue, day in and day out. Optimized for live sound reinforcement and commercial installations,
the XML series is an ideal mixer and power amp solution, providing big sound in a compact package.
In these pages, you’ll find a detailed description of the features of the XML series of powered mixers,
as well a description of their front and rear panels, step-by-step instructions for setup and use, and
full specifications. You’ll also find a warranty card enclosed—please don’t forget to fill it out and mail
it in so that you can receive online technical support and so that we can send you updated information about these and other Samson products in the future.
With proper care and adequate air circulation, your unit will operate trouble-free for many years. We
recommend you record your serial number in the space provided below for future reference.
Serial number: ____________________________________________
Date of purchase: __________________________________________
Should your unit ever require servicing, a Return Authorization number (RA) must be obtained before
shipping your unit to Samson. Without this number, the unit will not be accepted. Please call Samson
at 1-800-3SAMSON (1-800-372-6766) for an RA number prior to shipping your unit. Please retain the
original packing materials and, if possible, return the unit in the original carton and packing materials. If you purchased your Samson product outside the United States, please contact your local
distributor for warranty information and service.
Owner's Manual
XML POWERED MIXERS
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XML Features
The Samson XML powered mixers are comprehensive, all-in-one mixer/power amplifier solutions for
live sound applications. Here are some of their main features:
• The XML410 and XML610/910 are six- and twelve-channel powered mixers in ergonomically correct kickback enclosures, allowing you to easily see and operate the front panel functions.
• The XML410 has six Mic/Line inputs, while the XML610/910 has four Mic/Line inputs plus four
Stereo inputs with Mic preamplifiers.
• The XML series of mixers possess ultra lightweight, high efficiency class-D amplifier design
XML410: 2 x 200 Watts, or 400 Watts Bridged
XML610: 2 x 300 Watts
XML910: 2 x 450 Watts
• A built-in, 24-bit Digital Signal Processor (DSP) with 100 selectable presets including Reverb, Delay,
and Chorus, offers dazzling studio quality effects.
• Dynamic or condenser microphones connect easily to the low noise mic pre-amps with available
48 Volt Phantom Power.
• The 3-Band EQ on each channel enables you to tailor the tonal response for each input.
• Each channel has two Auxiliary sends, which can be used to build an independent mix to send to
the DSP effects and/or monitors.
• The XML410 features a 7-band Graphic Equalizer for the Main Mix, and the XML610/910 features
dual 7-band Graphic Equalizer for operating in either Stereo Main, or Main/Monitor, enabling
adjustment to the tonal characteristics of the signal.
• A convenient CD/MP3/Tape Input is provided so you can connect a stereo device for accompaniment or background music.
• Durable plastic enclosure is road tough, ensuring reliable performance.
• Two convenient oversize, sure grip handles make the unit easy to carry.
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XML POWERED MIXERS
Controls and Functions
Input Channel Section
The following section details each part of the XML’s INPUT CHANNELS including the 3-BAND EQ, the MONITOR and EFX
sends, GAIN and VOLUME controls.
1. Peak - This LED indicator will ash RED when the channel input signal peaks.
To reduce distortion, turn the VOL control counterclockwise until the clip
indicator does not light during normal use.
2. Equalizer (HF, MF, and LF) - This three-band equalizer allows you to contour
a channel’s high, mid, and low frequency bands. When the control is set to
the 12 o'clock (detent) position, there is no eect on the signal. Turning the
controls fully clockwise will raise the level of the frequency band +15 dB,
while turning the controls fully counterclockwise will lower the level of the
frequency band -15 dB.
3. AUX 1/MON - The AUX 1 controls the amount of signal sent to the Monitor
bus. The AUX 1 send is pre-fader so the signal is unaffected by the position
of the VOL control. These sends are usually used to create a separate mix for
a monitor system. The Monitor bus signal is routed to the front panel MONITOR jack, and may be routed to the SPEAKER RIGHT/MONITOR output jacks,
depending on the setting of the MODE switch. When the MON send knob is at
the 12 o’clock center position, the signal is routed with unity.
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4. AUX 2/EFX - The AUX2/EFX send knob allows you to route the signal to the
internal digital eects processor and the EFX 2 SEND output. The AUX2/EFX
send is post-fader so the level of the signal is determined by the position
of the channel Volume control. When the AUX2/EFX send knob is at the 12
o’clock position, the signal is routed with unity.
5. VOL - This knob controls the volume of channel inputs and is used to continu-
ously adjust the loudness of the various signals being blended together at
the Main Outputs. Moving the knob counterclockwise causes the signal to be
attenuated. Conversely, when rotated clockwise, the signal is boosted.
NOTE: For best signal-to-noise ratio, all VOL controls for channels carrying
signal should generally be kept at or near the 12 o’clock (unity) position.
Channels that are unused should have their Volume controls kept fully counterclockwise at their minimum level.
6. COMP (XML610 and XML910 only) - The COMP knob adjusts the level of
compression applied to the channel. As the COMP knob is turned clockwise,
the compression ratio is raised and the output gain is adjusted accordingly.
The dynamic range of the channel is narrowed, where softer signals will
be magnied and loud signals will be subdued to sit better in the mix. You
should use your ears when adding compression to a signal. Too much compression can create a pumping eect, eliminate all dynamic range, and lead to
feedback.
7. PAD 20 dB switch, Channels 1 to 4 (XML610 and XML910 only) – Use this
switch to match the type of input signal you are supplying. If the PEAK light
of an input continues to light even when the VOL is turned down, depress the
PAD switch . Always turn the VOL completely counterclockwise before pressing the PAD switch to avoid damaging your speakers.
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XML POWERED MIXERS
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Controls and Functions
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8. 1/4” Inputs (XML410 Channels 1–6; XML610 and XML910 Channels 1–4)
- Balanced TRS phone line input (T: hot, R: cold, S: ground). You can connect
a microphone or line level source to this input. Accepts both balanced and
unbalanced line inputs. You cannot use the 1/4” and XLR inputs on the same
channel simultaneously.
9. XLR Inputs (XML410 Channels 1–6; XML610 and XML910 Channels 1–4) -
Balanced XLR input (1: ground, 2: hot, 3: cold). You can connect a microphone
or line level source to this input. The XLR inputs also feature +48V phantom
power, allowing you to use condenser microphones. When switching the
PHANTOM power switch to the ON position, be sure to turn the MASTER and
MONITOR controls fully counterclockwise to avoid any loud pops through
your speakers. You cannot use the 1/4” and XLR inputs on the same channel
simultaneously.
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Stereo Channel Inputs
The XML610 and XML910 feature four stereo input strips, which include channels 5/6, 7/8, 9/10 and 11/12. While these
channels look very much like the mono channels, they have two inputs so they can accept a stereo signal. As an added
bonus, these inputs also include a microphone input, which can be used in mono.
10. 1/4” LINE Inputs Channels 5–12 (XML610 and XML910 only) - Use these
pairs of unbalanced 1/4” inputs for connecting stereo line level sources. When
connecting only to the LINE L/MONO input, the input signal will be sent at
equal levels to Left and Right mix.
11. XLR MIC Input Channels 5-12 (XML610 and XML910 only) - Use these
inputs to connect Low Impedance microphones and low-level signals from
direct boxes. The MIC inputs also feature +48V phantom power, allowing you
to use condenser microphones. You can use the 1/4” LINE inputs and XLR MIC
inputs simultaneously, but the VOL control will adjust all inputs together.
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XML POWERED MIXERS
Controls and Functions
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24-Bit Digital Effects Section
The XML mixers feature built-in, 24-bit digital eects processors with 100 high-quality, studio grade eects like Delay,
Chorus and Reverb. The following section describes the features of the powerful on-board digital eects section.
12. Eects Program Display - The XML mixers’ digital-eects processors feature
dual-digit, seven-segment numerical display for showing the eects PROGRAM number from 00 - 99. You will see the PROGRAM numbers change as
you scroll through the eects preset using the DSP SELECT control. When the
Eects Display shows two straight lines through the center of each segment,
the eects are turned o and the EFX ON switch is in the out position.
13. Eects SELECT - The SELECT control knob is a continuously variable encoder,
that allows you to call up one of the 100 built-in digital eects presets. Rotate
the SELECT knob to scroll through the preset programs using the Eects Program Display to choose the number of the eect you want.
14. Eects ON Switch - The Eects ON switch is used to turn the internal digital
eects on and o. The eects are bypassed when the switch is in the out position and the Eects Display shows two dashes.
15. Eects PROGRAM List - This section identies the ten banks of built-in DSP
eects presets. The rst bank of ten presets is designed for live performance,
and the subsequent banks are arranged in groups by the type of eect.
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16. Eects LEVEL Control - The Aux 2/EFX signals from input channels are mixed
together and sent to the internal DSP and EFX 2 Output. The Eects LEVEL
control is used to adjust the amount of signal send to the DSP and EFX 2
Output.
17. EFX 2 Send Jack - The unbalanced 1/4” EFX 2 Send is used to route a signal
to an external signal processor such as a delay or reverb. The signal present at
the EFX 2 Send is routed from the EFX bus, which is fed from the input channel’s Aux 2/EFX control knob.
18. EFX FOOTSWITCH Jack - Connect a footswitch to the EFX FOOTSWITCH
phone input jack to toggle the internal digital eects On and O.
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XML POWERED MIXERS
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9
Controls and Functions
Main Section
The XML series mixers have two internal power ampliers, depending on the power amp MODE selection switch, the
ampliers are sent the MAIN or MONITOR bus signal.
19. MAIN Output Level Meters - The output level
meter allows you to monitor the level of the signal
being sent to the MAIN power amplier and to the
MAIN OUT jacks. To avoid distortion, adjust the
MASTER LEVEL controls so that the 0 indicator LED
lights occasionally.
20. MONITOR Output Level Meter - The MONITOR
output level meter allows you to monitor the level of the signal which is being
sent to the MONITOR send jack and MONITOR power amplier.
21. AMP 1/2 LIMITER - The LIMITER indicators light when the channel’s signal for
the corresponding amplier hits its maximum value, and the limiter comes
on. This will ensure the cleanest possible output, and will protect your speaker
system if it accidentally receives a clipped signal from your mixer.
NOTE: If the LIMITER indicators are lighting frequently, there could be a risk of
damage to your equipment. Turn the MASTER control counterclockwise until
the indicator does not light during normal use.
22. PHANTOM Power Switch - The XML mixers feature onboard, 48-Volt Phantom
power supply to operate condenser microphones. When the switch is engaged, the LED will illuminate indicating that phantom power is now available
on the microphone pre-amps.
IMPORTANT NOTE: To avoid a loud pop, be sure to turn down the MASTER level
controls before plugging and unplugging the mic cables when the phantom
power is active.
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23. EFX TO MAIN - The EFX TO MAIN control is used to adjust the level of the
sound being sent back from the built-in digital eect to the MAIN mix bus.
This allows you to hear the DSP eects in your MAIN speakers.
24. Graphic Equalizer - The 7-band
Graphic Equalizer allows you to
contour the frequency response of
the MAIN/MONO mix bus signal,
providing a maximum of 12dB of
cut/boost for each frequency band.
This is an especially useful tool
for cutting frequencies that cause
annoying feedback. The frequency
response is at when the sliders
are in the center position. Moving
a slider in the positive direction will
boost that frequency by as much as
12dB, and moving the slider in the negative direction will cut that frequency by up to 12dB. Once you set a response
curve using the Graphic Equalizer, the EQ curve is applied to both the MAIN/MONO bus signal that is output to the
speakers, and the line level signal which is output from the MAIN OUT jacks.
25. MASTER - The MASTER level control is the overall volume control for the MAIN bus. The MAIN level aects both the
MAIN bus signal, which is output to the speakers, and the line level signal which is output from the MAIN OUT jacks.
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XML POWERED MIXERS
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