Roland Professional A/V V-1SDI, V-1SDI-W Users Manual

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Page 1

Version 1.5 and later

Owner’s Manual (this document)

Read this rst. It explains the basic things you need to know in order to use the V-1SDI.

PDF Manual (download from the Web)

5 Remote Control Guide

This manual covers remote control of the V-1SDI via MIDI, menu items, and RS-232 commands.

Before using the V-1SDI, ensure that its system program is at the most recent version. For information on available upgrades for the system program, see the Roland website (https://proav.roland.com/). You can check the system program version by pressing and holding the [SETUP] button g “VERSION” at the SETUP menu (page 16/16).

To obtain the PDF manual

1. Enter the following URL in your computer.

https://proav.roland.com/

2. Go to the V-1SDI product page and click

the “Support.”

Page 2

USING THE UNIT SAFELY . . . . . . . . . . . . . . . . . . . . . 3

IMPORTANT NOTES . . . . . . . . . . . . . . . . . . . . . . . . . . 5

Panel Descriptions . . . . . . . . . . . . . . . . . . . . . . . . . . 6

Top Panel/Front Panel . . . . . . . . . . . . . . . . . . . . . . . 6

Rear Panel (Connecting Your Equipment) . . . . . . . 8

Side Panel (Connecting Your Equipment) . . . . . . . 10

Basic Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

Turning the Power On and O . . . . . . . . . . . . . . . . 11

Turning O the Power Automatically

Using the Menus . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Saving/Recalling Settings (Memory) . . . . . . . . . . . 13

(Auto O)

. . . . . . 11

Video Input/Output Settings . . . . . . . . . . . . . . . . . 14

Setting the Video Input/Output Format . . . . . . . . 14

Adjusting Output Video . . . . . . . . . . . . . . . . . . . . . . 15

Adjusting HDMI Input Video on Channel 4 . . . . . . 15

Assigning a Video Source to Channel 3 . . . . . . . . . 16

Switching the View Mode of Preview Output . . . . 16

Inputting Copyright-protected (HDCP) Video . . . 17

Video Operations . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Switching the Video . . . . . . . . . . . . . . . . . . . . . . . . . 18

About the Operation Mode for Video Transitions

Switching Using the PGM/PST Mode . . . . . . . . . 18

Switching in the A/B Mode . . . . . . . . . . . . . . . . . 19

Switching Automatically (Auto Scan) . . . . . . . . . 20

Freezing Input Video (Freeze) . . . . . . . . . . . . . . . . . 20

Applying a Fade to the Main Output Video

Capturing a Still Image from Input Video . . . . . . . 21

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

(Output Fade)

. . . 21

Video Composition Operations . . . . . . . . . . . . . . . 22

Selecting a Composition Type . . . . . . . . . . . . . . . . 22

Compositing Four Video Pictures

Compositing Using Picture-in-Picture . . . . . . . . . . 23

Compositing Using Split . . . . . . . . . . . . . . . . . . . . . 24

Compositing Using DSK . . . . . . . . . . . . . . . . . . . . . . 24

into One Screen

. . . . . 22

Audio Operations . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

Adjusting the Volume Level . . . . . . . . . . . . . . . . . . 26

Applying Eects to Audio . . . . . . . . . . . . . . . . . . . . 27

Applying Eects to Input Audio . . . . . . . . . . . . . 27

Applying Eects to Output Audio . . . . . . . . . . . 28

Interlinking Audio Output to Video Switching

(Audio Follow)

. . 29

Other Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Returning Settings to the Factory-

Preventing Unintended Operation (Panel Lock). . 30

Operating the V-1SDI by Remote Control . . . . . . . 31

default State (Factory Reset)

. . . . . 30

Appendices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Transition Eects List . . . . . . . . . . . . . . . . . . . . . . . . 33

Block Diagram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

Main Specications . . . . . . . . . . . . . . . . . . . . . . . . . 36

Dimensions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

Before using this unit, carefully read “USING THE UNIT SAFELY” (p. 3) and “IMPORTANT NOTES” (p. 5). After reading, keep the document(s) including those sections where it will be available for immediate reference.

Checking the Included Items

The V-1SDI includes the following items. Please take a moment to conrm that all of these items have been included with the V-1SDI. If you nd that any item is missing, contact the nearest authorized Roland distributor in your country.

 The Unit  AC Adaptor/Power Cord  Cord Hook  Owner’s Manual

* The shape of the power cord’s plug

varies depending on the country.

Page 3

USING THE UNIT SAFELY

About WARNING and CAUTION Notices

ALWAYS OBSERVE THE FOLLOWING

About the Symbols

Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.

Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.

* Material damage refers to damage or

other adverse eects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

The symb ol alerts the user to important instruc tions or warnings.The sp ecic meaning of the symbol is determined by the design contained within the triangle. In the case of th e symbol at left, it is used for general cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never be carried out (are forbidden). The specic thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.

The symbol alerts the user to things that must be carried out. The specic thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the power-cord plug must be unplugged from the outlet.

WARNING

To completely turn o power to the unit, pull out the plug from the outlet

Even with the power switch turned o, this unit is not completely separated from its main source of power. When the power needs to be completely turned o, turn o the power switch on the unit, then pull out the plug from the outlet. For this reason, the outlet into which you choose to connect the power cord’s plug should be one that is within easy reach and readily accessible.

Concerning the Auto O function

On this unit, the power is automatically turned o after a predetermined amount of time has passed since an operation was performed (Auto O function). If you do not want the power to be turned o automatically, disengage the Auto O function (p. 11).

Do not disassemble or modify by yourself

Do not carry out anything unless you are instructed to do so in the owner’s manual. Otherwise, you risk causing malfunction.

Do not repair or replace parts by yourself

Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information.”

Do not place in an unstable location

Otherwise, you risk injury as the result of the unit toppling over or dropping down.

WARNING

Do not use or store in the following types of locations

• Subject to temperature extremes (e.g., direct sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are

• Damp (e.g., baths, washrooms, on wet oors); or are

• Exposed to steam or smoke; or are

• Subject to salt exposure; or are

• Exposed to rain; or are

• Dusty or sandy; or are

• Subject to high levels of vibration and shakiness; or are

• Placed in a poorly ventilated location.

Use only the supplied AC adaptor and the correct voltage

Be sure to use only the AC adaptor supplied with the unit. Also, make sure the line voltage at the installation matches the input voltage specied on the AC adaptor’s body. Other AC adaptors may use a dierent polarity, or be designed for a dierent voltage, so their use could result in damage, malfunction, or electric shock.

Use only the supplied power cord

Use only the attached power cord. Also, the supplied power cord must not be used with any other device.

Do not bend the power cord or place heavy objects on it

Otherwise, re or electric shock may result.

Avoid extended use at high volume

Use of the unit at high volume for extended periods of time may cause hearing loss. If you ever experience any hearing loss or ringing in the ears, you should immediately stop using the unit and consult a specialized physician.

Page 4

USING THE UNIT SAFELY

WARNING

Do not allow foreign objects or liquids to enter unit; never place containers with liquid on unit

Do not place containers containing liquid (e.g., ower vases) on this product. Never allow foreign objects (e.g., ammable objects, coins, wires) or liquids (e.g., water or juice) to enter this product. Doing so may cause short circuits, faulty operation, or other malfunctions.

Turn o the unit if an abnormality or malfunction occurs

Immediately turn the unit o, remove the AC adaptor from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” when:

• The AC adaptor or the power cord has been damaged; or

• If smoke or unusual odor occurs; or

• Objects have fallen into, or liquid has been spilled

onto the unit; or

• The unit has been exposed to rain (or otherwise has become wet); or

• The unit does not appear to operate normally or exhibits a marked change in performance.

Be cautious to protect children from injury

Always make sure that an adult is on hand to provide supervision and guidance when using the unit in places where children are present, or when a child will be using the unit.

Do not drop or subject to strong impact

Otherwise, you risk causing damage or malfunction.

Do not share an outlet with an unreasonable number of other devices

Otherwise, you risk overheating or re.

Do not use overseas

Before using the unit in overseas, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information.”

CAUTION

When disconnecting the power cord, grasp it by the plug

To prevent conductor damage, always grasp the power cord by its plug when disconnecting it from this unit or from a power outlet.

Periodically clean the power plug

An accumulation of dust or foreign objects between the power plug and the power outlet can lead to re or electric shock.

At regular intervals, be sure to pull out the power plug, and using a dry cloth, wipe away any dust or foreign objects that may have accumulated.

CAUTION

Disconnect the power plug whenever the unit will not be used for an extended period of time

Fire may result in the unlikely event that a breakdown occurs.

Route all power cords and cables in such a way as to prevent them from getting entangled

Injury could result if someone were to trip on a cable and cause the unit to fall or topple.

Avoid climbing on top of the unit, or placing heavy objects on it

Otherwise, you risk injury as the result of the unit toppling over or dropping down.

Never connect/disconnect a power plug if your hands are wet

Otherwise, you could receive an electric shock.

Disconnect all cords/cables before moving the unit

Before moving the unit, disconnect the power plug from the outlet, and pull out all cords from external devices.

Before cleaning the unit, disconnect the power plug from the outlet

If the power plug is not removed from the outlet, you risk receiving an electric shock.

Whenever there is a threat of lightning, disconnect the power plug from the outlet

If the power plug is not removed from the outlet, you risk receiving an electric shock.

Keep small items out of the reach of children

To prevent accidental ingestion of the parts listed below, always keep them out of the reach of small children.

• Included Parts: Cord Hook (p. 2)

• Removable Parts: Screw (p. 9, 10)

Handle the ground terminal carefully

If you remove the screw from the ground terminal, be sure to replace it; don’t leave it lying around where it could accidently be swallowed by small children. When refastening the screw, make that it is rmly fastened, so it won’t come loose.

Page 5

IMPORTANT NOTES

Power Supply

• Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter or a motor (such as a refrigerator, washing machine, microwave oven, or air conditioner). Depending on the way in which the electrical appliance is used, power supply noise may cause this unit to malfunction or may produce audible noise. If it is not practical to use a separate electrical outlet, connect a power supply noise lter between this unit and the electrical outlet.

• The AC adaptor will begin to generate heat after long hours of consecutive use. This is normal, and is not a cause for concern.

Placement

• Using the unit near power ampliers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.

• This unit may interfere with radio and television reception. Do not use this unit in the vicinity of such receivers.

• Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them o.

• When moved from one location to another where the temperature and/or humidity is very dierent, water droplets (condensation) may form inside the unit. Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated.

• Depending on the material and temperature of the surface on which you place the unit, its rubber feet may discolor or mar the surface.

• Do not place containers or anything else containing liquid on top of this unit. Also, whenever any liquid has been spilled on the surface of this unit, be sure to promptly wipe it away using a soft, dry cloth.

Repairs and Data

• Before requesting servicing, back up the data stored in the unit by writing down the stored information or by using V-1SDI RCS dedicated software (p. 31). Although we will do our utmost to preserve the data stored in your unit when we carry out repairs, in some cases, such as when the memory section is physically damaged, restoration of the stored content may be impossible. Roland assumes no liability concerning the restoration of any stored content that has been lost.

Maintenance

• Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.

Grounding Terminal

• Depending on the circumstances of a particular setup, you may experience a discomforting sensation, or perceive that the surface feels gritty to the touch when you touch this device, microphones connected to it, or the metal portions of other objects, such as guitars. This is due to an innitesimal electrical charge, which is absolutely harmless. However, if you are concerned about this, connect the ground terminal (see gure on page 9) with an external ground. When the unit is grounded, a slight hum may occur, depending on the particulars of your installation. If you are unsure of the connection method, contact the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information.”

Unsuitable places for connection

• Water pipes (may result in shock or electrocution)

• Gas pipes (may result in re or explosion)

• Telephone-line ground or lightning rod (may be

dangerous in the event of lightning)

Additional Precautions

• Any data stored within the unit can be lost as the result of equipment failure, incorrect operation, etc. To protect yourself against the irretrievable loss of important data stored in the unit, use V-1SDI RCS dedicated software (p. 31) to make backups.

• Roland assumes no liability concerning the restoration of any stored content that has been lost.

• Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.

• When disconnecting all cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.

• To avoid disturbing others nearby, try to keep the unit’s volume at reasonable levels.

• This unit allows you to switch images at high speed. For some people, viewing such images can cause headache, nausea, or other discomfort. Do not use this unit to create video that might cause these types of health problems. Roland Corporation will accept no responsibility for any such health problems that may occur in yourself or in viewers.

• Do not use connection cables that contain a built-in resistor.

Page 6

Panel Descriptions

Top Panel/Front Panel

[OUTPUT FADE] Knob

This performs a fade-in or fade-out for the main output video, and adjusts the volume level for output audio.

5 The indicators on the left and right of the

[OUTPUT FADE] knob show the status of the fade.

Flashing Fade-in/fade-out in progress

Dark Normal output

[FREEZE] Button

5 This stops (freezes) input video. The [FREEZE]

button lights up during a freeze.

5 It outputs a captured still image.

5 It also outputs a still image transmitted from

V-1SDI RCS dedicated software.

[SETUP] Button

Pressing and holding the [SETUP] button (for 2 seconds or longer) to turn it on (lighted) displays the SETUP menu on the monitor connected to the MULTI-VIEW connector.

5 SETUP Indicator

This lights up on operation of a button or knob for which panel lock (p. 30) is in eect.

[AUDIO] Button

Pressing and holding the [AUDIO] button (for 2 seconds or longer) to turn it on (lighted) displays the AUDIO menu on the monitor connected to the MULTI-VIEW connector.

5 AUDIO Indicator

This indicates the audio input or output level.

p. 21, 26 p. 22

p. 20, 21

p. 12

p. 12, 26

[PinP] and [SPLIT] Buttons

These turn PinP, split, and other video compositing on and o. When turned on, the [PinP] or [SPLIT] button lights up.

[CONTROL 1] and [CONTROL 2] Knobs

When the [PinP], [SPLIT], or [KEY LEVEL] button is on (lighted), these adjust the compositing eect.

p. 22

The memory function is turned on (lighted) while the [MEMORY] button is held depressed. You can save and recall up to eight types of settings, including video and audio settings and operationpanel states.

When the memory function is on, the [A-1] through [A-4] and [B-1] through [B-4] buttons function as memory selection buttons 1 through 8.

p. 13[MEMORY] Button

p. 17HDCP Indicator

This lights up, ashes, or goes dark according to HDCP (digital content protection) settings and the connection status of HDCP-compatible equipment.

Page 7

Panel Descriptions

[KEY LEVEL] Button

When this is turned on (lighted), the [CONTROL 1] and [CONTROL 2] knobs function as shortcuts for adjusting the key level and key gain during DSK composition.

p. 25

A/B Fader

This functions as a T-Bar video fader. This performs switching between the bus A (PGM) video and the bus B (PST) video.

5 When a menu is displayed, this changes setting

values.

[DSK] ( ) Button

This turns DSK composition on or o. When it is turned on, the [DSK] button lights up.

5 When a menu is displayed, these select menu

items.

[AUTO] (

This automatically switches between the bus A video and the bus B video.

5 When a menu is displayed, these select menu

) Button

items.

p. 12, 18

p. 12, 24

p. 12, 19

Cooling-fan Exhaust Port

This expels internal heat to keep temperatures inside the V-1SDI cool.

Never obstruct the cooling-fan exhaust port.

NOTE

Obstructing the exhaust port might result in a temperature rise inside the V-1SDI and lead to malfunction due to heat.

[A-1]–[A-4] Buttons

These select the video to input to bus A of the video mixer. The selected button lights up.

[B-1]–[B-4] Buttons

These select the video to input to bus B of the video mixer. The selected button lights up.

p. 18

[WIPE], [MIX] (

These select video transition eects. The selected button lights up.

[WIPE]

[MIX]

[CUT] The picture switches instantly.

5 When a menu is displayed, the [MIX] ( ) and

[CUT] ( ) buttons page through the menu.

), and [CUT] ( ) Buttons

The original video is broken into by the next video.

The two pictures are blended together as the video is switched.

p. 12, 18

Page 8

Panel Descriptions

Rear Panel (Connecting Your Equipment)

* To prevent malfunction and equipment failure, always turn down the volume, and turn o all the units before making

any connections.

* Be sure to use cables and adaptor plugs with the proper connectors matching those of the other devices you are using.

MULTI-VIEW Connector (*1)

This outputs the incoming video on channels 1 through 4 as a fourway split screen. Here you connect a monitor capable of HDMI input.

HDMI input

* Menus are displayed on

the connected monitor.

(*1) You can also output

dierent video (p. 16).

[POWER] Button

p. 12, 16 PVW Connector (*1)

This displays the video to be output next. Here you connect a monitor capable of SDI input.

connector

p. 11

This turns the power on and o.

DC IN Connector

This is for connecting the included AC adaptor.

Place the AC adaptor so the side with the indicator faces upwards and the side with printed information faces downwards. The indicator will light when you plug the AC adaptor into an AC outlet.

SDI input

connector

p. 16

PGM Connector

This outputs the video mixing result (main output video). Here you connect a display or a video recorder or other recording device capable of SDI input.

USB Port p. 31

SDI input

connector

To AC Outlet

* To prevent the inadvertent disruption of

power to your unit (should the plug be pulled out accidentally), and to avoid applying undue stress to the jack, anchor the power cord using the cord hook, as shown in the illustration.

For information on how to attach the cord hook, refer to “Attaching the Power Cord Hook” (p. 10).

Power cord

AC adaptor

Cord hook

USB2.0 port

You use V-1SDI RCS dedicated software to operate the V-1SDI remotely from a connected computer.

Page 9

Panel Descriptions

* The V-1SDI is designed to radiate heat from the entire rear panel. Accordingly, the rear panel might become hot

during use, but this is not a malfunction.

HDMI IN 4 Connector

Here you input the HDMI signal from a computer, a video camera, Blu-ray Disc player, or other video equipment.

HDMI output connector

p. 14, 15 p. 16

HDMI IN 3 Connector

Here you input the HDMI signal from a video camera, Blu-ray Disc player, or other video equipment.

HDMI output connector

SDI IN 1–3 Connectors

Here you input SDI signals from video cameras, video recorders, and other video equipment.

SDI output connector

p. 16

Grounding Terminal

You connect this to an external ground. For details, refer to “Grounding Terminal” in

“IMPORTANT NOTES” (p. 5).

AUDIO OUT Jacks

Audio input connectors

These output the results of the audio mix. Here you connect an audio recording deck, amplier, speakers, or other such equipment.

These accept RCA phono type plugs.

AUDIO IN Jacks

Audio output connectors

These are for incoming audio signals from an audio mixer, portable music players, or other audio or video equipment.

These accept RCA phono type plugs.

Page 10

Panel Descriptions

Side Panel (Connecting Your Equipment)

MIC Jack

Here is where you connect a microphone. This accepts a miniature stereo phone plug.

You can also use plug-in-power microphones.

[MIC] Knob

This adjusts microphone input sensitivity.

[FORMAT] Switch

This switches the input/output format.

* Before operating the [FORMAT ] switch, be sure the

power to the V-1SDI is turned o.

PHONES Jack

This is for connecting headphones. This accepts a miniature stereo phone plug.

[PHONES] Knob

This adjusts the volume level for headphones.

p. 14

Attaching the Power Cord Hook

1. Detach the retainer screw indicated in the

gure.

RS-232 Connector p. 31

RS-232 connector

Here you connect a device used to operate the V-1SDI by remote control (such as an RS-232-compatible computer).

2. Using the screw you removed in step 1,

secure the power-cord hook in place as shown in the gure.

Cord hook

Page 11

Basic Operation

Turning the Power On and O

Once everything is properly connected (p. 8–10), be sure to follow the procedure below to turn on their power. If you turn on equipment in the wrong order, you risk causing malfunction or equipment failure.

* Before turning the unit on/o, always be sure to turn

the volume down. Even with the volume turned down, you might hear some sound when switching the unit on/o. However, this is normal and does not indicate a malfunction.

Turning the Power On

1. Make sure all devices are turned o.

2. Press the [POWER] button on the rear panel of

the V-1SDI to turn on the power.

* This unit is equipped with a

protection circuit. A brief interval (a few seconds) after turning the unit on is required before it will operate normally.

3. Turn on the power for the source devices.

Turn on the power to video cameras or other source equipment connected to input connectors on the V-1SDI.

4. Turn on the power for the output devices.

Turn on the power to projectors or other devices connected to output connectors on the V-1SDI.

Turning O the Power Automatically (Auto O)

Auto O is a feature that automatically turns o the power after no operation for a specic period of time. This helps prevent wasting electrical power.

By factory default, the Auto O function is set on. When the states described below persist for 240 minutes, the Auto O function acts to automatically turn o the power.

5 No operation performed on the V-1SDI 5 No audio or video input

To turn the Auto O function o or on, follow the steps below to change the setting.

MEMO

5 When the power has been turned o by the Auto O

function, to restart, rst press the [POWER] button to return it to the O position, then turn on the power.

1. Display the SETUP menu (p. 12), then select

“AUTO OFF.”

Turning the Power O

1. Turn o the power in the sequence of rst the

output equipment, and then the sources.

2. Press the [POWER] button on the V-1SDI to turn

o the power.

MEMO

5 The power to the V-1SDI turns o automatically if

a set interval elapses with no operation performed (Auto O function).

If you don’t want the power to be turned o automatically, disengage the Auto O function. For details, refer to “Turning O the Power Automatically (Auto O)” on this page.

Executing/Changing Specic Functions at Startup

Operation at startup Operation

Returning settings to the factory-default state at startup (p. 30)

Setting “HDCP” on the SETUP menu to “ON” at startup (p. 17) Hold down the [PinP] button and press the [POWER] button.

Setting “HDCP” on the SETUP menu to “OFF” at startup (p. 17) Hold down the [SPLIT] button and press the [POWER] button.

2. Use the A/B fader to set the Auto O function

on or o.

Value Explanation

The Auto O function is turned on. Power is

turned o automatically.

The Auto O function is turned o. Power is

OFF

not turned o automatically.

3. Quit the menu (p. 12).

NOTE

5 Any settings that you are in the process of editing will

be lost when the power is turned o. If you have any settings that you want to keep, you should save them beforehand.

You can execute or change the following functions at startup of the V-1SDI.

Hold down the [DSK] and [AUTO] buttons and press the [POWER] button.

Page 12

Basic Operation

Using the Menus

This explains how to display menus and make settings for video and audio, and for the V-1SDI itself.

* Menus are shown only on the monitor connected to the MULTI-VIEW connector (HDMI) (p. 8).

Displaying/Exiting Menus

The V-1SDI has three types of menus (SETUP, AUDIO, and INPUT STATUS).

* The button lights up during menu display.

SETUP Menu

You use this to make video-related settings and settings for the V-1SDI itself.

1. Press and hold the [SETUP] button (for 2

seconds or longer) to display the SETUP menu.

2. Press the [SETUP] or [AUDIO] button to quit the

menu.

AUDIO Menu

You use this to make audio-related settings.

1. Press and hold the [AUDIO] button (for 2

seconds or longer) to display the AUDIO menu.

2. Press the [AUDIO] or [SETUP] button to quit the

menu.

INPUT STATUS Menu

This shows the incoming video formats and the presence or absence of HDCP signals on the respective video channels.

1. Press and hold the [SETUP] and [AUDIO] button

at the same time (for 2 seconds or longer) to display the INPUT STATUS menu.

2. Press the [SETUP] or [AUDIO] button to quit the

menu.

Selecting Menu Items

1. Use the [MIX] ( ) and [CUT] ( ) buttons to

change pages.

2. Use the [DSK] ( ) and [AUTO] ( ) buttons to

move the cursor and select a menu item.

5 Pressing and holding the [DSK] ( ) or [AUTO] ( ) button

makes the cursor move rapidly.

Changing Setting Values

1. Use the A/B fader to change the setting value.

* For the following SETUP menu items, you apply the

setting by pressing the [DSK] ( elapse without applying the setting, the setting returns to its original value, with no change applied.

5 VIDEO OUTPUT (3/16): COLOR SPACE 5 VIDEO OUTPUT (3/16): DVI-D/HDMI SIGNAL 5 SYSTEM (14/16): FRAME RATE

MEMO

5 Pressing and holding the [WIPE] button (for 2 seconds)

while a menu is displayed returns the currently selected menu item to its default value. Continuing to press and hold the [WIPE] button (for 5 seconds or longer) returns all menu items on the currently selected page to their default values.

5 For detailed information on menu items, refer to the

“Reference Manual” (PDF) available for download at the Roland website.

https://proav.roland.com/

) button. If 15 seconds

Page 13

Basic Operation

Saving/Recalling Settings (Memory)

You can take the current settings, including video and audio settings and the state of the operation panel, and save them as a single set in memory, for later recall and use when needed. The V-1SDI is provided with eight memories.

Settings Saved in Memory

The following menu settings and operation-panel states are saved in the memories (1 through 8).

SETUP Menu Settings (Some)

The settings from VIDEO INPUT (page 1/16) to DSK (page 8/16) are saved.

AUDIO Menu Settings (All)

State of the Operation Panel

State of the [OUTPUT FADE] knob

State of the [CONTROL 1] and [CONTROL 2] knobs

On/o status of the [PinP] and [SPLIT] buttons

[A-1] through [A-4] button selection

[B-1] through [B-4] button selection

On/o status of the [KEY LEVEL] button

[MIX], [WIPE], and [CUT] button selection

On/o status of the [DSK] button

State of the A/B fader

MEMO

5 The SETUP menu settings from PANEL (page 9/16)

through SYSTEM (page 16/16) are not saved in memory. Only a single set is saved in the unit. After settings have been changed, they are saved in the unit when you exit the menu.

5 You can recall settings at a specied memory number

at startup. To specify the memory number you want to recall, go to the SETUP menu, and at MEMORY (page 13/16), use “POWER ON LOAD.”

5 By factory default, the state of the operation panel is

updated to the state saved in memory when you recall a memory.

To keep the state of the operation panel from being updated, go to the SETUP menu, and at MEMORY (page 13/16), set “MEMORY PANEL LOAD” to “OFF.”

Saving/Recalling

The memory function is turned on while the [MEMORY] button is held depressed.

At this time the [A-1] through [A-4] and [B-1] through [B-4] buttons function as memory selection buttons 1 through 8.

The currently selected button lights up in blue.

Memory number

1–4

5–8

Memory 1 functions as a Last Memory.

By factory default, memory 1 functions as a Last Memory. Settings are automatically saved in memory 1 when you

exit the menu or release the [MEMORY] button. To stop using the Last Memory function, go to the SETUP

menu, and at MEMORY (page 13/16), set “AUTO MEMORY” to “OFF.”

Saving

NOTE

5 When memory 1 has been selected as a destination for

saving, the values saved there might be overwritten by the Last Memory function.

1. Hold down the [MEMORY] button and press and

hold (for 2 seconds or longer) the button from [A-1] though [A-4] and [B-1] through [B-4] for the number where you want to save the settings.

The [A-1] through [A-4] and [B-1] through [B-4] buttons all briey light up in blue, and the current settings are saved.

2. To turn o the memory function, release the

[MEMORY] button.

Recalling

1. Hold down the [MEMORY] button and press

the button from [A-1] though [A-4] and [B-1] through [B-4] for the number where you want to recall the settings.

The settings are recalled. The currently selected button lights up in blue.

2. To turn o the memory function, release the

[MEMORY] button.

Page 14

Video Input/Output Settings

Setting the Video Input/Output Format

You set the input/output format to match the incoming video signal.

1. Slide the [FORMAT] switch on the side panel to

set the input/output format.

[FORMAT] switch Input formats (*1) Output format

1080p 1080p, 1080i 1080p

1080i 1080p, 1080i 1080i

720p 720p 720p

(*1) This sets the input format for channels 1 through 3.

For information on the input format for channel 4, refer to the column below.

NOTE

5 Before operating the [FORMAT] switch, be sure the

power to the V-1SDI is turned o.

Input Format of Channel 4 (HDMI IN 4)

Channel 4 (HDMI IN 4) supports the following input formats.

Input formats

480/59.94i 576/50i 480/59.94p 576/50p 720/59.94p 720/50p 1080/59.94i 1080/50i 1080/59.94p 1080/50p VGA (640 x 480/60 Hz) SVGA (800 x 600/60 Hz) XGA (1024 x 768/60 Hz) WXGA (1280 x 768/60 Hz) SXGA (1280 x 1024/60 Hz) FWXGA (1366 x 768/60 Hz)

SXGA+ (1400 x 1050/60 Hz)

UXGA (1600 x 1200/60 Hz) WUXGA (1920 x 1200/60 Hz)

Internal Processing

The V-1SDI’s internal processing is progressive. Interlaced input video is automatically converted to a progressive signal.

The picture might appear jagged at this time, or the picture in a PinP inset screen or preview four-way split screen might waver. This is due to progressive conversion, and is not a malfunction.

MEMO

5 The methods for converting an interlaced signal to a

progressive signal are of two types: “BOB” and “WEAVE.”

This interpolates the top eld and bottom

BOB

WEAVE

To set the conversion method, go to the SETUP menu, and at SYSTEM (page 14/16), use “DEINTERLACE MODE” to make the setting.

eld, and unites them in a single frame. This is optimal for video that contains much movement.

This joins the top eld and bottom eld in a single frame. This is optimal for video that contains little movement.

About Frame Rates

Frame rates that can be input are “59.94” and “50.” Inputting video at a frame rate other than these might result in no output or dropped frames.

To change the frame rate, go to the SETUP menu, and at SYSTEM (page 14/16), set “FRAME RATE” to “59.94” or “50,” then press the [DSK] (

MEMO

5 When you have changed the frame rate, turn to the

power to the V-1SDI o and back on.

) button.

By factory default, the EDID assignment for channel 4 is “AUTO” (set so that EDID values of all inputtable formats are sent).

If you want to specify the EDID value that is sent, go to the SETUP menu, and at VIDEO INPUT (page 2/16), change the “EDID” setting.

Page 15

Video Input/Output Settings

Adjusting Output Video

You can adjust the output video to match the equipment receiving the output from the V-1SDI.

MEMO

5 You can output a color bar, useful for adjusting the

image quality of a display. Go to the SETUP menu, and at SYSTEM (page 16/16), set “COLOR BAR OUTPUT” to “ON.”

1. Display the SETUP menu (p. 12), then select a

menu item.

You use the following menu items to adjust the output video.

VIDEO OUTPUT (page 3/16)

Menu item Explanation

3G-SDI MAPPING

COLOR SPACE

DVI-D/HDMI

VIDEO OUTPUT (page 4/16)

Menu item Explanation

CONTRAST (*2) This adjusts the contrast.

SATURATION (*2) This adjusts the saturation.

BRIGHTNESS (*2) This adjusts the brightness.

(*2) These settings are shared by HDMI output (the

MULTI-VIEW connector) and SDI output (the PGM and PVW connectors).

2. Use the A/B fader to adjust the output video.

* The settings for the following menu items are applied

by pressing the [DSK] ( without applying the setting, the setting returns to its original value, with no change applied.

5 VIDEO OUTPUT (3/16): COLOR SPACE 5 VIDEO OUTPUT (3/16): DVI-D/HDMI SIGNAL

3. Quit the menu (p. 12).

This sets the mapping structure for 3G-SDI output.

This sets the color space for HDMI output.

This sets the output mode for HDMI output.

) button. If 15 seconds elapse

Adjusting HDMI Input Video on Channel 4

You can adjust image quality and set the EDID value for video input via HDMI IN 4.

1. Display the SETUP menu (p. 12), then select a

menu item.

You use the following menu items to adjust HDMI input video on channel 4.

VIDEO INPUT (page 1/16–2/16)

Menu item Explanation

SCALING TYPE This sets the scaling type.

H. POSITION

V. POSITION

ZOOM This adjusts the zoom ratio.

CONTRAST This adjusts the contrast.

SATURATION This adjusts the saturation.

BRIGHTNESS This adjusts the brightness.

FLICKER FILTER This reduces icker.

EDID This sets the EDID value.

2. Use the A/B fader to adjust the HDMI input

video.

3. Quit the menu (p. 12).

This adjusts the display position in the horizontal direction.

This adjusts the display position in the vertical direction.

Page 16

Video Input/Output Settings

Assigning a Video Source to Channel 3

By factory default, the selection of SDI input or HDMI input for channel 3 is set to “AUTO” (automatic detection of the connection). When devices are connected to both the SDI IN 3 connector and the HDMI IN 3 connector, SDI input takes precedence.

When you want to input video via a specied connector, change this setting.

1. Display the SETUP menu (p. 12), then select

“CH3 INPUT SELECT.”

2. Use the A/B fader to specify the video source to

input on channel 3.

Value Explanation

The connector where the connection is made is automatically detected and video is output.

AUTO

When devices are connected to both the SDI IN 3 connector and the HDMI IN 3 connector, SDI input takes precedence.

SDI Video is input only via the SDI IN 3 connector.

Video is input only via the HDMI IN 3

HDMI

connector.

3. Quit the menu (p. 12).

Switching the View Mode of Preview Output

Three types of view modes are available for the V-1SDI’s preview output. You can set the view mode individually for the PVW connector (SDI) and the MULTI-VIEW connector (HDMI).

1. Display the SETUP menu (p. 12), then select

“PVW ASSIGN” (PVW connector) or “OUTPUT ASSIGN” (MULTI-VIEW connector).

2. Use the A/B fader to set the view mode.

Value Explanation

This displays the incoming video on channels 1 through 4 as a four-way split screen.

Channel 1 Channel 2

Channel 3 Channel 4

Audio level meter

The video is displayed with a colored border that is interlinked with the selected [A-1] through [A-4] or [B-1] through [B-4] button.

MULTI-

Red border: Video currently being output

VIEW

Green border: Video to be output next

Displaying the audio level meter

* This is displayed at the bottom of the

screen only for output from the MULTI-VIEW connector (HDMI).

Indication Input/output name

IN1 SDI IN 1 IN2 SDI IN 2

SDI IN 3 or

IN3

HDMI IN 3 IN4 HDMI IN 4 AUD AUDIO IN MIC MIC OUT MASTER OUT

PGM This displays the video currently being output.

PST This displays the video to be output next.

* Labels for identifying SDI and HDMI in all view modes

are displayed only for output from the MULTI-VIEW connector (HDMI).

3. Quit the menu (p. 12).

Level

(dB)

-6

-10

-20

-30

-40

-50

Red

Yellow

Green

Page 17

Inputting Copyright-protected (HDCP) Video

To input copyright-protected (HDCP) video from a Blu-ray Disc player or the like, you make the setting for enabling HDCP input.

* The V-1SDI must be connected to an HDCP compatible

display for HDCP protected video to be connected.

1. Display the SETUP menu (p. 12), then select

“HDCP.”

2. Use the A/B fader to set this to “ON.”

Value Explanation

HDCP is also added to the video that is output.

OFF Copyright-protected (HDCP) video cannot be input.

3. Quit the menu (p. 12).

Video Input/Output Settings

Output from Connectors

When “HDCP” is set to “ON,” video is output only from the MULTI-VIEW connector (HDMI). No video is output from the PVW connector (SDI) or PGM connector (SDI).

Operation of the HDCP indicator

The HDCP indicator on the top panel operates as follows, regardless of input.

“HDCP”

Indicator

Lighted ON

Flashing ON

Dark OFF —

Connection status

setting

An HDCP-compatible device is connected to the MULTI-VIEW connector.

No HDCP-compatible device is connected to the MULTI-VIEW connector.

Alternatively, a device that does not support HDCP is connected.

Page 18

Video Operations

Switching the Video

You can switch the video input to bus A and to bus B of the video mixer.

About the Operation Mode for Video Transitions

Two operation modes are available for video transitions made using the A/B fader: the “A/B mode” and the “PGM/PST mode.”

PGM/PST Mode

The video at the PGM (bus A) position is always output, and for PST (the bus B) position, these select the video to be output next.

Operating the A/B fader causes the selected video at the PST position to be output from the PGM position.

A/B Mode

The video on the bus toward which the A/B fader is ipped is output.

By factory default, the operation mode is set to the PGM/PST mode.

When you want to work in the A/B mode, go to the SETUP menu, and at PANEL (page 9/16), set “PANEL MODE” to “A/B.”

MEMO

5 You can change the color in which the [A-1] through

[A-4] and [B-1] through [B-4] buttons light up. Go to the SETUP menu, and at PANEL (page 9/16), use “PGM LED” (buttons for current video output) or “PST LED” (buttons

for next video output) to make the setting.

Switching Using the PGM/PST Mode

Video at the PGM position is always output. At the PST position you select the video you want to output next (standby), then switch the video.

1. Move the A/B fader all the way to one end or

the other.

2. Press the [WIPE], [MIX], or [CUT] button to

select a transition eect.

The selected button lights up.

MEMO

5 You can change the transition pattern used for a

wipe or mix transition. Go to the SETUP menu, and at TRANSITION/PinP (page 5/16), use “WIPE” or “MIX” to make the setting.

For a list of transition-pattern types, refer to “ Transition Eects List” (p. 33).

3. Press one of the [B-1] through [B-4] buttons to

select the video you want to show next.

Lighte d in red: Video currently being output (PGM) Lighted in green: Video to be output next (PST) Lighted in white: Channel with video input

Page 19

Video Operations

4. Move the A/B fader in the direction opposite to

the direction in step 1.

The output video is switched. When the video has been switched completely,

the lighted buttons for the PGM position and PST position change places.

MEMO

5 Directly selecting the video channel at the PGM position

of the video currently being output switches the video with a cut, regardless of any selection of a transition eect.

Using the [AUTO] Button to Switch Video Automatically

You can use the [AUTO] button to switch video automatically, without using the A/B fader.

MEMO

5 You can perform operations using the [AUTO] button

both in the PGM/PST mode and in the A/B mode.

1. Press the [AUTO] button at the desired

timing for switching the video.

The video at the PGM (bus A) position and the PST (bus B) position is switched with every press of the [AUTO] button.

* When a mix or wipe has been selected as the

transition eect, the value set for “TRANSITION TIME” at TRANSITION/PinP (page 5/16) on the SETUP menu is used for the video transition time.

MEMO

5 When you use the [AUTO] button to switch video, the

actual output might come to dier from the position of the A/B fader.

Operating the A/B fader while in this state yields no change in output until the position of the A/B fader matches the actual output.

5 You can make the [AUTO] button dark. Go to the

SETUP menu, and at PANEL (page 9/16), set “AUTO LED” to “OFF.”

Switching in the A/B Mode

The video on the bus toward which the A/B fader is ipped is output.

1. Use the [A-1] through [A-4] and [B-1] through

[B-4] buttons to select the video to input on bus A and bus B.

Bus A

Bus B

Lighted in red: Video currently being output Lighted in green: Video to be output next Lighted in white: Channel with video input

2. Press the [WIPE], [MIX], or [CUT] button to

select a transition eect.

The selected button lights up.

MEMO

5 You can change the transition pattern used for a

wipe or mix transition. Go to the SETUP menu, and at TRANSITION/PinP (page 5/16), use “WIPE” or “MIX” to make the setting.

For a list of transition-pattern types, refer to “ Transition Eects List” (p. 33).

3. Move the A/B fader to the bus A position or the

bus B position.

The output video is switched.

MEMO

5 Directly selecting the video channel at the bus position of

the video currently being output switches the video with a cut, regardless of any selection of a transition eect.

Page 20

Video Operations

Switching Automatically (Auto Scan)

The video on channels 1 through 4 is switched automatically in sequence.

MEMO

5 Any channels carrying no video input are skipped.

1. Display the SETUP menu (p. 12), then select

“AUTO SCAN.”

2. Use the A/B fader to set this to “ON.”

Value Explanation

Video automatic switching is turned on. The

video on channels 1 through 4 is switched automatically.

The video automatic switching feature is turned

OFF

o.

5 You can use the following SETUP menu items to set the

interval for video display and the time applies to the video transition.

SYSTEM (page 15/16)

Menu item Explanation

SCAN TIME

TRANS TIME

* If the time that the video transition takes is longer

than the video display interval, the time interval for the video transition takes precedence.

3. Quit the menu (p. 12).

This sets the display interval for video within a range of 1 to 120 seconds.

This sets the time the video transition takes, within a range of 0.0 to 4.0 seconds.

* These are eective when a mix or wipe

is selected as the transition eect.

Freezing Input Video (Freeze)

This temporarily pauses the incoming video. You can apply transition eects and perform video

compositing during a video freeze.

Setting the Freeze Mode

Two operation modes are available for freezes: the “ALL mode” and the “SELECT mode.”

By factory default, this is set to “ALL” (freeze all incoming video).

If you want to select the input video to freeze, go to the SETUP menu, and at SYSTEM (page 14/16), set “FREEZE MODE” to “SELECT.”

MEMO

5 When the “FREEZE MODE” is set to “STILL,” the [FREEZE]

button functions as a still-image output button. For more information, refer to “Outputting a Still Image”

(p. 21).

Freezing Input Video

When the Freeze Mode Is Set to “ALL”

1. Press the [FREEZE] button to turn on freeze

(lighted).

All video that is input freezes.

2. To turn o freeze, press the [FREEZE] button a

second time.

When the Freeze Mode Is Set to “SELECT”

1. Press the [FREEZE] button to turn on freeze

(lighted).

The [A-1] through [A-4] buttons all ash in red.

2. Press one of the [A-1] through [A-4] buttons to

select the incoming video you want to freeze.

The selected input video freezes.

3. To turn o freeze, press the [FREEZE] button a

second time.

Page 21

Video Operations

Applying a Fade to the Main Output Video (Output Fade)

You can apply a fade to the V-1SDI’s main output video.

This lets you make the main output video fade to a black (or white) picture at times when you want to suppress video output, such as during intervals in a presentation, event or band performance.

Functioning of the [OUTPUT FADE] Knob

You can assign the following functions to the [OUTPUT FADE] knob.

5 Applying a fade to the main output video

5 Adjusting the volume level of output audio

To specify the function of the [OUTPUT FADE] knob, go to the SETUP menu, and at SYSTEM (page 14/16), use “OUTPUT FADER ASSIGN” to make the setting.

* By factory default, this is set to “V & A.”

Value Function of the [OUTPUT FADE] knob

Applies a fade to the main output video.

VIDEO

Simultaneously applies a fade to the main output

V & A

video and adjusts the volume level of output audio.

Adjusts the volume level of output audio (p. 26).

AUDIO

Turning counterclockwise applies a black fade to

BLACK / A

the main output video. Turning clockwise adjusts the volume level of output audio.

Applying a Fade-out

1. Turn the [OUTPUT FADE] knob all the way

clockwise or counterclockwise.

Capturing a Still Image from Input Video

You can capture still images from input video on channel 4. You can output captured still images from the PGM connector (SDI), or use them as a source for DSK compositing (p. 24).

* You can also use V-1SDI RCS dedicated software to send

still images from a computer to the V-1SDI.

Capturing a Still Image

NOTE

5 Either the captured still image or the still image sent

from V-1SDI RCS is temporarily stored in the unit. If a new still image is captured or is sent from V-1SDI RCS

while a still image is already saved, the previously saved still image is overwritten. Also, still-image data is deleted when the power is turned o.

1. Input video on channel 4.

2. Display the SETUP menu (p. 12), then select

“CAPTURE IMAGE.”

3. Move the A/B fader to the bus A position.

4. Make sure the message “PRESS “UP ”” is

displayed, and press the [DSK] (

Capturing is carried out, and the message “COMPLETE” is displayed.

5. Quit the menu (p. 12).

) button.

* When set to “BLACK / A,” only

counterclockwise turning (black fade) has any eect.

Turning the [OUTPUT FADE] knob clockwise performs a fade-out to white, and turning the knob counterclockwise performs a fade-out to black.

Applying a fade makes the indicators to the left or right of the knob ash.

Applying a Fade-in

1. Return the [OUTPUT FADE] knob to its center

position.

The indicator stops ashing and lights up steadily, and output starts.

Outputting a Still Image

1. Change the functioning of the [FREEZE] button.

Go to the SETUP menu, and at SYSTEM (page 14/16), set “FREEZE MODE” to “STILL.”

This makes the [FREEZE] button function as a stillimage output button.

2. Press the [FREEZE] button.

* When you output a still image, the

change is made using a cut, regardless of the transition-eect selection.

All output goes dark momentarily during the change, but this is not a malfunction.

The still image is output from the PGM connector.

3. To return from still-image output to video

output, press the [FREEZE] button once more.

Page 22

Video Composition Operations

A B

You can composite video on bus A and video on bus B. The V-1SDI has seven built-in types of composition.

Selecting a Composition Type

This selects the composition type to assign to the [PinP] or [SPLIT] button.

1. Display the SETUP menu (p. 12), then select

“PinP” or “SPLIT.”

2. Use the A/B fader to select the compositing eect

to assign to the [PinP] or [SPLIT] button.

Value Explanation

This composites video in an inset screen onto a background video. The horizontal size

PinP 1/4

of the inset screen is 1/4 the width of the background video.

This composites video in an inset screen onto a background video. The horizontal size

PinP 1/3

of the inset screen is 1/3 the width of the background video.

This composites video in an inset screen onto a background video. The horizontal size

PinP 1/2

of the inset screen is 1/2 the width of the background video.

This composites the video

SPLIT-VS

stretched vertically.

This composites the video with

SPLIT-VC

its center section vertically cropped.

A B

Compositing Four Video Pictures into One Screen

This composites the input video on channels 1 through 4 into one screen.

Channel 1 Channel 2

Channel 3 Channel 4

MEMO

5 Performing a video transition while video compositing is

in progress is not possible.

1. Follow the procedure in “Selecting a

Composition Type” on this page to select “QUAD.”

2. Press the [PinP] or [SPLIT] button to turn on

video compositing (making the button light up).

The input video on channels 1 through 4 is composited into one screen.

3. To turn o video compositing, press the [PinP] or

[SPLIT] button a second time.

This composites the video

SPLIT-HS

stretched horizontally.

This composites the video with

SPLIT-HC

its center section horizontally cropped.

This composites the input video on channels

QUAD

1 through 4 into one screen.

3. Quit the menu (p. 12).

MEMO

5 You can change the composition type of the [PinP]

button by holding down the [PinP] button and turning the [CONTROL 1] knob. For the [SPLIT] button, you can change the type by holding down the [SPLIT] button and turning the [CONTROL 2] knob.

A B

Page 23

Video Composition Operations

Compositing Using Picture-in-Picture

This composites video in an inset screen onto a dierent background video. This section describes operations when in the PGM/PST mode (p. 18).

Inset screen

Background video

1. Follow the procedure in “Selecting a

Composition Type” (p. 22) to select “PinP 1/4,” “PinP 1/3,” or “PinP 1/2.”

2. Use the [A-1] through [A-4] buttons to

separately select the video you want to use as the background video.

3. Use the [B-1] through [B-4] buttons to

separately select the video you want to use as the inset screen.

4. Press the [PinP] or [SPLIT] button to turn on

video compositing (making the button light up).

6. Turn the [CONTROL 1] and [CONTROL 2] knobs

to adjust the display position of the inset screen.

[CONTROL 1] knob

This adjusts the inset screen’s display position horizontally.

[CONTROL 2] knob

This adjusts the inset screen’s display position vertically.

7. Press the [AUTO] button.

The inset screen is composited onto the background video and the result is output. Pressing the [AUTO] button a second time makes the inset screen disappear.

* You can also display or hide the inset screen by operating

the A/B fader.

8. To turn o video compositing, press the [PinP] or

[SPLIT] button a second time.

MEMO

5 You can change the width and color of the border

added to the inset screen. Go to the SETUP menu, and at TRANSITION/PinP (page 6/16), make the settings for “WIDTH” and “COLOR.”

5. Use Preview to check the position and size of

the inset screen.

Setting the view mode for preview output to “PST” displays the inset screen in Preview (against a black background), allowing you to check the position and size of the inset screen.

For details about output modes, refer to “Switching the View Mode of Preview Output” (p. 16).

Page 24

Video Composition Operations

Compositing Using Split

This composites two video streams in a split screen. The video at the PGM (video currently being output)

is displayed above or on the left, and the video at the PST (video to be output next) is displayed below or on the right.

MEMO

5 While compositing of the video is in progress, the video

switches with cuts regardless of the selected transition eect.

1. Follow the procedure in “Selecting a

Composition Type” (p. 22) to select “SPLIT-VS,” “SPLIT-VC,” “SPLIT-HS,” or “SPLIT-HC.”

2. Press one of the [A-1] through [A-4] buttons to

select the video you want to display above or on the left.

3. Press one of the [B-1] through [B-4] buttons to

select the video you want to display below or on the right.

4. Press the [SPLIT] or [PinP] button to turn on

video compositing (making the button light up).

Compositing Using DSK

This takes video composited upstream using PinP or the like, and performs further downstream compositing with text or images.

Using DSK (downstream keying), you can switch the background video while text or images remain displayed.

DSK

Setting the Extraction Color

By factory default, the extraction color for DSK is set to “BLU-C.KEY” (blue).

If you want to use white, black, or green as the extraction color, then change the setting.

1. Display the SETUP menu (p. 12), then select

“KEY TYPE.”

The video you selected in steps 2 and 3 is composited.

5. Turn the [CONTROL 1] and [CONTROL 2] knobs

to adjust the display position for the video.

* You can adjust this when you selected “SPLIT-HC” or

“SPLIT-VC” in step 1.

 When Set to SPLIT-HC

This adjusts the vertical position of the video displayed above or below.

[CONTROL 1] knob: Upper video [CONTROL 2] knob: Lower video

 When Set to SPLIT-VC

This adjusts the horizontal position of the video displayed on the left or right.

[CONTROL 1] knob: Video on the left [CONTROL 2] knob: Video on the right

6. To turn o video compositing, press the [SPLIT]

or [PinP] button a second time.

2. Use the A/B fader to specify the extraction color to

use when compositing.

Value Explanation

WHT-L.KEY

BLK-L.KEY

GRN-C.KEY

BLU-C.KEY

This uses a brightness threshold to make white transparent.

This uses a brightness threshold to make black transparent.

This uses a color threshold to make green transparent.

This uses a color threshold to make blue transparent.

3. Quit the menu (p. 12).

Page 25

Video Composition Operations

Compositing Using DSK

1. Input a logo or image.

By factory default, text and images input via “INPUT 4” (input channel 4) are set to undergo DSK composition.

If you want to use text or images input via a dierent channel, go to the SETUP menu, and at DSK (page 7/16), use “SOURCE CH” to change the input channel.

If you want to perform compositing using a captured still image (p. 21) or a still image sent from V-1SDI RCS dedicated software, change the setting to “STILL.”

2. Output the background video.

3. Press the [DSK] button to turn on DSK (making

the button light up).

The text or image is composited and the results are output.

4. Press the [KEY LEVEL] button.

MEMO

5 You can adjust the overall density of the text and images

being composited using DSK. Go to the SETUP menu, and at DSK (page 7/16), adjust the value of “MIX LEVEL.”

5 For the fade time used for text and images

composited using DSK, the value of “TRANSITION TIME” at TRANSITION/PinP (page 5/16) on the SETUP menu is applied.

5 When the extraction color is “GRN-C.KEY” (green) or

“BLU-C.KEY” (blue), you can use the following SETUP menu items to ne-tune hue and saturation.

DSK (page 8/16)

Menu item Explanation

HUE WIDTH This adjusts the hue width (range).

HUE FINE

SATURATION WIDTH

SATURATION FINE

5 You can make the [DSK] button dark. Go to the SETUP

menu, and at PANEL (page 9/16), set “DSK LED” to “OFF.”

This adjusts the center position for hue.

This adjusts the saturation width (range).

This adjusts the center position for saturation.

The [KEY LEVEL] button lights up, and you can now use the [CONTROL 1] and [CONTROL 2] knobs to adjust key level and key gain.

5. Turn the [CONTROL 1] or [CONTROL 2] knob to

adjust the degree of eect applied.

[CONTROL 1] knob

This adjusts the degree of extraction (key level) for the text and images.

[CONTROL 2] knob

This adjusts the degree of blur for the edges (key gain) for the text and images.

6. After nishing adjusting key level and key gain,

press the [KEY LEVEL] button a second time.

The [KEY LEVEL] button goes dark.

7. To turn o DSK, press the [DSK] button a

second time.

The [DSK] button goes dark and the text and images disappear from the output.

Page 26

Audio Operations

Adjusting the Volume Level

This adjusts the volume level of input audio and output audio.

1. Display the AUDIO menu (p. 12), then select

the input audio whose volume level you want to adjust.

You use the following menu items to adjust the volume level of input audio.

AUDIO LEVEL (page 1/15)

Menu item Explanation

SDI 1–3 INPUT LEVEL

HDMI 3, 4 INPUT LEVEL

AUDIO INPUT LEVEL Input audio from AUDIO IN

MIC INPUT LEVEL Input audio from MIC

Input audio from respective SDI IN sources

Input audio from respective HDMI IN sources

2. Use the A/B fader to adjust the volume level for

the respective input audio.

Raise the volume level of audio you want to make more prominent, such as a microphone, and lower the volume level for other audio.

When no audio is input, and for audio that is unused, set the volume level to “-INF.”

MEMO

5 Setting “MASTER OUTPUT LEVEL” to “-INF” results in no

audio output from the output connectors.

5 To adjust MIC input sensitivity, you use the [MIC] knob on

the side panel.

3. Select “MASTER OUTPUT LEVEL.”

4. Use the A/B fader to adjust the volume level of

output audio.

5. Quit the menu (p. 12).

MEMO

5 You can also use the [OUTPUT FADE] knob to adjust

the volume level of output audio. For details, refer to “Functioning of the [OUTPUT FADE] Knob” (p. 21).

Center: MASTER OUTPUT LEVEL setting value

-INF-INF

5 You can output a test tone, which is useful for adjusting

the volume level. Go to the SETUP menu, and at SYSTEM (page 16/16), set “TEST TONE OUTPUT” to “-20dB@1kHz,” “-6 dB@1kHz,” or “0dB@1kHz.”

5 You can check the AUDIO indicator or the level meter

(p. 16) to determine whether the volume has been adjusted to a suitable level.

Level meter

(dB)

Red

-6

AUDIO indicator

Indicator Status

This lights up at 0 dB or higher. It indicates

Red

an excessive volume level.

This lights up at -19 to -1 dB. It indicates an

Yellow

appropriate volume level.

This lights up at -50 to -20 dB. It indicates a

Green

too-low volume level.

* By factory default, the display of the AUDIO indicator is

set to “MASTER OUT” (output audio signal level). If you want to use the AUDIO indicator to monitor other

audio signal, go to the SETUP menu, and at PANEL (page 8/15), make the setting using “AUDIO LED.”

* If the volume level of speaker output is unsuitable

even when the volume level on the V-1SDI has been adjusted so that the AUDIO indicator and level meter light up in yellow, adjust the volume for the speakers and ampliers. Using “MASTER OUTPUT LEVEL” to make adjustments can sometimes result in distortion or

poorer sound quality.

-10

-20

-30

-40

-50

Yellow

Green

Page 27

Applying Eects to Audio

You can apply eects to audio that is input and output to adjust its sound quality.

Audio Operations

Applying Eects to Input Audio

This applies eects and adjusts sound quality for audio input via AUDIO IN, MIC, SDI IN, and HDMI IN.

The following table shows the eects you can use with the dierent input audio streams.

Input audio

AUDIO IN

MIC

SDI IN

HDMI IN

EQ DELAY GATE COMP HPF

 

    

 

Eects

— — —

1. Display the AUDIO menu (p. 12), then select the

eect menu item you want to use.

* For more information about eects, refer to the following

section.

2. Use the A/B fader to adjust the setting value.

3. Quit the menu (p. 12).

Equalizer (EQ)

This adjusts the sound quality for each frequency band.

SDI 1 (page 4/15) – MIC IN (page 10/15)

Menu item Explanation

EQ Hi This boosts or attenuates the high band.

EQ Hi FREQ

EQ Mid This boosts or attenuates the middle band.

EQ Mid FREQ

EQ Mid Q

EQ Lo This boosts or attenuates the low band.

EQ Lo FREQ

This adjusts the center frequency when changing the sound quality in the high band.

This adjusts the center frequency when changing the sound quality in the middle band.

This adjusts the width of the frequency band when boosting or attenuating the middle band.

This adjusts the center frequency when changing the sound quality in the low band.

Delay (DELAY)

This outputs audio with a delay. Delaying audio output lets you align the output

timing of video and audio.

AUDIO DELAY (page 3/15)

This adjusts the delay time for audio inputs.

High-pass Filter (HPF)

This cuts o unneeded low-band audio. The cuto frequency is 75 Hz.

MIC IN (page 10/15)

Menu item Explanation

HPF This sets the high-pass lter on or o.

Compressor (COMP)

This compresses audio that exceeds a specied level.

MIC IN (page 11/15)

Menu item Explanation

COMP This sets the compressor on or o.

THRESHOLD

RATIO

AT TACK

RELEASE

This sets the level used as the threshold when compressing audio. Compression is applied to audio that exceeds the level set here.

This species the degree of compression applied to the audio. The state in which no compression is applied is dened as “1.”

This sets the time until compression starts when audio exceeding the threshold is input.

This adjusts the length of time until compression ends after audio falls below the threshold.

Gate (GATE)

This mutes audio that is below a specied level.

MIC IN (page 11/15)

Menu item Explanation

GATE This sets gate on or o.

THRESHOLD

RELEASE

This sets the level used as the threshold for removing audio. Audio below the level set here is removed.

This adjusts the length of time until the audio is fully attenuated after audio falls below the threshold.

Page 28

Audio Operations

Applying Eects to Output Audio

This applies eects and adjusts the sound quality for output audio.

1. Display the AUDIO menu (p. 12), then select the

eect menu item you want to use.

* For more information about eects, refer to the following

section.

2. Use the A/B fader to adjust the setting value.

3. Quit the menu (p. 12).

Equalizer (EQ)

This adjusts the sound quality for each frequency band.

MASTER OUT (page 12/15)

Menu item Explanation

EQ Hi This boosts or attenuates the high band.

EQ Hi FREQ

EQ Mid This boosts or attenuates the middle band.

EQ Mid FREQ

EQ Mid Q

EQ Lo This boosts or attenuates the low band.

EQ Lo FREQ

This adjusts the center frequency when changing the sound quality in the high band.

This adjusts the center frequency when changing the sound quality in the middle band.

This adjusts the width of the frequency band when boosting or attenuating the middle band.

This adjusts the center frequency when changing the sound quality in the low band.

Reverb (REVERB)

This adds lingering reverberations to the audio. You can apply reverb to audio input via AUDIO IN,

MIC, SDI IN, and HDMI IN.

MASTER OUT (page 13/15)

Menu item Explanation

LEVEL

TIME This adjusts the length of the reverb.

TYPE

1. Display the AUDIO menu (p. 12), then select the

input audio where you want to apply reverb using “REVERB SEND LEVEL.”

2. Use the A/B fader to adjust the amount of audio

sent to reverb.

Repeat steps 1 and 2 as needed to individually adjust the amount of reverb applied.

3. At the AUDIO menu, select “LEVEL” under

REVERB.

This adjusts the return level from reverb of the audio. A setting of “0” results in no reverb applied.

This species the type of reverb.

ROOM:

Produces the natural reverberations of a highly resonant room.

HALL:

Produces reverberations like that of a performance in a concert hall or other such space.

Mastering (MASTERING)

This adjusts the acoustic characteristics and tone quality.

MASTER OUT (page 15/15)

Menu item Explanation

MASTERING This switches mastering on and o.

ENHANCER

Mid

This adjusts the degree of application of the noise suppressor.

This adjusts the degree of application of the enhancer.

This suppresses high-frequency distortion and adjusts the sound to have sustained tones.

This suppresses midrange distortion and adjusts the sound to have distinct tones.

This suppresses low-frequency distortion and adjusts the sound to have stable tones.

4. Use the A/B fader to adjust the amount of audio

returned from reverb.

This adjusts the depth of overall reverb applied while maintaining the balance in the degree of reverb applied to the individual input audio streams.

5. Quit the menu (p. 12).

Page 29

Audio Operations

Interlinking Audio Output to Video Switching (Audio Follow)

You can associate audio with a video switch so that when the video is switched, only the audio of the output video is output, and other audio is automatically muted.

You can also use Audio Follow with audio input via AUDIO IN or MIC.

1. Follow the procedure in “Adjusting the Volume

Level” (p. 26) to adjust the volume to the level you want to output.

2. Display the AUDIO menu (p. 12), then select the

input audio to use with Audio Follow.

Menu item Explanation

A. FOLLOW SDI 1–3 Input audio from SDI IN 1–3

A. FOLLOW HDMI 3, 4 Input audio from HDMI IN 3, 4

3. Use the A/B fader to set this to “ON.”

Value Explanation

This sets the Audio Follow feature on.

Audio is automatically muted when no video channel has been selected.

OFF This sets the Audio Follow feature o.

4. Quit the menu (p. 12).

5. Switch the video.

On video channels where Audio Follow is on, audio is automatically muted when video on other channels is output.

* Other settings are required to use Audio Follow with

audio input via AUDIO IN or MIC. For details, refer to “Adding Audio Follow Associations” on this page.

Adding Audio Follow Associations

You can use Audio Follow with audio input via AUDIO IN or MIC.

1. Display the AUDIO menu (p. 12), then select the

input audio to use with Audio Follow.

Menu item Explanation

AUDIO IN Input audio from AUDIO IN

MIC IN Input audio from MIC

2. Use the A/B fader to specify the video channel

to use with Audio Follow.

Value Explanation

This sets the video input channel to interlink with input audio using Audio Follow.

1–4

On the video channels other than the one specied, audio input via AUDIO IN or MIC is muted.

This assigns no video input channel to Audio

OFF

Follow.

3. Quit the menu (p. 12).

MEMO

5 You can use the preview output from the MULTI-VIEW

connector (four-way split screen) to check the Audio Follow settings. On video and audio channels where Audio Follow is on, “A.F” is displayed below the audio level meter.

Page 30

Other Features

Returning Settings to the Factorydefault State (Factory Reset)

You can return the values of settings on the V-1SDI to their factory defaults.

If operation that diers from what is described in the Owner’s Manual occurs even when the steps described are followed correctly, try performing a factory reset.

NOTE

5 Performing a factory reset causes all settings made and

values saved in memory (p. 13) to be lost.

1. Display the SETUP menu (p. 12), then select

“FACTORY RESET.”

2. Move the A/B fader to the bus A position.

3. Make sure the message “PRESS “UP”” is

displayed, and press the [DSK] (

(If you want to cancel the operation, move the A/B fader to the bus B position or press the [AUTO] (

A factory reset is executed.

) button.)

4. Quit the menu (p. 12).

) button.

Preventing Unintended Operation (Panel Lock)

This locks operation of buttons and knobs to prevent unintended operation of the V-1SDI.

1. Display the SETUP menu (p. 12), then select the

targets for panel lock.

You can select the following menu items as targets for panel lock.

PANEL LOCK (page 10/16)

Menu item Target of panel lock

ALL SW & VOLUME

RIGHT SW

DSK SW [DSK] button

AUTO SW [AUTO] button

LEFT SW

FREEZE SW [FREEZE] button

MEMORY SW [MEMORY] button

AUDIO SW [AUDIO] button

PANEL LOCK (page 11/16)

CENTER SW

A/B BUS SW

KEY LEVEL SW [KEY LEVEL] button

WIPE SW [WIPE] button

MIX SW [MIX] button

CUT SW [CUT ] button

PinP SW [PinP] button

SPLIT SW [SPLIT ] button

PANEL LOCK (page 12/16)

VOLUME

OUTPUT FADE VOL [OUTPUT FADE] knob

CONTROL 1 VOL [CONTROL 1] knob

CONTROL 2 VOL [CONTROL 2] knob

A/B FADER A/B fader

All controls listed at the PANEL LOCK menu item

The following buttons on the right side of the panel

The following buttons on the left side of the panel

The following buttons at the center of the panel

[A-1]–[A-4] buttons [B-1]–[B-4] buttons

The following knobs and the A/B fader

2. Use the A/B fader to set panel lock to enabled

(ON) or disabled (OFF).

3. Quit the menu (p. 12).

The SETUP indicator lights up when an attempt is made to operate a button, knob, or other control for which panel lock is enabled.

Page 31

Operating the V-1SDI by Remote Control

You can use V-1SDI RCS dedicated software to remotely control the following functions on the V-1SDI from a computer connected via USB.

5 V-1SDI panel operations

5 Selecting transition eects

5 Audio mixer operation

5 Memory save/load operations

5 Transmission of still images

V-1SDI

V-1SDI RCS

Computer

V-1SDI RCS can be downloaded from the following Roland website.

https://proav.roland.com/

Other Features

About Remote Control Via MIDI or RS-232

The V-1SDI also supports remote control by external equipment via MIDI or RS-232.

For information on remote control via MIDI or RS232, refer to the “Reference Manual” (PDF) available for download at the Roland website above.

Page 32

Appendices

Troubleshooting

If you suspect a malfunction, please check the following points. If this does not resolve the problem, contact a nearby Roland Service Center.

Problem Items to check Action Page

Video-related problems

No picture is input.

Video from the computer is not displayed.

No picture is output.

“Snowy”-noise video is output.

The colors on the monitor screen connected via HDMI are incorrect.

The edges of video shown on the display are cut o.

Compositing a logo or image is not possible.

Audio-related Problems

No audio is output. Audio volume is low.

No reverb is applied.

Are the [A-1] through [A-4] and [B-1] through [B-4] buttons ashing in white?

Is copyright-protected (HDCP) video being input?

Is the format of the video output from the computer compatible with the V-1SDI’s input formats?

Has the [OUTPUT FADE] knob been turned clockwise or counterclockwise?

Is the display connected correctly?

Is the SETUP menu item “HDCP” set to “ON”?

It is possible that the HDMI signal is not being sent and received correctly.

Does the color space setting for the monitor connected to the MULTIVIEW connector match the color space setting on the V-1SDI?

Are the display settings compatible?

Has the correct extraction color been selected by DSK?

Is the volume turned down on the connected amplications or speakers?

Is the volume turned down on the V-1SDI?

Are you using connection cables that contain resistors?

Is the amount of audio sent to Reverb set at an appropriate level?

Video whose format diers from the setting on the V-1SDI is input. Input video that is compatible with the specied format.

When inputting copyright-protected (HDCP) video signals, go to the SETUP menu and set “HDCP” to “ON.”

The supported input formats on channels 1 through 3 are 1080p, 1080i, and 720p. Only channel 4 supports VESA-standard resolutions.

By default, turning the [OUTPUT FADE] knob clockwise or counterclockwise applies a fade to the main output video.

When outputting video, adjust the [OUTPUT FADE] knob to its center position.

When outputting copyright-protected (HDCP) video, connect an HDCP-compatible display.

When “HDCP” is set to “ON,” video is output only from the MULTI-VIEW connector. No video is output from the PVW and PGM connectors.

Reconnect the HDMI cable. —

Go to the SETUP menu and make the setting for “COLOR SPACE.”

Depending on the device, the color space might be interlinked with the selection of DVI or HDMI or the selected format. In such cases, changing the color space on the output device might bring about improvement for the problem.

Depending on the device, the display might automatically overscan. Change the display’s settings.

5 Use the SETUP menu item “KEY TYPE” to select

an extraction color for when compositing that matches the background color of the logo or image.

5 Use the [CONTROL 1] and [CONTROL 2] knobs

to adjust the position to just the right degree of extraction for the logo or image.

Adjust to an appropriate volume level. —

Adjust each input-audio stream to an appropriate volume level. Also, adjust the overall volume level.

If this happens, use connector cables that do not contain resistors.

If the send level for audio to Reverb is too low, the amount of reverb eect might be dicult to discern. Adjust the send level of the audio to Reverb.

p. 14

p. 17

p. 14

p. 21

p. 17

p. 15

p. 24

p. 26

p. 28

—

Page 33

Appendices

Transition Eects List

MIX

Eect Explanation

MIX The two pictures are blended together as the video is switched.

FAM

NAM

MOSAIC Transitions are made with mosaic pixelation.

WIPE

The original video is broken into by the next video.

Normal

H-DOWN H-UP V-RIGHT V-LEFT H-IN H-OUT V-IN V-OUT

R-DOWN L-DOWN R-UP L-UP BLOCK V-GRID H-GRID

Video transitions are made with the luminance levels of the two video streams maintained unchanged.

* This is an abbreviation of “full additive mix.”

The two video streams are compared, and transitions are made with display during transition starting with levels of high luminance.

* This is an abbreviation of “non-additive mix.”

Soft Edge

H-DOWN/s H-UP/s V-RIGHT/s V-LEFT/s H-IN/s H- OUT/s V-IN/s V-OUT/s

R-DOWN/s L-DOWN/s R-UP/s L-UP/s BLOCK/s V-GRID/s H-GRID/s

Page 34

Appendices

DSK SOURCE BUS

COMPOSITION

TRANSITION

A-BUS

B-BUS

SPLIT

PinP

QUAD

REVERB SEND

Block Diagram

Video Block

Audio Block

SDI IN 1

SDI IN 2

SDI IN 3

HDMI IN 3

HDMI IN 4

V-1SDI RCS from PC

MIC IN

GAIN

PLUG-IN POWER

AUDIO IN

SDI IN 1/2/3

HDMI IN 3/4

CH1 Dembedded

CH2 Dembedded

CH1 Dembedded

CH2 Dembedded

EDID

1080/720p

+3.3 V

EDID Emu

FORMAT

HPF EQ

GATE

I/P

CONV

I/P

CONV

I/P

CONV

SCALER

1080p

1080i

720p

COMP

DELAY

FREEZE

FREEZE/ CAPTURE

AUDIO

MULTIVIEWER

LEVEL

INPUT SELECT

STILL IMAGE

3 4

MIC LEVEL

AUD LEVEL

IN1/2/3 LEVEL

IN3/4 LEVEL

Page 35

DSK SOURCE BUS

FORMAT

1080p

1080i

720p

Appendices

A-BUS

B-BUS

QUAD

REVERB SEND

COMPOSITION

PinP

SPLIT

TRANSITION

WIPE

MIX

CUT

REVERBL R

DSK

OUTPUTFADE

P/I

CONV

SDI PGM OUT

PGM

PST

MULTI-VIEW

PGM

PST

MULTI-VIEW

MASTER

OUT LEVEL

LEVEL

MASTERING

OSD

P/I

CONV

P/I

CONV

CH1 Embedded

CH2 Embedded

CH1 Embedded

CH2 Embedded

CH1 Embedded

CH2 Embedded

SDI PVW OUT

HDMI MULTI-VIEW

SDI PGM OUT

SDI PVW OUT

HDMI MULTI-VIEW

AUDIO OUT

REVERB SEND

PHONES

LEVEL

REVERB LEVEL

REVERB

Page 36

Appendices

Main Specications

 Video

Video Processing 4:2:2 (Y/Pb/Pr), 8-bit

Input Connectors

Output Connectors

Input formats (*1) (*2)

Output formats (*2)

Video Eects

*1: The input interlaced video signal is converted to progressive video signal by internal processing. *2: The video signal frame rate can be selected at the SETUP menu (59.94 or 50). *3: Conforms to SMPTE 296M, SMPTE 274M

 Audio

Audio Processing Sampling rate 24 bits/48 kHz

Audio formats

Input Connectors

Output Connectors

Input Level

Input Impedance

Output Level

Output Impedance

Audio Eects EQ, Delay, Compressor, HPF, Gate, Reverb, Mastering eect

SDI INPUT 1–3 BNC x 3 * Conforms to SMPTE 424M (SMPTE 425M-AB), 292M

HDMI INPUT 3–4 Type A (19 pins) x 2 * HDCP Supported * INPUT 3: SDI or HDMI selected.

SDI OUT PGM BNC x 1 * Conforms to SMPTE 424M (SMPTE 425M-AB), 292M

SDI OUT PVW BNC x 1 * Conforms to SMPTE 424M (SMPTE 425M-AB), 292M

HDMI OUT MULTI-VIEW Type A (19 pins) x 1 * HDCP Supported

SDI INPUT 1–3 (*3) HDMI INPUT 3

HDMI INPUT 4

SDI OUT PGM (*3) SDI OUT PVW (*3) HDMI OUT MULTI-VIEW

Transition CUT, MIX (DISSOLVE/FAM/NAM/MOSAIC), WIPE (30 types)

Composition PinP, SPLIT, QUAD, DSK (Luminance Key, Chroma Key)

SDI Linear PCM, 24 bits/48 kHz, 2ch * Conforms to SMPTE 299M

HDMI Linear PCM, 24 bits/48 kHz, 2ch

Digital

Analog

Digital

Analog

AUDIO IN -10 dBu (Maximum: +8 dBu)

MIC -41– -13 dBu (Maximum: -1 dBu)

AUDIO IN 15 k ohms

MIC 10 k ohms

AUDIO OUT -10 dBu (Maximum: +8 dBu)

PHONES 92 mW + 92 mW (32 ohms)

AUDIO OUT 1k ohms

PHONES 10 ohms

720/59.94p, 720/50p (FORMAT switch = 720p)

1080/59.94i, 1080/50i 1080/59.94p, 1080/50p

480/59.94i, 576/50i, 480/59.94p, 576/50p, 720/59.94p, 720/50p, 1080/59.94i, 1080/50i. 1080/59.94p, 1080/50p, VGA (640 x 480/60 Hz), SVGA (800 x 600/60 Hz), XGA (1024 x 768/60 Hz), WXGA (1280 x 768/60 Hz), SXGA (1280 x 1024/60 Hz), FWXGA (1366 x 768/60 Hz), SXGA+ (1400 x 1050/60 Hz), UXGA (1600 x 1200/60 Hz), WUXGA (1920 x 1200/60 Hz)

* The refresh rate is the maximum value of each resolution. * Conforms to VESA DMT Version 1.0 Revision 11. * 1920 x 1200/60 Hz: Reduced blanking

720/59.94p, 720/50p (FORMAT switch = 720p)

1080/59.94i, 1080/50i (FORMAT switch = 1080i)

1080/59.94p, 1080/50p (FORMAT switch = 1080p)

SDI INPUT 1–3 (BNC) x 3

HDMI INPUT 3–4 (HDMI Type A 19 pins) x 2

AUDIO IN (RCA phono type)

MIC (Stereo mini type, plug-in power supported)

SDI OUT PGM: BNC x 1

SDI OUT PVW: BNC x 1

HDMI OUT MULTI-VIEW: Type A (19 pins) x 1

AUDIO OUT (RCA phono type)

PHONES (Stereo mini type)

Roland V-1SDI: 3G-SDI Video Switcher

(FORMAT switch = 1080i or 1080p)

Page 37

Appendices

313

 Other Connectors

USB B Type (for remote control from PC)

RS-232 DB-9 type

 Other Functions

MEMORY (8 types), FREEZE (input video captured), OUTPUT FADE (Audio, Video: WHITE or BLACK)

 Others

Power Supply AC Adaptor

Current Draw 2.1 A

Power Consumption 25 W

Operation Temperature

Dimensions

Weight

Accessories Owner’s Manual, AC adaptor, Power cord, Cord hook

* 0 dBu=0.775 Vrms * This document explains the specications of the product at the time that the document was issued. For the latest information,

refer to the Roland website.

+0 to +40 degrees Celsius +32 to +104 degrees Fahrenheit

313 (W) x 108 (D) x 59 (H) mm 12-1/3 (W) x 4-1/4 (D) x 2-1/3 (H) inches

1.2 kg 2 lbs 10-2/5 oz

Dimensions

335

102

108

Unit: mm

Page 38

For the U.K.

IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.

For the USA

ENA 23 Zone 1 nr. 1620 Klaus-Michael Kuehnelaan 13, 2440 Geel, BELGIUMImporter:

BLUE: BROWN:

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows:

The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.

NEUTRAL LIVE

DECLARATION OF CONFORMITY

Compliance Information Statement

Model Name :

Type of Equipment :

Responsible Party :

Address :

Telephone :

V-1SDI VIDEO SWITCHER Roland Corporation U.S. 5100 S. Eastern Avenue Los Angeles, CA 90040-2938 (323) 890-3700

FEDERAL COMMUNICATIONS COMMISSION

RADIO FREQUENCY INTERFERENCE STATEMENT

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment o and on, the user is encouraged to try to correct the interference by one or more of the following measures:

– Reorient or relocate the receiving antenna. – Increase the separation between the equipment and receiver. – Connect the equipment into an outlet on a circuit dierent from that to which the receiver is connected. – Consult the dealer or an experienced radio/TV technician for help.

This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation.

This equipment requires shielded interface cables in order to meet FCC class B limit. Any unauthorized changes or modications not expressly approved by the party responsible for compliance could void the user’s authority to

CAN ICES-3 (B)/NMB-3 (B)

operate the equipment.

For Canada

Manufacturer:

For Korea

2036-1 Nakagawa, Hosoe-cho, Kita-ku, Hamamatsu, Shizuoka 431-1304, JAPAN

Page 39

For EU Countries

For China

Page 40

* 5 1 0 0 0 5 5 7 8 2 - 0 2 *

Intellectual Property Right

• Itisforbiddenbylawtomakeanaudiorecording,videorecording,copyorrevisionofathirdparty’scopyrightedwork (musicalwork,videowork,broadcast,liveperformance,orotherwork),whetherinwholeorinpart,anddistribute, sell,lease,performorbroadcastitwithoutthepermissionofthecopyrightowner.

• Donotusethisproductforpurposesthatcouldinfringeonacopyrightheldbyathirdparty.Weassumeno responsibilitywhatsoeverwithregardtoanyinfringementsofthird-partycopyrightsarisingthroughyouruseofthis product.

• Thisproductcanbeusedtorecordorduplicateaudioorvisualmaterialwithoutbeinglimitedbycertain technologicalcopy-protectionmeasures.Thisisduetothefactthatthisproductisintendedtobeusedforthe purposeofproducingoriginalmusicorvideomaterial,andisthereforedesignedsothatmaterialthatdoesnot infringecopyrightsbelongingtoothers(forexample,yourownoriginalworks)canberecordedorduplicatedfreely.

• ThisproductcontainsePartsintegratedsoftwareplatformofeSOLCo.,Ltd.ePartsisatrademarkofeSOLCo.,Ltd.in Japan.

• RolandisaneitherregisteredtrademarkortrademarkofRolandCorporationintheUnitedStatesand/orother countries.

• Companynamesandproductnamesappearinginthisdocumentareregisteredtrademarksortrademarksoftheir

respectiveowners.

Roland Professional A/V V-1SDI, V-1SDI-W Users Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

Contents

USING THE UNIT SAFELY

IMPORTANT NOTES

Panel Descriptions

Top Panel/Front Panel

Rear Panel (Connecting Your Equipment)

Side Panel (Connecting Your Equipment)

Basic Operation

Using the Menus

Saving/Recalling Settings (Memory)

Video Input/Output Settings

Setting the Video Input/Output Format

Adjusting Output Video

Adjusting HDMI Input Video on Channel 4

Assigning a Video Source to Channel 3

Switching the View Mode of Preview Output

Inputting Copyright-protected (HDCP) Video

Video Operations

Switching the Video

About the Operation Mode for Video Transitions

Switching Using the PGM/PST Mode

Switching in the A/B Mode

Switching Automatically (Auto Scan)

Freezing Input Video (Freeze)

Applying a Fade to the Main Output Video (Output Fade)

Capturing a Still Image from Input Video

Video Composition Operations

Selecting a Composition Type

Compositing Four Video Pictures into One Screen

Compositing Using Picture-in-Picture

Compositing Using Split

Compositing Using DSK

Audio Operations

Adjusting the Volume Level

Interlinking Audio Output to Video Switching (Audio Follow)

Other Features

Preventing Unintended Operation (Panel Lock)

Operating the V-1SDI by Remote Control

Appendices

Troubleshooting

Block Diagram

Dimensions