Congratulations on your purchase of a Runco® product! With proper installation, setup and care, you should enjoy many years
of unparalleled video performance.
This Limited Warranty is provided free of charge by Runco International, LLC (“Runco”) with the purchase of a covered Runco
product. This Limited Warranty is applicable to all Runco projectors, processors, LCD display and plasma display products,
with the exception of the following models: XP-103DHD, SC-1 and SC-1a
covered Runco products occurring on or after June 1, 2011.
1
. This Limited Warranty applies to purchases of
RuncoCare™ Limited Warranty Coverage
Runco warrants its products to be free from defects in material and workmanship during the warranty period provided below. If
a product proves to be defective in material or workmanship during the warranty period, Runco will repair the product, replace
the product with a substantially similar new or like-new product, or refund a prorated share of the purchase price (calculated
based on the remainder of the warranty period and the then-current, most-recent MSRP
replacement of the product is determined by Runco to not be feasible.
Length of RuncoCare™ Warranty Period
Runco products are warranted for two (2) years from the date of shipment from Runco. Lamps are warranted six (6) months
from the date of shipment or 1000 hours of use, whichever comes first. A replacement lamp is warranted for the remaining
portion (if any) of the original warranty period or ninety (90) days from the date it was shipped to you, whichever is longer. All
other accessories, which include but are not limited to cables, remotes, carrying cases, lens cap and other peripherals sold
with the Runco product, are warranted for ninety (90) days from the date of shipment.
RuncoCare™ Eligibility
This Limited Warranty is valid only in the country where the Product was originally purchased and for the buyer who originally
purchased the covered product from the authorized Runco dealer or distributor. This warranty is not transferable; it is not valid
for any subsequent buyer (if any). You may be required to provide proof of purchase in order to receive warranty services.
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2
of a similar product), if repair or
1. Runco may update this list of products excluded from this warranty from time to time at Runco’s sole discretion, but updates will
not apply on a retroactive basis.
2. MSRP is defined as the most recent product price listed on Runco’s price list.
• In the event of a product defect, please follow the claim procedure provided below:
A. Register your product if you have not yet done so. Visit http://www.runco.com/support/product-registration/ to
register the product.
B. Contact your original authorized dealer or distributor who sold the product.
C. The dealer/distributor will contact Runco Technical Support via email at support@runco.com or via phone at 1-800-
23-RUNCO (1-800-237-8626).
• The dealer/distributor will provide to Runco proof of purchase, serial number, product model number, description of the
problem and any troubleshooting steps already attempted.
• Runco’s technical support staff will attempt to assist the dealer/distributor in troubleshooting any technical issues that might
be causing the product to malfunction. If Runco is unable to resolve the problem through troubleshooting, a Return Material
Authorization (RMA) number will be issued for the exchange of the defective product if it is determined that the claim is
covered by the warranty. Once an RMA has been created, RMA status is available at serviceorders@runco.com.
• If an RMA is issued, the dealer or customer will need to return the defective product to the Runco repair depot location
specified by the Runco technical support representative. The dealer or customer will need to properly package the defective
product in a suitable shipping container consisting of the product only, and not include any accessories (e.g., cables,
remotes, carrying cases, lens, lens cap and other peripherals). Boxes may be purchased from a Runco technical support
representative.
• The dealer or customer is responsible for paying freight charges and insurance to ship the defective product to the Runco
repair depot location. If there are any shipping damages, the dealer or customer will need to address and resolve any
shipping damage claims directly with the shipping company.
• Runco will not accept a returned product unless an RMA has been issued by Runco.
• For in-warranty repairs, Runco will pay freight charges to return the repaired/replacement product to the dealer/distributor
from the Runco repair depot. For select countries or geographies Runco will ship via an economy express service. Return
delivery time and availability may vary based on origin and destination, and Runco is unable to deliver to PO Box and FPO
Box addresses.
• Note: in the 48 contiguous United States, other options for on-site service or advance exchange for the product may apply,
if you purchased the Runco PremierCare™ Service Plan.
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What to Include with Your Return
1. Return only the defective product with the lamp (if applicable).
2. Runco will not be responsible for returning or replacing any accessories (e.g., cables, remotes, carrying cases, lens, lens
cap and other peripherals sold with the Runco product) that are returned with the defective product.
3. Repaired or replacement products will be shipped with a lamp (if applicable) but without any accessories.
RuncoCare™ Warranty Exclusions
This Limited Warranty does not include and is limited by the following:
1. Products not purchased from an authorized Runco dealer
2. Rental costs incurred by the customer in the event of product defect or failure
3. Any product with a defaced, modified, or removed serial number
4. Damage, deterioration, or malfunction resulting from:
A. Accident, abuse, misuse, neglect, improper ventilation, fire, water, disaster, lightning, or other acts of nature, smoke
exposure (cigarette or otherwise), unauthorized product modification (including use of an unauthorized mount), or
failure to follow instructions supplied with the product
B. Repair or attempted repair by anyone not authorized by Runco
C. Any damage to the product due to shipment
D. Removal or installation of the product
E. Causes external to the product, such as electric power fluctuations or failure
F. Use of supplies or parts (including lamps) that are not purchased from Runco or do not meet Runco’s specifications
G. Normal wear and tear
H. Expected lamp degradation and normal decrease in lamp output over a period of time or as the lamp is consumed
I.Customer caused defects, including but not limited to, scratched/defaced/altered plastics
J. Failure to follow maintenance procedures as outlined in the product’s user guide where a schedule is specified for
regular cleaning of the product
K. Opening the product and/or tampering with internal circuitry
L. Products lost, stolen or discarded
M. Any damage or dissatisfaction associated with latent images, “burnin,” or any other damage determined by Runco to
be the result of customer use patterns
N. Any other cause, which does not relate to a product defect in material or workmanship
5. Removal, installation, and set-up service charges are excluded from the warranty.
6. Black uniformity issues or other LCD issues associated with usage outside the Runco recommended guidelines and
specifications for the product.
7. Bright or dark sub pixels that are characteristic of LCD technology and considered by Runco to be acceptable and within
Runco’s manufacturing specifications.
Specifically, it is not uncommon for one or more sub pixels to become bright or dark during or after the manufacturing
process. A bright sub pixel is one that remains in the on position, and a dark sub pixel is one that appears black or off. The
sub pixels are usually hard to see and will not detract from the display quality or usability at normal viewing distance. The
following are Runco’s criteria for identifying bright or dark sub pixels that would be considered unacceptable: a) the
number of bright or dark sub pixels; b) the location of the bright or dark sub pixels; c) the color of the bright sub pixels; and
d) the Runco model size. If sub pixels have been identified as unacceptable by Runco the LCD will be deemed faulty and
will be replaced if reported within the warranty period.
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Other Terms and Conditions
1. If the defective product is not properly packaged and is damaged in transit during its return to Runco, you may be invoiced
for either the repair costs, if repairable, or the MSRP of a replacement product and shipping costs incurred by Runco.
2. The repaired or replaced product will assume the remainder of your original product’s warranty term or 90 days from the
date the repaired or replaced product is shipped, whichever is longer.
3. If a replacement product is sent, the replacement becomes the property of the customer and the defective product
becomes the property of Runco.
LightStyle™ LS-12d Installation/Operation Manualv
RuncoCare™ Extended Service Options
Runco offers extended and expanded service plans. For information on additional product protection, please ask your
authorized Runco dealer, email serviceorders@runco.com or call (toll free) (800) 23RUNCO (800-237-8626).
Exclusion of Implied Warranties
RUNCO PROVIDES NO WARRANTIES, EXPRESS OR IMPLIED, EXCEPT THOSE EXPRESSLY PROVIDED IN THIS
DOCUMENT. RUNCO EXPRESSLY DISCLAIMS AND EXCLUDES ALL OTHER WARRANTIES, INCLUDING THE IMPLIED
WARRANTIES OF TITLE, NONINFRINGEMENT, MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE.
Limitation of Liability; Exclusion of Damages
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RUNCO’S MAXIMUM AGGREGATE LIABILITY IS LIMITED TO THE COST OF REPAIR, REPLACEMENT OR REFUND OF THE
PRODUCT.
RUNCO WILL NOT BE LIABLE FOR DAMAGE TO OTHER PROPERTY OR FOR DAMAGES BASED UPON INCONVENIENCE,
LOSS OF USE OF THE PRODUCT, LOSS OF TIME, LOSS OF PROFITS, LOSS OF BUSINESS OPPORTUNITY, LOSS OF
GOODWILL, INTERFERENCE WITH BUSINESS RELATIONSHIPS, OR OTHER COMMERCIAL OR FINANCIAL LOSS, EVEN IF
RUNCO IS AWARE OF THE POSSIBILITY OF SUCH DAMAGES AND EVEN IF A REMEDY HAS FAILED OF ITS ESSENTIAL
PURPOSE.
RUNCO WILL NOT BE LIABLE FOR ANY CONSEQUENTIAL, INCIDENTAL, INDIRECT, EXEMPLARY, SPECIAL, PUNITIVE OR
ANY OTHER TYPE OF DAMAGES, WHETHER THE CLAIM IS BASED ON CONTRACT, TORT, PRODUCT LIABILITY,
NEGLIGENCE, STRICT LIABILITY OR ANY OTHER LEGAL OR EQUITABLE THEORY.
RUNCO WILL NOT BE LIABLE FOR ANY CLAIM AGAINST THE CUSTOMER BY ANY OTHER PARTY.
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Effect of Local Law
This Limited Warranty gives you specific legal rights, and you may have other rights, which vary from locality to locality. Some
localities do not allow limitations on implied warranties and/or do not allow the exclusion of incidental or consequential
damages, so the above limitations and exclusions may not apply to you.
The trademarks reproduced in this Runco Owner’s Manual and used on the Runco Products are either owned by Runco or are
licensed by Runco. You may not reproduce or use the trademarks without the prior written consent of Runco.
Runco Products are manufactured under one or more of the following patents: US. Patent 6755540 and Other Patents
Pending.
Thank you for your purchase of this quality Runco video product! For the best performance, please read this manual carefully
as it is your guide through the menus and operation.
WARNING
CAUTION
RISK OFELECTRIC SHOCK
DO NOTOPEN
TO REDUCE THE RISK OF ELECTRIC SHOCK
DO NOT REMOVE COVER (OR BACK)
NO USER SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with a dry cloth.
CAUTION:
SERVICE PERSONNEL.
This symbol is intended to alert the user to the presence of
uninsulated “dangerous voltage” within the product’s enclosure
that may be of sufficient magnitude to constitute a risk of electric
shock.
This symbol is intended to alert the user to the presence of
important operating and maintenance (servicing) instructions in the
literature accompanying the appliance.
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7. Do not block any of the ventilation openings. Install in accordance with the manufacturer’s instructions.
8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that
produce heat.
9. Do not defeat the safety purpose of the polarized or grounding type plug. A polarized plug has two blades with one wider
than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong is
provided for your safety. When the provided plug does not fit into your outlet, consult an electrician for the replacement of
the obsolete outlet.
10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles and the point
where they exit from the apparatus.
11. Only use the attachments/accessories specified by the manufacturer.
12. Use only with a cart, stand, tripod, bracket or table specified by the manufacturer or sold with the apparatus.
When a cart is used, use caution when moving the cart/apparatus to avoid injury from tip-over.
13. Unplug this apparatus during lightning storms or when unused for long periods of time.
14. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in
any way, such as power supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus,
the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.
15. The +12V trigger only outputs 12Vdc signal for triggering. Do not connect to any other power input or output. This could
cause damage to this unit.
16. Keep the packing material in case the equipment should ever need to be shipped.
17. The lamp becomes extremely hot during operation. Allow the projector to cool down for approximately 45 minutes prior to
removing the lamp assembly for replacement.
18. Do not operate lamps beyond the rated lamp life. Excessive operation of lamps beyond rated life could cause them to
explode in rare occasions.
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19. Never look directly into the lens when the lamp is on.
IMPORTANT HEALTH AND SAFETY INFORMATION FOR 3D VIEWING:
Please read and make sure you understand the following safety information before using the product for viewing 3D content.
Provide this information to the end users of this product and ensure that they understand it.
WARNING
It is widely recognized that stereographic display devices can cause discomfort, including, without
limitation, dizziness, nausea, headaches, eye fatigue and eye-strain, in some individuals. The 3D
effect and experience will vary by individual, depending on a variety of factors, including his or her
health and vision. Runco recommends that users take regular breaks when watching 3D video or
playing games using stereoscopic displays. Discontinue use if any discomfort occurs. Parents of
young children should ensure their children avoid extensive exposure to electronic stereographic
entertainment.
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The quality and appropriateness of the 3D screen materials onto which the image is projected and
the quality of the 3D content being displayed both have a significant and noticeable impact on the
overall 3D experience. A properly-calibrated projection system, including glasses and an
optimized third-party screen, displaying high-quality 3D content is the best formula for immersive
and comfortable 3D experiences in the home. Please refer to the remainder of this manual for
proper projector installation and usage instructions.
The glasses that accompany this product are not safe to use as sunglasses, protective eyewear or
any use outdoors or other than only in conjunction with the proper operation of the Runco product
with which they are sold. It is common to dim the lights in a home theater. Using 3D glasses and
the immersive imagery of stereoscopic imagery can increase the risk of tripping or falling the dark.
Special care should be taken.
Manufacturer’s Address: 1195 NW Compton Drive, Beaverton, OR 97006-1992
hereby declares that the Products’ Model Numbers:
LS-12d
conform with the provisions of:
Council Directive 2004/108/EC on Electromagnetic Compatibility;
EN 55022 “Limits and methods of measurements of radio interference characteristics of information technology equipment”
1998;
EN 55024 “Limits and methods of measurements of immunity characteristics of information technology equipment” 1998;
Including:
• EN 61000-4-2 “Electromagnetic compatibility (EMC) Part 4: Testing and measurement techniques Section 2:
Electrostatic discharge immunity test”
• EN 61000-4-3 “Electromagnetic compatibility (EMC) Part 4: Testing and measurement techniques Section 3: Radiated,
Radio-Frequency, Electromagnetic Field Immunity Test”
• EN 61000-4-4 “Electromagnetic compatibility (EMC) Part 4: Testing and measurement techniques Section 4: Electrical
fast transient/burst immunity test”
• EN 61000-4-5 "Electromagnetic compatibility (EMC) Part 4: Testing and measurement techniques Section 5: Surge
immunity test"
• EN 61000-4-6 "Electromagnetic compatibility (EMC) Part 4: Testing and measurement techniques Section 6: Conducted
disturbances induced by radio-frequency fields immunity test"
• EN 61000-4-8 "Electromagnetic compatibility (EMC) Part 4: Testing and measurement techniques Section 8: Conducted
disturbances induced by power frequency magnetic fields immunity test"
• EN 61000-4-11 "Electromagnetic compatibility (EMC) Part 4: Testing and measurement techniques Section 11: Voltage
dips, short interruptions and voltage variations immunity tests"
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And:
• EN 61000-3-2 "Electromagnetic compatibility (EMC) Part 3, Section 2: Limits for harmonic current emissions (equipment
input current up to and including 16 A per phase)" 2000;
• EN 61000-3-3 "Electromagnetic compatibility (EMC) Part 3, Section 3: Limitations of voltage changes, voltage
fluctuations and flicker in public low-voltage supply systems, for equipment with rated current up to and including 16 A
and not subject to conditional connection" 1995;
Council Directive 2006/95/EC and amended by M1 and C1 on Low Voltage Equipment Safety;
EN 60950 “Safety of information technology equipment, including electrical business equipment”
The Technical Construction file required by this Directive is maintained at the corporate headquarters of Runco International,
LLC, located at 1195 NW Compton Drive, Beaverton, OR 97006-1992.
NOTE: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of
the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential
installation.
This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the
instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not
occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be
determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the
following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help.
INDUSTRY CANADA (ICES-003):
This Class B digital apparatus complies with Canadian ICES-003.
Cet appareil numérique de la classe B est conforme à la norme NMB-003 du Canada.
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PRODUCT DISPOSAL:
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The Product contains small amounts of tin, lead and/or mercury. Disposal of these materials may be regulated due to
environmental considerations.
IMPORTANT RECYCLE INSTRUCTIONS
Lamp(s) inside this product contain mercury. This product may contain other electronic waste that can be
hazardous if not disposed of properly. Recycle or dispose in accordance with local, state, or federal Laws.
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For more information, contact the Electronic Industries Alliance at WWW.EIAE.ORG.
For lamp specific disposal information check WWW.LAMPRECYCLE.ORG.
DISPOSAL OF OLD ELECTRICAL AND ELECTRONIC EQUIPMENT (Applicable throughout the European
Union and other European countries with separate collection programs)
This symbol found on your product or on its packaging, indicates that this product should not be treated as
household waste when you wish to dispose of it. Instead, it should be handed over to an applicable collection
point for the recycling of electrical and electronic equipment. By ensuring this product is disposed of correctly,
you will help prevent potential negative consequences to the environment and human health, which could
otherwise be caused by inappropriate disposal of this product. The recycling of materials will help to conserve
natural resources. This symbol is only valid in the European Union. If you wish to discard this product, please
contact your local authorities or dealer and ask for the correct method of disposal.
xLightStyle™ LS-12d Installation/Operation Manual
1Table of Contents
RuncoCare™ Standard Two Year Limited Warranty ................................................... iii
Important Safety Instructions ....................................................................................... vii
Compliance Information ................................................................................................ ix
This Owner’s Manual describes how to install, set up and operate the Runco LightStyle™
Series LS-12d Active 3D Projection System.
Throughout this manual, the Runco LightStyle™ Series LS-12d Active 3D Projection
System is referred to as the “LS-12d.”
out of the LS-12d.
Runco has made every effort to ensure that this manual is accurate as of the date it was
printed. However, because of ongoing product improvements and customer feedback, it
may require updating from time to time. You can always find the latest version of this and
other Runco product manuals on-line, at www.Runco.com.
Runco welcomes your comments about this manual. Send them to support@Runco.com.
Text Conventions: The following conventions are used in this manual, in order to clarify
the information and instructions provided:
• Remote and built-in keypad button identifiers are set in upper-case bold type; for
example, “Press EXIT to return to the previous menu.”
• Computer input (commands you type) and output (responses that appear on-screen) is
shown in monospace (fixed-width) type; for example: “To change the aspect ratio to
Letterbox, type LETTERBOX <Enter>.”
• All keys with functional names are initial-capped, set in bold type and enclosed in angle
brackets. These keys are the following: <Enter>, <Spacebar>, <Control>, <Esc> and <Tab>.
• <Enter> indicates that you may press either the RETURN or ENTER key on your
keyboard if it has both keys.
In addition to these conventions, underlining, boldface and/or italics are occasionally used
to highlight important information, as in this example:
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1.1
About This Manual
Target AudienceRunco has prepared this manual to help installation personnel and end users get the most
If You Have Comments
About This Manual...
Textual and Graphic
Conventions
Note
LightStyle™ LS-12d Installation/Operation Manual1
A carriage return must be used after each command or string.
Introduction
Graphic Conventions: These symbols appear in numerous places throughout the
manual, to emphasize points that you must keep in mind to avoid problems with your
equipment or injury:
TIPS highlight time-saving short cuts and helpful guidelines for using
Tip
certain features.
1.2
Using This Manual
Note
Caution
NOTES emphasize text with unusual importance or special
significance. They also provide supplemental information.
CAUTIONS alert users that a given action or omitted action can
degrade performance or cause a malfunction.
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WARNING
DANGER!
Use the following table to locate the specific information you need in this manual.
WARNINGS appear when a given action or omitted action can result
in damage to the equipment, or possible non-fatal injury to the user.
DANGER appears when a given action can cause severe injury or
death.
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If you need...... Turn to page:
Information about obtaining serviceiv
General information about the LightStyle™ Series LS-12d Active
3D Projection System
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3
Installation instructions19
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First-time configuration instructions 51
Advanced configuration instructions73
Troubleshooting tips98
Specifications for the LightStyle™ Series LS-12d Active 3D Projection System
125
2LightStyle™ LS-12d Installation/Operation Manual
Introduction
Runco’s LightStyle™ Series LS-12d Active 3D Projection System delivers exceptional 3D
and 2D performance, sharing many of the technical attributes of the award-winning
LightStyle™ projector series. The LS-12d combines a powerful, three-chip DLP
and a wide array of lens options with Runco’s elegant LightStyle chassis design. With the
addition of the LS-12d to Runco’s 3D projection offerings, clients now have a variety of
exceptional 3D options to choose from based on their individual needs.
Custom paint and print options with a myriad of color options are available with the
LS-12d, including an option to design your own one-of-a-kind projector with Runco
FinishPalette™. Beyond beautiful on the outside, the Runco LS-12d is feature-rich,
including advanced connectivity and the latest-generation video processing and scaling.
Rounding out this impressive projector are discrete input source, aspect ratio and power
on/off, as well as an RS-232 interface for seamless integration with automation control
systems.
Impressive and unique and unlike single-chip DLP implementations, no color wheel is
used in the LS-12d projectors. Instead, it harnesses the power of three advanced full
1080p HD 16:9 DMD’s™ and 12-degree mirror tilt for the finest black level performance.
The impressive brightness is further bolstered by the improved contrast capabilities of the
stylish LS-12d. Designed to excel in both the dedicated theater as well “Flex-Theaters,”
spaces where big screen entertainment is only a portion of the room’s purpose and
aesthetics and placement are as crucial as video performance.
For uncompromised widescreen reproduction of movies originally filmed in the
CinemaScope™ 2:35:1 format, the LS-12d can also be paired with one of Runco’s
award-winning anamorphic lens solutions. Through an ingenious combination of software,
electronics and precision anamorphic optics, the Runco anamorphic lens system
maintains constant image height on the screen just as in a movie theater. When a viewer
transitions from 1.78:1 (16:9) program material to superwide 2.35:1, the image simply
gets wider while image height is maintained. The projection system is able to use the full
pixel array, thereby producing a 2.35:1 image with enhanced resolution and increased
brightness. No resolution or image area is lost to those black bars that contain no picture
information.
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®
engine
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1.3
Description, Features
and Benefits
Note
LightStyle™ LS-12d Installation/Operation Manual3
An anamorphic lens requires the use of a 2.35:1 (or similar aspect ratio),
“superwide” format screen.
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Introduction
➤
➤
Key Features and BenefitsThe LS-12d offers these key features and benefits:
• Native Resolution: 1920 x 1080 (16:9 Native Aspect Ratio)
• Three-chip Digital Light Processing (DLP™) system
• DisplayPort 1.1a Input (on Dimension Digital Controller) with High-bandwidth Digital
Content Protection (HDCP)
• Eight (8) HDMI Inputs (on Dimension Digital Controller) with HDCP, 3D and Deep Color
•CinOptx™ Proteus lens options for stunning sharpness and throw distance flexibility
• Bundled with two years of Runco PremierCare™ service program providing on-site
calibration and two years of ongoing support from Runco
Parts ListYour LS-12d is shipped with the following items. If any items are missing or damaged,
please contact your Runco dealer or Runco Customer Service at (800) 23RUNCO.
• LightStyle™ Series LS-12d Active 3D Projection System:
• Projection Unit
• Dimension Digital Controller unit
• Remote Control Unit and batteries
• AC Power Cords (2)
• RJ-11 Telephone Cable, 50 feet (15.24 meters)
• Serial Port Adapter, RJ-11 Female to DB-9 Male
• Active 3D Emitter and projector interface cable, 3.28 feet (1.0 meters)
• Active 3D Glasses (3 pairs)
• HDMI-to-HDMI Cables (2), sold separately (refer to Optional Accessories, below)
• Rack-mount hardware for the Dimension Digital Controller
• Runco LS-12d Quick Setup Guide
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Optional Accessories:
• Secondary anamorphic lens and lens mount
• Replacement Lamp (part number 997-5268-00)
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• Ceiling mount kit (part number 997-4214-00)
• HDMI-to-HDMI Cable, length specified at time of order:
• 16.4 feet (5.0 meters) (part number 903-1010-00)
• 24.6 feet (7.5 meters) (part number 903-1011-00)
• 32.8 feet (10.0 meters) (part number 903-1012-00)
• 49.2 feet (15.0 meters) (part number 903-1013-00)
• 65.6 feet (20.0 meters) (part number 903-1014-00)
4LightStyle™ LS-12d Installation/Operation Manual
2. System Overview
A LightStyle™ Series LS-12d Active 3D Projection System consists of the following
components:
• The projector (equipped with dual digital video inputs) with optional anamorphic lens
and lens transport assembly.
• The DC-300 Dimension Digital Controller™ unit that provides “left-eye” and “right-eye“
video signals and the on-screen display (OSD) menu to the projector. In addition, the
Dimension Digital Controller controls the projector in response to user input via its
infrared (IR) remote control unit or front-panel keypad, an external control system or
HDMI Consumer Electronics Control (CEC) messages.
• An Active 3D Emitter that receives a left/right synchronization signal from the projector
and transmits it to the Active 3D Glasses worn by the viewers. This signal precisely
controls when left and right fields are visible through the glasses.
Figure 2-1 shows how these components connect to and interact with each other. The
following sections describe each one in detail.
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System Overview
IR
Video
Sources
Remote
Control
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HDMI, DisplayPort,
Component, SCART,
RGB, Composite
Figure 2-1. LightStyle™ Series LS-12d Active 3D Projection System Block
Diagram
HDMI Audio Out
DC-300
Dimension Digital Controller
Primary
Video
Scaler
Secondary
Video
Scaler
Primary Video/CEC (Control)
Secondary Video
2D/3D Video
Decoder/
Multiplexer
Anamorphic
Primary Video
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(Left)
RS-232
Projector
Optical Engine
Lens
L
Trigger
Secondary Video
(Right)
L/R Stereo Sync
Active 3D
Emitter
RF
Active 3D
Glasses
LightStyle™ LS-12d Installation/Operation Manual5
System Overview
2.1
Projector
A LightStyle™ Series LS-12d Active 3D Projection System can display both traditional 2D
and stereoscopic 3D video content.
An active 3D presentation requires a specialized video signal source configuration and
content to be displayed correctly. Images from a stereo 3D video source consist of a
series of images (called frames or fields) that alternate quickly between two slightly
different view points, corresponding to a viewer’s left and right eyes.
When these frames are displayed fast enough and viewed with special stereo glasses
synchronized to the left/right changes, the resulting image appears with the same depth
and perspective that is sensed in the real world.
Figure 2-2 and Figure 2-3 show the key LS-12d components.
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Power Button/
Status LED
Keypad
Exhaust
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Vent
Intake
Vent
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Figure 2-2. LS-12d Front/Side View
• POWER BUTTON/STATUS LED
Indicates projector status as follows:
• Solid green = AC power present, ready to turn on (lamp not lit)
• Flashing green = lamp is warming up or cooling down; keypad functions not allowed
• Off = Lamp lit, projector functioning normally
• Alternating green/red = Lamp problem (door open, unable to strike, end of life), user
intervention likely to fix problem
• Flashing red = Over temperature, user intervention (clear vents, turn on AC) may fix
problem
• Solid red = Error that requires servicing (fan fail, Power-on self-test fail etc.)
Projection Lens
6LightStyle™ LS-12d Installation/Operation Manual
•KEYPAD
System Overview
Provides an alternative to using the remote control unit to perform primary lens
adjustments (focus, zoom and position).
FOCUS, H/V, ZOOM
Use these buttons to select the type of lens adjustment you wish to make. The default
function (following a power cycle) is FOCUS.
Cursor Buttons ( , , , )
Use these buttons to perform the selected lens adjustment. These buttons operate as
follows:
• When adjusting focus, the up ( ) or left ( ) button focuses closer; the down ( ) or
right ( ) button focuses farther.
• When adjusting zoom, the up ( ) or left ( ) button zooms in (enlarges the projected
image); the down ( ) or right ( ) button zooms out (makes the projected image
smaller).
• When adjusting lens position (H/V), the cursor buttons move the image in the
specified direction, assuming the projector is upright. If the projector is inverted
(ceiling-mounted), the cursor button functions are reversed.
• EXHAUST VENT
Warm air exits the projector through this vent. Ensure that it is not blocked.
• INTAKE VENT
Internal fans draw cool air into the projector through this vent.
• PROJECTION LENS
If needed, a light shield accessory is provided with the lens to minimize stray light
emissions. (Use it only when the vertical offset is 50% of the screen height or greater.)
The light shield attaches to the end of the lens.
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FOCUS
▲
H/V
▲
ZOOM
►◄
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LightStyle™ LS-12d Installation/Operation Manual7
System Overview
r
Runco Logo
Badge
Lamp Module
Cover
Rear Cove
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RS232
PRIMARY
SECONDARY
RS232
3D Sync Out
PRIMARY
SECONDARY
3D Sync Out
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Ceiling Mount
Holes
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Figure 2-3. LS-12d Rear/Bottom/Top View
• RUNCO LOGO BADGE
• REAR COVER
Remove to access connectors.
• LAMP MODULE COVER
Remove this cover to access the lamp compartment.
• CABLE OPENING
Pass cables through this opening.
• CEILING MOUNT HOLES
Use these to attach the ceiling bracket to the projector. Use M4 screws with a
maximum screw depth of 10 mm (0.39 inch).
• ADJUSTABLE FEET
Use these when the projector is installed in a table-top configuration to level the image
and/or adjust the projection angle.
Cable
Opening
Adjustable
Feet
8LightStyle™ LS-12d Installation/Operation Manual
System Overview
Figure 2-4 shows the LS-12d rear panel.
RS232
RS232
PRIMARY
PRIMARY
SECONDARY
SECONDARY
3D Sync Out
3D Sync Out
12346578
Figure 2-4. LS-12d Rear Panel
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1. RS232 (Control)
A female, 9-pin D-sub connector that provides a serial communication link to the
Dimension Digital Controller, via its Pri. Display Control output (see Figure 2-6).
2. 3D LED
Lights green when the projector is displaying 3D content.
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2.2
LS-12d Rear Panel
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3. PRIMARY VIDEO INPUT
Connect the HDMI Out To Primary Display connector from the Dimension Digital
Controller to this input (see Figure 2-6).
4. PRIMARY SOURCE LED
Lights amber when the projector detects a valid primary video signal from the
Dimension Digital Controller.
5. SECONDARY VIDEO INPUT
Connect the HDMI Out To Sec. Display connector from the Dimension Digital
Controller to this input (see Figure 2-6).
6. SECONDARY SOURCE LED
Lights amber when the projector detects a valid secondary video signal from the
Dimension Digital Controller.
7. POWER INPUT (100 to 240 VAC)
Connect the LS-12d to power here.
8. 3D Sync Out
A 3-pin, VESA standard mini-DIN connector for connecting the Runco Active 3D
Emitter to the projector (see Figure 3-21).
LightStyle™ LS-12d Installation/Operation Manual9
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System Overview
➤
2.3
DC-300 Dimension
Digital Controller
Front Panel LayoutFigure 2-5 shows the controls and indicators on the Dimension Digital Controller front
The Dimension Digital Controller provides “left-eye” and “right-eye” video signals and the
OSD menu to the projector. It controls the other system components in response to user
input via the following interfaces:
• Front-panel keypad
• IR remote control unit
• HDMI CEC messages
• RS-232 serial commands
•Ethernet
panel; the paragraphs that follow describe them.
LS-12d
HDMI 1
16:9/1 1080i/60
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standby
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n
p
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t
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91011
t
i
o
a
r
t
e
n
r
e
r
a
o
i
t
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m
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e
p
n
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Figure 2-5. Dimension Digital Controller Front Panel
2
3
1. RUNCO ICON
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Lights blue to indicate that the controller is on or powering up.
2. IR SENSOR
Receives IR commands from the remote control.
3. VACUUM FLUORESCENT DISPLAY
Can be used instead of the On-Screen Display (OSD). Displays currently-selected
menu or – if no menu is selected – the connected display device model, current
source, input resolution and aspect ratio/screen.
4. ON/STANDB Y BUTTON
Press once to toggle from standby mode to on mode. Press it again to return to
standby mode. For a discrete on or off command, you can use the direct access
buttons on the remote control.
5. LEFT BUTTON
Used to direct-select inputs or move the menu cursor left in the OSD. When no menu
is present on-screen, the LEFT button toggles through the different sources, in this
order:
DisplayPort - HDMI 8 - HDMI 7 - HDMI 6 - HDMI 5 - HDMI 4 - HDMI 3 - HDMI 2 HDMI 1 - SCART - HD 2 - HD 1 - Component - Composite 3 - Composite 2 Composite 1
6. DOWN BUTTON
Use to direct-select aspect ratios or move the menu cursor down in the OSD. When
no menu is present on-screen, this button toggles through aspect ratios in the
following order:
16:9 - 4:3 - Letterbox - VirtualWide - Cinema - Virtual Cinema - Native
7. RIGHT BUTTON
Used to direct-select inputs or move the menu cursor right in the OSD. When no
menus are present on-screen, the RIGHT button toggles through the different
sources, in this order:
Composite 1 - Composite 2 - Composite 3 - Component - HD 1 - HD 2 - SCART HDMI 1 - HDMI 2 - HDMI 3 - HDMI 4 - HDMI 5 - HDMI 6 - HDMI 7 - HDMI 8 DisplayPort
8. MENU BUTTON
Press the MENU button to bring up the main menu, or to exit the current menu and
return to the previous one.
9. UP BUTTON
Use to direct-select aspect ratios or move the menu cursor up in the OSD. When no
menus are present on-screen, the UP button toggles through aspect ratios in the
following order:
Native - Virtual Cinema - Cinema - VirtualWide - Letterbox - 4:3 - 16:9
10. ENTER BUTTON
When an item is highlighted on the OSD, the ENTER button selects the item.
System Overview
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11. STANDB Y L ED
Lights amber when the Dimension Digital Controller is in standby mode; otherwise it is
off.
11. DisplayPort
DisplayPort 1.1a and DisplayPort-HDCP 1.1 compliant, SD/HD input for connecting
SDTV, EDTV or HDTV component video sources.
12. HD1 / HD2 In (15-pin VGA)
Two inputs for connecting standard-definition (SD = 480i/576i), enhanced-definition
(ED = 480p/576p) or high-definition (HD = 720p/1080i/1080p) component video
sources, or RGBHV sources such as personal computers.
13. Component / SCART In (3 x RCA connectors)
SD/HD input for connecting SDTV, EDTV or HDTV component video sources. Also
provides RGB input for SCART RGBS sources.
14. Video 1 / Video 2 / Video 3 In
Standard, composite video inputs for connecting a VCR, camcorder or other
composite video source. The Video 1 input also provides composite sync input for
SCART RGBS sources.
15. HDMI 1 ... HDMI 8 In (Digital)
Eight (8), HDCP-compliant digital video inputs for connecting HDMI or DVI sources.
16. Ethernet
A female RJ-45 connector for wired network communications.
17. HDMI Out (Audio Only)
Connect this output to an audio control system to pass through HDMI audio.
System Overview
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Note
The Dimension Digital Controller does not transmit HDMI CEC
control messages from the “HDMI Audio Out” connector.
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18. HDMI Out (To Secondary Display)
Connect this to the SECONDARY video input on the projector.
19. HDMI Out (To Primary Display)
Connect this to the PRIMARY video input on the projector.
Figure 2-7 shows the LS-12d remote control, and the paragraphs that follow describe its
functionality.
Note
The LS-12d remote control unit supports an “extended” key code
mode that allows certain buttons to perform alternate functions.
The following list identifies those buttons that have both standard
and extended-mode functions.
For more information, refer to Remote Control on page 83 and IR Command List (Extended Mode) on page 121.
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1
3
5
2
4
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7
9
11
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13
6
8
10
12
14
Figure 2-7. Dimension Digital Controller Remote Control Unit for LS-12d
1. IR OUTPUT INDICATOR
Lights when a button is pressed to indicate that an IR signal is being transmitted.
2. OFF (Standard) / Sleep Timer = 30 Minutes (Extended)
Press to turn off the Dimension Digital Controller and projector. In extended mode,
press to set the Sleep Timer to 30 minutes.
3. ON (Standard) / Sleep Timer = Off (Extended)
Press to turn on the Dimension Digital Controller and projector. In extended mode,
press to disable the Sleep Timer.
4. Aspect Ratio Selection Buttons
Use these buttons to select an aspect ratio directly, as follows:
5. Numeric Buttons (Standard)
Use these buttons to enter numeric characters (0 ... 9), such as when changing
remote control codes (refer to Remote Control on page 83).
Numeric Buttons (Extended)
In extended mode, press a numbered button to select a video source, as follows:
Remote Control ButtonSource Assignment in Extended Key Code Mode
Likewise, the LEFT and RIGHT buttons toggle through the different source inputs, in
this order:
LEFT Button = DisplayPort - HDMI 8 - HDMI 7 - HDMI 6 - HDMI 5 - HDMI 4 - HDMI 3
11. ENTER
Press to select a highlighted menu item or confirm a changed setting.
12. LIGHT
Press to illuminate the buttons.
13. SRC 1, SRC 2 ... SRC 14
Use these buttons to select a video source. You can assign each button to any
source you wish. By default, these buttons are assigned as follows:
Remote Control ButtonDefault Source Assignment
SRC 1 ... SRC 8
For more information about aspect ratios, refer to Table 4-1.
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HDMI 1 ... HDMI 8
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SRC 9
SRC 10
SRC 11
SRC 12
SRC 13
SRC 14
For instructions on how to change these assignments, refer to SRC 1-7 Keys / SRC
8-14 Keys on page 84.
Connect the Dimension Digital Controller to the projector36
5
Connect other external equipment to Dimension Digital Controller
(optional):
• Audio processor or secondary display device
• Control system interface (RS-232)
6
• 12-volt trigger-activated equipment (retractable screens or
screen masking)
• External IR repeater
• Network hub, router or gateway (Ethernet)
Connect signal sources to the Dimension Digital Controller43
7
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For Details, Refer
to page...
38
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Connect the Active 3D Emitter to the projector49
8
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Connect system components to AC power 49
9
Apply power to the projector 50
10
Adjust primary lens: projected image size (zoom), position (shift)
11
and focus
For rear-screen and/or ceiling-mount installations, select the
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12
proper picture orientation
Use Image Alignment controls to fine-tune image geometry52
13
Install and adjust secondary anamorphic lens (optional)54
14
Display calibration: adjust the following for each Dimension
Digital Controller input and display mode (resolution/frame
rate); save settings when finished:
• Aspect ratio• Color level
15
• Brightness• Tint
• Contrast• Input position
• Color temperature and white balance
Prepare Runco Active 3D Glasses for use and test with 3D source
Proper installation of your projector will ensure the quality of your display. Whether you are
installing a projector temporarily or permanently, you should take the following into
account to ensure your projector performs optimally.
It is a common practice in custom audio/video installations to conceal cables by running
them through walls.
If you plan to do this with your LS-12d installation, you will need to run three cables from
the projector to the other projection system components: two (2) HDMI cables and a serial
control cable (typically Category 5 or 4-wire telephone cable).
inverted mount. Table 3-2 compares these various installation methods.
Table 3-2. Projector Installation Options
AdvantagesConsiderations
Front Screen, Floor Mount Installation
• Easy to set up
• Can be moved or changed quickly
• Easy to access
Front Screen, Inverted Mount (ceiling) Installation
• Does not take up audience space
• Projector is unobtrusive
• Projector cannot be accidentally moved
• Shares floor space with audience
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• Installation is more permanent
• Projector access is more difficult
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3.3
Installation
Considerations
Pre-Wiring for 3D: Run
Dual HDMI Cables
Installation TypeChoose the installation type that best suits your needs: front or rear screen, floor mount or
Rear Screen, Floor Mount Installation
• Projector is completely hidden
• Projector is easily accessed
• Usually good ambient light rejection
Rear Screen, Inverted Mount (ceiling) Installation
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• Projector is completely hidden
• Usually good ambient light rejection
Rear Screen, Floor Mount with Mirror
• Projector is completely hidden
• Usually good ambient light rejection
• Requires less space behind screen than
other rear screen installations
images will be noticeably reduced if light directly strikes the screen, such as when a shaft
of light from a window or floodlight falls on the image. Images may then appear washed
out and less vibrant.
• Requires separate room
• Installation cost is usually higher
• Requires separate room
• Installation cost is usually higher
• Requires separate room
• Installation cost is usually higher
Ambient LightIn general, minimize or eliminate light sources directed at the screen. Contrast ratio in your
Throw DistanceThrow distance is the distance measured from the front of the projector to the screen.
This is an important calculation in any projector installation as it determines whether or not
you have enough room to install your projector with a desired screen size and if your
image will be the right size for your screen.
You can quickly estimate the throw distance by taking the width of the screen and
multiplying it by the lens throw ratio; see Figure 3-1. The result of this calculation tells you
roughly how far back the projector should be positioned from the screen in order to
project a focused image large enough to fill the screen.
Estimating Throw Distance
Throw Distance (TD) =
Screen Width (w) x Lens Throw Ratio
Table 3-3 lists the available lens options for the LS-12d and their associated throw ratios.
Table 3-3. LS-12d Lens Options and Throw Ratios (Note 1)
Installation
Throw Range in
Throw Ratio
Lens Option
Proteus 1
Proteus 2
Proteus 3
Proteus 4
Proteus 5
Proteus 6
Notes:
1. Due to normal manufacturing variances, throw distance can vary by up to +/- 5 percent from
these specifications.
2. Only the Proteus 2, 3, 4, 5 and 6 lenses can be used with the optional anamorphic lens. Doing
so affects the throw distances as shown here.
with Primary
Lens Only
0.77 (Fixed)
1.45 - 1.74169.65203.581.09 - 1.30170.04202.80
1.74 - 2.17203.58253.891.30 - 1.63202.80254.28
2.17 - 2.90253.89339.301.63 - 2.17254.28338.52
2.90 - 4.34339.30507.782.17 - 3.26338.52508.56
4.34 - 6.76507.78790.923.26 - 5.07508.56790.92
inches, with
117x65.8-inch (1.78:1)
Screen
Minimum MaximumMinimum Maximum
For rear-screen installa-
tions only. Contact
Runco Technical Support
for more information.
Throw Ratio
with Primary
Lens and
Anamorphic
Lens
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Throw Range in
inches, with
156x65.8-inch (2.35:1)
Screen
Not Applicable
(Note 2)
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Proper placement of the projector relative to the screen will yield a rectangular,
perfectly-centered image that completely fills the screen.
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Vertical and Horizontal
Position
Ideally, the projector should be positioned perpendicular to the screen and in such a way
that the lens center is aligned with either the top or bottom edge of the screen area, and
centered horizontally. See Figure 3-2.
You can use the lens shift controls to center the image on the screen. Lens shift is
generally expressed as a percentage of the screen height or width, as shown in Figure 3-3
and Figure 3-4.
Note: This is a general example of lens shift. Lenses vary in their shift capabilities. No particular
lens or projector is used in this example.
Note: This is a general example of lens shift. Lenses vary in their shift capabilities. No particular
lens or projector is used in this example.
Figure 3-4. Horizontal Lens Shift (EXAMPLE ONLY)
Vertical Lens Shift: The LS-12d zoom lenses (Proteus 2 through 6) provide up to 65% of
vertical lens shift in either direction (up or down). For example, with a 96 x 54-inch (16:9)
screen, you can shift the image up to 35.10 inches (0.89 meters) below the screen center.
(Vertical lens shift is not possible with the Proteus 1 lens.)
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Horizontal Lens Shift: The LS-12d zoom lenses (Proteus 2 through 6) allow up to 30%
of horizontal lens shift in either direction (left or right). For example, with a 96 x 54-inch
(16:9) screen, you can shift the image up to 28.80 inches (73.15 cm) left or right of the
screen center. (Horizontal lens shift is not possible with the Proteus 1 lens.)
Folded OpticsIn rear-screen applications where space behind the projector is limited, a mirror may be
used to fold the optical path, as shown in Figure 3-5. The position of the projector and
mirror must be accurately set. If you are considering this type of installation, contact your
dealer for assistance.
Screen
Figure 3-5. Folded Optics
For best performance, always use “first-surface” mirrors in your
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rear-projection installation (as opposed to conventional,
“second-surface” mirrors with the reflective surface behind a
transparent substrate such as glass or acrylic).
IMINAR
First-surface mirrors provide a strict reflection without the
“ghosting” effect seen with a second surface mirror, where a faint
secondary reflection could be observed coming from the front
surface of the glass.
Mirror
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This is especially critical for 3D viewing; with a conventional
second-surface mirror, the resulting image quality may be
unacceptable.
Due to its extraordinarily high level of video processing performance, the Dimension Digital
Controller may distribute video signals with a perceptible level of audio latency. In order to
easily solve this issue, Runco recommends using the Dimension Digital Controller with a
high-quality audio receiver that has the ability to effectively synchronize audio and video
signals.
Most mainstream audio receiver/switchers have the ability to synchronize the audio and
video to the Advanced Television Systems Committee (ATSC) prescribed tolerances.
According to the ATSC, the sound program should never lead the video program by more
than 15 milliseconds, and should never lag behind the video program by more than 45
milliseconds.
In addition, many video displays and A/V receivers introduce additional latency that needs
to be compensated for during the installation.
Table 3-4 shows the amount of possible audio latency given different signal input timings.
Table 3-4. Possible Audio Latency for Various Input Timings
Input TimingPossible Audio Latency (milliseconds)
480i133
480p83
576i160
576p100
720p/50100
720p/6083
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Audio/Video
Synchronization Issues
1080i/25160
1080i/30133
1080p/24125
1080p/5080
1080p/6067
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• Keep the ambient temperature constant and below 35°C (95°F). Keep the projector
away from heating and/or air conditioning vents. Changes in temperature may cause
drifts in the projector circuitry, which may affect performance.
• Keep the projector away from devices that radiate electromagnetic energy such as
motors and transformers. Common sources of these include slide projectors,
speakers, power amplifiers and elevators.
Other ConsiderationsOther considerations and tips that can help improve your installation:
Package ContentsThe LS-12d Anamorphic lens mount kit consists of the following items. Some
If you are installing a standard LS-12d (without an anamorphic lens), skip this step and
proceed with Mounting the LS-12d (page 33).
If you are installing an LS-12d with an anamorphic lens, proceed as follows to install the
lens mount and transport assembly.
1. Do not install the anamorphic lens yet, only the lens mount and
Note
transport assembly. You will install the anamorphic lens after you
install the projector and adjust the primary lens.
2. Some components shipped with your projector may differ slightly
from what is shown in these instructions.
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components shipped with your projector may differ slightly from what is shown in these
instructions. If any items are missing or damaged, please contact your Runco dealer or
Runco Customer Service at (800) 23RUNCO.
• Transport Assembly Attachment Plate
• Attachment plate hardware (screws,
washers and spacers)
• Attachment plate security hooks and
related hardware (chain, chain ends,
nuts and washers)
Attaching the Transport Assembly Attachment Plate:
1. Place the projector upside down on a blanket or other soft surface.
2. Position the attachment plate as shown here.
Attachment Points
for Security Hooks
Installation
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Attachment Points
for Transport Assembly Attachment Plate
and Ceiling Mount Plate
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3. If you are mounting the projector on a ceiling: Line up the holes on the Ceiling
Mount Plate (included with the projector ceiling mount kit) with those on the bottom of
the projector and attachment plate.
4. Secure the Transport Assembly Attachment Plate and Ceiling Mount Plate to the
projector using the hardware provided with the attachment plate, as shown.
1. Do not use the mounting screws provided with the ceiling
mounting kit. Use only the hardware provided with the Transport
Assembly Attachment plate.
2. DO NOT OVER-TIGHTEN THE SCREWS.
Attachment Points
for Security Hooks
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Installing the Anamorphic Lens Transport Assembly: After installing the Transport
Assembly Attachment Plate and Ceiling Mount Plate, proceed as follows to install the
Anamorphic Lens Transport Assembly.
Hardware for Attachment Plate
and Ceiling Mount Plate (4 Places):
1. Position the flat side of the motorized transport against the bottom side of the
Attachment Plate so that the center “M” hole in the Attachment Plate is aligned with
the front recessed transport hole.
2. Insert the #10-32 pivot screw up through the transport and Attachment Plate and
loosely complete the assembly with the corresponding washer, lock washer and nut.
3. Loosely insert the four small 3/8” screws through the four remaining “M” slots through
the top of the Attachment Plate and down into the transport.
4. Separate the Anamorphic Lens and lens bracket. Locate the lens bracket mounting
screws and use them to attach the bracket to the transport assembly. Observe the
sticker on the plate showing the correct sequence for installing and tightening the
screws.
Attaching the Security Hooks: To help stabilize and support the added weight of the
Anamorphic Lens and Lens Transport Assembly, the attachment plate includes two
security hooks and related hardware for attaching the front part of the plate to the ceiling
above.
Proceed as follows to attach the security hooks. This requires the following tools and
materials:
•Pliers
• Scissors
• Ceiling Hooks (not supplied)
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1. Install the Plate Hook Assemblies in the
two “H” holes of the Attachment Plate
(see diagram on page 29) with the hook
ends on the ceiling side as shown above.
2. Use pliers to bend the closed hooks apart
just enough to install a Chain End at a
later time.
3. Attach the plate hooks to the ceiling as
described in the section entitled Ceiling Mounting (Inverted), on the next page.
There are several methods for mounting the projector. Depending on your chosen
installation, one method may be more suitable than another.
level surface such as a table or cart. Carts are useful when moving a projector during a
presentation or from site to site. If possible, lock the wheels when it’s in position to prevent
it from being moved during a presentation.
For fixed installations, and for those that want the projector out of sight or have a limited
space for projector and audience, you can invert the LS-12d and suspend it from the
ceiling using a specially-designed ceiling mount fixture.
Use only the Runco-approved ceiling mount kit designed for your
Note
Install the ceiling mount kit according to the instructions provided with it.
If you are ceiling-mounting an LS-12d with an anamorphic lens, perform these additional
steps to secure the plate Security Hooks to the ceiling (refer to Attaching the Security Hooks on the previous page).
1. Install ceiling hooks (not supplied) into the ceiling directly above the Plate Hooks. The
ceiling hooks should be small enough to accept a Chain End but strong enough when
installed to each support 40 pounds or more.
2. Attach a Chain End to the Chain and then connect it to one of the ceiling hooks.
3. Cut the Chain to a length equal to or slightly greater than the distance between the
ceiling hook and the corresponding Plate Hook.
projector.
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3.5
Mounting the LS-12d
Floor Mounting (Upright)In typical front and rear screen installations, the projector can be mounted to a secure and
Ceiling Mounting
(Inverted)
4. Attach a Chain End to the other end of the Chain. Then, use the Chain to connect the
ceiling hook and the Plate Hook.
5. Repeat Steps 2 through 4 for the other ceilling hook/Plate Hook pair.
The projector can also be inverted and placed in an enclosure above and behind the
viewing area. Install four feet on the inside bottom surface of the enclosure on which the
projector can rest. A variety of materials can be used for this purpose (for example, rubber
crutch tips or turntable feet).
If the LS-12d is ceiling-mounted and the screen is significantly lower than the projector,
you can tilt the projector at a slight angle by adjusting the ceiling mount.
The projector can be rotated (side-to-side) up to 360 degrees and mounted without it
affecting performance. However, to ensure optimal performance of the lamp, limit the
front-to-back tilt of the projector to ±20 degrees; see Figure 3-6.
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± 360º
Figure 3-6. Mounting Angle Ranges (Front-to-Back and Side-to-Side)
If you do this, you may need to shift the image using the on-screen display (OSD) controls,
to compensate. For detailed instructions, refer to Primary Lens Adjustments: Focus, Zoom and Position on page 51.
The Dimension Digital Controller unit can be placed on any flat, stable surface such as a
shelf or table, or it can be rack-mounted using the supplied mounting hardware. Place it in
a location that provides easy access to the power connectors.
The Dimension Digital Controller unit requires 2U (3.5 inches) or more of vertical rack
space.
To mount the Dimension Digital Controller in a standard, 19-inch equipment rack, install
the mounting ears on either side of the chassis using the supplied screws; see Figure 3-7.
Then, secure the mounting ears to the rack.
Proceed as follows to connect the LS-12d system components to each other and to AC
power.
When connecting your equipment:
• Turn off all equipment before making any connections.
• Use the correct signal cables for each source.
• For best performance and to minimize cable clutter, use high-quality cables that are
only as long as necessary to connect two devices. (Don’t use a 20-foot cable when a
6-foot cable will suffice.)
• Ensure that the cables are securely connected. Tighten the thumbscrews on
connectors that have them.
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Digital Video Connection: Connect the HDMI Out To Pri. Display connector on the
Dimension Digital Controller to the PRIMARY input on the projector. Similarly connect the
HDMI Out To Sec. Display connector on the Dimension Digital Controller to
SECONDARY input on the projector.
RS-232 Connection: Connect the Pri. Display Control output from the Dimension
Digital Controller to the RS232 input on the projector.
Use a standard, modular telephone cable with RJ11 plugs at both ends. On the projector
end, use the provided RJ11-to-DB9 adapter. This adapter is wired as shown in Figure
3-8.
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RS232
RS232
To/From
Dimension
Digital
Controller
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4
3
2
RCV DATA
XMT DATA
SIG GND
XMT DATA
RCV DATA
2
3
5
1, 5, 6
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6-position
RJ-11 Male
6
1
Figure 3-8. RS-232 Connection from the Dimension Digital Controller to the
Projector
Note
NO CONNECTION
Runco recommends using the RS-232 communication link
between the LS-12d projector and the Dimension Digital Controller.
However, display control using HDMI CEC control messages is
also possible. For more information on this capability, please
contact Runco Technical Support.
The Dimension Digital Controller provides a second HDMI output (labeled HDMI Out
(Audio Only)) for connection to an audio receiver/switching system or secondary display
device for monitoring purposes. See Figure 3-10.
The Dimension Digital Controller does not transmit HDMI CEC
Note
RS-232
USB
HDMI 1
2
RS-23
To Accessory Box
ccessory
HDMI 3
control messages from the “HDMI Audio Out” connector.
ri. Display ControlSec. Display Control
Pri. Display ControlSec. Display Control
HDMI 5
HDMI 7
R
IR
HDMI Out
HDMI Out
To Sec. Display
To Sec. Displa
RS-232
ontro
PC / Control
2
Y
3
3
HDMI 2
HDMI 4
HDMI 6
HDMI 8
Ethernet
HDMI Out
Audio Only
HDMI Out
HDMI Out
To Pri. Display
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Figure 3-10. Audio Processor Connection to Dimension Digital Controller
The Dimension Digital Controller provides the following interfaces to external equipment
that allow it to control or be controlled by that equipment:
• An RS-232 interface to a PC or control/automation system;
• Three (3), 12-volt trigger outputs;
• An infrared (IR) repeater input;
• An Ethernet network interface for firmware updates and maintenance notifications.
The following sections describe how to make these interface connections.
RS-232 Controller Connection: Use a straight-through, 9-pin RS-232 cable to connect
a PC or control/automation system (if present) to the RS-232 port on the Dimension
Digital Controller; see Figure 3-11.
Y
Pri. Display ControlSec. Display Contro
Pri. Display ControlSec. Display Control
DMI 5
DMI 6
HDMI 7
HDMI 8
Ethernet
therne
IR
HDMI Out
DMI O
To Sec. Display
Sec. Display
HDMI Out
DMI O
Audio Only
Audio Onl
RS-232
PC / Control
HDMI Out
DMI O
To Pri. Display
To Pri. Displ
1
345
2
6
89
7
Additional Connections to
the Dimension Digital
Controller (Optional)
2 Receive Data
to Automation/
Control System
or PC
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(none of the other pins are used)
(to ctrl. system)
3 Transmit Data
(from ctrl. system)
5 Ground
Figure 3-11. RS-232 Control System Connection to Dimension Digital Controller
Connecting 12-volt Trigger Outputs to External Equipment: If your LS-12d is
equipped with an anamorphic lens, connect the +12V Trigger Input on the lens transport
to a 12-volt trigger output on the Dimension Digital Controller; see Figure 3-12.
Similarly connect other 12-volt trigger-activated equipment (such as retractable screens or
screen masks) to the other trigger outputs.
Anamorphic Lens Transport
(Rear View)
+12V Trigger Input
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3.5-mm
mini plug
Retractable Screen or other
12-volt trigger-activated
device
Connecting an External IR Receiver to the Dimension Digital Controller: If infrared
2
l
6
HDMI
8
Etherne
t
Ou
To
S
a
y
Ou
t
T
la
y
H
t
A
y
signals from the remote control cannot reach the Dimension Digital Controller due to
excessive distance or obstructions such as walls or cabinet doors, you can connect an
external IR receiver to extend the range of the remote control. See Figure 3-13.
Ethernet Network Connection: Use a standard, Category 5 network cable with an
RJ-45 plug to connect a network hub, router or gateway to the Ethernet port on the
Dimension Digital Controller; see Figure 3-14.
ontrolSec. Display Control
ontrolSec. Display Contro
HDMI 7
HDMI 8
8
Ethernet
IR
I
HDMI Out
DMI O
Sec. Displ
To Sec. Display
DMI
HDMI OutAudio Only
RS-232
RS-2
PC / Control
ontr
DMI O
HDMI Out
T
To Pri. Display
to Ethernet
Hub, Router
or Gateway
Figure 3-14. Ethernet Network Connection to Dimension Digital Controller
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1
8
1 Transmit Data +
2 Transmit Data 3 Receive Data +
6 Receive Data -
SCART RGBS Source Connections: Connect the green, blue and red outputs from
deo
3
1
isplayPor
S
3
3D SYNC
your SCART source to the Component/SCART input on the Dimension Digital Controller.
Connect the sync output from your SCART source to the Video 1 input on the Dimension
Digital Controller. See Figure 3-19.
Connect the 3D SYNC Out port on the emitter to the 3D Sync Out connector on the
projector, as shown in Figure 3-21. Mount the emitter in a location that provides a clear
line of sight between it and the viewing area.
Secure the emitter in the desired location using double-sided tape or
RS232
Tip
RS232
a similar adhesive material.
PRIMARY
SECONDARY
PRIMARY
3D Sync Out
SECONDARY
3D Sync Out
3D SYNC OUT
Connecting the Active 3D
Emitter to the Projector
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Figure 3-21. Active 3D Emitter Connection
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the LS-12d (AC 100V ~ 240V). Then, connect the other end to your AC power source.
Anamorphic Lens Transport: An
AC-to-DC power adapter is provided for
the lens transport. Connect the power
adapter to the +9V DC In jack on the
rear of the lens transport assembly.
Connect the other end to an AC power
source.
Similarly connect the Dimension Digital Controller to a nearby AC outlet.
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Connecting to AC PowerProjector: Plug the female end of one power cord into the AC receptacle on the rear of
2. Turn on the main power switch at the rear of the Dimension Digital Controller.
3. Press the ON button on the remote control (or the ON/STANDBY () button on the
Dimension Digital Controller front panel) to turn on the system. The vacuum
fluorescent display on the Dimension Digital Controller front panel briefly displays
“Initializing System,” followed by “Starting LS-12d.”
4. When the display is ready for use, the fluorescent display indicates the active source,
input resolution/frame rate and aspect ratio/screen; for example:
Current
Source
LS-12d
HDMI 1
16:9/1 1080i/60
Aspect Ratio/Screen
5. When the projector is turned on, the Active 3D
Emitter turns on as well. The LEDs display a red
moving pattern while the emitter is attempting to
acquire a 3D signal and until a signal is found.
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1080p/60
Input Resolution/Frame Rate
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Searching for 3D Sync Signal
If the emitter searches for a signal for longer than
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60 seconds, a signal is assumed to not be
present.
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6. Upon finding a 3D signal, all LEDs will turn green.
Once the LEDs indicate a 3D signal, the Runco 3D
glasses can be used to experience 3D. For more
information on using the Runco Active 3D
Glasses, refer to Using the Runco 3D Glasses
on page 94.
Lens zoom, focus and position are motorized adjustments that are adjustable using the
remote control (Figure 2-7). This allows you to adjust the focus and image size while at the
screen for more accurate results.
If you prefer, you can also perform lens adjustments from the
Note
To access the motorized lens controls:
1. On the Dimension Digital Controller remote control or front panel, press MENU.
2. Select Service from the Main Menu and enter the Service Menu passcode.
projector using the built-in keypad. For detailed instructions, refer to
KEYPAD on page 7.
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You must enter a passcode to access the Service menu.
Note
3. Select Display Device from the Service Menu.
4. Select Configure from the Display Device menu, then select Lens.
The Lens menu controls operate as described below.
press and hold the ENTER button.
(-). Then, press and hold the ENTER button.
To enlarge the picture (zoom in), use the cursor buttons to highlight the plus sign (+).
Then, press and hold the ENTER button.
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3.9
Primary Lens
Adjustments: Focus,
Zoom and Position
FocusTo focus the projected image, use the cursor buttons to highlight “In” or “Out.” Then,
ZoomTo make the picture smaller (zoom out), use the cursor buttons to highlight the minus sign
To change the lens position, use the cursor buttons to highlight “Left,” “Right,” “Up” or
“Down” in the Lens menu. Then, press and hold the ENTER button to shift the lens in that
direction.
To return the lens to its home position (no horizontal or vertical shift), use the cursor
buttons to highlight “Home” in the Lens menu. Then, press the ENTER button.
By default, the LS-12d is configured for a “floor/front” installation, in which the projector is
installed upright and in front of the screen. If it is installed behind the screen and/or
mounted on a ceiling, you must change the picture orientation. To do this:
1. On the Dimension Digital Controller remote control or front panel, press MENU.
2. Select Service from the Main Menu and enter the Service Menu passcode.
Note
3. Select Display Device from the Service Menu.
4. Select Configure from the Display Device menu, then select Installation.
5. Select Orientation, then choose Floor/Rear, Ceiling/Front or Ceiling/Rear, to match
the installation method.
You must enter a passcode to access the Service menu.
Vertical and Horizontal
Lens Shift
3.10
Adjusting the Picture
Orientation
Installation
3.11
Adjusting the Image
Geometry
Projector and/or screen placement — among other things — can cause geometric
distortion in the projected image.
To correct this, the Dimension Digital Controller provides precise, nine-point control over
the projected image geometry. Use these controls as (and only if) needed to re-position
the image corners, mid-points and center to eliminate “keystoning” (mis-aligned corners)
or “pincushion” distortion (mid-points not aligned with corners). See Figure 3-22.
“Keystoning” usually occurs when the projector is tilted relative to the screen. “Pincushion”
e
distortion can sometimes occur if the throw distance is very short and/or the projector is
equipped with an anamorphic lens.
To correct keystoning or pincushion distortion:
1. On the Dimension Digital Controller remote control or front panel, press MENU.
2. Select Calibration from the Main Menu and enter the Calibration Menu passcode.
You must enter a passcode to access the Calibration menu.
Note
3. Select Image Alignment from the Calibration Menu.
4. Select Corner Alignment to correct a “keystoned” image by adjusting the image
corner positions. Select Midpoint Alignment to correct pincushion distortion by
adjusting the image edge mid-points. See Figure 3-23.
Use the built-in test pattern when adjusting the image corners or
Tip
midpoints. To access it, check the Test Pattern box in the Corner
Alignment or Midpoint Alignment menu.
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Installation
Top/Bottom Middle (x)
Center
Left
Middle (x)
Left/Right
Middle (y)
Top Left (x, y)
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Bottom Left (x, y)
Notes:
1. Smaller “x” values move a point to the left; larger values move it to the right.
2. Smaller “y” values move a point up; larger values move it down.
If you are installing an LS-12d with an anamorphic lens, proceed as follows to install and
adjust the lens.
It is extremely important that the primary lens is properly
Note
Attach the anamorphic lens to the bracket using the plastic knobs supplied with the lens.
See Figure 3-24.
adjusted before you install the anamorphic lens. Ensure that
the image from the primary lens is perfectly centered on the
screen.
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Figure 3-24. Attaching the Anamorphic Lens to the Lens Mount
Configure Lens Motor Trigger on Dimension Digital Controller: The anamorphic
lens solution for the LS-12d maintains constant image height independent of the aspect
ratio, while using the full display resolution of the projector. It accomplishes this by moving
the anamorphic lens in front of the primary lens when widescreen material is being viewed.
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When the viewer transitions back to 16:9 or 4:3 source material, the anamorphic lens
moves out of the light path.
Proceed as follows to configure the 12-volt trigger output for proper operation.
1. Project a 2.35:1 aspect ratio test pattern or other image on the screen.
2. On the Dimension Digital Controller remote control or front panel, press MENU.
3. Select Service from the Main Menu and enter the Service Menu passcode.
Note
4. Select Tri gg er s from the Service menu.
5. Assign the trigger output to which the lens motor is connected to the Cinema and
Virtual Cinema aspect ratios. This enables the lens motor to move the anamorphic
lens into position (in front of the primary lens) when either aspect ratio is selected.
You must enter a passcode to access the Service menu for the first
time after turning on the system.
6. Select the Cinema aspect ratio to move the anamorphic lens into position, if it isn’t
already. To do this, press CINEMA on the Dimension Digital Controller remote control
(Figure 2-7), or press or repeatedly with no menus visible on-screen.
Adjusting the Lens Position:
1. Adjust the vertical position and tilt of the lens so that the projector beam is passing
through the center of the lens and any residual pincushion distortion is about the
same at the top and bottom of the image. This typically results in the anamorphic lens
being below the center of the primary lens and tilted slightly downward.
2. Tighten the knobs.
There may be some pincushion distortion even after the lens is
Note
3. Adjust the rotation of the Lens Transport Assembly so that the left and right sides of
the image are an equal distance from their respective screen borders.
4. Tighten the Pivot Screw and the four mounting screws holding the transport to the
Attachment Plate.
5. For optimum multiple aspect ratio performance, adjust the projector’s zoom so that a
1.85:1 aspect ratio movie is just masked by the top and bottom of the screen border
when the anamorphic lens is not in front of the primary lens. This way 1.85:1, 16:9
and 2.35-2.4:1 aspect ratio movies are all presented to fill the screen at a constant
height.
6. Remove the protective film from the
front of the anamorphic lens.
properly adjusted, especially at shorter throw distances. If this is the
case, Runco recommends that you slightly over-scan the image
into the screen frame area to mask the distortion.
To display the Main Menu, press the MENU button on the remote control or Dimension
Digital Controller front panel (Figure 2-5).
To select a menu item, use the and buttons on the remote control or Dimension
Digital Controller front panel to highlight it. Then, to confirm your selection, press ENTER
on the remote control or Dimension Digital Controller front panel.
The LS-12d OSD menus are arranged hierarchically, as shown in Figure 4-1. Some menu
options apply only to certain input signal types. For example, Phase and Tracking can only
be adjusted for RGB, Component video or SCART signals.
Lamp Hours ResetYes / No
DiagnosticsWhite, Red, Green, Blue, Yellow, Cyan, Magenta
AltitudeAu to / High
Display 3D Settings
Internal 3D Settings
24Hz 3D Mode120 Hz 6:4 or 120 Hz 5:5
IP Configuration
Auto Firmware Upgrade
E-Mail Notification
Remote Network ControlOn / Off
Auto, REC601, REC709,
RGB-PC or RGB-Video
Language
OSD Timer0 (no timeout) or 5, 6, 7 ... 30 ... 60 sec.
OSD MessagesOn / Off
Blank Screen Color
Sidebar Color
Film Mode
(SD sources only)
CUE
(Chroma Upsampling Error)
Sync Threshold
HDMI EDID ExtensionOn / Off (per HDMI and DisplayPort input)
Audio Format
CECOn
HPD Toggle RejectionAuto / On / Off
Logo LED0 (off), 1, 2 ... 31
Standby LEDOn / Off
LCD0 (off), 1, 2, 3 or 4
EnableOn / Off / No Signal
Hours1, 2, 3, 4, ... 23, 24
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00000 ... 08209 ... 65535 or 88999 (extended
mode)
(select a key, then choose a source to assign to it)
Auto, Floor Front, Ceiling Front, Floor Rear or
Ceiling Rear
Focus
Zoom
Shift
Projector Serial Number
Lamp Hours
Dark Interval
Sync Delay
Invert Sync
Test Pattern Enable
Sync Delay
Test Pattern Enable
DHCP (On / Off), IP Address, Subnet Mask, Default
Gateway, Communication Test
Auto Check for New Firmware, Auto Perform
Upgrade, Check for New Firmware
E-Mail Address, Error Notification, Error Notification
to Runco, Periodic Service Notification, Lamp Life
Notification, Customer Information, E-Mail
Calibration Data
(Not available on Composite 1, Composite 2 or
Composite 3 inputs)
from the Main Menu and press ENTER. Select the appropriate aspect ratio for your
screen size and the type of program material being viewed; refer to Table 4-1.
The currently-selected aspect ratio is indicated by a “
selected.
Note that some aspect ratios are unavailable and/or not useful with certain types of
source material. The optimal setting depends on a number of factors, such as:
• The aspect ratio of the source material, as broadcast or encoded on the playback
medium.
• The “display type” (16:9 or 4:3) and output resolution settings at the source
component. Most modern DVD/BD players and set-top boxes have such controls.
• Viewer preference (original aspect ratio with “black bars,” or a full-screen presentation
with some distortion or cropping).
The aspect ratio selection is automatically saved for each input and
Note
resolution.
7” to its left; in this example, 16:9 is
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Table 4-1. Aspect Ratio Settings
Aspect Ratio
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16:916:9Select 16:9 to view 16:9 DVDs
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4:34:3Standard 4:3 scales the input
Remote
Control
Key
16:9 Image on
16:9 Screen (Display)
4:3 Image, stretched to fill
16:9 Screen (Display)
4:3 Image on
16:9 Screen (Display)
Description
and HDTV programs in their
native aspect ratio.
4:3 images are stretched
horizontally to fit a 16:9 screen.
signal to fit in the center of the
16:9 screen. 4:3 is the aspect
ratio used by computer
monitors, standard television
programming and most VHS
video cassettes.
Letterbox mode scales (zooms
in on) a 4:3 image linearly (by the
same amount on all sides) to fill
a 16:9 display.
Letterbox is best suited for
viewing LaserDisc movies or
non-anamorphic DVDs on a
16:9 screen.
NON-linearly (more on the sides
than in the center) to fit a 16:9
screen.
With a 16:9 screen and a
standard LS-12d (without an
anamorphic lens), the upper and
lower portions of the screen are
masked, but the geometry of the
active image area is unchanged.
With a 2.35:1 screen and an
anamorphic lens, the Dimension
Digital Controller scales the
2.35:1 image so that the active
image area fills the 16:9 chip
surface, eliminating the black
bars. The secondary,
anamorphic lens then restores
the proper geometry to the
2.35:1 image.
Operation
➤
Table 4-1. Aspect Ratio Settings (continued)
Remote
Aspect Ratio
Virtual CinemaV-CINEA 16:9 image is scaled
NativeNATIVESelect Native to display the
Control
Key
16:9 Image on
16:9 Image on
2.35:1 Screen
2.35:1 Screen
16:9 Image on
2.35:1 Screen with
Virtual Cinema
1080i HDTV Image
Description
NON-linearly (more on the sides
than in the center) to fit a 2.35:1
screen.
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source signal in its native
resolution, centered in the
display area with no re-sizing or
overscan.
Screen 1
Screen 2
Screen
This means, for example, that
720p HDTV programs will
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ScreenThe Screen Menu allows you to recall multiple sets of stored values for certain controls
(Output Shift, Image Alignment and Screen Masking) that are saved for each aspect ratio.
Such settings are also saved “per screen.” To recall the Output Shift and Image Alignment
settings associated with “Screen 1” or “Screen 2,” make that selection here.
720p HDTV Image
display with unused pixels on all
sides: 320 on the left and right
sides and 180 above and below.
With SDTV and EDTV sources,
the Dimension Digital Controller
scales the image horizontally to
achieve a 16:9 aspect ratio.
The Dimension Digital Controller has been designed to incorporate setup and calibration
standards established by the Imaging Science Foundation (ISF). The ISF has developed
carefully crafted, industry-recognized standards for optimal video performance and has
implemented a training program for technicians and installers to use these standards to
obtain optimal picture quality from Runco video display devices. Accordingly, Runco
recommends that setup and calibration be performed by an ISF certified installation
technician.
All signal types require separate processing. Therefore, you need to calibrate each
Dimension Digital Controller input separately.
Operation
PictureUse the controls in the Picture Menu to calibrate each Dimension Digital Controller input to
Picture
Brightness
Contrast
Color
Tint
Sharpness
Noise Filter
Note
Although it may be possible to obtain satisfactory picture quality using the naked eye and
regular program material, Runco recommends using an external test pattern source
(Ovation Multimedia, Digital Video Essentials or AVIA test DVD or equivalent) for best
results.
Connect your test pattern source to the input that you are calibrating and proceed as
follows. Perform the adjustments in the order listed here.
1. When you change a picture quality setting, save the change to a
preset afterwards. Otherwise, the change will be lost when a
different input is selected. (Picture quality settings are saved for
each input and display mode separately.) For information about
saving settings, refer to Memory Presets on page 70.
2. For best results, Runco recommends that you set
ConstantContrast to Off before adjusting Brightness, Contrast
and other image quality settings in this menu (refer to
ConstantContrast on page 78). After you have completed the
initial calibration, set ConstantContrast to On if desired.
Brightness: On your external test pattern source, select a PLUGE pattern. (PLUGE is an
acronym for “Picture Line-Up Generation Equipment.”) Figure 4-2 shows a typical PLUGE
pattern.
Below Black
bove Black
Figure 4-2. Typical PLUGE Pattern for Adjusting Brightness
PLUGE patterns vary but generally consist of some combination of black, white and gray
areas against a black background. The example above includes two vertical bars and four
shaded boxes.
Select Brightness from the Picture menu and press ENTER. Adjust the brightness so that:
• The darkest black bars disappear into the background.
• The dark gray areas are barely visible.
• The lighter gray areas are clearly visible.
• The white areas are a comfortable level of true white.
• The image contains only black, gray and white (no color).
7. Select Blue from the Diagnostics menu, then press ENTER to display only the blue
color channel.
8. Press EXIT (or MENU) repeatedly to return to the Main Menu.
9. Select Picture from the Main Menu and press ENTER.
10.Select Color from the Picture menu and press ENTER.
11.Adjust the color saturation level until the outermost (gray and blue) color bars appear to
be a single shade of blue:
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gray
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Tint: Tint or “hue” is essentially the ratio of red to green in the color portion of the image.
When tint is decreased, the image appears redder; when it is increased the image
appears greener.
To adjust the tint, enable “blue only” display mode in the Diagnostics menu, as you would
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for adjusting color saturation (refer to the previous section, Color Saturation).
Select Tint from the Picture menu and press ENTER. Adjust the tint level until the cyan
and magenta color bars (on either side of the green bar) appear to be a single shade of
blue.
Note
yellow
cyan
Like the brightness and contrast controls, the color and tint controls
are interactive. A change to one may require a subtle change to the
other in order to achieve the optimum setting.
Sharpness: “Sharpness” is the amount of high-frequency detail in the image. To adjust
sharpness, select Sharpness from the Picture menu and press ENTER. On your external
test pattern source, select a pattern like the one shown in Figure 4-5. Adjust as needed,
looking for white edges around the transitions from black to gray and differently-sized lines
in the “sweep” patterns at the top and bottom. Lower the sharpness setting to eliminate
them.
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Operation
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Figure 4-5. Typical Test Pattern for Adjusting Sharpness
Noise Filter: To apply noise filtering to the input signal, select Noise Filter from the Picture
menu. The Noise Filter is useful for clearing up noisy images from 480i video sources.
Use the left- or right-arrow buttons to select the desired amount of noise reduction,
keeping in mind that higher settings (which reduce high frequencies) may also “soften” the
image.
Input PositionUse the controls in the Input Position Menu to fine-tune the aspect ratio and image
position for the current source.
The input position settings are automatically saved for each input
Note
Left/Right: Select Left/Right from the Input Position menu to shift the projected image
horizontally. Press to shift the image to the right; press to shift it to the left.
Up/Down: Select Up/Down from the Input Position menu to shift the projected image
vertically. Press to shift the image upward; press to shift it downward.
and resolution.
Width: Select Width from the Input Position menu to change the projected image width.
Press to increase the width; press to decrease it.
Height: Select Height from the Input Position menu to change the projected image
height. Press to increase the height; press to decrease it.
Overscan/Overscan Mode: Overscan pushes the outside edge of the active picture
area of the video signal out beyond the edge of the display area.
Some television programs are produced based on the assumption that older television
sets may not display the outer edges of the broadcast picture area. Overscan effectively
trims away these inactive, outer edges and enlarges the remaining portion of the image to
fill the display area.
For HDTV, DVDs and other video sources, Overscan is generally not necessary or
desirable.
This control defines the amount of overscan applied to the image. The range is from
0 to 20. There are two overscan modes:
•In Crop mode, each increment adds a mask at the top, bottom, left and right edges of
the source image equal to 0.5% of the displayed horizontal resolution (1% total). A
setting of 10, for example, crops the image 5% on all sides or 10% total.
•In Zoom mode, each increment adds a factor to the scaling of the source image so
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that the vertical and horizontal resolutions are 100% plus 1% increments of the size
determined by the aspect ratio function. A setting of 10, for example, zooms in on the
image 5% on all sides or 10% total.
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Figure 4-6 illustrates the effect of each overscan mode setting.
Phase (RGB, Component or SCART sources): This control adjusts the phase of the
pixel sampling clock relative to the incoming signal. Adjust the phase when an RGB,
Component or SCART image still shows shimmer or “noise” after Tracking has been
optimized.
Adjust the Phase after adjusting Tracking (see below).
Tip
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For best results, use a good test pattern such as a smooth gray consisting of a clear
pattern of black and white pixels, or a similar “half on, half off” graphic image. Adjust the
slidebar until the image stabilizes and each pixel is clearly defined. You may notice that
you can stabilize the image at more than one point. Use either setting in such cases.
Tracking (RGB, Component or SCART sources): Tracking determines the frequency
of the pixel sampling clock, indicated by the number of incoming pixels per line, so that all
pixels generated by a particular source are sampled.
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Steady flickering or several soft vertical stripes or bands across the entire image indicates
poor pixel tracking. Proper pixel tracking helps ensure that the image quality is consistent
across the screen, that aspect ratio is maintained and that pixel phase (see above) can be
optimized.
Memory PresetsFor each input, the Dimension Digital Controller lets you save image quality settings as
Memory Presets
Î
ISF Night
ISF Day
Custom 1SaveReset
Custom 2SaveReset
presets that you can recall at a later time. You can create up to four presets per input and
display mode (resolution and frame rate).
The Dimension Digital Controller stores the following display modes in each memory
preset:
•480i
•480p
•576i
•576p
• 720p/24 Hz
• 720p/25 Hz
• 720p/30 Hz
• 720p/50 Hz
• 720p/60 Hz
• 1080i/50 Hz
• 1080i/50 Hz (Australia)
• 1080i/60 Hz
• 1080p/24 Hz
• 1080p/25 Hz
• 1080p/30 Hz
• 1080p/50 Hz
• 1080p/60 Hz
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Use the Memory Presets menu to recall saved image presets, or to save image settings in
the “Custom 1” or “Custom 2” memory location. The currently-selected preset is indicated
by a “Δ to its left; in the example shown here, ISF Night is selected.
You should save changes to any of the following settings to a preset; otherwise they will
be lost when a new input source or resolution is selected:
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•Brightness
•Contrast
• Color saturation
•Tint
• Sharpness
•Gamma
•Lamp Settings
• Color temperature and white balance
To select a memory preset, press or to highlight it and press ENTER.
To save the settings for the current input and display mode to the Custom 1 or Custom 2
memory preset, select it, press or to highlight Save and press ENTER.
To reset the Custom 1 or Custom 2 memory preset to its factory-default state, select it,
press or to highlight Reset and press ENTER.
formatting and delivery of HDMI 3D content.
3D Mode: Select 3D Mode from the 3D Processing menu to specify how the Dimension
Digital Controller processes the “left eye” and “right eye” image components respectively.
•Choose Auto to have the Dimension Digital Controller determine the appropriate 3D
mode based on the HDMI vendor-specific InfoFrame data. This is the default setting.
•Choose Off for 2D content.
•Choose Side-by-Side to have the
Dimension Digital Controller scale the left
and right image halves respectively to fill the
screen.
Side-by-Side multiplexing is used with 1080i
source material.
To save the settings for the current input and display mode to the
ISF Night or ISF Day memory preset, select Save ISF Night or Save
ISF Day from the Calibration menu (refer to Save ISF Night/Save ISF Day on page 78).
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3D ProcessingSelect 3D Processing from the Main Menu to set the following options related to
3D Processing
3D Mode
Reverse Eyes
•Choose Top-and-Bottom to have the
Dimension Digital Controller scale the top
and bottom image halves respectively to fill
the screen.
Top-and-Bottom multiplexing is used with
720p or 1080p source material.
•Choose Frame Packing to have the input
FPGA decode frame packed data into left and right eye data.
Reverse Eyes: By default, the Primary and Secondary video scalers in the Dimension
Digital Controller are dedicated to “left eye” and “right eye” image processing respectively.
To reverse this relationship, choose Reverse Eyes from the 3D Processing menu and set it
to On.
Off
30 Minutes
60 Minutes
90 Minutes
2Hours
4Hours
Signal
System
Network
Field Service
Manufacturing
Sleep TimerSelect Sleep Timer from the Main Menu to turn off the LS-12d after a specified interval.
Press or to select Off, 30 Minutes, 60 Minutes, 90 Minutes, 2 Hours or 4 Hours.
Sleep Timer
InformationSignal / System: Select Information from the Main Menu, then choose either Signal or
Information
Then, press ENTER.
System to display information about the current input signal (resolution, frequency, type et
cetera) and installed firmware versions, as well as other information that uniquely identifies
your Dimension Digital Controller and display device.
Should you ever need to contact Runco Technical Support, this information will help them
answer your questions or resolve product performance issues.
Signal
Input SourceHDMI 1
Signal Format1080p/60
Input Resolution1920x1080
Vertical Freq59.94 Hz
Horizontal Freq67.500 kHz
Pixel Clock148.500 MHz
Color SpaceREC709
Sync TypeSeparate
3D ModeSide-by-Side
Memory PresetISF Night
Network: Select Information from the Main Menu, then choose Network to display
Network
MAC Address1A:2B:3C:4D:5E:6F
IP Address192.168.0.150
Subnet Mask255.255.0.0
Default Gateway 192.168.1.1
DHCPEnabled
Network Status Connected
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information about the Ethernet network connection.
To enable network communication via Ethernet, refer to IP Configuration on page 86.
Field Service / Manufacturing: The Field Service and Manufacturing menus are
password-protected and intended for use only by Runco service personnel and factory
technicians.
To recall the ISF Night or ISF Day settings, select “ISF Night” or “ISF Day” from the
Memory Presets menu (see page 70) or use the corresponding remote control buttons.
Display Color - Common Settings: Use the Display Color - Common Settings settings
to adjust the color balance at the Dimension Digital Controller output. These settings are
saved independently for each input and display mode.
•Gain: Use the Gain controls to correct color imbalances in the bright areas of the
image. A good way to do this is to use a test pattern consisting mostly of solid white
areas, such as an 80 IRE “window” pattern. If the white areas contain traces of red (Pr),
green (Y) or blue (Pr), decrease the Gain for that color.
•Offset: Use the Offset controls to correct color imbalances in the dark areas of the
image. A good way to do this is to use a test pattern consisting mostly of dark gray
areas, such as a 30 IRE “window” pattern. If the gray areas contain traces of red (Pr),
green (Y) or blue (Pr), decrease the Offset for that color.
• Gamma: Select Gamma from the Display Color - Common Settings menu to choose a
de-gamma curve. Used correctly, the Gamma control can improve contrast while
maintaining good details for blacks and whites. If excess ambient light washes out the
image and it becomes difficult or impossible to see details in dark areas, lower the
gamma setting to compensate. This improves contrast while maintaining good details
for blacks. Conversely, if the image is washed out and unnatural, with excessive detail
in black areas, increase the setting.
• Mode: With the LS-12d, two Gamma adjustment modes are available: Simple or
Advanced. The two modes are mutually exclusive; when you select the Simple
mode, the Advanced selection in the Gamma menu is grayed out. Likewise, when
you select Advanced, the Simple selection is grayed out.
• Simple: Use the Simple Gamma control to perform gamma correction at the display
according to a simple power law gamma function. The value chosen here
corresponds to the power variable in this equation:
You must enter a passcode to access the Calibration menu.
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Operation
CalibrationUse the Calibration menu to perform advanced picture quality adjustments. This menu
Calibration
ISF Settings
Display Color
Input Image
Input Color
Save ISF Night
Save ISF Day
Copy/Paste
Output Shift
Image Alignment
Adjustment Mode
Splash Configure
OSD Position
Output = Input
The Dimension Digital Controller applies this gamma curve to all three primary color
channels (red, green and blue).
• Advanced: To select a custom gamma curve, select Mode from the Gamma menu
and set it to Advanced. Then, select Advanced from the Gamma menu to select one
of up to 20 pre-programmed gamma tables. Custom gamma tables provide the
ability to perform complex, non-linear gamma correction on each primary color
channel independently of the others.
• Color Temp: Select Color Temp from the Display Color - Common Settings menu to
adjust the color temperature. Color temperature establishes the “color of gray” by
adjusting the 75% white point to various color points.
What are “color points?” A “color point” is an x/y coordinate pair that defines a
color’s location on the standard CIE chromaticity graph, shown in Figure 4-7. (CIE
stands for “Commission Internationale de l’Éclairage” (International Commission on
Illumination), the organization responsible for color measurement and management
standards.)
1.0
y
0.9
Y
0.8
0.7
Green
0.6
0.5
0.4
0.3
Cyan
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0.2
0.1
Blue
0.0
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0.00.10.20.30.40.50.60.70.80.91.0
Figure 4-7. CIE 1931 Chromaticity Diagram
• Simple: Select Simple mode from the Color Temp menu (with the LS-12d, this is
the only choice) to choose one of five color temperature presets: 3200K, 5500K,
6500K, 7500K and 9300K. The default setting, 6500K, is appropriate for most
situations. Higher settings produce a “bluer” picture; lower ones impart a reddish
hue to the image.
Table 4-2 lists the x- and y-coordinates for each color temperature preset in “Simple”
mode.
Table 4-2. Color Temperature Presets and Associated Color Points
Operation
Color Temperature Preset
3200K0.4230.404
5500K0.3320.348
6500K0.3130.329
7500K0.2990.315
9300K0.2840.298
• Color Gamut: Select Color Gamut from the Display Color - Common Settings menu to
select a color gamut (range) that may be different from the default color gamut.
Each setting defines the precise hue of each primary (red, green and blue) and
secondary (yellow, cyan and magenta) color component used to generate the millions
of colors produced in displays. Changing this setting relocates the “triangle” for
possible colors (see Figure 4-7). For example, changing the x/y coordinates for red
moves the color closer to either orange or violet, which in turn affects all displayed
colors having a red component.
Associated x/y Values
xy
Y
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Note
• The default setting, Auto, automatically chooses the appropriate color gamut:
• SMPTE C for NTSC, 480i and 480p sources.
• EBU for PAL, SECAM, 576i and 576p sources.
• REC709 for all other sources.
• Select REC709 to use the color gamut defined in ITU-R BT.709-5.
• Select SMPTE-C to use the color gamut defined in SMPTE 170M-1999.
• Select EBU to use the color gamut defined in EBU Tech. 3213-E.
• Select Native to use REC709 for cyan, magenta, and yellow and uncorrected values
for red, green, and blue.
• Select PCE to use the Personal Color Equalizer feature of the LS-12d. PCE lets you
define a custom color gamut. Refer to the next section, PCE, for instructions on how to
do this.
1. The Color Gamut setting only affects 2D content.
2. The Dimension Digital Controller uses the Color Gamut settings
for all display modes on a given input.
Table 4-3 lists the Color Gamut settings and associated x- and y-coordinates for each
primary and secondary color component.
Table 4-3. x/y Color Gamut Values
Color Gamut Settings and Associated x/y Values
Primary
Color
Red0.6400.3300.6350.3400.6400.330
Yellow0.4190.5050.4210.5060.4180.502
Green0.3000.6000.3050.5950.2900.600
Cyan0.2250.3290.2280.3260.2200.329
Blue0.1500.0600.1550.0700.1500.060
Magenta0.3210.1540.3180.1620.3280.158
REC709SMPTE “C”EBU
xyxyxy
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Display Color
RGBW
Red x0.640
Red y0.330
Green x0.300
Green y0.600
Blue x0.150
Blue y0.060
White x0.313
White y0.329
7 Auto Color Enable
7 Test Pattern Enable
•PCE: To use the Personal Color Equalizer to define a custom color gamut, choose the
“PCE” Color Gamut setting (refer to Color Gamut on page 75). Then, choose PCE
from the Display Color - Common Settings menu and press ENTER.
Note
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PCE provides the ability to define a custom color gamut in terms of a “white point” and
primary (red, green, blue) color points; see Figure 4-7.
• RGBW (Red, Green, Blue, White): To precisely adjust the primary color points and
white point associated with the custom color gamut, choose RGBW from the PCE
sub-menu. Each control operates only on the color specified. Surrounding colors are
linearly interpolated based on their distance from each of these colors.
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1. The PCE setting only affects 2D content.
2. The Dimension Digital Controller uses the PCE settings for all
display modes on a given input.
The Auto Color Enable and Te st Pattern Enable checkboxes let you choose what to
display on-screen while making these adjustments. These controls work together as
follows:
Auto Color Enable
Setting
OffOffWhen both boxes are unchecked, the input
OffOnWhen only the Test Pattern Enable box is
Test Pattern Enable
Setting
Description
signal (normal picture) appears on the
display.
checked, a white “curtain” test pattern
appears instead of the input signal.
Operation
OnOffWhen only the Auto Color Enable box is
checked, the input signal appears on the
display.
When you select a red, green, blue, yellow,
cyan or magenta color point to adjust, the
Dimension Digital Controller displays only
that color channel. When you select a white
point x- or y-value, all colors are visible
(normal picture).
OnOnWhen both boxes are checked, the
Dimension Digital Controller automatically
displays a red, green, blue, yellow, cyan,
magenta or white “curtain” test pattern
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when you select an x- or y-value for that
color point to adjust.
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• YCM (Yellow, Cyan, Magenta): To precisely adjust the secondary color points
associated with the custom color gamut, choose YCM from the PCE sub-menu. Each
control operates only on the color specified. Surrounding colors are linearly interpolated
based on their distance from each of these colors.
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Display Color
YCM
Yellow x0.419
Yellow y0.505
Cyan x0.225
Cyan y0.329
Magenta x 0.321
Magenta y 0.154
7 Auto Color Enable
7 Test Pattern Enable
•Lamp: Select Lamp from the Display Color - Projector Settings menu to adjust the
projector lamp brightness.
• Power (230W or 260W): To supply a constant wattage to the lamp, select Power
(230W or 260W) from the Lamp menu to set the lamp power level. You can choose
to run the lamp as bright as possible (this is the default setting) or you can choose a
lower setting. Generally, lower lamp output prolongs the life of a lamp, but
decreases brightness.
•ConstantContrast: Select ConstantContrast from the Display Color - Projector
Settings menu to enable (On) or disable (Off) ConstantContrast in the optical engine.
ConstantContrast uses a dynamic iris that modulates light to the DMD based on the
actual content of the video material. Runco recommends that you disable
ConstantContrast before adjusting Brightness, Contrast or other image settings.
Note
Input Image: The Input Image controls are functionally similar to those in the Picture
menu (refer to page 63), but are accessible only by entering the Calibration menu
passcode.
Note
Input Color: The Input Color controls are similar to those in the Display Color menu (see
above), but adjust the color balance of the incoming signal. These settings are also saved
independently for each input and display mode.
•Gain/Offset (HD1, HD2 and Component/SCART inputs only): These controls
operate similarly to those in the Display Color - Common Settings menu (described
on page 73), but affect the Y, Pb and Pr signal components rather than the red, green
and blue channels.
• Chroma Delay: use the Chroma Delay control to correct a mis-aligned image from a
composite video source. Chroma delay in an image causes color shifts to occur to the
left of the vertical edge transitions, producing artificial shadows or a “halo” effect. If
necessary, adjust this setting to eliminate them.
•Noise Filter: To apply noise filtering to the input signal, select Noise Filter from the
Input Color menu. The Noise Filter is useful for clearing up noisy images from 480i
video sources.
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Use the left- or right-arrow buttons to select the desired amount of noise reduction,
keeping in mind that higher settings (which reduce high frequencies) may also “soften”
the image.
ConstantContrast is disabled when the LS-12d is displaying 3D
content, regardless of this setting.
The Input Image settings establish the “zero point” for the Picture
menu settings, whose values represent offsets from the Input
Image settings. For example, if you set Brightness to 10 in this
menu, setting Brightness to 10 in the Picture menu results in an
actual setting value of 20 (10+10).
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Save ISF Night/Save ISF Day: Whenever you make a change to the ISF settings, you
should always save it. Select Save ISF Night or Save ISF Day from the Calibration menu to
do this.
preset to another. This gives you a convenient starting point for creating a new preset
based on an existing one, to make the calibration process less time-consuming.
For example, you can use the Copy/Paste Memory Preset feature to:
• Apply settings from HDMI 1 to HDMI 2, or from HD1 to HD2.
• Calibrate an input for 720p source signals, then use those settings for 1080i sources.
• Duplicate ISF Night settings for a given source and signal format and save them in the
Custom 1 memory preset.
Operation
Copy/Paste - Memory Preset: You can copy and paste settings from one memory
Copy/Paste
Memory Preset
Aspect Ratio
Memory Preset
Copy Settings
Paste Settings
To use this feature, select Copy/Paste from the Calibration menu, then select Memory
Preset.
•Memory Preset - Copy Settings: Select Copy Settings from the Copy/Paste
Memory Preset menu to place the settings for the current input source, signal format
(resolution and frame rate) and memory preset onto a “clipboard,” which is a temporary
memory location. When you do, the message “Settings Copied” briefly appears
on-screen. The Copy/Paste menu then re-appears, indicating the source of the copied
settings.
Note
•Memory Preset - Paste Settings: To apply the settings on the clipboard to a
different input source, signal format and/or memory preset, do any or all of the
following:
• Switch to another input (for example, from HD1 to HD2).
• Change the output signal format at the source (for example, from 720p/60 to
1080i/60).
• Switch to another Memory Preset (for example, from ISF Night to Custom 1).
Then, select Paste Settings from the Copy/Paste Memory Preset menu. If you want
to keep these new settings, you must save them! (Refer to Save ISF Night/Save
ISF Day on page 78 or Memory Presets on page 70.)
Copied settings are not retained after a power cycle.
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those for Output Shift, Image Alignment (refer to page 80) or Screen Masking (refer to
page 80) from one aspect ratio or “screen” (refer to Screen on page 62) to another.
To do this, select Copy/Paste from the Calibration menu, then select Aspect Ratio.
•Aspect Ratio - Copy Settings: Select Copy Settings from the Copy/Paste Aspect
Ratio menu to place the Output Shift, Image Alignment and Screen Masking settings
for the current aspect ratio onto a “clipboard,” which is a temporary memory location.
When you do, the message “Settings Copied” briefly appears on-screen. The
Copy/Paste menu then re-appears, indicating the source of the copied settings.
Copied From:
Input SourceHDMI 1
Signal Format1080p/60
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Memory PresetISF Night
Copy/Paste - Aspect Ratio: You can also copy and paste certain settings, such as
Copy/Paste
Memory Preset
Aspect Ratio
Aspect Ratio
Copy Settings
Paste Settings
Note
Copied settings are not retained after a power cycle.
•Aspect Ratio - Paste Settings: To apply the Output Shift, Image Alignment and
Screen Masking settings on the clipboard to a different aspect ratio and/or screen, do
either of the following:
• Switch to another aspect ratio (for example, from 16:9 to Cinema).
• Switch from Screen 1 to Screen 2 or vice versa.
Then, select Paste Settings from the Copy/Paste Aspect Ratio menu. The new settings
are saved automatically.
Output Shift: The Left/Right, Up/Down, Width and Height controls in the Output Shift
menu are similar to those in the Input Position menu, except that they change the
characteristics of the output signal. These settings are saved independently for each
aspect ratio and screen selection (refer to Screen on page 62).
• Screen Masking: This control adjusts the amount of cropping on each edge of the
output image. This differs from the regular Overscan control in two ways:
• It allows separate adjustments on each edge; and
• It is saved per aspect ratio, per screen (as opposed to per connector, per mode).
This is useful for installations where the aspect ratio of the screen doesn’t exactly match
the aspect ratio of the display.
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Image Alignment: Use the controls in the Image Alignment menu to ensure proper image
geometry; that is, a perfectly rectangular projected image with no keystoning or pincushion.
For detailed instructions, refer to Adjusting the Image Geometry on page 52.
Adjustment Mode (during 3D Operation): By default, any command or control
message you send using the remote control, front-panel keypad or RS-232 interface is
acted upon by both the Primary and Secondary scalers in the Dimension Digital
Controller. In some cases — for example, when using the lens controls or aligning the “left
eye” or “right eye” output images — you may need to address a command to only the
Primary or Secondary scaler. To do this, select Adjustment Mode from the Calibration
menu and set it to Primary or Secondary. The Main Menu title changes to “Runco Video
(Pri.)” or “Runco Video (Sec.)” when you do this.
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Note
Splash Configure: Use the Splash Configure menu to control the appearance and
behavior of the “splash” screen that appears on the display upon power-up.
•Owner Name/ISF Calibrated/ISF Other: You can have the LS-12d display the
owner’s name, your name, the phrase “ISF Calibrated” and/or any other string, up to
30 characters in length.
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The Secondary OSD menus are only visible during 3D operation. In
2D mode, you will only see the image from the Primary scaler,
regardless of this setting. If you want to adjust the Secondary scaler
while in 2D mode, you must use the built-in keypad and VFD on the
Dimension Digital Controller.
Use the up or down cursor button to select a character. Use the right and left cursor
buttons to change the cursor position. Press MENU when you have finished entering
text.
• Splash Timer: When you turn on the LS-12d, it projects a welcome screen with the
Runco and ISF logos, along with the personalized information you enter as described
above. Select Splash Timer from the Splash Configure menu to set the amount of time
for which this screen appears. The range is from 5 to 60 seconds, in one-second
increments. Press or to set the timer, then press MENU.
• Splash Enable: When you have finished customizing the splash screen, select Splash
Enable from the Splash Configure menu. Then, select On and press ENTER.
OSD Position: To adjust the position of the OSD, select OSD Position from the
Calibration menu and press ENTER.
Press or to select “Hor.” or “Ver.” Then, press or to change the position.
should be used by ISF-certified technicians only.
You must enter a passcode to access the Service menu.
Note
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Test Video: Select Test Video from the Service Menu to access the internal test patterns
on the Dimension Digital Controller. Table 4-4 lists the available test patterns and
describes their suggested usage.
Table 4-4. Test Patterns and Their Suggested Usage
PatternSuggested Usage
Use this pattern when making
color saturation and tint
adjustments.
Operation
ServiceUse the Service menu to access advanced projector configuration settings. This menu
Service
Test Video
Input Names
Remote Control
Display Device
Network
Color Space
Triggers
Miscellaneous
HDMI
Front Panel Brightness
Auto Power Off
Standby Mode
System Reset
Color Bars 1
Color Bars 2
Focus
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Use this pattern when making
color saturation and tint
adjustments.
Table 4-4. Test Patterns and Their Suggested Usage (continued)
PatternSuggested Usage
Use this pattern when making
brightness, contrast or white
balance (gain/offset) adjustments.
Grey Bars
Use this pattern when measuring
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Full White
or adjusting brightness, contrast or
white balance (gain/offset).
Primary Alignment
Secondary
Alignment
Dual Alignment
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3D
Use this pattern when aligning the
output from the projector’s
primary or secondary optical
engines (refer to Adjusting the Image Geometry on page 52).
Select Dual Alignment to have
both optical engines output this
pattern.
Use these patterns to confirm that
the left-eye and right eye images
are being processed correctly. To
do this, close your right eye while
viewing this test pattern through
the 3D glasses. If you see only the
left-eye portion, then the system is
correctly configured for 3D.
Normally, the Primary scaler
processes the left-eye image; the
Secondary, the right-eye image.
To change this, use the Reverse
Eyes control in the 3D Processing
menu (refer to Reverse Eyes on
page 71).
Input Names: You can give each input a descriptive name. For example, you may want
to change the default input name to the type of source component connected to it:
“VCR,” “DVD,” “Laptop” et cetera. Input names can be up to 12 characters long.
To edit an input name, select Input Names from the Service menu. Press or to select
an input and press ENTER. Use the or buttons to change a character; press
or to select a character to change. When you have finished editing the input name,
press ENTER or MENU.
To restore the default input name, press repeatedly to highlight that input name in the
“Restore” column. Then, press ENTER.
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Input Names
C o mp o s i t e 1
C o mp o s i t e 2
C o mp o s i t e 3
C o mp o n e n t
H D 1
H D 2
S CA R T
H D M I1
H D M I2
H D M I3
H D M I4
H D M I5
H D M I6
H D M I7
H D M I8
D i s p l a y P o r t
Remote Control: Select Remote Control from the Service menu to set the following
options:
• Remote Code: Select Remote Code from the Remote Control menu to set the
infrared (IR) custom code (address) that the Dimension Digital Controller will accept as
valid IR data. By default, it is set to 08209 (0x2011). You can change this setting if:
• Another device in the theater (a DVD player, for example) is responding to
commands from the Dimension Digital Controller remote control (Figure 2-7) in ways
that are unpredictable or undesirable; or
• You have multiple Dimension Digital Controllers and want to control them
independently, as opposed to broadcasting commands from a single remote to all of
them. In this scenario, you can use multiple remotes programmed to use different IR
codes. Or, you can use a single remote and change the IR code as needed to
address a specific Dimension Digital Controller.
Tip
After changing the Remote Code, press EXIT to have the new code take effect.
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Use the Dimension Digital Controller front-panel keypad to change
the IR code to which the controller will respond. Then, change the
code sent by the remote to match as described below.
When you change the Remote Code on the Dimension Digital Controller, you must
re-program the Dimension Digital Controller remote control to send that same code. To
enable “extended” key code mode, you must re-program the Dimension Digital
Controller remote control with a special five-digit code reserved for that purpose.
To do this:
1. Press and hold the LIGHT button on the
remote control for approximately five seconds,
or until the LED on the remote lights solid red.
2. Enter a new five-digit code between 00000 and
65535 inclusive;
— OR —
To enable extended key code mode, enter 88999. This mode allows certain
buttons to perform alternate functions; refer to LS-12d Remote Control Unit on
page 14. (To switch from extended mode back to standard mode, enter any valid
code other than 88999.)
Include leading zeros for codes with four or fewer digits; for example, enter 255 as
00255.
3. The LED turns off to confirm the code change. If you enter an invalid code, the LED
flashes for three or four seconds. Try again, entering a valid code.
For more information on using standard and extended remote control key codes, refer
to Using Discrete IR Codes on page 117.
• SRC 1-7 Keys / SRC 8-14 Keys: Select SRC 1-7 Keys or SRC 8-14 Keys from the
Remote Control menu to assign the source selection buttons to the source inputs on
the Dimension Digital Controller (refer to SRC 1, SRC 2 ... SRC 14 on page 17). By
default, these buttons are assigned as follows: