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REFLECTION™ PORTFOLIO
RS-1100 / RS-1100 Ultra
H O M E T H E A T E R A N D
H O M E C I N E M A P R O J E C T O R S
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REFLECTION™ RS1100 PORTFOLIO
he RS-1100 and RS-1100 Ultra are among a growing family of new, next generation
products from Runco featuring 1080p resolution – the highest available in the consumer
market. These new models boast 1920 x 1080 native resolution DLP™ light engines featuring
Runco’s powerful SuperOnyx™ technology for bright, pristine, high definition images.
The Ultra version features high-end upgrades such as O-Path™ light path enhancement technology,
CinOptx™ premium grade lens options, and AxiShift™ multidirectional lens shift capability. Cinewide™ is
available for both and the CineWide™ with AutoScope™ option is available for the RS-1100 Ultra.
Both model’s illumination system incorporates Runco’s exclusive Selectable Lamp Intensity Control™ (SLIC™), which provides two light intensity
levels to allow maximum flexibility for screen size, ambient light conditions, brightness and contrast balance, and lamp life preservation. It also has
a newly refined cooling system, which increases efficiency and reduces noise levels.
Runco’s advanced Vivix™ digital video processing is included to enhance picture quality from standard video sources, as well as provide artifact-free
scaling. Also included are discrete input source, aspect ratio, power on/off, HDMI™ input and an RS-232 interface for seamless integration with
automation control systems.
Like all Runco products, the RS-1100 Series projectors have been engineered to industry-leading Imaging Science Foundation™ (ISF) standards
for the most accurate gray scale tracking and color fidelity. This ensures video performance and picture quality of the highest levels obtainable.
RS-1100
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RS-1100 Ultra
™
O-Path™ Technology and CinOptx™
Premium Grade Lens Systems are
featured on various Video Extreme
Portfolio projectors. O-Path
efficiently collimates the light energy
from the lamp though the optical
path to maximize light output and
eliminate stray light that can reduce
brightness and compromise contrast
ratio performance. The broad variety
of lenses in the CinOptx family are
designed to bring images faithfully to
the screen without the geometric
and color spectrum aberrations
common among “production” lenses.
Runco International has carefully
developed a full set of specification
standards for our video projectors
that is founded upon more realistic
and easier to understand criteria
for expressing the light output or
brightness capability of a display
device, as well as its contrast ratio.
The Cinema Standards Measurement
System™ was developed based
on the actual experience one has in
a movie theater, providing the
consumer with an objective
reference point to compare
specifications.
Runco’s exclusive CineWide™ and
CineWide with AutoScope™
technology ensures uncompromised
widescreen reproduction of movies
originally filmed in the CinemaScope
2.35:1 format. Through a combination
of software, electronics and
anamorphic optics, each projector is
able to use the full pixel array on its
DMD chips, thereby producing a 2.35
image with enhanced resolution and
increased brightness. No resolution
is lost to annoying black bars.
The LiveLink™ DVI cabling system
is Runco’s exclusive solution for
reliable, pure digital video signal
transfer. This is the first DVI cabling
system capable of truly supporting
longer runs while preserving all
essential high-resolution video signal
quality. LiveLink is nothing short of a
revolution for home theater design.
The new Video Xtreme Portfolio
products incorporate the Imaging
Science Foundation’s “ISF 3c™”
(Certified Calibration Configuration)
setup and calibration standards in
projector GUI menus to facilitate
picture quality conforming to the
highest standards in the industry.
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CI NEW IDE ™ AN D C INE WID E WI TH AU TOS COP E™
NO MORE BLACK BARS ABOVE AND BELOW THE PICTURE!
unco’s award winning development
of CineWide™ and CineWide with
AutoScope™ technology has created
a revolution in faithful movie
reproduction, for the first time transforming home
theater into home cinema.
This technology provides uncompromised widescreen
reproduction of movies originally filmed in the CinemaScope™ 2.35:1 format. It maintains
constant vertical height on the screen just as in a movie theater. When a viewer transitions
from 1.78:1 (16:9) program material to superwide 2.35:1, the image simply gets wider while
full screen height is maintained, eliminating black bars.
Conventional Method
A conventional 2.35:1 image displayed
on a 1.78:1 (16:9) screen.
IMAGE AREA
Black bars = lost resolution
How it works:
The video processor anamorphically “stretches” the 2.35:1 image vertically
to completely fill the display’s imaging chips. This allows all pixels to be used.
2.35:1 Picture on a 16:9 imaging chip 16:9 Image Area
VERTICAL
STRETCH
REMOVES
BLACK BARS
The anamorphic lens then “stretches” the image width to 2.35:1. Correct geometry is restored,
while 100% of the pixels are now used to maintain full resolution and eliminate black bars.
CineWide™ Technology
Constant vertical height and full resolution
are maintained. 100% of pixels are used.
Black Bars are eliminated.
16:9 IMAGE AREA
2:35:1 image area
SQUEEZED
APPEARANCE
This is done through an ingenious combination of software, electronics and precision
anamorphic optics. With the AutoScope option, the anamorphic lens is motorized and
remote controlled.
With CineWide the projection system is able to use the full pixel array on its SuperOnyx™
DMD™ chips, thereby producing a 2.35:1 image with enhanced resolution and increased
brightness. No resolution or image area is lost to useless black bars on the top and bottom
of the screen that contain no picture information.
These are among the awards and acknowledgements we have already received.
2005 Overall Most
Creative New Product
STRETCH
CineWide requires the use of a 2.35:1 or similar aspect ratio superwide format screen.
CineWide and AutoScope technology is the talk of the industry.
Best Video Product
2005
Manufacturer’s
Excellence Award Best
New Product 2005
Electronic House
Product of the Year
2005
Best New Product
2005
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SD C 1 HIGH DE FI NI TIO N DI GITAL VI DEO CO NT RO LL ER
he optional SDC-1 Controller is a versatile system expansion device designed to
centralize all video signal and system control connections for the projector in the
equipment rack with other video source and system control components. This simplifies
connections to the projector and preserves all video signals in the digital domain.
The SDC-1 provides connections for a variety of components and includes both RGB and HDMI inputs.
In addition, it offers configurable serial control for both RS-232 and RS-422, as well as two assignable 12 volt triggers and one
dry contact closure. A USB port control is included for ethernet or PC communication. The SDC-1 is available with both the RS-1100
and RS-1100 Ultra projectors.
SDC-1 Controller SpeCifiCationS
Inputs (from video
sources):
Outputs (to projector):
Control Options:
2 x HDMI, 2 x HD (RGBHV or YPbPr,
auto-detecting), Composite Video, S-Video
Digital Video/Control (HDMI connector)
Analog Video (8-pin DIN connector)
Discrete infrared remote, Serial (RS-232 or
RS-422, selectable), USB, Front-panel input
select, Wired IR remote
Trigger Outputs:
Dry Contact Output:
Power Requirements:
Operating Environment:
2 x 12 VDC, 800 mA
Floating; Tip (normally-open) and Ring
(common) shorted together when engaged
100 to 240 VAC (auto-sensing)
50/60 Hz, 160W
41°– 95° F, (5° – 35° C),
0% – 90% Humidity (non-condensing)
Dimensions:
(w/out feet)
Regulatory Approvals
(pending):
Limited Warranty:
Width: 17 1/2 in. (444.50 mm)
Depth: 11 1/8 in. (282.58 mm)
Height: 3 1/2 in. (88.24 mm)
Weight: 13 lbs. (5.9 kg)
Complies with FCC, CE, C-Tick
(2) Two years parts and labor from the date
of delivery to the end user
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Specifications RS-1100 RS-1100 Ultra
Projector Type:
Native Resolution:
Aspect Ratios:
Video Standards:
DTV Compatibility:
Picture Size
(16:9 screens):
Throw Distance
Factor x Screen Width:
(All CineWide Throws are specified using a
2.35:1 screen)
Digital Light Processing (DLP), Single-Chip SuperOnyx DMD Digital Light Processing (DLP), Single-Chip SuperOnyx DMD
1920 x 1080 (16:9) 1920 x 1080 (16:9)
4:3, Letterbox, 16:9, VirtualWide, Cinema, Virtual Cinema 4:3, Letterbox, 16:9, VirtualWide, Cinema, Virtual Cinema
NTSC, PAL, SECAM, ATSC NTSC, PAL, SECAM, ATSC
480p, 576p, 720p, 1080i, 1080p 480p, 576p, 720p, 1080i, 1080p
Recommended Width: 72 in. (1.83 m) to 96 in. (2.44 m)
Capable of screen widths between 48 in. (1.22 m) and
200 in. (5.08 m)
1.55 to 1.93
Recommended Width: 72 in. (1.83 m) to 96 in. (2.44 m)
Capable of screen widths between 48 in. (1.22 m) and
200 in. (5.08 m)
Proteus Lens Options:
(with CineWide 1.86 to 1.93)
B: Zoom 1.03 – 1.20
C: Zoom 1.23 – 1.47
Zoom 1.53 – 1.97
D:
(with CineWide 1.20 – 1.58)
Zoom 2.00 – 3.01
E:
(with CineWide 1.63 – 2.36)
Zoom 3.05 – 4.75
F:
(with CineWide 2.38 – 3.58)
Horizontal and Vertical Offset Without
CineWide Option:
(Note: With CineWide option offsets vary per lens.
Please contact Runco Technical Support for more
information.)
Vertical: 40% up, 50% down
No horizontal lens shift
(Proteus B or C options not available with CineWide or CineWide w/AutoScope)
Varies per lens option:
Proteus B: Vertical- 10% up, 25% down; 10% Horizontal
Proteus C: Vertical- 14% up, 27% down; 10% Horizontal
Proteus D: Vertical- 14% up, 30% down; 10% Horizontal
Proteus E: Vertical- 17% up, 40% down; 10% Horizontal
Proteus F: Vertical- 19% up, 40% down; 10% Horizontal
Light Output:
Contrast Ratio:
Lamp:
Lamp Life:
Inputs:
12V Output:
Power Requirements:
Operating Environments:
Dimensions (w/o feet):
Regulatory Approvals:
Limited Warranty:
CSMS Specifications**:
Home Theater Calibration: 447–591 ANSI Lumens;
14.9–21.8 Foot-Lamberts (fL)
†Variable depending on RVR calibration;
1300 ANSI Lumens*
CSMS Specifications**:
Home Theater Calibration: 447–591 ANSI Lumens;
14.9–21.8 Foot-Lamberts (fL)
†Variable depending on RVR calibration;
1300 ANSI Lumens*
CSMS** Contrast Ratio: 205:1–225:1; 1600:1–3200:1 CSMS** Contrast Ratio: 205:1–225:1; 1600:1–3200:1
250W 250W
2000 hours 2000 hours
(1) Composite Video, (1) S-Video, (1) RGB/Component Video
(BNC connectors), (1) RCA Component Video, (1) HDMI
Max. 0.25 Amps, active when Cinema or Virtual Cinema Aspect
Ratio is selected (CineWide versions only) or when projector is
turned on
(1) Composite Video, (1) S-Video, (1) RGB/Component Video
(BNC connectors), (1) RCA Component Video, (1) HDMI
Max. 0.25 Amps, active when Cinema or Virtual Cinema Aspect
Ratio is selected (CineWide versions only) or when projector is
turned on
100 to 240 VAC (auto-sensing), 50/60 Hz, 310 W 100 to 240 VAC (auto-sensing), 50/60 Hz, 310 W
41°–95° F, (5°–35° C), 20%–80% Humidity (non-condensing) 41°–95° F, (5°–35° C), 20%–80% Humidity (non-condensing)
Width: 19 11/16 in. (500.06 mm)
Depth: 18 1/4 in. (462.50 mm)
Height: 8 15/16 in. (224.77 mm)
Weight: 34 lbs. (15.42 kg)
Width: 19 11/16 in. (500.06 mm)
Depth: 22 in. (559.00 mm)
Height: 8 7/8 in. (226.00 mm)
Weight: 36 lbs. (16.32 kg)
Complies with FCC Class B, CE, C-Tick Complies with FCC Class B, CE, C-Tick
Projector: (2) Two years parts and labor from the date of
delivery to the end user
Lamp Warranty: 1000 hours or (6) six months, which ever comes
first.
Projector: (2) Two years parts and labor from the date of
delivery to the end user
Lamp Warranty: 1000 hours or (6) six months, which ever comes
first.
*ANSI Lumen specification:
This is the typical projector luminosity (brightness) specification found in most sales literature. This measurement
is included in RUNCO literature to allow for direct comparison with other manufacturer’s projectors. These measurements can be taken at 9,000 to 13,000º Kelvin to get expected performance data when the projector is used in
professional, commercial, and industrial displays.
**CSMS Home Theater Calibration ANSI Lumen Specification:
These measurements are taken from the projector as set up in a home theater environment. The projector is
calibrated to ISF specifications including setting the color temperature to 6500º Kelvin, the standard for reproducing video.
**CSMS Home Theater Calibration foot-Lambert (fL) Specification:
This is the unit of measurement used in commercial movie theaters to express image brightness. The Society of
Motion Picture and Television Engineers (SMPTE) specifies 16 fL as the target image brightness for film-based
projectors using an open gate (without film in the projector). More importantly, today SMPTE specifies 12 fL as the
target image brightness in Digital Cinema
theaters using DLP™ technology. The foot-Lambert is dependant on screen size, screen gain, and projector light
output.
All measurements are made at RUNCO to ANSI/NAPM IT7.228-1997 specifications using the Photo Research
PR-650 SpectraColorimeter and Minolta LS-100 Luminance Meter, Video Essentials test DVD, and a Stewart
Filmscreen StudioTech 130, 1.3 gain 72-inch wide screen. The projector is calibrated to a color temperature of
6500º Kelvin and has a minimum of 150 hours of usage.
Engineered for ISF® calibration.
Specifications are subject to change without notice. Optional ceiling bracket available.
© 2007 Runco International. All rights reserved. Reflection, Enhanced GEN3, DHD, Vivix, Virtual
Cinema, CineWide, AutoScope, O-Path, CinOptx, LiveLink, CSMS, SuperOnyx and VirtualWide
are trademarks of Runco International.
Digital Light Processing, DLP and DMD are trademarks of Texas Instruments.
CinemaScope is a trademark of Twentieth Century Fox Film Corporation.
ISF is a trademark of Imaging Science Foundation.
Theater installation photo courtesy of Progressive Audio, Columbus, OH
2900 Faber Street, Union City CA 94587
Tel: 510-324-7777 • Fax: 510-324-9300
www.runco.com
03/07
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