Roland Professional A/V M-5000C User Manual
All specifications and appearances are subject to change without notice. Company names and product names appearing in this document are registered trademarks or trademarks of their respective owners. Roland, REAC and V-Mixer are either registered trademarks or trademarks of Roland
Corporation in the United States and/or other countries. It is forbidden by law to make an audio recording, video recording, copy or revision of a third party's copyrighted work (musical work, video work, broadcast, live performance, or other work), whether in whole or in part, and distribute, sell,
lease, perform, or broadcast it without the permission of the copyright owner. Do not use this product for purposes that could infringe on a copyright held by a third party. We assume no responsibility whatsoever with regard to any infringements of third-party copyrights arising through your use of
this product. Copyright 2015 Roland Corporation. All right reserved.
P
rinted in Japan Aug. 2015 RAM-20054 PRS-PD
M-5000 SERIES LIVE MIXING CONSOLES
Announcing a new era in live mixing consoles : O.H.R.C.A
In a rapidly changing world, the ability to adapt is needed to excel.
O.H.R.C.A brings the power of adaptability to the world of live audio mixing.
It conforms to the needs of both the application and the operator
by delivering 128 freely definable audio paths, flexible user interface and workflow, expandable protocols,
and multi-format I/O choices
-
all delivered at a pristine 24-bit / 96kHz sound quality.
This achievement in an ideal frame size opens a new generation in live sound solutions.
M-5000
L I VE M I X I N G C ONSOLE
24+4 f ader
Conf ig ur abl e Archit ecture
.
128 audio paths assignable as channels, auxes,
subgroups, matrices, mix minus, etc
.
Easil y adaptable to many applications includ ing
front-of -house, monitor posi tion, or broadcast.
01 02
.
Unrestricted patching for up to 300 inputs/296
outputs(M-5000) and 300 inputs/ 288 outputs(M-5000C)
at 96kHz(More at 48kHz)
.
Support for 2 of the 7 available optional expansion cards
.
Redundant audio transmission and optional redundant
power supply
Extensibility
High Resolu t ion
.
Outstanding 24- bit, 96kHz sound quality
.
High-precision 72- bit linear summing circuitry
.
High-end discrete preamps onboard and available
in remote snake options
Flexible Workflow
.
12" touch screen wit h integrated " touch and turn"
.
28 freely scrollable, isolatable, or assignable faders
(20 with M-5000C)
.
Dedicated, freely ass ignable user section of buttons
and knobs
M-5000C
L I VE M I X I N G C ONSOLE
16+4f ader
MADI
SDI SFP DVI
128 freely definable audio paths unlock a completely new realm of flexibility
A primary feature of O.H.R.C.A is its configurable architecture.
The console’s internal mix architecture is not fixed and can be freely defined within a range of up to 128 input/output channels/ busses.
This allows the user to essentially “build” a console structure based on the immediate needs of the application.
This not only makes for a console that can accommodate a diverse range of applications, but also one that accommodates high levels of flexibility
for precise response to dynamically changing conditions from venue to venue.
MIXER CONFIGURATION Setup Screen
Examples of Configurable Architecture
87 IN
FOH
74 IN
MONITORS
LCR
8 GROUP(4 STEREO
48 AUX(24 STEREO
MON(2
16 AUX
(
8 STEREO
)
)
)
MON(2
)
Talkback(1
8 MATRIX
)
Talkback(1
)
)
Headphone(2
)
OSC(1
Headphone(2
)
OSC(1
Create the mixer you need.
Roland has achieved a revolutionary new internal architecture that
)
gives the operator free rein to define their own mixer structure.
With 128 available audio paths, mixing channels, auxes,
Matrices, subgroup buses, MIX-MINUS buses, or other input
output needs can be allocated to match the need at hand. This
)
enables O.H.R.C.A to accommodate a diverse array of uses,
including FOH duties, monitor mixing, theater applications,
broadcasting, and more. The versatile internal capability of
Con f igurable Archi tecture
94 IN
THEATER
84 IN
BROADCAST
62 IN
MA TRIX
16 AUX
(
)
8 STEREO
LCR
8 MATRIX OSC
5.1+LR
8 MIX-MINUS OSC
62 MATRIX OUT
MON 5.1+LR
MON(2
6 AUX
)
Talkback(1
(
MONO
8 MATRIX
Talkback(1
MON(2
)
)
)
)
Headphone(2
(2)
Headphone(2
(1)
DOWNMIX(2
Headphone(2
having a configurable architecture delivers the ability to adapt
)
to ever-changing needs and of production requirements.
)
)
Input and output types available in Mixer Configuration
.
INPUT CHANNEL. (MONO/STEREO) . MAIN (5.1/LCR/LR/MONO + DOWNMIX)
)
.
SUB GROUP (MONO/STEREO) . AUX (MONO/STEREO)
.
MIX MINUS (MONO/STEREO) . MATRIX. MONITOR(5.1/LCR/LR)
.
TALKBACK, TALKBACK RTN, OSCILLATOR, HEADPHONES
03 04
Extensi bi l i ty
Adaptable to numerous audio networks and I/O requirements
Expansion options including REAC, Dante, MADI, Waves SoundGrid, SDI, SFP and DVI open the door to endless configurations and applications.
Expansion slots also future proof the console by being ready to adapt to emerging standards.
Up to 300 inputs and 296 outputs (460 inputs and 456 outputs at 48kHz)* are managed in separate patchbays and can be used independently of the mixer.
Any input can be patched to any or multiple outputs, including control+ of the gain and phantom power, without having to be patched through a mixing channel.
O.H.R.C.A makes it possible to control an enormous number of input and output channels across multiple protocols and formats.
* 300 inputs and 288 outputs at 96kHz (460 inputs and 448 outputs at 48kHz) with M-5000C + Only REAC connection
CONSOLE
.
ANALOG
16CH
Direct Connection
CHANNEL
.
MONO/
STEREO
CONSOLE
.
AES/EBU
2x2CH
MAIN
.
5.1 LCR
LR/MONO
REAC-A
.
40CH
REAC-B
.
40CH
GROUP
.
MONO/
STEREO
SLOT-1
*
.
[
80CH (96kHz), 160CH (48kHz
REAC, Dante, MADI,
Waves SoundGrid
In put Patchbay-300 (96 kHz) , 460 (48 kHz
AUX
.
MONO/
STEREO
MIX-MINUS
.
MONO/
STEREO
SLOT-2
*
.
]
[
)
80CH (96kHz), 160CH (48kHz
REAC, Dante, MADI,
Waves SoundGrid
MATRIX MONITOR
.
5.1 LCR
LR
]
)
From
USB
AUDIO
.
16CH
From
iPad
.
2CH
TALKBACK
.
1CH
From
USB Memory
RECORDER
.
2CH
)
TALKBACK
.
RTN 1CH
TALKBACK
.
2CH
OSC
.
2CH
INTERNAL
FX RTN
.
16CH
HEADPHONE
.
STEREO
OSC
.
2CH
Mi xer Conf igurat i on-128 audio paths
Channel Direct Out
)
To
INTERNAL FX
RTN
.
16CH
CONSOLE
.
ANALOG
(
M-5000
16CH
(
8 CH
M-5000C
CONSOLE
.
AES/EBU
)
2x2CH
)
Output Patchbay
REAC-A
.
40CH
REAC-B
.
40CH
-
M-5000 : 296 (96 kHz) , 456 (48 kHz) . M-5000C : 288(96kHz), 4 48(48kHz
SLOT-1
*
.
[
80CH (96kHz), 160CH (48kHz
REAC, Dante, MADI,
Waves SoundGrid
SLOT-2
*
.
]
[
)
80CH (96kHz), 160CH (48kHz
REAC, Dante, MADI,
Waves SoundGrid
To
USB AUDIO
]
)
.
16CH
To
iPad
.
2CH
Expansion slot architecture is capable of 160x160 channels at 48kHz.
*
To
USB MEMORY
RECORDER
.
2CH
05 0 6
REAC-Proven audio t ransf er
and cont rol te chnology
REAC (Roland Ethernet A udi o Communication) is
Roland’s original technology for low latency, high
quality digital audio transfer and control - 40 inputs by
40 outputs (80 total) at 24-bi t 96kHz uncompressed
quality. REAC is an Ethernet based technology that
enables multiple components to be easily integrated
using lightweight and inexpensive Cat5e/6 cable.
Loading...