Congratulations on purchasing a Sabine 2.4 GHz Smart Spectrum True Mobility™ Wireless System. True Mobility™
Wireless Systems give you all the built-in processing you need on every microphone, and offer unique and powerful
features unavailable with any other wireless microphone
1.1. Section Contents
Section 2Product Views — illustrates system components (front & back panel views, transmitters, accessory lists
and part numbers).
Section 3Quick Setup — gives the Quick Setup procedures for Receiver & Transmitter Operation and using the FBX
Feedback Exterminator®. Note that there is also a quick-start label on top of your True Mobility receiver for
the Sabine FBX Feedback Exterminator®, Compressor/Limiter and De-Esser functions.
Section 4T ransmitter Operation — details transmitter setup and operation.
Section 5Receiver Operation — details receiver installation and setup.
Section 6Mic SuperModeling™ — explains the use of the Sabine Mic SuperModeling™ and lists the microphones
modeled.
Section 7FBX Feedback Exterminator® — explains how to set up your FBX filters.
Section 8Compressor/Limiter — explains the use of the Compressor.
Section 9De-Esser — details operation of the adaptive De-Esser.
Section 10Program Save & Recall — explains how to save and recall individual program settings.
Section 11Multiple Systems — how multiple systems interface, computer control of multiple systems, suggestions
for maximizing the number of collocated systems.
Section 12Extension Antennas — how to get maximum performance using a Sabine Extension Antennas (Antenna
Distribution Amplifier also available for multi-receiver installations).
Section 13Sabine Remote Control Software — how to control up to 70 channels from one PC.
Section 14Tips & Troubleshooting — gives tips on how to get the best performance from your Sabine Wireless, and
describes some possible operating problems and their solutions.
Section 15Appendices — wiring diagrams, frequency charts, specifications, typical system diagrams and dip switch
settings for Sabine 2.4 GHz Wireless systems.
Section 16Cautions & Warranties — states caution and warranty information for your True Mobility™ Wireless sys-
SWT31L-TA4: Cardioid Lavalier Mic
SWT56W-TA4: Headworn Mic
SVT70BW-TA4: Voice Technologies Omni Headwor n Mic (Black)
SVT70LW-TA4: Voice Technologies Omni Headworn Mic (Tan)
SVT80BW-TA4: V oice Technologies Cardioid Headworn Mic (Black)
SWTVT50-TA4: Voice Technologies Miniature Omni Lavalier
SVT40L-TA4: Voice Technologies Sub-Mini Omni Lavalier
SWT70G-TA4: Instrument Input w/cable
Transmitters
SW75-T: Beltpack Transmitter
SW70-H13: Handheld Mic w/Dynamic Element (Audix OM3)
SW70-H15: Handheld Mic w/Dynamic Element (Audix OM5)
SW70-H19: Handheld Mic w/Condenser Element (VT)
SWC-POWR
plug-in
charger jack
Belt clip
Battery
Antennas
SWA700: TNC Front to Rear Converter Kit (Set of 2)
SWA6SS: 2.4 GHz Antenna Distr ibution Amp for 6 systems
SWASS-EXT-2: 2.4 GHz Extension Antenna Kit (Set of 2)
SWAANT-2.4: 2.4 GHz Antennas (2)
SWATNC-N: RF Adaptor cable, Set of 4, TNC to NB
SWATNC-MCA: TNC Male Crimp Connector 2.4 GHz
SWACA15(or 30)-TNC: RF Cables, RG58, TNC, One Pair
Batteries
SWBAA2: Rechargeable NiMH AA set for SW75-T & H1
Mic & T ransmitter Accessories
SWCRJ45: RS485 Serial Cable for ND Receivers
SWC70CL-1: SW70-H Mic Holder w/Built-in Charger
SWC70CL-12: Stage clip for SW70-H
SWCPOWR-EXT: Charger extension cable (3 meters)
SWCPOWR: Plug-in charger for SW70 Series Transmitters
SWC4P-TA4: Standard Mini-XLR Connector
ALKALINE BATTERY CAUTION Alkaline batteries must be one of f ollowing types:
Please read Section Four Transmitter Operation and Section Five Receiver Operation for a complete understanding of how to set up
your Sabine 2.4 GHz Smart Spectrum True Mobility
Selecting RF Channels: It is best to keep the
system’s c hannels close together at the low
1
or high end of the spectrum, i.e. channels 1,
2,3,4,5 or channels 65, 66, 67, 68. If there is
another 2.4 GHz source in the room, grouping
the channels reduces the chances of an overlap. Do not start by spreading your channels
throughout the 70 channel range of the system – you are more likely to encounter interference this way.
Be sure that all transmitters are off.
intended transmitter locations. Transmitter range is about 100 meters, but structural objects in the transmission
path can reduce that range. For best results, maintain a line-of-sight path between receiver antennas and transmitters (see Section 12). Use the TNC Rear-to-Front Kit (SWA700) included with the receiver to move antennas
to front if necessary. See Appendix B for more information on multiple-system connection.
TM
System.
Transmitter range is 100
meters line-of-sight
Use Sabine’s SWASS-EXT
Extension Antenna Kit when
line-of-sight path is not possible
from receiver location.
Position receiver so that the antennas are within visual range of the
Turn the OUTPUT LEVEL of the 2.4
2
GHz receiver and mixer gain to the
minimum settings.
Connect the output (¼-inch or XLR jack) of your 2.4 GHz True
3
MobilityTM receiver to the mic or line input of your mixer or amplifier (the receiver output gain can be adjusted to match the
mixer input).
Mixer Balanced Input
(XLR)
Mixer Unbalanced Input
(TRS)
1. Tur n on the receiver.
4
2. T ap the Channel Select/Contrast button to edit
a receiver channel. (Not necessary on 1-channel SW71-R & SW71-NDR receivers).
3. Turn the RF Channel Selectorknob to the desired channel.
NOTE: Dual channel receivers will not allow you to select
the same RF channel for both channels.
Selector
Channel Select/
Contrast button
(selects receiver
channel to edit)
Power SwitchRF Channel
NOTE: Front panel RF Signal display will only register Sabine transmitters. It will not show RF interference. Use the RF
Scan function in the software to scan for potential RF interference.
2. Use the SELECT button until CHANNEL appears in the LED. NOTE:
the transmitter is muted during editing.
3. Use the UP or DOWN button until the desired channel appears abov eCHANNEL.
2
To Open: Unscrew
lower portion of microphone. Pull down
as you continue to
turn the housing.
To Close: Tur n the
3
housing and push up
until it meets the
threads, then screw
on.
Beltpack Opening/Closing Instructions
To Open: Pull down on both battery door
releases and then pull door open.
T o Close: Push door up and snap closed.
2
DOWN
UP
SELECT
ON
ON
MUTE ON
OFF
1
ON
2.4 GHZ SMART SPECTRUM
SELECT
3
4. Check that the receiver’s RF SIGNAL display now indicates a strong
signal (at least 3 bars).
Gain Adjustment Settings
6
1. T ransmitter (PAD Adjustment).
Adjust the Transmitter PAD setting if
last segment of the Transmitter or Receiver Audio Level Meter lights up
often, or remains on when mic or beltpack is used.
1. Use the Transmitter Select button to scroll through functions
until PAD flashes in the Transmitter LCD.
2. Use the Up or Down buttons to select the desired setting. Selection is stored after 3 seconds of inactivity.
3. Check to see if Audio Level Meter stays out of Clipping Zone
2. Receiver. Adjust the receiver Output Level to supply a strong input level to the mixer, amplifier or active
loudspeaker . If your receiver output is connected to a microphone level input on the mix er, keep the receiver output
gain lower than when connecting to a line level mixer input. NOTE: -10 is a good place to start.
3. Mixer. Adjust the output gain of the mixer so that the mixer output meters approach clipping when all the inputs
to the mixer are active, and the audio program reaches its peak level.
4. Amplifier/active loudspeaker/crossover. Finally, adjust the amplifier gain control (and/or crossover gain, if
one is used) to provide the desired level of sound pressure in the auditorium or listening area.
Adjust PAD setting so that
Receiver Audio Le vel Meter
stays out of the clipping
zone (last segment)
See Section 4.2.3 Adjusting T ransmitter Settings for more inf ormation.
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Quick Setups
3.2. FBX Quick Setup
Place microphone and speakers in primary position.
1
Press and hold the SETUP button
2
(Fig. 3d) on the receiver until the LCD
SETUP indicator (Fig. 3e) flashes 4
times and SETUP stays lit — then release it.
NOTE: DO NOT TALK INTO YOUR
SYSTEM while in Setup Mode.
Slowly raise the gain on the mixer or amp until FBX
3
eliminates the first few feedback tones. With each new
feedback frequency, you will hear a short, quiet burst of
feedback that will disappear immediately as a filter is
set.
Fig. 3d - FBX: SETUPFig. 3e - SETUP indicator flashing
Mixer Channel
Pause raising the gain, and move the microphone to another area where it will be used.
4
Resume slowly raising the mixer gain, until FBX eliminates a few more feedback tones.
NOTE: When choosing microphone setup locations, try to anticipate likely areas where
the microphone will be positioned or moved to, or areas that may be especially prone to
feedback problems (e.g., under an overhead speaker).
Location #2
Repeat until the SETUP indicator automatically turns off and
5
the READY indicator comes on.
NOTE: Y ou may quit SETUP mode at any time prior to its auto-
matic exit by simply pressing the READY button. This will en-
able ready-to-operate status, but with fewer fixed FBX filters in
place. In the default factory setting, dynamic FBX filters will still
be held in reserve to catch and eliminate new feedback, regardless of how or when SETUP mode is exited. (See Section
14.3.2 for details on the differences between fixed and dynamic FBX filters and Section 13.4.2.1 for instructions on
changing the balance of fixed versus dynamic FBX filters using the Remote Control Software or Appendix D for
using the Dip Switches on the back of the receiver).
3.2.2. FBX Bypass
The BYPASS button (Fig. 3d) bypasses only the FBX filters, and
not the additional signal processing (de-essing, compression and
Mic SuperModelingTM) available on the True MobilityTM Wireless
Receiver. This is a useful button that allows comparison of the
sound quality when FBX filters are in place, to the sound with no
filters (the quality should be very similar). Before pressing BY-
P ASS, take care to reduce your o verall system gain so that you
do not release suppressed feedback!
Location #3
Location #4
(if necessary)
Location #1
FBX BYPASS CAUTION
Bypassing FBX filters may allow suppressed feedback to be released!
RAT IOA soft voice could be set to 2:1, whereas a loud voice might
require a ratio setting of 6:1.
THRESHThe higher the threshold setting, the more signal is required to
initiate compression. Ideally this should be set to reign in peak
levels, and allow signals of lower gain to pass uncompressed.
Threshold settings will depend on the nature and variety of the
signal source.
ATTACKShort attack times usually work well for voice. However, too
strong a compression ratio, too low a threshold, and too fast an
attack may attenuate speech consonants, which provide important intelligibility cues to the audience, thus compromising
clarity.
Guitar Settings
RAT IOA high compression ratio (with gain makeup) will add sustain
to held notes and chords.
THRESHMoving the threshold will change the audible thick/thinness of
the guitar tone, but generally you want to compress all the notes
played.
ATTACKBe wary of too quick an attack, which may reduce the percus-
sive attack of the guitar notes.
In general, be wary of too much gain makeup, and too high a compression ratio, which may make a noisy guitar amplifier more objectionable.
Ratio settings might range from 6 to 19:1, threshold variable, slower
attack, soft knee, output gain boosted slightly to significantly depending
on amount of compression.
Vocals
RA TIO
THRESH
ATT ACK
Guitar
RA TIO
THRESH
ATT ACK
Quick Setups
Soft voiceLoud voice
Soft voiceLoud voice
Short attack is better for vocals. Be careful not to
over attenuate speech consonants.
Less SustainMore Sustain
Thinner soundThicker sound
Be wary of too quick an attack, which may reduce the
percussive attack of the guitar notes.
Bass Guitar Settings
RAT IOSet to 4:1
THRESHSet to compress peaks only.
ATTACKQuick attack, medium release, hard knee; (try various release
settings, depending on the speed of notes played).
GAINOutput boosted slightly.
DE-ESSER
MIC SUPERMODELING
NOTE: Use these settings as a place from which to start, then adjust to your own satisfaction.
Scroll through available microphone settings. See
website for additional downloadable microphones.
NOTE: Mic SuperModelingTM is not available using beltpack transmitters.
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Antenna Placement Caution
As a general precaution, keep 2.4 GHz
cordless telephones, microwave ovens,
WLAN antennas and 2.4 GHz wireless
video camera transmitters twice the distance from your Sabine wireless microphone system antennas as that of your
Sabine 2.4 GHz transmitters.
Quick Setups
3.3. Tips for Good RF Performance
• It is best to keep the system’s channels c lose together at the low or high
end of the spectrum, i.e. channels 1, 2, 3, 4, 5 or channels 65, 66, 67, 68. If
there is another 2.4 GHz source in the room, grouping the channels reduces
the chances of an overlap. Do not start by spreading your channels throughout the 70 channel range of the system -- you are more likely to encounter
interference this way.
• Avoid potential sources of RF interference by performing a scan using
Sabine’s Remote Control Software., which will reveal the ambient RF level
in your area on each channel of your system. Please refer to Section 13.4.2.5.
for information on the RF Scan function, which will automatically determine
the best RF channels to use.
• If you cannot perform a scan then proceed to use your system, beginning
with Channel 1. If you hear any RF “hits” or dropouts, then move to another
of the 70 available channels. If you have multiple mics keep all your channels grouped together.
• For best results, maintain line-of-sight from transmitter to receiver. Use
either front or rear panel antenna mounting to maintain line-of-sight.
• Mount receiver antennas at 90 degrees to one another, leaning away at 45
degree angles, in the same plane.
• When using multiple receivers, try to maintain at least 1 foot (30 cm) distance between antennas from different units. When such antenna spacing
proves difficult or impossible, we recommend using Sabine’s SWA6SS
Antenna Distribution Amplifier. The SWA6SS works with up to six receivers,
or 12 channels.
• Maximize the distance between the receiver and light sources, such as
fluorescent bulbs or neon signs, which may emit very short-range, broadband interference.
• Maximize the distance between transmitters and receivers and potential
sources of RF interference.
• Maintain a minimum distance of at least 3 meters (10 feet) between transmitters and receivers or extension antennas. This can solve many anomalies.
• Turn on your system one component at a time, beginning with the first
receiver.
• Be careful not to set more than one transmitter to the same channel; each
paired transmitter and receiver should be set to unique corresponding
channels, until all channels are receiving clearly and cleanly.
3.4. Common Sources of RF Interference
•Microwave ovens: In the vast majority of situations, interference from
microwave ovens will not affect performance of your SWM7000 series microphone systems. Since barriers such as walls work to block interference, a microwave oven will likely present a problem only when located in
fairly close proximity within the same room as the wireless receiver (or
reception antenna). See caution at left.
•Wireless Local Area Networks (WLANS): These computer network devices allow computers to connect via wireless devices that act as both
receivers and transmitters. These low-powered transceivers often have
selectable channels and can utilize the entire 2.4 GHz band. In general,
Sabine microphones should not be affected by these WLANS because
their spread spectrum technology does not present a problem for the Sabine
Smart SpectrumTM system. The Sabine wireless system will not interfere
with the WLAN. See caution at left.
•2.4 GHz Cordless phones: These home telephones broadcast at very low power and
should not present interference problems for your Sabine wireless. This is especially
true if the telephone uses spread spectrum technology. See caution at left.
•Wireless Video Cameras: Certain wireless video cameras (X10, for example) use the
2.4 GHz band. These devices are also very low power and, in general, should not
present a problem when using the SWM7000 system. See Section 5 Receiver
Operation for methods of optimizing clear reception and minimizing interference. See
caution at left.
In the event problems still arise, see Section 5 Receiver Operation for methods of optimizing clear reception and minimizing interference.
Before you begin, let’s look at a few basics regarding your transmitters. The
handheld mic is ready to go — the microphone and transmitter are combined in one unit. To use the belt pack transmitter, however, you will have to
connect a lavalier or headworn microphone (or instrument pickup) to its
input. Sabine lavalier and headworn mics, and Sabine’s guitar/instrument
connector (SW70G-TA4) come equipped with the proper TA4F connector,
and are ready to plug right in. Be sure to line up the pins properly — do not
force the connector into the belt pack.
If you are using a different microphone with the Sabine belt pack, please
refer to the Appendix A for the required wiring plan. Failure to use the
proper wiring scheme may damage your mic or the belt pack, and void your
warranty.
Use the clip on the back of the belt pack transmitter to attach it to your belt or
clothing. The spring clip can be removed and reversed, to allow the transmitter and antenna to point either up or down in its clipped-on position. You
can also remove the clip if you choose to keep the transmitter in your pocket.
NOTE: it is essential that transmitters retain a line-of-sight relationship with
the receiver antennas.
4.2. Displays and Settings
Your Sabine 2.4 GHz Smar t Spectrum handheld microphone and belt pack
transmitter have many powerful features, all of which are easily monitored
(using the transmitter LCD display) and adjusted. The controls and displays for both handheld and belt pack transmitters are almost identical in
function, though positioning differs (compare figures 4b & 4c). The LCD
display and one control switch are located on the exterior of the transmitters.
A more powerful set of recessed controls is located under the hinged access
panel, to prevent accidental or inappropriate alteration of settings.
4.2.1. LCD Display
When the transmitter is first turned on, it shows an initial test screen (Fig.
4f), followed by the default screen (Fig. 4g). The LCD also reverts to this
default display within a few seconds after any programming changes are
made with the recessed controls. The default LCD display always shows
transmission channel, audio level, and battery voltage level; additional
information will appear to indicate important changes caused either by
user adjustments, or automatically as transmitter status changes.
Fig. 4c SW75-T Transmitter Control Setting Buttons
Control of all your transmitter functions is made using the Select button and
the Up/Down buttons. These control buttons are located inside the access
compartment on the beltpack or handheld transmitters.
Opening the Beltpack Transmitter Access Compartment:
1.Using your thumb and forefinger, grab both tabs and simultaneously pull
down toward the bottom of the beltpack. This releases the locks.
2.Gently pull the door open.
Closing the Beltpack Transmitter Access Compartment:
3.Swing the door back up and close it by firmly pushing the top part of the
door in until you hear the locks click.
Opening the Handheld Transmitter Access Compartment:
1.Unscrew lower portion of the case. Continue turning as you pull down.
Closing the Handheld Transmitter Access Compartment:
2.Begin by turning the lower portion of the case as you push up. When
threads meet screw on until snug.
NOTE: Do NOT attempt to unscrew the mic capsule from the body. This will
void your warranty!
BEFORE CHANGING BATTERY
Turn off transmitter before changing battery(s).
1
3
Fig. 4e: SW70-H
Fig. 4d: SW75-T
2
1
2
Transmitter LCD Display Indicators
SW70-H1
CHARGE: Illuminates when the transmitter battery is being charged (i.e.,
when the charger is connected, either by direct plug-in or by placing the
handheld mic in the Sabine charging clip).
BATTERY VOLTAGE LEVEL METER: Indicates measured battery voltage;
the more segments illuminated, the higher the voltage, and the greater
the remaining battery life.
AUDIO LEVEL METER: Shows the audio output level of the transmitter
(affected by the pad setting).The last and largest segment indicates clipping.
PARAMETER VALUE: In default mode this indicates the RF TRANSMISSION CHANNEL chosen for the transmitter. In conjunction with the Select
button (see figures 4b & 4c), this field will also display battery run-time
hours, or when a low frequency roll-off filter or an attenuation (pad) is
active (see Fig. 4g).
“TIME”: Displays when battery run-time hours are being displayed.
“MUTE”: Indicates output is currently muted.
“PAD”: Illuminates when the microphone pad is turned on. Use this if the
audio meter shows clipping.
“MIC” INSTR”: Indicates SW75-T beltpack (only) is set to accept either
mic or intrument input.
“ON”: Illuminates when either the audio and RF transmission, or the RF
transmission only, are turned on. (SW70-H1 only)
“CHANNEL”: Illuminates in default mode to display transmission channel.
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Transmitter Operation
Transmitter LCD Display Cycle
Pressing the Parameter Select button cycles the LCD through each of the editable functions on the
transmitter. Individual screens appear f or approximately 4 seconds, during which the function is editable.
The LCD for the SW75-T is shown. The LCD for the SW70-H1 displays the same information in a
different layout. See the previous page for a comparative look at both LCDs.
Channel
Select
Fig. 4g
PAD
Select
Handheld Microphone
PAD Settings
Your new Sabine wireless handheld microphone is designed to accept a wide range of
input levels, from spoken word all the way
up to screaming vocals. In order to accommodate this broad range of inputs, the transmitter has a PAD setting. Handheld mics are
set to a factory default of -14 dB, which is
the preferred setting for concert vocal performance.
If you need more output out of a microphone
(the receiver LCD audio meter shows the mic
output level) then change the PAD settings
as described below. When any level of attenuation is programmed, the default screen
will illuminate P AD.
Transmitter PAD Adjustment
(See Fig. 4b, 4f & 4g)
1. Use the Transmitter Select button to scroll
through functions until PAD flashes in the
Transmitter LCD.
2. Use the Up or Down buttons to select the
desired setting. Selection is stored after 3
seconds of inactivity.
3. Check to see if the receiver’s Audio Level
Meter stays out of the Clipping Zone.
Suggested PAD Settings
Venue
Speech0 dB
Loud speech
& vocal performance-6 dB
Strong vocal
performance (default)-14 dB
Very strong vocal
performance-20 dB
Programmable External Switch
Fig. 4h Programmable Control of External Switch
PAD
Low
Cut
Input
Select
(SW75-T only)
Battery Run-
Time Display
4.2.3. Adjusting T ransmitter Settings
DEFAULT/CHANNEL: Press the Select button to enter Edit Mode, and repeat
until the CHANNEL indicator flashes. In this mode, the Up/Down buttons will
adjust Transmission Channel (1-70 available).
INPUT: (SW75-T Beltpack T ransmitter only) Either “MIC” or “INSTR” for microphone or instrument. Y ou are required to choose the input in order to progr am
both the transmitter and the receiver to optimize the input settings. Choosing
MIC automatically selects the 75 Hz roll-off filter. You can choose to remove
that but the extended low frequency response of the SW75-T may reproduce
too much low energy for your system, so beware. Choosing INSTR automatically removes the 75 Hz roll off filter for that added bottom end in your instruments. NOTE: You can manually change that filter setting as needed.
Electric Guitar/Bass & FBX: For best results, when using the SW75-T
Beltpack Transmitter for electric guitar or bass, put your receiver’s FBX
Feedback Exterminator into BYPASS mode. FBX BYPASS is acces-
NOTENOTE
sible via the receiver front panel or Remote Software control.
Guitar Cord Simulator
(Beltpack Transmitter Only)
This feature allows you to fine tune the sound of your instrument while it
is patched into your Sabine wireless beltpack. For instructions please
refer to page 22.
PAD: Transmitter PAD setting. Press the Select button until the PAD indicator flashes. The Up/Down buttons will adjust attenuation (SW70-H1: 0, -6,
-14, -20 dB; SW75-T: 0, -3, -6, -10, -14, -17, -20, -23, -26, -30, -34, -37, -40 dB).
When any level of attenuation is programmed, the default screen will illuminate PAD. See margin notes on this page and p.15 for settings instructions.
TIME: Battery Run-Time Hours. Selecting this option changes the display to
indicate the length of power-on time (hours and minutes) since the last
battery change or recharge.
NOTE: Battery run-time hours will reset when the transmitter (with battery in
place) is connected to a charger. In the case of the charger, run-time hours
will not start again until the charger is disconnected. You can manually reset
the run-time hours by pressing both the up and down arrows. Use this to
count hours when you use alkaline batteries.
LOW FREQUENCY ROLL-OFF: Selecting this option adds a 12 dB/octave
low frequency roll-off filter, starting at 75 Hz, to the audio output of the transmitter. A roll-off filter may help reduce microphone handling noise, or other
unwanted low frequency content. Pressing the Up or Down button toggles
between the conditions of no filter (indicated in the display as L 0) or low rolloff (indicated by L 75).
INTERNAL CONTROL OF EXTERNAL SWITCH: The recessed controls include a 3-position switch, which in turn determines how the transmitter’s
external two-position switch behaves (see figures 4a, 4b & 4h). From left-toright, the 3 positions of the internal switch correspond to the following external switch operations:
1.ON/OFF. In internal position #1, the external switch acts as a typical on/
off switch. Use this setting if you trust the microphone user to switch the
microphone on and off as needed, and/or wish to conserve transmitter
battery life during down times. In the ON position the transmitter LCD
will display ON. Both audio and RF are on. In the OFF position the LCD
ON is no longer illuminated. Both RF and audio are off, and the battery
run-time hours meter is off. Note that Sabine’s squelch system prevents any “popping” when switching the transmitter on and off. However, this protection causes a very shor t “power-on” delay in the reactivation of the audio when the external switch is turned from OFF to ON.
2.ON/MUTE. In internal position #2, the external switch acts as a typical
mute switch. Use this setting if you trust the microphone user to switch
the microphone audio output on and off as needed; it will not conserve
battery life in MUTE condition, but will allow the receiver to monitor and
display the RF signal strength in either switch position. In the on position the default LCD will display ON. Both audio and RF are on. In the off
position the word MUTE is displayed in the LCD. The audio is muted
but the transmitter is still transmitting the RF signal, and the battery runtime meter is running. There are no audible pops when switching the
transmitter between MUTE and ON. Switching from MUTE to ON will
instantaneously pass audio signal (there will be NO delay as with internal position #1).
3.ON/ON. In internal position #3, the external switch is disabled. The
transmitter (both RF and audio) is always on, and the word ON is always displayed in the transmitter LCD screen. Use this setting if you do
not want to allow the speaker or performer to turn off the transmitter, or
are worried that a transmitter may be accidentally turned off. Caution:
When your program is over we suggest you move this switch to another
setting so you can turn off the transmitter and save your battery. You may
also elect to remove the battery (though replacing the same one will
restart the run-time meter and affect its accuracy accordingly).
Once you have completed the transmitter setup, you are ready to work with your
receiver (see Section 5). First, however, let’s talk about the issues and solutions concerning the source of transmitter power: the battery.
4.2.4. T ransmitter Battery Management
4.2.4.1. Battery problems and Sabine solutions
Rechargeable Battery memory . Batteries that are repeatedly recharged
prior to a complete discharge may fail more quickly in subsequent uses.
This problem is usually referred to as “battery memory.” Fortunately,
Sabine’s innovative Tireless Wireless™ Charger takes steps to avoid
this problem, by automatically reconditioning the battery whenever its
intelligent diagnostics determine this is appropriate. Sabine’s Tireless
Wireless™ Charger will insure maximum life per battery charge, and
also prolong the useful multiple-charge life span of rechargeable batteries.
Battery life. Both handheld and beltpack transmitters can work with
disposable alkaline, disposable heavy-duty (manganese dioxide-carbon zinc), or rechargeable Nickel Metal Hydride (NiMH) batteries. We
specifically caution against using NiCad rechargeables due to wellknown battery memory problems, and specifically recommend using
the Sabine-supplied SWBAA2 (AA for the H1 Series handhelds and
beltpack) batteries. The rechargeable SWBAA2 batteries will last about
8 hours per recharge (typically, alkaline AA batteries will last about 10
hours). NOTE: Heavy-duty batteries will fall somewhere in the middle,
between rechargeables and alkalines.
Beltpack Transmitter
PAD Settings
The SW75-T beltpack transmitter has a broad
range of PAD settings, which allow you to
use it with almost any microphone or instrument. As in all audio equipment, the setting of
the input level is crucial to achieving the best
sound quality. Setting minimal PAD levels (-3,
-6, or -10 dB) may produce a distorted sound
if you are using a high output microphone or
instrument. Conversely, setting a more extreme PAD level (-40, -37, or -34 dB) may
require you to raise your system gain unnecessarily, resulting in a noisier output. Watch
the input meter on either the transmitter or
the receiver (see illustrations) and set your
level so there are at least three indicators
illuminated for normal program level, with an
occasional move to the fourth indicator. The
fifth and biggest indicator denotes clipping –
watch out! If you see clipping, choose a lower
pad setting (for example, from -10 to -14 dB).
Transmitter PAD Adjustment
(See Fig. 4c, 4f & 4g)
1. Use the Transmitter Select button to scroll
through functions until PAD flashes in the
Transmitter LCD.
2. Use the Up or Down buttons to select the
desired setting. Selection is stored after 3
seconds of inactivity.
3. Check to see if the receiver’s Audio Level
Meter stays out of the Clipping Zone.
Suggested PAD Settings
Venue
Low output microphones-10 dB
Standard mics; acoustic
instruments with low-gain
pickups-17 dB
Electric guitars with lowgain pickups & mics with
higher gain-23 dB
Alkaline batteries must be one of following types:
NEDA: 14AANSI: 14AIEC: LR14
)
WARNING! DO NOT USE
Alkaline Rechargeable Batteries
Alkaline
Rechargeable
Alkaline “AA”
Rechargeable
Batteries
FIRST-TIME BATTERY CHARGING
Your Sabine Tr ue Mobility® transmitter
comes with one or more rechargeable
NiMH batteries. For best results, charge
the battery for at least 8 hours before
using it for the first time. Please note
that the full charging potential of the battery will be achieved after the first 5
charging cycles have been completed.
NiMH rechargeable batteries are highly
resistant to “memory effect,” which affects some other rechargeable batteries. The included NiMH batteries will provide more lifetime charges and longer
battery life for each charge than many
other rechargeable batteries.
Sabine rechargeable battery advantages. Here are several more good
reasons why you can feel more confident about using rechargeable
batteries:
1.All transmitters report two types of battery status information. The
first report is the all-important voltage the battery is supplying. Second, you’ll know how long the battery has been in use (battery run
time hours). Each receiver channel also receives telemetry information from its associated transmitter, regarding the battery voltage, and displays the information in the receiver LCD (see figure
5b). When the voltage reaches a level indicating an estimated 30
remaining minutes of useful battery life, both transmitter and receiver automatically flash warnings in their LCD displays. As an
alternative means of anticipating battery depletion, you can check
the number of hours of use, by checking the transmitter LCD display (see Section 4.2.2 and figure 4g), or the Remote Control Software.
2.The handheld microphone clip that we provide with each handheld
transmitter not only holds the microphone — it also can double as
an unobtrusive charger housing. Anytime the mic is parked in the
clip (and the clip is connected to the charger power supply), the mic
is being charged. As an additional safety margin against battery
failure, the mic placed in the powered clip gets its power from the
charger, not the battery, so it will work perfectly even if the battery is
completely dead.
3.Sabine’s intelligent charger circuitry detects the type of battery in
place within the battery compartment, and automatically turns off
the charger if the battery is not compatible with the charger.
4.The Tireless Wireless™ Charger detects when a battery is fully
charged, and turns off the charging cycle.
5.The Tireless Wireless™ Charger prevents futile attempts to resuscitate dead batteries — if the battery is unresponsive, the charging
cycle is stopped.
6.Beltpack and handheld batteries can be recharged without removing them from the transmitters. Just connect charger plug to the
transmitter jack (see Fig. 4l).
NOTE: In the “most discharged” battery condition, a full recharge may
take up 8 to 12 hours depending on the mA value of the AA batteries
used with the handheld and beltpack transmitter. The charging system
will charge a batteries with a mA value of up to 2400. When in doubt,
charge the batteries overnight. Sabine’s battery-protection circuit will
shut the charger down when charging is completed.
Equipment Connections. Each SW75T or SW70H1 transmitter comes
equipped with an SWC-POWR Tireless Wireless™ plug-in charger (see
Fig. 4l). In addition, each SW70H1 comes with its own battery-charging
mic clip (SWC70-CL). The SWC-POWR charger can be plugged directly
into either the transmitter or into the clip. A Sabine rechargeable battery
(SWBC1) will charge whenever the mic clip is connected to the Sabine
SWC-POWR charger and the handheld is properly placed within the
mic clip.
Charging Indicators. Much like your cell phone, the transmitters will let
you know the charging status of the battery. When the battery is charging, the battery meter will flash to indicate the relative level of the charge
— one, two, three or four elements will flash (see Fig. 4i).
Once the battery is fully charged, all four elements in the battery meter
will flash. This indicates that the charging circuit is no longer on (see
Fig. 4j).
NOTE: The right-side indicator segment will flash for several minutes
when charging is first attempted (see Fig. 4h). The lower the battery
level, the longer this initial “testing/not charging” flashing sequence will
continue. During this time, the Tireless Wireless battery circuit is evaluating the suitability and charge status of the battery in place. When it has
completed its evaluation, it will either commence the progressive flashing depicted in figure 4i (CHARGING), or continue to flash (TESTING/
NOT CHARGING). All segments flashing in unison signifies that the
battery is fully charged (see Fig. 4j).
These same indications will also be displayed on the receiver LCD,
and on the Remote Control Software screen.
NOTE: The Tireless Wireless battery charger will only charge NiMH
rechargeable batteries. If you place any other kind of battery in the
transmitter, and then attempt to charge it by connecting the charger, the
Tireless Wireless circuit will detect the type of battery and
will not begin
charging. Again, the battery indicator on the transmitter will flash the
right-side element indicating testing/no charging (see Fig. 4h).
Fig. 4h: TESTING/NOT
CHARGING
Right-side battery indicator
segment will flash to indicate
that the battery is being
tested. This occurs prior to
charging a NiMH battery and whenever a nonrechargeable battery is placed on charge.
Charging is not occuring when indicator lights
in this fashion.
Fig. 4i: CHARGING
Battery indicator segments
will flash progressively starting from the relative charge
state of the battery. This example depicts a fully discharged battery being charged. As the charge
progresses, left-side segments will remain visible as right side segments continue to flash,
until all segments are visible. At that point, all
segments will flash on and off in unison (see
Fig. 4j).
Fig. 4j: FULL CHARGE
Battery indicator segments
will flash in unison to indicate that the battery is fully
charged.
NOTE: Battery can be left
connected to the charger and will receive periodic maintenance charging.
Battery Warnings. When the transmitter battery voltage drops below a
critical threshold, the battery icon (which normally displays the voltage
level) will begin to flash. This will occur on the transmitter and receiver
and is an indication that you need to replace the battery, or charge it by
placing the handheld mic in the charger clip. NOTE: Microphone will still
transmit audio when placed in clip. Alter natively, you can connect the
charger directly to the transmitter using the built-in charger jack located
on the side of the beltpack transmitter and near the antenna on the
handheld transmitter (see Fig. 4l). If the battery is not changed or recharged, the transmitter will eventually turn off (see Fig. 4k).
NOTE: When the battery has reached
a specific discharge level, the transmitter will automatically
turn off, and the transmitter LCD will display
the message at right.
SWC70CL
(Mic Clip for SW70H1)
Fig. 4l: SWC-POWR plug-in charger for SW70 Series Transmitters & SWC70CL Mic Clip
Fig. 4k: Battery CHARGE LEVEL displays
Fully Charged
Partially Used
Very Used
Very Low (Flashing)
The receiver LCD display is shown below (Fig. 5b). Two-channel receivers
feature two LCDs, one for each channel. The display provides a snapshot
report of the condition of your wireless channel, including battery status information sent from the transmitter by telemetry.
The right two-thirds of the display primarily shows status information regarding the condition of your receiver channel, as follows: